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Chapter XXII: Part EIGHT: The King (2)

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He paused, but she did not reply, and he dropped her hand, and it fell like a lifeless thing to her side.

"I know it isn't true, dear, but I want to hear it from your own lips. One word--only one. Why shouldn't you speak? Say you know nothing of this warrant. Say that somebody else knew David Leone. It may be so--I cannot remember. Say ... say anything. Don't you see I will believe you whatever you say, Roma?"

Roma could control herself no longer.

"I know quite well it is impossible for you to forgive me, David."

"Forgive!"

"But if I could explain...."

"Explain? What can there be to explain? Did you denounce me to the magistrate?"

"If you could only know what happened...."

"Did you denounce me to the magistrate?"

She looked with frightened eyes at the bedroom door, and then dropped to her knees.

"Have pity upon me."

"Did you denounce me to the magistrate?"

"Yes."

His pale face became ashen.

"Then it's true," he said in a voice that hardly passed his throat. "What my friends have been saying all along is true. They warned me against you from the first, but I wouldn't believe them. I was a fool, and _this_ is my reward."

So saying he crushed the warrant in his hand and flung it at her feet.

Roma could bear no more. Making a great call on her resolution, she rose, turned towards the bedroom door, and, speaking in a loud voice in order that he who was within might hear, she said:

"David, I don't want to excuse myself or to blame anybody else, whoever it may be, and however wickedly he may have acted. But, from my soul and before God, I tell you that if I denounced you I did it for the best."

"The best!"

He laughed bitterly, but she forced herself to go on.

"When you went away you warned me that your enemies could be merciless. They _have_ been merciless. First, they tempted me with the fear of poverty. I had been accustomed to wealth, comfort, luxury. Look round you, David--they are gone. Did I ever regret them? Never! I was rich enough in your love, and I would not have sacrificed that for a queen's crown."

She looked up at his tortured face and saw that it was full of scorn, but still she struggled on.

"Then they tempted me with jealousy. The forged letter which killed Bruno was intended to poison me. Did I believe it? No! I knew you loved me, and if you didn't, if you had deceived me, that made no difference. _I_ loved _you_, and even if I lost you I should always love you, whatever happened."

Again she looked up into his face with her glistening eyes. It was not anger she saw there now, but an expression of bewilderment and of pain.

"Last of all, they tempted me with love itself. The treacherous tyrants deceived and intimidated the Pope--the good and saintly Pope--and through him they told me that your arrest was certain, your life in danger, and nothing could save you from your present peril but that I should denounce you for your past offences. The phantom of conspiracy rose up before me, and I remembered my father, doomed to life-long exile and a lonely death. It was my dark hour, dearest, and when they promised me--faithfully promised me--that your life should be spared...."

A faint sound came from the bedroom. Roma heard it, but Rossi, in the tumult of his emotion, heard nothing.

"I know what you will say, dear--that you would have given your life a hundred times rather than save it at the loss of all you hold so dear. But I am no heroine, David. I am only a woman who loves you, and I could not see you die."

He felt his soul swell with love and forgiveness, and he wanted to sob like a child, but Roma went on, and without trying to keep back her tears.

"That's all, dear. Now you know everything. It is not your fault that the love you have brought home to me is dead. I hoped that before you came home I might die too. I think my soul must be dead already. I do not hope for pardon, but if your great heart _could_ pardon me...."

"Roma," said Rossi at last, while tears filled his eyes and choked his voice, "when I escaped from the police I came here to avenge myself; but if you say it was your love that led you to denounce me...."

"I do say so."

"Your love, and nothing but your love...."

"Nothing! Nothing!"

"Though I am betrayed and fallen, and may be banished or condemned to death, yet...."

Her heart swelled and throbbed. She held out her arms to him.

"David!" she cried, and at the next moment she was clasped to his breast.

Again there was a faint sound from the adjoining room.

"The woman lies," said a voice behind them.

The Baron stood in the bedroom door.

VII

The Baron's impulse on going into the bedroom had been merely to escape from one who must be a runaway prisoner, and therefore little better than a madman, whose worst madness would be provoked by his own presence; but when he realised that Rossi was self-possessed, and even magnanimous in his hour of peril, the Baron felt ashamed of his hiding-place, and felt compelled to come out. In spite of his pride he had been forced to overhear the conversation, and he was humiliated by the generosity of the betrayed man, but what humbled him most was the clear note of the woman's love.

Knight of the Annunziata! Cousin of the King! President of the Council! Dictator! These things had meant something to him an hour ago. What were they now?

The agony of the Baron's jealousy was intolerable. For the first time in his life his ideas, usually so clear and exact, became confused. Roma was lost to him. He was going mad.

He looked at the revolver which he had snatched up when Roma let it fall, examined it, made sure it was loaded, cocked it, put it in the right-hand pocket of his overcoat, and then opened the door.

The two in the other room did not at first see him. He spoke, and their arms slackened and they stood apart.

After a moment of silence Rossi spoke. "Roma," he said, "what is this gentleman doing here?"

The Baron laughed. "Wouldn't it be more reasonable to ask what you are doing here, sir?" he asked.

Then trying to put into logical sequence the confused ideas which were besieging his tormented brain, he said, "I understand that this apartment belongs now to the lady; the lady belongs to me, and when she denounced you to the police it was merely in fulfilment of a plan we concocted together on the day you insulted both of us in your speech in the piazza."

Rossi made a step forward with a threatening gesture, but Roma intervened. The Baron gripped firmly the revolver in his pocket, and said:

"Take care, sir. If a man threatens me he must be prepared for the consequences. The lady knows what those consequences may be."

Rossi, breathing heavily, was trying to retain the mastery of himself.

"If you tell me that the lady...."

"I tell you that according to the law of nature and of reason the lady is my wife."

"It's a lie."

"Ask her."

"And so I will."

Roma saw the look of triumph with which Rossi turned to her. The terrible moment she had lived in fear of had come to pass. The letters she had written to Rossi had not yet reached him, and her enemy was telling his story before she had told hers.

What was she to do? She would have said anything at that moment and believed herself justified before God. But even lying itself would be of no avail. She remembered the Baron's threat and trembled. If she told the truth her confession, coming at that moment, would be worse than vain. If she told a lie, Rossi would insult the Baron, the Baron would challenge Rossi, and they would fight with all the consequences the Baron had foretold.

"Roma," said Rossi, "forgive me for putting the question, but a falsehood like this, affecting the character of a good woman, ought to be stopped in the slanderer's throat. Don't be afraid, dear. You know I will believe you before anybody in the world. What the man says is a lie, isn't it?"

Roma stood for a moment looking in a helpless way from Rossi to the Baron, and from the Baron back to Rossi. She made an effort to speak, but at first she could not do so. At length she said:

"Can't you trust me, David?"

"Trust you? Answer me on this one point and I will trust you on all the rest. Say the man speaks falsely, and I will stake my life on your word."

Roma did not reply, and the Baron tried to laugh.

"If the lady can deny what I say, let her do so. If she cannot, you must come to your own conclusions."

"Deny it, Roma! Deny it, and I will fling the man's insult in his face."

"David, if I could tell you everything...."

"Everything! It's only one thing I want to know, Roma."

"If you had received my letters addressed to England...."

"Letters? What matter about letters now. Don't you understand, dear? This gentleman says that before you married me you ... had already belonged to him. That's what he means, and it's false, isn't it?"

"My mouth is closed. If I could say anything one way or other...."

"Yes or no--that is all that is necessary."

Roma looked up at him with a pleading expression, but seeing nothing in his face except the magistrate who was interrogating her, she turned her back and hung her head, and cried like a helpless child.

Rossi laid hold of her arm, twisted her about, and looked into her eyes.

"Crying, Roma? You don't mean to tell me that I am to believe what the man says? Deny it! For God's sake deny it!"

"I ... I cannot ... I cannot speak," she stammered, and then there was a dead silence.

When Rossi spoke again his face was dark as a thundercloud, and his voice hoarse as a raven's.

"If that is so, there is nothing more to say."

She looked up at him with a pathetic remonstrance, but he met her eyes with the gaze of a relentless judge who had tried and condemned her.

"I was not to blame, David--I swear before God I was not."

"Yet you allowed me to go on believing that falsehood. The woman who could do a thing like that could do anything. She could pretend to be poor, pretend to be tempted, pretend...."

"David, what are you saying?"

Rossi broke into a peal of mad laughter.

"Saying? That you have deceived me from the beginning, when you undertook to betray me to your master and paramour."

"David!"

She tried to protest, but he bore her down with a laugh of scorn, and then wheeled round on the Baron, who had been standing in silence behind them.

"That's why you are here to-night, I suppose. You didn't expect to be disturbed, did you? You didn't expect to see me. You thought I was stowed away in a cell, and you could meet in safety.... Oh, my brain! my brain! I shall go mad!"

"It isn't true," cried Roma. And turning to the Baron with flame in her eyes she said, "Tell him it isn't true. You know it isn't true."

"True?" Again the Baron tried to laugh. "Of course it's true. Every word the man has uttered is true. Don't ask me to lie to him as you have done from first to last." At that Rossi's mad laughter stopped suddenly, and he stepped up to the Baron with fury in his face.

"You scoundrel!" he said. "You've succeeded, you've separated us, but I understand you perfectly. You have used this unhappy lady's shame to compel her to carry out your infamous designs, and now that she is done with, she must lose the man who played with her as well as the man she has played with."

Roma saw that the Baron was feeling for something in the side pocket of his overcoat, and she called to Rossi to warn him.

"One doesn't quarrel with an escaped criminal," said the Baron. "It is sufficient to call the police ... Police!" he cried, lifting his voice and taking a step forward.

Rossi stood between the Baron and the door.

"Don't stir," he said. "Don't utter a word, I warn you. I'm a hunted dog to-night, and a hunted dog is dangerous."

"Let me pass," said the Baron.

"Not yet, sir," said Rossi. "You have something to do before you go. You have to go down on your knees and beg the pardon of your victim...."

Roma saw the Baron draw the revolver. She saw Rossi spring upon him, and seize him by the collar of the Annunziata which hung over his shirt front. She saw the men go struggling through the door of the sitting-room into the dining-room. She covered her ears with her hands to shut out the sounds from the outer chamber, but she heard Rossi's hoarse voice that was like the growl of a wild beast. Then came the deafening report of a pistol-shot, then the vibration of a heavy fall, and then dead silence.

Roma was still standing with her hands over her ears, shaking with terror and scarcely able to breathe, when footsteps resounded on the floor behind her. Giddy and dazed, with one agonising thought she turned, saw Rossi, and uttered a cry of relief. But he was coming down on her with great staring eyes, and the look of a desperate maniac. For one moment he stood over her in his ungovernable rage, and scalding and blistering words poured out of him in a torrent.

"He's dead. D'you hear me? He's dead. But it's as much your work as mine, and you will never think of yourself henceforward without remorse and horror. I curse you by the love you've wronged and the heart you've broken. I curse you by the hopes you wasted and the truth you've outraged. I curse you by the memory of your father, the memory of a saint and martyr."

Before his last words were spoken Roma had ceased to hear. With a feeble moan, interrupted by a faint cry, she had slowly retreated before him, and then fallen face downwards. Everything about her, Rossi, herself, the room, the lamp on the table and the shadows cast by it, had mingled and blended, and gone out in a complete obscurity.

VIII

When Roma regained consciousness, there was not a sound in the apartment. Even the piazza outside was quiet. Somebody was playing a mandoline a long way off, and the thin notes were trembling through the still night. A dog was barking in the distance. Save for these sounds everything was still.

Roma lay for some minutes in a state of semi-consciousness. Her head was swimming with vague memories, and she was unable at first to disentangle the thread of them. At length she remembered all that had happened, and she wept bitterly.

But when the first tenderness was over the one feeling which seized and held her was hatred of the Baron. Rossi had told her the man was dead, and she felt no pity. The Baron deserved his death, and if Rossi had killed him it was no crime.

She was still lying where she had fallen when a noise as of some one moving came from the adjoining room. Then a voice called to her:

"Roma!"

It was the Baron's voice, broken and feeble. A great terror took hold of her. Then came a sense of shame, and finally a feeling of relief. The Baron was not dead. Thank God! O thank God!

She got up and went into the dining-room. The Baron was on his knees struggling to climb to the couch. His shirt front was partly dragged out of his breast, and the Order of the Annunziata was torn away. There was a streak of blood over his left eyebrow, and no other sign of injury. But his eyes themselves were glassy, and his face was pale as death.

"I'm dying, Roma."

"I'll run for a doctor," she said.

"No. Don't do that. I don't want to be found here. Besides, it's useless. In five minutes a clot of blood will have covered the lacerated brain, and I shall lose consciousness again. Stupid, isn't it?"

"Let me call for a priest," said Roma.

"Don't do that either. You can do me more good yourself, Roma. Give me a drink."

Roma was fighting with an almost unconquerable repugnance, but she brought the Baron a drink of water, and with shaking hands held the glass to his trembling lips.

"How do you feel?" she asked.

"Worse," he answered.

He looked into her eyes with evident contrition, and said, "I wonder if it would be fair to ask you to forgive me? Would it?"

She did not answer, and he stretched himself and sighed. His breathing became laboured and stertorous, his skin hot, and his eyes dilated.

"How do you feel now?" asked Roma.

"I'm going," he replied, and he smiled again.

The human soul was gleaming out of the wretched man at the last, and he was looking at her now with pleading eyes which plainly could not see.

"Are you there, Roma?"

"Yes."

"Promise that you will not leave me."

"I will not leave you now," she answered in a low voice.

After a moment he roused himself with an effort and said, "And this is the end! How absurd! They'll find me here in any case, and what a chatter there'll be! The Chamber--the journals--all the scribblers and speechifiers. What will Europe say? Another Boulanger, perhaps! But I'm sorry for Italy. Nobody can say I did not love my country. Where her interest lay I let nothing interfere. And just when everything seemed to triumph...."

He attempted to laugh. Roma shuddered.

"It was the star of the Annunziata that did it. The man threw it with such force. To think that it's been the aim of my life to win that Order and now it kills me! Ridiculous, isn't it?"

Again he attempted to laugh.

"There's a side of justice in that, though, and I'm not going to whine. The Pope tried to paint an awful end, but his nightmare didn't frighten me. We must all bow our heads to the law of compensation--the Pope as well as everybody else. But to die stupidly like this..."

He was speaking with difficulty, and dragging at his shirt front. Roma opened it at the neck, and something dropped on to the floor. It was a lock of glossy black hair tied with a red ribbon such as lawyers used to bind documents together. Dull as his sight was, he saw it.

"Yours, Roma! You were ill with fever when you first came to Rome, you remember. The doctors cut off your beautiful hair. This was some of it. I've worn it ever since. Silly, wasn't it?"

Tears began to shine in Roma's eyes. The cynical man who laughed at sentiment had carried the tenderest badge of it in his breast.

"I used to wear some of my mother's in the same place when I was younger. She was a good woman, too. When she put me to bed she used to repeat something: 'Hold Thou my hands,' I think.... May I hold your hands, Roma?"

Roma turned away her head, but she held out her hand, and the dying man kissed it.

"What a beautiful hand it is! I think I should know it among all the hands in the world. How stupid! People have been afraid of me all my life, Roma; even my mother was afraid of me when I was a child; but to die without once having known what it was to have some one to love you.... I believe I'm beginning to rave."

The mournful irony of the words was belied by the tremulous voice.

"My little comedy is played out, I suppose, and when the curtain is down it is time to go home. Death is a solemn sort of homegoing, Roma, and if those we've injured cannot forgive us before we go...."

But the battle of hate in Roma's heart was over. She had remembered Rossi and that had swept away all her bitterness. As the Baron stood to her, so she stood to her husband. They were two unforgiven ones, both guilty and ashamed.

"Indeed, indeed I do forgive you, as I hope to be forgiven," she said, whereupon he laughed again, but with a different note altogether.

Then he asked her to lift up his head. She placed a cushion under it, but still he called on her to lift his head higher.

"Can you lift me in your arms, Roma?... Higher still. So!... Can you hold me there?"

"How do you feel now?" she asked.

"It won't be long," he answered. His respirations came in whiffs.

Roma began to repeat as much as she could remember of the prayers for the dying which she had heard at the deathbed of her aunt. The dying man smiled an indulgent smile into the young woman's beautiful and mournful face and allowed her to go on. As she prayed faster and faster, saying the same words over and over again, she felt his breathing grow more faint and irregular. At length it seemed to stop, and thinking it was gone altogether, she made the sign of the cross and said:

"We commend to Thee, O Lord, the soul of Thy servant Gabriel, that being dead to the world he may live to Thee, and those sins which through the frailty of human life he has committed, Thou by the indulgence of Thy most merciful loving-kindness may wipe out, through Christ our Lord. Amen."

Then the glazed eyes opened wide and lighted up with a pitiful smile.

"I'm dying in your arms, Roma."

Then a long breath, and then:

"Adieu!"

He had tried to subdue all men to his will, and there was one man he had subdued above all others--himself. There is a greater man than the great man--the man who is too great to be great.

IX

There had been no light in the dining-room except the reflection from the lamp in the sitting-room, and now it fell with awful shadows on the whitening face turned upward on the couch. The pains of death had given a distorted expression, and the eyes remained open. Roma wished to close them, but dared not try, and the image of inanimate objects standing in the light was mirrored in their dull and glassy surface. The dog in the distance was still barking, and a company of tipsy revellers were passing through the piazza singing a drinking song with a laugh in it. When they were gone the clocks outside began to strike. It was one o'clock, and the hour seemed to dance over the city in single steps.

Roma's terror became unbearable. Feeling herself to be a murderer, she acted on a murderer's impulse and prepared to fly. When she recalled the emotions with which she had determined to kill the Baron and then deliver herself up to justice, they seemed so remote that they might have existed only in a dream or belonged to another existence.

Trembling from head to foot, and scarcely able to support herself, she fixed her hat and veil afresh, put on her coat, and, taking one last fearful look at the wide-open eyes on the couch, she went backwards to the door. She dared not turn round from a creeping fear that something might touch her on the shoulder.

The door was open. No doubt Rossi had left it so, and she had not noticed the circumstance until now. She had got as far as the first landing when a poignant memory came to her--the memory of how she had first descended those stairs with Rossi, going side by side, and almost touching. The feeling that she had been fatal to the man since then nearly choked and blinded her, but it urged her on. If she remained until some one came, and the crime was discovered, what was she to say that would not incriminate her husband?

Suddenly she became aware of sounds from below--the measured footsteps of soldiers. She knew who they were. They were the Carabineers, and they were coming for Rossi, who had escaped and was being pursued.

Roma turned instantly, and with a noiseless step fled back to the door of the apartment, opened it with her latch-key, closed it silently, and bolted it on the inside. This was done before she knew what she was doing, and when she regained full possession of her faculties she was in the sitting-room, and the Carabineers were ringing at the electric bell.

They rang repeatedly. Roma stood in the middle of the floor, listening and holding her breath.

"Deuce take it!" said a voice outside. "Why doesn't the woman open the door if she doesn't want to get herself into trouble? She's at home, at all events."

"So is he, if I know anything," said a second voice. "He drove here anyway--not a doubt about that."

"Let's see the porter--he'll have another key."

"The old fool is out at the illuminations. But listen...." (the door rattled as if some one was shaking it). "This door is fastened on the inside."

There was a chuckling laugh, and then, "All right, boys! Down with it!"

A moment afterwards the door was broken open and four Carabineers were in the dining-room. Roma awaited their irruption without a word. She continued to stand in the middle of the sitting-room looking straight before her.

"Holy saints, what's this?" cried the voice she had heard first, and she knew that the Carabineers were bending over the body on the couch.

"His Excellency!"

"Lord save us!"

Roma's head was dizzy, and something more was said which she did not follow. At the next moment the Carabineers had entered the sitting-room; she was standing face to face with them, and they were questioning her.

"The Honourable Rossi is here, isn't he?"

"No," she answered in a timid voice.

"But he has been here, hasn't he?"

"No," she answered more boldly.

"Do you mean to say that the Honourable Rossi has not been here to-night?"

"I do," she said, with exaggerated emphasis.

The marshal of the Carabineers, who had been speaking, looked attentively at her for a moment, and then he called on his men to search the rooms.

"What's this?" said the marshal, taking up a sealed letter from the bureau and reading the superscription: "L'on, Davide Rossi, Carceri Giudiziarie, di Milano."

"That's a letter I wrote to my husband and haven't yet posted," said Roma.

"But what's this?" cried a voice from the dining-room. "Presented to the Honourable David Rossi by the Italian colony in Zürich."

Roma sank into a seat. It was the revolver. She had forgotten it.

"That's all right," said the marshal, with the same chuckle as before.

Dizzy and almost blind in her terror, Roma struggled to her feet. "The revolver belongs to me," she said. "Mr. Rossi left it in my keeping when he went away two months ago, and since that time he has never touched it."

"Then who fired the shot that killed his Excellency, Signora?"

"_I_ did," said Roma.

Instinctively the man removed his hat.

Within half-an-hour Roma had repeated her statement at the Regina C[oe]li, and the Carabineers, to prevent a public scandal, had smuggled the body of the Baron, under the cover of night, to his office in the Palazzo Braschi, on the opposite side of the piazza.

X

One thought was supreme in David Rossi's mind when he left the Piazza Navona--that the world in which he had lived was shaken to its foundations and his life was at an end. The unhappy man wandered about the streets without asking himself where he was going or what was to become of him.

Many feelings tore his heart, but the worst of them was anger. He had taken the life of the Baron. The man deserved his death, and he felt no pity for his victim and no remorse for his crime. But that he should have killed the Minister, he who had twice stood between him and death, he who had resisted the doctrine of violence and all his life preached the gospel of peace, this was a degradation too shameful and abject.

The woman had been the beginning and end of everything. "How I hate her!" he thought. He was telling himself for the hundredth time that he had never hated anybody so much before, when he became aware that he had returned to the neighbourhood of the Piazza Navona. Without knowing what he was doing, he had been walking round and round it.

He began to picture Roma as he had seen her that night. The beautiful, mournful, pleading face, which he had not really seen while his eyes looked on it, now rose before the eye of his mind. This caused a wave of tenderness to pass over him against his will, and his heart, so full of hatred, began to melt with love.

All the cruel words he had spoken at parting returned to his memory, and he told himself that he had been too hasty. Instead of bearing her down he should have listened to her explanation. Before the Baron entered the room she had been at the point of swearing that her love, and nothing but her love, had caused her to betray him.

He told himself she had lied, but the thought was hell, and to escape from it he made for the bank of the river again. This time he crossed the bridge of St. Angelo, and passed up the Borgo to the piazza of St. Peter's. But the piazza itself awakened a crowd of memories. It was there in a balcony that he had first seen Roma, not plainly, but vaguely in a summer cloud of lace and sunshades.

Then it occurred to him that it must have been on this spot that Roma was inspired with the plot which had ended with his betrayal. At that thought all the bitterness of his soul returned. He told himself she deserved every word he had said to her, and blamed himself for the humiliation he had gone through in his attempt to make excuses for what she had done. To the curse he had hurled at her at the last moment he added words of fiercer anger, and though they were spoken only in his brain, or to the dark night and the rolling river, they intensified his fury.

"Oh, how I hate her!" he thought.

The _piazza_, was quiet. There was a light in the Pope's windows, and a Swiss Guard was patrolling behind the open wicket of the bronze gate to the Vatican. A porter in gorgeous livery was yawning by the door of the Prime Minister's palace. The man was waiting for his master. He would _have_ to wait.

The clock of St. Peter's struck one, and the silent place began to be peopled with many shadows. The scene of the Pope's jubilee returned to Rossi's mind. He saw and heard everything over again. The crowd, the gorgeous procession, the Pope, and last of all his own speech. A sardonic smile crossed his face in the darkness as he thought of what he had said.

"Is it possible that I can ever have believed those fables?"

He was tramping down the Trastevere, picturing his trial for the murder of the Baron, with Roma in the witness-box and himself in the dock. The cold horror of it all was insupportable, and he told himself that there was only one place in which he could escape from despair.

The unhappy man had begun to think of taking his own life. He had always condemned suicide. He had even condemned it in Bruno. But it was the death grip of a man utterly borne down, and there was nothing else to hold on to.

The day began to break, and he turned back towards the piazza of St. Peter's, thinking of what he intended to do and where he would do it. By the end of the Hospital of Santo Spirito there was a little blind alley bounded by a low wall. Below was the quick turn of the Tiber, and no swimmer was strong enough to live long in the turbulent waters at that point. He would do it there.

The streets were silent, and in the grey dawn, that mystic hour of parturition when the day is being born and things are seen in places where they do not exist, when ships sail in the sky and mountains rise around lowland cities, David Rossi became aware in a moment that a woman was walking on the pavement in front of him. He could almost have believed that it was Roma, the figure was so tall and full and upright. But the woman's dress was poorer, and she was carrying a bundle in her arms. When he looked again he saw that her bundle was a child, and that she was weeping over it.

"Taking her little one to the hospital," he thought.

But on turning into the little Borgo he saw that the woman went up to the Rota, knelt before it, kissed the child again and again, put it in the cradle, pulled the bell, and then, crying bitterly, hastened away.

Rossi remembered his own mother, and a great tide of simple human tenderness swept over him. What he had seen the woman do was what his mother had done thirty-five years before. He saw it all as by a mystic flash of light, which looked back into the past.

Suddenly it occurred to him that the Rota had been long since closed, and therefore it was physically impossible that anybody could have put a child into the cradle. Then he remembered that he had not heard the bell, or the woman's footsteps, or the sound of her voice when she wept.

He stopped and looked back. The woman was returning in the direction of the piazza of St. Peter's. By an impulse which he could not resist he followed her, overtook her, and looked into her face.

Again he thought he was looking at Roma. There was the same nobility in the beautiful features, the same sweetness in the tremulous mouth, the same grandeur in the great dark eyes. But he knew perfectly who it was. It was his mother.

It did not seem strange that his mother should be there. From her home in heaven she had come down to watch over her son on earth. She had always been watching over him. And now that he too was betrayed and lost, now that he too was broken-hearted and alone....

He was utterly unmanned. "Mother! Mother! I am coming to you! Every door is closed against me, and I have nowhere to go to for refuge. I am coming!... I am coming!"

Then the spirit paused, and pointing to the bronze gate of the Vatican, said, with infinite tenderness:

"Go there!"

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The Eternal CityChapter XXII: Part EIGHT: The King (2)

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