Chapter VII: Part II (1)

1901

Never again have I visited Pierrefonds or the woods of Compiègne. They lie an hour or so from Paris by the rail, but still to me they seem as inaccessible as fairyland. Sometimes, on a fine morning at Eastertide, a longing goes through me to start for those tall glades of oak, with the road that runs right through them to the lovely Vieux Moulin. But, to tell the truth, I have not dared; I doubt not, at the back of my heart, that village, forest, hill, and lake, have long since crumbled into ashes.

Years later, it was my fate, however, to return to Chantilly. The time was midwinter; January wrapped the earth in a shroud of snow and ice. But even in midwinter there still beats in copse and wold a heart of life too deep and sound for any frost to touch it. Not a flower, not a leaf, enlivened the forest; but how large and frequent seemed the forest-birds relieved against that dazzling steppe! The green woodpeckers, hopping about, two or three of them together, appeared (although, in fact, not more than fourteen inches long) as large and bright as parrots. This fine bird, the _pivert_ of France where it is common, ever excites my admiration, so graceful is its shape, from the long bill to the slender somewhat drooping tail, so bright is its colouring--a mantle of moss green, a breast of greenish yellow, some yellow feathers in a tail of chequered brown and white, and a coif like a jewel, ruby-red, blood-red, drawn close over head and neck. In England I have never seen him, though I believe the bird exists with us; nor, though I sometimes find him in my Cantal orchards, have I ever seen the _pivert_ so much to his advantage as during that cold week in January, relieved against a vast expanse of snow. The winter that year was unusually hard. The pools of Commelle were all fast bound in ice; the snow lay heaped beneath the lacy boughs of the beech roots twisted on their banks. Silent and deserted stood the castle of Queen Blanche. On every twig and branch of the woods glittered a spray of diamond dewdrops frozen hard. Brilliant, still, and white, the great forest stretched all round us, like an enchanted place where no one lived but we, until, as we reached the third pool of the chain, we suddenly found that we were not alone: a company of wild ducks had alighted on the ice, still disposed, as when they fly, in a long straggling V, and stood shuffling incessantly their webbed feet as if to warm them on that bitter floor.

One other day, too, I remember. It was warmer; a thaw had set in; a light white mist enveloped everything. We walked on the common as in a world of cotton-wool. Suddenly, a few feet away, a pack of hounds, in full cry, broke out of the moist damp mist; we saw them for a yard or two, and then the fog engulphed them anew. The bright coats of the _piqueurs_, in a vision of horses, kept appearing and disappearing. It was the Duke of Chartres’ meet. Chantilly is a cheerful place in winter. The Orleans princes, the Barons de Rothschild, with a bevy of local nobility and gentry, are bent on the pleasures of the chase. It is a land of races, too. In many a corner of the woods you may come upon a set of training stables with, hard by, a queer little sham-Gothic villa, which looks as if it came from Leamington, emblazoned with its English name--Rose Cottage or Ivy Lodge. In every lane you come across the pale, stunted English jockeys, pacing their thoroughbreds. More than once as they rode by, I saw the stalwart peasants in their blouses glance up with a jest from their work at the saw-mill or the woodpile, half contemptuous of the jockeys’ wizened youth, half content that their money should enrich the country-side. And I thought of that long-forgotten France where, for so many decades, the English lads rode by, slim and haughty, and the French peasants chuckled “_Levez votre queue, levez!_” being persuaded that the English had tails like monkeys, in those sad old times of the Hundred Years’ War.

On the fourth day the sun rose dazzling. We walked in the _taillis_ where the wood-cutters were hard at work. The forest of Chantilly is almost all planted in _taillis composé_ with hornbeam, elm, and oak--three species which, however often you may fell them, will rise again from the roots, apparently immortal. Each tree in the coppice as it reaches thirty years is marked for the axe, with the exception of a reserve, drawn from the finest subjects, which is permitted to fulfil its natural growth, and affords a permanent covert for the rest. Such is a _taillis composé_ or _taillis sous futaie_--perhaps the most profitable crop that can be drawn from a soil too stiff or too light for the ordinary purposes of agriculture. The hornbeam and the beech are the best of all woods for burning; the oak is their rival, and commands several markets as ship-timber, building-wood, cabinetmaker’s oak, props for mines, or logs for burning. The leaves, too, are a source of profit; for dead leaves in France serve almost all the purposes of straw, and stuff a mattress, or litter a stable, or manure the kitchen garden.

I love these feathery woods and coppices of France. A long, low, cliff-like hill, with a landslip at the foot; a pasture sloping to the river; a spinny or _taillis_ in the middle distance:--there is a landscape which you may see on any day in any part of France; and I ever find it full of a delicate yet homely grace. But, for beauty and wonder, the _haute futaie_ is incomparably finer than the copse. In the _futaie_ the trees are left to grow to their natural shape, the axe serving only to weed out the misshapen trunks, or to eliminate the intrusive birch and poplar which push unbidden among the better sort. Here, at least, the oak and beech, adult, with a century and a half behind them, fall only in their prime, the rich prize of the woodman’s axe, which still respects the elect reserve. Compiègne, Fontainebleau, St. Germain, have all their _futaies_; but few private owners can afford to wait a hundred and fifty years for their reward (which, indeed, is princely when it comes due), or have so vast a property that, during more than a century, some part of it may fall every winter to the axe in due rotation. For who can boast a hundred and fifty groves, duly planted and tended year after year? Perhaps the State alone. A third system, much used in parks and woods round houses, as combining use and ornament, is that of _jardinage_. Here, as in an earthly paradise, trees of all ages grow together, and every year the axe takes its toll of young and old alike: yon great fir may boast two centuries, and here is yesterday’s sapling at its feet. The fir and the beech are generally grown _en jardinage_.

Hark, the sharp tang of the axe! Let us go and see. There is an art in wood-cutting, especially in felling a _taillis_; for if the wound be not clear and sharp, if the least uneven crevice or hollow let the rain sojourn and sodden in the stump, the root will lose its virtue. But the woodman knows his trade. He was born in our woods, most likely; if not, ten to one he comes from the Belgian Ardennes, perhaps from Bavaria: be sure he is a sylvan; mixed with his blood is the sap of the forest. There, under that spreading oak, he has built his hut of tree-trunks: long perches of young oaks covered by sods of earth, with the grass turned inwards. Let us peep in. A pile of dead bracken occupies one corner. Three stout poles, planted in the beaten earth which forms the floor, are tied together at the top, and support a great iron soup-pot, swinging over a fire of braise, under the hole in the roof. There is no window, hardly a door. Evidently our woodman is a bachelor.

For in the forest of St. Germains I know another hut which is the very pride and pink of neatness. The woodman’s wife used to sit there, on a deep bench of turf built against her rustic house, mending the week’s wash, while her children played at her feet. The hut itself, though built, as usual, of trunks and sods, was pleasant to look at, with a neat white-curtained window in a frame of deal set in the wall of logs; a door of the same pattern swung on a pole passed through a double set of iron loops. Door and window were evidently portable, and had been used on many a clearing. Within, a folding table, a stool or two, and even some canvas folding chairs such as are used in gardens, gave the rough place a look of comfort. A wide truckle-bed supported a mattress of sacking, stuffed, no doubt, with forest leaves; a red blanket covered the whole. A stock-pot simmered above a portable iron stove. Sometimes the good woman would do her cooking, as she always did her week’s washing, out-of-doors, and then--ye sylvan deities!--what savoury fumes would rise from that huge _marmite_! It was, no doubt (for so she said), a jay or so, perhaps a squirrel (the peasants here account them dainty eating), which so tickled our

appetite in passing. And yet I could have sworn to the aroma of a hare, a pheasant, some piece of good wild game. Since no trade is warranted to breed perfection, let me admit that my friends the woodmen are nearly always past-masters in the noble art of poaching. How should it be otherwise? Only on Sundays can they tramp to the nearest village to buy, with their scanty pence, their flitch of bacon and their bag of meal. The cow, which their children lead to pasture in the glades, affords them milk, but that is all. And meanwhile the woodland teems with life. So poor, remote from all society, cognizant of the ways of bird and beast, shall they mark unmoved the traces of the hare, note with a disinterested eye the break a fawn has made in yonder brushwood, or that thick splash of mud on the ridgy pine-trunks, where the wild boar last night stopped to scratch his miry flanks, on his road to the nearest turnip-field? Meanwhile the man hungers, and the children need their daily bread.

Who does not remember a charming page of Gustave Droz, which tells how a young couple, surprised by a thunderstorm in the forest, took shelter in the charcoal-burner’s hut, and shared their savoury mess? Such luck has never been mine. It was one of the things for which I envied my revered and admirable friend, M. Taine, whose childhood, spent on the edge of a great forest, made him familiar with every sylvan thing.

“In these old forests,” he writes, in an essay on the Ardennes, “there lingers a race of men still half savage; they are the woodcutters. They scarcely know the taste of bread; a side of bacon, some potatoes, a little milk, compose their daily fare. I have spent the night with them in huts without a window. The large, low, open chimney let in the daylight and let out the smoke. There the meat was hung to dry. The children spoke scarce a word of French, expressing themselves in a rude _patois_; wild as young colts, they roamed the forest all day long; when they reached their twelfth year, their father put an axe in their hands, and they chopped the branches of the fallen trees; a few years later, they felled an oak like him. A mute animal life, full of legends and strange beliefs, was theirs.”

But all this was sixty years ago. Nowadays the children are supposed to go, at least sometimes and when convenient, to the nearest village school (for education is compulsory in France); the young men inevitably serve their time at the regiment; the girls enter domestic service. And so difficult is it to find recruits for the woodman’s free but rough and lonely life, that the lack of woodcutters is becoming a grave question among foresters in France.

When March is well out, and the trees are felled, when the wood is piled in stacks, the woodman consults the sky, and, on the first soft mild and sappy morning, he begins to bark his oaks, or at least such of them as are devoted to that tragic end. It is a nice and delicate business, which must be undertaken before the leaves are green. For, while the sap is springing, the bark and the wood are separated by a layer of viscuous vegetable tissue, the cambium, but so soon as the foliage is full-formed, this cambium turns hard and welds the two together. Yet the weather must be warm; a blast of cold wind, the shadow of too black a cloud, by suddenly lowering the temperature, may at any moment interrupt the operation: the bark will not strip from the oak. The woodman (who knows nothing of this capricious cambium, worse than a woman for yielding only at its pleasure) swears that a herd of sheep must have passed to his windward, and throws down his axe, well aware, despite his false premises, that no more stripping will be done that day. He must wait on sun and zephyr. The next warm day he returns, cuts a sharp ring round the foot of the tree, another at his right arm’s topmost reach, and rips the bark in long ribbons, which he lays in the sun to dry, face downward, for a day and a night, ere he stack them for the tanner. That is the prime bark, flayed from the living trunk; having taken this, he fells the oak, and strips as best he can the upper branches.

Woodcutter, bark-stripper, he turns planter next, and, where the natural fruit of the trees has not sufficiently renewed the glade, he hoes the earth, relieves it from the stifling moss and turf, digs a deep hole, and plants a sapling. By early autumn he must change his trade anew; in September the woodman becomes a charcoal-burner. The suns of August have dried last winter’s logs; they are ready for the next metamorphosis. The woodcutter, who knows by heart each glade and clearing and coppice of the forest, selects some open space, far from the century-old revered Reserve, and cuts the turf from a chosen circle. Having beaten hard the ground, he plants in the middle three or four stout stakes and swathes them together; round these he sets some light inflammable brushwood; beyond this centre--which will serve as a chimney--he places his logs in close rings, standing straight on end in the middle, then slantwise more and more, till they are almost flat at the edge. And now the stack takes on the shape of a great flattish cake or pie. Thereon he packs a layer of dead leaves, four inches thick, and over that again a layer of sand and sods, till, save for a small open space in the middle, the whole is tightly roofed. At last he casts a flaming brand into the brushwood at the core, and waits: in an instant the faggots crackle, the smoke rises up thick and yellow, the sand and earth of the crust begin to ooze and “sweat,” as they say, from the sap and moisture of the buried logs. Now let the woodman look to the wind, lest too strong a blast cause the pile to burn too quickly, ruin the charcoal, and endanger the forest. If a sudden gale should rise, he will build a screen of branches and break the force of its impact; and all this while the fire burns steadily, smoking and sweating, until--on the third day, as a rule--a faint wreath alone of bluish vapour curls lightly from the exhausted pile. After a few days more the mound may be unpacked; if all be well, the charcoal is ready for sale. The sylvan year has run its course. Our woodman is a woodcutter again.

Forestry in France is not only an art, a science, an industry, and a passion. Several generations of savants such as M. Bouquet de la Grye--to whom, with all who love the woods, I owe a debt, here gladly acknowledged--have reduced the rule of forestry to a method. Thanks to them, the returns are as sure, the cultivation as regular, as in any other branch of agriculture. If I had been a man, I would, I think, have been a forester; not a woodman, but an inspector of woods and waters, like Jean de la Fontaine, riding all day long under the green and musical covert, among the fresh scents of herb and leaf and resin, sleeping at night in the forest-warden’s lodge, deciding the destinies of oak and beech and pine. At Nancy there is an _Ecole Forestière_, which forms to this kindly calling the pupils of the Agronomic Institute. Thence sometimes, or else from Stuttgard, we used to draw our foresters for the vast woods of India, until, in 1884, a School of Forestry was established at Cooper’s Hill.

The last years of the nineteenth century, the first of this, have brought the youth of France back, with a sort of passion, to the land. In Shakespeare’s time, as we know,

“Young gentlemen in France
Were wont to sigh and look as black as night
From very wantonness.”

I am glad to think that in our days they are at once more cheerful and more practical. Cheesemaking, cattle-farming, wine-growing, farming, forestry, are all enterprises which a young gentleman may pursue with credit, and even with enthusiasm. And forestry, at least, is cultivated as it never was before. Until the last hundred years, more or less, a forest was just a wood-mine, to be worked until the vein should be exhausted. But now we sow and tend even more than we destroy. We are like provident children who seek to repair the ruin wrought by a generation of prodigals. I have before my eyes the statistics for the expense which the forests of France have cost the State between 1882 and 1902: they average some three and a half million of francs per annum. The foresters of France find such a sum the miserable pension of a miser, and men of science bid us plough, and plant, and fence in our hillsides, unless we be prepared to see their rocky flanks ravined by headlong torrents, and the plains at their feet alternately a quagmire and a Sahara. The course of rivers, the distribution of rains, the maintenance of mountains in their magnificent integrity, all depend upon the deep-draining roots, the rain-absorbing foliage of our woods. The French Revolution, in order to supply the peasants with a great expanse of arable land, set the axe in the forests of France. Liancourt wrote in 1802, on his return from exile, that, all round his estates, the great woods which covered that portion of the Oise had been cut down or rooted up--an excess of deforestation which had already produced disastrous effects upon the climate. He preached in the desert; content with their new fields of corn and beet (astonishingly productive, like all virgin soil), the peasants of the Oise would not hear of replanting; where the woods had been merely felled and not uprooted, the shepherds drove their flocks of sheep and goats, fattening them on the young shoots which should have renewed the forest. But to-day we are wiser: we plant. Sandy moors and heaths, desolate stretches of barren chalk, are planted with the hardy sylvan pine, and shortly become things of use and beauty in themselves, no less than happy influences on the local climate. The pine gives deal and resin, and grows in any soil. Clays too stiff and damp for corn or turnip will rear the glorious and profitable oak; the steepest flanks and scaurs of the fell-side are sufficient for the beech; the elm and the ash spring in small spinnies on almost any sterile field, and their leaves afford a delicious food for cattle, a crop as regular and as nourishing as hay. Any wood, treated with care and method through a space of years, will yield a good return for careful husbandry.

And this, I think, is the special beauty of France--her great and increasing stretches of woodland. Be they the merest coppices of scrub oak and horn-beam, yet are they haunted by the birds, starred in spring with primroses and dog-violets, oxlips and white wood-strawberries. And what tongue shall declare the majesty of the forest? I love the great freedom of the wild high mountain-pastures, I admire the rich harvest of the lowland plain; but something deeper and more secret--dating from the days before our ancestors were nomad shepherds or farmers on a forest-clearing--a thrill primæval, is awakened in me by the rustle of the woods.

A LITTLE TOUR IN PROVENCE A LITTLE TOUR IN PROVENCE

1892

I

Our first impression of Provence struck us just beyond Mondragon. For some miles we had traversed the romantic valley of the Rhone, which at this point might almost be the valley of the Rhine. The river is hedged in by tall cliffs covered with ruins as steep and as uninhabitable as the granite which supports them. Every mountain bears its castle and tells of feudal rule, of brigand oppression, with all the violence and picturesqueness of a mediæval tale by Sir Walter Scott. The train carried us through a narrow gully, with barely room in it, above the strangled river, for the ledge on which the rails are laid. Suddenly, at the other end of the gorge, the climate changes: the air is milder, the plain more fertile, the country widens into a great amphitheatre enclosed between the Alps of Dauphiné and the rounder hills of the Cévennes. And here, with the suddenness of magic, the first olives begin--no stripling trees, but gnarled and branching orchards, sunning their ancient limbs on every southern slope. In the twinkling of an eye we have come into the kingdom of the South. With a deep breath of the sharp-scented sunny air, we inhale the beauty of it, and understand--how intimately!--that horror of high mountains which has distinguished every race capable of appreciating beauty. Our recollection of the black gorge, the barren peaks, the swirling torrent, renders still keener our feeling for the fertile plain where the blood-red boughs of the Judas-tree make their deep southern blots of colour against the blue of the delicate, serrated hills behind. Among the fields the pollard mulberries gleam like baskets of golden filigree, in the splendour of their early April leaf. The tall pastures are white with starry jonquils, bending all one way in the wind. The hedges are sweet with hawthorn, great southern bloom, almost as big and plump as apple-blossom. And the same delicious contrast of delicacy and abundance which strikes us in the plain, surrounded by its peaks and barren hills, is repeated in the difference between this riot of blossom and the austerity of the foliage, much less green than in the north. The ilex spreads its cool grey shadow at the homestead door. Every little red-tiled farm, every vineyard, is screened by its tall hedge of cypress, a sheer wall of blackish green, planted invariably north-west of the building. For through those narrow gorges of Mondragon, where there seemed scarcely room for the train and the river, the Mistral also passes, like a blast from a giant’s bellows--the Mistral, the terrible north-western wind, that devastates these plains of Paradise.

II

Our first halting-place is Orange, a white and charming little town, filling up its ancient girdle with many an ample space of green garden and lush meadow. Few towns appear more provincial than this charming Orange, which gave William the Silent to the cause of the Reform, a dynasty to Holland, and a king to England. There were princes in Orange long before the Nassau: there was the House of Baux, with its pretensions to the Empire of the East; there was the House of Adhémar, which brought forth the noble Guillaume d’Orange, the peer of Charlemagne. Of all their glory naught remains save one meagre wall, one tumbling buttress surmounting the hill above the city. Compared with the beautiful amphitheatre beneath, still important and majestic as in the days of the Roman occupation, these remains of chivalry appear little more venerable than the ruins of the jerry-built villas of some demolished London suburb. Yet as we look at them an emotion awakes in our heart and a mist comes before our eyes that Roman antiquity does not evoke. For the monuments of the Middle Ages are other than of stone.

And we remember how, in the beautiful old romance of _Guillaume d’Orange_, the unhappy hero comes home to his castle wounded, after Roncesvalles, the only living knight of all his host, and sounds the horn that hangs before the castle gate. But the porter will not admit him: none may enter in the absence of the master, and no man of all his garrison recognizes the hero in this poor man, suddenly aged and pinched and grey, seated on a varlet’s nag, with nothing martial in his mien. Their discussion brings the Countess on to the battlements: “_That_--my husband! My husband is young and valiant. My husband would come a conqueror, leading tribes of captives, covered with glory and honour.” Then, seated still on his poor nag, outside his inaccessible castle, the Count of Orange tells the story of Roncesvalles, and how he alone escaped the carnage of that day. “Less than ever my husband!” cries the Countess. “My husband would not have lived when all those heroes died.” But at last he persuades her that he is in very truth himself, and she consents to take him and tend his wounds on his promise that, so soon as he can ride to battle, he will set forth again, to avenge the death of all his comrades.

“Le monde est vide depuis les Romains,” said St. Just. Beneath the ruins of that castle on the hill there stands, erect, eternal, built into the very frame-work of the cliff, the immense theatre of the Romans, still fit for service, resonant to every tone. Frequently, of late years, many thousands of people have gathered in the Amphitheatre, which serves on all great municipal occasions. But I prefer it as we saw it yesterday--its sweep of steps graciously mantled in long grass growing for hay, and full of innumerable flowers; its stage tenanted by bushes of red roses and white guelder roses; the blue empty circles of its wall-space outlined serenely against the flame-blue sky. Never have I seen the huge strength of Roman antiquity appear more sweetly venerable, more assimilable to the unshaken granite structure of the globe itself, than thus, decked and garlanded with the transitory blossoms of its eighteen-hundredth spring.

The front wall of the theatre is about one hundred feet in height, thirteen feet thick, and more than three hundred feet in length. The colony of Arausio was an important colony, remembered only now by the monuments of its pleasures and its triumph. When we shall have disappeared for near two thousand years, what will remain to tell our story? Our Gothic churches are immense and beautiful, but already, in their infancy of nine or seven centuries, they are falling into ruin. Our castles will go the way of the Castle of Orange; and of our pleasure-houses the oldest that I remember is the little flimsy seventeenth-century theatre of Parma, already quite a miracle of cardboard antiquity. We have built too high, or too thin, or too delicately. We have read too long in our prayer-books that here we have no abiding city. Our souls have no capacity to imitate that great solid souvenir of civic use, of pleasure, of triumph, which the Romans have left behind them in all their provinces. About ten minutes’ walk from the theatre, on the other side of Orange, stands the Roman Arch of Triumph, the most beautiful in Gaul. It is perfect in its great perspective, as it rises from the meadow-grass at the end of a shadowy avenue. On its sculptured sides the trophies of ancient battle are still clear, and on its frieze the violent struggle of men in battle--

“Et tristis summo captivus in arcu.”

The Romans have left behind them in Provence not only a series of unalterable monuments, but the type of their race. Up country, in the little farms, a Celtic strain prevails, but in every town we find the square-built Roman frame and classic features.

We end our afternoon by a long drive through the fertile plain of Orange, all the brighter for the severeness of its setting, for the spires and hedges of cypress, for the gaunt dim blue of the distant mountains. The spring is luxuriant and ample here. The hedges toss their fragrant boughs of may: the Japanese peonies are pink in every garden, the quince-orchards seem a bower of tiny roses, the purple flags are out by all the watercourses: but the prettiest sight of all is on the grass. Even in Italy I have never seen such hay-meadows, with their great golden trails of buttercups, their sheets of snow-white narcissus, springing innumerable and very tall above the grass. There are little children and boys, and tall young girls, grown women and men of all ages, in the fields gathering great posies of the delicious flowers. Never have I seen so bright a picture of the sheer joy of living, the mere gladness of the spring’s revival. It seems to us that we have driven by some happy byway into the Golden Age, into some idyl of old Greece.

III

Here the towns are set as close together as the jewels in a crown. We have scarcely left Orange before we see, beyond the green belt of the Rhone, the mediæval outline of the Palace of the Popes. _L’Ile Sonnante_, as Rabelais called it, rises out of the plain and the water like an island indeed, much as our own little Rye stands up out of the Sussex marshes. With its steeples and convents, its towers and buttresses, massed round the tremendous fortress on the central rock, girdled by an outer circle of crenelated ramparts, this fair town of Avignon appears the very sanctuary of the Middle Ages.

The great interest of Avignon is that it appears a town of one time--a flower of the fourteenth century still full of life and vigour. The tower of Philippe le Bel at Villeneuve dates from 1307; the great Palace of the Popes, the fortifications of the town, with their battlements and machicolations, and the vast round yellow fortress of St. André, massive against its background of olive-coloured hills--all these, and many smaller relics, belong to the second half of the fourteenth century. Even here in the South, few cities can show so many or such pure examples of the military architecture of the time.

The city wall of Avignon, since in part destroyed, had, when I saw it, a circumference of about fifteen thousand

feet. It stood twelve metres in height. It had thirty-five towers, many turrets, was crowned with battlements, and pierced with machicolations. These last, as every one knows, are open spaces left between the wall and the frieze of arcades which supports the balcony intended for the garrison (the _chemin de ronde_), spaces which form great oblong holes in the flooring of the balcony, and through which boiling water, flaming tow, lighted oil, arrows, stones, and other missiles might be poured down on assailants engaged in undermining the foot of the wall. The walls of Avignon, substantial as they appeared, would have been but a phantasmal protection against a good mitrailleuse: the modern town wore them as an ornament, and not as armour. The gates, dismantled of their old portcullises, served for the collection of the toll, and the officials of the _octroi_ lodged in the romantic gatehouses. One of these guardians, moved by our interest in his unusual dwelling, led us up through his kitchen and bedroom in the gate-tower, on to the balcony that crowns the wall. He left us there in company with his wife and several babies, whom I expected, at every instant, to tumble through the holes of the machicoulis; they showed, however, the address and ingenuity of true mediæval babyhood in avoiding these pitfalls, and appeared to find the superannuated battlements an admirable playground. Less adroit, we found the _chemin de ronde_ very dizzy walking; and our interest in this relic of military architecture was chequered by the fear of being precipitated into space.

The walls of Avignon were less interesting than its vast central fortress. It is difficult to imagine a monument so irregular, so labyrinthine, such a mere sombre maze of towers and walls, of corridors and staircases. Not a tower is absolutely square, not an angle true, not a communication simple or direct. All is unexpected, dædal, disconcerting, in this gigantic relic of an era of confusion.

For the Palace of the Popes was not only a palace, but a stronghold. It was a necessary answer to the fortress which, in 1307, the King of France had built at Villeneuve across the Rhone; it was necessary also for defence against the troops of marauders who infested France after Crécy and after Poitiers. We remember how, in 1357, a knight, by name Sir Reynold of Cervole, commonly known as the Archpriest, scoured all Provence with a company of men-at-arms of all countries, who, since the King of France was captive and their arrears unpaid, turned brigands, and made a good thing of escalading castles, and ransoming rich and timid cities. Froissart has told us how the Archpriest and his men laid siege to Avignon, striking terror into the hearts of Innocent VI. and his cardinals. At last, the Papal Court agreed to pay forty thousand crowns to the company, as an inducement towards its withdrawal. The brigand-chief came to terms as regards the money, but he demanded certain small additions to the contract, for he remembered that he was not a mere marauder, but a person of good family, with other claims to consideration. He exacted, therefore, a free pardon for all his sins, and several invitations to dinner. The Pope and his cardinals “received him as reverently as if he had been the son of the King of France himself.” Then he consented to lead his followers elsewhere; and after his departure the Pope considerably improved the fortifications of Avignon.

By 1370 the city was strong enough to set such besiegers at defiance, and the palace had grown into the fortress we admire to-day. It is composed of seven huge _corps de logis_, separated by courts or quadrangles; and these are riveted to each other by seven immense and sombre towers. The whole forms a parallelogram of over twelve thousand square yards. It is an imposing, a tremendous pile--not beautiful, but unforgettable; conspicuous by the rare height of its walls and towers, and by the extraordinary upleap of its buttresses, which shoot right up the wall to the balcony, and form the great arcade which masks the largest _machicoulis_ that I have ever seen. Not only pitch and Greek fire, but great beams and boulders could pass through these openings to crush the assailant underneath. Such a fortress appears impregnable to the eye: the height of the walls renders an escalade impossible; the garrison on the balcony atop is out of bowshot, and the huge buttresses defend the base against the sapper. At one-third of its height the wall supports a second balcony, whence the besieged could deal deadly damage on their assailants.

Within, the palace is disfigured by its present use as a barracks. The vast halls are ceiled over at mid-height and turned into dormitories. Nearly all the frescoes, painted in the melancholy, elegant manner of Simone Memmi and the Sienese, have been disfigured within this century. There is a party in Avignon naturally indignant at this defacement, which is all for buying the palace from the Government and turning it into a museum. This, however, would cost a great deal of money. And, as a mere impression, the great bare dædal building, gay with the crowded life of these youths of twenty, who race up and down stairs in noisy troops, or sit in the shadowy window-seats (picturesque figures in their white undress, black haversacks and deep-red caps), or fill the sombre quads with march and drill--yes, as a mere impression, it is certainly more appropriate as it is.

IV

“Sur le pont d’Avignon
Tout le monde danse, danse;
Sur le pont d’Avignon
Tout le monde danse en rond.”

Many generations of children have doubtless wondered why. Make an effort to cross the Rhone when the wind is blowing, and you will arrive, at any rate, at _one_ explanation. O masterly wind! _Vent magistral_, or _mistral_. With what a round, boisterous, over-mastering force you blow from the north-west! How you send the poor passengers of Avignon-bridge whirling in all directions, dancing to all tunes, battling comically and ineffectually against you! Men used to say that beautiful Provence were a Paradise, had it not suffered from three scourges: the Parliament, the Durance and the Mistral. The local Parliament exists no more (and we regret it), the Durance is no longer a curse, but a blessing, and serves to irrigate a thousand parched and fruitful southern fields. But the _mistral_ remains. We ourselves were nearly blown from the hill-top at Villeneuve; yet I can cherish no rancour against the _mistral_, the tyrant, who sweeps us all out of his way as he rushes, wreathed in dust, towards the sea. ’Tis a good honest wind, like our west-country sou’-wester, and quite devoid of the sharp, thin, exasperating quality of the east wind of our isles. And, but for the _mistral_, they never would have planted those dark long screens of soaring cypress which streak so picturesquely the wide blue prospects of Provence.

V

There is something Athenian in the little literary class of Avignon, and in the evident pride and joy which all the citizens take in it. Our cabman stopped us in the street: “Look at that monsieur! Look at him. He’s a poet!” cried the good man in great excitement. It was M. Félix Gras. People waylay you to point out the name of Aubanel or Roumanille written over a bookshop. Every person of every degree treasures some little speech or anecdote concerning M. Mistral, the hero of the place. Doubtless the Félibrige, with the little extra romance and importance which it has given to the South, has much to do with this literary enthusiasm. In Provence, a taste for poetry is a form of patriotism, even as it was in Ireland in the days of the “Spirit of the Nation”--as it is again to-day. The sentiment, which is pretty and touching, appears quite genuine.

We had forgotten that Roumanille was dead (as was natural, since poets never die), and so we made a pilgrimage to his bookshop. We were greeted by a dark-eyed little lady; when we asked for the poet, the tears started into her fine black eyes, and we realized, with a tightening of the heart, the cruel carelessness of our question. But Mademoiselle Roumanille (for it was she), with the beautiful courtesy of her nation, would not let us depart in this unhappy mood. She talked sweetly and seriously of her brother’s latter days and of his death-bed, cheerful and courageous as the last pages of the “Phædo”: these Provençal poets have a classic temper in their souls! He would not let them wear a mournful face. “Life is a good thing,” said he; “chequered, no doubt, with melancholy moments, but none the less bright and excellent as a whole. We have come now to one of these melancholy passages, but, believe me, my friends, the sadness of death is greatly overrated! There is nothing cruel or tragic to lament about. Life has been very good, and now--at the end of it--death comes in its place, not unkind.”

So the good Félibre passed away, mindful, no doubt, of that passage in one of his poems where he says--but I have forgotten the words--

“Now let me depart in peace,
For I have planted in Provence
A tree that shall endure.”

If even the gay, the cordial Roumanille gave out at the last this savour of antique philosophy, the likeness of Mistral to the elder poets is far more striking. He is the Provençal Theocritus, and his poems, with their delightful literalness of touch, their unforced picturesqueness and natural simplicity, will probably endure when more striking monuments of our nineteenth-century literature are less read than remembered. We cannot imagine, at any distance of time, a Provence in which some posy of Mistral’s verses will not be treasured. He will be to the great province what Joachim du Bellay has been to Anjou. True, he has written too much, but posterity is an excellent editor, and reduces the most voluminous among us to a compendious handful. Mistral is the greatest of the Félibres, and perhaps the only one whose works will survive the charming _Davidsbund_ of poets and patriots which so loudly fills the public ear to-day.

We went more than once to see the great man in his garden at Maillane, a pleasant place surrounding a cool, quiet villa, where the poet lives with his young wife. It is the only house of any pretensions in Maillane, and to the good people of the commune Monsieur Mistral is both the poet and the squire. He comes out to receive you--a strikingly handsome man with a beautiful voice; so much like the once-famous Buffalo Bill in his appearance that one day, when the two celebrities met by accident in a Parisian café, they stared at each other, bewildered for one moment, and then, rising, each advanced towards the other and shook hands! We talked of many things, and among others, of course, of Félibrige. I ventured to ask him the meaning of the name, which is a puzzle not to philologists alone. He confessed that it had no particular meaning; that on that day in May, in 1854, when he and Roumanille and the other five discussed their projected Provençal renaissance, one of them reminded the others of a quaint old song, still sung in out-of-the-way Provençal villages: a canticle in honour of certain prophets or wise men dimly spoken of as

“Les félibres de la Loi.”

No one knew precisely what the word designed--so much the greater its charm, its suggestiveness! The name was adopted by acclamation; and henceforth, at any rate, the meaning of Félibre is clear.

VI

We went the next day, in company with Mistral and his charming, intelligent wife, to see the races at St. Remy. “Regardez nos fillettes!” said the poet. “On dirait des statues Grecques.” A Greek statue is severer in its beauty; but certainly the girls of St. Remy might be the sisters of the statuettes of Tanagra: so dignified, so graceful, do they appear in the beautiful costumes of Arles. They were the great adornment of these mild provincial sports, as we watched them come in troops from Maillane and Tarascon, from Avignon, from Arles, all dressed in the plain-falling skirt, the fichu of pure fresh tulle, and the long pointed shawl, or “Provençale,” which recalls the graceful garb of the Venetian women. Sometimes the skirt is pale pink or apricot, with a dove-coloured shawl, or green with a lilac shawl; but, as a rule, the skirt and shawl alike are black, relieved only by the narrow muslin apron, which reaches to the hem of the skirt before, and by the abundant fulness of the white fichu across the breast. Every one who has been to a fancy ball recalls the charming coiffure which surmounts this costume--the thick wavy black tresses, parted in the middle of the brow, taken down either side of the face loosely, then suddenly raised from the nape of the neck high at the back of the head, coiled round there and fixed under a tiny band of white lace, and a large bow or sash of black ribbon. Few head-dresses are at once so irresistible and so dignified, and none could be better suited to the regular features, ample beauty, and melting eyes of the daughters of Provence.

We fell in love with St. Remy: we stayed there for a week, in the Hotel du Cheval Blanc, where the long dark convent-like corridors and the cypress-screens behind the house give one already, as it were, a waft of Italy. St. Remy is a delightful little place. All its streets are avenues of great zebra-trunked century-old plane-trees, garlanded in April with quaint little hanging balls, or else of wychelms, gay with pinkish-buff blossoms, and yet so gnarled and hollow that they might almost be those famous elms which Sully planted about the towns of France. “La Ville Verte” the people call it, and never was name better chosen. Even as at Orange, the town has shrunk within its ancient girdle, and has filled out its space with gardens, with

orchards, with hay-meadows. The gardens of St. Remy are the fortune of the place, and owe to their happy situation behind the range of the Alpines an earlier harvest of flowers and fruit than elsewhere, even in the sunny South. An acre of carnations of St. Remy is a fortune to a man, as profitable as an acre of asparagus at Monteuil or early peas at Plougastel. If the mountains behind us, so lovely in their lilac bareness, were duly forested and covered to the crown with pine and ilex, we could imagine no happier situation. But the hills of Provence are as unthrifty as they are beautiful. They absorb and retain no salutary moisture from the rare torrential rains of autumn, which dash down their ravined sides, ruining and tearing the friable soil, with not a kindly root to stay and store them. This reforesting of mountains is a great question, nothing being more important to a climate than its supply of woods and the distribution of its rains; the future of agriculture depends on it, especially in Provence, where, even more than elsewhere, the struggle for water is the struggle for life. In 1860, and for some years after, much planting was done; but then, alas! there came a slackening of zeal. Farmers everywhere think of the present rather than the future, and a plantation remains unproductive for a score of years; whereas these barren mountains serve as winter quarters to endless herds of sheep, who browse their rocky perfumed sides. In the year 1902 more than three hundred thousand sheep were pastured on the territory of Arles. Flocks of three thousand and four thousand beasts are common. In summer, when the native sheep are sent to feed upon the high fields of the Alps, the shepherds of Algeria bring their flocks across the sea to Arles; the patient Africans find sufficient pasturage in the rare but succulent plants that defy the ardours of the summer sun among the pebbles of Camargue and Crau, or on those rocky heights which, arid though they be, prove not unprofitable to the farmer who lets them out for hire. Talk to him of replanting! He fears to trouble a certain source of gain, and, knowing the span of life, prefers a small profit to-day to riches for to-morrow. But he sacrifices all the countryside. A forest has no enemy so deadly as the shepherd. It is he who burns the young wood, in order to have more grass; it is he who leads the sheep among the tender saplings, whose juicy shoots are dear to all the tribe of ovines, as the bird and the mouse to the cat, or the poultry-yard to the fox. The sheep must disappear if woods are to grow.

And unless the woods are planted, the climate of Provence will year by year turn harsher, dryer, more subject to the mistral. The delicate Alpilles will be worn by the force of torrents to a range of hillocks; the rivers will ruin the plains. From this, and more, the woods may deliver us. When men think of their children rather than of themselves--but when will that be?--the woods will be planted, and a generation will grow up to call these sheltered and sunny fields a Paradise. Even as it is, they are fertile and precocious in a rare degree. In the roomy inn-garden we wondered at the luxuriance of the spring, as we sat in the shadow of the blossoming guelder-rose bush, or picked great trails of rose and syringa. We gathered our first dish of strawberries on the 23rd of April. There are but two openings at St. Remy--miller or market-gardener: the two prettiest trades, suitable to this greenest, most pastoral of cities.

St. Remy is but gently raised above the plains; still low enough to nestle among the white-flowered hawthorn hedges by the runnels bordered with flowers. But, scarce two miles beyond, there rise the scarred, fantastic, sun-baked crags of the Alpille range--the Alpines, in modern guide-book parlance--a furthest prolongation of the Alps. These are true southern hills, barren and elegant, grey, lilac, blue, pink even, or purple against the sky; but never green. Walk thither along the upward road till, at the mountain’s feet, you come to a round knoll of fine turf, fringed with stone-pines, with, under every tree, a marble sarcophagus for a seat. Hence the view is beautiful across the wide blue valley to the snow-streaked pyramid of Mont Ventoux. But you will turn your back upon the view, for placed on the middle of this grassy mound is the pride of St. Remy: the Antiquities, sole relic of the prosperous town of Glanum Livii. Nowhere in Provence have we seen so beautiful a setting to monuments so perfect in their small proportions as the Triumphal Arch and the Mausoleum. Time has much ruined, it is true, the decorations of the Arch: the winged Victories are bruised and battered; only the feet of one warrior remain, the head and fighting arm of another; the chains of the slaves have fallen into pieces. But nothing has marred the style, the grace, the purity of the exquisite outline, Greek rather than Roman in its simple elegance. The Mausoleum is less correct in style, but more picturesque, more suggestive. A flight of steps leads to a sculptured pediment, from which there arises a crossed double arch, itself supporting a small round temple, roofed, but enclosed merely by a ring of columns, in the style of the Temple of Fortune at Rome. Within these columns stand two tall figures, robed in the ample toga of the Consul; they seem to lean forward as though they gazed across the valley to some ancient battlefield. Standing so high, and screened behind their wall of columns, the statues do not show the trace of the modern restorer. The opinion of archæologists is still, I believe, divided as to their identity, but the peasants have views of their own on the matter. Some of them aver the figures to be the portraits of those twin emperors, Julius and Cæsar; but most of them, with some show of reason, consider that they commemorate the victories of Caius Marius, the hero of all this countryside. The figures are twain, so the peasants have doubled the General; Caius and Marius look out towards the Fosses Mariennes. Others, aware of the individuality of their hero, have solved the difficulty by giving him his wife as a companion! One shepherd, however, offered me the best explanations.

“Those two figures,” said he, “represent the great Caius Marius and the Prophetess Martha, the sister of Lazarus, and the patroness of our Provence. They were, as you may say, a pair of friends.”

“Dear me!” said I. “I thought there was a hundred years or so between them.”

“Maybe,” said the good man; “that well may be, madame; but, none the less, they remained an excellent pair of friends.”