The Gentle Art of Faking
by OpenStories
Original author: Riccardo Nobili
"The Gentle Art of Faking" by Riccardo Nobili is a historical account written in the early 20th century. The book explores the fascinating world of art forgery and imitation throughout history, looking at the methods and motivations behind the production of spurious artworks. It delves into societal factors, ethical distinctions, and the roles of collectors, dealers, and forgers in the art market, aiming to provide a comprehensive understanding of this unique aspect of human creativity and culture. At the start of the work, the author introduces the concept of "collectomania" and outlines the complex relationships between art collectors, dealers, and forgers, emphasizing the motivations that drive individuals to produce forgeries rather than genuine works. Nobili distinguishes the "faker" from mere forgers, suggesting that the faking of art has deep historical roots intertwined with ancient cultures, particularly focusing on the evolution of art collection in Greece and Rome. As the narrative unfolds, it sets the stage for discussions about the nature of imitation, the pressures of fashion on the art market, and the ethical implications of deception in the world of art.
The Gentle Art of Faking, by Riccardo Nobili. Republished by OpenStories from Project Gutenberg eBook #53638.
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- 28chapters
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28 Chapters
- 1.Front Matter390 words
- 2.Preface424 words
- 3.Part III: The Faked Article103 words
- 4.Chapter I: Greeks and Romans as Art Collectors1,997 words
- 5.Chapter II: Collectomania in Rome3,765 words
- 6.Chapter III: Rapacious Roman Collectors2,687 words
- 7.Chapter IV: Rome as an Art Emporium4,195 words
- 8.Chapter V: Increase of Faking in Rome1,921 words
- 9.Chapter VI: Decadence of Art and Consequent Changes1,522 words
- 10.Chapter VII: The Renaissance Period5,221 words
- 11.Chapter VIII: Imitation, Plagiarism and Faking6,220 words
- 12.Chapter IX: Collectors of the Sixteenth Century1,985 words
- 13.Chapter X: Collecting in France and England2,101 words
- 14.Chapter XI: Mazarin as a Collector5,279 words
- 15.Chapter XII: Some Notable French Collectors1,419 words
- 16.Chapter XIII: Collectors and Collections4,731 words
- 17.Chapter XIV: The Collector’s Friends and Enemies4,916 words
- 18.Chapter XV: Imitators and Fakers5,358 words
- 19.Chapter XVI: The Artistic Qualities of Imitators4,369 words
- 20.Chapter XVII: Fakers, Forgers and the Law4,248 words
- 21.Chapter XVIII: The Faked Atmosphere and Public Sales6,071 words
- 22.Chapter XIX: The Make-Up of Faked Antiques2,954 words
- 23.Chapter XX: Faked Sculpture, Bas-Reliefs and Bronzes3,893 words
- 24.Chapter XXI: Faked Pottery5,666 words
- 25.Chapter XXII: Metal Fakes5,350 words
- 26.Chapter XXIII: Musical Instruments2,511 words
- 27.Chapter XXIV: Velvets, Tapestries and Books4,655 words
- 28.Chapter XXV: Summing Up5,554 words