Chapter XXII: Act V (5)

Her voice came from so deep down in her chest that the man had to force himself to control his rage. He thought: "She is speaking so sweetly so as to deceive me. They planned that when he was here." And the soft tones in which she continued only caused his anger to swell more wrathfully.

"And you won't go to Heaven yet, will you Annie? You're such a good little girl and you'll stay with father and mother. If only--you mustn't be afraid of father, you silly little Annie, because he speaks so loud. He doesn't mean to be cross."

She stopped; she expected an answer from the father, not from the child. She expected that he would come to the bed and speak to the child as she had done, and through the child with her. Whatever she might think of him, the child was his child, after all, and it was ill.

The man remained silent and sat on quietly in his chair. For the length of time that it takes to say half the Lord's Prayer there was no sound but the ticking of the clock; and that grew faster and faster like the beating of a human heart that feels misfortune approaching. The flame of the light flickered as with fear.

Valentine rose from his chair to attend to the light.

There was a sound of wheezing in the child's chest; she wanted to speak and could not. She wanted to stretch out her hands toward her father, and she could not. She could do nothing but hold out the arms of her soul to her father. But her father's soul did not see the beseeching arms; it held its wrath convulsively in its hands and had no hand free for the child. Valentine stepped away from the light and went out to give vent to his feelings in tears. The man rose and approached his wife softly without her noticing him. He wanted to surprise her, and he succeeded. She started, frightened, as she suddenly saw facing her across the bed a distorted human countenance. She started, and he said through his teeth: "You are frightened? Do you know why?"

She meant to tell him herself that Apollonius had been there, but she had not yet had an opportunity; she did not dare to do so at the sick child's bedside, because she knew that he would fly into a rage; whenever she could she had spared the child the sight of his roughness while she was still well; now it might frighten the little girl to death. She did not answer him, but looked at him beseechingly, indicating the child by a glance.

"He was here! Wasn't he here?" he asked, not for information but to show that he did not need any. He raised his clenched fist; little Annie struggled to sit up. He did not see it; but his wife saw it, and her terror grew. She clasped her hands, she looked at him with a glance in which there was everything that a woman can promise, that a woman can threaten. He saw only her terror at his knowing what had happened--and his fist descended on her forehead.

There was a shriek. The child writhed in convulsions; the mother, who had fallen upon her, wept loudly. Valentine hurried in, Fritz Nettenmair went into the bedroom. He did not know which was uppermost in him, gratified revenge or fright at what he had done. He sank down on the bed as if the blow that he struck had stunned himself. He only half heard Valentine running for the doctor. In the same state he heard the latter come and go, and in the same state he listened to see if he could hear Apollonius' voice whispering and his soft tread. He did not dare to show himself; shame restrained him. He justified his behavior and called little Annie's illness just a desire to be coddled. "Children think they're dying one day, and the next they're more lively than ever," he said to himself.

His feverish listening and efforts to reassure himself turned into feverish dreaming. Between waking and sleeping he heard quiet steps in the next room, quiet voices, quiet weeping, and at intervals silence.

The quiet weeping that grows loud and is controlled again as if a sleeper were near whom it will not wake, that breaks out again as if it could not wake the sleeper, and again grows soft as if it were frightened at itself for being so loud when every one is quiet: who does not know such weeping? Who does not guess what it means, even if he does not know it?

Fritz Nettenmair knew it, half asleep; there was a dead person in the next room. They had brought him home. "We must submit to what is unalterable."

For the first time for many months he slept quietly again.

And why should he not? The quiet weeping turned into a merry waltz. "There he is! Now the fun will begin"--the words rang triumphantly from the "Red Eagle Tavern" in the distance, into his sleep.

But the quiet steps and the quiet voices were real, and they continued; and there was a dead body in the next room, the beautiful, dead body of a child. The breach between the parents had made the child ill; pain at her father's savage attack on her mother had broken her little heart.

When the new day sent its first glimmer of light through his window, Apollonius rose from the chair on which he had sat ever since his return to his room. There was something solemn in the manner in which he stood upright. He seemed to say to himself: "If it is as I fear, I must act for us both; it is for that that I am a man. I have sworn to uphold my father's house and his honor, and I will do what I have sworn to do, in every sense."

Fritz Nettenmair woke at last. He knew nothing more of the dream-scenes of the night. He only knew that his wife had magnified the "spy's" desire to be coddled into an illness so that she might have an excuse for being together with "him." He began to think of how he should put an end to this coddling. With this idea in his mind he stepped through the door and stood--before a dead body. A shudder ran over him. The dead child lay there before him like a sign to warn him: "You shall not go farther on the way that you have taken!" There the child lay, his child, and she was dead. The child stood before him, an accuser and a witness. She bore witness for her mother. The mother had known that she was dying; and at the deathbed of her child not even the lowest creature would do what he had thought her capable of doing. The child accused him. He had struck a mother at the side of her child's deathbed. No man can do that, not even if the woman were guilty. And she was not; the child testified to that. Now he knew that the pale, dumb countenance of the mother had cried: "You will kill the child; don't strike!" And he had struck nevertheless. He had killed the child. That thought fell on him like a thunder-bolt, so that he collapsed before the child's bed, across which he had struck her mother, before the bed in which his child had died because he struck her mother.

There he lay a long time. The bolt that struck him down had lighted the past with cruel distinctness: he had seen them both innocent whom he persecuted. And there was no guilt but his. He alone had built up the misery that lay crushingly upon him, load on load, guilt on guilt. But after all it was not yet too late! He heard his wife's quiet step in the hall coming toward the door of the room. He heard the door open. If little Annie had been standing in the door of the bedroom then, she would have smiled. He meant to be kind, he meant to be again as he had been before little Annie had been taken sick. He held out his hand to the woman as she entered. She saw him and started. She was as white as little Annie's body, even her lips, usually so crimson, were white. Her neck, her beautiful arms, her soft hands were white, her eyes that were always so shining, were dull. All the life in her had withdrawn to the deepest recesses of her heart and there wept for her dead child. When she saw him her whole body began to tremble. In two steps she stood between him and the body; as if she still wanted to protect the child from him. And yet it was not that. Neither fear nor dread quivered about her little mouth; it was firmly closed. It was a different feeling that drew her beautifully arched eyebrows together and flamed in her usually so gentle eyes. He saw: this was no longer the woman who had spoken melting words of peace; she had died with her child in the terrible night just past. The woman who stood before him was no longer the mother who looked at him with hope, whose child he could save; it was the mother whose child he had killed. It was a mother who drove the murderer away from the holy place where her child lay. He spoke--Oh, if he had but spoken yesterday! Yesterday she had yearned for the words; today she did not hear them.

"Give me your hand, Christiane," he said. She drew her hand back convulsively, as if he had already touched her. "I have been mistaken," he continued; "I will believe you, I see myself; I will not do it again! You are better than I."

"The child is dead," she said, and even her voice sounded pale. "Don't leave me without comfort in my terrible fear. If I can become different I can only do so now, and if you give me your hand and raise me up," said the man. She looked at the child, not at him.

"The child is dead," she repeated. Did that mean it was indifferent to her what became of him now that his improvement could no longer save the child? The man half raised himself; he gripped her hand with a strength full of fear and held it fast.

"Christiane," he sobbed wildly, "Here I lie like a worm. Don't tread on me! Don't tread on me! For God's sake, have mercy. I could never forget it, if I had lain here like a worm in vain. Think of it! For God's sake, think of it; you have me in your hand now. You can make of me what you will. I hold you responsible. You will be to blame for anything that may come after this."--She had finally succeeded in withdrawing her hand from his grasp; she held it away from herself as if she looked at it with loathing because he had touched it.

"The child is dead," she said. He understood that she said: "Between me and the murderer of my child there can never be anything more in common, neither on earth nor in heaven."

He rose. A word of forgiveness might perhaps have saved him! Perhaps! Who knows! He staggered back into the bedroom. Christiane did not see him go, but she felt that his presence no longer profaned the place in which lay the sacred image of her maternal sorrow. Weeping softly, she sank down over her dead child.

In the meantime Apollonius had begun the decorating of the tower-roof of St. George's. He had built a scaffold, fastened his ladder to the broach-post, put a hempen ring on it, attached his tackle to the ring and hung his swinging-seat on the pulley. The tin ornamentation, which consisted of single long pieces, was intended to represent two garlands festooned around the spire.

Apollonius was industrious at his work. The mastertinsmith, who was anxious to see his decorations completed as soon as possible, had less ground to complain of Apollonius than the latter had to be dissatisfied with him. At first the master urged Apollonius; soon Apollonius had to drive the master on. A part of the top garland which was to hang in a festoon over the door in the roof was lacking. Apollonius could not finish his work until he had the material for it. A neighboring village required his services for minor repairs. Leaving his tackle hanging from the tower of St. George's he went to Brambach.

The next day old Valentine knocked at the living-room door. He had already been there several times and gone away again. His entire being expressed uneasiness. He was so preoccupied with something that he had on his mind that he thought he must have failed to hear the answer to his knock and laid his ear to the key-hole as if he assumed that it must still be there to hear if he only listened hard enough. His anxiety aroused him from his absent-mindedness. He knocked a second and a third time and, still receiving no answer, plucked up courage to open the door and go in. The young wife had avoided him for some time. She did so now, too, but today he had to speak to her. She intentionally sat at some distance from the windows, near the bedroom door. The old man did not perceive that she was as uneasy as he, and that his presence made her even more so. He apologized for his intrusion. When she made a movement to leave the room, he assured her that he would not remain long and that he would not have forced himself upon her had he not been impelled to do so by something which was perhaps very important. He hoped that it was not so, but still, it might be. She listened and looked more and more anxiously now at the windows, now at the door. Her demeanor showed plainly that she hoped if he had anything to say to her he would say it as quickly as he could.

Valentine began: "Master Fritz is on the roof of St. George's. I saw him just now in the church-yard."

"And did he look this way? Did he see you coming into the house?" asked Christiane breathlessly.

"God forbid!" replied the old man. "He is working like the devil today, not even thinking of anything to eat and drink. When a man works like that--" Valentine stopped and completed the sentence to himself--"he has some end in view." Christiane was silent. She was struggling with the desire to confide her whole anxiety to the faithful old soul. He saw nothing of this. "Our neighbor, over there," he continued, "has times, you know, when he cannot sleep at all. The night before Master Apollonius went to Brambach he was at his kitchen window and saw somebody sneaking from the back of our house into the shed." He did not say whom the neighbor had seen, he probably expected the young wife to ask. But she had not even heard his story. "The previous evening," he went on, "before Master Apollonius left for Brambach, he tried to get together the things he wanted to take with him; he examined everything, as he always does, but he could not make up his mind what to take. And it is so strange that Master Fritz has become so industrious all of a sudden."

Apollonius' name roused Christiane; she listened as the old man continued: "It occurred to me for the first time, just now, when our neighbor told me that somebody had crept into the shed. I wondered what he could be wanting there, and at night too. And when I looked up and saw Master Fritz working so hard, an uneasy feeling came over me and drove me into the shed as if I were being chased with a stick. There, I imagined what any one who had sneaked in there might have done. First I saw the ax that belongs with the other tools lying near the door. I thought to myself: did he do anything with the ax? And again I imagined what any one who had crept in there at night might have done with it. It occurred to me that he might have done something to the ladders. But I found nothing wrong there. Nor was there anything wrong with the swinging-seat that still lay there. Then I began to look at the pulleys and last of all at the tackle. It seemed as if one of the ropes had been worn a little by rubbing against something hard. I thought to myself: 'that often happens,' and was about to lay it down again, but then I thought: 'there is nothing else wrong, and if somebody crept in here at night he meant to do something, and if he had the ax then he did something with that.' I looked a little closer and--merciful Heavens!--the rope had been cut into in several different places. I threw it over the beam and hung on it; the cuts gaped open. I believe if the seat were hung on it the rope would break." The old man had become quite pale. Christiane hung breathlessly on his every word; she had fallen back in her chair and could scarcely speak.

"It was not so the evening before," he continued. "Master Apollonius has an eye for every detail. He would have discovered it. I think the person who cut the rope watched Master Apollonius as he examined everything, and thought he would not look them over again before he used them. That is the reason why he crept in at night."

"Valentine!" cried the young wife, seizing him by the shoulders, half as if she wanted to compel him to tell the truth, half as if to support herself, "he did not take it with him? Valentine, tell me!"

"No, not that one," said Valentine. "But the other seat that was there, and the tackle belonging to it."

"And was that cut too?" she asked with ever increasing fear. He replied: "I do not know. But the man who did it had no idea which one Master Apollonius would take with him."

The woman trembled so violently that the old man forgot his fears concerning Apollonius in his fear concerning her. He had to support her to prevent her from falling. She pushed him away and half imploringly, half threateningly, cried: "Oh, save him, Valentine, save him. Oh God, it is I who have done it!" She prayed to God to save him, and then moaned that he was dead and that it was her fault. She called Apollonius by the tenderest names and entreated him not to die. Valentine, in his distress, sought for words to comfort her and in so doing found comfort for himself; or if there were no real comfort, at least there was the hope that Apollonius was already on his way home. He had certainly examined the tackle again. If he had met with an accident they would have heard of it by now. He had to repeat this a dozen times before she understood what he meant. And now she began to expect the bearer of the terrible tidings, and started at every sound. She even imagined her own sobbing to be his voice. Finally Valentine, infected by her desperate terror and not knowing what else to do, ran to fetch the old gentleman, thinking that he might know how to save Apollonius, if it were still possible.

The old gentleman sat in his little room. As he withdrew deeper and deeper into the clouds that separated him from the outer world, even his little garden finally became strange to him. Especially the eternal question: "How are you, Herr Nettenmair?" had driven him to the house. He felt that people no longer believed his: "I am somewhat troubled with my eyes, but it is a matter of no consequence," and in every question he heard only a mockery. Much as Apollonius suffered with him, his father's isolation and increasing unsociability were not altogether unwelcome to him; for the deeper his brother sank, the more difficult it had become to conceal from the old gentleman the condition of the house; and to exclude busybodies from the garden was impossible. Apollonius did not know that his father suffered tortures in his room equal to those from which he wanted to protect him. Here the old gentleman sat the livelong day, crouched down in his leather chair behind the table, and brooded over all the possibilities of dishonor that might come to his house; or he strode up and down with hasty step, the flush in his sunken cheeks and the vehement gestures of his arms betraying all too plainly how in his thoughts he did his utmost to avert impending calamity. His was a condition which would eventually lead to complete insanity, if the external world did not throw a bridge across to him and force him to leave his isolation.

This was what happened on that day. Force of habit compelled old Valentine, without his being conscious of the fact, to open the door gently, and gently to step in; but the old gentleman, with his morbidly acute perception, discerned at once the unusual. His anticipation naturally took the same course which all his thoughts pursued. Some disgrace must be threatening the house so to alter Valentine's usual manner; and it must be a terrible one indeed thus to upset the old fellow and break through his assumed composure. The old gentleman trembled as he arose from his chair. He struggled with himself as to whether he should ask. It was not necessary. The old fellow confessed, unasked. With nervous haste he related his fears and his reasons for them. The old gentleman was startled, in spite of the fact that his imagination had prepared him for the truth; but Valentine observed none of this in his exterior, he listened to him as always, as if he were relating matters of the utmost indifference. When Valentine had finished, the sharpest eye could no longer have perceived the slightest tremor in the tall, stately figure. The old gentleman had the firm ground of reality under his feet once more; he was again the old gentleman in the blue coat. He stood as austere as of yore before his servant; so austere and so quiet was he that his bearing inspired Valentine with courage. "Imagination!" he exclaimed in his old grim manner. "Are none of the journeymen around?" Valentine called one who was just about to fetch slate. The old gentleman despatched him to Brambach to bid Apollonius return home at once. "If you think he won't go quickly enough for you, you fussy old woman, tell him to hurry so that you may soon learn that you've worked yourself into a state about nothing. But no word of this to anybody and lock up the wife so that she can't do anything silly." Valentine obeyed. The old gentleman's assurance, and the fact that something had really been done, had a more powerful effect upon him than a hundred good arguments. He imparted his encouragement to Christiane. He was in too great haste to tell her upon what grounds it was based. If he had had time for that he would probably have left her less reassured. Nothing was further from himself than the suspicion that the old gentleman, while characterizing his fears as idle fancies, and pretending to send the messenger only to reassure him and the young wife, was inwardly convinced of the guilt of his elder son and of the danger, if not actual death, of his younger son.

"Now," said Herr Nettenmair, when Valentine had returned to him, "the old fool has of course told our neighbor the fairy-tale that he spun out of thin air, and the young wife has confided it to all the gossips in town!"

Valentine noticed nothing of the feverish suspense with which the old gentleman awaited an answer to the question which he had disguised as an exclamation. "I've done nothing of the kind," he replied earnestly. The old gentleman's supposition had wounded him. "In the first place I didn't really think myself that anything was very wrong yet; and Frau Nettenmair has not spoken to a soul since then."

The old gentleman took hope anew. During Valentine's absence he had given way for a moment to all the anguish that a father cannot but feel under such circumstances; but then he reasoned with himself that there was no use in wasting time in idle complaint as long as something might still be done. Even if Valentine and Christiane had told nobody what they knew, other things of the same sort might have become known. Such a criminal thought does not originate by chance; it is the blossom of a poisonous tree with trunk and branches. Valentine had to tell him all that had happened since Apollonius' return home. It was the story of a wanton, inordinate, pleasure-seeking spendthrift who in spite of the efforts of his better brother had sunk to the level of an ordinary libertine and drunkard; of a faithful brother who, compelled by the necessity of rescuing the honor of business and home, had shouldered the care of everything and as a reward was being persecuted unto death by the degraded prodigal.

The old gentleman sat motionless. Only the blush that burned ever warmer on his thin cheeks betrayed what he suffered for the honor of his house. Otherwise he seemed to know it all, already. That was his old manner, which he perhaps made use of now because he thought that Valentine would then be less likely to conceal or alter facts against his better knowledge. His inward agitation prevented him from perceiving in what strong contradiction this semblance of calm stood to his morbid sense of honor. Valentine did not endeavor to deepen the shadows which fell upon Fritz Nettenmair's conduct, but, knowing the old gentleman as he thought he did, he deemed it necessary to place Apollonius' actions in the brightest possible light. But he only half knew the old gentleman after all. He miscalculated the effect that he would produce when he praised the filial tenderness with which Apollonius had withheld all news of danger from his father's ears. Thus he undid what a simple tale, describing the son's efforts to save that which the old gentleman held most dear, had accomplished. The father saw only a realization of the fear which Apollonius' diligence had awakened in him. In unfilial fashion Apollonius had concealed the danger from him in order to be able to take the whole credit for the rescue to himself. Or he looked upon his father as a helpless, blind old man who was not, and could not be anything but an incumbrance. This latter feeling the old gentleman could forgive him less than the former, even in face of his grief over his son's death, which he now deemed a certainty. The more he thought of it, the more convinced he became that things would never have come to such a pass if he had known about it and taken the matter in hand, and that Apollonius in fact had only his own ambitious desires to thank for his death. These thoughts, however, had to give way before immediate necessity. What he knew concerning Fritz was enough to strengthen suspicion once it was aroused, but not to create it in the first place unless there were some additional reason of which he knew nothing. He must learn from his guilty son himself if such existed. He had made up his mind what to do in any case. He called for his hat and cane. At any other time Valentine would have been astonished at this command, perhaps even frightened. But when one is wrought up over something unusual, only the usual seems unexpected, only that which calls to mind the old quiet state of affairs. As the old gentleman made ready to depart, he pointed out to Valentine once more how foolish and groundless his fears were. "Who knows," he said grimly, "what our neighbor saw? How could he recognize anybody at night, so far off? And you with your ax story! If the rope should break by chance or any other accident happen to the boy in Brambach, of course you would be sure and certain that it was your imaginary ax-slashes that had done it, and that the man whom our neighbor pretends to have seen sneaking into the shed, had made them. And if you say a word or make mysterious hints about all that you imagine in your silly pate, the whole town will be full of it in no time. Not because what you have invented is probable enough for any sensible man to believe, but just because people are glad to speak ill of anybody. God will take care that nothing happens to the boy. But of course it might happen, and maybe it has already happened. How easy it is for an accident to happen to anybody, specially to a slater who hovers between heaven and earth like a bird, and yet has not the wings of a bird. That is why the slater's calling is such a noble calling; the slater is the most manifest picture of how Providence holds the man who works at an honest profession safe in its hands. But if Providence lets him fall, there is a reason for it, and nobody has a right to go around spinning yarns which will bring unhappiness and even disgrace on somebody else. I am sure this affair will soon show itself as it really is and not as your fears have led you to imagine. For--"

The old gentleman had reached this point in his speech when some one was heard outside setting down a load. He stood for a moment dumb, petrified. Valentine looked through the window and saw that it was the journeyman tinner unloading.

"It's Jörg," said he, "who is bringing the tin garlands."

"And you get frightened and think they are bringing, goodness knows whom. Where is Fritz?"

"On the church roof," replied Valentine.

"Good," said Herr Nettenmair. "Tell the tinner to come in when he has done--." Valentine did so. Until he came Herr Nettenmair continued his lecture in a somewhat lower tone. Then he turned to where the workman's respect made itself audible in a quiet clearing of the throat and asked him if he had time to accompany him to the church roof of St. George's where his elder son was at work. The tinner assented. Valentine ventured the suggestion that it would be better to send for Fritz. The old gentleman said grimly: "I must speak to him up there. It is about the repairs." He turned again to the tinner and said with condescending grimness: "I shall take your arm. I am having a little trouble with my eyes, but it is a matter of no consequence."

The appearance of the old gentleman on the street was calculated to create a sensation. He would certainly have been stopped by a hundred hand-shakers and interrogators if something had not diverted public attention. A hurried, whispered rumor ran through the streets. Two or three stood together in little groups awaiting the approach of a third or fourth, who would give them to understand that he knew what it was that was responsible for the formation of the ten or twelve similar groups standing around. Then somebody would whisper it as he passed rapidly by, beginning always with a: "Haven't you heard?" which was generally brought forth by a: "What has happened?" Herr Nettenmair did not need to ask; he knew without being told what had happened, but he did not dare to appear as if he knew. The journeyman thought Herr Nettenmair was going to sink down beside him, but the old gentleman had only struck his foot: "it was of no consequence." The journeyman questioned a hurrying passer-by. "A slater has been killed in Brambach." "How?" asked the journeyman. "A rope broke; nothing further is known." Herr Nettenmair felt that the journeyman was frightened, and that he was frightened at the thought that it was the son of the man he was leading who had been killed. He said: "It was probably in Tambach. They have made a mistake. It is of no consequence." The journeyman did not know what to think of Herr Nettenmair's indifference. The latter kept repeating to himself, as a burning flush came into his cheeks: "Yes, it must be. It must be." He thought of a way in which one can escape all courts, all investigations. It must have been a hard way of which he thought, for he clenched his teeth, as he shook his head and said: "It must be, now it must be." As if in a dream the journeyman led the old gentleman up the tower steps of St. George's. The people were right, Herr Nettenmair was certainly a queer man!

The old gentleman had said he had to speak to his son on the church-roof--about some repairs. He had spoken unconsciously in his diplomatic way.

It had to be on the church-roof, and it was about some repairs--but not about those of the church-roof.

Between heaven and earth is the slater's realm. Between heaven and earth, high up on the roof of St. George's Fritz Nettenmair was at work when the old gentleman was led up the steps to him. He had fled here to escape the eyes of men which he imagined riveted upon him; he had fled here to escape his own thoughts in a fury of diligence. But he had brought with him all the demons of hell, and, industriously as he toiled, the moisture that stood on his brow was not the warm sweat of honest labor, but the cold sweat born of a guilty conscience. In agonized haste he hammered and nailed slate together as if he were nailing fast the universe which otherwise would crumble to pieces in a quarter of an hour. But his soul was not where he hammered; it was where ropes were constantly breaking and luckless slaters plunging headlong to certain death. Now he heard voices, and the sound of one of them struck like the blow of a hammer on his tortured heart. It was the only voice which he did not expect to hear. Would he to whom it belonged ask, "Where is thy brother Abel?" No. He wanted to tell his son that his brother had met with disaster, that it was a day of misfortune and that he must not work any more. And if he should ask, the answer was almost as old as the human race; "Am I my brother's keeper?" It seemed like a relief to him when he remembered that his father was blind. For he knew that he could not endure his father's seeing eyes. He hammered and nailed more and more hurriedly. He would elude his father if he could, but the roof-truss was small, and the old gentleman's voice was already at the roof door. He would not notice him until he was compelled. He heard him say: "This is far enough. My compliments to your master, and here is something for you. Drink my health with it." Fritz Nettenmair, listening, heard his father sit down on the empty board in the dormer window and knew that his tall figure filled the entire opening. He heard the journeyman's thanks and his footsteps as they gradually receded.

"Beautiful weather," said Herr Nettenmair. The son realized that the father wanted to know if anybody else were near by. There came no answer, the words died in Fritz Nettenmair's breast, he hammered always louder and more vehemently. He wished the hour, the day, his life were at an end. "Fritz!" called the old gentleman. He called again and yet again. At last Fritz Nettenmair was compelled to answer. He thought of the call, "Cain, where art thou?" and responded "Here, father," and hammered on.

"The slate is solid," said the old man, indifferently; "I can tell by the sound; it does not split."

"Yes," replied Fritz with chattering teeth, "it will let no water through."

"It is better than it used to be," continued his father, "they have got deeper into the quarry. You seem to be alone." A "Yes" died on the son's lips. "The deeper it lies, the stronger the slate is. Is there no other scaffold near?"

"None."

"Good. Come here. Here in front of me!"--

"What do you want me to do?"

"To come here. What has to be said must be said softly."

Fritz Nettenmair went and stood before his father, shaking all over. He knew that he was blind and yet he sought to avoid his glance. The old man struggled for composure but not a line of his withered face betrayed the struggle, only the length of his silence and his breathing, which sounded like the tired echo of the creaking swing of the pendulum on the tower clock near-by, might have suggested it. These preparations awoke in Fritz Nettenmair a premonition of what was to come. He strove for defiance. "If he in his distrust has surmised it, who can prove it? And if he could prove it, he would never tell, of that I am sure. Otherwise why does he speak so softly? He may say what he will--I know nothing, it was not I. I have done nothing." The muscles of his face quivered; an expression of wild defiance played upon his features. The old gentleman said no word. The sound of traffic in the streets rose muffled to the heights, violet shadows lay on all below, about Apollonius' swinging seat trembled the sun's last ray.

"Where is your brother?" came at last from between the father's teeth.

"I do not know. How should I know?" answered the son defiantly.

"You do not know?" It was only a whisper but every word struck like thunder in the soul of the son. "I will tell you. Yonder in Brambach he lies dead. The rope broke with him, and you had made slits in it with the ax. Our neighbor saw you sneaking into the shed. You threatened before your wife that you would do it. The whole town knows it, they are carrying it now to the courts. The first person who comes up these steps will be the bailiff to lead you before the judge."

Fritz Nettenmair broke down completely; the scaffolding creaked beneath him. The old gentleman listened. If the miserable wretch should fall over the edge of the scaffolding, he would be plunged into the depths and all would be over. All that had to be, would be! A lark soared above them scattering its merry _Tirili_ over trees and houses. Happier mortals heard the song from afar; workmen let their spades rest, children their whips and tops; with eyes turned heavenward all sought the soaring, singing bird and hearkened with bated breath. Herr Nettenmair did not hear the lark; he also held his breath, but he was listening to what was happening below, not above. It was nothing that sounded like the song of a lark which he wanted to hear. There was a rumbling, and a broken cry of anguish. At first he listened full of hope, then filled with despair. On the boards of the scaffolding before him he heard the rattle of heavy breathing. Fate, which might have stretched out a sympathizing, helping hand, had not done so. He must do it, for it must be done. If he did not, people would point their finger at the children and say: "It was their father who slew his brother and died on the gallows" or "in the penitentiary." And when it was long forgotten the children would only need to appear and it would be called into life again; people would point with their fingers and turn from them in horror. The confidence of the world which one inherits from one's parents is the capital with which one begins life. Confidence must be placed in man before he deserves it, in order that he may learn to deserve it. Who would place confidence in children branded with a father's guilt? The flush on his thin cheeks burned brighter, his sunken breast panted heavily. Involuntarily he pointed forward with his arm. Fritz Nettenmair divined his meaning, tried to pull himself together, and would have sunk helplessly down again if he had not supported himself with both hands. Lying thus on his hands and knees before the old gentleman he cried out in an agony of fear, "What do you want, father? What have you in mind?"

"I want to see," said the old gentleman in a shrill whisper, "whether I must do it or whether you will do what must be done. For it must be done. Nobody knows anything as yet which could lead to an investigation before the courts except me, your wife and Valentine. For myself I can answer, but not for them; they may betray what they know. If you should fall now from the scaffolding, so that people could think it was an accident, the great disgrace would be prevented. The slater who meets his death through accident stands before the world as an honest man--honest as the soldier who dies on the battle-field. You are not worthy of such a death, you bankrupt soul. The hangman should drag you on a cowhide to the gallows, you villain, who have murdered your brother and have tried to poison the future of your innocent children and my past life which has been always full of honor. You have brought down disgrace enough on your house, you shall not bring more. They shall never say of me, that my son, or of my grandchildren, that their father, died on the gallows or in the penitentiary. Say the Lord's Prayer, now, if you can still pray. Then turn as if you were going back to your work and step with your right foot over the scaffolding. If I say the shock of your brother's death made you dizzy, the courts and the town will believe me. That is the return for a life that has been different from yours. If you will not do it of your own accord, I shall go with you and you will have me too on your conscience. People know that I have trouble with my eyes; they will say that I stumbled and tried to hold on to you and dragged you down with me. My life is of no value after what I have heard today, but your children's is just beginning. And no disgrace shall be attached to them, as truly as my name is Nettenmair. Make up your mind now what is to be done. I shall count thirty--by the pendulum there."

Fritz Nettenmair had listened to his father's words with growing horror. That his deed had not yet become generally known, gave him hope. Fear of impending death aroused his energies. He took refuge again in defiance. Vehemently he declared: "I do not know what you want. I am innocent. I do not know what you mean by an ax." He expected his father to enter into his protest, even if sceptically at first. But the old gentleman began calmly to count--"one--two--"

"Father!" he cried with increasing fear, and his mocking defiance broke into a wail. "Only listen to me. The courts would listen and you will not. I will throw myself over because you want me to be dead; I will die, though I am innocent. But at least listen to me." The old gentleman gave no answer; he counted on. The miserable man saw that sentence had been pronounced. His father would not believe him no matter what he said, and he knew that what the stubborn old man undertook, he always carried out, unrelentingly. First he decided to acquiesce in his fate; then the thought came to him that he would plead again; and then it occurred to him that he could push the old man aside and make his escape; then that he could hang on to something in some way when the old man caught hold of him and not fall with him. Nobody could blame him for this. Through all these thoughts he saw shudderingly what awaited him if he escaped and the courts should seize him. It was better to die now. But on the other side of death something still more terrible awaited him. He looked back and lived his whole life through in a moment to see if the eternal Judge would find pardon for him. His thoughts became confused, he was now here, now there, and had forgotten why. He saw the mist gathering in which the workman had disappeared and at the same time he looked into the bright windows of the Red Eagle inn where he heard voices: "There he comes--now the fun will begin." He stood on the street corners and counted, and the boards beneath Apollonius would not break, nor the ropes above him; he stood before his wife and, leaning over little Annie's dying bedside, said, "Do you know why you are frightened?" and reached out his hand to give the fatal blow; also he lay as if in a fever dream before his father and brooded in anxious, terrible fear. Then it was as if he had come to himself again and unending time had elapsed between the moment when his father began to count and the present. Everything must be all right by now, only he must try to recall whether he had pushed his father aside and thus made his escape or whether he had held back when his father attempted to drag him down with him. But there he still lay, and there his father still sat. He heard him count "nine" and stop. Consciousness forsook him completely. The old gentleman had in truth ceased to count. His sharp ear heard a hurrying footstep on the stairs. He seized hold of his son and held fast as if to be sure that he did not escape him. So cold and lifeless was the son's body that the father knew it was not necessary to hold him; he must be unconscious. A new uneasiness awoke in him. If the son had lost consciousness, he must be hidden from strange eyes, for this unconsciousness might in some way arouse suspicion. He arose and turned away from the window in the direction of the newcomer. He was undecided whether he would stand before the window covering it with his body or go forward to meet the intruder.

The journeyman whom he had sent to Brambach, for it was he who was approaching in such haste, coughed as he came up the stairs. He could keep him back from the scaffolding and most likely prevent him from seeing that somebody was lying there if he went to meet him; if he stood in front of the window it was probable that he would not be able to cover the whole space. The old gentleman felt now for the first time how his strength had been broken by what he had gone through that day. The journeyman, however, observed nothing unusual as Herr Nettenmair, leaning on the rafters of the stairs, barred the way.

"Shall I tell him to come to you here, Herr Nettenmair?" asked the journeyman.

"Tell whom?" Herr Nettenmair had difficulty in retaining his artificial composure.

"He will be home by this time," responded the journeyman. The old gentleman did not repeat his question; he held fast to the rafter on which he was leaning. "He was already on his way home," continued the journeyman. "I came with him as far as the gate. Then he sent me to the tinner's to see if the tin was ready at last. Jörg told me that he had already brought it to the house and had just come from the roof of St. George's where he had led you and I thought because you were in such a hurry to see Herr Apollonius, I would ask you if I must tell him to come up here."

Herr Nettenmair ran his hand up and down the rafter as if he had only taken hold of it to examine it. But, feeling that his hands trembled, he gave up the examination. As grimly as he could, he replied, "I shall come down myself." Wait at the landing until I call you. The journeyman obeyed. Herr Nettenmair drew a deep breath when he knew he was no longer observed. This breath became a sob. The terrible strain which he had undergone was beginning to find an end, and the agony of the father which had been swallowed up till now in passionate fear for the honor of the house, asserted itself. But he knew that his good son's life would hang in the same danger as long as the wicked son lived near him. He had foreseen this contingency and had mapped out a plan of action. He felt his way back to the window. Fritz Nettenmair in the meanwhile had recovered consciousness and been able to rise. The old gentleman bade him come in from the scaffolding and said: "Tomorrow before sunrise you will no longer be here. See if you can become another man in America. Here you are in disgrace, and can only bring disgrace. You will follow me home. I will give you money, you will make ready for the trip. You have done nothing for your wife and children for years. I will take care of them. Do you hear?"

Fritz Nettenmair reeled. He had just looked inevitable death in the face and now he might live! Live where nobody knew what he done, where every chance sound would not frighten him with the vision of the bailiff.

"Apollonius did not fall," continued the old gentleman, and Fritz Nettenmair's bright, new heaven sank into nothingness. The old spectre held him again in its grasp. He loved again the woman from whom he had just wanted to flee. The old gentleman had awaited his son's assent. "You will go," he said, when the son remained silent. "You will go. Tomorrow before day-break you will be on your way to America, or I shall be on my way to the court. If disgrace must be, it is better to have disgrace alone and not disgrace combined with murder. Remember, I have sworn it. Take your choice."

The old gentleman called to the journeyman to come up to him and lead him home.

* * * * *

The rumor which the old gentleman had heard on his way to St. George's, had penetrated to the street where the house with the green shutters stands. One passer-by said to another: "Have you heard the news? A slater has been killed in Brambach." The young wife sprang from her chair but sank fainting to the floor. A second time Valentine forgot his fears for Apollonius in his anxiety about her. He sat near her as she lay on the floor and held her head in his trembling hands. At last she made a slight movement. He helped her raise the upper part of her body and supported her. She brushed her disheveled hair from her face and looked about her. Her gaze was such a strange tense one that Valentine's fear increased. She nodded her head and said in a low voice, "Yes!" Valentine knew that she was saying to herself that she had really heard the terrible news and had not dreamed it. She sat for a long time motionless, hearing no word of all that Valentine spoke to her--not even when he tried to prove that Apollonius could not be dead, that he was too careful and too good for an accident to happen to him. He would have given his life to help her, but he knew not how. So he talked on and on, hoping by ceaseless chatter to help her and himself over the anguish of the moment.

At last she found tears. Valentine lived again; he saw that she was saved. He read it in her face, which, open as she herself, could conceal nothing. He sat and listened with joyful attention to her weeping, as if it were a beautiful song she was singing him. He listened to the pure melody of her voice as she wept, the melody which she had not lost when, leaning over little Anne's dying bed, she had uttered the twofold cry of pain and horror. She wept her heart out and arose without help from Valentine. Then she prepared to go out. There was something solemn and resolute in her bearing. Valentine perceived it with astonishment and dread. He asked anxiously if she were going anywhere. She nodded her head. "But I must not let you," he said. "The old gentleman made me solemnly vow."