Chapter XI: Preface (11)

On the fourteenth of November, 1817, there landed in Sydney an Irish Cistercian Father, Jeremiah F. Flynn. He had heard in Rome of the spiritual destitution of the Irish Catholics in Australia, and he secured the permission of his superiors to minister to the needs of his compatriots in the Antipodes. Shortly after his arrival he celebrated Mass in the house of an Irishman named William Davis, who had been transported for making pikes for the insurgents in the days of '98, and then, on the first opportunity that presented itself, he sought the authorization of the colonial governor to exercise the functions of his sacred ministry. Far from hospitable was the reception accorded him by Governor Macquarie. The priest was told, with the bluntness characteristic of British officialdom, that the presence of no "popish missionary" would be tolerated in the settlement, and that the profession of the Protestant form of belief was obligatory on every person in the penal colony.

With the example of the "priesthood hunted down like wolves" before him, Father Flynn saw but one consistent course to pursue. His fellow Catholics, his fellow Irishmen, were in sore need of his help; that help they must receive, even though the civil powers refused their sanction. So for several months he went about as secretly as he could, hearing confessions, offering the Holy Sacrifice, and breaking the bread of good counsel. During this trying period, Davis was his host and defender and friend. Eventually the presence of the priest was detected; he was arrested and promptly sent back to England. Before the ship sailed he tried repeatedly to return to the house of Davis where the Blessed Sacrament was preserved in a cedar clothes-press, but the surveillance of his captors was strict and unsleeping. So in the dwelling of the convict Irishman the Sacred Species remained. Before this unwonted repository Davis kept a light ever burning day and night; and day and night crept the loyal Irishmen of the settlement to kneel in prayer before the improvised shrine. The "Holy House of Australia", as the Davis dwelling came to be known, remained the only Catholic church in the colony until 1821, when two Irish priests, Father John Joseph Therry of Cork and Father Philip Connolly of Kildare, were permitted to attend to the spiritual needs of the Irish Catholics. Their coming marked the beginning of religious toleration in Australia and the termination of the sufferings and sacrifices of the Irish colonists, several of whom had had to pay dearly for their religious convictions. Davis himself had been twice flogged and once imprisoned for refusing to attend Protestant service.

Today, on the site of the "Holy House of Australia", stands the church of St. Patrick. Davis gave the land and the sum of one thousand pounds to the church, and his fellow exiles contributed according to their means. This episode in the history of the Irish in Australia pays a touchingly eloquent tribute to the spirit of loyalty to God and country which has characterized the sons and daughters of St. Patrick everywhere whither their feet have strayed. It is the spirit which has embodied itself in the imposing cathedral of St. Patrick in Melbourne and the splendidly equipped college of St. Patrick in Sydney. It is the spirit which has made the Irish play so conspicuous a role in the civic and commercial history of Australasia.

Originally known as New Holland, Australia became an English penal colony after the outbreak of the Revolutionary War in the United States of America. An Irish element came into the colony in the last decade of the eighteenth century when, during the Orange reign of terror, upwards of a thousand people from the west of Ireland were deported by the Ulster magistrates and by Lord Carhampton, the notorious "Satanides", who was charged with the pacification of Connacht. And during the first three decades of the nineteenth century the stream of Irish transportation flowed on. As a result of the Tithes agitation, the Charter and Reform movements, the Combination Laws and the Corn Laws, many more Irishmen were forced across the sea. It was not until 1868 that the convict system was permanently abolished.

It is difficult for us of a later day to realize the meaning of that word, transportation. Let us form some conception of what the Irish exiles suffered from the graphic picture painted in colors, somber but not untrue, by one who knew from firsthand experience the lot of the political prisoner. Writes Dr. Ullathorne in _The Horrors of Transportation_:

"Take any one of you, my dear readers; separate him from his wife, from his children, from all those whose conversation makes life dear to him; cast him on the ends of the earth; let him there fall amongst reprobates who are the last stain and disgrace of our common nature; give him those obscene-mouthed monsters for his constant companions and consolers; let the daily vision of their progress from infamy to infamy, until the demon that inspires them has exhausted invention and the powers of nature together, be his only example; house him, at night, in a bark hut on a mud floor, where he has less comfort than your cattle in their stalls; awake him from the troubled dreams of his wretched wife and outcast children, to feel how far he is from their help, and take him out at sunrise; work him under a burning sun, and a heartless overseer, and the threat of the lash until the night fall; give him not a penny's wages but sorrow; leave him no hope but the same dull, dreary round of endless drudgery for many years to come; let him see no opening by which to escape, but through a long, narrow prospect of police courts, of gaols, of triangles, of death cells, and of penal settlements; let him all the while be clothed in a dress of shame, that shows to every living soul his degradation; and if he dare to sell any part of that clothing, then flog him worse than any dog! And thus, whilst severed from all kindness and all love, whilst the stern harsh voice of his task-master is grating in incessant jars within his ear, take all rest out of his flesh, and plant the thorn; take all feeling out of his heart, and leave the withered core; take all peace out of his conscience, and leave the worm of remorse; and then let any one come and dare to tell me that the man is happy because he has bread and meat. Is it not here, if ever there was such a case, where the taste of bread is a taste of misery, and where to feed and prolong life is to feed and lengthen our sorrow? And in pondering these things, do not those strong words of Sacred Scripture bring down their load of truth in heavy trouble to our thoughts, that, 'Their bread is loathsome to their eye, and their meat unto their soul.'"

But the bright side of the story of the Irish in Australia and New Zealand unfolds in the subsequent years. The men who had been sent forth from Erin with the brand of the convict upon them became the founders of a new commonwealth. To them were joined the numerous voluntary settlers who, attracted by the natural resources of the island-continent and especially by the gold discoveries of the fifties, migrated to Queensland, Victoria, and New South Wales. When in 1858 William E. Gladstone sought to establish a new colony to be known as North Australia, he opened a fresh field for Irish initiative. As a result of his effort there stands today, on a terrace overlooking Port Curtis, the city of Gladstone, the terminal of the Australian railway system. It was here, according to Cardinal Moran, that in 1606, Mass was first celebrated in Australia, when the Spaniards sought shelter in the "Harbor of the Holy Cross." The first government resident at Gladstone was Sir Maurice Charles O'Connell, a relative of the great Liberator; he was four times acting-governor of Queensland.

The list of Irish pioneer settlers in Australasia is a lengthy one. The name of Thomas Poynton stands out prominently. He was a New Zealand pioneer who had married an Irish girl in Sydney. The devotion of Poynton and his wife to the faith of their fathers is evidenced by the fact that he several times made the long journey from his home to Sydney to interest the church authorities in the wants of the New Zealand Irish Catholics, and that she twice made the same arduous trip to have her children baptized. Thomas Mooney has the distinction of being the first Irish pioneer in Western Australia; and yet another Irishman, Cassidy by name, carried out a policy of benevolent assimilation by marrying the daughter of a Maori chief.

Among the pioneer ecclesiastics were Father William Kelly of Melbourne and Father John McEncroe, a native of Tipperary and a Maynooth man, who for thirty years and more was a prominent figure in the religious and civic life of New South Wales. Father John Brady, another pioneer priest, became Bishop of Perth. Irish names occupy a conspicuous and honored place in the roster of the Australian episcopate. Notable on the list are Bishop Francis Murphy of Adelaide, who was born in Co. Meath, and Archbishop Daniel Murphy of Sydney, a native of Cork, the man who delivered the eulogy on the occasion of Daniel O'Connell's funeral at Rome. But scant reference can here be made to the illustrious primate of Australia, Cardinal Moran, archbishop of Sydney from 1884 to 1911, who was such a potent force in the land of his adoption, and whose masterly _History of the Catholic Church in Australasia_ puts him in the forefront of ecclesiastical historians. On his death he was succeeded in the see of Sydney by another Irishman, Archbishop Michael Kelly of Waterford. Archbishop O'Reily of Adelaide is a recognized authority on music, and has written several pamphlets on that subject. A Galway man, Dr. T. J. Carr, a great educator, is now (1914) archbishop of Melbourne, and a Clare man, Dr. J. P. Clune, holds sway in Perth.

Irishmen in Australia have figured largely in the iron and coal industries, in the irrigation projects, in the manufacturing activities, and in the working of the gold mines. But they have likewise distinguished themselves in other fields of endeavor. Prominent on the beadroll of Australian fame stand the names of Sir Charles Gavan Duffy (1816-1903), founder of the _Nation_ newspaper in Dublin, member of the British house of commons, and afterwards premier of Victoria and speaker of the legislative assembly, and his sons, John Gavan Duffy and Frank Gavan Duffy, public-spirited citizens and authorities on legal matters. The Currans, father and son, active in the public life of Sydney, were afterwards members of the British parliament. Distinguished in the records of the Australian judiciary are Judges Quinlan, Casey, Brennan, and O'Dowd. The Rev. J. Milne Curran, F.G.S., is a geologist who has achieved more than local fame. Other Irishmen who have loomed large in Australasian affairs are Daniel Brophy, John Cumin, Augustus Leo Kenny, James Coghlan, Sir Patrick Buckley, Sir John O'Shannessy, and Nicholas Fitzgerald. Louis C. Brennan, C.B., who was born in Ireland in 1852, emigrated to Australia when a boy and while working in a civil engineer's office in Melbourne conceived the idea of the "Brennan Torpedo", which he afterwards perfected, and then in 1897 sold the invention to the British Admiralty for £110,000. Another Brennan, Frank by name, is president of the Knights of Our Lady of the Southern Cross and has been a labor member of the federal parliament since 1911; a third, Christopher John, is assistant lecturer in modern literature in the University of Sydney; and a fourth, James, of the diocese of Perth, was made a Knight of St. Silvester by Pius X. in 1912. Young Australia and New Zealand may be as the world goes, but already both have much to their credit in the domains of music, art, and literature; and here, as usual, the Irish have been to the fore. In the writing of poetry, history, and fiction the Celtic element has been especially distinguished. Not to speak of the writers mentioned elsewhere in this sketch, scores of Irish men and women have been identified with the development of an Australian literature which, though delightfully redolent of the land whence it sprang, nevertheless possesses the universal note which makes it a truly human product. Many years ago one of the most gifted of Irish-Australian singers, "Eva"' of the _Nation_, voiced a tentative plaint:

"O barren land! O blank, bright sky!
Methinks it were a noble duty
To kindle in that vacant eye
The light of spirit--beauty--
To fill with airy shapes divine
Thy lonely plains and mountains,
The orange grove, the bower of vine,
The silvery lakes and fountains;
To wake the voiceless, silent air
To soft, melodious numbers;
To raise thy lifeless form so fair
From those deep, spell-bound slumbers.
Oh, whose shall be the potent hand
To give that touch informing,
And make thee rise, O Southern Land,
To life and poesy warming?"

Mrs. O'Doherty herself, who long lived in that Queensland which she thus apostrophized, helped in no uncertain way to answer her own question. So did John Farrell, the author of the truly remarkable "Jubilee Ode" of 1897 and of a collection of poems which include the well known "How He Died." And so, long before, had the non-Catholic Irishman, Edward O'Shaughnessy, who went to Australia as a convict, but who laughed in lockstep and made music with his chains.

James Francis Hogan, author and journalist, was born in Tipperary in 1855 and shortly afterward was brought by his parents to Melbourne where he received his education. On his return to Ireland he was elected to represent his native county in parliament. He is an authority on Australian history and in his book on _The Gladstone Colony_ has given us a fine specimen of modern historical method. With him must be mentioned Roderick Flanagan, whose _History of New South Wales_ appeared in 1862.

Other Irish names distinguished in Australasian literature are those of the New Zealand poet, Thomas Bracken; Roderick Quinn; Desmond Byrne; J.B. O'Hara; the eccentric convict-writer, George "Barrington" Waldron; Victor J. Daley; Bernard O'Dowd; Edwin J. Brady; the Rev. J.J. Malone; and the Rev. W. Kelly.

Finally, the Irish in Australia have done more than their share in the work of education and social service. Under Irish auspices several of the Catholic teaching congregations, including the Christian Brothers and the Presentation Nuns, were introduced, and their work has borne goodly fruit. A mighty power for good is the Hibernian Australasian Benefit Society. The organization, which was founded in 1871, has spread rapidly and has a large active membership.

Truly the land of the Southern Cross is not the dimmest jewel in the coronet of Ireland's glories.

REFERENCES:

Hogan: The Irish in Australia (1888), The Gladstone Colony (1898); Mennell: Dictionary of Australian Biography (1892); Duffy: Life in Two Hemispheres (1903); Kenny: The Catholic Church in Australia to the Year 1840; Moran: History of the Catholic Church in Australasia (1898); Davitt: Life and Progress in Australasia (1898); Bonwick: The First Twenty Years of Australia (1883); Flanagan: History of New South Wales (1862); Byrne: Australian Writers (1896); Wilson: The Church in New Zealand (1910); Hocken: A Bibliography of the Literature Relating to New Zealand (1909).

THE IRISH IN SOUTH AFRICA

By A. MILLIARD ATTERIDGE.

The tide of emigration from Ireland has set chiefly towards America and Australia. In South Africa, therefore, the Irish element among the colonists has never been a large one. But, despite its comparatively small numbers, it has been an important factor in the life of South Africa. Here, as in so many other countries, it has been the glory of the sons of Erin to be a missionary people. To their coming is due the very existence of the Catholic Church in these southern lands.

When Dr. Ullathorne touched at the Cape on his way to Australia in 1832, he found at Cape Town "a single priest for the whole of South Africa," an English Benedictine, who soon afterwards returned to Europe in broken health. Few Irish immigrants had by that time found their way to the Cape. They began to arrive in numbers only after the famine year.

The founder of the Catholic hierarchy in South Africa was the Irish Dominican, Patrick R. Griffith, who, in 1837, was sent to Cape Town by Gregory XVI. as the first Vicar Apostolic of Cape Colony. His successors at the Cape, Bishops Grimley, Leonard, and Rooney, have all been Irishmen, and nine in every ten of their flock have from the first been Irish by birth or descent. In the earlier years of Bishop Griffith's episcopate there was a large garrison in South Africa on account of the Kaffir wars. Many of these soldiers were Irishmen. At Grahamstown in 1844 the soldiers of an Irish regiment stationed there did most of the work of building St. Patrick's Church, one of the oldest Catholic churches in South Africa. They worked without wages or reward of any kind, purely out of their devotion to their Faith, giving up most of their leisure to this voluntary labor.

Ten years after Bishop Griffith's appointment, Pius IX. separated Natal and the eastern districts of Cape Colony from Cape Town, and erected the Eastern Vicariate Apostolic. Once more an Irish prelate was the first Bishop--Aidan Devereux, who was consecrated by Bishop Griffith at Cape Town in the Christmas week of 1847. The great emigration from Ireland had now begun, and a stream of immigrants was arriving at the Cape. Bishop Devereux fixed his residence at Port Elizabeth, and of his four successors up to the present day three have been Irish. Bishop Moran, who went out to Port Elizabeth in 1854, was consecrated at Carlow in Ireland by Archbishop (afterwards Cardinal) Cullen. The third Vicar Apostolic was Bishop Ricards, and the present bishop is another Irishman, Dr. Hugh McSherry, who received his consecration from the hands of Cardinal Logue in St. Patrick's Cathedral at Armagh.

Until the discovery of the diamond deposits in what is now the Kimberley district, some forty years ago, the Irish immigrants had chiefly settled in the ports and along the coast. But among the crowds who went to seek their fortunes at the diamond fields were large numbers of adventurous Irishmen. The mission church established at Kimberley became the centre of a new bishopric in 1886, when the Vicariate of Kimberley, which for some time included the Orange Free State, was established, and an Irish Oblate, Father Anthony Gaughran, was appointed its first bishop. He was succeeded in 1901 by his namesake and fellow countryman, the present Bishop Matthew Gaughran.

The gold discoveries on the Witwatersrand about Johannesburg produced another rush into the interior in the days after the first Transvaal war. A great city of foreign immigrants--the "Uitlanders"--grew up rapidly on the upland, where a few months before there had been only a few scattered Boer farms. Irishmen from Cape Colony and Natal, from Ireland itself, and from the United States formed a large element in the local mining and trading community. They were mostly workers. Few of them found their way into the controlling financier class, which was largely Jewish. The Irish were better out of this circle of international gamblers, whose intrigues finally produced the terrible two years' bloodshed of the great South African war. Many engineers of the mines were Irish-Americans. Huge consignments of mining machinery arrived from the United States, and many of the engineers who came to fit it up remained in the employ of the mining companies. Until after the war, the Transvaal and Johannesburg had depended ecclesiastically on the Vicar Apostolic of Natal, but in 1904 a Transvaal Vicariate was erected, and once more the first bishop was an Irishman, Dr. William Miller, O.M.I.

We have seen how Irish the South African episcopate has been from the very outset. Most of the clergy belong to the same missionary race, as also do the nuns of the various convents, and the Christian Brothers, who are in charge of many of the schools. Of the white Catholic population of the various states of the South African Union, the greater part are Irish. There are about 25,000 Irish in Cape Colony in a total population of over two millions. There are some 7,000 in Natal, I,500 in Kimberley, and about 2,000 in the Orange River Colony. In the Transvaal, chiefly in and about Johannesburg, there are some 12,000 Irish. A few thousand more are to be found scattered in Griqualand and Rhodesia.

As has been already said, the total numbers are not large in proportion to that of the population generally, and they belong chiefly to the industrial and trading classes. The most notable names among them are those of prelates, priests, and missionaries, who have founded and built up the organization of the Catholic Church in South Africa. But there are some names of note also in civil life. Sir Michael Gallwey was for many years Chief Justice of Natal; the Hon. A. Wilmot, who has not only held high official posts, but has also done much to clear up the early history of South Africa, is Irish on the mother's side; Mr. Justice Shiel is a judge of the Cape Courts; Eyre and Woodbyrne are Irish names among the makers of Rhodesia; and amongst those who have done remarkable work in official life may also be named Sir Geoffrey Lagden, Sir William St. John Carr, and the Hon. John Daverin. Lagden was for many years British Resident in Basutoland, the Switzerland of South Africa, where the native tribes are practically independent under a British protectorate. Griffith, the paramount chief of the Basuto nation, has been a Catholic since 1911. Sir Geoffrey's tactful policy and wise counsels did much to promote the prosperity of this native state, and during the trying days of the South African War, he was able to secure the neutrality of the tribesmen.

In the Boer wars, Irishmen fought with distinction on both sides. General Colley, who fell at Majuba in the first Boer War, was a distinguished Irish soldier. Another great Irishman, General Sir William Butler, has written the story of Colley's life. Butler himself was in command of the troops at the Cape before the great war. If his wise counsels had been followed by the Government, the war would undoubtedly have been avoided. He refused to have any part in the war-provoking policy of Rhodes and Chamberlain, and warned the Home Government that an attack on the Dutch republics would be a serious and perilous enterprise. When the war came, England owed much to the enduring valor of Irish soldiers and to the leadership of Irish generals. One need only name General Hart, of the Irish Brigade; General French, who relieved Kimberley, and who is now (1914) Field-Marshal and Commander-in-Chief of the British army in France; General Mahon, who raised the siege of Mafeking; Colonel Moore, of the famous Connaught Rangers, now (1914) commandant and chief military organizer of the Irish National Volunteers; and, finally, Lord Roberts, who took over the chief command and saved the situation after the early disasters. Lord Kitchener, who acted as Roberts's chief-of-staff, succeeded him in the command, and brought the war to an end by an honorable treaty with the Boer leaders, is a native of Ireland, but of English descent, and he passed most of his boyhood in Ireland, in Co. Kerry, where his father had bought a small property. I used to know an Irish Franciscan lay brother who told me he had taught the future soldier "many games" when he was quite a little fellow.

Of the regiments which took part in the war none won a higher fame than the Munster and the Dublin Fusiliers and the Connaught Rangers. It was in recognition of their splendid valor that the new regiment of Irish Guards was added to the British Army.

But the majority of Irishmen sympathized with the Boer republics, and many of them fought under the Boer flag, of these were legally British subjects, but many were naturalized burghers of the Transvaal, and many more were United States citizens, Irish-Americans from the Rand gold mines. There were two small Irish brigades under the Boer flag, those of McBride and Lynch (the latter now a member of the British House of Commons), and an engineer corps commanded by Colonel Blake, an American. At the first battle before Ladysmith it was one of the Irish brigades that kept the Boer guns in action, bringing up ammunition under a rain of shellfire. During the Boer retreat and Roberts's advance on Pretoria, Blake's engineers were always with the Boer rearguard and successfully destroyed every mile of the railway as they went back. Blake had served in the United States cavalry, had learned mining while on duty in Nevada, and had then gone to seek his fortune at Johannesburg. The great leader of the Boer armies, now the Prime Minister of the new South Africa which has happily arisen out of the storm of war, has Irish connections. Louis Botha lived before the war in the southeast Transvaal, not far from Laings Nek, and near neighbors of his were a family of Irish settlers bearing the honored name of Emmet. The Emmets and the Bothas were united by ties of friendship and intermarriage, and one of the Emmets served with Louis Botha during the war.

The Irish colonists of South Africa keep their love for faith and fatherland, but, as in the United States, they have thoroughly and loyally thrown in their lot with the new country of which they have become citizens. Few in number though they are, they are an important factor in the new Dominion, for their national tradition inspires them with civic patriotism, and their religion gives them a high standard of conduct and puts before them, as guides in the work of life and the solution of the problems of the day, the Christian principles of justice and charity.

REFERENCES:

Government Census Returns, South Africa; Catholic Directory for British South Africa (Cape Town, since 1904); The Catholic Magazine, Cape Town; Wilmot and Chase: History of Cape Colony (London, 1896); Theal: History of South Africa (5 vols., London, 1888-1893); for the war period, the _Times_ History of the South African War, and the British Official History.

IRISH LANGUAGE AND LETTERS

By DOUGLAS HYDE, LL.D., M.R.I.A.

The Celtic languages consist of two divisions, (a) the Gaelic or Irish division, and (b) the Kymric or Welsh division. Between them they comprise (a) Irish, Scotch-Gaelic, and Manx, and (b) Welsh, Armorican, and Cornish. All these languages are still alive except Cornish, which died out about a hundred years ago.

Of all these languages Irish is the best preserved, and it is possible to follow its written literature back into the past for some thirteen hundred years; while much of the most interesting matter has come down to us from pagan times. It has left behind it the longest, the most luminous, and the most consecutive literary track of any of the vernacular languages of Europe, except Greek alone.

For centuries the Irish and their language were regarded by the English as something strange and foreign to Europe. It was not recognized that they had any relationship with the Greeks or Romans, the French, the Germans, or the English. The once well-known statesman, Lord Lyndhurst, in the British parliament denounced the Irish as aliens in religion, in blood, and in language. Bopp, in his great Comparative Grammar, refused them recognition as Indo-Europeans, and Pott in 1856 also denied their European connection. It was left for the great Bavarian scholar, John Caspar Zeuss, to prove to the world in his epoch-making "Grammatica Celtica" (published in Latin in 1853) that the Celts were really Indo-Europeans, and that their language was of the highest possible value and interest. From that day to the present it is safe to say that the value set upon the Irish language and literature has been steadily growing amongst the scholars of the world, and that in the domain of philology Old Irish now ranks close to Sanscrit for its truly marvellous and complicated scheme of word-forms and inflections, and its whole verbal system.

The exact place which the Celtic languages (of which Irish is philologically far the most important) hold in the Indo-European group has often been discussed. It is now generally agreed upon that, although both the Celtic and Teutonic languages may claim a certain kinship with each other as being both of them Indo-European, still the Celtic is much more nearly related to the Greek and the Latin groups, especially to the Latin.

All the Indo-European languages are more or less related to one another. We Irish must acknowledge a relationship, or rather a very distant connecting tie, with English. But, to trace this home, Irish must be followed back to the very oldest form of its words, and English must be followed back to Anglo-Saxon and when possible to Gothic. The hard mutes (p, t, c) of Celtic (and, for that matter, of Sanscrit, Zend, Greek, Latin, Slavonic, and Lithuanian) will be represented in Gothic by the corresponding soft mutes (b, d, g), and the soft mutes in Celtic by the corresponding, hard mutes in Gothic. Thus we find the Irish _dia_ (god) in the Anglo-Saxon _tiw_, the god of war, whose name is perpetuated for all time in Tiwes-däg, now "Tuesday", and we find the Irish _déad_ in the Anglo-Saxon "toth", now "tooth", and so on. But of all the Indo-European languages Old Irish possesses by far the nearest affinity to Latin, and this is shown in a great many ways, not in the vocabulary merely, but in the grammar, which for philologists is of far more importance,--as, for example, the _b_-future, the passive in-_r_, the genitive singular and nominative plural of "o stems", etc. Thus the Old Irish for "man", nom. _fer_, gen. _fir_, dat. _fiur_, acc. _fer n_--, plur. nom. _fir_, gen. _fer n_--, is derived from the older forms _viros, viri, viro, viron_, nom. plur. _viri_, gen. plur. _viron_, which everyone who knows Latin can see at a glance correspond very closely to the Latin inflections, _vir, viri, viro, virum_, nom. plur. _viri_, etc.

So much for the language. When did this language begin to be used in literature? This question depends upon another--When did the Irish begin to have a knowledge of letters; when did they begin to commit their literature to writing; and whence did they borrow their knowledge of this art?

The oldest alphabet used in Ireland of which remains exist appears to have been the Ogam, which is found in numbers of stone inscriptions dating from about the third century of our era on. About 300 such inscriptions have already been found, most of them in the southwest of Ireland, but some also in Scotland and Wales, and even in Devon and Cornwall. Wherever the Irish Gael planted a colony, he seems to have brought his Ogam writing with him.

The Irishman who first invented the Ogam character was probably a pagan who obtained a knowledge of Roman letters. He brought back to Ireland his invention, or, as is most likely, invented it on Irish soil. Indeed, the fact that no certain trace of Ogam writing has been found upon the European continent indicates that the alphabet was invented in Ireland itself. An inscription at Killeen Cormac, Co. Kildare, survives which seems to show that the Roman alphabet was known in Ireland in pagan times. Ogam is an alphabet suitable enough for chiselling upon stones, but too cumbrous for the purposes of literature. For this the Roman alphabet must have been used. The Ogam script consists of a number of short lines straight or slanting, and drawn either below, above, or through one long stem-line. This stem-line is generally the sharp angle between two faces or sides of a long upright rectangular stone. Thus four cuts to the right of the long line stand for S; to the left of it they mean C; passing through it, half on one side and half on the other, they mean Z. The device was rude, but it was applied with considerable skill, and it was undoubtedly framed with much ingenuity. The vowels occurring most often are also the easiest to cut, being scarcely more than notches on the edge of the stone. The inscription generally contains the name of the dead warrior over whom the memorial was raised; it usually begins on the left corner of the stone facing the reader and is to be read upwards, and it is often continued down on the right hand angular line as well.

The language of the Ogam inscriptions is very ancient and nearly the same forms occur as in what we know of Old Gaulish. The language, in fact, seems to have been an antique survival even when it was first engraved, in the third or fourth century. The word-forms are probably far older than those used in the spoken language of the time. This is a very important conclusion, and it must have a far-reaching bearing upon the history of the earliest epic literature. Because if forms of language much more ancient than any that were then current were employed on pillar-stones in the third or fourth century, it follows that this obsolescent language must have survived either in a written or a regularly recited form. This immediately raises the probability that the substance of Irish epic literature (which was written down on parchment in the sixth or seventh century) really dates from a period much more remote, and that all that is purely pagan in it was preserved for us in the same antique language as the Ogam inscriptions before it was translated into what we now call "Old Irish."

The following is the Ogam alphabet as preserved on some 300 ancient pillars and stones, in the probably ninth-century treatise in the Book of Ballymote, and elsewhere:

There are a great many allusions to this Ogam writing in the ancient epics, especially in those that are purely pagan in form and conception, and there can be no doubt that the knowledge of letters must have reached Ireland before the island became Christianized. With the introduction of Christianity and of Roman letters, the old Ogam inscriptions, which were no doubt looked upon as flavoring of paganism, quickly fell into disuse and disappeared, but some inscriptions at least are as late as the year 600 or even 800. In the thoroughly pagan poem, _The Voyage of Bran_, which such authorities as Zimmer and Kuno Meyer both consider to have been committed to parchment in the seventh century, we find it stated that Bran wrote the fifty or sixty quatrains of the poem in Ogam. Cuchulainn constantly used Ogam writing, which he cut upon wands and trees and standing stones for Queen Medb's army to read, and these were always brought to his friend Fergus to decipher. Cormac, king of Cashel, in his glossary tells us that the pagan Irish used to inscribe the wand they kept for measuring corpses and graves with Ogam characters, and that it was a source of horror to anyone even to take it in his hand. St. Patrick in his Confession, the authenticity of which no one doubts, describes how he dreamt that a man from Ireland came to him with innumerable letters.

In Irish legend Ogma, one of the Tuatha De Danann who was skilled in dialects and poetry, seems to be credited with the invention of the Ogam alphabet, and he probably was the equivalent of the Gaulish god Ogmios, the god of eloquence, so interestingly described by Lucian.

We may take it then that the Irish pagans knew sufficient letters to hand down to Irish Christians the substance of their pagan epics, sagas, and poems. We may take it for granted also that the greater Irish epics (purely pagan in character, utterly untouched in substance by that Christianity which so early conquered the country) really represent the thoughts, manners, feelings, and customs of pagan Ireland.

The effect of this conclusion must be startling indeed to those who know the ancient world only through the medium of Greek and Roman literature. To the Greek and to his admiring master, the Roman, all outside races were simply barbarians, at once despised, misinterpreted, and misunderstood.

We have no possible means of reconstructing the ancient world as it was lived in by the ancestors of some of the leading races in Europe, the Gauls, Spaniards, Britons, and the people of all those countries which trace themselves back to a Celtic ancestry, because these races have left no literature or records behind them, and the Greeks and Romans, who tell us about them, saw everything through the false medium of their own prejudices. But now since the discovery and publication of the Irish sagas and epics, the descendants of these great races no longer find it necessary to view their own past through the colored and distorting glasses of the Greek or the Roman, since there has now opened for them, where they least expected to find it, a window through which they can look steadily at the life of their race, or of one of its leading offshoots, in one of its strongholds, and reconstruct for themselves with tolerable accuracy the life of their own ancestors. It is impossible to overrate the importance of this for the history of Europe, because neither Teutons nor Slavs have preserved pictures of their own heroic past, dating from pagan times. It is only the Celts, and of these the Irish, who have handed down such pictures drawn with all the fond intimacy of romance, and descriptions which exhibit the life of western Europeans at an even earlier culture-stage in the evolution of humanity than do the poems of Homer.

This conclusion, to which a study of the literature invites us, falls in exactly with that arrived at from purely archaeological sources. Professor Ridgeway of Cambridge University, working on archaeological lines, expresses himself as follows: "From this survey of the material remains of the _la Tern_ period found actually in Ireland, and from the striking correspondence between this culture and that depicted in the _Táin Bó Cúalnge_, and from the circumstance that the race who are represented in the epic as possessing this form of culture resemble in their physique the tall, fair-haired, grey-eyed Celts of Britain and the continent, we are justified in inferring (1) that there was an invasion (or invasions) of such peoples from Gaul in the centuries immediately before Christ, as is ascribed by the Irish traditions, and (2) that the poems themselves originally took shape when the _la Tène_ culture was still flourishing in Ireland. But as this could hardly have continued much later than A.D. 100, we may place the first shaping of the poems not much later than that date and possibly a century earlier."

This conclusion would make the earliest putting together of the Irish epics almost contemporaneous with Augustus Cæsar.

So much for the history and growth of Irish letters.

REFERENCES:

Brash: Ogam inscribed Monuments of the Gaedhil (1879); MacAlister: Studies in Irish Epigraphy, vol. 1 (1897), vol. 2 (1902), vol. 3 (1907); Rhys: in Proceedings of the Scottish Society of Antiquaries (Edinburgh, 1892); Ridgeway: Date of the First Shaping of the Cuchulain Saga (1905), in Proceedings of the British Academy, vol. II; Joyce: Social History of Ancient Ireland, vol. I, Chap. 2; Preface to fac-simile edition of the Book of Ballymote.

NATIVE IRISH POETRY

By PROFESSOR GEORGES DOTTIN.

[Note.--This chapter was written in French by M. Dottin, who is a distinguished professor and dean at the University of Renacs, France. The translation into English has been made by the Editors.]

By the year 1200 of the Christian era, a time at which the other national literatures of Europe were scarcely beginning to develop, Ireland possessed, and had possessed for several centuries, a Gaelic poetry, which was either the creation of the soul of the people or else was the work of the courtly bards. This poetry was at first expressed in rhythmical verses, each containing a fixed number of accented syllables and hemistichs separated by a pause:

_Crist_ lim, | _Crist_ reum, | _Crist_ in degaid
_Crist_ indium | _Crist_ issum | _Crist_ úasum
| _Crist_ dessum | _Crist_ úasum

This versification, one of the elements of which was the repetition of words or sounds at regular intervals, was transformed about the eighth century into a more learned system. Thenceforward alliteration, assonance, rhyme, and a fixed number of syllables constituted the characteristics of Irish verse:

Mésse ocus Pángur bÁN
cechtar náthar fria sáindAN
bith a _ménma_ sam fri SEILGG
mu _ménma_ céin im sáinchEIRDD.

As we see, the consonants in the rhyme-words were merely related: _l, r, n, ng, m, dh, gh, bh, mh, ch, th, f_ could rime together just as could _gg, dd, bb_. Soon the poets did not limit themselves to end-rhymes, which ran the risk of becoming monotonous, but introduced also internal rhyme, which set up what we may call a continuous chain of melody:

is aire caraim DOIRE
ar a reidhe ar a ghlOINE
's ar iomad a aingel fIND
ó 'n CIND go aoich arOILE.

This harmonious versification was replaced in the seventeenth century by a system in which account was no longer taken of consonantal rhyme or of the number of syllables.

The rules of Irish verse have nothing in common with classical Latin metres, which were based on the combination of short and long syllables. In Low-Latin, indeed, we find occasionally alliteration, rhyme, and a fixed number of syllables, but these novelties are obviously of foreign origin, and date from the time when the Romans borrowed them from the nations which they called barbarous. We cannot prove beyond yea or nay that they are of Celtic origin, but it is extremely probable that they are, for it is among the Celts both of Ireland and of Wales that the harmonizing of vowels and of consonants has been carried to the highest degree of perfection.

This learned art was not acquired without long study. The training of a poet (_filé_) lasted twelve years, or more. The poets had a regular hierarchy. The highest in rank, the _ollamh_, knew 350 kinds of verse and could recite 250 principal and 100 secondary stories. The _ollamhs_ lived at the court of the kings and the nobles, who granted them freehold lands; their persons and their property were sacred; and they had established in Ireland schools in which the people might learn history, poetry, and law. The bards formed a numerous class, of a rank inferior to the _filé_; they did not enjoy the same honors and privileges; some of them even were slaves; according to their standing, different kinds of verse were assigned to them as a monopoly.

The Danish invasions in the ninth century set back for some time the development of Irish poetry, but, when the Irish had driven the fierce and aggressive sea-rovers from their country, there was a literary renascence. This was in turn checked by the Anglo-Norman invasion in the twelfth century, and thereafter the art of versification was no longer so refined as it had formerly been. Nevertheless, the bardic schools still existed in the seventeenth century, more than four hundred years after the landing of Strongbow, and, in them, students followed the lectures of the _ollamhs_ for six months each year, or until the coming of spring, exercising both their talents for composition and their memory.

A catalogue of Irish poets, which has recently been made out, shows that there were more than a thousand of them. We have lost many of the oldest poems, but the Irish scribes often modernized the texts which they were copying. Hence the language is not always a sufficient indication of date, and it is possible that, under a comparatively modern form, some very ancient pieces may have been preserved. Even if the poems attributed to Amergin do not go back to the tenth century B.C., as has been claimed for them, they are in any case old enough to be archaic, and certain poems of the mythological cycle are undoubtedly anterior to the Christian era.

We have reason to believe that there have been preserved some genuine poems of Finn macCumaill (third century), a hymn by St. Patrick (d. 461), some greatly altered verses of St. Columcille (d. 597), and certain hymns written by saints who lived from the seventh to the ninth century. The main object of the most celebrated of the ancient poets up to the end of the twelfth century was to render history, genealogy, toponomy, and lives of saints readier of access and easier to retain by putting them into verse-form; and it is the names of those scholars that have been rescued from oblivion, while lyric poetry, having as its basis nothing more than sentiment, has remained for the most part anonymous. After the Anglo-Norman invasion, the best poet seems to have been Donnchadh Mór O'Daly (d. 1244). Of later date were Teig MacDaire (1570-1652), Teig Dall O'Higinn (d. 1615), and Eochaidh O'Hussey, who belonged to the seventeenth and eighteenth centuries. The new school, which abandoned the old rules and whose inspiration is now personal, now patriotic, is represented by _caoine_ (keens or laments), _abran_ (hymns), or _aislingi_ (visions), composed, among others, by Geoffrey Keating (d. c. 1650), David O'Bruadair (c. 1625-1698), Egan O'Rahilly (c. 1670-c. 1734), John MacDonnell (1691-1754), William O'Heffernan (fl. 1750), John O'Tuomy (1706-1775), and Andrew MacGrath (d. c. 1790). The greatest of the eighteenth century Irish poets was Owen Roe O'Sullivan (c. 1748-1784), whose songs were sung everywhere, and who, in the opinion of his editor, Father Dinneen, is the literary glory of his country and deserves to be ranked among the few supreme lyric poets of all time.

If, in order to study the subjects treated by the poets, we lay aside didactic poetry and confine ourselves to the ancient poems from the seventh to the eleventh century, we shall find in the latter a singular variety. They were at first dialogues or monologues, now found incorporated with the sagas, of which they may have formed the original nucleus. Thus, in the _Voyage of Bran_, we have the account of the Isles of the Blessed and the discourse of the King of the Sea; in the _Expedition of Loégaire MacCrimthainn_, the brilliant description of the fairy hosts; in _The Death of the Sons of Usnech_, the touching farewell of Deirdre to the land of Scotland and her lamentation over the dead bodies of the three warriors; and in the _Lay of Fothard Canann_, the strange and thrilling speech of the dead lover, returning after the battle to the tryst appointed by his sweetheart. Other poems seem never to have figured in a saga, like the Song of Crede, daughter of Guaire, in which she extols the memory of her friend Dinertach, and the affecting love-scenes between Liadin and Curithir; or like the bardic songs designed to distribute praise or blame: the funeral panegyric on King Niall, in alternate verses, the song of the sword of Carroll, and the satire of MacConglinne against the monks of Cork.

Religious poetry comprised lyric fragments, which were introduced into the lives of the saints and there formed a kind of Christian saga, or else were based on Holy Writ, like the _Lamentation of Eve_; hymns in honor of the saints, like _The Hymn to St. Michael_, by Mael Isu; pieces such as the famous Hymn of St. Patrick; and philosophic poems like that keen analysis of the flight of thought which dates from the tenth century.

At a time when the poets of other lands seem wholly engrossed in the recital of the deeds of men, one of the great and constant distinguishing marks of poetry in Ireland, whether we have to do with a short note set down by a scribe on the margin of a manuscript or with a religious or profane poem, is a deep, personal, and intimate love of nature expressed not by detailed description, but more often by a single picturesque and telling epithet. Thus we have the hermit who prays God to give him a hut in a lonely place beside a clear spring in the wood, with a little lark to sing overhead; or we have Marban, who, rich in nuts, crab-apples, sloes, watercress, and honey, refuses to go back to the court to which the king, his brother, presses him to return. Now, we have the description of the summer scene, in which the blackbird sings and the sun smiles; now, the song of the sea and of the wind, which blows tempestuously from the four quarters of the sky; again, the winter song, when the snow covers the hills, when every furrow is a streamlet and the wolves range restlessly abroad, while the birds, numbed to the heart, are silent; or yet again the recluse in his cell, humorously comparing his quest of ideas to the pursuit of the mice by his pet cat. This deep love of inanimate and animate things becomes individualized in those poems in which every tree, every spring, every bird is described with its own special features.

If we remember that these original poems, which, before the twelfth century, expressed thoughts that were scarcely known to the literature of Europe before the eighteenth, are, besides, clothed in the rich garb of a subtle harmony, what admiration, what respect, and what love ought we not to show to that ancient Ireland which, in the darkest ages of western civilization, not only became the depositary of Latin knowledge and spread it over the continent, but also had been able to create for herself new artistic and poetic forms!

REFERENCES:

Hyde: Love Songs of Connacht (Dublin, 1893), Irish Poetry, an Essay in Irish with Translation in English and a Vocabulary (Dublin, 1902), The Religious Songs of Connacht (London, 1906); Meyer: Ancient Gaelic Poetry (Glasgow, 1906), a Primer of Irish Metrics with a Glossary and an Appendix containing an Alphabetical List of the Poets of Ireland (Dublin, 1909); Dottin-Dunn: The Gaelic Literature of Ireland (Washington, 1906); Meyer: Selections from Ancient Irish Poetry (2d edition, London, 1913); Best: Bibliography of Irish Philology and of Printed Irish Literature (Dublin, 1913); Loth: La métrique galloise (Paris, 1902); Thurneysen: Mittelirische Verslehren, Irische Texte III.; Buile Suibhne (Dublin, 1910).

IRISH HEROIC SAGAS

By ELEANOR HULL.

Ireland has the unique distinction of having preserved for mankind a full and vivid literary record of a period otherwise, so far as native memorials are concerned, clouded in obscurity. A few fragmentary suggestions, derived from ancient stone monuments or from diggings in tumuli and graves, are all that Gaul or Britain have to contribute to a knowledge of that important period just before and just after the beginning of our era, when the armies of Rome were overrunning western Europe and were brought, for the first time, into direct contact with the Celtic peoples of the West. Almost all that we know of the early inhabitants of these countries comes to us from the pens of Roman writers and soldiers--Poseidonius, Caesar, Diodorus, Tacitus. We may give these observers credit for a desire to be fair to peoples they sometimes admired and often dreaded, but conquerors are not always the best judges of the races they are engaged in subduing, especially when they are ignorant of their language, unversed in their lore and customs, and unused to their ways. Valuable as are the reports of Roman authorities, we feel at every point the need of checking them by native records; but the native records of Gaul, and in large part also those of Britain and Wales, have been swept away. Caesar is probably right in saying that the Druids, who were the learned men of their race and day, committed nothing to writing; if they did, whatever they wrote has been irrecoverably lost.

But Ireland was exempt from the sweeping changes brought about through long periods of Roman and Saxon occupation; no great upheaval from without disturbed the native political and social conditions up to the coming of the Norse and Danes about the beginning of the ninth century. Agricola, standing on the western coast of Britain, looked across the dividing channel, and reflected upon "the beneficial connection that the conquest of Ireland would have formed between the most powerful parts of the Roman Empire," but, fortunately for the literature of Ireland, if not for her history, he never came. The early incursions of the Scotti or Irish were eastward into England, Wales, and Gaul, and there seem to have been few return movements towards the west. Ireland pursued her path of native development undisturbed. It is to this circumstance that she owes the preservation of so much of her native literature, a great body of material, historical, religious, poetic, romantic, showing marks of having originated at a very early time, and of great variety and interest.