Chapter XIV: Civilisation at the End of the Period of Conquest (3)

A form of architecture called the Tuscan was mostly used, which bore an imperfect resemblance to that early Greek style usually called the Doric. But the existing remains of the republican period are too scanty to allow of any precise statements. The true arts of Rome were, then and always, the arts of the builder and engineer. It would not be wrong to call the Romans the greatest builders in the world. Some of their mighty works, works combining solidity of structure with beauty of form and utility of purpose, still remain for our admiration, having survived the decay of ages and the more destructive hands of barbarian conquerors. In every country subject to their sway, roads and bridges and aqueducts remain in sufficient number and perfection to justify all praise. We class the roads among the buildings, according to their own phraseology,[73] and their construction deserves the name as justly as the works upon our own railways. The first great military road and the first aqueduct are due to the old censor Appius Cæcus, and they both remain to preserve the memory of the man, often self-willed and presumptuous, but resolute, firm of purpose, noble in conception, and audacious in execution. Other aqueducts and other roads rapidly followed; the spade and trowel were as much the instruments of Roman dominion as the sword and spear. By the close of the Punic Wars solid roads, carried by the engineer’s art over broad and rapid streams, through difficult mountain passes, across quaking morasses, had already linked Rome with Capua in the south, with Placentia and Cremona in the north. Such were the proud monuments of the Appii, the Æmilii, the Flaminii.

It may be said that these magnificent works, as well as the vast amphitheatres and baths which afterwards decorated Rome and every petty city in her provinces, were due to the invention of the arch. This simple piece of mechanism, so wonderful in its results, first appears in the Great Cloaca. It was unknown to the Greeks, or at least not used by them. It may be that the Romans borrowed it from the Etruscans; the Cloaca is attributed to an Etruscan king, and similar works are discovered in ruined cities of Etruria. But if they borrowed the principle they used it nobly, as witness the noble bridges still remaining, the copious streams carried over the plain for miles at the height of sixty or seventy feet from the level of the soil. If they had little feeling for beauty and delicacy in the use of the pencil or the chisel, their buildings are stamped with a greatness which exalted the power of the state while it disregarded the pleasure of the individual.

Their attention to practical utility in draining and watering their city is especially noted by Strabo in contrast with the indifference shown by the Greeks to these matters. To the facts already stated may be added their rule, established so early as the year 260 B.C., that no one should be buried within the city--a rule scarcely yet adopted in London. From this time dates the beginning of those rows of sepulchral monuments which the traveller beheld on either side of the road as he entered the Eternal City. It was a gloomy custom, but better at least than leaving graveyards in the heart of crowded cities.

A striking proof of engineering skill is shown in the tunnels cut through solid rock for the purpose of draining off volcanic lakes; this art we may also believe to have been originally borrowed from the Etruscans. The first tunnel of which we hear was that by which the Alban Lake was partially let off during the siege of Veii, a work which was suggested by an Etruscan soothsayer. Other works of like kind still remain, though the time of their execution is not always known. Here shall be added the notice of one work of kindred sort, which happens by a rare coincidence to combine great utility with rarest beauty. The famous M. Curius Dentatus, when censor in 272, cut a passage through the rock, by which the waters of Lake Velinus were precipitated into the Nar. By this means he recovered for his newly conquered Sabine clients a large portion of fertile land, and left behind the most lovely, if not the most sublime, of all waterfalls. The Falls of Terni, such is the famous name they now bear, were wrought by the hand of man. “Thousands of travellers visit them,” says Niebuhr; “how few know that they are not the work of Nature!”[b]

LITERATURE

Rome during this period began to form the literature which has come down to us; but unfortunately, instead of being national and original, it was imitative and borrowed, consisting chiefly of translations from the Greek. In the year after the end of the First Punic War (240), L. Livius Andronicus, an Italian Greek by birth, represented his first play at Rome. His pieces were taken from the Greek; and he also translated the _Odyssey_ out of that language into Latin. Cn. Nævius, a native of Campania, also made plays from the Greek, and he wrote an original poem on the First Punic War, in which he had himself borne arms. These poets used the Latin measures in their verse; but Q. Ennius, from Rudiæ in Calabria, who is usually called the father of Roman poetry, was the first who introduced the Greek metres into the Latin language. His works were numerous tragedies and comedies from the Greek, satires, and his celebrated _Annals_, or poetic history of Rome, in hexameters, the loss of which (at least of the early books) is much to be lamented. Maccius Plautus, an Umbrian, and Cæcilius Statius, an Insubrian Gaul, composed numerous comedies, freely imitated from the Greek. M. Pacuvius of Brundusium, the nephew of Ennius, made tragedies from the Greek; L. Afranius was regarded as the Menander of Rome; and P. Terentius (Terence), a Carthaginian by birth, gave some beautiful translations (as we may perhaps best term his pieces) of the comedies of Menander and Apollodorus. None of these poets but Plautus and Terence has reached us, except in fragments; the former amuses us with his humour, and gives us occasional views of Roman manners, while we are charmed with the graceful elegance of the latter. It is remarkable that not one of these poets was a Roman. In fact Rome has never produced a poet.

Q. Fabius Pictor, L. Cincius Alimentus, A. Postumius Albinus, M. Porcius Cato, and L. Cassius Hemina wrote histories (the first three in Greek) in a brief, dry, unattractive style. Cincius also wrote on constitutional antiquities, and seems to have been a man of research; and a work of Cato’s on husbandry has come down to us which we could well spare for his _Origines_, or early history of Italy.[e]

FOOTNOTES

[64] [Both consular places were opened to the plebeians by the law of the tribune Genucius, passed in 342 B.C.; cf. Mommsen[h] and Greenidge.[i]]

[65] [The reduction of the comitia curiata to a mere form belongs to the fifth century B.C.]

[66] [The senators were chiefly men who had held the principal civic offices; and as these offices were monopolised by a narrow circle of wealthy families, the senatorial places must have been practically, though not constitutionally, hereditary.]

[67] [By the Publilian law of 339 B.C. (cf. p. 185) the senatorial control over the centuries was reduced to a formality. But the senate still controlled the magistrates, and the magistrates controlled the assemblies.]

[68] [In fact the tribal assembly came into existence before the comitia centuriata began to grow more popular--the tribal assembly influenced the development of the centuriate assembly in a democratic direction.]

[69] [According to some authorities, however, the comitia centuriata did not come into existence before the end of the regal period.]

[70] [Rarely were laws passed by the tribal assembly under the presidency of a consul.]

[71] [After the passing of the Hortensian Law, 287 B.C., the tribunes were no longer constitutionally bound to gain the consent of the senate to their bills; and occasionally a tribune, as Flaminius in 232 and Claudius in 218, availed himself of his constitutional freedom. Generally, however, the tribunes were ministers of the senate, and more subservient than the consuls.]

[72] When the pound of weight ceased to be the same with the pound of currency, the former was usually designated _æs grave_.

[73] _Munire viam_, was their phrase.