Chapter XXIV: The Beginnings of "paysage Intime"

Classical landscape painting in France: Hubert Robert, Henri
Valenciennes, Victor Bertin, Xavier Bidault, Michallon, Jules
Cogniet, Watelet, Théodore Aligny, Edouard Bertin, Paul Flandrin,
Achille Benouville, J. Bellel.--Romanticism and the resort to
national scenery: Victor Hugo, Georges Michel, the Ruysdael of
Montmartre, Charles de la Berge, Camille Roqueplan, Camille Flers,
Louis Cabat, Paul Huet.--The English the first to free themselves
from composition and the tone of the galleries: Turner.--John
Crome, the English Hobbema, and the Norwich school: Cotman, Crome
junior, Stark, Vincent.--The water colour artists: John Robert
Cozens, Girtin, Edridge, Prout, Samuel Owen, Luke Clennel, Howitt,
Robert Hills.--The influence of aquarelles on the English
conception of colour.--John Constable and open-air
painting.--David Cox, William Muller, Peter de Wint, Creswick,
Peter Graham, Henry Dawson, John Linnell.--Richard Parkes
Bonington as the link between England and France 257

CHAPTER XXV

LANDSCAPE FROM 1830

Constable in the Louvre and his influence on the creators of the
French _paysage intime_.--Théodore Rousseau, Corot, Jules Dupré,
Diaz, Daubigny and their followers.--Chintreuil, Jean Desbrosses,
Achard, Français, Harpignies, Émile Breton, and others.--Animal
painting: Carle Vernet, Géricault, R. Brascassat, Troyon, Rosa
Bonheur, Jadin, Eugène Lambert, Palizzi, Auguste Lançon, Charles
Jacque 294

CHAPTER XXVI

JEAN FRANÇOIS MILLET

His importance, and the task left for those who followed
him.--Millet's principle _Le beau c'est le vrai_ had to be
transferred from peasant painting to modern life, from Barbizon to
Paris 360

BOOK IV

THE REALISTIC PAINTERS AND THE MODERN IDEALISTS