Chapter C: H. Cottle

_Answer._—Where large bodies of land are to be sold, a proclamation is issued in the name of the President, describing the tracts, and specifying the time and place of sale. When only a few isolated tracts of land, not embraced in the regular proclamations, are to be disposed of, notice is given in a local newspaper. The land is then sold to the highest bidder for cash only. Purchasers are not compelled to reside on or cultivate such lands. As the present policy of the government is to encourage pre-emption and homestead settlement and timber culture there are now few public land sales. Lands that have been offered at public sale but not sold may be bought at any time thereafter at the local land office if not withdrawn from market. This is called a private sale or entry.

MAGGIE MITCHELL.

VICKSBURG, Mich.

Please give a short biography of Maggie Mitchell. What is her present age?

S. C. VAN ANTWERP.

_Answer._—Maggie Mitchell, one of the best-known of American actresses, was born in New York City in 1832 of Scotch parents, in very humble circumstances. When very young she was employed in simple child parts in the old Bowery Theater, for a pittance, which went to help support the family. When not more than 19 years of age, she had advanced to playing parts of some importance, and about this time, 1851, she made her first appearance at Burton’s Theater as Julia, in the “Soldier’s Daughter,” which was her first capital success. Soon after this she went on a “starring tour” that proved profitable and widely extended her reputation. She made her first appearance in Philadelphia at the Chestnut Street Theater on March 20, 1854, as Constance in “The Love Chase.” Up to 1862 Miss Mitchell was content to appear in amusing characters, earning the reputation of a clever comedienne, but about this time she got hold of a clumsy, heavy dramatization of George Sand’s popular novelette, “La Petite Fadette.” She applied herself to the animating and popularizing of this play, and the result is her now famous drama “Fanchon,” many of the most charming and pathetic parts being entirely of her own creation. Since June 9, 1862, when she first produced “Fanchon” on the stage at Laura Keene’s Theater, New York, it has maintained a living interest which never fails to draw a house. Other plays of her composition or dramatization have followed, including “Jane Eyre,” “The Pearl of Savoy,” and “Mignon,” a stage rendering of an episode in Goethe’s “Wilhelm Meister,” but none have equaled, in popular esteem, Fanchon. Miss Mitchell was married Oct. 15, 1868, to Henry Paddock, of Cleveland, her present popular stage manager. Although she is now 51 years of age, she impersonates the girlish characters of her repertory with all the sprightliness and youthful vivacity that won the hearts of her auditors twenty years ago.

ARCHBISHOP LAUD—WHY BEHEADED.

Please give an account of the life, character, and death of
Archbishop Laud.