Chapter II (1)

We left Snake River. We went up Pacific Creek, and through Two Ocean Pass, and down among the watery willow-bottoms and beaverdams of the Upper Yellowstone. We fished; we enjoyed existence along the lake. Then we went over Pelican Creek trail and came steeply down into the giant country of grasstopped mountains. At dawn and dusk the elk had begun to call across the stillness. And one morning in the Hoodoo country, where we were looking for sheep, we came round a jut of the strange, organ-pipe formation upon a longlegged boy of about nineteen, also hunting.

“Still hyeh?” said the Virginian, without emotion.

“I guess so,” returned the boy, equally matter-of-fact. “Yu' seem to be around yourself,” he added.

They might have been next-door neighbors, meeting in a town street for the second time in the same day.

The Virginian made me known to Mr. Lin McLean, who gave me a brief nod.

“Any luck?” he inquired, but not of me.

“Oh,” drawled the Virginian, “luck enough.”

Knowing the ways of the country, I said no word. It was bootless to interrupt their own methods of getting at what was really in both their minds.

The boy fixed his wide-open hazel eyes upon me. “Fine weather,” he mentioned.

“Very fine,” said I.

“I seen your horses a while ago,” he said. “Camp far from here?” he asked the Virginian.

“Not specially. Stay and eat with us. We've got elk meat.”

“That's what I'm after for camp,” said McLean. “All of us is out on a hunt to-day--except him.”

“How many are yu' now?”

“The whole six.”

“Makin' money?”

“Oh, some days the gold washes out good in the pan, and others it's that fine it'll float off without settlin'.”

“So Hank ain't huntin' to-day?”

“Huntin'! We left him layin' out in that clump o'brush below their cabin. Been drinkin' all night.”

The Virginian broke off a piece of the Hoodoo mud-rock from the weird eroded pillar that we stood beside. He threw it into a bank of last year's snow. We all watched it as if it were important. Up through the mountain silence pierced the long quivering whistle of a bull-elk. It was like an unearthly singer practising an unearthly scale.

“First time she heard that,” said McLean, “she was scared.”

“Nothin' maybe to resemble it in Austria,” said the Virginian.

“That's so,” said McLean. “That's so, you bet! Nothin' just like Hank over there, neither.”

“Well, flesh is mostly flesh in all lands, I reckon,” said the Virginian. “I expect yu' can be drunk and disorderly in every language. But an Austrian Hank would be liable to respect her crucifix.”

“That's so!”

“He ain't made her quit it yet?”

“Not him. But he's got meaner.”

“Drunk this mawnin', yu' say?”

“That's his most harmless condition now.”

“Nobody's in camp but them two? Her and him alone?”

“Oh, he dassent touch her.”

“Who did he tell that to?”

“Oh, the camp is backin' her. The camp has explained that to him several times, you bet! And what's more, she has got the upper hand of him herself. She has him beat.”

“How beat?”

“She has downed him with her eye. Just by endurin' him peacefully; and with her eye. I've saw it. Things changed some after yu' pulled out. We had a good crowd still, and it was pleasant, and not too lively nor yet too slow. And Willomene, she come more among us. She'd not stay shut in-doors, like she done at first. I'd have like to've showed her how to punish Hank.”

“Afteh she had downed yu' with her eye?” inquired the Virginian.

Young McLean reddened, and threw a furtive look upon me, the stranger, the outsider. “Oh, well,” he said, “I done nothing onusual. But that's all different now. All of us likes her and respects her, and makes allowances for her bein' Dutch. Yu' can't help but respect her. And she shows she knows.”

“I reckon maybe she knows how to deal with Hank,” said the Virginian.

“Shucks!” said McLean, scornfully. “And her so big and him so puny! She'd ought to lift him off the earth with one arm and lam him with a baste or two with the other, and he'd improve.”

“Maybe that's why she don't,” mused the Virginian, slowly; “because she is so big. Big in the spirit, I mean. She'd not stoop to his level. Don't yu' see she is kind o' way up above him and camp and everything--just her and her crucifix?”

“Her and her crucifix!” repeated young Lin McLean, staring at this interpretation, which was beyond his lively understanding. “Her and her crucifix. Turruble lonesome company! Well, them are things yu' don't know about. I kind o' laughed myself the first time I seen her at it. Hank, he says to me soft, 'Come here, Lin,' and I peeped in where she was a-prayin'. She seen us two, but she didn't quit. So I quit, and Hank came with me, sayin' tough words about it. Yes, them are things yu' sure don't know about. What's the matter with you camping with us boys tonight?”

We had been going to visit them the next day. We made it to-day, instead. And Mr. McLean helped us with our packs, and we carried our welcome in the shape of elk meat. So we turned our faces down the grass-topped mountains towards Galena Creek. Once, far through an open gap away below us, we sighted the cabin with the help of our field-glasses.

“Pity we can't make out Hank sleepin' in that brush,” said McLean.

“He has probably gone into the cabin by now,” said I.

“Not him! He prefers the brush all day when he's that drunk, you bet!”

“Afraid of her?”

“Well--oneasy in her presence. Not that she's liable to be in there now. She don't stay inside nowadays so much. She's been comin' round the ditch, silent-like but friendly. And she'll watch us workin' for a spell, and then she's apt to move off alone into the woods, singin' them Dutch songs of hern that ain't got no toon. I've met her walkin' that way, tall and earnest, lots of times. But she don't want your company, though she'll patch your overalls and give yu' lunch always. Nor she won't take pay.”

Thus we proceeded down from the open summits into the close pines; and while we made our way among the cross-timber and over the little streams, McLean told us of various days and nights at the camp, and how Hank had come to venting his cowardice upon his wife's faith.

“Why, he informed her one day when he was goin' take his dust to town, that if he come back and found that thing in the house, he'd do it up for her. 'So yu' better pack off your wooden dummy somewheres,' says he. And she just looked at him kind o' stone-like and solemn. For she don't care for his words no more.

“And while he was away she'd have us all in to supper up at the shack, and look at us eatin' while she'd walk around puttin' grub on your plate. Day time she'd come around the ditch, watchin' for a while, and move off slow, singin' her Dutch songs. And when Hank comes back from spendin' his dust, he sees the crucifix same as always, and he says, 'Didn't I tell yu' to take that down?' 'You did,' says Willomene, lookin' at him very quiet. And he quit.

“And Honey Wiggin says to him, 'Hank, leave her alone.' And Hank, bein' all trembly from spreein' in town, he says, 'You're all agin me!' like as if he were a baby.”

“I should think you would run him out of camp,” said I.

“Well, we've studied over that some,” McLean answered. “But what's to be done with Willomene?”

I did not know. None of us seemed to know.

“The boys got together night before last,” continued McLean, “and after holdin' a unanimous meetin', we visited her and spoke to her about goin' back to her home. She was slow in corrallin' our idea on account of her bein' no English scholar. But when she did, after three of us takin' their turn at puttin' the proposition to her, she would not accept any of our dust. And though she started to thank us the handsomest she knowed how, it seemed to grieve her, for she cried. So we thought we'd better get out. She's tried to tell us the name of her home, but yu' can't pronounce such outlandishness.”

As we went down the mountains, we talked of other things, but always came back to this; and we were turning it over still when the sun had departed from the narrow cleft that we were following, and shone only on the distant grassy tops which rose round us into an upper world of light.

“We'll all soon have to move out of this camp, anyway,” said McLean, unstrapping his coat from his saddle and drawing it on. “It gets chill now in the afternoons. D' yu' see the quakin'-asps all turned yello', and the leaves keeps fallin' without no wind to blow 'em down? We're liable to get snowed in on short notice in this mountain country. If the water goes to freeze on us we'll have to quit workin'. There's camp.”

We had rounded a corner, and once more sighted the cabin. I suppose it may have been still half a mile away, upon the further side of a ravine into which our little valley opened. But field-glasses were not needed now to make out the cabin clearly, windows and door. Smoke rose from it; for supper-time was nearing, and we stopped to survey the scene. As we were looking, another hunter joined us, coming from the deep woods to the edge of the pines where we were standing. This was Honey Wiggin. He had killed a deer, and he surmised that all the boys would be back soon. Others had met luck besides himself; he had left one dressing an elk over the next ridge. Nobody seemed to have got in yet, from appearances. Didn't the camp look lonesome?

“There's somebody, though,” said McLean.

The Virginian took the glasses. “I reckon--yes, that's Hank. The cold has woke him up, and he's comin' in out o' the brush.”

Each of us took the glasses in turn; and I watched the figure go up the hill to the door of the cabin. It seemed to pause and diverge to the window. At the window it stood still, head bent, looking in. Then it returned quickly to the door. It was too far to discern, even through the glasses, what the figure was doing. Whether the door was locked, whether he was knocking or fumbling with a key, or whether he spoke through the door to the person within--I cannot tell what it was that came through the glasses straight to my nerves, so that I jumped at a sudden sound; and it was only the distant shrill call of an elk. I was handing the glasses to the Virginian for him to see when the figure opened the door and disappeared in the dark interior. As I watched the square of darkness which the door's opening made, something seemed to happen there--or else it was a spark, a flash, in my own straining eyes.

But at that same instant the Virginian dashed forward upon his horse, leaving the glasses in my hand. And with the contagion of his act the rest of us followed him, leaving the pack animals to follow us as they should choose.

“Look!” cried McLean. “He's not shot her.”

I saw the tall figure of a woman rush out of the door and pass quickly round the house.

“He's missed her!” cried McLean, again. “She's savin' herself.”

But the man's figure did not appear in pursuit. Instead of this, the woman returned as quickly as she had gone, and entered the dark interior.

“She had something,” said Wiggin. “What would that be?”

“Maybe it's all right, after all,” said McLean. “She went out to get wood.”

The rough steepness of our trail had brought us down to a walk, and as we continued to press forward at this pace as fast as we could, we compared a few notes. McLean did not think he saw any flash. Wiggin thought that he had heard a sound, but it was at the moment when the Virginian's horse had noisily started away.

Our trail had now taken us down where we could no longer look across and see the cabin. And the half-mile proved a long one over this ground. At length we reached and crossed the rocky ford, overtaking the Virginian there.

“These hawsses,” said he, “are played out. We'll climb up to camp afoot. And just keep behind me for the present.”

We obeyed our natural leader, and made ready for whatever we might be going into. We passed up the steep bank and came again in sight of the door. It was still wide open. We stood, and felt a sort of silence which the approach of two new-comers could not break. They joined us. They had been coming home from hunting, and had plainly heard a shot here. We stood for a moment more after learning this, and then one of the men called out the names of Hank and Willomene. Again we--or I at least--felt that same silence, which to my disturbed imagination seemed to be rising round us as mists rise from water.

“There's nobody in there,” stated the Virginian. “Nobody that's alive,” he added. And he crossed the cabin and walked into the door.

Though he made no gesture, I saw astonishment pass through his body, as he stopped still; and all of us came after him. There hung the crucifix, with a round hole through the middle of it. One of the men went to it and took it down; and behind it, sunk in the log, was the bullet. The cabin was but a single room, and every object that it contained could be seen at a glance; nor was there hiding-room for anything. On the floor lay the axe from the wood-pile; but I will not tell of its appearance. So he had shot her crucifix, her Rock of Ages, the thing which enabled her to bear her life, and that lifted her above life; and she--but there was the axe to show what she had done then. Was this cabin really empty? I looked more slowly about, half dreading to find that I had overlooked something. But it was as the Virginian had said; nobody was there.

As we were wondering, there was a noise above our heads, and I was not the only one who started and stared. It was the parrot; and we stood away in a circle, looking up at his cage. Crouching flat on the floor of the cage, his wings huddled tight to his body, he was swinging his head from side to side; and when he saw that we watched him, he began a low croaking and monotonous utterance, which never changed, but remained rapid and continuous. I heard McLean whisper to the Virginian, “You bet he knows.”

The Virginian stepped to the door, and then he bent to the gravel and beckoned us to come and see. Among the recent footprints at the threshold the man's boot-heel was plain, as well as the woman's broad tread. But while the man's steps led into the cabin, they did not lead away from it. We tracked his course just as we had seen it through the glasses: up the hill from the brush to the window, and then to the door. But he had never walked out again. Yet in the cabin he was not; we tore up the half-floor that it had. There was no use to dig in the earth. And all the while that we were at this search the parrot remained crouched in the bottom of his cage, his black eye fixed upon our movements.

“She has carried him,” said the Virginian. “We must follow up Willomene.”

The latest heavy set of footprints led us from the door along the ditch, where they sank deep in the softer soil; then they turned off sharply into the mountains.

“This is the cut-off trail,” said McLean to me. “The same he brought her in by.”

The tracks were very clear, and evidently had been made by a person moving slowly. Whatever theories our various minds were now shaping, no one spoke a word to his neighbor, but we went along with a hush over us.

After some walking, Wiggin suddenly stopped and pointed.

We had come to the edge of the timber, where a narrow black canyon began, and ahead of us the trail drew near a slanting ledge, where the footing was of small loose stones. I recognized the odor, the volcanic whiff, that so often prowls and meets one in the lonely woods of that region, but at first I failed to make out what had set us all running.

“Is he looking down into the hole himself?” some one asked; and then I did see a figure, the figure I had looked at through the glasses, leaning strangely over the edge of Pitchstone Canyon, as if indeed he was peering to watch what might be in the bottom.

We came near. But those eyes were sightless, and in the skull the story of the axe was carved. By a piece of his clothing he was hooked in the twisted roots of a dead tree, and hung there at the extreme verge. I went to look over, and Lin McLean caught me as I staggered at the sight I saw. He would have lost his own foothold in saving me had not one of the others held him from above.

She was there below; Hank's woman, brought from Austria to the New World. The vision of that brown bundle lying in the water will never leave me, I think. She had carried the body to this point; but had she intended this end? Or was some part of it an accident? Had she meant to take him with her? Had she meant to stay behind herself? No word came from these dead to answer us. But as we stood speaking there, a giant puff of breath rose up to us between the black walls.

“There's that fluffy sigh I told yu' about,” said the Virginian.

“He's talkin' to her! I tell yu' he's talkin' to her!” burst out McLean, suddenly, in such a voice that we stared as he pointed at the man in the tree. “See him lean over! He's sayin', 'I have yu' beat after all.'” And McLean fell to whimpering.

Wiggin took the boy's arm kindly and walked him along the trail. He did not seem twenty yet. Life had not shown this side of itself to him so plainly before.

“Let's get out of here,” said the Virginian.

It seemed one more pitiful straw that the lonely bundle should be left in such a vault of doom, with no last touches of care from its fellow-beings, and no heap of kind earth to hide it. But whether the place is deadly or not, man dares not venture into it. So they took Hank from the tree that night, and early next morning they buried him near camp on the top of a little mound.

But the thought of Willomene lying in Pitchstone Canyon had kept sleep from me through that whole night, nor did I wish to attend Hank's burial. I rose very early, while the sunshine had still a long way to come down to us from the mountain-tops, and I walked back along the cut-off trail. I was moved to look once more upon that frightful place. And as I came to the edge of the timber, there was the Virginian. He did not expect any one. He had set up the crucifix as near the dead tree as it could be firmly planted.

“It belongs to her, anyway,” he explained.

Some lines of verse came into my memory, and with a change or two I wrote them as deep as I could with my pencil upon a small board that he smoothed for me.

“Call for the robin redbreast and the wren, Since o'er shady groves they hover, And with flowers and leaves do cover The friendless bodies of unburied men. Call to this funeral dole The ant, the field-mouse, and the mole To rear her hillocks that shall keep her warm.

“That kind o' quaint language reminds me of a play I seen onced in Saynt Paul,” said the Virginian. “About young Prince Henry.”

I told him that another poet was the author.

“They are both good writers,” said the Virginian. And as he was finishing the monument that we had made, young Lin McLean joined us. He was a little ashamed of the feelings that he had shown yesterday, a little anxious to cover those feelings with brass.

“Well,” he said, taking an offish, man-of-the-world tone, “all this fuss just because a woman believed in God.”

“You have put it down wrong,” said the Virginian; “it's just because a man didn't.”

Padre Ignazio

At Santa Ysabel del Mar the season was at one of its moments when the air hangs quiet over land and sea. The old breezes had gone; the new ones were not yet risen. The flowers in the mission garden opened wide, for no wind came by day or night to shake the loose petals from their stems. Along the basking, silent, many-colored shore gathered and lingered the crisp odors of the mountains. The dust floated golden and motionless long after the rider was behind the hill, and the Pacific lay like a floor of sapphire, on which to walk beyond the setting sun into the East. One white sail shone there. Instead of an hour, it had been from dawn till afternoon in sight between the short headlands; and the padre had hoped that it might be his ship. But it had slowly passed. Now from an arch in his garden cloisters he was watching the last of it. Presently it was gone, and the great ocean lay empty. The padre put his glasses in his lap. For a short while he read in his breviary, but soon forgot it again. He looked at the flowers and sunny ridges, then at the huge blue triangle of sea which the opening of the hills let into sight. “Paradise,” he murmured, “need not hold more beauty and peace. But I think I would exchange all my remaining years of this for one sight again of Paris or Seville. May God forgive me such a thought!”

Across the unstirred fragrance of oleanders the bell for vespers began to ring. Its tones passed over the padre as he watched the sea in his garden. They reached his parishioners in their adobe dwellings near by. The gentle circles of sound floated outward upon the smooth immense silence--over the vines and pear-trees; down the avenues of the olives; into the planted fields, whence women and children began to return; then out of the lap of the valley along the yellow uplands, where the men that rode among the cattle paused, looking down like birds at the map of their home. Then the sound widened, faint, unbroken, until it met Temptation riding towards the padre from the south, and cheered the steps of Temptation's jaded horse.

“For a day, one single day of Paris!” repeated the padre, gazing through his cloisters at the empty sea.

Once in the year the mother-world remembered him. Once in the year a barkentine came sailing with news and tokens from Spain. It was in 1685 that a galleon had begun such voyages up to the lower country from Acapulco, where she loaded the cargo that had come across Tehuantepec on mules from Vera Cruz. By 1768 she had added the new mission of San Diego to her ports. In the year that we, a thin strip of colonists away over on the Atlantic edge of the continent, declared ourselves an independent nation, that Spanish ship, in the name of Saint Francis, was unloading the centuries of her own civilization at the Golden Gate. Then, slowly, as mission after mission was planted along the soft coast wilderness, she made new stops--at Santa Barbara, for instance; and by Point San Luis for San Luis Obispo, that lay inland a little way up the gorge where it opened among the hills. Thus the world reached these places by water; while on land, through the mountains, a road came to lead to them, and also to many more that were too distant behind the hills for ships to serve--a long, lonely, rough road, punctuated with church towers and gardens. For the fathers gradually so stationed their settlements that the traveller might each morning ride out from one mission and by evening of a day's fair journey ride into the next. A long, rough road; and in its way pretty to think of now.

So there, by-and-by, was our continent, with the locomotive whistling from Savannah to Boston along its eastern edge, and on the other the scattered chimes of Spain ringing among the unpeopled mountains. Thus grew the two sorts of civilization--not equally. We know what has happened since. To-day the locomotive is whistling also from the Golden Gate to San Diego; but the old mission road goes through the mountains still, and on it the steps of vanished Spain are marked with roses, and white cloisters, and the crucifix.

But this was 1855. Only the barkentine brought the world that he loved to the padre. As for the new world which was making a rude noise to the northward, he trusted that it might keep away from Santa Ysabel, and he waited for the vessel that was overdue with its package containing his single worldly indulgence.

As the little, ancient bronze bell continued its swinging in the tower, its plaintive call reached something in the padre's memory. Without knowing, he began to sing. He took up the slow strain not quite correctly, and dropped it, and took it up again, always in cadence with the bell:

[Musical Score Appears Here]

At length he heard himself, and glancing at the belfry, smiled a little. “It is a pretty tune,” he said, “and it always made me sorry for poor Fra Diavolo. Auber himself confessed to me that he had made it sad and put the hermitage bell to go with it because he too was grieved at having to kill his villain, and wanted him to die, if possible, in a religious frame of mind. And Auber touched glasses with me and said--how well I remember it!--'Is it the good Lord, or is it merely the devil, that makes me always have a weakness for rascals?' I told him it was the devil. I was not a priest then. I could not be so sure with my answer now.” And then Padre Ignazio repeated Auber's remark in French: “'Est-ce le bon Dieu, on est-ce bien le diable, qui me fait tonjours aimer les coquins?' I don't know! I don't know! I wonder if Auber has composed anything lately? I wonder who is singing Zerlina now?”

He cast a farewell look at the ocean, and took his steps between the monastic herbs and the oleanders to the sacristy. “At least,” he said, “if we cannot carry with us into exile the friends and the places that we have loved, music will go where we go, even to such an end of the world as this. Felipe!” he called to his organist. “Can they sing the music I taught them for the Dixit Dominus to-night?”

“Yes, father, surely.”

“Then we will have that. And, Felipe--” The padre crossed the chancel to the small shabby organ. “Rise, my child, and listen. Here is something you can learn. Why, see now if you cannot learn it with a single hearing.”

The swarthy boy of sixteen stood watching his master's fingers, delicate and white, as they played. So of his own accord he had begun to watch them when a child of six; and the padre had taken the wild, half-scared, spellbound creature and made a musician of him.

“There, Felipe!” he said now. “Can you do it? Slower, and more softly, muchacho. It is about the death of a man, and it should go with our bell.”

The boy listened. “Then the father has played it a tone too low,” said he; “for our bell rings the note of sol, or something very near it, as the father must surely know.” He placed the melody in the right key--an easy thing for him; but the padre was delighted.

“Ah, my Felipe,” he exclaimed, “what could you and I not do if we had a better organ! Only a little better! See! above this row of keys would be a second row, and many more stops. Then we would make such music as has never been heard in California yet. But my people are so poor and so few! And some day I shall have passed from them, and it will be too late.”

“Perhaps,” ventured Felipe, “the Americanos--”

“They care nothing for us, Felipe. They are not of our religion--or of any religion, from what I can hear. Don't forget my Dixit Dominus.” And the padre retired once more to the sacristy, while the horse that carried Temptation came over the hill.

The hour of service drew near; and as he waited, the padre once again stepped out for a look at the ocean; but the blue triangle of water lay like a picture in its frame of land, empty as the sky. “I think, from the color, though,” said he, “that a little more wind must have begun out there.”

The bell rang a last short summons to prayer. Along the road from the south a young rider, leading one pack-animal, ambled into the mission and dismounted. Church was not so much in his thoughts as food and, in due time after that, a bed; but the doors stood open, and as everybody was going into them, more variety was to be gained by joining this company than by waiting outside alone until they should return from their devotions. So he seated himself at the back, and after a brief, jaunty glance at the sunburnt, shaggy congregation, made himself as comfortable as might be. He had not seen a face worth keeping his eyes open for. The simple choir and simple fold gathered for even-song, and paid him no attention on their part--a rough American bound for the mines was no longer anything but an object of aversion to them.

The padre, of course, had been instantly aware of the stranger's presence. For this is the sixth sense with vicars of every creed and heresy; and if the parish is lonely and the worshippers few and seldom varying, a newcomer will gleam out like a new book to be read. And a trained priest learns to read shrewdly the faces of those who assemble to worship under his guidance. But American vagrants, with no thoughts save of gold-digging, and an overweening illiterate jargon for their speech, had long ceased to interest this priest, even in his starvation for company and talk from the outside world; and therefore after the intoning, he sat with his homesick thoughts unchanged, to draw both pain and enjoyment from the music that he had set to the Dixit Dominus. He listened to the tender chorus that opens “William Tell”; and as the Latin psalm proceeded, pictures of the past rose between him and the altar. One after another came these strains which he had taken from the operas famous in their day, until at length the padre was murmuring to some music seldom long out of his heart--not the Latin verse which the choir sang, but the original French words:

“Ah, voile man envie,
Voila mon seul desir:
Rendez moi ma patrie,
Ou laissez moi mourir.”

Which may be rendered:

But one wish I implore,
One wish is all my cry:
Give back my native land once more,
Give back, or let me die.

Then it happened that he saw the stranger in the back of the church again, and forgot his Dixit Dominus straightway. The face of the young man was no longer hidden by the slouching position he had at first taken. “I only noticed his clothes before,” thought the padre. Restlessness was plain upon the handsome brow, and in the mouth there was violence; but Padre Ignazio liked the eyes. “He is not saying any prayers,” he surmised, presently. “I doubt if he has said any for a long while. And he knows my music. He is of educated people. He cannot be American. And now--yes, he has taken--I think it must be a flower, from his pocket. I shall have him to dine with me.” And vespers ended with rosy clouds of eagerness drifting across the padre's brain.

But the stranger made his own beginning. As the priest came from the church, the rebellious young figure was waiting. “Your organist tells me,” he said, impetuously, “that it is you who--”

“May I ask with whom I have the great pleasure of speaking?” said the padre, putting formality to the front and his pleasure out of sight.

The stranger reddened, and became aware of the padre's features, moulded by refinement and the world. “I beg your lenience,” said he, with a graceful and confident utterance, as of equal to equal. “My name is Gaston Villere, and it was time I should be reminded of my manners.”

The padre's hand waved a polite negative.

“Indeed yes, padre. But your music has astonished me to pieces. If you carried such associations as--Ah! the days and the nights!” he broke off. “To come down a California mountain,” he resumed, “and find Paris at the bottom! 'The Huguenots,' Rossini, Herold--I was waiting for 'Il Trovatore.”'

“Is that something new?” said the padre, eagerly.

The young man gave an exclamation. “The whole world is ringing with it,” he said.

“But Santa Ysabel del Mar is a long way from the whole world,” said Padre Ignazio.

“Indeed it would not appear to be so,” returned young Gaston. “I think the Comedie Francaise must be round the corner.”

A thrill went through the priest at the theatre's name. “And have you been long in America?” he asked.

“Why, always--except two years of foreign travel after college.”

“An American!” said the surprised padre, with perhaps a flavor of disappointment in his voice. “But no Americans who have yet come this way have been--have been”--he veiled the too blunt expression of his thought--“have been familiar with 'The Huguenots,'” he finished, making a slight bow.

Villere took his under-meaning. “I come from New Orleans,” he returned. “And in New Orleans there live many of us who can recognize a--who can recognize good music wherever we meet it.” And he made a slight bow in his turn.

The padre laughed outright with pleasure, and laid his hand upon the young man's arm. “You have no intention of going away tomorrow, I trust?” said he.

“With your leave,” answered Gaston, “I will have such an intention no longer.”

It was with the air and gait of mutual understanding that the two now walked on together towards the padre's door. The guest was twenty-five, the host sixty.

“And have you been in America long?” inquired Gaston.

“Twenty years.”

“And at Santa Ysabel how long?”

“Twenty years.”

“I should have thought,” said Gaston, looking lightly at the empty mountains, “that now and again you might have wished to travel.”

“Were I your age,” murmured Padre Ignazio, “it might be so.”

The evening had now ripened to the long after-glow of sunset. The sea was the purple of grapes, and wine colored hues flowed among the high shoulders of the mountains.

“I have seen a sight like this,” said Gaston, “between Granada and Malaga.”

“So you know Spain!” said the padre.

Often he had thought of this resemblance, but never heard it told to him before. The courtly proprietor of San Fernando, and the other patriarchal rancheros with whom he occasionally exchanged visits across the wilderness, knew hospitality and inherited gentle manners, sending to Europe for silks and laces to give their daughters; but their eyes had not looked upon Granada, and their ears had never listened to “William Tell.”

“It is quite singular,” pursued Gaston, “how one nook in the world will suddenly remind you of another nook that may be thousands of miles away. One morning, behind the Quai Voltaire, an old yellow house with rusty balconies made me almost homesick for New Orleans.”

“The Quai Voltaire!” said the padre.

“I heard Rachel in 'Valerie' that night,” the young man went on. “Did you know that she could sing too? She sang several verses by an astonishing little Jew musician that has come up over there.”

The padre gazed down at his blithe guest. “To see somebody, somebody, once again,” he said, “is very pleasant to a hermit.”

“It cannot be more pleasant than arriving at an oasis,” returned Gaston.

They had delayed on the threshold to look at the beauty of the evening, and now the priest watched his parishioners come and go. “How can one make companions--” he began; then, checking himself, he said: “Their souls are as sacred and immortal as mine, and God helps me to help them. But in this world it is not immortal souls that we choose for companions; it is kindred tastes, intelligences, and--and so I and my books are growing old together, you see,” he added, more lightly. “You will find my volumes as behind the times as myself.”

He had fallen into talk more intimate than he wished; and while the guest was uttering something polite about the nobility of missionary work, he placed him in an easy-chair and sought aguardiente for his immediate refreshment. Since the year's beginning there had been no guest for him to bring into his rooms, or to sit beside him in the high seats at table, set apart for the gente fina.

Such another library was not then in California; and though Gaston Villere, in leaving Harvard College, had shut Horace and Sophocles forever at the earliest instant possible under academic requirements, he knew the Greek and Latin names that he now saw as well as he knew those of Shakespeare, Dante, Moliere, and Cervantes. These were here also; nor could it be precisely said of them, either, that they made a part of the young man's daily reading. As he surveyed the padre's august shelves, it was with a touch of the florid Southern gravity which his Northern education had not wholly schooled out of him that he said:

“I fear that I am no scholar, sir. But I know what writers every gentleman ought to respect.”

The subtle padre bowed gravely to this compliment.

It was when his eyes caught sight of the music that the young man felt again at ease, and his vivacity returned to him. Leaving his chair, he began enthusiastically to examine the tall piles that filled one side of the room. The volumes lay richly everywhere, making a pleasant disorder; and as perfume comes out of a flower, memories of singers and chandeliers rose bright from the printed names. “Norma,” “Tancredi,” “Don Pasquale,” “La Vestale”--dim lights in the fashions of to-day--sparkled upon the exploring Gaston, conjuring the radiant halls of Europe before him. “'The Barber of Seville!'” he presently exclaimed. “And I happened to hear it in Seville.”

But Seville's name brought over the padre a new rush of home thoughts. “Is not Andalusia beautiful?” he said. “Did you see it in April, when the flowers come?”

“Yes,” said Gaston, among the music. “I was at Cordova then.”

“Ah, Cordova!” murmured the padre.

“'Semiramide!'” cried Gaston, lighting upon that opera. “That was a week! I should like to live it over, every day and night of it!”

“Did you reach Malaga from Marseilles or Gibraltar?” said the padre, wistfully.

“From Marseilles. Down from Paris through the Rhone Valley, you know.”

“Then you saw Provence! And did you go, perhaps, from Avignon to Nismes by the Pont du Gard? There is a place I have made here--a little, little place--with olive-trees. And now they have grown, and it looks something like that country, if you stand in a particular position. I will take you there to-morrow. I think you will understand what I mean.”

“Another resemblance!” said the volatile and happy Gaston. “We both seem to have an eye for them. But, believe me, padre, I could never stay here planting olives. I should go back and see the original ones--and then I'd hasten up to Paris.” And, with a volume of Meyerbeer open in his hand, Gaston hummed: “'Robert, Robert, toi que j'aime.' Why, padre, I think that your library contains none of the masses and all of the operas in the world!”

“I will make you a little confession,” said Padre Ignazio, “and then you shall give me a little absolution.”

“With a penance,” said Gaston. “You must play over some of these things to me.”

“I suppose that I could not permit myself this indulgence,” began the padre, pointing to his operas; “and teach these to my choir, if the people had any worldly associations with the music. But I have reasoned that the music cannot do them harm--”

The ringing of a bell here interrupted him. “In fifteen minutes,” he said, “our poor meal will be ready for you.” The good padre was not quite sincere when he spoke of a poor meal. While getting the aguardiente for his guest he had given orders, and he knew how well such orders could be carried out. He lived alone, and generally supped simply enough, but not even the ample table at San Fernando could surpass his own on occasions. And this was for him an occasion indeed!

“Your half-breeds will think I am one of themselves,” said Gaston, showing his dusty clothes. “I am not fit to be seated with you.” He, too, was not more sincere than his host. In his pack, which an Indian had brought from his horse, he carried some garments of civilization. And presently, after fresh water and not a little painstaking with brush and scarf, there came back to the padre a young guest whose elegance and bearing and ease of the great world were to the exiled priest as sweet as was his traveled conversation.

They repaired to the hall and took their seats at the head of the long table. For the stately Spanish centuries of custom lived at Santa Ysabel del Mar, inviolate, feudal, remote.

They were the only persons of quality present; and between themselves and the gente de razon a space intervened. Behind the padre's chair stood an Indian to wait upon him, and another stood behind the chair of Gaston Villere. Each of these servants wore one single white garment, and offered the many dishes to the gente fina and refilled their glasses. At the lower end of the table a general attendant waited upon the mesclados--the half-breeds. There was meat with spices, and roasted quail, with various cakes and other preparations of grain; also the black fresh olives, and grapes, with several sorts of figs and plums, and preserved fruits, and white and red wine--the white fifty years old. Beneath the quiet shining of candles, fresh-cut flowers leaned from vessels of old Mexican and Spanish make.

There at one end of this feast sat the wild, pastoral, gaudy company, speaking little over their food; and there at the other the pale padre, questioning his visitor about Rachel. The mere name of a street would bring memories crowding to his lips; and when his guest would tell him of a new play, he was ready with old quotations from the same author. Alfred de Vigny they had, and Victor Hugo, whom the padre disliked. Long after the dulce, or sweet dish, when it was the custom for the vaqueros and the rest of the retainers to rise and leave the gente fina to themselves, the host sat on in the empty hall, fondly telling the guest of his bygone Paris, and fondly learning of the Paris that was to-day. And thus the two lingered, exchanging their fervors, while the candles waned, and the long-haired Indians stood silent behind the chairs.

“But we must go to my piano,” the host exclaimed. For at length they had come to a lusty difference of opinion. The padre, with ears critically deaf, and with smiling, unconvinced eyes, was shaking his head, while young Gaston sang “Trovatore” at him, and beat upon the table with a fork.

“Come and convert me, then,” said Padre Ignazio, and he led the way. “Donizetti I have always admitted. There, at least, is refinement. If the world has taken to this Verdi, with his street-band music--But there, now! Sit down and convert me. Only don't crush my poor little Erard with Verdi's hoofs. I brought it when I came. It is behind the times too. And, oh, my dear boy, our organ is still worse. So old, so old! To get a proper one I would sacrifice even this piano of mine in a moment--only the tinkling thing is not worth a sou to anybody except its master. But there! Are you quite comfortable?” And having seen to his guest's needs, and placed spirits and cigars and an ash-tray within his reach, the padre sat himself luxuriously in his chair to hear and expose the false doctrine of “Il Trovatore.”

By midnight all of the opera that Gaston could recall had been played and sung twice. The convert sat in his chair no longer, but stood singing by the piano. The potent swing and flow of tunes, the torrid, copious inspiration of the South, mastered him. “Verdi has grown,” he cried. “Verdi has become a giant.” And he swayed to the beat of the melodies, and waved an enthusiastic arm. He demanded every crumb. Why did not Gaston remember it all? But if the barkentine would arrive and bring the whole music, then they would have it right! And he made Gaston teach him what words he knew.“'Non ti scordar,'” he sang--“'non ti scordar di me.' That is genius. But one sees how the world; moves when one is out of it. 'A nostri monti ritorneremo'; home to our mountains. Ah, yes, there is genius again.” And the exile sighed and his spirit went to distant places, while Gaston continued brilliantly with the music of the final scene.

Then the host remembered his guest. “I am ashamed of my selfishness,” he said. “It is already to-morrow.”

“I have sat later in less good company,” answered the pleasant Gaston. “And I shall sleep all the sounder for making a convert.”

“You have dispensed roadside alms,” said the padre, smiling. “And that should win excellent dreams.”

Thus, with courtesies more elaborate than the world has time for at the present day, they bade each other good-night and parted, bearing their late candles along the quiet halls of the mission. To young Gaston in his bed easy sleep came without waiting, and no dreams at all. Outside his open window was the quiet, serene darkness, where the stars shone clear, and tranquil perfumes hung in the cloisters. And while the guest lay sleeping all night in unchanged position like a child, up and down between the oleanders went Padre Ignazio, walking until dawn.

Day showed the ocean's surface no longer glassy, but lying like a mirror breathed upon; and there between the short headlands came a sail, gray and plain against the flat water. The priest watched through his glasses, and saw the gradual sun grow strong upon the canvas of the barkentine. The message from his world was at hand, yet to-day he scarcely cared so much. Sitting in his garden yesterday he could never have imagined such a change. But his heart did not hail the barkentine as usual. Books, music, pale paper, and print--this was all that was coming to him, and some of its savor had gone; for the siren voice of life had been speaking with him face to face, and in his spirit, deep down, the love of the world was restlessly answering that call. Young Gaston showed more eagerness than the padre over this arrival of the vessel that might be bringing “Trovatore” in the nick of time. Now he would have the chance, before he took his leave, to help rehearse the new music with the choir. He would be a missionary too. A perfectly new experience.

“And you still forgive Verdi the sins of his youth?” he said to his host. “I wonder if you could forgive mine?”

“Verdi has left his behind him,” retorted the padre.

“But I am only twenty-five,” explained Gaston, pathetically.

“Ah, don't go away soon!” pleaded the exile. It was the plainest burst that had escaped him, and he felt instant shame.

But Gaston was too much elated with the enjoyment of each new day to understand. The shafts of another's pain might scarcely pierce the bright armor of his gayety. He mistook the priest's exclamation for anxiety about his own happy soul.

“Stay here under your care?” he said. “It would do me no good, padre. Temptation sticks closer to me than a brother!” and he gave that laugh of his which disarmed severer judges than his host. “By next week I should have introduced some sin or other into your beautiful Garden of Ignorance here. It will be much safer for your flock if I go and join the other serpents at San Francisco.”

Soon after breakfast the padre had his two mules saddled, and he and his guest set forth down the hills together to the shore. And beneath the spell and confidence of pleasant, slow riding, and the loveliness of everything, the young man talked freely of himself.

“And, seriously,” said he, “if I missed nothing else at Santa Ysabel, I should long to hear the birds. At home our gardens are full of them, and one smells the jasmine, and they sing and sing! When our ship from the Isthmus put into San Diego, I decided to go on by land and see California. Then, after the first days, I began to miss something. All that beauty seemed empty, in a way. And suddenly I found it was the birds. For these little scampering quail are nothing. There seems a sort of death in the air where no birds ever sing.”

“You will not find any birds at San Francisco,” said the padre.

“I shall find life!” exclaimed Gaston. “And my fortune at the mines, I hope. I am not a bad fellow, father. You can easily guess all the things that I do. I have never, to my knowledge, harmed any one. I did not even try to kill my adversary in an affair of honor. I gave him a mere flesh wound, and by this time he must be quite recovered. He was my friend. But as he came between me--”

Gaston stopped; and the padre, looking keenly at him, saw the violence that he had noticed in church pass like a flame over the young man's handsome face.

“There's nothing dishonorable,” said Gaston, answering the priest's look.

“I have not thought so, my son.”

“I did what every gentleman would do,” said Gaston.

“And that is often wrong!” cried the padre. “But I'm not your confessor.”

“I've nothing to confess,” said Gaston, frankly. “I left New Orleans at once, and have travelled an innocent journey straight to you. And when I make my fortune I shall be in a position to return and--”

“Claim the pressed flower!” put in the padre, laughing.

“Ah, you remember how those things are!” said Gaston; and he laughed also and blushed.

“Yes,” said the padre, looking at the anchored barkentine, “I remember how those things are.” And for a while the vessel and its cargo and the landed men and various business and conversations occupied them. But the freight for the mission once seen to, there was not much else to hang about here for.

The barkentine was only a coaster like many others which now had begun to fill the sea a little more of late years, and presently host and guest were riding homeward. And guessing at the two men from their outsides, any one would have got them precisely wrong; for within the turbulent young figure of Gaston dwelt a spirit that could not be more at ease, while revolt was steadily smouldering beneath the schooled and placid mask of the padre.

Yet still the strangeness of his being at such a place came back as a marvel into the young man's lively mind. Twenty years in prison, he thought, and hardly aware of it! And he glanced at the silent priest. A man so evidently fond of music, of theatres, of the world, to whom pressed flowers had meant something once--and now contented to bleach upon these wastes! Not even desirous of a brief holiday, but finding an old organ and some old operas enough recreation! “It is his age, I suppose,” thought Gaston. And then the notion of himself when he should be sixty occurred to him, and he spoke.