Chapter I: Heard the Evening Linnet's Voice (2)

Far round and round spreads the howling waste,
Where the wild beast roams at will;
And yawning cleughs, by woods embraced,
Where the savage lurks to kill!
O bonnie grows the broom, &c.

Full oft over Cheviot's uplands green
My dreaming fancy strays;
But I wake to weep 'mid the desolate scene
That scowls on my aching gaze!
O bonnie grows the broom, &c.

Oh light, light is poverty's lowliest state,
On Scotland's peaceful strand,
Compared with the heart-sick exile's fate,
In this wild and weary land!
O bonnie grows the broom, &c.

LOVE AND SOLITUDE.

I love the free ridge of the mountain,
When dawn lifts her fresh dewy eye;
I love the old ash by the fountain,
When noon's summer fervours are high:
And dearly I love when the gray-mantled gloaming
Adown the dim valley glides slowly along,
And finds me afar by the pine-forest roaming,
A-list'ning the close of the gray linnet's song.

When the moon from her fleecy cloud scatters
Over ocean her silvery light,
And the whisper of woodlands and waters
Comes soft through the silence of night--
I love by the ruin'd tower lonely to linger,
A-dreaming to fancy's wild witchery given,
And hear, as if swept by some seraph's pure finger,
The harp of the winds breathing accents of heaven.

Yet still, 'mid sweet fancies o'erflowing,
Oft bursts from my lone breast the sigh--
I yearn for the sympathies glowing,
When hearts to each other reply!
Come, friend of my bosom! with kindred devotion,
To worship with me by wild mountain and grove;
O come, my Eliza, with dearer emotion,
With rapture to hallow the chaste home of love!

COME AWA', COME AWA'.

Come awa', come awa',
An' o'er the march wi' me, lassie;
Leave your southren wooers a',
My winsome bride to be, lassie!
Lands nor gear I proffer you,
Nor gauds to busk ye fine, lassie;
But I 've a heart that 's leal and true,
And a' that heart is thine, lassie!

Come awa', come awa',
And see the kindly north, lassie,
Out o'er the peaks o' Lammerlair,
And by the Links o' Forth, lassie!
And when we tread the heather-bell,
Aboon Demayat lea, lassie,
You 'll view the land o' flood and fell,
The noble north countrie, lassie!

Come awa', come awa',
And leave your southland hame, lassie;
The kirk is near, the ring is here,
And I 'm your Donald Graeme, lassie!
Rock and reel and spinning-wheel,
And English cottage trig, lassie;
Haste, leave them a', wi' me to speel
The braes 'yont Stirling brig, lassie!

Come awa', come awa',
I ken your heart is mine, lassie,
And true love shall make up for a'
For whilk ye might repine, lassie!
Your father he has gi'en consent,
Your step-dame looks na kind, lassie;
O that our feet were on the bent,
An' the lowlands far behind, lassie!

Come awa', come awa',
Ye 'll ne'er hae cause to rue, lassie;
My cot blinks blithe beneath the shaw,
By bonnie Avondhu, lassie!
There 's birk and slae on ilka brae,
And brackens waving fair, lassie,
And gleaming lochs and mountains gray--
Can aught wi' them compare, lassie?
Come awa', come awa', &c.

DEAREST LOVE, BELIEVE ME!

Dearest love, believe me,
Though all else depart,
Nought shall e'er deceive thee
In this faithful heart.
Beauty may be blighted--
Youth must pass away;
But the vows we plighted
Ne'er shall know decay.

Tempests may assail us
From affliction's coast,
Fortune's breeze may fail us
When we need it most;
Fairest hopes may perish,
Firmest friends may change,
But the love we cherish
Nothing shall estrange.

Dreams of fame and grandeur
End in bitter tears;
Love grows only fonder
With the lapse of years;
Time, and change, and trouble,
Weaker ties unbind,
But the bands redouble
True affection twined.

WILLIAM KNOX.

William Knox, a short-lived poet of considerable merit, was born at Firth, in the parish of Lilliesleaf, Roxburghshire, on the 17th August 1789. His father, Thomas Knox, espoused Barbara Turnbull, the widow of a country gentleman, Mr Pott of Todrig, in Selkirkshire; and of this marriage, William was the eldest son. He was educated at the parish school of Lilliesleaf, and, subsequently, at the grammar school of Musselburgh. In 1812, he became lessee of the farm of Wrae, near Langholm, Dumfriesshire; but his habits were not those of a thriving farmer, and, at the expiry of five years, he was led to abandon his lease. His parents had, meanwhile, removed to the farm of Todrig, and he returned thither to the shelter of the parental roof. In 1820, the family, who had fallen into straitened circumstances, proceeded to Edinburgh, where they opened a lodging-house. William now devoted his attention to literature, contributing extensively to the public journals. From his youth he had composed verses. In 1818, he published "The Lonely Hearth, and other Poems," 12mo; in 1824, "The Songs of Israel," 12mo; and in April 1825, a third duodecimo volume of lyrics, entitled "The Harp of Zion." His poetical merits attracted the notice of Sir Walter Scott, who afforded him kindly countenance and occasional pecuniary assistance. He likewise enjoyed the friendly encouragement of Professor Wilson, and other men of letters.

Of amiable and benevolent dispositions, Knox fell a victim to the undue gratification of his social propensities; he was seized with paralysis, and died at Edinburgh on the 12th of November 1825, at the early age of thirty-six. His poetry, always smooth and harmonious, is largely pervaded with pathetic and religious sentiment. Some of his Scriptural paraphrases are exquisite specimens of sacred verse. A new edition of his poetical works was published at London, in 1847. Besides his poetical works, he published "A Visit to Dublin," and a Christmas tale entitled "Marianne, or the Widower's Daughter." He left several compositions in prose and verse, but these have not been published by his executors.

Knox was short in stature, but handsomely formed; his complexion was fair, and his hair of a light colour. Subject to a variation of spirits in private, he was generally cheerful in society. He sang or repeated his own songs with much enthusiasm, and was keenly alive to his literary reputation. Possessing a fund of humour, he excelled in relating curious anecdotes.

THE DEAR LAND OF CAKES.

O brave Caledonians! my brothers, my friends,
Now sorrow is borne on the wings of the winds;
Care sleeps with the sun in the seas of the west,
And courage is lull'd in the warrior's breast.
Here social pleasure enlivens each heart,
And friendship is ready its warmth to impart;
The goblet is fill'd, and each worn one partakes,
To drink plenty and peace to the dear land of cakes.

Though the Bourbon may boast of his vine-cover'd hills,
Through each bosom the tide of depravity thrills;
Though the Indian may sit in his green orange bowers,
There slavery's wail counts the wearisome hours.
Though our island is beat by the storms of the north,
There blaze the bright meteors of valour and worth;
There the loveliest rose-bud of beauty awakes
From that cradle of virtue, the dear land of cakes.

O valour! thou guardian of freedom and truth,
Thou stay of old age, and thou guidance of youth!
Still, still thy enthusiast transports pervade
The breast that is wrapt in the green tartan plaid.
And ours are the shoulders that never shall bend
To the rod of a tyrant, that scourge of a land;
Ours the bosoms no terror of death ever shakes,
When call'd in defence of the dear land of cakes.

Shall the ghosts of our fathers, aloft on each cloud,
When the rage of the battle is dreadful and loud,
See us shrink from our standard with fear and dismay,
And leave to our foemen the pride of the day?
No, by heavens we will stand to our honour and trust!
Till our heart's blood be shed on our ancestors' dust,
Till we sink to the slumber no war-trumpet breaks,
Beneath the brown heath of the dear land of cakes.

O, peace to the ashes of those that have bled
For the land where the proud thistle raises its head!
O, peace to the ashes of those gave us birth,
In a land freedom renders the boast of the earth!
Though their lives are extinguish'd, their spirit remains,
And swells in their blood that still runs in our veins;
Still their deathless achievements our ardour awakes,
For the honour and weal of the dear land of cakes.

Ye sons of old Scotia, ye friends of my heart,
From our word, from our trust, let us never depart;
Nor e'er from our foe till with victory crown'd,
And the balm of compassion is pour'd in his wound;
And still to our bosom be honesty dear,
And still to our loves and our friendships sincere;
And, till heaven's last thunder the firmament shakes,
May happiness beam on the dear land of cakes.

THE LAMENT.

She was mine when the leaves of the forest were green,
When the rose-blossoms hung on the tree;
And dear, dear to me were the joys that had been,
And I dreamt of enjoyments to be.

But she faded more fast than the blossoms could fade,
No human attention could save;
And when the green leaves of the forest decay'd,
The winds strew'd them over her grave.

TO MARY.

Farewell! and though my steps depart
From scenes for ever dear,
O Mary! I must leave my heart
And all my pleasures here;
And I must cherish in my mind,
Where'er my lot shall be,
A thought of her I leave behind--
A hopeless thought of thee.

O Mary! I can ne'er forget
The charm thy presence brought;
No hour has pass'd since first we met,
But thou hast shared my thought.
At early morn, at sultry noon,
Beneath the spreading tree,
And, wandering by the evening moon,
Still, still I think of thee.

Yea, thou hast come to cheer my dream,
And bid me grieve no more,
But at the morn's returning gleam,
I sorrow'd as before;
Yet thou shalt still partake my care,
And when I bend the knee,
And pour to Heaven a fervent prayer,
I will remember thee.

Farewell! and when my steps depart,
Though many a grief be mine,
And though I may conceal my own,
I 'll weep to hear of thine.
Though from thy memory soon depart
Each little trace of me,
'Tis only in the grave this heart
Can cease to think of thee.

WILLIAM THOM.

William Thom, commonly styled "The Inverury Poet," was born at Aberdeen in 1789. His father, who was a shopkeeper, dying during his infancy, he was placed by his mother at a school taught by a female, from whom he received the greater amount of his juvenile education. At the age of ten, he was put to a cotton-factory, where he served an apprenticeship of four years. He was subsequently employed, during a period of nearly twenty years, in the large weaving-factory of Gordon, Barron, & Co. In 1827, he removed to Dundee; and shortly after to the village of Newtyle, in Strathmore, at both of these places working as a hand-loom weaver. Thrown out of employment, in consequence of a stagnation in the manufacturing world, he was subjected, in his person and family, to much penury and suffering. At length, disposing of his articles of household furniture, he purchased a few wares, and taking his wife and children along with him, commenced the precarious life of a pedlar. In his published "Recollections," he has supplied a heart-rending narrative of the privations attendant on his career as a wanderer; his lodgings were frequently in the farmer's barn, and, on one of these occasions, one of his children perished from cold and starvation. The contents of his pack becoming exhausted, he derived the means of subsistence by playing on the flute, and disposing of copies of verses. After wandering over a wide district as a pedlar, flute-player, and itinerant poet, he resumed his original occupation of weaving in Kinross. He subsequently sought employment as a weaver in Aberdeen, where he remained about a year. In 1840 he proceeded to Inverury; and it was while he was resident in this place that his beautiful stanzas, entitled "The Blind Boy's Pranks," appeared in the columns of the _Aberdeen Herald_ newspaper. These verses were copied into many of the public journals: they particularly arrested the attention of Mr Gordon of Knockespock, a landed proprietor in Aberdeenshire, who, ascertaining the indigent circumstances of the author, transmitted to him a handsome donation, and desired to form his personal acquaintance. The poet afterwards accompanied Mr Gordon to London, who introduced him as a man of genius to the fashionable and literary circles of the metropolis. In 1844 he published a small volume of poems and songs, with a brief autobiography, under the title of "Rhymes and Recollections of a Hand-loom Weaver." This volume was well received; and on a second visit to London, Thom was entertained at a public dinner by many distinguished literary persons of the metropolis. From admirers, both in India and America, he received pecuniary acknowledgments of his genius. He now attempted to establish himself in London in connexion with the press, but without success. Returning to Scotland, he took up his abode in Dundee; where, after a period of distress and penury, he breathed his last on the 29th February 1848, in his 59th year. His remains were interred in the public cemetery of the town; and it is pleasing to add, that an enthusiastic admirer of his genius has planted flowers upon his grave. Though long in publishing, Thom early wrote verses; in Gordon, Barron, & Co.'s factory in Aberdeen, his fellow-workmen were astonished and interested by the power and vigour of his poems. That he did not publish sooner, is probably attributable to his lengthened career of poverty, and his carelessness regarding intellectual honours.

In respect of pure and simple pathos, some of his lyrics are unequalled among the compositions of any of the national bards. Than "The Mitherless Bairn," it may be questioned whether there is to be found in the language any lyrical composition more delicately plaintive. It is lamentable to think that one who could write so tenderly should, by a dissolute life, have been the author of many of his own misfortunes, and a constant barrier to every attempt for his permanent elevation in the social circle. In person, he was rather below the middle stature; his countenance was thoughtful, but marked with the effects of bodily suffering. Owing to a club-foot, his gait was singularly awkward. He excelled in conversation, and his manner was pleasing and conciliatory.

JEANIE'S GRAVE.

I saw my true-love first on the banks of queenly Tay,
Nor did I deem it yielding my trembling heart away;
I feasted on her deep, dark eye, and loved it more and more,
For, oh! I thought I ne'er had seen a look so kind before!

I heard my true-love sing, and she taught me many a strain,
But a voice so sweet, oh! never shall my cold ear hear again.
In all our friendless wanderings--in homeless penury--
Her gentle song and jetty eye were all unchanged to me.

I saw my true-love fade--I heard her latest sigh;
I wept no friv'lous weeping when I closed her lightless eye:
Far from her native Tay she sleeps, and other waters lave
The markless spot where Ury creeps around my Jeanie's grave.

Move noiseless, gentle Ury! around my Jeanie's bed,
And I 'll love thee, gentle Ury! where'er my footsteps tread;
For sooner shall thy fairy wave return from yonder sea,
Than I forget yon lowly grave, and all it hides from me.

THEY SPEAK O' WILES.

AIR--_"Gin a bodie meet a bodie."_

They speak o' wiles in woman's smiles,
An' ruin in her e'e;
I ken they bring a pang at whiles
That 's unco sair to dree;
But mind ye this, the half-ta'en kiss,
The first fond fa'in' tear,
Is, heaven kens, fu' sweet amends,
An' tints o' heaven here.

When two leal hearts in fondness meet,
Life's tempests howl in vain;
The very tears o' love are sweet
When paid with tears again.
Shall hapless prudence shake its pow,
Shall cauldrife caution fear,
Oh, dinna, dinna droun the lowe,
That lichts a heaven here!

What though we 're ca'd a wee before
The stale "three score an' ten,"
When Joy keeks kindly at your door,
Aye bid her welcome ben.
About yon blissfu' bowers above
Let doubtfu' mortals speir;
Sae weel ken we that "heaven is love,"
Since love makes heaven here.

THE MITHERLESS BAIRN.[30]

When a' ither bairnies are hush'd to their hame
By aunty, or cousin, or frecky grand-dame,
Wha stands last and lanely, an' naebody carin'?
'Tis the puir doited loonie--the mitherless bairn!

The mitherless bairn gangs to his lane bed,
Nane covers his cauld back, or haps his bare head;
His wee hackit heelies are hard as the airn,
An' litheless the lair o' the mitherless bairn.

Aneath his cauld brow siccan dreams hover there,
O' hands that wont kindly to kame his dark hair;
But mornin' brings clutches, a' reckless an' stern,
That lo'e nae the locks o' the mitherless bairn!

Yon sister that sang o'er his saftly-rock'd bed
Now rests in the mools whare her mammie is laid;
The father toils sair their wee bannock to earn,
An' kens na' the wrangs o' his mitherless bairn.

Her spirit that pass'd in yon hour o' his birth,
Still watches his wearisome wanderings on earth;
Recording in heaven the blessings they earn,
Wha couthilie deal wi' the mitherless bairn!

Oh! speak him na' harshly--he trembles the while,
He bends to your bidding, and blesses your smile;
In their dark hour o' anguish, the heartless shall learn
That God deals the blow for the mitherless bairn!

[30] An Inverury correspondent writes: "Thom gave me the following narrative as to the origin of 'The Mitherless Bairn;' I quote his own words--'When I was livin' in Aberdeen, I was limping roun' the house to my garret, when I heard the greetin' o' a wean. A lassie was thumpin' a bairn, when out cam a big dame, bellowin', "Ye hussie, will ye kick a mitherless bairn!" I hobbled up the stair, and wrote the sang afore sleepin'.'"

THE LASS O' KINTORE.

AIR--_"Oh, as I was kiss'd yestreen."_

At hame or afield I am cheerless an' lone,
I 'm dull on the Ury, an' droop by the Don;
Their murmur is noisy, and fashious to hear,
An' the lay o' the lintie fa's dead on my ear.
I hide frae the morn, and whaur naebody sees;
I greet to the burnie, an' sich to the breeze;
Though I sich till I 'm silly, an' greet till I dee,
Kintore is the spot in this world for me.
But the lass o' Kintore, oh! the lass o' Kintore,
Be warned awa' frae the lass o' Kintore;
There 's a love-luring look that I ne'er kent afore
Steals cannily hame to the heart at Kintore.

They bid me forget her, oh! how can it be?
In kindness or scorn she 's ever wi' me;
I feel her fell frown in the lift's frosty blue,
An' I weel ken her smile in the lily's saft hue.
I try to forget her, but canna forget,
I 've liked her lang, an' I aye like her yet;
My poor heart may wither, may waste to its core,
But forget her, oh never! the lass o' Kintore!
Oh the wood o' Kintore, the holmes o' Kintore!
The love-lichtin' e'e that I ken at Kintore;
I 'll wander afar, an' I 'll never look more
On the gray glance o' Peggy, or bonnie Kintore!

MY HAMELESS HA'.

Oh! how can I be cheerie in this hameless ha'?
The very sun glints eerie on the gilded wa';
An' aye the nicht sae drearie,
Ere the dowie morn daw,
Whan I canna win to see you,
My Jamie, ava'.

Though mony miles between us, an' far, far frae me,
The bush that wont to screen us frae the cauld warl's e'e,
Its leaves may waste and wither,
But its branches winna fa';
An' hearts may haud thegither,
Though frien's drap awa'.

Ye promised to speak o' me to the lanesome moon,
An' weird kind wishes to me, in the lark's saft soun';
I doat upon that moon
Till my very heart fills fu',
An' aye yon birdie's tune
Gars me greet for you.

Then how can I be cheerie in the stranger's ha'?
A gowden prison drearie, my luckless fa'!
'Tween leavin' o' you, Jamie,
An' ills that sorrow me,
I 'm wearie o' the warl',
An' carena though I dee.

WILLIAM GLEN.[31]

William Glen, whose name simply has hitherto been known to the lovers of Scottish song, is entitled to an honourable place in the song-literature of his country. His progenitors were persons of consideration in the county of Renfrew.[32] His father, Alexander Glen, a Glasgow merchant in the Russian trade, married Jane Burns, sister of the Rev. Dr Burns, minister of Renfrew; and of a family of three sons, the poet was the eldest. He was born in Queen Street, Glasgow, on the 14th of November 1789. In 1803, when the regiment of Glasgow Volunteer Sharp-shooters was formed, he joined the corps as a lieutenant. He afterwards followed the mercantile profession, and engaged in the West India trade. For some time he resided in one of the West India islands. In 1814 he became one of the managers of the "Merchants' House" of Glasgow, and also a director of the "Chamber of Commerce and Manufactures." During the same year, being unfortunate in merchandise, he was induced to abandon the concerns of business. He afterwards derived the means of support from an uncle who resided in Russia; but his circumstances were ultimately much clouded by misfortune. During the last eight years of his career, his summers were spent at Reinagour, in the parish of Aberfoyle, where he resided with an uncle of his wife. After several years of delicate health, he died in Edwin Place, Gorbals, Glasgow, in December 1826. His widow and daughter continue to reside at Craigmuick, parish of Aberfoyle.

William Glen was about six feet in height; his person, which was originally slender, afterwards became portly. He was of a fair complexion, and his countenance generally wore a smile. His manners were pleasing, and he cherished a keen relish for congenial society. In 1815 he published a thin duodecimo volume of verses, entitled "Poems, chiefly Lyrical;" but the majority of his metrical compositions seem to have been confined to his repositories. A quarto volume of his MSS., numbered "Volume Third," is now in the possession of Mr Gabriel Neil of Glasgow, who has kindly made it available in the preparation of this work. Interspersed with the poetry in the MS. volume, are pious reflections on the trials and disappointments incident to human life; with some spirited appeals to those fair ones who at different times had attracted the poet's fancy. Of his songs inserted in the present work, seven have been printed from the MS. volume, and the two last from the printed volume. Four of the songs have not been previously published. The whole are pervaded by simplicity and exquisite pathos. The song, "Waes me for Prince Charlie," is one of the most touching and popular of modern Jacobite ditties.

[31] To Mr James C. Roger, of Glasgow, we have to acknowledge our obligations for much diligent inquiry on the subject of this memoir.

[32] Allanus Glen, _armiger_, is witness to an instrument conveying the fishing of Crockat-shot to the "Monks of Pasly," in 1452. James Glen, the successor of this person, obtained from Robert, abbot of Paisley, the lands of Bar, Bridge-end, and Lyntehels, within the Lordship of Paisley. James Glen of Bar joined the troops of Queen Mary at the battle of Langside, for which act he was forfeited by the Regent, but was restored in 1573 by the treaty of Perth. Archibald Glen, a younger son of the proprietor of Bar, was minister of Carmunnock, and died in February 1614. Of two sons, Robert, the eldest, succeeded him in the living of Carmunnock; the other, named Thomas, was a prosperous trader in the Saltmarket of Glasgow; he died in 1735. His son Alexander was the poet's father.

WAES ME FOR PRINCE CHARLIE.[33]

TUNE--_"Johnnie Faa."_

A wee bird cam to our ha' door,
He warbled sweet an' clearly,
An' aye the owercome o' his sang
Was, "Waes me for Prince Charlie."
Oh! whan I heard the bonnie soun',
The tears cam drappin' rarely;
I took my bannet aff my head,
For weel I lo'ed Prince Charlie.

Quoth I, "My bird, my bonnie, bonnie bird,
Is that a sang ye borrow?
Are thae some words ye 've learnt by heart,
Or a lilt o' dule an' sorrow?"
"Oh, no, no, no!" the wee bird sang,
"I 've flown sin' mornin' early,
But sic' a day o' wind and rain!--
Oh! waes me for Prince Charlie.

"On hills that are by right his ain,
He roves a lanely stranger;
On every side he 's press'd by want,
On every side is danger.
Yestreen I saw him in a glen,
My heart maist burstit fairly,
For sadly changed indeed was he--
Oh! waes me for Prince Charlie.

"Dark night cam on, the tempest roar'd
Loud o'er the hills an' valleys;
An' whare wast that your Prince lay down,
Whase hame should been a palace?
He row'd him in a Highland plaid,
Which cover'd him but sparely,
An' slept beneath a bush o' broom--
Oh! waes me for Prince Charlie."

But now the bird saw some red-coats,
An' he shook his wings wi' anger:
"Oh! this is no a land for me,
I 'll tarry here nae langer."
He hover'd on the wing a while,
Ere he departed fairly;
But weel I mind the farewell strain
Was, "Waes me for Prince Charlie."

[33] This song is understood to be a favourite with her present Majesty.

MARY OF SWEET ABERFOYLE.[34]

The sun hadna peep'd frae behint the dark billow,
The slow sinking moon half illumined the scene;
As I lifted my head frae my care-haunted pillow,
An' wander'd to muse on the days that were gane.
Sweet hope seem'd to smile o'er ideas romantic,
An' gay were the dreams that my soul would beguile;
But my eyes fill'd wi' tears as I view'd the Atlantic,
An' thought on my Mary of sweet Aberfoyle.

Though far frae my hame in a tropical wildwood,
Yet the fields o' my forefathers rose on my view;
An' I wept when I thought on the days of my childhood,
An' the vision was painful the brighter it grew.
Sweet days! when my bosom with rapture was swelling,
Though I knew it not then, it was love made me smile;
Oh! the snaw wreath is pure where the moonbeams are dwelling,
Yet as pure is my Mary of sweet Aberfoyle.

Now far in the east the sun slowly rising,
Brightly gilded the top of the tall cabbage tree;
And sweet was the scene such wild beauties comprising,
As might have fill'd the sad mourner with rapture and glee.
But my heart felt nae rapture, nae pleasant emotion,
The saft springs o' pleasure had lang, lang been seal'd;
I thought on my home 'cross a wide stormy ocean,
And wept for my Mary of sweet Aberfoyle.

The orange was bathed in the dews o' the morning,
An' the bright draps bespangled the clustering vine;
White were the blossoms the lime-tree adorning,
An' brown was the apple that grew on the pine.
Were I as free as an Indian chieftain,
Sic beautiful scenes might give pleasure the while;
But the joy o' a slave is aye waverin' an' shiftin',
An' a slave I 'm to Mary of sweet Aberfoyle.

When the mirk cloud o' fortune aboon my head gathers,
An' the golden shower fa's whare it ne'er fell before;
Oh! then I 'll revisit the land of my fathers,
An' clasp to this bosom the lass I adore.
Hear me, ye angels, who watch o'er my maiden,
(Like ane o' yoursels she is free frae a' guile),
Pure as was love in the garden o' Eden,
Sae pure is my Mary of sweet Aberfoyle.

[34] This song was composed while the author resided in the West Indies. It is here printed for the first time.

THE BATTLE-SONG.[35]

Raise high the battle-song
To the heroes of our land;
Strike the bold notes loud and long
To Great Britain's warlike band.
Burst away like a whirlwind of flame,
Wild as the lightning's wing;
Strike the boldest, sweetest string,
And deathless glory sing--
To their fame.

See Corunna's bloody bed!
'Tis a sad, yet glorious scene;
There the imperial eagle fled,
And there our chief was slain.
Green be the turf upon the warrior's breast,
High honour seal'd his doom,
And eternal laurels bloom
Round the poor and lowly tomb
Of his rest.

Strong was his arm of might,
When the war-flag was unfurl'd;
But his soul when peace shone bright,
Beam'd love to all the world.
And his name, through endless ages shall endure;
High deeds are written fair,
In that scroll, which time must spare,
And thy fame 's recorded there--
Noble Moore.

Yonder 's Barossa's height
Rising full upon my view,
Where was fought the bloodiest fight
That Iberia ever knew,
Where Albion's bold sons to victory were led.
With bay'nets levell'd low,
They rush'd upon the foe,
Like an avalanche of snow
From its bed.

Sons of the "Lonely Isle,"
Your native courage rose,
When surrounded for a while
By the thousands of your foes.
But dauntless was your chief, that meteor of war,
He resistless led ye on,
Till the bloody field was won,
And the dying battle-groan
Sunk afar.

Our song Balgowan share,
Home of the chieftain's rest;
For thou art a lily fair
In Caledonia's breast.
Breathe, sweetly breathe, a soft love-soothing strain,
For beauty there doth dwell,
In the mountain, flood, or fell,
And throws her witching spell
O'er the scene.

But not Balgowan's charms
Could hire the chief to stay;
For the foe were up in arms,
In a country far away.
He rush'd to battle, and he won his fame;
Ages may pass by,
Fleet as the summer's sigh,
But thy name shall never die--
Gallant Graeme.[36]

Strike again the boldest strings,
To our great commander's praise;
Who to our memory brings
"The deeds of other days."
Peal for a lofty spirit-stirring strain;
The blaze of hope illumes
Iberia's deepest glooms,
And the eagle shakes his plumes
There in vain.

High is the foemen's pride,
For they are sons of war;
But our chieftain rolls the tide,
Of battle back afar.
A braver hero in the field ne'er shone;
Let bards with loud acclaim,
Heap laurels on his fame,
"Singing glory" to the name
Of Wellington.

Could I with soul of fire
Guide my wild unsteady hand,
I would strike the quivering wire,
Till it rung throughout the land.
Of all its warlike heroes would I sing;
Were powers to soar thus given,
By the blast of genius driven,
I would sweep the highest heaven
With my wing.

Yet still this trembling flight
May point a bolder way,
Ere the lonely beam of night
Steals on my setting day.
Till then, sweet harp, hang on the willow tree;
And when I come again,
Thou wilt not sound in vain,
For I 'll strike thy highest strain--
Bold and free.

[35] Printed for the first time, from the author's MS. volume.

[36] The "gallant Graeme," Lord Lynedoch, on hearing this song at a Glasgow theatre, was so moved by the touching reference of the poet to his achievements, and the circumstances of his joining the army, that he openly burst into tears.

THE MAID OF ORONSEY.[37]

Oh! stopna, bonnie bird, that strain,
Frae hopeless love itsel' it flows;
Sweet bird, oh! warble it again,
Thou'st touch'd the string o' a' my woes;
Oh! lull me with it to repose,
I 'll dream of her who 's far away,
And fancy, as my eyelids close,
Will meet the maid of Oronsey.

Couldst thou but learn frae me my grief,
Sweet bird, thou 'dst leave thy native grove,
And fly to bring my soul relief,
To where my warmest wishes rove;
Soft as the cooings of the dove,
Thou 'dst sing thy sweetest, saddest lay,
And melt to pity and to love
The bonnie maid of Oronsey.

Well may I sigh and sairly weep,
The song sad recollections bring;
Oh! fly across the roaring deep,
And to my maiden sweetly sing;
'Twill to her faithless bosom fling
Remembrance of a sacred day;
But feeble is thy wee bit wing,
And far 's the isle of Oronsey.

Then, bonnie bird, wi' mony a tear,
I 'll mourn beside this hoary thorn,
And thou wilt find me sitting here,
Ere thou canst hail the dawn o' morn;
Then high on airy pinions borne,
Thou 'lt chant a sang o' love an' wae,
An' soothe me, weeping at the scorn,
Of the sweet maid of Oronsey.

And when around my weary head,
Soft pillow'd where my fathers lie,
Death shall eternal poppies spread,
An' close for aye my tearfu' eye;
Perch'd on some bonnie branch on high,
Thou 'lt sing thy sweetest roundelay,
And soothe my "spirit, passing by"
To meet the maid of Oronsey.

[37] Printed for the first time.

JESS M'LEAN.[38]

Her eyes were red with weeping,
Her lover was no more,
Beneath the billows sleeping,
Near Ireland's rocky shore;
She oft pray'd for her Willy,
But it was all in vain,
And pale as any lily
Grew lovely Jess M'Lean.

She sat beside some willows
That overhung the sea,
And as she view'd the billows,
She moan'd most piteously;
The storm in all its rigour
Swept the bosom of the main,
And shook the sylph-like figure
Of lovely Jess M'Lean.

Her auburn hair was waving
In ringlets on the gale,
And the tempest join'd its raving,
To the hapless maiden's wail;
Wild was the storm's commotion,
Yet careless of the scene,
Like the spirit of the ocean
Sat lovely Jess M'Lean.

She look'd upon her bosom
Where Willy's picture hung,
'Twas like a rosy blossom
On a bed of lilies flung;
She kiss'd the red cheeks over,
And look'd, and kiss'd again;
Then told the winds her lover
Was true to Jess M'Lean.

But a blast like bursting thunder
Bent down each willow tree,
Snapp'd the picture clasp asunder,
And flung it in the sea;
She started from the willows
The image to regain,
And low beneath the billows
Lies lovely Jess M'Lean.

Her bones are changed to coral
Of the purest virgin white,
Her teeth are finest pearl,
And her eyes are diamonds bright;
The breeze oft sweeps the willows
In a sad and mournful strain,
And moaning o'er the billows
Sings the dirge of Jess M'Lean.

[38] Printed for the first time.

HOW EERILY, HOW DREARILY.

How eerily, how drearily, how wearily to pine,
When my love 's in a foreign land, far frae thae arms o' mine;
Three years hae come an' gane, sin' first he said to me,
That he wad stay at hame wi' Jean, wi' her to live an' dee;
The day comes in wi' sorrow now, the night is wild an' drear,
An' every hour that passes by I water wi' a tear.

I kiss my bonnie baby, I clasp it to my breast,
Ah! aft wi' sic a warm embrace, it's father hath me press'd!
An' whan I gaze upon its face, as it lies on my knee,
The crystal draps upon its cheeks will fa' frae ilka ee;
Oh! mony a, mony a burning tear upon its cheeks will fa',
For oh! its like my bonnie love, and he is far awa'.

Whan the spring time had gane by, an' the rose began to blaw,
An' the harebell an' the violet adorn'd ilk bonnie shaw;
'Twas then my love cam courtin' me, and wan my youthfu' heart,
An' mony a tear it cost my love ere he could frae me part;
But though he 's in a foreign land far, far across the sea,
I ken my Jamie's guileless heart is faithfu' unto me.

Ye wastlin win's upon the main blaw wi' a steady breeze,
And waft my Jamie hame again across the roaring seas;
Oh! whan he clasps me in his arms in a' his manly pride,
I 'll ne'er exchange that ae embrace for a' the warl' beside;
Then blaw a steady gale, ye win's, waft him across the sea,
And bring my Jamie hame again to his wee bairn an' me.

THE BATTLE OF VITTORIA.[39]

AIR--_"Whistle o'er the lave o 't."_

Sing a' ye bards, wi' loud acclaim,
High glory gie to gallant Graham,
Heap laurels on our marshal's fame
Wha conquer'd at Vittoria.
Triumphant freedom smiled on Spain,
An' raised her stately form again,
Whan the British lion shook his mane
On the mountains of Vittoria.

Let blustering Suchet crousely crack,
Let Joseph rin the coward's track,
An' Jourdan wish his baton back
He left upon Vittoria.
If e'er they meet their worthy king,
Let them dance roun' him in a ring,
An' some Scots piper play the spring
He blew them at Vittoria.

Gie truth and honour to the Dane,
Gie German's monarch heart and brain,
But aye in sic a cause as Spain
Gie Britain a Vittoria.
The English rose was ne'er sae red,
The shamrock waved whare glory led,
An' the Scottish thistle rear'd its head
In joy upon Vittoria.

Loud was the battle's stormy swell,
Whare thousands fought an' many fell,
But the Glasgow heroes bore the bell
At the battle of Vittoria.
The Paris maids may ban them a',
Their lads are maistly wede awa',
An' cauld an' pale as wreathes o' snaw
They lie upon Vittoria.

Peace to the souls, then, o' the brave,
Let all their trophies for them wave,
And green be our Cadogan's grave
Upon thy fields, Vittoria.
Shout on, my boys, your glasses drain,
And fill a bumper up again,
Pledge to the leading star o' Spain,
The hero of Vittoria.

[39] At the battle of Vittoria, the 71st, or Glasgow Regiment, bore a distinguished part. On this song, celebrating their achievements, being produced at the Glasgow theatre, it was received with rapturous applause; it was nightly called for during the season.

BLINK OVER THE BURN, SWEET BETTY.

AIR--_"Blink over the burn, sweet Betty."_

Blink over the burn, sweet Betty,
Blink over the burn to me;
Blink over the burn, sweet Betty,
An' I 'll gang alang wi' thee;
Though father and mither forbade it,
Forbidden I wadna be;
Blink over the burn, sweet Betty,
An' I 'll gang alang wi' thee.

The cheek o' my love 's like the rose-bud,
Blushing red wi' the mornin' dew,
Her hair 's o' the loveliest auburn,
Her ee 's o' the bonniest blue;
Her lips are like threads o' the scarlet,
Disclosing a pearly row;
Her high-swelling, love-heaving bosom
Is white as the mountain snow.

But it isna her beauty that hauds me,
A glitterin' chain winna lang bind;
'Tis her heavenly seraph-like sweetness,
An' the graces adornin' her mind;
She 's dear to my soul as the sunbeam
Is dear to the summer's morn,
An' she says, though her father forbade it,
She 'll ne'er break the vows she has sworn.

Her father's a canker'd auld carle,
He swears he will ne'er gie consent;
Such carles should never get daughters,
Unless they can mak them content;
But she says, though her father forbade it,
Forbidden she winna be;
Blink over the burn, sweet Betty,
An' I 'll gang alang wi' thee.

FAREWEEL TO ABERFOYLE.

AIR--_"Highland Plaid."_

My tortured bosom long shall feel
The pangs o' this last sad fareweel;
Far, far to foreign lands I stray,
To spend my hours in deepest wae;
Fareweel, my dear, my native soil,
Fareweel, the braes o' Aberfoyle!

An' fare-ye-weel, my winsome love,
Into whatever lands I rove,
Thou 'lt claim the deepest, dearest sigh,
The warmest tear ere wet my eye;
An' when I 'm wan'rin' mony a mile,
I 'll mourn for Kate o' Aberfoyle.

When far upon the raging sea,
As thunders roar, and lightnings flee,
When sweepin' storms the ship assail,
I 'll bless the music o' the gale,
An' think, while listenin' a' the while,
I hear the storms o' Aberfoyle.

Kitty, my only love, fareweel;
What pangs my faithfu' heart will feel,
While straying through the Indian groves,
Weepin' our woes or early loves;
I 'll ne'er mair see my native soil,
Fareweel, fareweel, sweet Aberfoyle!

DAVID VEDDER.

David Vedder was the son of a small landowner in the parish of Burness, Orkney, where he was born in 1790. He had the misfortune to lose both his parents ere he had completed his twelfth year, and was led to choose the nautical profession. At the age of twenty-two, he obtained the rank of captain of a vessel, in which he performed several voyages to Greenland. In 1815, he entered the revenue service as first officer of an armed cruiser, and in five years afterwards was raised to the post of tide-surveyor. He first discharged the duties of this office at Montrose, and subsequently at the ports of Kirkcaldy, Dundee, and Leith.

A writer of verses from his boyhood, Vedder experienced agreeable relaxation from his arduous duties as a seaman, in the invocation of the muse. He sung of the grandeur and terrors of the ocean. His earlier compositions were contributed to some of the northern newspapers; but before he attained his majority, his productions found admission into the periodicals. In 1826, he published "The Covenanter's Communion, and other Poems," a work which was very favourably received. His reputation as a poet was extended by the publication, in 1832, of a second volume, under the title of "Orcadian Sketches." This work, a _melange_ of prose and poetry, contains some of his best compositions in verse; and several of the prose sketches are remarkable for fine and forcible description. In 1839, he edited the "Poetical Remains of Robert Fraser," prefaced with an interesting memoir.

Immediately on the death of Sir Walter Scott, Vedder published a memoir of that illustrious person, which commanded a ready and wide circulation. In 1842, he gave to the world an edition of his collected poems, in an elegant duodecimo volume. In 1848, he supplied the letterpress for a splendid volume, entitled "Lays and Lithographs," published by his son-in-law, Mr Frederick Schenck of Edinburgh, the distinguished lithographer. His last work was a new English version of the quaint old story of "Reynard the Fox," which was published with elegant illustrations. To many of the more popular magazines and serials he was in the habit of contributing; articles from his pen adorned the pages of _Constable's Edinburgh Magazine_, the _Edinburgh Literary Journal_, the _Edinburgh Literary Gazette_, the _Christian Herald_, _Tait's Magazine_, and _Chambers's Journal_. He wrote the letterpress for Geikie's volume of "Etchings," and furnished songs for George Thomson's "Musical Miscellany," Blackie's "Book of Scottish Song," and Robertson's "Whistlebinkie." At the time of his death, he was engaged in the preparation of a ballad on the subject of the persecutions of the Covenanters. In 1852, he was placed upon the retired list of revenue officers, and thereafter established his residence in Edinburgh. He died at Newington, in that city, on the 11th February 1854, in his 64th year. His remains were interred in the Southern Cemetery.

Considerably above the middle height, Vedder was otherwise of massive proportions, while his full open countenance was much bronzed by exposure to the weather. Of beneficent dispositions and social habits, he enjoyed the friendship of many of his gifted contemporaries. Thoroughly earnest, his writings partake of the bold and straightforward nature of his character. Some of his prose productions are admirable specimens of vigorous composition; and his poetry, if not characterised by uniformity of power, never descends into weakness. Triumphant in humour, he is eminently a master of the plaintive; his tender pieces breathe a deep-toned cadence, and his sacred lyrics are replete with devotional fervour. His Norse ballads are resonant with the echoes of his birth-land, and his songs are to be remarked for their deep pathos and genuine simplicity.

JEANIE'S WELCOME HAME.

Let wrapt musicians strike the lyre,
While plaudits shake the vaulted fane;
Let warriors rush through flood and fire,
A never-dying name to gain;
Let bards, on fancy's fervid wing,
Pursue some high or holy theme:
Be 't mine, in simple strains, to sing
My darling Jeanie 's welcome hame!

Sweet is the morn of flowery May,
When incense breathes from heath and wold--
When laverocks hymn the matin lay,
And mountain peaks are bathed in gold--
And swallows, frae some foreign strand,
Are wheeling o'er the winding stream;
But sweeter to extend my hand,
And bid my Jeanie welcome hame!

Poor collie, our auld-farrant dog,
Will bark wi' joy whene'er she comes;
And baudrons, on the ingle rug,
Will blithely churm at "auld gray-thrums."
The mavis, frae our apple-tree,
Shall warble forth a joyous strain;
The blackbird's mellow minstrelsy
Shall welcome Jeanie hame again!

Like dew-drops on a fading rose,
Maternal tears shall start for thee,
And low-breathed blessings rise like those
Which soothed thy slumb'ring infancy.
Come to my arms, my timid dove!
I 'll kiss thy beauteous brow once more;
The fountain of thy father's love
Is welling all its banks out o'er!