Chapter I: Neither Got Promise of Siller (1)

AIR--_"Todlin' hame."_

I neither got promise of siller nor land
With the bonnie wee darling who gave me her hand;
But I got a kind heart with my sweet blushing bride,
And that 's proved the bliss of my ain fireside.
My ain fireside, my dear fireside,
There 's happiness aye at my ain fireside!

Ambition once pointed my view towards rank,
To meadows and manors, and gold in the bank:
'Twas but for an hour; and I cherish with pride
My sweet lovely flower at my ain fireside.
My ain fireside, my happy fireside,
My Jeanie 's the charm of my ain fireside!

Her accents are music; there 's grace in her air;
And purity reigns in her bosom so fair;
She 's lovelier now than in maidenly pride,
Though she 's long been the joy of my ain fireside.
My ain fireside, my happy fireside,
There 's harmony still at my ain fireside!

Let the minions of fortune and fashion go roam,
I 'm content with the sweet, simple pleasures of home;
Though their wine, wit, and humour flow like a spring-tide,
What are these to the bliss of my dear fireside?
My ain fireside, my cheerie fireside,
There are pleasures untold at my ain fireside!

THERE IS A PANG FOR EVERY HEART.

AIR--_"Gramachree."_

There is a pang for every heart,
A tear for every eye;
There is a knell for every ear,
For every breast a sigh.
There 's anguish in the happiest state,
Humanity can prove;
But oh! the torture of the soul
Is unrequited love!

The reptile haunts the sweetest bower,
The rose blooms on the thorn;
There 's poison in the fairest flower
That greets the opening morn.
The hemlock and the night-shade spring
In garden and in grove;
But oh! the upas of the soul
Is unrequited love!

Ah! lady, thine inconstancy
Hath made my peace depart;
The unwonted coldness of thine eye
Hath froze thy lover's heart.
Yet with the fibres of that heart
Thine image dear is wove;
Nor can they sever till I die
Of unrequited love!

THE FIRST OF MAY.

AIR--_"The Braes of Balquhidder."_

Now the beams of May morn
On the mountains are streaming,
And the dews on the corn
Are like diamond-drops gleaming;
And the birds from the bowers
Are in gladness ascending;
And the breath of sweet flowers
With the zephyrs is blending.

And the rose-linnet's thrill,
Overflowing with gladness,
And the wood-pigeon's bill,
Though their notes seem of sadness;
And the jessamine rich
Its soft tendrils is shooting,
From pear and from peach
The bright blossoms are sprouting.

And the lambs on the lea
Are in playfulness bounding,
And the voice of the sea
Is in harmony sounding;
And the streamlet on high
In the morning beam dances,
For all Nature is joy
As sweet summer advances.

Then, my Mary, let 's stray
Where the wild-flowers are glowing,
By the banks of the Tay
In its melody flowing;
Thou shalt bathe in May-dew,
Like a sweet mountain blossom,
For 'tis bright like thy brow,
And 'tis pure as thy bosom!

SONG OF THE SCOTTISH EXILE.

Oh! the sunny peaches glow,
And the grapes in clusters blush;
And the cooling silver streams
From their sylvan fountains rush;
There is music in the grove,
And there 's fragrance on the gale;
But there 's nought so dear to me
As my own Highland vale.

Oh! the queen-like virgin rose,
Of the dew and sunlight born,
And the azure violet,
Spread their beauties to the morn;
So does the hyacinth,
And the lily pure and pale;
But I love the daisy best
In my own Highland vale.

Hark! hark! those thrilling notes!
'Tis the nightingale complains;
Oh! the soul of music breathes
In those more than plaintive strains;
But they 're not so dear to me
As the murmur of the rill,
And the bleating of the lambs
On my own Highland hill.

Oh! the flow'rets fair may glow,
And the juicy fruits may blush,
And the beauteous birds may sing,
And the crystal streamlets rush;
And the verdant meads may smile,
And the cloudless sun may beam,
But there 's nought beneath the skies
Like my own Highland home.

THE TEMPEST IS RAGING.

AIR--_"He 's dear to me, though far frae me."_

The tempest is raging
And rending the shrouds;
The ocean is waging
A war with the clouds;
The cordage is breaking,
The canvas is torn,
The timbers are creaking--
The seamen forlorn.

The water is gushing
Through hatches and seams;
'Tis roaring and rushing
O'er keelson and beams;
And nought save the lightning
On mainmast or boom,
At intervals brightening
The palpable gloom.

Though horrors beset me,
And hurricanes howl,
I may not forget thee,
Beloved of my soul!
Though soon I must perish
In ocean beneath,
Thine image I 'll cherish,
Adored one! in death.

THE TEMPLE OF NATURE.[40]

Talk not of temples--there is one
Built without hands, to mankind given;
Its lamps are the meridian sun,
And all the stars of heaven;
Its walls are the cerulean sky,
Its floor the earth so green and fair;
The dome is vast immensity--
All nature worships there!

The Alps array'd in stainless snow,
The Andean ranges yet untrod,
At sunrise and at sunset glow
Like altar-fires to God.
A thousand fierce volcanoes blaze,
As if with hallow'd victims rare;
And thunder lifts its voice in praise--
All nature worships there!

The ocean heaves resistlessly,
And pours his glittering treasure forth;
His waves--the priesthood of the sea--
Kneel on the shell-gemm'd earth,
And there emit a hollow sound,
As if they murmur'd praise and prayer;
On every side 'tis holy ground--
All nature worships there!

The grateful earth her odours yield
In homage, Mighty One! to thee;
From herbs and flowers in every field,
From fruit on every tree,
The balmy dew at morn and even
Seems like the penitential tear,
Shed only in the sight of heaven--
All nature worships there!

The cedar and the mountain pine,
The willow on the fountain's brim,
The tulip and the eglantine,
In reverence bend to Him;
The song-birds pour their sweetest lays,
From tower, and tree, and middle air;
The rushing river murmurs praise--
All nature worships there!

Then talk not of a fane, save one
Built without hands, to mankind given;
Its lamps are the meridian sun,
And all the stars of heaven.
Its walls are the cerulean sky,
Its floor the earth so green and fair,
The dome is vast immensity--
All nature worships there!

[40] This admirable composition was an especial favourite of Dr Thomas Chalmers, who was in the habit of quoting it to his students in the course of his theological prelections.

JOHN M'DIARMID.

The son of the Rev. Hugh M'Diarmid, minister of the Gaelic church, Glasgow, John M'Diarmid was born in 1790. He received in Edinburgh a respectable elementary education; but, deprived of his father at an early age, he was left unaided to push his fortune in life. For some time he acted as clerk in connexion with a bleachfield at Roslin, and subsequently held a situation in the Commercial Bank in Edinburgh. He now attended some classes in the University, while his other spare time was devoted to reading and composition. During two years he was employed in the evenings as amanuensis to Professor Playfair. At one of the College debating societies he improved himself as a public speaker, and subsequently took an active part in the discussions of the "Forum." Fond of verse-making, he composed some spirited lines on the battle of Waterloo, when the first tidings of the victory inspired a thrilling interest in the public mind; the consequence was, the immediate establishment of his reputation. His services were sought by several of the leading publishers, and the accomplished editor of the _Edinburgh Review_ offered to receive contributions from his pen. In 1816 he compiled some works for the bookselling firm of Oliver and Boyd, and towards the end of the same year, in concert with his friends Charles Maclaren and William Ritchie, originated the _Scotsman_ newspaper. In January 1817, he accepted the editorship of the _Dumfries and Galloway Courier_--a journal which, established in 1809 by Dr Duncan of Ruthwell, chiefly with the view of advocating his scheme of savings' banks, had hitherto been conducted by that ingenious and philanthropic individual.

As editor of a provincial newspaper, M'Diarmid was possessed of the promptitude and business-habits which, in connexion with literary ability, are essential for such an office. The _Dumfries Courier_, which had formerly occupied a neutrality in politics, became, under his management, a powerful organ of the liberal party. But the editor was more than a politician; the columns of his journal were enriched with illustrations of the natural history of the district, and sent forth stirring appeals on subjects of social reformation and agricultural improvement. Devoted to his duties as a journalist, he continued to cherish his literary enthusiasm. In 1817 he published an edition of Cowper, with an elegant memoir of the poet's life. "The Scrap-Book," a work of selections and original contributions in prose and verse, appeared in 1820, and was speedily followed by a second volume. In 1823 he composed a memoir of Goldsmith for an edition of the "Vicar of Wakefield," which was published in Edinburgh. The _Dumfries Magazine_ was originated under his auspices in 1825, and during the three years of its existence was adorned with contributions from his pen. In 1830 he published "Sketches from Nature," a volume chiefly devoted to the illustration of scenery and character in the districts of Dumfries and Galloway. "The Picture of Dumfries," an illustrated work, appeared in 1832. A description of Moffat, and a life of Nicholson, the Galloway poet, complete the catalogue of his publications. In 1820 he was offered the editorship of the _Caledonian Mercury_, the first established of the Scottish newspapers, but preferred to remain in Dumfries. He ultimately became sole proprietor of the _Courier_, which, under his superintendence, acquired a celebrity rarely attained by a provincial newspaper. In 1847 he was entertained at a public dinner by his fellow-townsmen. His death took place at Dumfries, on the 18th November 1852, in his sixty-third year.

A man of social and generous dispositions, M'Diarmid was esteemed among a wide circle of friends; he was in habits of intimacy with Sir Walter Scott, Jeffrey, Wilson, Lockhart, the Ettrick Shepherd, Dr Thomas Gillespie, and many others of his distinguished contemporaries. To his kindly patronage, many young men of genius were indebted for positions of honour and emolument. An elegant prose-writer, his compositions in verse are pervaded by a graceful smoothness and lively fancy.

NITHSIDE.

AIR--_"There 's a bonnie brier bush in our kail-yard."_

When the lark is in the air, the leaf upon the tree,
The butterfly disporting beside the hummel bee;
The scented hedges white, the fragrant meadows pied,
How sweet it is to wander by bonnie Nithside!

When the blackbird piping loud the mavis strives to drown,
And schoolboys seeking nests find each nursling fledged or flown,
To hop 'mong plots and borders, array'd in all their pride,
How sweet at dewy morn to roam by bonnie Nithside!

When the flies are on the stream, 'neath a sky of azure hue,
And anglers take their stand by the waters bright and blue;
While the coble circles pools, where the monarch salmon glide,
Surpassing sweet on summer days is bonnie Nithside!

When the corncraik's voice is mute, as her young begin to flee,
And seek with swifts and martins some home beyond the sea;
And reapers crowd the harvest-field, in man and maiden pride,
How exquisite the golden hours on bonnie Nithside!

When stubbles yield to tilth, and woodlands brown and sear,
The falling leaf and crispy pool proclaim the waning year;
And sounds of sylvan pastime ring through our valley wide,
Vicissitude itself is sweet by bonnie Nithside!

And when winter comes at last, capping every hill with snow,
And freezing into icy plains the struggling streams below,
You still may share the curler's joys, and find at even-tide,
Maids sweet and fair, in spence and ha', at bonnie Nithside!

EVENING.

Hush, ye songsters! day is done,
See how sweet the setting sun
Gilds the welkin's boundless breast,
Smiling as he sinks to rest;
Now the swallow down the dell,
Issuing from her noontide cell,
Mocks the deftest marksman's aim
Jumbling in fantastic game:
Sweet inhabitant of air,
Sure thy bosom holds no care;
Not the fowler full of wrath,
Skilful in the deeds of death--
Not the darting hawk on high
(Ruthless tyrant of the sky!)
Owns one art of cruelty
Fit to fell or fetter thee,
Gayest, freest of the free!

Ruling, whistling shrill on high,
Where yon turrets kiss the sky,
Teasing with thy idle din
Drowsy daws at rest within;
Long thou lov'st to sport and spring
On thy never-wearying wing.
Lower now 'midst foliage cool
Swift thou skimm'st the peaceful pool,
Where the speckled trout at play,
Rising, shares thy dancing prey,
While the treach'rous circles swell
Wide and wider where it fell,
Guiding sure the angler's arm
Where to find the puny swarm;
And with artificial fly,
Best to lure the victim's eye,
Till, emerging from the brook,
Brisk it bites the barbed hook;
Struggling in the unequal strife,
With its death, disguised as life,
Till it breathless beats the shore
Ne'er to cleave the current more!

Peace! creation's gloomy queen,
Darkest Night, invests the scene!
Silence, Evening's handmaid mild,
Leaves her home amid the wild,
Tripping soft with dewy feet,
Summer's flowery carpet sweet,
Morpheus--drowsy power--to meet.
Ruler of the midnight hour,
In thy plenitude of power,
From this burthen'd bosom throw
Half its leaden load of woe.
Since thy envied art supplies
What reality denies,
Let thy cheerless suppliant see
Dreams of bliss inspired by thee--
Let before his wond'ring eyes
Fancy's brightest visions rise--
Long lost happiness restore,
None can need thy bounty more.

PETER BUCHAN.

The indefatigable collector of the elder national minstrelsy, Peter Buchan, was born in Peterhead in the year 1790. Of a somewhat distinguished descent, he was on the father's side remotely connected with the noble house of Buchan, and his mother was a lineal descendant of the Irvines of Drum, an old powerful family in Aberdeenshire. Though he was disposed to follow a seafaring life, and had obtained a commission in the Navy, he abandoned his early intentions at the urgent solicitation of his parents, and thereafter employed himself as a copperplate engraver, and was the inventor of an ingenious revolving press for copperplate printing. At Edinburgh and Stirling, he afterwards qualified himself for the business of a letterpress printer, and in 1816 opened a printing-office in his native town. In 1819, he compiled the "Annals of Peterhead," a duodecimo volume, which he printed at a press of his own contrivance. His next publication appeared shortly after, under the title, "An Historical Account of the Ancient and Noble Family of Keith, Earls-Marischal of Scotland."

After a period of residence in London, where he held for some time a remunerative situation, Buchan returned to his native town. In the metropolis, he had been painfully impressed by the harsh treatment frequently inflicted on the inferior animals, and as a corrective for the evil, he published at Peterhead, in 1824, a treatise, dedicated to his son, in which he endeavoured to prove that brutes are possessed of souls, and are immortal. His succeeding publication, which appeared in 1828, proved the most successful effort of his life; it was entitled, "Ancient Ballads and Songs of the North of Scotland, hitherto Unpublished, with Explanatory Notes," Edinburgh, two vols. 8vo. This work occupied upwards of ten years in preparation. Among his other publications may be enumerated, a volume of "Poems and Songs," printed in 1814; "The Peterhead Smugglers, an original Melodrama," published in 1834; "The Eglinton Tournament, &c.;" "Gleanings of Scarce Old Ballads;" and the "Wanderings of Prince Charles Stuart and Miss Flora Macdonald," the latter being published from an old MS.

At different periods Buchan resided in Aberdeen, Edinburgh, and Glasgow. For a short period he owned the small property of Buchanstone, near Dennyloanhead, Stirlingshire, which being sold, he proceeded to Ireland in 1852, where he resided for some time at Strandhill, county of Leitrim. In the early part of 1854, he went to London, with the view of effecting arrangements for the publication of another volume of "Ancient Scottish Ballads;" he was there seized with illness, of which he died on the 19th September of the same year. His remains were interred in the beautiful cemetery of Norwood, near London.

Mr Buchan was justly esteemed as a zealous and industrious collector of the elder Scottish minstrelsy. His labours received the special commendation of Sir Walter Scott, and he was a frequent guest at Abbotsford. He was also honoured with diplomas of membership from some of the leading literary societies of Scotland and England. Two unpublished volumes of his "Ballad Collections" are now in the possession of Dr Charles Mackay of London, and may at a future period be submitted to the public. His son, the Rev. Dr Charles Forbes Buchan, minister of Fordoun, is the author of several theological publications.

THOU GLOOMY FEBERWAR.[41]

Thou cauld gloomy Feberwar,
Oh! gin thou wert awa'!
I 'm wae to hear thy soughin' winds,
I 'm wae to see thy snaw;
For my bonnie, braw, young Hielandman,
The lad I lo'e sae dear,
Has vow'd to come and see me
In the spring o' the year.

A silken ban' he gae me,
To bin' my gowden hair;
A siller brooch and tartan plaid,
A' for his sake to wear;
And oh! my heart was like to break,
(For partin' sorrow 's sair)
As he vow'd to come and see me
In the spring o' the year.

Aft, aft as gloamin' dims the sky,
I wander out alane,
Whare bud the bonnie yellow whins,
Around the trystin' stane;
'Twas there he press'd me to his heart,
And kiss'd awa' the tear,
As he vow'd to come and see me
In the spring o' the year.

Ye gentle breezes, saftly blaw,
And cleed anew the wuds;
Ye laverocks lilt your cheerie sangs,
Amang the fleecy cluds;
Till Feberwar and a' his train,
Affrighted disappear,
I 'll hail wi' you the blithesome change,
The spring-time o' the year.

[41] The first stanza of this song is the composition of Robert Tannahill.

WILLIAM FINLAY.

William Finlay was the son of an operative shawl manufacturer in Paisley, where he was born in 1792. He received a classical education at the Grammar-school, and was afterwards apprenticed to his father's trade. For a period of twenty years he prosecuted the labours of the loom; but finding the occupation injurious to his health, he accepted employment in the cotton mills of Duntocher. He afterwards obtained a situation in a printing-office in Paisley, where he remained during eight years. Ultimately, he was employed at Nethercraigs' bleachfield, at the base of Gleniffer braes, about two miles to the south of Paisley. He died of fever on the 5th November 1847, leaving a family of five children.

Finlay was in the practice of contributing verses to the local prints. In 1846, he published a duodecimo volume, entitled, "Poems, Humorous and Sentimental." His poetical characteristics are simplicity and pathos, combined with considerable power of satirical drollery. Delighting in music, and fond of society, he was occasionally led to indulge in excesses, of which, at other times, he was heartily ashamed, and which he has feelingly lamented in some of his poems. Few Scottish poets have more touchingly depicted the evils of intemperance.

THE BREAKING HEART.

I mark'd her look of agony,
I heard her broken sigh,
I saw the colour leave her cheek,
The lustre leave her eye;
I saw the radiant ray of hope
Her sadden'd soul forsaking;
And, by these tokens, well I knew
The maiden's heart was breaking.

It is not from the hand of Heaven
Her bitter grief proceeds;
'Tis not for sins that she hath done,
Her bosom inly bleeds;
'Tis not death's terrors wrap her soul
In shades of dark despair,
But man--deceitful man--whose hand
A thorn hath planted there.

THE AULD EMIGRANT'S FAREWEEL TO SCOTLAND.

Land of my fathers! night's dark gloom
Now shades thee from my view--
Land of my birth! my hearth, my home,
A long, a last adieu!
Thy sparkling streams, thy plantin's green,
That ring with melodie,
Thy flowery vales, thy hills and dales,
Again I 'll never see.

How aft have I thy heathy hills
Climb'd in life's early day!
Or pierced the dark depths of thy woods
To pu' the nit or slae;
Or lain beneath the spreading thorn,
Hid frae the sun's bright beams,
While on my raptured ear was borne
The music of thy streams!

And aft, when frae the schule set free,
I 've join'd a merry ban',
Whase hearts were loupin' licht wi' glee,
Fresh as the morning's dawn,
And waunert, Cruikston, by thy tower,
Or through thy leafy shaw,
The livelang day, nor thocht o' hame
Till nicht began to fa'.

But now the buoyancy o' youth,
And a' its joys are gane--
My children scatter'd far and wide,
And I am left alane;
For she who was my hope and stay,
And soothed me when distress'd,
Within the narrow house of death
Has lang been laid at rest.

And puirtith's cloud doth me enshroud;
Sae, after a' my toil,
I 'm gaun to lay my puir auld clay
Within a foreign soil.
Fareweel, fareweel, auld Scotia dear!
A last fareweel to thee!
Thy tinkling rills, thy heath-clad hills,
Again I 'll never see!

O'ER MOUNTAIN AND VALLEY.

O'er mountain and valley
Morn gladly did gleam;
The streamlets danced gaily
Beneath its bright beam;
The daisies were springing
To life at my feet;
The woodlands were ringing
With melody sweet.

But the sky became low'ring,
And clouds big with rain,
Their treasures outpouring,
Soon deluged the plain.
The late merry woodlands
Grew silent and lone;
And red from the muirlands
The river rush'd down.

Thus life, too, is chequer'd
With sunshine and gloom;
Of change 'tis the record--
Now blight and now bloom.
Oft morn rises brightly,
With promise to last,
But long, long ere noontide
The sky is o'ercast.

Yet much of the trouble
'Neath which mortals groan,
They contrive to make double
By whims of their own.
Oh! it makes the heart tingle
With anguish to think,
That our own hands oft mingle
The bitters we drink.

JOHN GIBSON LOCKHART.

John Gibson Lockhart, the distinguished editor of the _Quarterly Review_, and biographer of Sir Walter Scott, was born in the Manse of Cambusnethan, on the 14th of June 1794. From both his parents he inherited an honourable descent. His father, John Lockhart, D.D., was the second son of William Lockhart of Birkhill, the head of an old family in Lanarkshire, lineally descended from Sir Stephen Lockhart of Cleghorn, a member of the Privy Council, and armour-bearer to James III. His mother was Elizabeth Gibson, daughter of the Rev. John Gibson, senior minister of St Cuthbert's, Edinburgh; her maternal grandmother was the Honourable Mary Erskine, second daughter of Henry, third Lord Cardross, and sister of David, ninth Earl of Buchan. In 1796, Dr Lockhart was translated from Cambusnethan to the College church, Glasgow; and the early education of his son was consequently conducted in that city.

During the third year of his attendance at the Grammar-school, young Lockhart, though naturally possessed of a sound constitution, was seized with a severe illness, which, it was feared, might terminate in pulmonary consumption. After a period of physical prostration, he satisfactorily rallied, when it was found by his teacher that he had attained such proficiency in classical learning, during his confinement, as to be qualified for the University, without the usual attendance of a fourth session at the Grammar-school. At the University of Glasgow, his progress fully realised his excellent promise in the academy. The youngest member of his various classes, he was uniformly a successful competitor for honours. He gave indication of poetical ability in a metrical translation of a part of Lucan's "Pharsalia," which was rewarded with a prize, and received warm encomiums from the professors. On one of the Snell Exhibitions to Baliol College, Oxford, becoming vacant, during the session of 1808-9, it was unanimously conferred on him by the faculty. Entering Baliol College in 1809, his classical attainments were such, that Dr Jenkins, the master of the college, was led to predict that he would reflect honour on that institution, and on the University of Glasgow. At his graduation, on the completion of his attendance at Baliol, he realised the expectations of his admiring preceptor; the youngest of all who graduated on the occasion, being in his eighteenth year, he was numbered in the _first class_,--an honour rarely attained by the most accomplished Oxonians. In the choice of a profession he evinced considerable hesitation; but was at length induced by a relative, a member of the legal faculty, to qualify himself for practice at the Scottish Bar. Besides affording a suitable scope for his talents and acquirements, it was deemed that the Parliament House of Edinburgh had certain hereditary claims on his services. Through his paternal grandmother, he was descended from Sir James Lockhart of Lee, Lord Justice-Clerk in the reign of Charles II., and father of the celebrated Sir George Lockhart of Carnwath, Lord President of the Court of Session; and of another judge, Sir John Lockhart, Lord Castlehill.

Having completed a curriculum of classical and philosophical study at Oxford, and made a tour on the Continent, Lockhart proceeded to Edinburgh, to prosecute the study of Scottish law. In 1816 he passed advocate. Well-skilled in the details of legal knowledge, and in the preparation of written pleadings, he lacked a fluency of utterance, so entirely essential to success as a pleader at the Bar. He felt his deficiency, but did not strive to surmount it. Joining himself to a literary circle, of which John Wilson and the Ettrick Shepherd were the more conspicuous members, he resolved to follow the career of a man of letters. In 1817, he became one of the original contributors to _Blackwood's Magazine_; and by his learned and ingenious articles essentially promoted the early reputation of that subsequently popular periodical. In 1819 appeared his first separate publication, entitled, "Peter's Letters to his Kinsfolk,"--a work of three octavo volumes, in which an imaginary Doctor Morris humorously and pungently delineates the manners and characteristics of the more distinguished literary Scotsmen of the period; and which, by exciting some angry criticism, attracted general attention to the real author.[42] In May of the previous year, at the residence in Edinburgh of Mr Home Drummond of Blair-Drummond, he was introduced to the personal acquaintance of Sir Walter Scott. Their acquaintance ripened into a speedy intimacy; and on the 29th April 1820, Lockhart became the son-in-law of his illustrious friend, by espousing his eldest daughter, Sophia. Continuing to furnish sparkling contributions to _Blackwood's Magazine_, Lockhart now began to exhibit powers of prolific authorship. In the course of a few years he produced "Valerius," a tale descriptive of ancient Rome; "Reginald Dalton," a novel founded on his personal experiences at Oxford; the interesting romance of "Matthew Wald," and "Adam Blair," a Scottish story. The last of these works, it may be interesting to notice, took origin in the following manner. During a visit to his parents at Glasgow, his father had incidentally mentioned, after dinner, that Mr Adam, a former minister of Cathcart, had been deprived for certain immoralities, and afterwards reponed, at the entreaty of his parishioners, on the death of the individual who had succeeded him after his deposition. On hearing the narrative, Lockhart retired to his apartment and drew up the plan of his tale, which was ready for the press within the short space of three weeks. In 1823, he became known as an elegant versifier, by the publication of his translations from the "Spanish Ballads." He subsequently published a "Life of Napoleon Bonaparte," in "Murray's Family Library;" and produced a "Life of Robert Burns," for "Constable's Miscellany." At this period he chiefly resided in Edinburgh, spending some of the summer months at Chiefswood, a cottage about two miles from Abbotsford. But Lockhart's growing reputation ere long secured him a more advantageous and lucrative position. In 1825, he was appointed to the editorship of the _Quarterly Review_; and thus, at the age of thirty-one, became the successor of Gifford, in conducting one of the most powerful literary organs of the age. He now removed to London. On the 15th of June 1834, the degree of Doctor of Civil Law was conferred on him by the University of Oxford.

During the last illness of Sir Walter Scott, Lockhart was eminently dutiful in his attendance on the illustrious sufferer. As the literary executor of the deceased, he was zealous even to indiscretion; his "Life of Scott," notwithstanding its ill-judged personalities, is one of the most interesting biographical works in the language. His own latter history affords few materials for observation; he frequented the higher literary circles of the metropolis, and well sustained the reputation of the _Quarterly Review_. He retired from his editorial duties in 1853, having suffered previously from impaired health. The progress of his malady was accelerated by a succession of family trials and bereavements, which preyed heavily on his mind. His eldest son, John Hugh Lockhart (the Hugh Littlejohn of Scott's "Tales of a Grandfather,") died in 1831; his amiable wife in 1837; and of his two remaining children, a son and a daughter, the former, Walter Scott Lockhart Scott, Lieutenant, 16th Lancers, who had succeeded to the estate of Abbotsford on the death of his uncle, the second Sir Walter Scott, died in 1853. In 1847, his daughter and only surviving child was married to James Robert Hope, Esquire, Q.C., son of General the Honourable Sir Alexander Hope, and nephew of the late Earl of Hopetoun, of peninsular fame; and shortly before her father's death, this lady, along with her husband, abjured the Protestant faith.

In the autumn of 1853, in accordance with the advice of his medical advisers, Lockhart proceeded to Italy; but on his return the following summer, he appeared rather to have lost than gained strength. Arranging his affairs in London, he took up his abode with his elder brother, Mr Lockhart, M.P., at Milton-Lockhart, on the banks of the Clyde, and in the parish adjoining that of his birth. Here he suffered an attack of cholera, which much debilitated his already wasted strength. In October he was visited by Dr Ferguson of London, who conveyed him to Abbotsford to be tended by his daughter; there he breathed his last on the 25th November 1854, in his 61st year. His remains were interred in Dryburgh Abbey, beside those of his illustrious father-in-law, with whom his name will continue to be associated. The estate of Abbotsford is now in the possession of his daughter and her husband, who, in terms of the Abbotsford entail, have assumed the name of Scott. Their infant daughter, Mary Monica, along with her mother, are the only surviving lineal representatives of the Author of "Waverley."

Possessed of a vigorous intellect, varied talents, and accurate scholarship, Lockhart was impatient of contradiction, and was prone to censure keenly those who had offended him. To strangers his manners were somewhat uninviting, and in society he was liable to periods of taciturnity. He loved the ironical and facetious; and did not scruple to indulge in ridicule even at the expense of his intimate associates. With many peculiarities of manner, and a temper somewhat fretful and impulsive, we have good authority for recording, that many unfortunate men of genius derived support from his bounty. Ardent in temperament, he was severe in resenting a real or fancied wrong; but among those to whom he gave his confidence, he was found to be possessed of affectionate and generous dispositions. He has complained, in a testamentary document, that his course of procedure was often misunderstood, and the complaint is probably well-founded. He was personally of a handsome and agreeable presence, and his countenance wore the aspect of intelligence.

[42] In his Life of Scott, Lockhart states that "Peter's Letters" "were not wholly the work of one hand."

BROADSWORDS OF SCOTLAND.[43]

TUNE--_"Oh, the roast beef of Old England."_

Now there 's peace on the shore, now there 's calm on the sea,
Fill a glass to the heroes whose swords kept us free,
Right descendants of Wallace, Montrose, and Dundee.
Oh, the broadswords of old Scotland!
And oh! the old Scottish broadswords.

Old Sir Ralph Abercromby, the good and the brave--
Let him flee from our board, let him sleep with the slave,
Whose libation comes slow while we honour his grave.
Oh, the broadswords, &c.

Though he died not like him amid victory's roar,
Though disaster and gloom wove his shroud on the shore;
Not the less we remember the spirit of Moore.
Oh, the broadswords, &c.

Yea a place with the fallen, the living shall claim,
We 'll entwine in one wreath every glorious name,
The Gordon, the Ramsay, the Hope, and the Graham.
All the broadswords, &c.

Count the rocks of the Spey, count the groves of the Forth--
Count the stars in the clear cloudless heaven of the north;
Then go blazon their numbers, their names and their worth.
All the broadswords, &c.

The highest in splendour, the humblest in place,
Stand united in glory, as kindred in race;
For the private is brother in blood to his Grace.
Oh, the broadswords, &c.

Then sacred to each and to all let it be,
Fill a glass to the heroes whose swords kept us free,
Right descendants of Wallace, Montrose, and Dundee.
Oh, the broadswords of old Scotland!
And oh! the old Scottish broadswords.

[43] This song, with several others of ephemeral interest, was composed by Lockhart, to be sung at the mess of the Mid-Lothian Yeomanry, of which he was a member. Of the songs produced for these festive occasions, a collection for private circulation was printed in 1825, at the Ballantyne press, with the title, "Songs of the Edinburgh Troop," pp. 28. In this collection, the "Broadswords" song bears date July 1821; it was published with music in 1822, in the third volume of Thomson's Collection.

CAPTAIN PATON'S LAMENT.[44]

Touch once more a sober measure,
And let punch and tears be shed,
For a prince of good old fellows,
That, alack-a-day! is dead;
For a prince of worthy fellows,
And a pretty man also,
That has left the Saltmarket,
In sorrow, grief, and woe.
Oh! we ne'er shall see the like of Captain Paton no mo'e!

His waistcoat, coat, and breeches
Were all cut off the same web,
Of a beautiful snuff-colour,
Of a modest genty drab;
The blue stripe in his stocking,
Round his neat slim leg did go,
And his ruffles of the cambric fine,
They were whiter than the snow.
Oh! we ne'er shall see the like of Captain Paton no mo'e!

His hair was curled in order,
At the rising of the sun,
In comely rows and buckles smart,
That about his ears did run;
And before there was a toupee,
That some inches up did grow,
And behind there was a long queue,
That did o'er his shoulders flow.
Oh! we ne'er shall see the like of Captain Paton no mo'e!

And whenever we forgather'd,
He took off his wee three-cockit;
And he proffer'd you his snuff-box,
Which he drew from his side-pocket;
And on Burdett or Bonaparte
He would make a remark or so,
And then along the plainstones
Like a provost he would go.
Oh! we ne'er shall see the like of Captain Paton no mo'e!

In dirty days he picked well
His footsteps with his rattan;
Oh! you ne'er could see the least speck
On the shoes of Captain Paton.
And on entering the coffee-room
About two, all men did know
They would see him with his _Courier_
In the middle of the row.
Oh! we ne'er shall see the like of Captain Paton no mo'e!

Now and then, upon a Sunday,
He invited me to dine
On a herring and a mutton chop,
Which his maid dress'd very fine.
There was also a little Malmsay,
And a bottle of Bordeaux,
Which, between me and the captain,
Pass'd nimbly to and fro!
Oh! I ne'er shall take potluck with Captain Paton no mo'e!

Or, if a bowl was mentioned,
The captain he would ring,
And bid Nelly run to the Westport,
And a stoup of water bring.
Then would he mix the genuine stuff,
As they made it long ago,
With limes that on his property
In Trinidad did grow!
Oh! we ne'er shall taste the like of Captain Paton's punch no mo'e!

And then all the time he would discourse
So sensible and courteous,
Perhaps talking of last sermon
He had heard from Dr Porteous;
Of some little bit of scandal
About Mrs So-and-So,
Which he scarce could credit, having heard
The _con._ but not the _pro._!
Oh! we ne'er shall see the like of Captain Paton no mo'e!

Or when the candles were brought forth,
And the night was fairly setting in,
He would tell some fine old stories
About Minden-field or Dettingen;
How he fought with a French major,
And dispatch'd him at a blow,
While his blood ran out like water
On the soft grass below!
Oh! we ne'er shall hear the like from Captain Paton no mo'e!

But at last the captain sickened,
And grew worse from day to day,
And all miss'd him in the coffee-room,
From which now he staid away;
On Sabbaths, too, the Wynd kirk
Made a melancholy show,
All for wanting of the presence
Of our venerable beau!
Oh! we ne'er shall see the like of Captain Paton no mo'e!

And in spite of all that Cleghorn
And Corkindale could do,
It was plain, from twenty symptoms,
That death was in his view;
So the captain made his test'ment,
And submitted to his foe,
And we laid him by the Ram's-horn kirk--
'Tis the way we all must go!
Oh! we ne'er shall see the like of Captain Paton no mo'e!

Join all in chorus, jolly boys,
And let punch and tears be shed,
For this prince of good old fellows
That, alack-a-day! is dead;
For this prince of worthy fellows--
And a pretty man also--
That has left the Saltmarket
In sorrow, grief, and woe!
For it ne'er shall see the like of Captain Paton no mo'e!

[44] This humorous elegy was first published in _Blackwood's Magazine_ for September 1819. Captain Paton was a well-known character in Glasgow. The son of Dr David Paton, a physician in that city, he obtained a commission in a regiment raised in Scotland for the Dutch service. He afterwards resided with his two maiden sisters, and an old servant Nelly, in a tenement opposite the Old Exchange at the Cross, which had been left him by his father. The following graphic account of the Captain, we transcribe from Dr Strang's interesting work, "Glasgow and its Clubs," recently published:--"Every sunshine day, and sometimes even amid shower and storm, about the close of the past and the commencement of the present century, was the worthy Captain in the Dutch service seen parading the _plainstanes_, opposite his own residence in the Trongate, donned in a suit of snuff-coloured brown or 'genty drab,' his long spare limbs encased in blue striped stockings, with shoes and buckles, and sporting ruffles of the finest cambric at his wrists, while adown his back hung a long queue, and on his head was perched a small three-cocked hat, which, with a _politesse tout a fait Francais_, he invariably took off when saluting a friend. Captain Paton, while a denizen of the camp, had studied well the noble art of fence, and was looked upon as a most accomplished swordsman, which might easily be discovered from his happy but threatening manner of holding his cane, when sallying from his own domicile towards the coffee-room, which he usually entered about two o'clock, to study the news of the day in the pages of the _Courier_. The gallant Captain frequently indulged, like Othello, in speaking--

'Of moving incidents by flood and field, Of hair-breadth 'scapes i' the imminent deadly breach.'

And of his own brave doings on the tented field, 'at Minden and at Dettingen,' particularly when seated round a bowl of his favourite cold punch, made with limes from his own estate in Trinidad, and with water newly drawn from the Westport well." It remains to be added, that this "prince of worthy fellows" died in July 1807, at the age of sixty-eight.

CANADIAN BOAT-SONG.[45]

_From the Gaelic._

Listen to me, as when ye heard our father
Sing, long ago, the song of other shores;
Listen to me, and then in chorus gather
All your deep voices, as ye pull your oars:
Fair these broad meads--these hoary woods are grand;
But we are exiles from our fathers' land!

From the lone shieling of the misty island
Mountains divide us, and the waste of seas;
Yet still the blood is strong, the heart is Highland,
And we in dreams behold the Hebrides.

We ne'er shall tread the fancy-haunted valley,
Where, 'tween the dark hills, creeps the small clear stream,
In arms around the patriach-banner rally,
Nor see the moon on royal tombstones gleam.

* * * * *

Come, foreign rage!--let discord burst in slaughter!
Oh then for clansman true, and stern claymore!
The hearts that would have given their blood like water
Beat heavily beyond the Atlantic roar!
Fair these broad meads--these hoary woods are grand;
But we are exiles from our fathers' land!

[45] This simple and interesting lyric appears in No. XLVI. of the "Noctes Ambrosianae," and has, we believe, on sufficient grounds, been attributed to Lockhart.

THOMAS MATHERS.

Thomas Mathers, the fisherman poet, was born at St Monance, Fifeshire, in 1794. Receiving an education at school confined to the simplest branches, he chose the seafaring life, and connected himself with the merchant service. At Venice, he had a casual rencounter with Lord Byron,--a circumstance which he was in the habit of narrating with enthusiasm. Leaving the merchant service, he married, and became a fisherman and pilot, fixing his residence in his native village. His future life was a career of incessant toil and frequent penury, much alleviated, however, by the invocation of the muse. He contributed verses for a series of years to several of the public journals; and his compositions gained him a wide circle of admirers. He long cherished the ambition of publishing a volume of poems; and the desire at length was gratified through the subscriptions of his friends. In 1851, he printed a duodecimo volume, entitled, "Musings in Verse, by Sea and Shore," which, however, had only been put into shape when the author was called to his rest. He died of a short illness, at St Monance, on the 25th September 1851, leaving a widow and several young children. His poetry is chiefly remarkable for depth of feeling. Of his powers as a song-writer, the following lyric, entitled "Early Love," is a favourable specimen.

EARLY LOVE.

There 's nae love like early love,
Sae lasting an' sae leal;
It wins upon the youthfu' heart,
An' sets its magic seal.
The die that 's cast in early life,
Is nae vain airy dream;
But makes thee still in after years
The subject of my theme.

But years o' shade an' sunshine
Have flung alternately
Their fleeting shadows as they pass'd
Athwart life's changing sky.
Like troubled waters, too, the mind
'S been ruffled an' distress'd;
But with the placid calm return'd
Thine image to my breast.

Still I hae seen a fairer face,
Though fairer anes are few,
An' I hae marked kinder smiles
Than e'er I gat frae you.
But smiles, like blinks o' simmer sheen,
Leave not a trace behind;
While early love has forged chains
The freest heart to bind.

The mind from tyrant fetters
Is free as air to rove;
But powerful are the links that chain
The heart to early love.
Affections, like the ivy
In nature's leafy screen,
Entwine the boughs o' early love
Wi' foliage "ever green."

JAMES BROWN.

James Brown was born at Libberton, a village in the upper ward of Lanarkshire, on the 1st of July 1796. His father, the miller of Libberton-mill, was a person of superior intelligence, and his mother, Grizzel Anderson, was esteemed for her amiable dispositions. Deprived of his father while only six years old, he was early apprenticed to a hand-loom weaver. On the completion of his indenture, he removed to Symington, a village situate at the base of Tintock hill. His leisure hours were devoted to reading and an extensive correspondence with his friends. He formed a club for literary discussion, which assembled periodically at his house. Enthusiastic in his love of nature, he rejoiced in solitary rambles on the heights of Tintock and Dungavel; he made a pilgrimage to the Border and Ettrick Forest. In 1823 he removed to Glasgow, where he was employed in the warehouse of a manufacturing firm; he afterwards became agent of the house at Biggar, where he died on the 12th September 1836. Though the writer of much poetry of merit, Brown was indifferent to literary reputation; and chiefly intrusted his compositions to the keeping of his friends. His songs in the present work have been recovered by his early friend, Mr Scott Riddell, who has supplied these particulars of his life. Austere in manner, he was possessed of genial and benevolent dispositions; he became ultimately impressed with earnest religious convictions.

MY PEGGY 'S FAR AWAY.

Yestreen as I stray'd on the banks o' the Clyde,
A laddie beneath the gay greenwood I spied,
Who sang o' his Peggy, and oh! he seem'd wae,
For Peggy, sweet Peggy, was far, far away.

Though fair burns the taper in yon lofty ha',
Yet nought now shines bright where her shade doesna fa';
My Peggy was pure as the dew-drops o' May,
But Peggy, sweet Peggy, is far, far away.

Ye breezes that curve the blue waves o' the Clyde,
And sigh 'mang the dark firs on yon mountain side,
How dreary your murmurs throughout the lang day,
Since Peggy, sweet Peggy, gaed far, far away.

The sable-wing'd blackbird yon birk-trees amang,
And mavis sing notes that accord wi' my sang,
A' nature is dowie, by bank and by brae,
Since Peggy, sweet Peggy, gaed far, far away.

Ye dew-dripping daisies that bloom by the burn,
Though scathed by rude winter in spring ye return;
I mark'd, but I minded no whit your decay,
Ere Peggy, sweet Peggy, gaed far, far away.

I mourn'd not the absence o' summer or spring,
Nor aught o' the beauties the seasons may bring,
E'en 'mid the dark winter this heart still was gay,
Ere Peggy, sweet Peggy, gaed far, far away.

The bleak blawing winter, wi' a' its alarms,
Might add to, but tak not away from her charms,
The snaws seem'd as welcome as summer-won hay,
Ere Peggy, sweet Peggy, gaed far, far away.

Our Henry lo'es Mary, Jock dotes upon Jean,
And Willie ca's Nancy o' beauty the queen,
But Peggy was mine, and far lovelier than they,
Ere Peggy, sweet Peggy, gaed far, far away.

Oh, when will the days o' this sadness be o'er,
And Heaven, in pity, my Peggie restore?
It kens she 's the loveliest it ere made o' clay,
And ill I may thole that she 's far, far away.

LOVE BROUGHT ME A BOUGH.

Love brought me a bough o' the willow sae green
That waves by yon brook where the wild-flowers grow sheen;
And braiding my harp wi' the sweet budding rue,
It mellow'd its tones 'mang the saft falling dew;
It whisper'd a strain that I wist na to hear,
That false was the lassie my bosom held dear;
Pride stirr'd me to sing, as I tore off the rue--
If she 's got ae sweetheart, sure I can get two!

Yet aft when reflection brings back to my mind
The days that are gane, when my lassie was kind,
A sigh says I felt then as ne'er I feel now,
My soul was enraptured--I canna tell how.
Yet what need I sing o' the joys that hae been,
And why should I start at the glance o' her een,
Or think o' the dark locks that wave o'er her brow?--
If she 's got ae sweetheart, sure I can get two!

Yestreen when the sun glinted blithe on the hill,
I met her alane by the flower-border'd rill,
I speer'd for her weelfare, but cauld was her air,
And I soughtna' to change it by foul words or fair;
She says I deceived her, how can it be sae?
The heart, ere deceived some affection maun hae,
And that hers had nane, I the sairer may rue,
Though she 's got ae sweetheart, an' I can get two.

She left me for ane wha o' mailins could sing,
Sae gie her the pleasures that riches can bring.
Gae fame to the hero, and gowd to the Jew,
And me the enjoyment that 's prized by the few;
A friend o' warm feeling, and frank and refined,
And a lassie that 's modest, true hearted, and kind,
I 'll woo her, I 'll lo'e her, and best it will do,
For love brings nae bliss when it tampers wi' two.

HOW 'S A' WI' YE.

AIR--_"Jenny's Bawbee."_

Ere foreign fashions cross'd the Tweed,
A bannet happ'd my daddie's head,
Our daintiest fare was milk-and-bread,
Folk scunner'd a' at tea;
When cronies met they didna stand,
To rule their words by manners grand,
But warmly clasping hand in hand,
Said, How 's a' wi' ye.

But now there 's nought but shy finesse,
And mim and prim 'bout mess and dress,
That scarce a hand a hand will press
Wi' ought o' feeling free;
A cauldrife pride aside has laid
The hodden gray, and hame-spun plaid,
And a' is changed since neebors said
Just, How 's a' wi' ye.

Our auld guidwife wore cloak and hood,
The maiden's gown was worset guid,
And kept her ringlets in a snood
Aboon her pawkie e'e;
Now set wi' gaudy gumflowers roun',
She flaunts it in her silken gown,
That scarce ane dare by glen or town
Say, How 's a' wi' ye.

I watna how they manage now
Their brides in lighted ha's to woo,
But it is caulder wark, I trow,
Than e'er it was wi' me;
Aye true unto the trysts we set,
When we among the hawthorns met,
Love-warm, true love wad scarce us let
Say, How 's a' wi' ye.

Wae-worth their haughty state and style,
That drive true feeling frae our isle!
In saxty years o' care and toil,
What ferlies do we see!
The lowliest heart a pride displays,
Unkent in our ain early days,
Ilk kind and canty thing decays,
Wi', How 's a' wi' ye.

When back we look on bygane years,
Weel may the cheek be wet wi' tears,
The cauld mool mony a bosom bears,
Ance dear to you and me;
Yet I will neither chafe nor chide,
While ane comes to my ingle side,
Whose bosom glows wi' honest pride
At, How 's a' wi' ye.

Newfangled guffs may things arrange
For further and still further change,
But strange things shall to me be strange,
While I can hear and see.
And when I gang, as I 'll do soon,
To join the leal in hames aboon,
I 'll greet them just as aye I 've doon,
Wi', How 's a' wi' ye.

OH! SAIR I FEEL THE WITCHING POWER.

TUNE--_"Miller of Dron," improved set._

Oh, sair I feel the witching power
O' that sweet pawkie e'e,
And sair I 'll rue the luckless hour
That e'er it shone on me;
Unless sic love as wounds this heart
Come frae that heart again,
And teach for aye the kindly ray
To blink on me alane.
Thy modest cheek aye mantling glows
Whene'er I talk o' love,
As rainbow rays upon the rose
Its native sweets improve;
Yet when the sunbeams leave yon tower,
And gloamin' vails the glen,
Will ye gang to the birken bower
When nane on earth can ken?
Oh, scenes delighting, smiles inviting,
Heartfelt pleasures len',
And oh! how fain to meet alane,
When nane on earth can ken!

Amang the lave I manna speak,
And when I look the while,
The mair I 'm seen, the mair I seek
Their watching to beguile;
But leave, dear lassie, leave them a',
And frae this heart sae leal
Thou 'lt hear the love, by glen and shaw,
It canna mair conceal.
My plaid shall shield thy peerless charms
Frae evening's fanning gale,
And saft shall be my circling arms,
And true my simple tale;
And seated by the murmuring brook,
Within the flowery den,
If love 's reveal'd in word or look,
There 's nane on earth can ken.
Oh! scenes delighting, smiles inviting,
Heartfelt pleasures len',
And oh! how fain to meet alane,
When nane on earth can ken.