Chapter XXXVIII: Introduction: TO (27)

Possessed of fine poetic tastes and an elegant fancy, Dunlop composed verses on every variety of theme, with facility and power. His MS. volumes, which have been kindly submitted to our inspection by a descendant, and from which we have made some extracts, contain numerous poetical compositions worthy of being presented to the public. A vein of humour pervades the majority of his verses; in the elegiac strain he is eminently plaintive. He is remembered as a man of excellent dispositions and eminent social qualities: he sung with grace the songs of his country, and delighted in humorous conversation. His elder brother was proprietor of Garnkirk, and his son, who bore the same Christian name, became Sheriff of Renfrewshire. The latter is entitled to remembrance as the author of "The History of Fiction."

THE YEAR THAT'S AWA'.

Here's to the year that's awa'!
We will drink it in strong and in sma';
And here's to ilk bonnie young lassie we lo'ed,
While swift flew the year that's awa'.
And here's to ilk, &c.

Here's to the sodger who bled,
And the sailor who bravely did fa';
Their fame is alive, though their spirits are fled
On the wings of the year that's awa'.
Their fame is alive, &c.

Here's to the friends we can trust
When the storms of adversity blaw;
May they live in our song, and be nearest our hearts,
Nor depart like the year that's awa'.
May they live, &c.

OH, DINNA ASK ME.

TUNE--_'Comin' through the rye.'_

Oh, dinna ask me gin I lo'e thee;
Troth, I daurna tell:
Dinna ask me gin I lo'e ye;
Ask it o' yoursel'.

Oh, dinna look sae sair at me,
For weel ye ken me true;
Oh, gin ye look sae sair at me,
I daurna look at you.

When ye gang to yon braw, braw town,
And bonnie lassies see,
Oh, dinna, Jamie, look at them,
Lest you should mind na me.

For I could never bide the lass
That ye'd lo'e mair than me;
And oh, I'm sure, my heart would break,
Gin ye'd prove false to me.

LOVE FLIES THE HAUNTS OF POMP AND POWER[9]

Love flies the haunts of pomp and power,
To find the calm retreat;
Loathing he leaves the velvet couch,
To seek the moss-grown seat.

Splendid attire and gilded crowns
Can ne'er with love accord;
But russet robes, and rosy wreathes,
His purest joys afford.

From pride, from business, and from care,
His greatest sorrows flow;
When these usurp the heart of man,
That heart he ne'er can know.

FOOTNOTES:

[9] This lyric and the following are printed from the author's MSS.

WAR.

TUNE--_'Where they go, where they go.'_

For twenty years and more,
Bloody war,
Bloody war;
For twenty years and more,
Bloody war.
For twenty years and more
We heard the cannons roar
To swell the tide of gore,
Bloody war!

A tyrant on a throne
We have seen,
We have seen;
A tyrant on a throne
Who thought the earth his own,
But now is hardly known
To have been.

Who rung the loud alarm
To be free,
To be free?
Who rung the loud alarm
To be free?
'Twas Britain broke the charm,
And with her red right arm
She rung the loud alarm
To be free.

The battle van she led
Of the brave,
Of the brave;
The battle van she led
Of the brave;
The battle van she led,
Till tyranny lay dead,
And glory crown'd the head
Of the brave.

Give honour to the brave
Where they lie,
Where they lie;
Give honour to the brave
Where they lie;
Give honour to the brave,
And sacred be the grave,
On land or in the wave,
Where they lie.

WILLIAM BLAIR.

William Blair, author of "The Highland Maid," was, in the year 1800, born at Dunfermline. The son of respectable parents of the industrial class, he received an ordinary education at the burgh school. Apprenticed to the loom, he became known as a writer of verses; and having attracted the notice of an officer's lady, then resident in the place, he was at her expense sent to the grammar school. Having made some progress in classical learning, he was recommended for educational employment in Dollar Academy; but no suitable situation being vacant at the period of his application, he was led to despair of emanating from the humble condition of his birth. A settled melancholy was afterwards succeeded by symptoms of permanent imbecility. For a number of years Blair has been an inmate of the Dunfermline poor house.

THE HIGHLAND MAID.

Again the laverock seeks the sky,
And warbles, dimly seen;
And summer views, wi' sunny joy,
Her gowany robe o' green.
But ah! the summer's blithe return,
In flowery pride array'd,
Nae mair can cheer this heart forlorn,
Or charm the Highland Maid.

My true love fell by Charlie's side,
Wi' mony a clansman dear;
That fatal day--oh, wae betide
The cruel Southron's spear!
His bonnet blue is fallen now,
And bluidy is the plaid,
That aften on the mountain's brow,
Has wrapt his Highland Maid.

My father's shieling on the hill
Is dowie now and sad;
The breezes whisper round me still,
I 've lost my Highland lad.
Upon Culloden's fatal heath,
He spake o' me, they said,
And falter'd, wi' his dying breath,
"Adieu, my Highland Maid!"

The weary nicht for rest I seek,
The langsome day I mourn;
The smile upon my wither'd cheek
Can never mair return.
But soon beneath the sod I 'll lie,
In yonder lonely glade;
And, haply, ilka passer by
Will mourn the Highland Maid.

THE NEAPOLITAN WAR SONG.[10]

TUNE--_"Brian the Brave."_

Your foes are at hand, and the brand that they wield,
Soon, soon will emblazon your plain;
But, ah! may the arm of the brave be your shield,
And the song of the victory your strain.
Remember the fetters and chains that are wove,
And fated by slavery's decree,
Are not like the fetters of union and love,
That bind and encircle the free.

Though rich be your fields, they will blight in their bloom,
With the glow of the patriot's fires;
And the sun that now gladdens, shall sink into gloom,
And grow dark when your freedom expires.
Be yours, then, the triumph to brave ones that 's meet,
And your country, with laurels in store,
Each weary and toil-worn warrior will greet
When the tumult of battle is o'er.

FOOTNOTES:

[10] Here printed for the first time.

ARCHIBALD MACKAY.

Archibald Mackay was born at Kilmarnock in 1801. Receiving a common school education, he was apprenticed to a handloom weaver. Abandoning the loom, he subsequently acquired a knowledge of bookbinding, and has continued to prosecute that trade. From his youth devoted to the Muse, he produced in 1828 a metrical tale, entitled "Drouthy Tam," which, passing through numerous editions, brought a local reputation to the writer. In 1830 he published a small volume of poems, and in 1832 a little work in prose and verse, entitled "Recreations of Leisure Hours." In 1848 appeared from his pen a "History of Kilmarnock," in a well-written octavo volume. A collection of his best songs was published in 1855, under the title of "Ingleside Lilts." Mackay has contributed extensively to the local journals, and has established a circulating library for the benefit of his fellow-townsmen.

OUR AULD SCOTS SANGS.

AIR--_"Traveller's Return."_

Oh, weel I lo'e our auld Scots sangs,
The mournfu' and the gay;
They charm'd me by a mither's knee,
In bairnhood's happy day:
And even yet, though owre my pow
The snaws of age are flung,
The bluid loups joyfu' in my veins
Whene'er I hear them sung.

They bring the fond smile to the cheek,
Or tear-drap to the e'e;
They bring to mind auld cronies kind,
Wha sung them aft wi' glee.
We seem again to hear the voice
Of mony a lang-lost frien';
We seem again to grip the hand
That lang in dust has been.

And, oh, how true our auld Scots sangs
When nature they portray!
We think we hear the wee bit burn
Gaun bickering doun the brae;
We see the spot, though far awa',
Where first life's breath we drew,
And a' the gowden scenes of youth
Seem rising to the view.

And dear I lo'e the wild war strains
Our langsyne minstrels sung--
They rouse wi' patriotic fires
The hearts of auld and young;
And even the dowie dirge that wails
Some brave but ruin'd band,
Inspires us wi' a warmer love
For hame and fatherland.

Yes, leese me on our auld Scots sangs--
The sangs of love and glee,
The sangs that tell of glorious deeds
That made auld Scotland free.
What though they sprung frae simple bards,
Wha kent nae rules of art?
They ever, ever yield a charm
That lingers round the heart.

MY LADDIE LIES LOW.

Alas! how true the boding voice
That whisper'd aft to me,
"Thy bonnie lad will ne'er return
To Scotland or to thee!"
Oh! true it spoke, though hope the while
Shed forth its brightest beam;
For low in death my laddie lies
By Alma's bloody stream.

I heard the village bells proclaim
That glorious deeds were done;
I heard wi' joy the gladsome shout,
"The field, the field is won!"
And I thought my lad, wi' glory crown'd,
Might come to me again;
But vain the thought! cold, cold he lies
On Alma's gory plain.

Oh! woe to him whose thirst for power
Has roll'd the bolts of war,
And made my laddie bleed and die
Frae hame and friends afar.
Alas! his form I ne'er shall see,
Except in fancy's dream;
For low he lies, where brave he fought,
By Alma's bloody stream.

JOUK AND LET THE JAW GAE BY.

AIR--_"Jockie's Gray Breeks."_

Oh! say not life is ever drear,
For midst its scenes of toil and care
There 's aye some joy the heart to cheer--
There 's aye some spot that 's green and fair.
To gain that spot the aim be ours,
For nocht we 'll get unless we try;
And when misfortune round us lours,
We 'll jouk and let the jaw gae by.

The wee bit flow'ret in the glen
Maun bend beneath the surly blast;
The birdie seeks some leafy den,
And shelters till the storm is past:
The "owrie sheep," when winds blaw snell,
To some lowne spot for refuge hie;
And sae, frae ills we canna quell,
We 'll jouk and let the jaw gae by.

Yet there are ills we a' should brave--
The ills that man on man would throw;
For oh! he 's but a thowless slave,
That patient bears Oppression's woe.
But if 'tis but the taunts of pride,
Of envy's tongue that would annoy,
'Tis nobler far to turn aside,
And jouk and let the jaw gae by.

In worldly gear we may be bare,
We may hae mony a dreary hour;
But never, never nurse despair,
For ilka ane maun taste the sour:
Even kings themsels, wi' a' their power,
Wi' a' their pomp and honours high,
'Neath adverse blasts are forced to cower,
And jouk to let the jaw gae by.

But mark this truth--the ills that blight
Are aft the fruits that folly brings;
Then shun the wrong, pursue the right--
Frae this the truest pleasure springs;
And fret not though dark clouds should spread
At times across life's troubled sky;
Sweet sunshine will the gloom succeed--
Sae jouk and let the jaw gae by.

VICTORIOUS BE AGAIN, BOYS.

Hurrah! hurrah! we 've glory won,
And brighter blazes freedom's sun;
But daring deeds must yet be done
To curb Oppression's reign, boys.
Like wintry clouds in masses roll'd,
Our foes are thick'ning on the wold;
Then up! then up! be firm--be bold--
Victorious be again, boys.

The hearts--the blessings of the brave--
Of those who scorn the name of slave,
Are with you on the ocean's wave,
And on the battle-plain, boys:
Then rouse ye, rouse ye, every one,
And gird your brightest armour on;
Complete the work so well begun--
Victorious be again, boys!

Though red with gore your path may be,
It leads to glorious liberty;
Remember, God is with the free,
The brave He will sustain, boys:
The tyrant fears the coming fight,
He fears the power of Truth and Right;
Then up! then up! in all your might--
Victorious be again, boys.

WILLIAM AIR FOSTER.

The author of some spirited effusions in Scottish verse, William Air Foster, was born at Coldstream on the 16th June 1801. He has followed the occupation of a bootmaker, first in his native town, and latterly in Glasgow. Devoted to the Border sports, in which he was formerly an active performer, he has celebrated them in animated verse. To "Whistle Binkie" he has contributed a number of sporting and angling songs, and he has composed some volumes of poetry which are still in manuscript.

FAREWEEL TO SCOTIA.

Fareweel to ilk hill whar the red heather grows,
To ilk bonnie green glen whar the mountain stream rows,
To the rock that re-echoes the torrent's wild din,
To the graves o' my sires, and the hearths o' my kin.

Fareweel to ilk strath an' the lav'rock's sweet sang--
For trifles grow dear whan we 've kenn'd them sae lang;
Round the wanderer's heart a bright halo they shed,
A dream o' the past, when a' other's hae fled.

The young hearts may kythe, though they 're forced far away,
But its dool to the spirit when haffets are gray;
The saplin transplanted may flourish a tree,
Whar the hardy auld aik wad but wither and dee.

They tell me I gang whar the tropic suns shine
Owre landscapes as lovely and fragrant as thine;
For the objects sae dear that the heart had entwined
Turn eerisome hame-thoughts, and sicken the mind.

No, my spirit shall stray whar the red heather grows!
In the bonnie green glen whar the mountain stream rows,
'Neath the rock that re-echoes the torrent's wild din,
'Mang the graves o' my sires, round the hearths o' my kin.

THE FALCON'S FLIGHT.

AIR--_"There 's nae luck about the house."_

I sing of gentle woodcroft gay, for well I love to rove,
With the spaniel at my side and the falcon on my glove;
For the noble bird which graced my hand I feel my spirit swell,
Array'd in all her hunting-gear--hood, jessy, leash, and bell.

I have watch'd her through the moult, till her castings all were pure,
And have steep'd and clean'd each gorge ere 'twas fix'd upon the lure;
While now to field or forest glade I can my falcon bring
Without a pile of feather wrong, on body, breast, or wing.

When drawn the leash, and slipt the hood, her eye beams black and bright,
And from my hand the gallant bird is cast upon her flight;
Away she darts, on pinions free, above the mountains far,
Until in less'ning size she seems no bigger than a star.

Away, away, in farthest flight I feel no fear or dread,
When a whistle or a whoop brings her tow'ring o'er my head;
While poised on moveless wing, from her voice a murmur swells,
To speak her presence near, above the chiming from her bells.

'Tis Rover's bark--halloo! see the broad-wing'd heron rise,
And soaring round my falcon queen, above her quarry flies,
With outstretch'd neck the wary game shoots for the covert nigh;
But o'er him for a settled stoop my hawk is tow'ring high.

My falcon 's tow'ring o'er him with an eye of fire and pride,
Her pinions strong, with one short pull, are gather'd to her side,
When like a stone from off the sling, or bolt from out the bow,
In meteor flight, with sudden dart, she stoops upon her foe.

The vanquish'd and the vanquisher sink rolling round and round,
With wounded wing the quarried game falls heavy on the ground.
Away, away, my falcon fair has spread her buoyant wings,
While on the ear her silver voice as clear as metal rings.

Though high her soar, and far her flight, my whoop has struck her ear,
And reclaiming for the lure, o'er my head she sallies near.
No other sport like falconry can make the bosom glow,
When flying at the stately game, or raking at the crow.

Who mews a hawk must nurse her as a mother would her child,
And soothe the wayward spirit of a thing so fierce and wild;
Must woo her like a bride, while with love his bosom swells
For the noble bird that bears the hood, the jessy, leash, and bells.

THE SALMON RUN.

AIR--_"The brave old Oak."_

Oh! away to the Tweed,
To the beautiful Tweed,
My much-loved native stream;
Where the fish from his hold,
'Neath some cataract bold,
Starts up like a quivering gleam.

From his iron-bound keep,
Far down in the deep,
He holds on his sovereign sway;
Or darts like a lance,
Or the meteor's glance,
Afar on his bright-wing'd prey.

As he roves through the tide,
Then his clear glitt'ring side
Is burnish'd with silver and gold;
And the sweep of his flight
Seems a rainbow of light,
As again he sinks down in his hold.

With a soft western breeze,
That just thrills through the trees,
And ripples the beautiful bay;
Throw the fly for a lure--
That 's a rise! strike him sure--
A clean fish--with a burst he 's away.

Hark! the ravel line sweel,
From the fast-whirring reel,
With a music that gladdens the ear;
And the thrill of delight,
In that glorious fight,
To the heart of the angler is dear.

Hold him tight--for the leap;
Where the waters are deep,
Give out line in the far steady run;
Reel up quick, if he tire,
Though the wheel be on fire,
For in earnest to work he 's begun.

Aroused up at length,
How he rolls in his strength,
And springs with a quivering bound;
Then away with a dash,
Like the lightning's flash,
Far o'er the smooth pebbly ground.

Though he strain on the thread,
Down the stream with his head,
That burst from the run makes him cool;
Then spring out for the land,
On the rod change the hand,
And draw down for the deepening pool.

Mark the gleam of his side,
As he shoots through the tide!
Are the dyes of the dolphin more fair?
Fatigue now begins,
For his quivering fins
On the shallows are spread in despair.

CHARLES MARSHALL.

The Rev. Charles Marshall, author of "Homely Words and Songs for Working Men and Women," is a native of Paisley. In early life he was engaged in mercantile concerns. At the University of Glasgow he studied for two sessions, and in 1826 completed a philosophical curriculum at the University of Edinburgh. In the following year he was chosen governor of John Watson's Institution, Edinburgh, where he remained for thirteen years. During that time the directors of the institution expressed their approbation of his services by large pecuniary donations, and by increasing his official emoluments. In addition to these expressions of liberality, they afforded him permission to attend the Divinity Hall. In 1840, on the completion of his theological studies, he was licensed as a probationer of the Established Church. In 1841 he accepted a call to the North Extension Church, Dunfermline. At the Disruption in 1843, he adhered to the Free Church. He continues to labour as minister of the Free North Church, Dunfermline.

To the moral and religious reformation of the industrial classes, as well as the improvement of their physical condition, Mr Marshall has long been earnestly devoted. In 1853 he published a small volume of prose and poetry, addressed to industrial females, with the title, "Lays and Lectures to Scotia's Daughters of Industry." This work rapidly passed through various editions. In 1856 he appeared as the author of a similar publication, entitled "Homely Words and Songs for Working Men and Women," to which his former work has been added as a second part. For terse and homely counsels, and vigorous and manly sentiments, adapted to the peculiar feelings and condition of the Scottish peasantry, these _brochures_ are without a parallel. Mr Marshall proposes to add to the series two other parts, addressed to "Husbands and Fathers," and to "Young Men."

THE BLESSING ON THE WARK.

I like to spring in the morning bricht,
Before the mill bell rings;
When waukening blithe in gowden licht,
My joyfu' spirit sings.

I like to hear, when the pearly tear
Gems morning's floweret cup,
The trumpet summons of chanticleer
Pipe "drowsy mortals up."

I tread as lightly as silent puss,
While a' the household sleep;
And gird me to clean and redd the house
Before the bairnies cheep.

I like to dress and mak me clean
As ony winsome bride;
And think na shame, though my face be seen,
At morn or eventide.

I like to handle, before I rin,
The word o' truth and love;
And seek, or the daily wark begin,
Gude counsel from above.

Then skipping wi' lichtsome heart, I hie
To earn my bit o' bread;
The wark spins on, and the time rins by,
Wi' pleasant, blessed speed.

JEWEL OF A LAD.

AIR--_"Fye, gae rub her owre wi' strae."_

As sunshine to the flowers in May,
As wild flowers to the hinny bee,
As fragrant scent o' new mown hay,
So my true love is sweet to me.

As costly jewels to the bride,
As beauty to the bridegroom's e'e--
To sailors, as fair wind and tide,
So my true love is dear to me.

As rain-draps to the thirsty earth,
As waters to the willow-tree,
As mother's joy at baby's birth,
So my true love is dear to me.

Though owning neither wealth nor lan',
He 's ane o' Heaven's pedigree;
His love to God, his love to man,
His goodness makes him dear to me.

The lass that weds a warly fool
May laugh, and sing, and dance a wee;
But earthly love soon waxes cool,
And foolish fancies turn ajee.

My laddie's heart is fu' o' grace,
His loving e'e blinks bonnily,
A heavenly licht illumes his face;
Nae wonder though he 's dear to me.

TWILIGHT JOYS.

Musing, we sat in our garden bower,
In the balmy month of June,
Enjoying the pensive gloamin' hour
When our daily task was done.

We spake of the friends of our early days,
Some living, some dead and gane,
And fancy skimm'd o'er the flow'ry braes
Of our morning life again.

A bless'd, a lightsome hour was that,
And joyful were we to see
The sunny face of ilk bonnie brat,
So full of frolicsome glee.

They ran, they row'd, they warsl'd, they fell,
Whiles whirl'd in a fairy ring--
Our hearts ran o'er like a gushing well,
And we bless'd each happy thing.

In our wee dwelling the lamp of love,
Trimm'd daily by faith and prayer,
Flings light on earth, on heaven above,
Sheds glory everywhere.

This golden lamp shines clear and bright,
When the world looks dark and doure,
It brightens our morning, noon, and night,
And gladdens our gloamin' hour.

WILLIAM WILSON.

William Wilson was born on the 25th December 1801, in the village of Crieff, Perthshire. His parents being of the industrial class and in indigent circumstances, he was early devoted to a life of manual labour. While employed in a factory at Dundee, some of his poetical compositions were brought under the notice of Mrs Grant, of Laggan, who interested herself in his behalf, and enabled him to begin business as a coal merchant. He married early in life, and continued after marriage to write as ardent poetry about his wife as he had done before marriage. On her death, he married a lady of respectable connexions in the county of Roxburgh. In December 1833, he emigrated to America, and has since been in business as a publisher at Poughkeepsie, in the state of New York. He has repeatedly delivered lectures to scientific institutions, and is well known to the higher class of literary men in America. Many of his earlier poems were contributed to the _Edinburgh Literary Journal_; and he has published several of his own and other songs, with music of his own composition.

O BLESSING ON HER STARLIKE E'EN.

O blessing on her starlike e'en,
Wi' their glance o' love divine;
And blessing on the red, red lip,
Was press'd yestreen to mine!

Her braided locks that waved sae light,
As she danced through the lofty ha',
Were like the cluds on the brow o' night,
Or the wing o' the hoodie craw.

O mony a jimp an' gentle dame,
In jewell'd pomp was there;
But she was first among them a',
In peerless beauty rare!

Her bosom is a holy shrine,
Unstain'd by mortal sin,
An' spotless as the snaw-white foam,
On the breast o' the siller linn.

Her voice--hae ye heard the goudspink's note,
By bowery glen or brake?
Or listen'd ye e'er to the mermaid's lay,
By sea or mountain lake?

Hae ye dreamt ye heard, i' the bowers o' heaven,
The angel's melodie?
Or fancied ye listen'd the sang o' the spheres
As they swung on their path on hie?

Far sweeter to me was her lay o' love,
At the gloamin' hour yestreen;
An', oh! were I king o' the warld wide,
I would mak' that maiden my queen.

OH! BLESSING ON THEE, LAND.

Oh! blessing on thee, land
Of love and minstrel song;
For Freedom found a dwelling-place
Thy mountain cliffs among!
And still she loves to roam
Among thy heath-clad hills;
And blend her wild-wood harp's sweet strain
With the voice of mountain rills.

Her song is on the gale,
Her step upon the wold;
And morning diamonds brightly gem
Her braided locks of gold.
Far up the pine-wood glen,
Her sylph-like form is seen,
By hunter in the hazy dawn,
Or wandering bard at e'en.

My own dear native home,
The birthplace of the brave,
O never may thy soil be trod
By tyrant or by slave!
Then, blessing on thee, land
Of love and minstrel song;
For Freedom found a dwelling-place,
Thy mountain cliffs among!

THE FAITHLESS.

We part,--yet wherefore should I weep,
From faithless thing like thee to sever?
Or let one tear mine eyelids steep,
While thus I cast thee off for ever?
I loved thee--need I say how well?
Few, few have ever loved so dearly;
As many a sleepless hour can tell,
And many a vow breath'd too sincerely.

But late, beneath its jetty lash,
I loved to mark thy blue eyes' splendour,
Which wont, all witchingly, to flash
On me its light so soft and tender;
Now, from that glance I turn away,
As if its thrilling gaze could wound me;
Though not, as once, in love's young day,
When thoughtless passion's fetters bound me.

The dimpling smile, with sweetness fraught,
The bosom, 'mid its snow, upheaving;
Who, that had seen them, could have thought
That things so fair could be deceiving?
The moon, the sky, the wave, the wind,
In all their fitful moods of changing,
Are nought to wavering woman's mind,
For ever shifting, ever ranging!

Farewell! I'd rather launch my bark
Upon the angry ocean billow,
'Mid wintry winds, and tempests dark,
Than make thy faithless breast my pillow.
Thy broken vow now cannot bind,
Thy streaming tears no more can move me,
And thus I turn from thee, to find
A heart that may more truly love me.

MY SOUL IS EVER WITH THEE.

My soul is ever with thee,
My thoughts are ever with thee,
As the flower to the sun, as the lamb to the lea,
So turns my fond spirit to thee.

'Mid the cares of the lingering day,
When troubles around me be,
Fond Fancy for aye will be flitting away--
Away, my beloved, to thee.

When the night-pall darkly spread
O'er shadows, tower, and tree,
Then the visions of my restless bed
Are all, my beloved, of thee.

When I greet the morning beams,
When the midnight star I see,
Alone--in crowded halls--my dreams--
My dreams are for ever of thee.

As spring to the leafless spray,
As calm to the surging sea,
To the weary, rest--to the watcher, day--
So art thou, loved Mary, to me.

AULD JOHNNY GRAHAM.

Dear Aunty, what think ye o' auld Johnny Graham?
The carle sae pawkie an' slee!
He wants a bit wifie to tend his bein hame,
An' the body has ettled at me.

Wi' bonnet sae vaunty, an owerlay sae clean,
An' ribbon that waved 'boon his bree,
He cam' doun the cleugh at the gloamin' yestreen,
An' rappit, an' soon speert for me.

I bade him come ben whare my minny sae thrang
Was birlin' her wheel eidentlie,
An', foul fa' the carle, he was na' that lang,
Ere he tauld out his errand to me.

"Hech, Tibby, lass! a' yon braid acres o' land,
Wi' ripe craps that wave bonnilie,
An' meikle mair gear shall be at yer command,
Gin' ye will look kindly on me.

"Yon herd o' fat owsen that rout i' the glen,
Sax naigies that nibble the lea;
The kye i' the sheugh, and the sheep i' the pen,
I'se gie a', dear Tibby, to thee.

"An', lassie, I've goupins o' gowd in a stockin',
An' pearlin's wad dazzle yer e'e;
A mettl'd, but canny young yaud, for the yokin',
When ye wad gae jauntin' wi' me.

"I 'll hap ye, and fend ye, and busk ye, and tend ye,
And mak' ye the licht o' my e'e;
I 'll comfort and cheer ye, and daut ye and dear ye,
As couthy as couthy can be.

"I 've lo'ed ye, dear lassie, since first, a bit bairn,
Ye ran up the knowe to meet me;
An' deckit my bonnet wi' blue bells an' fern,
Wi' meikle glad laughin' an' glee.

"An' noo woman grown, an' mensefu', an' fair,
An' gracefu' as gracefu' can be--
Will ye tak' an' auld carle wha ne'er had a care
For woman, dear Tibby, but thee?"

Sae, Aunty, ye see I 'm a' in a swither,
What answer the bodie to gie--
But aften I wish he wad tak' my auld mither,
And let puir young Tibby abee.

JEAN LINN.

Oh, haud na' yer noddle sae hie, ma doo!
Oh, haud na' yer noddle sae hie!
The days that hae been, may be yet again seen,
Sae look na sae lightly on me, ma doo!
Sae look na' sae lightly on me!

Oh, geck na' at hame hodden gray, Jean Linn!
Oh, geck na' at hame hodden gray!
Yer gutcher an mine wad thocht themsels fine,
In cleedin' sae bein, bonnie May, bonnie May--
In cleedin' sae bein, bonnie May.

Ye mind when we won in Whinglen, Jean Linn--
Ye mind when we won in Whinglen,
Your daddy, douce carle, was cotter to mine,
An' our herd was yer bonnie sel', then, Jean Linn,
An' our herd was yer bonnie sel', then.

Oh, then ye were a' thing to me, Jean Linn,
Oh, then ye were a' thing to me!
An' the moments scour'd by, like birds through the sky,
When tentin' the owsen wi' thee, Jean Linn,
When tentin' the owsen wi' thee.

I twined ye a bower by the burn, Jean Linn,
I twined ye a bower by the burn,
But dreamt na that hour, as we sat in that bower,
That fortune wad tak' sic a turn, Jean Linn.
That fortune wad tak' sic a turn.

Ye busk noo in satins fu' braw, Jean Linn!
Ye busk noo in satins fu' braw!
Yer daddy's a laird, mine 's i' the kirkyard,
An' I 'm yer puir ploughman, Jock Law, Jean Linn,
An' I 'm yer puir ploughman, Jock Law.

BONNIE MARY.

When the sun gaes down, when the sun gaes down,
I 'll meet thee, bonnie Mary, when the sun gaes down;
I 'll row my apron up, an' I 'll leave the reeky town,
And meet thee by the burnie, when the sun gaes down.

By the burnie there 's a bower, we will gently lean us there,
An' forget in ither's arms every earthly care,
For the chiefest o' my joys, in this weary mortal roun',
Is the burnside wi' Mary when the sun gaes down.
When the sun gaes down, &c.

There the ruin'd castle tower on the distant steep appears,
Like a hoary auld warrior faded with years;
An' the burnie stealing by wi' a fairy silver soun',
Will soothe us wi' its music when the sun gaes down.
When the sun gaes down, &c.

The burnside is sweet when the dew is on the flower,
But 'tis like a little heaven at the trystin' hour;
And with pity I would look on the king who wears the crown,
When wi' thee by the burnie, when the sun gaes down.
When the sun gaes down, &c.

When the sun gaes down, when the sun gaes down,
I 'll meet thee by the burnie, when the sun gaes down;
Come in thy petticoatie, and thy little drugget gown,
And I 'll meet thee, bonnie Mary, when the sun gaes down.

MRS MARY MACARTHUR.

Mrs Mary Waugh, the widow of Mr James Macarthur, merchant, Glasgow, published in 1842 a duodecimo volume of verses, with the title, "The Necropolis, and other Poems." One of the compositions in that publication, entitled "The Missionary," is inserted in the present work, as being worthy of a place among the productions of the national Muse. In early life Mrs Macarthur lived in the south of Scotland; she has for many years been resident in Glasgow.

THE MISSIONARY.

He left his native land, and, far away
Across the waters sought a world unknown,
Though well he knew that he in vain might stray
In search of one so lovely as his own.

He left his home, around whose humble hearth
His parents, kindred, all he valued, smil'd--
Friends who had known and loved him from his birth,
And who still loved him as a fav'rite child.

He left the scenes by youthful hopes endear'd,
The woods, the streams, that sooth'd his infant ear;
The plants, the trees that he himself had rear'd,
And every charm to love and fancy dear.

All these he left, with sad but willing heart,
Though unallur'd by honours, wealth, or fame;
In them not even his wishes claim'd a part,
And the world knew not of his very name.

Canst thou not guess what taught his steps to stray?
'Twas love, but not such love as worldlings own,
That often smiles its sweetest to betray,
And stabs the breast that offered it a throne!

'Twas love to God, and love to all mankind!
His Master bade the obedient servant go,
And try if he in distant realms could find
Some who His name and saving grace would know.

'Twas this that nerved him when he saw the tears
His aged mother at their parting shed;
'Twas this that taught her how to calm her fears,
And beg a heavenly blessing on his head.

'Twas this that made his father calmly bear
A godly sorrow, deep, but undismay'd,
And bade him humbly ask of God in prayer,
His virtuous son to counsel, guide, and aid.

And when he rose to bless, and wish him well,
And bent a head with age and sorrow gray--
E'en when he breath'd a fond and last farewell,
Half sad, half joyful, dashed his tears away.

"And go," he said, "though I with mortal eyes
Shall ne'er behold thy filial reverence more;
But when from earth to heaven our spirits rise,
The Hand that gave him shall my child restore.

"I bid thee go, though human tears will steal
From eyes that see the course thou hast to run;
And God forgive me if I wrongly feel,
Like Abraham call'd to sacrifice his son!"

And he is gone, with ardent steps he prest
Across the hills to where the vessel lay,
And soon I ween upon the ocean's breast
They saw the white sails bearing him away.

And did he go unfriended, poor, alone?
Did none of those who, in a favour'd land
The shelter of the gospel tree had known,
Desire to see its peaceful shade expand?

'Tis not for me to answer questions here--
Let ev'ry heart its own responses give,
And those to whom their fellow-men are dear,
Bestow the bread by which their souls may live!

JOHN RAMSAY.

The author of "Woodnotes of a Wanderer," John Ramsay, was born at Kilmarnock in 1802. With a limited school education, he was early apprenticed in a carpet manufactory in his native place. He afterwards traded for some years as a retail grocer. During his connexion with the carpet factory, he composed some spirited verses, which were inserted in the _Edinburgh Literary Journal_; and having subsequently suffered misfortune in business, he resolved to repair his losses by publishing a collected edition of his poetical writings, and personally pushing the sale. For the long period of fifteen years, he travelled over the country, vending his volume of "Woodnotes." This creditable enterprise has been rewarded by his appointment to the agency of a benevolent society in Edinburgh.

FAREWELL TO CRAUFURDLAND.

Thou dark stream slow wending thy deep rocky way,
By foliage oft hid from the bright eye of day,
I 've view'd thee with pleasure, but now must with pain,
Farewell! for I never may see you again.

Ye woods, whence fond fancy a spirit would bring,
That trimm'd the bright pinions of thought's hallow'd wing,
Your beauties will gladden some happier swain;
Farewell! for I never may see you again.

I 've roam'd you, unknown to care's life-sapping sigh,
When prospects seem'd fair and my young hopes were high;
These prospects were false, and those hopes have proved vain;
Farewell! for I never may see you again.

Soon distance shall bid my reft heart undergo
Those pangs that alone the poor exile can know--
Away! like a craven why should I complain?
Farewell! for I never may see you again.

JAMES PARKER.

James Parker, author of a duodecimo volume of poetry, entitled "Poems of Past Years," was born in Glasgow, and originally followed the trade of a master baker. He now holds a respectable appointment in the navy. He has contributed verses to the periodicals.

THE MARINER'S SONG.

Oh merrily and gallantly
We sweep across the seas,
Like the wild ocean birds which ply
Their pinions on the breeze;
We quail not at the tempest's voice
When the billow dashes o'er us,
Firm as a rock, we bear the shock,
And join its dreadful chorus.

Across the foaming surge we glide
With bosoms true and brave,
It is our home--our throne of pride--
It soon may be our grave;
Yet fearlessly we rush to meet
The foe that comes before us;
The fight begun, we man the gun,
And join its thundering chorus.

Our lives may be as fierce and free
As the waves o'er which we roam,
But let not landsmen think that we
Forget our native home;
And when the winds shall waft us back
To the shores from which they bore us,
Amid the throng of mirth and song,
We'll join the jovial chorus.

HER LIP IS O' THE ROSE'S HUE.

Her lip is o' the rose's hue,
Like links o' goud her hair,
Her e'e is o' the azure blue,
An' love beams ever there;
Her step is like the mountain goat's
That climbs the stately Ben,
Her voice sweet as the mavis' notes
That haunt her native glen.

There is a sweet wee hazel bower
Where woodbine blossoms twine,
There Jeanie, ae auspicious hour,
Consented to be mine;
An' there we meet whene'er we hae
An idle hour to spen',
An' Jeanie ne'er has rued the day
She met me in the glen.

Oh bricht, bricht are the evenin' beams,
An' sweet the pearly dew,
An' lovely is the star that gleams
In gloamin's dusky brow;
But brichter, sweeter, lovelier far,
Aboon a' human ken,
Is my sweet pearl--my lovely star--
My Jeanie o' the glen.

JOHN HUNTER.

The following compositions are, with permission, transcribed from a small volume of juvenile poems, with the title "Miscellanies, by N. R.," which was printed many years ago, for private circulation only, by Mr John Hunter, now auditor of the Court of Session.

THE BOWER O' CLYDE.

On fair Clydeside thair wonnit ane dame,
Ane dame of wondrous courtesie,
An' bonny was the kindly flame
That stremit frae her saft blue e'e.

Her saft blue e'e, 'mid the hinney dew,
That meltit to its tender licht,
Was bonnier far than the purest starre
That sails thro' the dark blue hevin at nicht.

If ony culd luke and safely see
Her dimplit cheek, and her bonny red mou,
Nor seek to sip the dew frae her lip,
A lifeless lump was he, I trow.

But it wuld haif saften'd the dullest wicht,
If ae moment that wicht might see
Her bonny breast o' the purest snaw,
That heavit wi' luve sae tenderlie.

An' dear, dear was this bonny dame,
Dear, dear was she to me,
An' my heart was tane, an' my sense was gane,
At ae blink o' her bonny blue e'e.

An' sair an' saft I pleadit my luve,
Tho' still she hardly wuld seem to hear,
An' wuld cauldly blame the words o' flame
That I breathit so warmly in her ear.

Yet aye as she turn'd her frae my look,
Thair was kindness beamit in her e'e,
An' aye as she drew back her lily han',
I faund that it tremblit tenderlie.

But the time sune cam, the waesome time,
When I maun awa frae my dear,
An' oh! that thocht, how aften it brocht
The deep-heavit sigh an' the cauld bitter tear!

Then socht I my luve, her cauld heart to muve,
Wi' my tears, an' my sighs, an' my prayers,
An' I gaed by her side doun the banks o' the Clyde,
An' the hours stal awa unawares.

'Twas a still summer nicht, at the fa'ing o' licht,
At the gloamin's saft an' schadowie hour,
An' we wander'd alane till the daylicht was gane,
An' we cam' to a sweet simmer bour.

The mune was up i' the clear blue skye,
The mune an' her single wee starre,
The winds gaed gently whisperin' bye,
Thair was stillness near an' farre.

Alane we sat i' the green summer bour,
I tauld her a' that was kind and dear,
An' she did na blame the words o' flame
That I breathit sae warmly in her ear.

She listenit to the luve-sang warm,
Her breast it throbbit and heavit high;
She culd hear nae mair, but her gentill arm
She lean't upon mine, wi' a tender sigh.

Then warmly I prest wi' my burning lips,
Ae kiss on her bonny red mow,
An' aften I prest her form to my breast,
An' fondly an' warmly I vowit to be true.

An' oh! that hour, that hallowit hour,
My fond heart will never forget;
Though drear is the dule I haif suffer'd sin syne,
That hour gars my heart beat warmly yet.

The parting time cam, an' the parting time past,
An' it past nae without the saut tear,
An' awa' to anither an' farre awa' land
I gaed, an' I left my ain dear.

I gaed, an' though ither and brichter maids
Wuld smile wi' fond luve i' their e'e,
I but thocht o' the sweet green hour by the Clyde,
An' that thocht was enough for me.

MARY.

Oh! Mary, while thy gentle cheek
Is on my breast reclining,
And while these arms around thy form
Are fondly thus entwining;
It seems as if no earthly power
Our beating hearts could sever,
And that in ecstasy of bliss
We thus could hang for ever!

Yet ah! too well, too well we know,
The fiat fate hath spoken--
The spell that bound our souls in one,
The world's cold breath hath broken.
The hours--the days--whose heavenly light
Hath beam'd in beauty o'er us,
When Love his sunshine shed around,
And strew'd his flowers before us,

Must now be but as golden dreams,
Whose loveliness hath perish'd;
Wild dreams of hope, in human hearts
Too heavenly to be cherish'd.
Yet, oh! where'er our lot is cast,
The love that once hath bound us--
The thought that looks to days long past,
Will breathe a halo round us.

IN DISTANT YEARS.

In distant years! when other arms
Around thy form are prest,
Oh! heave one fond regretful sigh
For him thy love once blest!
Oh! drop one tear from that dark eye,
That was his guiding light,
And cast the same deep tender glance,
That thrills his soul to-night.

And oh! believe, though dark his fate,
And devious his career,
The music of that gentle voice
Will tremble in his ear;
And breathing o'er his troubled soul,
Storm-tost and tempest riven,
Will still fierce passion's wild control,
And win him back to Heaven.

ROBERT CHAMBERS.

Robert Chambers, well known for his connexion with the publishing house of W. & R. Chambers, Edinburgh, and as the author of several meritorious works of a national character, was born in 1802 at Peebles, where his parents occupied a respectable position. Robert was the second of a family of six children, his elder brother William being about two years his senior. In consequence of misfortunes in business, James Chambers, the father of these youths, found it desirable to remove to Edinburgh with his family in 1813. While still in childhood Robert manifested a remarkable aptitude for learning, as well as a taste for music and poetry--a taste inherited from his father, who was a good performer on several instruments, and possessed a taste for both literature and science. Before completing his twelfth year, he had passed through a complete classical course at the grammar school of his native burgh, had perused no small portion of the books within his reach including those of a circulating library, and mastered much of the general information contained in a copy of the "Encyclopædia Britannica," of which his father possessed a copy of the then latest edition. Left very much to their own resources, William became an apprentice to a bookseller in 1814; and Robert, at the age of sixteen, threw himself on the world, as a dealer in old books, a step in accordance with his natural tastes, and which proved fortunate. How the two lads struggled on obscurely, but always improving their circumstances; how they were cheered onward by the counsels of their widowed mother; how they finally went into partnership for the purpose of prosecuting literary undertakings--need not here be detailed. Robert, in 1822-3, began to write the "Traditions of Edinburgh," which first brought him prominently into notice. This amusing work was followed by the "Popular Rhymes of Scotland." Next came his "Picture of Scotland," an interesting topographical work in two volumes; "Histories of the Scottish Rebellions;" three volumes of "Scottish Ballads and Songs;" and "Biography of Distinguished Scotsmen," in four volumes. Besides various popular works, he produced, for private circulation, a volume of poetical pieces, distinguished for their fine taste and feeling. William having started _Chambers's Edinburgh Journal_ in February 1832, Robert became an efficient coadjutor, and mainly helped to give the work its extensive popularity. In the more early volumes, in particular, there appear many admirable essays, humorous and pathetic, from his pen. Besides these professional avocations, Mr Robert Chambers takes part in the proceedings of the scientific and other learned bodies in Edinburgh. Among his latest detached works is a volume, of a geological character, on the "Ancient Sea Margins of Scotland;" also, "Tracings of Iceland," the result of a visit to that interesting island in the summer of 1855. Living respected in Edinburgh, in the bosom of his family, and essentially a self-made man, Mr Robert Chambers is peculiarly distinguished for his kindly disposition and unobtrusive manners--for his enlightened love of country, and diligence in professional labours, uniting, in a singularly happy manner, the man of refined literary taste with the man of business and the useful citizen.

YOUNG RANDAL.

TUNE--_'There grows a bonnie brier bush.'_

Young Randal was a bonnie lad when he gaed awa',
Young Randal was a bonnie lad when he gaed awa',
'Twas in the sixteen hundred year o' grace and thritty-twa,
That Randal, the laird's youngest son, gaed awa'.

It was to seek his fortune in the High Germanie,
To fecht the foreign loons in the High Germanie,
That he left his father's tower o' sweet Willanslee,
And monie mae friends in the North Countrie.

He left his mother in her bower, his father in the ha',
His brother at the outer yett, but and his sisters twa',
And his bonnie cousin Jean, that look'd owre the castle wa',
And, mair than a' the lave, loot the tears down fa'.

"Oh, whan will ye be back," sae kindly did she speir,
"Oh, whan will ye be back, my hinny and my dear?"
"Whenever I can win eneuch o' Spanish gear,
To dress ye out in pearlins and silks, my dear."

Oh, Randal's hair was coal-black when he gaed awa'--
Oh, Randal's cheeks were roses red when he gaed awa',
And in his bonnie e'e, a spark glintit high,
Like the merrie, merrie look in the morning sky.

Oh, Randal was an altert man whan he came hame--
A sair altert man was he when he came hame;
Wi' a ribbon at his breast, and a Sir at his name--
And gray, gray cheeks did Randal come hame.

He lichtit at the outer yett, and rispit with the ring,
And down came a ladye to see him come in,
And after the ladye came bairns feifteen:
"Can this muckle wife be my true love Jean?"

"Whatna stoure carl is this," quo' the dame,
"Sae gruff and sae grand, and sae feckless and sae lame?"
"Oh, tell me, fair madam, are ye bonnie Jeanie Graham?"
"In troth," quo' the ladye, "sweet sir, the very same."

He turned him about wi' a waefu' e'e,
And a heart as sair as sair could be;
He lap on his horse, and awa' did wildly flee,
And never mair came back to sweet Willanslee.

Oh, dule on the poortith o' this countrie,
And dule on the wars o' the High Germanie,
And dule on the love that forgetfu' can be,
For they 've wreck'd the bravest heart in this hale countrie.

THE LADYE THAT I LOVE.

Were I a doughty cavalier
On fire for high-born dame,
With sword and lance I would not fear
To win a warrior's fame.
But since no more stern deeds of blood
The gentle fair may move,
I 'll woo in softer better mood
The ladye that I love.

For helmet bright with steel and gold,
And plumes that flout the sky,
I 'll wear a soul of hardier mould,
And thoughts that sweep as high.
For scarf athwart my corslet cast,
With her fair name y-wove;
I 'll have her pictured in my breast,
The ladye that I love.

No crested steed through battle throng
Shall bear me bravely on,
But pride shall make my spirit strong,
Where honours may be won.
Amidst the great of mind and heart,
My prowess I will prove,
And thus I 'll win, by gentler art,
The ladye that I love.

THOU GENTLE AND KIND ONE.

Thou gentle and kind one,
Who com'st o'er my dreams,
Like the gales of the west,
Or the music of streams;
Oh, softest and dearest,
Can that time e'er be,
When I could be forgetful
Or scornful of thee?

No! my soul might be dark,
Like a landscape in shade,
And for thee not the half
Of its love be display'd,
But one ray of thy kindness
Would banish my pain,
And soon kiss every feature
To brightness again.

And if, in contending
With men and the world,
My eye might be fierce,
Or my brow might be curl'd;
That brow on thy bosom
All smooth'd would recline,
And that eye melt in kindness
When turn'd upon thine.

If faithful in sorrow,
More faithful in joy--
Thou shouldst find that no change
Could affection destroy;
All profit, all pleasure,
As nothing would be,
And each triumph despised
Unpartaken by thee.

LAMENT FOR THE OLD HIGHLAND WARRIORS.

Oh, where are the pretty men of yore?
Oh, where are the brave men gone?
Oh, where are the heroes of the north?
Each under his own gray stone.
Oh, where now the broad bright claymore?
Oh, where are the trews and plaid?
Oh, where now the merry Highland heart?
In silence for ever laid.
Och on a rie, och on a rie,
Och on a rie, all are gone;
Och on a rie, the heroes of yore,
Each under his own gray stone.

The chiefs that were foremost of old,
Macdonald and brave Lochiel,
The Gordon, the Murray, and the Graham,
With their clansmen true as steel;
Who follow'd and fought with Montrose,
Glencairn, and bold Dundee;
Who to Charlie gave their swords and their all,
And would aye rather fa' than flee.
Och on a rie, &c.

The hills that our brave fathers trod
Are now to the stranger a store;
The voice of the pipe and the bard
Shall awaken never more.
Such things it is sad to think on--
They come like the mist by day--
And I wish I had less in this world to leave,
And be with them that are away.
Och on a rie, &c.

THOMAS AIRD.