Chapter XLVIII: Introduction (5)

The Highland hills! when the noonday smiles
On the slumbering lakes and their fairy isles,
We 'll clamber high where the heather waves
By the warrior's cairn and the foemen's graves;
And I 'll sing to thee, in "the bright day's prime,"
Of the days of old and of ancient time,
And thy heart, unknown to the care that chills,
Shall gladly joy in the Highland hills.

The Highland hills! in the twilight dim
To their heath-clad crests shall thy footsteps climb,
And there shalt thou gaze o'er the ocean far,
Till the beacon blaze of the evening star,
And the lamp of night, with its virgin beams,
Look down on the deep and the shining streams,
Till beauty's spell on thy spirit thrills
With joy and love in the Highland hills.

MY NATIVE LAND.

Sublime is Scotia's mountain land,
And beautiful and wild;
By tyranny's unhallow'd hand
Unsullied, undefiled.
The free and fearless are her sons,
The good and brave her sires;
And, oh! her every spirit glows
With freedom's festal fires!

When dark oppression far and wide
Its gory deluge spread,
While nations, ere they pass'd away,
For hope and vengeance bled,
She from her rocky bulwarks high
The banner'd eagle hurl'd,
And trampled on triumphant Rome,
The empress of the world.

She gave the Danish wolf a grave
Deep in her darkest glens,
And chased the vaunting Norman hound
Back to his lowland dens;
And though the craven Saxon strove
Her regal lord to be,
Her hills were homes to nurse the brave,
The fetterless, and free.

Peace to the spirits of the dead,
The noble, and the brave;
Peace to the mighty who have bled
Our Fatherland to save!
We revel in the pure delight
Of deeds achieved by them,
To crown their worth and valour bright
With glory's diadem.

JAMES MACLARDY.

The writer of several good songs, James Maclardy was born in Glasgow on the 22d August 1824. His father, who afterwards removed to Paisley, was a journeyman shoemaker in humble circumstances. With the scanty rudiments of education, young Maclardy was early cast upon the world. For a course of years he led a sort of rambling life, repeatedly betaking himself to the occupation of a pedlar, and sometimes being dependent for subsistence on his skill as a ballad singer. Adopting his father's profession, he became more fortunate, and now took delight in improving himself in learning, and especially in perusing the works of the poets. After practising his craft in various localities, he has latterly settled in Glasgow, where he holds a situation of respectable emolument.

THE SUNNY DAYS ARE COME, MY LOVE.

The sunny days are come, my love,
The gowan 's on the lea,
And fragrant flow'rs wi' hiney'd lips,
Invite the early bee;
The scented winds are whisp'ring by,
The lav'rock 's on the wing,
The lintie on the dewy spray
Gars glen and woodland ring.

The sunny days are come, my love,
The primrose decks the brae,
The vi'let in its rainbow robe
Bends to the noontide ray;
The cuckoo in her trackless bower
Has waken'd from her dream;
The shadows o' the new-born leaves
Are waving in the stream.

The sunny days are come, my love,
The swallow skims the lake,
As o'er its glassy bosom clear
The insect cloudlets shake.
The heart of nature throbs with joy
At love and beauty's sway;
The meanest creeping thing of earth
Shares in her ecstasy.

Then come wi' me my bonny Bell,
And rove Gleniffer o'er,
And ye shall lend a brighter tint
To sunshine and to flower;
And ye shall tell the heart ye 've won
A blessing or a wae--
Awake a summer in my breast,
Or bid hope's flowers decay.

For spring may spread her mantle green,
O'er mountain, dell, and lea,
And summer burst in every hue
Wi' smiles and melody,
To me the sun were beamless, love,
And scentless ilka flower,
Gin ye were no this heart's bright sun,
Its music and its bower.

OH, MY LOVE WAS FAIR.

Oh, my love was fair as the siller clud
That sleeps in the smile o' dawn;
An' her een were bricht as the crystal bells
That spangle the blossom'd lawn:
An' warm as the sun was her kind, kind heart,
That glow'd 'neath a faemy sea;
But I fear'd, by the tones o' her sweet, sweet voice,
That my love was nae for me.

Oh, my love was gay as the summer time,
When the earth is bricht an' gled,
An' fresh as the spring when the young buds blaw,
In their sparkling pearl-draps cled:
An' her hair was like chains o' the sunset sheen
That hangs 'tween the lift an' sea;
But I fear'd, by the licht that halo'd her face,
That my love was nae for me.

Oh, my love was sweet as the violet flower
That waves by the moss-grown stane,
An' her lips were rich as the rowans red
That hang in forest lane;
An' her broo was a dreamy hill o' licht,
That struck ane dumb to see;
But I fear'd, by signs that canna be named,
That my love was nae for me.

Oh, my love was mild as the autumn gale
That fans the temples o' toil,
An' the sweets o' a thousand summers cam'
On her breath an' sunny smile:
An' spotless she gaed on the tainted earth,
O' a mortal blemish free,
While my heart forgot, in its feast o' joy,
That my love was nae for me.

Oh, my love was leal, an' my cup o' bliss
Was reaming to the brim,
When, ae gloaming chill, to her sacred bower
Cam' a grisly carl fu' grim,
Wha dash'd the cup frae my raptured lips
Wi' a wild, unearthly glee;
Sae the ghaistly thought was then confirm'd,
That my love was nae for me.

Oh, my love was young, an' the grim auld carl
Held her fast in his cauld embrace,
An' suck'd the red frae her hiney'd mou',
An' the blush frae her peachy face:
He stifled the sound o' her charm'd throat,
An' quench'd the fires o' her e'e;
But fairer she blooms in her heavenly bower,
For my love was nae for me.

Sae I tyned my love an' I tyned my heart,
An' I tyned baith wealth an' fame;
Syne I turn'd a sad, weary minstrel wicht,
Wi' the cauld warld for my hame.
Yet my minstrelsy 's but a lanely lay,
My wealth my aumous fee;
Oh, wad that I were wi' the grim auld carl,
For this warld is nae for me.

ANDREW JAMES SYMINGTON.

The author of "Harebell Chimes," a volume of interesting verses, Andrew James Symington, was born at Paisley, on the 27th of July 1825. His father was a scion of the noble house of Douglas, and his mother claimed descent from the old Highland family of Macalister. On the completion of his education at the grammar school, the subject of this sketch entered the warehouse of his father, who carried on business as a muslin manufacturer. By the death of his father in 1841, he succeeded, along with an elder brother, to the full management of the concern. In 1848 the establishment was removed from Paisley to Glasgow, where it continues to be prosperously carried on.

Eminently devoted to literary and artistic studies, Mr Symington has cultivated the personal intercourse of artists and men of letters. He has contributed to some of the leading periodicals. His volume of "Harebell Chimes," published in 1849, contains poetry of a high order; it was especially commended by the late Samuel Rogers, with whom the author had the privilege of corresponding. In 1855, a small volume entitled "Genivieve, and other Poems," was printed by Mr Symington for circulation among his friends.

DAY DREAM.

Close by the marge of Leman's lake,
Upon a thymy plot,
In blissful rev'rie, half awake,
Earth's follies all forgot,
I conjured up a faery isle
Where sorrow enter'd not,
Withouten shade of sin or guile--
A lovely Eden spot.

With trellis'd vines, in cool arcade,
And leaves of tender green,
All trembling in the light and shade,
As sunbeams glanced between:
The mossy turf, bespangled gay
With fragrant flowery sheen--
Bell, primrose, pink, and showers of May--
The fairest ever seen.

Near where a crystal river ran
Into the rich, warm light,
A domèd palace fair began
To rise in marble white.
'Twas fill'd, as if by amulet,
With mirrors dazzling bright--
With antique vase and statuette,
A palace of delight.

And "Mignon" in a snow-white dress,
With circlet on her hair,
Appear'd in all her loveliness,
Like angel standing there.
She struck the cithern in her hand,
And sang with 'witching air
Her own sweet song, "Know'st thou the land?"
To music wild and rare.

It died away--the palace changed,
Dream-like, into a bower!
Around, the soft-eyed dun-deer ranged,
Secure from hunter's power.
Wild thyme and eye-bright tinged the ground,
With daisy, starry flower,
While crimson flower-bells cluster'd round
The rose-twined faery bower.

Therein "Undine," lovely sprite!
Sat gazing on sunrise,
And sang of "morning, clear and bright"--
The tears came in her eyes:
She look'd upon the lovely isle,
And now up to the skies,
Then in a silv'ry misty veil
She vanish'd from mine eyes.

A music, as of forest trees
Bent 'neath the storm-blast's sway,
Rose swelling--dying in the breeze,
A strange, wild lullaby.
The islet with its flowery turf
Then waxèd dim and gray;
I look'd--no islet gemm'd the surf--
The dream had fled away.

FAIR AS A STAR OF LIGHT.

Fair as a star of light,
Like diamond gleaming bright,
Through darkness of the night,
Is my love to me.
As bell of lily white,
In streamlet mirror'd bright,
All quiv'ring with delight,
Is my love to me--
My love to me.

A flowing magic thrill
Which floodeth heart and will
With gushes musical,
Is my love to me.
Bright as the trancèd dream,
Which flitteth in a gleam,
Before morn's golden beam,
Is my love to me--
My love to me.

Like living crystal well,
In cool and shady dell,
Unto the parch'd gazelle,
Is my love to me.
And dearer than things fair,
However rich and rare,
In earth, or sea, or air,
Is my love to me--
My love to me.

NATURE MUSICAL.

There is music in the storm, love,
When the tempest rages high;
It whispers in the summer breeze
A soft, sweet lullaby.
There is music in the night,
When the joyous nightingale,
Clear warbling, filleth with his song
The hillside and the vale.
Then sing, sing, sing,
For music breathes in everything.

There is music by the shore, love,
When foaming billows dash;
It echoes in the thunder peal,
When vivid lightnings flash.
There is music by the shore,
In the stilly noon of night,
When the murmurs of the ocean fade
In the clear moonlight.

There is music in the soul, love,
When it hears the gushing swell,
Which, like a dream intensely soft,
Peals from the lily-bell.
There is music--music deep
In the soul that looks on high,
When myriad sparkling stars sing out
Their pure sphere harmony.

There is music in the glance, love,
Which speaketh from the heart,
Of a sympathy in souls
That never more would part.
There is music in the note
Of the cooing turtle-dove;
There is music in the voice
Of dear ones whom we love.

There is music everywhere, love,
To the pure of spirit given;
And sweetest music heard on earth
But whispers that of heaven.
Oh, all is music there--
'Tis the language of the sky--
Sweet hallelujahs there resound
Eternal harmony.
Then sing, sing, sing,
For music breathes in everything.

ISABELLA CRAIG.

Isabella Craig is a native of Edinburgh, where she has continued to reside. Her educational advantages were limited. To the columns of the _Scotsman_ newspaper she has for several years contributed verses. In 1856 she published a collection of her poetical compositions, in a duodecimo volume, with the title, "Poems by Isa." She contributes to the periodicals.

OUR HELEN.

Is our Helen very fair?
If you only knew her
You would doubt it not, howe'er
Stranger eyes may view her.
We who see her day by day
Through our household moving,
Whether she be fair or nay
Cannot see for loving.

O'er our gentle Helen's face
No rich hues are bright'ning,
And no smiles of feignèd grace
From her lips are light'ning;
She hath quiet, smiling eyes,
Fair hair simply braided,
All as mild as evening skies
Ere sunlight hath faded.

Our kind, thoughtful Helen loves
Our approving praises,
But her eye that never roves
Shrinks from other gazes.
She, so late within her home
But a child caressing,
Now a woman hath become,
Ministering, blessing.

All her duty, all her bliss,
In her home she findeth,
Nor too narrow deemeth this--
Lowly things she mindeth;
Yet when deeper cares distress,
She is our adviser;
Reason's rules she needeth less,
For her heart is wiser.

For the sorrows of the poor
Her kind spirit bleedeth,
And, because so good and pure,
For the erring pleadeth.
Is our Helen very fair?
If you only knew her
You would doubt it not, howe'er
Stranger eyes may view her.

GOING OUT AND COMING IN.

In that home was joy and sorrow
Where an infant first drew breath,
While an aged sire was drawing
Near unto the gate of death.
His feeble pulse was failing,
And his eye was growing dim;
He was standing on the threshold
When they brought the babe to him.

While to murmur forth a blessing
On the little one he tried,
In his trembling arms he raised it,
Press'd it to his lips and died.
An awful darkness resteth
On the path they both begin,
Who thus met upon the threshold,
Going out and coming in.

Going out unto the triumph,
Coming in unto the fight--
Coming in unto the darkness,
Going out unto the light;
Although the shadow deepen'd
In the moment of eclipse,
When he pass'd through the dread portal
With the blessing on his lips.

And to him who bravely conquers,
As he conquer'd in the strife,
Life is but the way of dying--
Death is but the gate of life;
Yet awful darkness resteth
On the path we all begin,
Where we meet upon the threshold,
Going out and coming in.

MY MARY AN' ME.

We were baith neebor bairns, thegither we play'd,
We loved our first love, an' our hearts never stray'd;
When I got my young lassie her first vow to gie,
We promised to wait for each ither a wee.

My mother was widow'd when we should hae wed,
An' the nicht when we stood roun' my father's death-bed,
He charged me a husband and father to be,
While my young orphan sisters clung weepin' to me.

I kent nae, my Mary, what high heart was thine,
Nor how brightly thy love in a dark hour wad shine,
Till in doubt and in sorrow, ye whisper'd to me,
"Win the blessing o' Heaven for thy Mary and thee."

An' years hae flown by deeply laden wi' care,
But Mary has help'd me their burden to bear,
She gave me my shield in misfortune and wrong,
'Twas she that aye bade me be steadfast and strong.

Her meek an' quiet spirit is aye smooth as now,
Her saft shinin' hair meekly shades her white brow,
A few silver threads 'mang its dark faulds I see,
They tell me how lang she has waited on me.

Her cheek has grown paler, for she too maun toil,
Her sma' hands are thinner, less mirthfu' her smile;
She aft speaks o' heaven, and if she should dee,
She tells me that there she 'll be waitin' on me.

A SONG OF SUMMER.

I will sing a song of summer,
Of bright summer as it dwells,
Amid leaves and flowers and sunshine,
In lone haunts and grassy dells.
Lo! the hill encircled valley
Is like an emerald cup,
To its inmost depths all glowing,
With sunlight brimming up.
Here I 'd dream away the day time,
And let happy thoughts have birth,
And forget there 's aught but glory,
Aught but beauty on the earth.

Not a speck of cloud is floating
In the deep blue overhead,
'Neath the trees the daisied verdure
Like a broider'd couch is spread.
The rustling leaves are dancing
With the light wind's music stirr'd,
And in gushes through the stillness
Comes the song of woodland bird.
Here I 'd dream away the day-time,
And let gentlest thoughts have birth,
And forget there 's aught but gladness,
Aught but peace upon the earth.

ROBERT DUTHIE.

The writer of some spirited lyrics, Robert Duthie was born in Stonehaven on the 2d of February 1826. Having obtained an ordinary elementary education, he was apprenticed, in his fourteenth year, to his father, who followed the baking business. He afterwards taught a private school in his native town; but, on the death of his father, in 1848, he resumed his original profession, with the view of supporting his mother and the younger members of the family. Devoting his leisure hours to literature and poetry, he is a frequent contributor to the provincial journals; and some of his lyrical productions promise to secure him a more extended reputation.

SONG OF THE OLD ROVER.

I 'm afloat, I 'm afloat on the wild sea waves,
And the tempest around me is swelling;
The winds have come forth from their ice-ribb'd caves,
And the waves from their rocky dwelling;
But my trim-built bark
O'er the waters dark
Bounds lightly along,
And the mermaid lists to my echoing song.
Hurrah! hurrah! how I love to lave
In the briny spray of the wild sea wave!

I 'm afloat, I 'm afloat on the foaming deep,
And the storm-bird above me is screaming;
While forth from the cloud where the thunders sleep
The lightning is fearfully gleaming;
But onward I dash,
For the fitful flash
Illumes me along,
And the thunders chorus my echoing song.
Hurrah! hurrah! how I love to brave
The dangers that frown on the wild sea wave!

I 'm afloat, I 'm afloat where my well-served shot
Lays the war-dogs bleeding around me;
But ne'er do I yield on the tentless field
Till the wreath of the victor hath crown'd me;
Then I, a true child
Of the ocean wild,
With a tuneful tongue
Bear away with my prize and my conquering song.
Hurrah! hurrah! shot and storm, let them rave--
I 'm at home, dashing on through the wild sea wave!

I 'm afloat, I 'm afloat on my ocean home--
The home of the hurrying billow;
But the time is at hand when no longer I 'll roam,
But in peace lay me down on its pillow:
The petrel will scream
My requiem hymn,
And the thunders prolong
The deep-chorus'd note of my last echo'd song,
As I sink to repose in my rock-bound grave
That is down in the depths of the wild sea wave.

BOATMAN'S SONG.

Hurrah! hurrah! for the boundless sea,
The home of the rover, the bold and free;
Land hath its charms, but those be mine,
To row my boat through the sparkling brine--
To lave in the pearls that kiss the prow
Of the bounding thing as we onward go--
To nerve the arm and bend the oar,
Bearing away from the vacant shore.
Pull away, pull away o'er the glassy sea--
'Tis the tempest's path, and the path for me;
Land hath its charms, but no charms like thine:
Hurrah! let us dash through the sparkling brine.

Gloomily creeping the mists appear
In denser shade on the mountains drear;
And the twilight steals o'er the stilly deep,
By the zephyrs hush'd to its evening sleep;
Nor a ripple uprears a whiten'd crest,
To wrinkle the blue of its placid breast;
But all is still, save the lisping waves
Washing the shells in the distant caves.
Pull away, pull away o'er the sleeping sea--
'Tis the tempest's path, and the path for me--
'Tis the home of my heart where I 'd ever rove!
Hurrah! hurrah! for the home I love.

Oh, I love the sound of the tempest's roar,
And I love the splash of the bending oar,
Playing amid the phosphoric fire,
Seen as the eddying sparks retire.
'Tis a fairy home, and I love to roam
Through its sleeping calm or its lashing foam.
The land hath its charms, but the sea hath more;
Then away let us row from the vacant shore.
Pull away, pull away o'er the mighty sea--
'Tis the tempest's path, and the path for me;
'Tis the home of the rover, the bold and free:
Hurrah! hurrah! for the boundless sea.

LISETTE.

When we meet again, Lisette,
Let the sun be sunk to rest
Beneath the glowing wavelets
Of the widely spreading west;
Let half the world be hush'd
In the drowsiness of sleep,
And howlets scream the music
Of the revels that they keep.

Let the gentle lady-moon,
With her coldly drooping beams,
Be dancing in the ripple
Of the ever-laughing streams,
Where the little elves disport
In the stilly noon of night,
And lave their limbs of ether
In the mellow flood of light.

When we meet again, Lisette,
Let it be in yonder pile,
Beneath the massy fretting
Of its darkly-shaded aisle,
Where, through the crumbling arches
The quaint old carvings loom,
And saint and seraph keep their watch
O'er many an ancient tomb.

ALEXANDER STEPHEN WILSON.

Alexander Stephen Wilson was born on the 4th April 1826, in the parish of Rayne, Aberdeenshire. His father, who rented a farm, having been killed by a fall from his horse, the subject of this sketch was brought up from infancy under the care of his maternal grandfather. In his boyhood he attended school during winter, and in summer was employed as a cow-herd. At the age of fifteen he was apprenticed to a land-surveyor, with whom he served five years. With a native turn for versifying, he early invoked the muse, and contributed poetry to the public journals. At the close of his apprenticeship, he established a debating club among the young men in the district of Rayne, and subsequently adventured on the publication of a monthly periodical. The latter, entitled _The Rural Echo_, was almost wholly occupied with the ingenious projector's own compositions, both in prose and poetry, and commanded a wide circulation. Devoted to metaphysical inquiries, Mr Wilson has latterly turned his attention to that department of study. He has likewise been ardent in the pursuit of physical science. An ingenious treatise from his pen on the nature of light, published in 1855, attracted no inconsiderable notice, and is strongly indicative of original power. He has latterly resided in Perth, holding the appointment of assistant civil engineer.

THINGS MUST MEND.

The gloom of dark despondency
At times will cloud the breast;
Hope's eagle eye may shaded be,
'Mid fortune's fears oppress'd;
But while we nurse an honest aim
We shall not break nor bend,
For when things are at the worst
They must mend.

The gentle heart by hardship crush'd
Will sing amid its tears,
And though its voice awhile be hush'd,
'Tis tuned for coming years;
A light from out the future shines
With hope's tear-drops to blend,
And when things are at the worst
They must mend.

Amid life's danger and despair
Still let our deeds be true,
For nought but what is right and fair
Can heal our hopeless view.
The beautiful will soothe us, like
The sunshine of a friend,
And when things are at the worst
They must mend.

Oh, never leave life's morning dream,
'Tis whisper'd down from heaven,
But trace its maze, though sorrow seem
The sole reward that 's given;
The joy is there, or not on earth,
Which with our souls may blend,
And when things are at the worst
They must mend.

THE WEE BLINK THAT SHINES IN A TEAR.

Life's pleasure seems sadness and care,
When dark is the bosom that feels,
Yet mingled wi' shades o' despair
Is the ray which our sorrow reveals;
Though darkly at times flows the stream,
It rows till its waters are clear--
And Hope shields a bud in our life's darkest dream
Like the wee blink that shines in a tear.

Afar in the wilderness blooms
The flower that spreads beauty around,
And Nature smiles sweet on our tombs
And softens with balm every wound.
Oh, call not our life sad nor vain,
Wi' its joys that can ever endear,
There 's a sweet ray of pleasure star deep in each pain,
Like the wee blink that shines in a tear.

Sweet smiles the last hope in our woe
And fair is the lone desert isle;
Young Flora peeps gay from the snow;
And dearest in grief is a smile;
The dew-drop is bright with a star;
Age glows when young memories appear;
But a symbol to hope that is sweeter by far
Is the wee blink that shines in a tear.

FLOWERS OF MY OWN LOVED CLIME.

Ye have cross'd o'er the wave from the glades where I roved,
When my wild heart was careless and free,
But now far away from the zephyrs ye loved,
Ye are bloomless and wither'd like me.
Yet sweet is the perfume that 's breathed from your leaves,
Like songs of the dear olden time;
Ye come with the memory that glads while it grieves,
Sweet flowers of my own loved clime!

Oh, strange are the dreams ye awake in my breast
Of the home and the friends that were mine,
In the days when I feel that my bosom was blest,
Nor deem'd it should ever repine.
I gaze on your leaves where loved eyes have been,
And the spell brings the dear olden time
When I roved where ye bloom'd in yon valley so green,
Sweet flowers of my own loved clime!

Deep down in my heart, where the world cannot see,
I treasure a life all my own,
And that land, sweet flowers, shall ope for thee,
For like thine half its beauty hath flown.
I 'll live o'er the raptures of young years again,
And snatch back the dear olden time,
When I gaze on your blossoms, in pleasure or pain,
Sweet flowers of my own loved clime!

JAMES MACFARLAN.

A poet of singular merit, under circumstances in the highest degree unfavourable to intellectual culture, James Macfarlan was born in Glasgow on the 9th April 1832. His father, who follows the occupation of a pedlar, caused him to become, from an early age, the companion of his wanderings. A few months' attendance at educational seminaries in Glasgow and Greenock constituted his entire scholastic education; but an intense ardour in the pursuit of letters supplied the lack of a more methodical training. At the age of twenty-two, he produced a volume of poems which attracted much attention, and called forth the warmest encomiums from the press. This was followed by two smaller publications of verses, with the titles, "City Songs, and other Poetical Pieces," and "The Lyrics of Life." A little poetical _brochure_, entitled, "The Wanderer of the West," is his latest production.

Macfarlan was for some time in the employment of the directors of the Glasgow Athenæum. Latterly, he has held a situation in connexion with the _Bulletin_, a daily journal published in Glasgow.

ISABELLE.

Oh, beautiful and bright thou art!
Oh, beautiful and bright!
Thy voice is music of the heart--
Thy looks are rarest light!
What time the silver dawn of dreams
Lights up the dark of sleep,
As yon pale moon lights up the heaven
With beauty clear and deep,
I see thee in the ebbing stars,
I hear quaint voices swell,
And dim and phantom winds that come
And whisper, Isabelle.

Oh, beautiful and bright thou art!
Oh, beautiful and bright!
Thy beauty hangeth o'er my heart,
Like rich star-crowded night.
As moonbeams silver on the wave
Of some night-sadden'd river,
So on my lonesome life thy love
Would lie in light for ever.
Yet wander on--oh, wander on,
Cold river, to the sea,
And, weary life, _thy_ ocean gain--
Undream'd eternity.

In vain the cruel curse of earth
Hath torn our lives apart;
The man-made barriers of gold
Weigh down the humble heart.
Oh, hadst thou been a village maid--
A simple wayside flower--
With nought to boast, save honest worth,
And beauty all thy dower!
Such might have been--such _should_ have been,
But other lot befell;
I am the lowly son of toil,
And thou proud Isabelle.

It ever seems to me that love
Should level all degrees;
Pure honour, and a stainless heart
Are Nature's heraldries.
No scutcheon needs a noble soul
(Alas! how thinks the age?);
He is not poor who freedom hath
For his broad heritage.
Then welcome sternest teacher, Toil;
Vain dreams of youth, farewell;
The future hath its duty's prize--
The past, its Isabelle.

HOUSEHOLD GODS.

Built on Time's uneven sand,
Hope's fair fabric soon is shatter'd;
Bowers adorn'd by Fancy's hand
Torn in wandering leaves are scatter'd.
Perish'd, perish'd, lost and perish'd,
Old affections fondly cherish'd.

All our blossoms wither soon,
While we dream the flower will strengthen,
And across life's summer noon
Death's dark shadow seems to lengthen.
In that mighty shadow perish'd
All we liv'd for, all we cherish'd.

Dear ones loved are lost in night;
O'er the world we wander lonely,
And the heart of all youth's light
Holds one fading sunbeam only.
Old affections vainly cherish'd,
All except the memory perish'd.

POOR COMPANIONS.

Look up, old friend! why hang thy head?
The world is all before us.
Earth's wealth of flowers is at our feet,
Heaven's wealth of worlds is o'er us.
Spring leans to us across the sea
With affluent caressing,
And autumn yet shall crown our toil
With many a fruitful blessing.
Then why should we despair in spring,
Who braved out wintry weather?
Let monarchs rule, but we shall sing
And journey on together.

You mourn that we are born so poor--
I would not change our treasure
For all the thorn-concealing flowers
That strew the path of pleasure.
God only searches for the soul,
Nor heeds the outward building;
Believe me, friend, a noble heart
Requires no aid of gilding.
Then never let us pine in spring,
We 've braved out wintry weather,
We yet may touch a sweeter string
When toiling on together.

What though our blood be tinged with mud,
My lord's is simply purer;
'Twill scarce flow sixty years, nor make
His seat in heaven surer.
But should the noble deign to speak,
We 'll hail him as a brother,
And trace respective pedigrees
To Eve, our common mother.
Then why should we despair in spring,
Who braved out wintry weather?
Let monarchs rule, while we shall sing,
And journey on together.

WILLIAM B. C. RIDDELL.

A youth of remarkable promise, William Brown Clark Riddell, was the youngest son of Mr Henry Scott Riddell.[12] He was born at Flexhouse, near Hawick, Roxburghshire, on the 16th December 1835. In his seventh year he was admitted a pupil in John Watson's Institution, Edinburgh, where he remained till 1850, when, procuring a bursary from the governors of Heriot's Hospital, he entered the University of Edinburgh. During three sessions he prosecuted his studies with extraordinary ardour and success. On the commencement of a fourth session he was seized with an illness which completely prostrated his physical, and occasionally enfeebled his mental, energies. After a period of suffering, patiently borne, he died in his father's cottage, Teviothead, on the 20th July 1856, in his twenty-first year.

Of an intellect singularly precocious, William Riddell, so early as the age of seven, composed in correct and interesting prose, and produced in his eighth year some vigorous poetry. With a highly retentive memory he retained the results of an extended course of reading, begun almost in childhood. Conversant with general history, he was familiar with the various systems of philosophy. To an accurate knowledge of the Latin and Greek classics, he added a correct acquaintance with many of the modern languages. He found consolation on his deathbed, by perusing the Scriptures in the original tongues. He died in fervent hope, and with Christian resignation.

FOOTNOTES:

[12] See "Minstrel," vol. iv. p. 1.

LAMENT OF WALLACE.[13]

No more by thy margin, dark Carron,
Shall Wallace in solitude, wander,
When tranquil the moon shines afar on
Thy heart-stirring wildness and grandeur.
For lost are to me
Thy beauties for ever,
Since fallen in thee
Lie the faithful and free,
To waken, ah, never!

And I, thus defeated, must suffer
My country's reproach; yet, forsaken,
A home to me nature may offer
Among her green forests of braken.
But home who can find
For heart-rending sorrow?
The wound who can bind
When thus pierced is the mind
By fate's ruthless arrow?

'Tis death that alone ever frees us
Of woes too profound to be spoken,
And nought but the grave ever eases
The pangs of a heart that is broken.
Then, oh! that my blood
In Carron's dark water
Had mix'd with the flood
Of the warriors' shed
'Mid torrents of slaughter.

For woe to the day when desponding
I read in thine aspect the story
Of those that were slain when defending
Their homes and their mountains of glory.
And curst be the guile
Of treacherous knavery
That throws o'er our isle
In its tyranny vile
The mantle of slavery.

FOOTNOTES:

[13] Composed in the author's fourteenth year.

OH! WHAT IS IN THIS FLAUNTING TOWN?[14]

Oh! what is in this flaunting town
That pleasure can impart,
When native hills and native glens
Are imaged on the heart,
And fancy hears the ceaseless roar
Of cataracts sublime,
Where I have paused and ponder'd o'er
The awful works of time?

What, what is all the city din?
What all the bustling crowd
That throngs these ways from morn to night
Array'd in trappings proud?
While fancy's eye still sees the scenes
Around my mountain home,
Oh! what 's to me yon turret high.
And what yon splendid dome?

Ah! what except a mockery vain
Of nature free as fair,
That dazzles rather than delights
The eye that meets its glare?
Then bear me to the heathy hills
Where I so loved to stray,
There let me rove with footsteps free
And sing the rural lay.

FOOTNOTES:

[14] Composed at the age of fifteen.

MARGARET CRAWFORD.

The author of "Rustic Lays," an interesting volume of lyric poetry, Margaret Crawford was born on the 4th February 1833, at Gilmerton, in the parish of Liberton, Mid-Lothian. With limited opportunities of attending school, she was chiefly indebted for her elementary training to occasional instructions communicated by her mother. Her father, an operative gardener, removed in 1842 to Torwoodlee, Roxburghshire. It was while living there, under her parents' roof, that, so early as her thirteenth year, she first essayed to write verses. Through the beneficence of Mrs Meiklam of Torwoodlee, whose husband her father served, she was taught dress-making. She subsequently accepted the situation of nurse-maid at Craignish Castle, Argyllshire. In 1852, her parents removed to the village of Stow, in the upper district of Mid-Lothian. An inmate of their humble cottage, she has for some years been employed as a dress-maker. Her "Rustic Lays" appeared in 1855, in an elegant little volume. Of its contents she thus remarks in the preface: "Many of these pieces were composed by the authoress on the banks of the Gala, whose sweet, soft music, mingling with the melodies of the woodland, has often charmed her into forgetfulness of the rough realities of life. Others were composed at the fireside, in her father's cottage, at the hours of the _gloamin'_, when, after the bustle of the day had ceased, the clouds and cares of the present were chased away by the bright dreams of the past, and the happy hopes of the future, till she found that her musings had twined themselves into numbers, and assumed the form in which they now appear."

MY NATIVE LAND.

My native land! my native land!
Where liberty shall firmly stand,
Where men are brave in heart and hand,
In ancient Caledonia!
How dear to me those gurgling rills
That wander free amang the hills!
How sweet to me the sang that fills
The groves o' Caledonia!

They tell me o' a distant isle
Where summer suns for ever smile;
But frae my heart they 'll never wile
My love for Caledonia!
And what are a' their flowery plains,
If fill'd with weeping slav'ry's chains?
Nae foot o' slavery ever stains
My native Caledonia!

Though cauld 's the sun that shed's his rays
O'er Scotland's bonnie woods and braes,
Oh, let me spend my latest days
In ancient Caledonia!
My native land! my native land!
Where liberty shall firmly stand,
Where men are brave in heart and hand--
True sons of Caledonia!

THE EMIGRANT'S FAREWELL.

Land of my fathers, I leave thee in sadness--
Far from my dear native country I roam;
Fondly I cling to the bright scenes of gladness
That shone o'er my heart in my dear happy home.

Far from the home of my childhood I wander,
Far from the friends I may never meet more;
Oft on those visions of bliss I shall ponder--
Visions that memory alone can restore.

Friends of my youth I shall love you for ever--
Closer and firmer ye twine round my heart;
Though now the wide sea our lot may dissever,
Affection and friendship can never depart.

Land of my fathers, I leave thee in sadness--
Dear to my heart thou shalt ever remain!
Oh, when shall I gaze on those bright scenes of gladness?
When shall I visit my country again?

THE STREAM OF LIFE.

Down by a crystal stream
Musing I stray'd,
As 'neath the summer beam
Lightly it play'd,
Winding by field and fen,
Mountain and meadow, then
Stealing through wood and glen,
Soft'ning the shade.

Thus, then, methought, is life;
Onward it flows--
Now mingling peace with strife,
Toil with repose--
Now sparkling joyously
Under the glare of day,
Drinking each sunny ray,
Purely it flows.

Now gliding peacefully,
Calm and serene,
Smoothly it takes its way,
Softly I ween
Murmur its waters past--
Oh, will that stillness last?
See, rocks are nearing fast,
Changing the scene.

Wildly it dashes now,
Loudly it roars,
Over the craggy brow
Fiercely it pours.
All in commotion lost,
Wave over wave is toss'd;
Spray, white as winter's frost,
Up from it soars.

Yet where the conflict 's worst
Brightest it gleams;
Rays long in silence nursed
Shoot forth in streams:
Beauties before unknown
Out from its breast are thrown;
Light, like a golden zone,
Brilliantly beams.

Thus in the Christian's breast
Pure faith may lie,
Hid in the day of rest
Deep from the eye;
But when life's shadows lower
Faith lights the darkest hour,
Driving, by heavenly power,
Gloom from the sky.

DAY-DREAMS OF OTHER YEARS.

There are moments when my spirit wanders back to other years,
And time long, long departed, like the present still appears;
And I revel in the sunshine of those happy, happy hours,
When the sky of youth was cloudless, and its path was strewn with flowers.

O those days of dreamy sweetness! O those visions of delight!
Weaving garlands for the future, making all of earth too bright;
They come creeping through my memory like messengers of peace,
Telling tales of bygone blessings, bidding present sorrows cease.

Long-lost friends are gath'ring round me, smiling faces, gentle forms,
All unconscious of earth's struggles, all unmindful of its storms--
Beaming radiantly and beautiful, as in the days of youth,
When friendship was no mockery, when every thought was truth.

Joy, illuming every bosom, made fair nature fairer still--
Mirth sported on each summer breeze, and sung in every rill;
Beauty gleaming all around us, bright as dreams of fairy land--
Oh, faded now that lustre, scatter'd far that happy band!

Now deeply traced with sorrow is the once unclouded brow,
And eyes that sparkled joyously are dim with weeping now;
We are tasting life in earnest--all its vain illusions gone--
And the stars that glisten'd o'er our path are falling one by one.

Some are sleeping with their kindred--summer blossoms o'er them wave;
Some, lonely and unfriended, with the stranger found a grave;
While others now are wand'ring on a far and foreign shore,
And that happy, loving company shall meet--ah! never more.

But afar in mem'ry's garden, like a consecrated spot,
The heart's first hopes are hidden, and can never be forgot;
And the light that cheer'd us onward, in our airy early days--
Oft we linger in the distance to look back upon its rays.

Old Time, with hand relentless, may shed ruins o'er the earth,
May strew our path with sorrow, make a desert of our hearth--
Change may blight our fairest blossoms, shroud our clearest light in gloom;
But the flow'ry fields of early years shall never lose their bloom.

AFFECTION'S FAITH.

Away on the breast of the ocean,
Far away o'er the billowy brine,
'Mid the strife of the boiling commotion,
Where the storm and the tempest combine,
Roams my heart, of its wand'ring ne'er weary;
While Hope, with her heavenly smile,
Cheers the bosom that else would be dreary,
And points me to blessings the while.

Of the far-hidden future still dreaming,
On the wild wings of fancy I fly,
And the star of affection, bright beaming,
Is piercing the gloom of our sky;
And my home is away o'er the ocean,
Afar o'er the wide swelling sea,
Where a heart, in its purest devotion,
Is breathing fond blessings on me.

GEORGE DONALD, JUN.

George Donald the younger was born on the 1st of March 1826, at Thornliebank, near Glasgow. His father, George Donald the elder, is noticed in an earlier part of the present volume. Sent to labour in a calico print-work in his tenth year, his education was chiefly obtained at evening schools, and afterwards by self-application during the intervals of toil. In his seventeenth year he became apprenticed to a pattern-designer, and having fulfilled his indenture, he has since prosecuted this occupation. From his youth a writer of verses, he has contributed poetical compositions to the Glasgow _Examiner_ and _Citizen_ newspapers.

OUR AIN GREEN SHAW.

They tell me o' a land whar the sky is ever clear,
Whar rivers row ower gowden sands, and flower unfading blaw,
But, oh! nae joys o' nature to me are half sae dear
As the flow'rets springing wild in our ain green shaw.

They speak o' gilded palaces, o' lords and leddies fair,
And scenes that charm the weary heart in cities far awa';
But nane o' a' their gaudy shows and pleasures can compare
Wi' the happiness that dwells in our ain green shaw.

Oh weel I lo'e when summer comes wi' sunny days an' glee,
And brings to gladden ilka heart her rural pleasures a',
When on the thorn the mavis sings and gowans deck the lea,--
Oh, then nae spot 's sae bonnie as our ain green shaw.

While Heaven supplies each simple want and leaves me still my cot,
I'll bear through life a cheerfu' heart whatever may befa',
Nor envy ither's joys, but aye be happy wi' my lot
When wand'ring in the e'enin' through our ain green shaw.

ELIZA.

In her chamber, vigil keeping,
Fair Eliza sitteth weeping,
Weeping for her lover slain:
Fair Eliza, sorrow-laden,
Once a joyous-hearted maiden
Till her William cross'd the main.

Fatal day that saw them parted!
For it left her lonely-hearted--
Her so full of joy before--
Brought to her the thought of sadness,
Clouding her young spirit's gladness,
That she ne'er might see him more!

Sad Eliza, no blest morrow
Will dispel thy secret sorrow,
Bring thine own true love again.
Mournful is thy William's story:
On the field of martial glory,
Fighting bravely, he was slain!

Now the silent stars above her
Seem to tell her of her lover,
For each night, with pensive gaze
On the blue vault shining o'er her,
Sits Eliza, while before her
Fleet the scenes of other days.

Thus her lonely vigil keeping,
Fair Eliza sitteth weeping,
Weeping for her lover slain:
Fair Eliza, sorrow-laden,
Once a joyous-hearted maiden
Till her William cross'd the main.

JOHN JEFFREY.

The author of "Lays of the Revolutions," John Jeffrey, was born on the 29th March 1822, at the manse of Girthon, in the stewartry of Kirkcudbright. His maternal granduncle was the celebrated Dr Thomas Brown of Edinburgh. From his father, who was parish minister of Girthon, and a man of accomplished learning, he received an education sufficient to qualify him for entering, in 1836, the University of Edinburgh. In 1844 he became a licentiate of the Free Church, and after declining several calls, accepted, in 1846, the charge of the Free Church congregation at Douglas, Lanarkshire. Mr Jeffrey was early devoted to poetical studies. In his eighteenth year he printed, for private circulation, a small volume of poems, entitled "Hymns of a Neophyte." In 1849 appeared his "Lays of the Revolutions," a work which, vindicating in powerful verse the cause of oppressed European nationalities, was received with much favour by the public. To several of the leading periodicals Mr Jeffrey has contributed spirited articles in support of liberal politics. A pamphlet from his pen, on the decay of traditional influence in Parliament, entitled "The Fall of the Great Factions," has obtained considerable circulation. More recently he has devoted himself to the study of the modern languages, and to inquiries in ethnological science.

WAR-CRY OF THE ROMAN INSURRECTIONISTS.

Rise, Romans, rise at last,
Craft's kingdom now is past;
Brook no delay!
Lombard blades long ago,
Swifter than whirlwinds blow,
Swept from Milan the foe:
Why should we stay?

Rise, then, for fatherland;
In rock-like phalanx stand,
Cowards no more.
Rise in colossal might,
Rise till the storm of fight
Wrap us in lurid light
Where cannons roar!

In this great dawn of time,
In this great death of crime,
Quit us like men;
By our deeds, by our words,
By our songs, by our swords--
Use all against the hordes,
Sabre or pen!

More than fame, duty calls,
Trumpet-tongued from the walls
Girding great Rome;
Battle for truth and faith,
Battle lest hostile scathe
Crush us, or fetters swathe
Free hearth and home!

Hark! how God's thunders roll,
Booming from pole to pole
Of the wide world!
"Old lies are crush'd for aye,
Now truths assume their sway,
Bright shines the flag of day
O'er night unfurl'd!"

Tower, then, the barricades!
Flash forth the lightning blades!
Romans, awake!
Storm as the tempests burst,
Down with the brood accursed!
Sparks long in silence nursed
Etna-like break;
And that volcano's thirst
Seas cannot slake!

PATRICK SCOTT.

The author of several meritorious poetical works, Patrick Scott was born at Macao in China, but is eminently of Scottish descent. His father, Helenus Scott, M.D., a cadet of the ducal house of Buccleuch, was a distinguished member of the Medical Board of Bombay, of which he was some time president. Receiving an elementary education at the Charterhouse, London, the subject of this notice entered, in his sixteenth year, the East India College at Haileybury. At the age of eighteen he proceeded to India, to occupy a civil appointment at Bombay. In 1845, after eleven years' service, he returned to Britain in impaired health, and he has since resided chiefly in London.

Mr Scott first appeared as an author in 1851, by the publication of "Lelio, and other Poems," a volume which was received with warm encomiums by the press. In 1853, he published "Love in the Moon: a Poem," which was followed in the same year by "Thomas á Becket, and other Poems." His latest poetical publication appeared in 1854, under the title of "A Poet's Children."

THE EXILE.

With drooping heart he turn'd away
To seek a distant clime,
Where friends were kind, and life was gay,
In early boyhood's time.
And still with years and seas between,
To one fond hope he clung--
To see once more, as he had seen,
The home he loved when young.

His youthful brow was touch'd with thought,
And life had lost its morn,
When glad again the wanderer sought
The soil where he was born.
Alas! that long expected shore
Denied the wonted joy,
And the man felt not, as of yore
Had felt the happier boy.

For formal friends scarce grasp'd his hand--
The friends he knew of old;
What cared he for a sunny land,
If human hearts were cold?
Again he cast his alter'd lot
'Mid alien tribes to roam;
And fail'd to find another spot
So foreign as his home.

His heavy grief no bosom shared,
No eye would weep his fall;
What matter if _his_ life were spared,
Who lived unloved by all!
And when had ceased his earthly toil
Upon that distant shore,
His bones were gather'd to the soil--
His heart had died before.

JOHN BATHURST DICKSON.

An able theologian and accomplished writer of verses, John Bathurst Dickson was born on the 25th December 1823, in the town of Kelso, Roxburghshire. His father was a respectable writer or attorney in that place. Having studied at the University of Edinburgh, and passed through a theological curriculum at the New College of that city, he became, in 1851, a licentiate of the Free Church. In June 1852, he was ordained to the ministerial charge of the Free High Church, Paisley.

During the period of his attendance at college, Mr Dickson was an extensive contributor to _Tait's Magazine_, and different religious periodicals. In 1855, he published "Theodoxia; or, Glory to God an Evidence for the Truth of Christianity;" and in 1857 appeared from his pen "The Temple Lamp," a periodical publication. He has written verses on a variety of topics. His song, "The American Flag," has been widely published in the United States.

THE AMERICAN FLAG.

Float forth, thou flag of the free;
Flash far over land and sea,
Proud ensign of Liberty--
Hail, hail to thee!

The blue of the heavens is thine,
The stars on thy canvas shine;
Thy heraldry tells thee divine--
Hail, hail to thee!

Thy white proclaims thee unstain'd,
Thy crimson thy love unfeign'd
To man, by despots enchain'd--
Hail, hail to thee!

Under thy God-given light
Our fathers went forth to fight
'Gainst sceptred wrong for the right--
Hail, hail to thee!

The Lion of England no more
'Gainst thy proud Eagle shall roar:
Peace strideth from shore to shore--
Hail, hail to thee!

Float forth, thou flag of the free--
Flash far over land and sea,
Till the world shout, Liberty--
Hail, hail to thee!

EVAN M'COLL.

A writer both of English and Gaelic songs, Evan M'Coll was born in 1808, at Kenmore, Lochfineside, Argyllshire. His father, Dugald M'Coll, followed an industrial occupation, but contrived to afford his son a somewhat liberal education. The leisure hours of the youthful poet were ardently devoted to literary culture. In 1837, he became a contributor of Gaelic poetry to a Glasgow periodical, and his compositions began to excite an interest in the Highlands. Two influential Highland gentlemen secured him an appointment in the Customs at Liverpool. He subsequently emigrated to America, and is now resident at Kingston.

Besides many fugitive pieces, Mr M'Coll has published a volume of lyrics, entitled "The Mountain Minstrel," and a volume of Gaelic poetry. A specimen of his Gaelic minstrelsy will be found among the translations at the end of the present volume.

THE HILLS OF THE HEATHER.

Give the swains of Italia
'Mong myrtles to rove,
Give the proud, sullen Spaniard
His bright orange grove;
Give gold-sanded streams
To the sons of Chili,
But, oh! give the hills
Of the heather to me.

The hills where the hunter
Oft soundeth his horn,
Where sweetest the skylark
Awakens the morn;
The gray cliff, the blue lake,
The stream's dashing glee,
Endear the red hills
Of the heather to me.

There Health, rosy virgin,
For ever doth dwell;
There Love fondly whispers
To Beauty his tale;
There Freedom's own darling!
The Gael, lives free,
Then, oh! give the hills
Of the heather to me.

JAMES D. BURNS.

One of the most interesting sacred poets of the present age, James D. Burns, was born at Edinburgh on the 18th February 1823. A pupil of Heriot's Hospital, he became a student in the University of Edinburgh, where he took the degree of Master of Arts, and completed, with marked distinction, a course of theology. Receiving license as a probationer of the Free Church, he was in 1845 ordained to the ministry at Dunblane. Having resigned his charge from bad health in 1848, he proceeded to Madeira, where he undertook the pastoral superintendence of a Presbyterian congregation. He subsequently travelled in Spain and Italy. In 1854 he published "The Vision of Prophecy, and other Poems," a collection of his poetical compositions, of which the greater number are of a scriptural or sacred character. Mr Burns is now minister of a Presbyterian church at Hampstead, Middlesex.

RISE, LITTLE STAR!

Rise, little star!
O'er the dusky hill,--
See the bright course open
Thou hast to fulfil.

Climb, little star!
Higher still and higher.
With a silent swiftness
And a pulse of fire.

Stand, little star!
On the peak of heaven;
But for one brief moment
Is the triumph given.

Sink, little star!
Yet make heaven bright,
Even while thou art sinking,
With thy gentle light.

Set, little star!
Gladly fade and die,
With the blush of morning
Coming up the sky.