Chapter XXIV: Book XVI: The Natural History of the Forest Trees (3)

It is said that the ivy now grows in Asia,[2585] though Theophrastus[2586] has denied that such is the fact, and asserts that it grows nowhere in India, except upon Mount Meros.[2587] He says, too, that Harpalus used every possible exertion to naturalize it in Media, but to no purpose; and that Alexander, in consequence of the rarity of this plant, had himself crowned[2588] with it, after the example of Father Liber, when returning victorious with his army from India: and at the present day even, it is used to decorate the thyrsus of that god, and the casques and bucklers employed by the nations of Thrace in their sacred ceremonials. The ivy is injurious[2589] to all trees and plants, and makes its way through tombs and walls; it forms a haunt much frequented by serpents, for its refreshing coolness; so that it is a matter for astonishment that there should have been such remarkable veneration for this plant.

The two principal kinds in the ivy, as in other plants, are the male tree and the female.[2590] The male is said to have a larger trunk than the female, and a leaf that is harder and more unctuous, with a flower nearly approaching to purple: indeed, the flower of both the male and female tree strongly resembles the wild[2591]-rose, were it not destitute of smell. Each of these kinds of ivy is divided into three other varieties; the white[2592] ivy, the black,[2593] and a third known as the helix.[2594] These varieties are again subdivided into others, as there is one in which the fruit only is white, and another in which it is only the leaf that is so. In those which have a white fruit, the berry in some cases is closely packed and large, the clusters, which are known as “corymbi,” being of a spherical form. So, too, with the selenitium, which has a smaller berry, and fewer clusters; and the same is the case with the black ivy. One kind has a black seed, and another a seed of a saffron[2595] colour—it is this last that poets use for their chaplets,[2596] and the leaves of it are not so black as in the other kinds: by some it is known as the ivy of Nysa, by others as that of Bacchus:[2597] it is the one that among the black varieties has the largest clusters of all. Some of the Greek writers even distinguish in this last kind two varieties, according to the colour of the berries, the erythranum[2598] and the chrysocarpus.[2599]

It is the helix, however, that has the most peculiarities of all, and in the appearance of the leaf more particularly, which is small, angular, and of a more elegant shape, the leaf in all the other kinds being plain and simple. It differs, too, in the distance between the joints, and in being barren more especially, as it never bears fruit. Some authors, however, think that this difference exists solely in respect of age and not of kind, and are of opinion that what is the helix when young, becomes the ordinary ivy when old. This, however, is clearly proved to be an error upon their part, for we find more varieties of the helix than one, and three in particular—that of a grass-green colour, which is the most abundant of all, the kind with a white leaf, and a third, which is parti-coloured, and known as the Thracian helix. In that of a grass-green colour, the leaves are smaller, more closely packed together, and symmetrically arranged; while in the other kinds the features are altogether different. In the parti-coloured kind, also, one variety has a smaller leaf than usual, similarly arranged, and lying closer together, while in the other none of these features are observed. The leaves, too, are either greater or smaller and differ in the disposition of the spots upon them, and in the white helix some of them are whiter than others: the grass-green variety, however, is the one that grows to the greatest height.

The white helix is in the habit of killing trees by depriving them of their juices, and increases to such a degree of density as to be quite a tree itself. Its characteristics are, a very large, broad, leaf, and projecting buds, which in all the other kinds are bent inwards; its clusters, too, stand out erect. Although, too, all the ivies have arms that throw out a root, those of this variety are particularly branchy and strong; next to it in strength, are those of the black ivy.

It is a peculiarity of the white ivy to throw out arms from the middle of the leaves, with which it invariably embraces any object that may be on either side of it; this is the case, too, with walls, even though it should not be able to clasp them. If the trunk is cut across in ever so many places, it will still live and thrive, having as many fresh roots as it has arms, by means of which it ensures safety and impunity, while at the same time it sucks and strangles the trees to which it clings. There are great differences also in the fruit of both the white ivy and the black; for in some of them the berry is so bitter that birds will not touch it. There is an ivy also which grows upright,[2600] and stands without any support; being the only one that does so among all the varieties, it has thence obtained the distinctive name of “cissos.” The chamæcissos,[2601] on the other hand, is never found except creeping upon the ground.

CHAP. 63. (35.)—THE SMILAX.

Very similar to the ivy is a plant which first came from Cilicia, but is now more commonly found in Greece, and known by the name of smilax.[2602] It has numerous thick stalks covered with joints, and thorny branches of a shrub-like form: the leaf resembles that of the ivy, but is not angular, while from the foot-stalk it throws out tendrils; the flower is white, and has the smell of the lily. It bears clusters like those of the wild vine and not the ivy, and of a reddish colour. The larger berries contain three stones, the smaller but one only: these berries are black and hard. This plant is looked upon as ill-omened, and is consequently banished from all sacred rites, and is allowed to form no part of chaplets; having received this mournful character from the maiden Smilax, who upon her love being slighted by the youth Crocus, was transformed into this shrub. The common people, being mostly ignorant of this, not unfrequently take it for ivy, and pollute their festivities with its presence; for who, in fact, is unaware that the ivy is used as a chaplet by poets, as also by Father Liber and Silenus? Tablets are made[2603] of the wood of the smilax, and it is a peculiarity of this wood to give out a slight sound,[2604] if held close to the ear. It is said that ivy is remarkably efficacious for testing wine, and that a vessel made of this wood will let the wine pass through it, while the water will remain behind, if there has been any mixed with it.[2605]

CHAP. 64. (36.)—WATER PLANTS: THE RUSH: TWENTY-EIGHT VARIETIES OF THE REED.

Among those plants which thrive best in cold localities, it will be only proper to mention the aquatic shrubs.[2606] In the first rank, we find the reed, equally indispensable for the emergencies of war and peace, and used among the appliances[2607] of luxury even. The northern nations make use of reeds for roofing their houses, and the stout thatch thus formed will last for centuries even; in other countries, too, they make light vaulted ceilings with them. Reeds are employed, too, for writing upon paper, those of Egypt more particularly, which have a close affinity to the papyrus: the most esteemed, however, are the reeds of Cnidos, and those which grow in Asia, on the margin of the Anaitic Lake[2608] there.

The reed of our country is naturally of a more fungous nature, being formed of a spongy cartilage, which is hollow within, and covered by a thin, dry, woody coat without; it easily breaks into splinters, which are remarkably sharp at the edge. In other respects, it is of a thin, graceful shape, articulated with joints, and tapering gradually towards the top, which ends in a thick, hairy tuft. This tuft is not without its uses, as it is employed for filling the beds used in taverns, in place of feathers; or else, when it has assumed a more ligneous consistency, it is pounded, as we see done among the Belgæ, and inserted between the joints of ships, to close the seams, a thing that it does most effectually, being more tenacious than glue, and adhering more firmly than pitch.

CHAP. 65.—REEDS USED FOR ARROWS, AND FOR THE PURPOSE OF WRITING.

It is by the aid of the reed[2609] that the nations of the East decide their wars; fixing in it a barbed point, they inflict a wound from which the arrow cannot be withdrawn. By the addition of feathers they accelerate the flight of this instrument of death, and the weapon, if it breaks in the wound, furnishes the combatants with a weapon afresh. With these missiles the warriors darken the very rays of the sun.[2610] It is for this reason more particularly that they desire a clear and serene sky, and hold in abhorrence all windy and rainy weather, which has the effect of compelling them, in spite of themselves, to be at peace with one another.

If a person were carefully to enumerate the peoples of Æthiopia, Egypt, Arabia, India, Scythia, Bactria, and Sarmatia, together with all the numerous peoples of the East, and the vast realms of the Parthians, he would find that fully one-half of mankind throughout the whole world live under a dominion imposed by the agency of the arrow. It was their surpassing excellence in this arm that so ennobled the warriors of Crete, though in this respect, as well as in all others, Italy has gained the mastery; there being no reed in existence better adapted for making arrows than that found in the Rhenus, a river of the territory of Bononia: filled with a greater quantity of pith than any of the others, it is light, and easily cleaves the air, while at the same time it has sufficient weight to resist the action of the wind; an advantage that is not possessed in an equal degree by those employed among the Belgæ. These advantages, however, are possessed by the most approved kinds that are found in Crete, although those of India are preferred; in the opinion of some persons, however, these last are of a totally different nature, for by adding a point to them, the natives are able to use them as lances even. Indeed, we find that in India the reed grows to the thickness of a tree, a fact which is proved by the specimens which are everywhere to be seen in our temples. The Indians assure us that in this plant, too, there is the distinction of male and female; the body of the male being more compact, and that of the female of a larger size. In addition to this, if we can credit the fact, a single compartment between the joints is sufficiently large to answer the purposes of a boat.[2611] These reeds are found more particularly on the banks of the river Acesines.

In every variety of the reed a single root gives birth to numerous stems, and if cut down, they will shoot again with increased fecundity. The root, which is naturally tenacious of life, is also jointed as well as the stem. The reeds of India are the only ones in which the leaves are short; but in all the varieties these leaves take their rise at the joints, and surround the stem with a fine tissue about half way upwards to the next joint, and then leave the stem and droop downwards. The reed, as well as the calamus, although rounded, has two sides, which throw out leaves alternately from above the joints, in such a way that when one springs from the right side, the next issues from the joint above it on the left, and so in turns. Branches, too, shoot occasionally from the stem, being themselves reeds of diminutive growth.

CHAP. 66.—FLUTE REEDS: THE REED OF ORCHOMENUS; REEDS USED FOR FOWLING AND FISHING.

The varieties of the reed are numerous. Some are more compact than others, thicker at the joints, and with a shorter interval between them; while others, again, are less compact, with longer intervals between the joints, and not so straight. Another kind of reed is quite hollow; it is known as the “syringia,”[2612] and is particularly useful for making flutes, having neither pith in it nor any fleshy substance. The reed of Orchomenus has a passage in it open from one end to the other, and is known as the auleticon;[2613] this last is best for making pipes,[2614] the former[2615] for the syrinx. There is another reed, the wood of which is thicker, and the passage very contracted, being entirely filled with a spongy kind of pith. One kind, again, is shorter, and another longer, the one thinner, the other more thick. That known as the donax, throws out the most shoots, and grows only in watery localities; indeed, this is a point which constitutes a very considerable difference, those reeds being greatly preferred which grow in a dry soil. The archer’s reed forms a peculiar species, as we have already stated;[2616] but that of Crete[2617] has the longest intervals between the joints, and when subjected to heat is capable of being rendered perfectly pliable[2618] at pleasure. The leaves, too, constitute different varieties, not only by their number, but their colour also. The reed of Laconia is spotted,[2619] and throws out a greater number of shoots at the lower extremities; being very similar in nature, it is thought, to the reeds that we find growing about stagnant waters, and unlike those of the rivers, in being covered with leaves of considerable length; which, climbing upwards, embrace the stem to a considerable distance above the joints. There is also an obliquely-spreading reed, which does not shoot upwards to any height, but spreads out like a shrub, keeping close to the earth; this reed is much sought by animals when young, and is known by some persons as the elegia.[2620] There is in Italy, too, a substance found in the marsh-reeds, called by the name of adarca:[2621] it is only to be found issuing from the outer skin, below the flossy head of the plant, and is particularly beneficial to the teeth, having, in fact, an equal degree of pungency with mustard.

The terms of admiration in which they are spoken of by the ancients compels me to enter into some more minute details relative to the reed-beds of Lake Orchomenus. Characias[2622] was the name given there to a reed of stout and compact quality, while a thinner one was known as the plotias; this last was to be found growing on the floating islands there, while the former grew upon the banks that were covered by the waters of the lake. A third kind again, which had the name of “auleticon,” was the same that is now known as the musical pipe[2623] reed. This reed used to take nine years to grow, as it was for that period that the waters of the lake were continually on the increase; it used to be looked upon as a prodigy of evil omen, if at the end of its rise its waters remained overflowing so long as a couple of years; a thing that was observed at the period of the Athenian disasters at Cheronæa, and on various other occasions. This lake has the name of Lebaida, at the part where the river Cephisus enters it.

When this inundation has lasted so long as a year, the reed is found large enough to be available for the purposes of fowling: at this period it used to be called zeugites.[2624] On the other hand, when the waters subsided at an earlier period, the reeds were known as bombyciæ,[2625] being of a more slender form. In this variety, too, the leaf of the female plant was broader and whiter than that of the others, while that upon which there was little or no down bore the name of the eunuch reed. The stem of this last variety was used for the manufacture of concert[2626] flutes. I must not here pass by in silence the marvellous care which the ancients lavished upon these instruments, a thing which will, in some measure, plead as an apology for the manufacture of them at the present day of silver in preference. The reed used to be cut, as it was then looked upon as being in the best condition, at the rising of Arcturus;[2627] an usage which prevailed down to the time of Antigenides, the musician, and while flute-playing was of a more simple style. Being thus prepared, the reeds became fit for use in the course of a few years. At that period even the reed required considerable seasoning to render it pliable, and to be instructed, as it were, in the proper modulation of its sounds; the mouth-piece and stops[2628] being naturally contracted, and so producing a music better adapted to the theatrical taste of the day. But in later times, when the music became more varied, and luxury began to exercise its influence upon the musical taste, it became the general usage to cut the reeds before the summer solstice, and to make them fit for use at the end of three months; the stops and mouth-piece being found, when the reeds were cut at that period, to be more open and better adapted for the modifications of sound: it is in this state that the reed is used for similar purposes at the present day. In those times it was a very general persuasion also, that every pipe ought to have the tongue of its own mouth-piece cut from the same reed as itself, and that a section from the part nearest the root was best adapted to form the left-handed flute,[2629] and from the part adjoining the top the right-handed one: those reeds, too, were considered immeasurably superior, which had been washed by the waters of Cephisus itself.

At the present day the sacrificial pipes used by the Tuscans are made of box-wood, while those employed at the games are made of the lotus,[2630] the bones of the ass, or else silver. The fowler’s reeds of the best quality are those of Panormus,[2631] and the best reeds for fishing-rods come from Abarita in Africa.[2632]

CHAP. 67.—THE VINE-DRESSERS’ REED.

The reed is employed in Italy more particularly, as a support for the vine. Cato[2633] recommends that it should be planted in a damp situation, the soil being first turned up with a double mattock, and a distance of three feet left between the young[2634] layers; he says, too, that the wild asparagus[2635] from which the cultivated species is produced, may be planted together with it, as they agree particularly well together.

(37.) He says also that the willow may be planted in its vicinity, than which there is no aquatic plant of more general utility, although the poplar may be preferred for the training of the vine, and the support of the Cæcuban grape; although, too, the alder affords a more efficient protection by the hedges it forms, and, planted in the very water, makes a rampart along the banks in defence of the adjoining country against the violence of the rivers when they overflow; when cut down, too, this last tree is useful for the innumerable suckers which it throws out.

CHAP. 68.—- THE WILLOW: EIGHT VARIETIES OF IT.

Of the willow, too, there are several varieties. One[2636] of them throws out its branches to a considerable height; and these, coupled together, serve as perches for the vine, while the bark around the tree itself is used for withes.[2637] Others,[2638] again, of a more pliable nature, supply a flexible twig, which is used for the purpose of tying; while others throw out osiers of remarkable thinness, adapted by their suppleness and graceful slenderness for the manufacture of wicker-work.[2639] Others, again, of a stouter make, are used for weaving panniers, and many other utensils employed in agriculture; while from a whiter willow the bark is peeled off, and, being remarkably tractable, admits of various utensils being made of it, which require a softer and more pliable material than leather: this last is also found particularly useful in the construction of those articles of luxury, reclining chairs. The willow, when cut, continues to thrive, and, indeed, throws out more thickly from the top, which, when closely clipped, bears a stronger resemblance to a closed fist than the top of a stump. It is a tree, which, in my opinion, deserves to be placed by no means in the lowest rank of trees; for there is none that will yield a more certain profit, which can be cultivated at less expense, or which is less liable to be influenced by changes in the weather.

CHAP. 69.—TREES IN ADDITION TO THE WILLOW, WHICH ARE OF USE IN MAKING WITHES.

Cato[2640] considers the culture of the willow as deserving to hold the third rank in estimation, and he gives it precedence to the cultivation of the olive, tillage for corn, or laying out land for pasture. It is not, however, because the willow is the only tree that produces withes; for they may be procured also from the broom, the poplar, the elm, the blood-red cornel, the birch, and the reed itself when split, or else the leaves of that plant, as we know to be the case in Liguria. The vine, also, will furnish them; the bramble, too, with the thorns removed, as well as the twisted hazel. It is a very singular thing, that a wood after it has been beaten and pounded should be found all the stronger for making withes, but such is a striking peculiarity that exists in the willow. The Greek red[2641] willow is split for this purpose: while the willow[2642] of Ameria is whiter but more brittle, for which reason it is used in an uncut state for tying. In Asia there are three varieties known of the willow; the black[2643] willow, which is best adapted for making withes, the white willow, employed for various agricultural purposes, and a third, which is shorter than the others, and known as the helix.[2644]

With us, also, there is the same number of denominations given to as many varieties of the willow; one being known as the viminal or purple willow,[2645] another as the nitelina,[2646] from its resemblance to the colour of the nitela, thinner in the trunk than the preceding one, and the third as the Gallic[2647] kind, being the thinnest of them all.

CHAP. 70.—RUSHES: CANDLE-RUSHES: RUSHES FOR THATCHING.

The rush,[2648] so frail in form, and growing in marshy spots, cannot be reckoned as belonging to the shrubs, nor yet to the brambles or the stalk plants; nor, indeed, in strict justice, to any of the classes of plants except one that is peculiarly its own. It is extensively used for making thatch and matting, and, with the outer coat taken off, for making candles and funeral torches. In some places, however, the rush is more hard and firm: thus, for instance, it is employed not only by the sailors on the Padus for making the sails of boats, but for the purposes of sea-fishing as well, by the fishermen of Africa, who, in a most preposterous manner, hang the sails made of it behind the masts.[2649] The people, too, of Mauritania thatch their cottages[2650] with rushes; indeed, if we look somewhat closely into the matter, it will appear that the rush is held in pretty nearly the same degree of estimation there as the papyrus is in the inner regions of the world.[2651]

CHAP. 71.—THE ELDER: THE BRAMBLE.

Of a peculiar nature, too, though to be reckoned among the water[2652]-plants, is the bramble, a shrub-like plant, and the elder, which is of a spongy nature, though not resembling giant fennel, from having upon it a greater quantity of wood. It is a belief among the shepherds that if they cut a horn or trumpet from the wood of this tree, it will give all the louder sound if cut in a spot where the shrub has been out of hearing of the crowing of the cock. The bramble bears mulberries,[2653] and one variety of it, known as the cynosbatos,[2654] bears a flower similar to the rose. There is a third variety, known to the Greeks as the Idæan[2655] bramble, from the place where it grows: it is slighter than the others, with smaller thorns, and not so hooked. Its flower, mixed with honey, is employed as an ointment for sore eyes and erysipelas: and an infusion of it in water is used for diseases of the stomach.[2656]

The elder[2657] bears a small black berry, which contains a viscous juice, employed more particularly for staining[2658] the hair. The berries, too, are boiled in water and eaten.[2659]

CHAP. 72. (38.)—THE JUICES OF TREES.

There is a juice in the bark of trees, which must be looked upon as their blood, though it is not of a similar nature in all. In the fig it is of a milky consistency, and has the peculiar property of curdling milk, and so forming cheese.[2660] In the cherry-tree this juice is gummy, in the elm clammy, in the apple viscous and fatty, while in the vine and the pear it is watery. The more viscous this humour is, the more long-lived the tree. In a word, we find in the bodies of trees—as with all other beings that are animated—skin, blood, flesh, sinews, veins, bones, and marrow; the bark serving them in place of skin. It is a singular fact connected with the mulberry-tree, that when the medical men wish to extract its juice, if the incision is lightly made, by a blow with a stone, and at the second hour of the day in spring, the juice will flow: but if, on the other hand, a wound is inflicted to any depth, it has all the appearance of being dried up.

Immediately beneath the bark in most trees there is a fatty substance, which, from its colour, has obtained the name of alburnum:[2661] it is soft, and is the very worst part of the wood, and in the robur even will very easily rot, being particularly liable to wood-worm, for which reason it is invariably removed. Beneath this fat lies the flesh[2662] of the tree, and then under that, its bones, or, in other words, the choicest part of the wood. Those trees which have a dry wood, the olive, for instance, bear fruit every other year only: this is more the case with them than with those the wood of which is of a fleshy nature, such as the cherry, for instance. It is not all trees, too, that have this fat and flesh in any abundance, the same as we find to be the case among the more active animals. The box, the cornel, and the olive have none at all, nor yet any marrow, and a very small proportion, too, of blood. In the same way, too, the service-tree has no bones, and the elder no flesh, while both of them have marrow in the greatest abundance. Reeds, too, have hardly any flesh.

CHAP. 73.—THE VEINS AND FIBRES OF TREES.

In the flesh of some trees we find both fibres[2663] and veins: they are easily distinguished. The veins[2664] are larger, while the fibres are of whiter material, and are to be found in those woods more particularly which are easily split. Hence it is that if the ear is applied to the extremity of a beam of wood, however long, a tap with a graver[2665] even upon the other end may be distinctly heard, the sound penetrating by the passages which run straight through it: by these means it is that we ascertain whether timber runs awry, or is interrupted by knots. The tuberosities which we find on trees resemble the kernels[2666] that are formed in flesh: they contain neither veins nor fibres, but only a kind of tough, solid flesh, rolled up in a sort of ball: it is these tuberosities that are the most esteemed parts[2667] in the citrus and the maple. As to the other kinds of wood which are employed for making tables, the trees are split into planks lengthwise, and the parts are then selected along which the fibres run, and properly rounded; for the wood would be too brittle to use if it were cut in segments crosswise.[2668] In the beech, the grain of the fibrous part runs crosswise;[2669] hence it is that the ancients held in such high esteem all vessels made with the wood of it. Manius Curius made oath, on one occasion, that he had not touched an article of all the spoil except a single oil cruet[2670] of beech, to use for sacrificing. Wood is always put lengthwise into the water to season, as that part which was nearest the root will sink to a greater[2671] depth than the other. In some wood there is fibre, without veins, and merely consisting of filaments slightly knit together: wood of this nature is remarkably fissile. Other wood, again, is more easily broken across than split, such as the wood of those trees that have no fibre, the olive and the vine, for instance: on the other hand, in the fig-tree, the whole of the body consists of flesh.[2672] The holm-oak, the cornel, the robur, the cytisus, the mulberry, the ebony, the lotus, and the other trees which we have mentioned[2673] as being destitute of marrow, consist entirely of bone.[2674] All these woods are of a blackish colour, with the exception of the cornel, of which glossy yellow hunting-spears are made, marked with incisions for their further embellishment. In the cedar, the juniper, and the larch, the wood is red.

(39.) In Greece the female larch furnishes a wood[2675] which is known as ægis, and is just the colour of honey. This wood has been found to be proof against decay, and forms the pannels used by painters, being never known to gape or split; the portion thus employed is that which lies nearest to the pith. In the fir-tree this part is called “leuson” by the Greeks. In the cedar, too, the hardest part is the wood that lies nearest to the sap: after the slimy[2676] pith has been carefully removed, it has a similar degree of hardness to the bones in the bodies of animals. It is said, too, that in Greece the inner part of the elder is remarkably firm: indeed, those whose business it is to make hunting spears, prefer this material to all others, it being a wood composed wholly of skin and bone.

CHAP. 74.—THE FELLING OF TREES.

The proper time for felling trees that are wanted for barking, the round, tapering trees, for instance, that are employed in temples and for other purposes, is at the period of germination:[2677] for at other times it is quite impossible to detach the bark from the rotten wood that adheres to it, while the wood itself assumes a blackish hue. Squared logs, and wood from which the bark has been lopped, are generally cut in the period that intervenes between the winter solstice and the prevalence of the west winds; or else, if it is necessary to anticipate that period, at the setting of Arcturus and before that of the Lyre, the very earliest period being the summer solstice: the days of these respective constellations will be mentioned in the appropriate place.[2678]

In general it is looked upon as quite sufficient to use all due precaution that a tree is not rough-hewn before it has borne its yearly crop. The robur, if cut in spring, is subject to the attacks of wood-worm, but if cut in winter, will neither rot nor warp: otherwise it is very liable to bend and become awry, as well as to crack; the same is the case, too, with the cork-tree, even if cut down at the proper time. The state of the moon,[2679] too, is of infinite importance, and it is generally recommended that trees should be cut only between the twentieth and the thirtieth days of the month. It is generally agreed, however, by all, that it is the very best time for felling timber, when the moon is in conjunction with the sun, a day which is called by some persons the interlunium, and by others the moon’s silence. At all events, it was under these circumstances that Tiberius Cæsar gave orders for the larches to be cut in Rhætia, that were required for the purpose of rebuilding the bridge of the Naumachia[2680] after it had been destroyed by fire. Some persons say that the moon ought not only to be in conjunction, but below the horizon as well, a thing that can only happen in the night. If the conjunction should chance to fall on the very day of the winter solstice, the timber, they say, that is then felled will be of everlasting duration; the next best being the timber that is cut when the conjunction coincides with the constellations previously mentioned. There are some, too, who add the rising of the Dog-star as a favourable time, and say that it was at this period that the timber was cut which was employed in building the Forum of Augustus.

Wood which is intended for timber ought to be cut neither when too young nor too old. Some persons, too—and the practice is by no means without its utility—cut round[2681] the tree as far as the pith, and then leave the timber standing, so that all the juices may be enabled to escape. Going back to ancient times, it is a remarkable fact, that in the first Punic War the fleet commanded by Duillius was on the water within sixty days from the time the timber was cut: and, what is still more so, Piso relates that King Hiero had two hundred and twenty ships wholly constructed in forty-five days: in the second Punic War, too, the fleet of Scipio was at sea the fortieth day after the axe had been put to the tree. Such is the energy and dispatch that can be displayed on occasions of emergency.

CHAP. 75.—THE OPINION OF CATO ON THE FELLING OF TIMBER.

Cato,[2682] a man of consummate authority in all practical matters, expresses himself in relation to timber to the following effect:—“For making presses, employ the wood of the sappinus in preference. When you root up the elm, the pine, the nut-tree, or, indeed, any other kind of tree, mind and do so when the moon is on the wane, after midday, and when there is no south wind blowing. The proper time for cutting a tree is when the seed[2683] is ripe, but be careful not to draw it away or plane it while the dew is falling.” He then proceeds to say[2684]—“Never touch the timber, except when the moon is on the change, or else at the end of the second quarter: at those periods you may either root up the tree, or fell it as it stands. The next seven days after the full moon are the best of all for grubbing up a tree. Be particularly careful, too, not to rough-hew timber, or, indeed, to cut or touch it, unless it is perfectly dry; and by no means while it is covered with frost or dew.”

The Emperor Tiberius used also to observe the changes of the moon for cutting his hair.[2685] M. Varro[2686] has recommended that the hair should be cut at full moon only, if we would avoid baldness.

CHAP. 76.—THE SIZE OF TREES: THE NATURE OF WOOD: THE SAPPINUS.

From the larch, and still more the fir, after it has been cut, a liquid[2687] flows for a considerable period: these are the loftiest and straightest of all the trees. The fir is preferred for making the masts and sailyards of ships, on account of its comparative lightness. It is a common feature with these trees, in common with the pine, to have four rows of veins running along the wood, or else two, or sometimes only one. The heart[2688] of these trees is peculiarly well adapted for joiners’ work, and the best wood of all is that which has four layers of veins, it being softer than the rest: men of experience in these matters can instantly form a judgment of the quality from the bark. That part in the fir which is nearest to the ground is free from knots: when soaked in river water in the way we have already mentioned,[2689] and then barked, the wood of this part is known[2690] as sappinus; while that of the upper part, which is harder and knotty, goes by the name of “fusterna.” In trees, the side which looks towards the north-east is the most robust, and it is universally the case, that those which grow in moist and damp localities are of inferior quality, while in those which grow in warm and sunny spots, the wood is more compact and durable; hence it is, that at Rome the fir is preferred that grows on the shores of the Tyrrhenian Sea to that of the shores of the Adriatic.

There are also considerable differences in the qualities of these trees according to the country of their growth: the most esteemed are those of the Alps and the Apennines; in Gaul, those of Jura[2691] and Mount Vogesus; those also of Corsica, Bithynia, Pontus, and Macedonia; while the firs of Ænea[2692] and Arcadia are of inferior quality. Those, however, of Parnassus and Eubœa are the worst of all, the trees being branchy and knotted, and the wood very apt to rot. As for the cedar, those of Crete, Africa, and Syria are the most esteemed. Wood, if well rubbed with oil of cedar, is proof against wood-worm and decay. The juniper, too, has the same[2693] virtues as the cedar; in Spain it grows to a very considerable size, in the territory of the Vaccæi[2694] more particularly: the heart of this tree, too, is universally more firm and solid than cedar even. A general fault in all wood is that known as cross-grain, which is formed by contortions of the knots and veins.[2695] In the wood of some trees there are to be found knurs,[2696] like those in marble; these knurs are remarkably hard, and offer a resistance like that of a nail, to the great injury of the saw: in some cases, also, they are formed accidentally, from either a stone, or the branch of another tree lodging there, and being absorbed in the body of the tree.

In the Forum at Megara there long stood a wild olive upon which warriors who had distinguished themselves by their martial powers had been in the habit of suspending their arms. In the lapse of time the bark of this tree had closed, and quite concealed these arms from view. Upon it, however, depended the fate of the city; for it had been announced by an oracle, that when a tree there should bring forth arms, the fall of the city would be close at hand: and such, in fact, was the result, when the tree was cut down and greaves and helmets were found within the wood.[2697] It is said that stones found under these circumstances have the property of preventing abortion.

(40.) It is generally thought that the largest[2698] tree that has ever been seen, was the one that was exhibited at Rome, by Tiberius Cæsar, as an object of curiosity, upon the bridge of the Naumachia previously mentioned.[2699] It had been brought thither along with other timber, and was preserved till the construction of the amphitheatre of the Emperor Nero:[2700] it was a log of larch, one hundred and twenty feet long, and of an uniform thickness of a couple of feet. From this fact we can form an estimate of the original height of the tree; indeed, measured from top to bottom it must have been originally of a length that is almost incredible. In our own time, too, in the porticos of the Septa,[2701] there was a log which had been left there by M. Agrippa, as being equally an object of curiosity, having been found too large to be used in the building of the vote office[2702] there: it was twenty feet shorter than the one previously mentioned, and a foot-and-a-half in thickness. There was a fir, too, that was particularly admired, when it formed the mast of the ship, which brought from Egypt, by order of the Emperor Caius,[2703] the obelisk[2704] that was erected in the Vaticanian Circus, with the four blocks of stone intended for its base. It is beyond all doubt that there has been seen nothing on the sea more wonderful than this ship: one hundred and twenty thousand modii of lentils formed its ballast; and the length of it took up the greater part of the left side of the harbour at Ostia. It was sunk at that spot by order of the Emperor Claudius, three moles, each as high as a tower, being built upon it; they were constructed with cement[2705] which the same vessel had conveyed from Puteoli. It took the arms of four men to span the girth of this tree, and we not unfrequently hear of the price of masts for such purposes, as being eighty thousand sesterces or more: rafts, too, of this wood are sometimes put together, the value of which is forty thousand. In Egypt and Syria, it is said, the kings, for want of fir, used to employ cedar[2706] for building their ships: the largest cedar that we find mentioned is said to have come from Cyprus, where it was cut to form the mast of a galley of eleven tiers of oars that belonged to Demetrius: it was one hundred and thirty feet in length, and took three men to span its girth. The pirates of Germany navigate their seas in vessels formed of a single tree hollowed[2707] out: some of these will hold as many as thirty men.

Of all woods, the most compact, and consequently the heaviest, are the ebony and the box, both of them of a slender make. Neither of these woods will float in water, nor, indeed, will that of the cork tree, if the bark is removed; the same is the case, too, with the wood of the larch. Of the other woods, the driest is that of the tree known at Rome as the lotus,[2708] and next, that of the robur, when the white sap has been removed. The wood of the robur is dark, and that of the cytisus[2709] still more so, approaching, in fact, the nearest of all to the colour of ebony; though there are not wanting writers who assert that the wood of the Syrian terebinth is darker.[2710] An artist of the name of Thericles is highly spoken of for his skill in turning goblets from the wood of the terebinth: and, indeed, that fact is a proof of the goodness of the wood. Terebinth is the only wood that requires to be rubbed with oil, and is improved thereby. Its colour is imitated remarkably well with the walnut and the wild pear, which have its peculiar tint imparted to them by being boiled in colouring liquid. The wood of all the trees of which we have here made mention is firm and compact. Next after them comes the cornel, although it can hardly be looked upon as timber, in consequence of its remarkable slimness; the wood of it, in fact, is used for hardly any other purpose than the spokes of wheels, or else for making wedges for splitting wood, and pins or bolts, which have all the hardness of those of iron. Besides these, there are the holm-oak, the wild and the cultivated olive, the chesnut, the yoke-elm, and the poplar. This last is mottled similarly to the maple, and would be used for joiners’ work if wood could be good for anything when the branches are so often lopped: that acting upon the tree as a sort of castration, and depriving it of its strength. In addition to these facts, most of these trees, but the robur more particularly, are so extremely hard, that it is quite impossible to bore the wood till it has been soaked in water; and even then, a nail once driven home cannot be drawn out again. On the other hand, a nail has no[2711] hold in cedar. The wood of the lime is the softest of all, and, as it would appear, the hottest by nature; a proof of this, they say, is the fact that it will turn the edge of the adze sooner than any other wood.[2712] In the number, also, of the trees that are hot by nature, are the mulberry, the laurel, the ivy, and all those woods from which fire is kindled by attrition.

CHAP. 77.—METHODS OF OBTAINING FIRE FROM WOOD.

This is a method[2713] which has been employed by the outposts of armies, and by shepherds, on occasions when there has not been a stone at hand to strike fire with. Two pieces of wood are rubbed briskly together, and the friction soon sets them on fire; which is caught on dry and inflammable substances, funguses and leaves being found to ignite the most readily. There is nothing superior to the wood of the ivy for rubbing against, or to that of the laurel for rubbing with. A species of wild vine,[2714] too—not the same as the labrusca—which climbs up other trees like the ivy, is highly approved of. The coldest[2715] woods of all are those of the aquatic trees; but they are the most flexible also, and for that reason the best adapted for the construction of bucklers. On an incision being made in them, they will contract immediately, and so close up their wounds, at the same time rendering it more difficult for the iron to penetrate: in the number of these woods are the fig, the willow, the lime, the birch, the elder, and both varieties of the poplar.

The lightest of all these woods, and consequently the most useful, are the fig and the willow. They are all of them employed, however, in the manufacture of baskets and other utensils of wicker-work; while, at the same time, they possess a degree of whiteness and hardness which render them very well adapted for carving. The plane has considerable flexibility, but it is moist and slimy like the alder. The elm, too, the ash, the mulberry, and the cherry, are flexible, but of a drier nature; the wood, however, is more weighty. The elm is the best of all for retaining its natural toughness, and hence it is more particularly employed for socket beams for hinges, and cases for the pannelling of doors, being proof against warping. It is requisite, however, that the beam to receive the hinge should be inverted when set up, the top of the tree answering to the lower hinge, the root to the upper. The wood of the palm and the cork-tree is soft, while that of the apple and the pear is compact. Such, however, is not the case with the maple, its wood being brittle, as, in fact, all veined woods are. In every kind of tree, the varieties in the wood are still more augmented by the wild trees and the males. The wood, too, of the barren tree is more solid than that of the fruit-bearing ones, except in those species in which the male trees[2716] bear fruit, the cypress and the cornel, for instance.

CHAP. 78.—TREES WHICH ARE PROOF AGAINST DECAY: TREES WHICH NEVER SPLIT.

The following trees are proof against decay and the otherwise injurious effects of age—the cypress, the cedar, the ebony, the lotus, the box, the yew, the juniper, and both the wild and cultivated olive. Among the others, the larch, the robur, the cork-tree, the chesnut, and the walnut are also remarkably durable. The cedar, cypress, olive, and box are never known to split or crack spontaneously.

CHAP. 79.—HISTORICAL FACTS CONNECTED WITH THE DURABILITY OF WOOD.

Of all the woods, the ebony, the cypress, and the cedar are considered to be the most durable, a good proof of which is to be seen in the timber of which the Temple of Diana at Ephesus is built: it being now four hundred years since it was erected, at the joint expense of the whole of Asia;[2717] and, what is a well-known fact, the roof is wholly constructed of planks of cedar. As to the statue of the goddess, there is some doubt of what wood it is made; all the writers say that it is ebony, with the exception of Mucianus, who was three times consul, one of the very latest among the writers that have seen it; he declares that it is made of the wood of the vine, and that it has never been changed all the seven times that the temple has been rebuilt. He says, too, that it was Endæus who made choice of this wood, and even goes so far as to mention the artist’s name, a thing that really surprises me very much, seeing that he attributes to it an antiquity that dates before the times of Father Liber, and of Minerva even. He states, also, that, by the aid of numerous apertures, it is soaked with nard, in order that the moist nature of that drug may preserve the wood and keep the seams[2718] close together: I am rather surprised, however, that there should be any seams in the statue, considering the very moderate size it is. He informs us, also, that the doors are made of cypress, and that the wood, which has now lasted very nearly four hundred years, has all the appearance of new.[2719] It is worthy of remark, too, that the wood of these doors, after the pieces had been glued together, was left to season four years before they were put up: cypress was made choice of from the circumstance that it is the only kind of wood that maintains its polish to all future time.

And have we not the statue of Vejovis,[2720] also, made of cypress, still preserved in the Capitol, where it was consecrated in the year of the City 661? The Temple of Apollo, too, at Utica, is equally celebrated: there we may see beams of cedar still in existence, and in just the same condition in which they were when erected at the first building of that city, eleven hundred and seventy-eight years ago. At Saguntum, too, in Spain, there is a temple of Diana, which was brought thither by the original founders of the place, from the island of Zacynthus, in the year 200 before the taking of Troy, Bocchus says—It is preserved beneath the town, they say. Hannibal, being induced thereto by feelings of religious veneration, spared this temple, and its beams, made of juniper, are still in existence at this very day. But the most memorable instance of all is that of the temple which was dedicated to the same goddess at Aulis, several ages before the Trojan War: of what wood, however, it was originally built is a fact that has been long lost in oblivion. Speaking in general terms, we may say that those woods are of the greatest durability which are the most odoriferous.[2721]