Chapter VI

One bright morning in May, divinely early, two persons of very different appearance and nature came out of two houses of very different appearance and nature at precisely the same moment, and started to move toward each other by methods of locomotion no less different than were the appearances of the respective persons or the respective houses from which they emerged.

The house from which the one issued was of speckless white marble, and looked from the advantageous corner of Sixty-something Street and Fifth Avenue upon the purple and white lilacs and the engaging spring greens of Central Park.

The other came out of a dark house at the angle of a narrow street in the shadow of Brooklyn Bridge, whose door, crossed by dingy gilt lettering, violently clanged a bell at opening and closing. The first person stepped with the long clean strides of youth and liberty. The second person cannot be said to have stepped at all. The first person, meeting a policeman, smiled and said: "Good morning, Kelly." The second, similarly meeting with an officer of the law, scowled upward, and said: "Do it again, and I'll break you." The first person came out of the uptown palace like a fairy from a grotto; the second emerged from the downtown rookery like some prehistoric monster from a cave.

At a distance you might have mistaken him for an electrician or a sewer-expert coming into view through one of those round holes in the sidewalk by which access is provided to the subterranean apparatus of cities. But, drawing nearer, you perceived that he was but half a man, who stood upon the six-inch stubs of what had once been a pair of legs. But what nature could do for what was left of him nature had done. He had the neck, the arms, and the torso of a Hercules. His coat, black, threadbare, shining, and unpleasantly spotted, seemed on the point of giving way here and there to a system of restless and enormous muscles. But that these should serve no better purpose than ceaselessly to turn the handle of an unusually diminutive and tuneless street-organ might have roused in the observer's mind doubts as to the wisdom and vigilance of that divine providence which is so much better understood and trusted by the healthy and fortunate than by the wretched, the maimed, and the diseased.

For the most part the legless man went about the business of begging among the business men of the city, since from the congested slum into which he disappeared at night it was no great feat for a man of his power to reach the more northern streets of that circle in whose midst the finances of the nation by turns simmer, boil, and boil over. It was not unusual, during the noon-time rush of self-centred individuals, for the legless man to get himself stridden into and bowled clean over upon his face or back, since nothing is more loosening to purse-strings than the average man's horror at having injured some creature already maimed; nor was it unusual for him at such times to scramble up smiling with a kind of invincible cheerfulness that more potently stirred the generosity of the man who had knocked him down than ever groans and complaints could have done.

If the weather was fine and conducive to bodily comfort, the beggar sometimes turned north and worked his way to Washington Square or the lower blocks of Fifth Avenue. Sometimes, having agreed to pose for the head and trunk to some young art student, he left his hand-organ behind, and permitted himself the extravagance of riding in a surface car. His boarding of a street-car was a feat of pure gymnastics, swift and virile; so, too, was his ascending or descending of a flight of steps, or the high platform on which he was to pose. Incessant practice, added to natural skill and balance, enabled him to accomplish, without legs, feats which might have balked a man with a capable and energetic pair of them. He could travel upon his crutches for the length of a city block almost as fast as the average man can run, and if it came to climbing a rope or a rain-duct he was more ape than human. In his own dwelling he had for his own use, instead of the laborious stairs needed by its other inmates, a system of knotted ropes by which he could ascend from cellar to attic, and polished poles by whose aid he could accomplish the most lightning-like descending slides.

Marrow Lane, shaped like a dog's hind leg, is one of those crooked and narrow thoroughfares which the approaches and anchorings of the Brooklyn Bridge have cast into gloom and darkness. There are spots upon which the sun will not shine again until the great bridge has perished; there are corners in which drafts strong as a heaven-born wind whistle from one year's end to the other. There are thousands of children in the region, and in the more purely tenement settlements to the north, who have yet to see a green field or to handle a flower.

At the very crook of the dog's leg, on the north side of Marrow Lane, a narrow door, half glazed and sometimes burnished by the sun, has printed across it in dingy gilt letters:

BLIZZARD--MFR. HATS

Once the door with the faded gilt letters had closed, with him inside, the legless man, who was none other than Blizzard, the manufacturer of hats, put off those airs of helplessness and humility by which so many coins were attracted into the little tin cup upon the top of his hand-organ, and assumed the attitude of one accustomed to command and to be served, to reward and to punish. He was no longer a beggar, but a magnate. He swelled with power, and twenty girls of almost as many nationalities, plaiting straw hats by the gas-light, cringed in their hearts, and redoubled the speed of their hands. About the twenty girls who slaved for Blizzard there were two peculiarities which at once distinguished them from any other collection of female factory-hands on the East Side. They were all strong and healthy looking, and they were all pretty. He had collected them much as rich men in a higher station of life collect paintings or pearls. If some of them bore the marks of blows and pinchings, it was not upon any part of them which showed. If some of them suffered from the fear of torture or even sudden death, it did not prevent them from showing the master rows of even white teeth between ingratiatingly parted lips whenever he deigned to speak to them. If any girl among them thought to escape him, to find work elsewhere, to betray what she knew of him, even, and vanish into the slums of some far city, she was deterred by the memory of certain anecdotes constantly related by her companions. The most terrible of these anecdotes was that related of a certain Florence Magrue. She had fled with her story to the nearest policeman, who had quietly returned her to the shop, reluctantly, it was admitted, but with the determination of a man whose very existence depends upon the favor of another. The master had welcomed her and smiled upon her as upon an erring child. He had sent her upon an errand into the cellar under the shop, himself unlocking the door. And that was the last that any one had ever seen of Florence Magrue.

In addition to fear, the master supplied certain creature comforts, not lightly to be thrown away. If a girl could make up her mind to accept shame, bodily injury if she displeased, and a life of toil, she fared better under Blizzard's direction than her sister who worked for Ecbaum, let us say, the lacemaker, or Laskar, or any of a thousand East Side employers of labor. The man could be kind upon impulse, and generous. He paid the highest wages. He supplied nourishing food at noon, and a complete hour in which to discuss it. Furthermore, if a girl pleased him, the work of her hands was subjected to less critical inspection, and if she had any music in her, he invited her upstairs sometimes to work the pedals of his grand piano, while his own powerful, hairy hands rippled and thundered upon the keys. He was of a Godlike kindness when his mind inclined to music, and the pedalling was skilful and sure. But let the unfortunate crouched under the key-board, her trembling hands taking the place of those feet which the master had lost, respond stupidly to the signals conveyed to her shoulder by graduated pressures from the stump of his right leg, and punishment of blows, pinchings, and sarcasms was swift and sure.

The legless man was very much at home in his own house. He had inhabited it for many years, and its arrangements were the expression of a creature immensely able and ingenious, but maimed both in body and soul.

The whole building, four stories tall, had once been a manufactory, but Blizzard had subdivided its original lofts into pens, dens, passageways, and rooms according to an elaborate plan of his own. And it was evident to the most casual glance that expediency alone, untrammelled by any consideration of purse, had been followed. Those walls, floors, and ceilings, for instance, through which no sound of human origin, unaided by mechanical device, could penetrate, must have cost a mint of money. Nor could any man who depended for a living upon occasional pennies dropped into a tin cup have got together so extensive a collection of books upon scientific subjects, many of them handsomely bound and printed in foreign countries. Works upon explosives, tunnelling, electricity, and music were especially abundant, not only in English, but in German. And there were books upon the organization of armies, and upon the chemistry of precious stones. A cursory examination of his books would have found the master of the house to be interested also in obstetrics, in poisons, and in anesthesia; but of romance, humanity, or poetry his library had but a single example, the "Monte Cristo" of the elder Dumas.

Had all the doors and windows of the house been thrown open, and all its inhabitants expelled, so that you could have free ingress with a companion or two, and time and the mood to explore the whole of its ramifications and arrangements, you must have concluded that the designer of so much that was hideously obvious and so much that was mysteriously obscure was a most extraordinary example of viciousness, ability, purpose, and musicianship. You must have been staggered at passing from a room containing a grand piano and a bust of Beethoven to find yourself in a little operating-theatre such as any eminent surgeon might wish to be at work in, to find beyond this a small but excellently appointed gymnasium; above this, to be reached only by climbing a knotted rope, a long room, lighted from above, containing drawing-tables, many cases of drawing-instruments, and a host of workman-like designs and specifications. Thence you might pass, still wondering, into an apartment of soft divans, thick rags, and open fireplace, a smell of incense, double windows and double doors.

Or you might descend by stairs or polished poles to the cellar under the hat factory, and find yourself, prying into the most obscure corner and lighting matches for guidance, confronted by the door of a mightily strong safety vault, the knobs of the combination lock bright and easily turned. And you might say: "Well, it's either the house of a man whose scheme of life is utterly beyond my comprehension, or of a madman."