Chapter VII

Of the two persons who left their homes this morning, the legless beggar, owing to having ridden part of the way in a street-car, was the first to reach the northeast corner of Fifth Avenue and Washington Square, whence the last rear-guard of fashion in old New York retreats before the advance-pickets of the encroaching slums, like a stag before a pack of hounds. Here he ensconced himself, placed his tin cup on the top of his organ, together with the few pairs of shoe-laces which proclaimed him a merchant within rather than a beggar without the law, and proceeded to enliven the still quiet neighborhood with the dreadfully strained measure of Verdi's "Miserère." He turned the handles of the little organ fitfully, so that now the strains of sorrow arose at such long intervals as hardly to be connected with one another, and now all huddled and jumbled like notes in a barbaric quickstep, and as he played he addressed his instrument in a quiet, cruel voice.

A house-maid opened a window in the servants' wing of No. 1 Fifth Avenue. Blizzard turned his head slowly at the sound, and looked up at her with agate eyes, coldly interrogative. There was no one else at the moment within earshot.

Nevertheless before speaking the house-maid looked nervously into the house behind her; then up the avenue, and down into Washington Square. She was a girl of some beauty, but her face was most engaging from a kind of waggish intelligence that it had.

"Tst!" she said.

The organ squeaked and rattled. It was manoeuvring for a position from which to attack the "Danse Macabre." Blizzard indicated by a lift of heavy eyebrows that he was all attention.

"You can trust Blake," she said.

Blizzard grunted. "Send him to me at six."

"Marrow Lane?"

He nodded, and turned from her with an air of finality. The house-maid hesitated, drew a long breath, pulled in her head, and closed the window.

A loose-jointed man in clerical garb came hurrying down the avenue. He made longer swings with his right arm and longer strides with his right leg than with his left. He had a white, thin face, and a look of worry and anxiety. He was perhaps distressed to think that the world contained many souls to whose salvation he would never be able to attend. Perceiving the legless beggar, he stopped hurrying, sought in his pocket, and found a few pennies. These he dropped into the tin cup.

"God bless you, reverend sir," said the beggar in a voice of deep irony.

"Don't," said the clergyman. He managed to look the beggar in the eyes. "How many hats have we?" he asked in a quick whisper.

"We're on our fourth thousand."

The clergyman was visibly upset, "Six thousand to go," he muttered. "I shall be caught."

The beggar smiled. "Come to me at six-thirty," he said.

The man of God's eyes brightened. "You'll help me again?"

"Tst," said the beggar. "Move on. Here's a plain-clothes man."

The shepherd moved on as if he had been pricked by an awl; since it was not among the police that he felt called upon to separate the black sheep from the white.

The plain-clothes man approached loitering. He might have been a citizen in good standing and with nothing better to do than hobnob with whatever persons interested him upon his idle saunterings.

"How many pairs of laces have you sold this morning?" he asked.

"Nary a pair, charitable sir," returned the beggar.

"Speaking of shoe-laces," said the plain-clothes man, "what is your opinion of head-gear?"

"Bullish," said the beggar. "Straw hats will be worn next winter."

The eyes of both men sparkled with a curious exhilaration. The plain-clothes man drew a deep and sudden breath, and appeared to shiver. So a soldier may breathe at the command to charge; so a thoroughbred shivers when the barrier is about to fall.

"There will be nice pickings," said the beggar; "there will be enough geese to feed ten thousand."

The plain-clothes man dropped a penny into the tin cup. "By the way," he asked professionally, "where can I lay hands on Red Monday?"

The beggar shook his strong head curtly. "Hands off," he said.

"When did _he_ join the church?"

"Last night, with tears and confession. A strong man Red, now that he has seen the light."

The plain-clothes man laughed and passed on, still loitering.

The "Danse Macabre" had come to a timely end, if that which is without tempo may be said to have any relation with time, and the trio of Chopin's "Funeral March" was already in uneven progress. The legless man sat on the bare pavement, his back against the handsome area railing of No. 1 Fifth Avenue, and steadily revolved the mechanism of the organ with his hairy, powerful hand.

Passers were now more frequent. Some looked at him and continued to look after they had passed, others turned their eyes steadfastly away. Some pitied him because he was a cripple; others, upon suddenly discovering that he had no legs, were shocked with a sudden indecent hatred of him. A lassie of the Salvation Army invited him to rise up and follow Christ; he retorted by urging her to lie down and take a rest. Then, as if premonition had laid strong hands upon him and twisted him about, he turned, and looked upward into the fresh, rosy face of Barbara Ferris.

Their eyes met. Always the child of impulse, and careless of appearance and opinion, she felt her thoughts, none too cheerful or optimistic that morning during her long walk down the avenue, drawn by the expression upon the legless man's face to a sudden focus of triumph and solution. She struck the palm of one small workman-like hand with the back of the other, and exclaimed: "By George!"

The face that was upturned to hers was no longer the insolent, heavy face of success which we have attempted to describe, but one in which the sudden leaping into evidence of a soul dismissed facts of color, contour, and line as matters of no importance. If there was wickedness in his glance, there were also awe and wonder. He had a tortured look, the look of a man who has fallen from unknowable heights--from an Elysium which he regrets and desires with all a strong man's strength, but to which the way back is irrevocably barred by the degradation and the sin of the descent--and who, all but overwhelmed by the knowledge that he can never return whence he came, yet bears his eternal loss with an iron courage that has about it a kind of splendor.

Barbara Ferris felt that she was looking upon Satan in that moment when he first realized that his fall from heaven was for eternity and that, against every torturing passion of conviction, he must turn his talents and his fearful courage to the needs of hell.

In that first moment of their meeting, she realized nothing about the man but the terribly moving expression of his face. Nothing else mattered. If her plastic training was equal to catching and fixing that expression in clay or marble, she would be made according to the mould of her ambition. The flame of art burned white and clear in the inmost shrine of her being. She saw before her, and beneath her, not a human being, but an inspiration. And since inspiration is a thing swift, electric, and trebly enticing from the fact that it presents itself shorn of all those difficulties which afterward, during execution, so terribly appear and multiply, her heart beat already with the exquisite bliss of an immortal achievement. In her vocabulary at that instant it would have been impossible to discover under B the aggressive But, or under I the faltering If. She was inspired. It was enough.

Then she, in whose mind strong wings had suddenly sprouted, perceived that the person directly responsible had not even a pair of legs, and felt throughout her whole being a cold gushing of horror and revolt.

This was not lost upon Blizzard. It was an ordinary enough human sensation, whose reflections had often enough given the iron that was in his soul another twist and refreshed in him vengefulness and hatred. Yet on the present occasion the knowledge that he was physically loathed roused in the man a feeling rather of that despair which may be experienced by the drowning at that precise moment when the straw so eagerly clutched has proved itself a straw, and he winced as beneath a shocking blow between the eyes.

On discovering that the creature was maimed it had been Barbara's first impulse to pass swiftly on. But another glance at the face which had arrested her held her. She took some coins from her purse and dropped them into the tin cup which the beggar held out to her. And he looked upward into her face.

"Did you ever pose for any one?" she asked.

"Yes, miss."

"I should like to make a bust of you. I'll see that it pays you better than--better than earning a living this way."

For the first time Blizzard smiled. "Do you want me to come now?" he asked.

"Yes," she said. "My studio is in No. 17 McBurney Place." Here she stopped upon a somewhat embarrassing thought. But the legless man read what was in her mind.

"Two flights up?" he queried. "Three? I can climb. Don't trouble about that."

"You will come as soon as you can?"

"I have to meet a man here in half an hour. Then I'll come."

"Please," she said, "ask for Miss Ferris."

At the name a tremor went through the legless man from head to stump. He blanched, and for the thousandth part of a second all that was devil in him rushed with smouldering lights to his eyes. But of this Barbara perceived nothing; her repugnance mastered, she had already brightly smiled, nodded, and was walking swiftly away, her head high, spring air in her lungs and inspiration in her heart.

The beggar's eyes playing upon her, she passed through the peaceful warm sunshine of the quiet old square, and vanished at last into the still brighter sunshine and still older quiet of McBurney Place.

To work with her own hands, at least until she had made something beautiful, seemed to her a better aim than any other which the world offers. She had at first been the victim of private lessons, amusedly approved by her father, and only intermittently attended by herself, since it is not in a day that a fashionable idler is turned into a steadily toiling aspirant for eternal honors. Just so long as she remained an amateur and occasional potterer in her father's house she was applauded by him and assumed by the world in general to be a very talented young lady; but when, her artistic impulses--if not her technique--having strengthened amazingly, she insisted upon the steadier routine of an art school, she met with an opposition as narrow, it seemed to her, as it was firm. Her own will in the matter, however, proved the stronger. And having passed with excellent rapidity through those grades of the school in which the student is taught to make cubes and spheres, she modelled from the antique, and at last, upon a day almost sacred in her memory, was promoted to the life class.

And here, one morning, Dr. Ferris, interested in spite of himself in her swift progress, found her, with a number of other young ladies and gentlemen, earnestly at work making, from different angles of vision, greenish clay statuettes of a handsome young Italian laborer who had upon his person no clothes whatever. That fastidious surgeon, to whom naked bodies, and indeed naked hearts, could have been nothing new, was shocked almost out of his wits. He had left only the good sense and the good manners not to make a scene. He beat instead a quiet, if substantial, retreat, and put off the hour of reckoning. His daughter was soiled in his eyes, and when she explained to him that a naked man was not a naked man to her, but a "stunning" assemblage of planes, angles, curves, lights, and shadows, he could not understand. And they quarrelled as furiously as it is possible for well-bred persons to quarrel. He commanded. She denied his right to command. He threatened. She denied his right first to create a life, and then to spoil it. He advanced the duty of children to parents, and she the duty of parents to children. Finally Barbara, thoroughly incensed at having her mind and her ambition held so cheap, flung out with: "Have you _never_ made a mistake of judgment?" And was astounded to see her father wither, you may say, and all in an instant show the first tremors she had ever seen in him of age and a life of immense strain and responsibility. From that moment the activity of his opposition waned. She knew that her will had conquered, and the knowledge distressed her so that she burst into tears.

"My dear," said her father, "I once made a very terrible mistake of judgment. There isn't a day of my life altogether free from remorse and regret. I have given you money and position. It isn't enough, it seems. My dear, take the benefit of the doubt into the bargain. If I am making another terrible mistake, you must bear at least a portion of the responsibility."

It is curious, or perhaps only natural, that Barbara was at the moment more interested to know what her father's great mistake of judgment had been than in the fact that her ambition had won his tolerance and consent, if not his approval and support. If she had asked him then and there, for he was still greatly moved, he might have told her, but reticence caught the question by the wings, and the moment passed.

And they resumed together their life of punctilious thoughtfulness and good manners. Dr. Ferris continued to cut up famous bodies for famous fees, while Barbara continued to do what she could to reproduce the bodies of more humble persons, for no reward greater than the voice of her teacher with his variously intonated; "Go to eet, Mees Barbara! go to eet."