Chapter X: The Door That Would Not Open (9)

In time they ceased to think of Felion at all, and he was left alone; even the children came no more to visit him; and he had pleasure only in hunting and shooting and in felling trees, with which he built a high stockade and a fine cedar house within it. And all the work of this he did with his own hands, even to the polishing of the floors and the carved work of the large fireplaces. Yet he never lived in the house, nor in any room of it, and the stockade gate was always shut; and when any people passed that way they stared and shrugged their shoulders, and thought Felion mad or a fool. But he was wise in his own way, which was not the way of those who had reason to bless him for ever, and who forgot him, though he had served them through so many years. Against the little city he had an exceeding bitterness; and this grew, and had it not been that his heart was kept young by the love of the earth, and the beasts about him in the hills, he must needs have cursed the place and died. But the sight of a bird in the nest with her young, and the smell of a lair, and the light of the dawn that came out of the east, and the winds that came up from the sea, and the hope that would not die kept him from being of those who love not life for life's sake, be it in ease or in sorrow. He was of those who find all worth the doing, even all worth the suffering; and so, though he frowned and his lips drew tight with anger when he looked down at the little city, he felt that elsewhere in the world there was that which made it worth the saving.

If his daughter had been with him he would have laughed at that which his own hands had founded, protected, and saved. But no word came from her, and laughter was never on his lips--only an occasional smile when, perhaps, he saw two sparrows fighting, or watched the fish chase each other in the river, or a toad, too lazy to jump, walk stupidly like a convict, dragging his long, green legs behind him. And when Felion looked up towards Shaknon and Margath, a light came in his eyes, for they were wise and quiet, and watched the world, and something of their grandeur drew about him like a cloak. As age cut deep lines in his face and gave angles to his figure, a strange, settled dignity grew upon him, whether he swung his axe by the balsams or dressed the skins of the animals he had killed, piling up the pelts in a long shed in the stockade, a goodly heritage for his daughter, if she ever came back. Every day at sunrise he walked to the door of his house and looked eastward steadily, and sometimes there broke from his lips the words: "My daughter-Carille!" Again, he would sit and brood with his chin in his hand, and smile, as though remembering pleasant things.

One day at last, in the full tide of summer, a man, haggard and troubled, came to Felion's house, and knocked, and, getting no reply, waited; and whenever he looked down at the little city he wrung his hands, and more than once he put them up to his face and shuddered, and again looked for Felion. Just when the dusk was rolling down, Felion came back, and, seeing the man, would have passed him without a word, but that the man stopped with an eager, sorrowful gesture and said: "The plague has come upon us again, and the people, remembering how you healed them long ago, beg you to come."

At that Felion leaned his fishing-rod against the door and answered:

"What people?"

The other then replied: "The people of the little city below, Felion."

"I do not know your name," was the reply; "I know naught of you or of your city."

"Are you mad?" cried the man. "Do you forget the little city down there? Have you no heart?"

A strange smile passed over Felion's face, and he answered: "When one forgets, why should the other remember?"

He turned and went into the house and shut the door, and though the man knocked, the door was no opened, and he went back angry and miserable; and the people could not believe that Felion would no come to help them, as he had done all his life. A dawn three others came, and they found Felion looking out towards the east, his lips moving as though he prayed. Yet it was no prayer, only a call, that was on his lips. They felt a sort of awe in his presence, for now he seemed as if he had lived more than a century, so wise and old was the look of his face, so white his hair, so set and distant his dignity. They begged him to come, and, bringing his medicines, save the people, for death was galloping through the town, knocking at many doors.

"One came to heal you," he answered--"the young man of the schools, who wrote mystic letters after his name; it swings on a brass by his door- where is he?"

"He is dead of the plague," they replied, "and the other also that came with him, who fled before the sickness, fell dead of it on the roadside, going to the sea."

"Why should I go?" he replied, and he turned threateningly to his weapon, as if in menace of their presence.

"You have no one to leave behind," they answered eagerly, "and you are old."

"Liars," he rejoined, "let the little city save itself!" and he wheeled and went into his house, and they saw that they had erred in not remembering his daughter, whose presence they had once prized. They saw that they had angered him beyond soothing; and they went back in grief, for two of them had lost dear relatives by the fell sickness. When they told what had happened, the people said: "We will send the women; he will listen to them--he had a daughter."

That afternoon, when all the hills lay still and dead, and nowhere did bird or breeze stir, the women came, and they found him seated with his back turned to the town. He was looking into the deep woods, into the hot shadows of the trees.

"We have come to bring you to the little city," they said to him; "the sick grow in numbers every hour."

"It is safe in the hills," he answered, not looking at them. "Why do the people stay in the valley?"

"Every man has a friend, or a wife, or a child, ill or dying, and every woman has a husband, or a child, or a friend, or a brother. Cowards have fled, and many of them have fallen by the way."

"Last summer I lay sick here many weeks and none came near me--why should I go to the little city?" he demanded austerely. "Four times I saved it, and of all that I saved none came to give me water to drink, or food to eat, and I lay burning with fever, and thirsty and hungry--God of heaven, how thirsty!"

"We did not know," they answered humbly; "you came to us so seldom, we had forgotten; we were fools."

"I came and went fifty years," he answered bitterly, "and I have forgotten how to rid the little city of the plague!"

At that one of the women, mad with anger, made as if to catch him by his beard, but she forbore, and said: "Liar--the men shall hang you to your own rooftree!"

His eyes had a wild light, but he waved his hand quietly, and answered: "Begone, and learn how great a sin is ingratitude."

He turned away from them gloomily, and would have entered his home, but one of the women, who was young, plucked his sleeve, and said sorrowfully: "I loved Carille, your daughter."

"And forgot her and her father. I am three-score and ten years, and she has been gone fifteen, and for the first time I see your face," was his scornful reply.

She was tempted to say: "I was ever bearing children and nursing them, and the hills were hard to climb, and my husband would not go;" but she saw how dark his look was, and she hid her face in her hands and turned away to follow after the others. She had five little children, and her heart was anxious for them and her eyes full of tears.

Anger and remorse seized on the little city, and there were those who would have killed Felion, but others saw that the old man had been sorely wronged in the past, and these said: "Wait until the morrow and we will devise something."

That night a mule-train crept slowly down the mountain side and entered the little city, for no one who came with them knew of the plague. The caravan had come from the east across the great plains, and not from the west, which was the travelled highway to the sea. Among them was a woman who already was ill of a fever, and knew naught of what passed round her. She had with her a beautiful child; and one of the women of the place devised a thing. "This woman," she said, "does not belong to the little city, and he can have nothing against her; she is a stranger. Let one of us take this beautiful lad to him, and he shall ask Felion to come and save his mother."

Every one approved the woman's wisdom, and in the early morning she herself, with another, took the child and went up the long hillside in the heavy heat; and when they came near Felion's house the women stayed behind, and the child went forward, having been taught what to say to the old man.

Felion sat just within his doorway, looking out into the sunlight which fell upon the red and white walls of the little city, flanked by young orchards, with great, oozy meadows beyond these, where cattle ate, knee- deep in the lush grass and cool reed-beds. Along the riverside, far up on the high banks, were the tall couches of dead Indians, set on poles, their useless weapons laid along the deerskin pall. Down the hurrying river there passed a raft, bearing a black flag on a pole, and on it were women and children who were being taken down to the sea from the doomed city. These were they who had lost fathers and brothers; and now were going out alone with the shadow of the plague over them, for there was none to say them nay. The tall oarsmen bent to their task, and Felion felt his blood beat faster when he saw the huge oars swing high, then drop and bend in the water, as the raft swung straight in its course and passed on safe through the narrow slide into the white rapids below, which licked the long timbers as with white tongues, and tossed spray upon the sad voyagers. Felion remembered the day when he left his own child behind and sprang from the bridge to the raft whereon were the children of the little city, and saved them.

And when he tried to be angry now, the thought of the children as they watched him, with his broken leg striving against their peril, softened his heart. He shook his head, for suddenly there came to him the memory of a time, three-score years before, when he and the foundryman's daughter had gone hunting flag-flowers by the little trout stream; of the songs they sang together at the festivals, she in her sweet Quaker garb and demure Quaker beauty, he lithe, alert, and full of the joy of life and loving. As he sat so, thinking, he wondered where she was, and why he should be thinking of her now, facing the dreary sorrow of this pestilence and his own anger and vengeance. He nodded softly to the waving trees far down in the valley, for his thoughts had drifted on to his wife as he first saw her. She was standing bare-armed among the grape-vines by a wall of rock, the dew of rich life on her lip and forehead, her grey eyes swimming with a soft light; and looking at her he had loved her at once, as he had loved, on the instant, the little child that came to him later; as he had loved the girl into which the child grew, till she left him and came back no more. Why had he never gone in search of her?

He got to his feet involuntarily and stepped towards the door, looking down into the valley. As his eyes rested on the little city his face grew dark, but his eyes were troubled and presently grew bewildered, for out of a green covert near there stepped a pretty boy, who came to him with frank, unabashed face and a half-shy smile.

Felion did not speak at first, but stood looking, and presently the child said: "I have come to fetch you."

"To fetch me where, little man?" asked Felion, a light coming into his face, his heart beating faster.

"To my mother. She is sick."

"Where is your mother?"

"She's in the village down there," answered the boy, pointing.

In spite of himself, Felion smiled in a sour sort of way, for the boy had called the place a village, and he relished the unconscious irony.

"What is the matter with her?" asked Felion, beckoning the lad inside.

The lad came and stood in the doorway, gazing round curiously, while the old man sat down and looked at him, moved, he knew not why.

The bright steel of Felion's axe, standing in the corner, caught the lad's eye and held it. Felion saw, and said: "What are you thinking of?"

The lad answered: "Of the axe. When I'm bigger I will cut down trees and build a house, a bridge, and a city. Aren't you coming quick to help my mother? She will die if you don't come."

Felion did not answer, and from the trees without two women watched him anxiously.

"Why should I come?" asked Felion curiously. "Because she's sick, and she's my mother."

"Why should I do it because she's your mother?"

"I don't know," the lad answered, and his brow knitted in the attempt to think it out, "but I like you." He came and stood beside the old man and looked into his face with a pleasant confidence. "If your mother was sick, and I could heal her, I would--I know I would--I wouldn't be afraid to go down into the village."

Here were rebuke, love, and impeachment, all in one, and the old man half started from his seat.

"Did you think I was afraid?" he asked of the boy, as simply as might a child of a child, so near are children and wise men in their thoughts.

"I knew if you didn't it'd be because you were angry or were afraid, and you didn't look angry."

"How does one look when one is angry?"

"Like my father."

"And how does your father look?"

"My father's dead."

"Did he die of the plague?" asked Felion, laying his hand on the lad's shoulder.

"No," said the lad quickly, and shut his lips tight.

"Won't you tell me?" asked Felion, with a strange inquisitiveness.

"No. Mother'll tell you, but I won't." The lad's eyes filled with tears.

"Poor boy--poor boy!" said Felion, and his hand tightened on the small shoulder.

"Don't be sorry for me; be sorry for mother, please," said the boy, and he laid a hand on the old man's knee, and that touch went to a heart long closed against the little city below; and Felion rose and said: "I will go with you to your mother."

Then he went into another room, and the boy came near the axe and ran his fingers along the bright steel, and fondled the handle, as does a hunter the tried weapon which has been his through many seasons. When the old man came back he said to the boy: "Why do you look at the axe?"

"I don't know," was the answer; "maybe because my mother used to sing a song about the wood-cutters." Without a word, and thinking much, he stepped out into the path leading to the little city, the lad holding one hand. Years afterwards men spoke with a sort of awe or reverence of seeing the beautiful stranger lad leading old Felion into the plague- stricken place, and how, as they passed, women threw themselves at Felion's feet, begging him to save their loved ones. And a drunkard cast his arm round the old man's shoulder and sputtered foolish pleadings in his ear; but Felion only waved them back gently, and said: "By-and-by, by-and-by--God help us all!"

Now a fevered hand snatched at him from a doorway, moanings came from everywhere, and more than once he almost stumbled over a dead body; others he saw being carried away to the graveyard for hasty burial. Few were the mourners that followed, and the faces of those who watched the processions go by were set and drawn. The sunlight and the green trees seemed an insult to the dead.

They passed into the house where the sick woman lay, and some met him at the door with faces of joy and meaning; for now they knew the woman and would have spoken to him of her; but he waved them off, and put his fingers upon his lips and went where a fire burned in a kitchen, and brewed his medicines. And the child entered the room where his mother lay, and presently he came to the kitchen and said: "She is asleep--my mother."

The old man looked down on him a moment steadily, and a look of bewilderment came into his face. But he turned away again to the simmering pots. The boy went to the window and, leaning upon the sill, began to hum softly a sort of chant, while he watched a lizard running hither and thither in the sun. As he hummed, the old man listened, and presently, with his medicines in his hands and a half- startled look, he came over to the lad.

"What are you humming?" he asked.

The lad answered: "A song of the wood-cutters."

"Sing it again," said Felion.

The lad began to sing:

"Here shall I build me my cedar house,
A city with gates, a road to the sea--
For I am the lord of the Earth! Hew! Hew!"

The old man stopped him. "What is your name?" "My name is Felion," answered the lad; and he put his face close to the jug that held the steaming tinctures: but the old man caught the little chin in his huge hand and bent back the head, looking long into the lad's eyes. At last he caught little Felion's hand and hurried into the other room, where the woman lay in a stupor. The old man came quickly to her and looked into her face. Seeing, he gave a broken cry and said:

"Carille, my daughter! Carille!"

He drew her to his breast, and as he did so he groaned aloud, for he knew that inevitable Death was waiting for her at the door. He straightened himself up, clasped the child to his breast, and said: "I, too, am Felion, my little son."

And then he set about to defeat that dark, hovering Figure at the door.

For three long hours he sat beside her, giving her little by little his potent medicines; and now and again he stopped his mouth with his hand, lest he should cry out; and his eyes never wavered from her face, not even to the boy, who lay asleep in the corner.

At last his look relaxed its vigilance, for a dewy look passed over the woman's face, and she opened her eyes and saw him, and gave a little cry of "Father!" and was straightway lost in his arms.

"I have come home to die," she said.

"No, no, to live!" he answered firmly. "Why did you not send me word all these long years?"

"My husband was in shame, in prison, and I in sorrow," she answered sadly. "I could not."

"He did evil? He is--" he paused.

"He is dead," she said. "It is better so." Her eyes wandered round the room restlessly, and then fixed upon the sleeping child, and a smile passed over her face. She pointed to the lad.

The old man nodded. "He brought me here," he said gently. Then he got to his feet. "You must sleep now," he added, and he gave her a cordial. "I must go forth and save the sick."

"Is it a plague?" she asked.

He nodded. "They said you would not come to save them," she continued reproachfully. "You came to me because I was your Carille, only for that?"

"No, no," he answered; "I knew not who you were. I came to save a mother to her child."

"Thank God!" she said.

With a happy smile she hid her face in the pillow. At last, leaving her and the child asleep, old Felion went forth into the little city, and the people flocked to him, and for many days he came and went ceaselessly.

And once more he saved the city, and the people blessed him: and the years go on.

THE FORGE IN THE VALLEY

He lay where he could see her working at the forge. As she worked she sang:

"When God was making the world,
(Swift is the wind and white is the fire)
The feet of his people danced the stars;
There was laughter and swinging bells,

And clanging iron and breaking breath,
The hammers of heaven making the hills,
The vales on the anvil of God.
(Wild is the fire and low is the wind.)"

His eyes were shining, and his face had a pale radiance from the reflected light, though he lay in the shadow where he could watch her, while she could not see him. Now her hand was upon the bellows, and the low, white fire seethed hungrily up, and set its teeth upon the iron she held; now it turned the iron about upon the anvil, and the sparks showered about her very softly and strangely. There was a cheerful gravity in her motions, a high, fine look in her face.

They two lived alone in the solitudes of Megalon Valley.

It was night now, and the pleasant gloom of the valley was not broken by any sound save the hum of the stream near by, and the song, and the ringing anvil. But into the workshop came the moist, fragrant smell of the acacia and the maple, and a long brown lizard stretched its neck sleepily across the threshold of the door opening into the valley.

The song went on:

"When God had finished the world
(Bright was the fire and sweet was the wind)
Up from the valleys came song,
To answer the morning stars,
And the hand of man on the anvil rang;
His breath was big in his breast, his life
Beat strong on the walls of the world.
(Glad is the wind and tall is the fire.)"

He put his hands to his eyes, and took them away again, as though to make sure that the song was not a dream. Wonder grew upon his thin, bearded face, he ran his fingers through his thick hair in a dazed way. Then he lay and looked, and a rich warm flush crept over his cheek, and stayed there.

There was a great gap in his memory.

The evening wore on. Once or twice the woman turned towards the room where the man lay, and listened--she could not see his face from where she stood. At such times he lay still, though his heart beat quickly, like that of an expectant child. His lips opened to speak, but still they remained silent. As yet he was like a returned traveller who does not quickly recognise old familiar things, and who is struggling with vague suggestions and forgotten events. As time went on, the woman turned towards the doorway oftener, and shifted her position so that she faced it, and the sparks, flying up, lighted her face with a wonderful irregular brightness.

"Samantha," he said at last, and his voice sounded so strange to him that the word quivered timidly towards her.

She paused upon a stroke, and some new note in his voice sent so sudden a thrill to her heart that she caught her breath with a painful kind of joy. The hammer dropped upon the anvil, and, in a moment, she stood in the doorway of his room.

"Francis, Francis," she responded in a low whisper. He started up from his couch of skins. "Samantha, my wife!" he cried, in a strong proud voice.

She dropped beside him and caught his head, like a mother, to her shoulder, and set her warm lips on his forehead and hair with a kind of hunger; and then he drew her face down and kissed her on the lips. Tears hung at her eyes, and presently dropped on her cheeks, a sob shook her, and then she was still, her hands grasping his shoulders.

"Have I been ill?" he asked.

"You have been very ill, Francis."

"Has it been long?"

Her fingers passed tenderly through his grizzled hair. "Too long, too long, my husband," she replied.

"Is it summer now?"

"Yes, Francis, it is summer."

"Was it in the spring, Samantha?--Yes, I think it was in the spring," he added, musing.

"It was in a spring."

"There was snow still on the mountain-top, the river was running high, and wild fowl were gathered on the island in the lake--yes, I remember, I think."

"And the men were working at the mine," she whispered, her voice shaking a little, and her eyes eagerly questioning his face.

"Ah, the mine--it was the mine, Samantha!" he said abruptly, his eyes flashing up. "I was working at the forge to make a great bolt for the machinery, and some one forgot and set the engine in motion. I ran out; but it was too late . . . and then . . ."

"And then you tried to save them, Francis, and you were hurt."

"What month is this, my wife?"

"It is December."

"And that was in October?"

"Yes, in October."

"I have been ill since? What happened?"

"Many were killed, Francis, and you and I came away."

"Where are we now? I do not know the place."

"This is Megalon Valley. You and I live alone here."

"Why did you bring me here?"

"I did not bring you, Francis; you wished me to come. One day you said to me: 'There is a place in Megalon Valley where, long ago, an old man lived, who had become a stranger among men--a place where the blackbird stays, and the wolf-dog troops and hides, and the damson grows as thick as blossoms on the acacia. We will go there.' And I came with you."

"I do not remember. What of the mine? Was I a coward and left the mine? There was no one understood the ways of the wheel, and rod, and steam, save me.

"The mine is closed, Francis," she answered gently. "You were no coward, but--but you had strange fancies.

"When did the mine close?" he said, with a kind of sorrow; "I put hard work and good years into it." At that moment, when her face drew close to his, the vision of her as she stood at the anvil came to him with a new impression, and he said again in a half-frightened way: "When did it close, Samantha?"

"The mine was closed--twelve years ago, my own dear husband."

He got to his feet and clasped her to his breast. A strength came to him which had eluded him twelve years, and she, womanlike, delighted in that strength, and, with a great gladness, changed eyes and hands with him; keeping her soul still her own, brooding and lofty, as is the soul of every true woman, though, like this one, she labours at a forge, and in a far, untenanted country is faithful friend, ceaseless apothecary to a comrade with a disordered mind; living on savage meats, clothing herself and the other in skins, and, with a divine persistence, keeping a cheerful heart, certain that the intelligence which was frightened from its home would come back one day. It should be hers to watch for the great moment, and give the wanderer loving welcome, lest it should hurry madly away again into the desert, never to return.

She had her reward, yet she wept. She had carried herself before him with the bright ways of an unvexed girl these twelve years past; she had earned the salt of her tears. He was dazed still, but, the doublet of his mind no longer unbraced, he understood what she had been to him, and how she had tended him in absolute loneliness, her companions the wild things of the valley--these and God.

He drew her into the workshop, and put his hand upon the bellows and churned them, so that the fire roared joyously up, and the place was red with the light. In this light he turned her to him and looked at her. The look was as that of one who had come back from the dead--that naked, profound, unconditional gaze which is as deep and honest as the primeval sense. His eyes fell upon her rich, firm, stately body; it lingered for a moment on the brown fulness of her hair; then her look was gathered to his, and they fell into each other's arms.

For long they sat in the solemn silence of their joy, and so awed were they by the thing which had come to them that they felt no surprise when a wolf-dog crawled over the lizard on the threshold, and stole along the wall with shining, bloody eyes to an inner room, and stayed there munching meat to surfeit and drowsiness, and at last crept out and lay beside the forge in a thick sleep. These two had lived so much with the untamed things of nature, the bellows and the fire had been so long there, and the clang of the anvil was so familiar, that there was a kinship among them, man and beast, with the woman as ruler.

"Tell me, Samantha," he said at last, "what has happened during these twelve years, all from the first. Keep nothing back. I am strong now." He looked around the workshop, then, suddenly, at her, with a strange pain, and they both turned their heads away for an instant, for the same thought was on them. Then, presently, she spoke, and answered his shy, sorrowful thought before all else. "The child is gone," she softly said.

He sat still, but a sob was in his throat. He looked at her with a kind of fear. He wondered if his madness had cost the life of the child. She understood. "Did I ever see the child?" he asked.

"Oh yes, I sometimes thought that through the babe you would be yourself again. When you were near her you never ceased to look at her and fondle her, as I thought very timidly; and you would start sometimes and gaze at me with the old wise look hovering at your eyes. But the look did not stay. The child was fond of you, but she faded and pined, and one day as you nursed her you came to me and said: 'See, beloved, the little one will not wake. She pulled at my beard and said, "Daddy," and fell asleep.' And I took her from your arms. . . . There is a chestnut tree near the door of our cottage at the mine. One night you and I buried her there; but you do not remember her, do you?"

"My child, my child!" he said, looking out into the night; and he lifted up his arms and looked at them. "I held her here, and still I never held her; I fondled her, and yet I never fondled her; I buried her, yet-- to me--she never was born."

"You have been far away, Francis; you have come back home. I waited, and prayed, and worked with you, and was patient. . . . It is very strange," she continued. "In all these twelve years you cannot remember our past, though you remembered about this place--the one thing, as if God had made it so--and now you cannot remember those twelve years."

"Tell me now of the twelve years," he urged.

"It was the same from day to day. When we came from the mountain, we brought with us the implements of the forge upon a horse. Now and again as we travelled we cut our way through the heavy woods. You were changed for the better then; a dreadful trouble seemed to have gone from your face. There was a strong kind of peace in the valley, and there were so many birds and animals, and the smell of the trees was so fine, that we were not lonely, neither you nor I."

She paused, thinking, her eyes looking out to where the Evening Star was sailing slowly out of the wooded horizon, his look on her. In the pause the wolf-dog raised its big, sleepy eyes at them, then plunged its head into its paws, its wildness undisturbed by their presence.

Presently the wife continued: "At last we reached here, and here we have lived, where no human being, save one, has ever been. We put up the forge, and in a little hill not far away we found coal for it. The days went on. It was always summer, though there came at times a sharp frost, and covered the ground with a coverlet of white. But the birds were always with us, and the beasts were our friends. I learned to love even the shrill cry of the reed hens, and the soft tap-tap of the wood-pecker is the sweetest music to my ear after the song of the anvil. How often have you and I stood here at the anvil, the fire heating the iron, and our hammers falling constantly! Oh, Francis, I knew that only here with God and His dumb creatures, and His wonderful healing world, all sun, and wind, and flowers, and blossoming trees, working as you used to work, as the first of men worked, would the sane wandering soul return to you. The thought was in you, too, for you led me here, and have been patient also in the awful exile of your mind."

"I have been as a child, and not as a man," he said gravely. "Shall I ever again be a man, as I once was, Samantha?"

"You cannot see yourself," she said. "A week ago you fell ill, and since then you have been pale and worn; but your body has been, and is, that of a great strong man. In the morning I will take you to a spring in the hills, and you shall see yourself, beloved."

He stood up, stretched himself, went to the door, and looked out into the valley flooded with moonlight. He drew in a great draught of air, and said: "The world--the great, wonderful world, where men live, and love work, and do strong things!"--he paused, and turned with a trouble in his face. "My wife," he said, "you have lived with a dead man twelve years, and I have lost twelve years in the world. I had a great thought once-- an invention--but now--" he hung his head bitterly. She came to him, and her hands slid up along his breast to his shoulders, and rested there; and she said, with a glad smile: "Francis, you have lost nothing. The thing--the invention--was all but finished when you fell ill a week ago. We have worked at it for these twelve years; through it, I think, you have been brought back to me. Come, there is a little work yet to, do upon it;" and she drew him to where a machine of iron lay in the corner. With a great cry he fell upon his knees beside it, and fondled it.

Then, presently, he rose, and caught his wife to his breast.

Together, a moment later, they stood beside the anvil. The wolf-dog fled out into the night from the shower of sparks, as, in the red light, the two sang to the clanging of the hammers:

"When God was making the world
(Swift is the wind and white is the fire)"

ETEXT EDITOR'S BOOKMARKS:

Counsel of the overwise to go jolting through the soul Love knows not distance; it hath no continent When a child is born the mother also is born again

THE RIGHT OF WAY

By Gilbert Parker

CONTENTS

Volume 1. I. THE WAY TO THE VERDICT II. WHAT CAME OF THE TRIAL III. AFTER FIVE YEARS IV. CHARLEY MAKES A DISCOVERY V. THE WOMAN IN HELIOTROPE VI. THE WIND AND THE SHORN LAMB VII. "PEACE, PEACE, AND THERE IS NO PEACE!" VIII. THE COST OF THE ORNAMENT

Volume 2. IX. OLD DEBTS FOR NEW X. THE WAY IN AND THE WAY OUT XI. THE RAISING OF THE CURTAIN XII. THE COMING OF ROSALIE XIII. HOW CHARLEY WENT ADVENTURING, AND WHAT HE FOUND XIV. ROSALIE, CHARLEY, AND THE MAN THE WIDOW PLOMONDON JILTED XV. THE MARK IN THE PAPER XVI. MADAME DAUPHIN HAS A MISSION XVII. THE TAILOR MAKES A MIDNIGHT FORAY XVIII. THE STEALING OF THE CROSS

Volume 3. XIX. THE SIGN FROM HEAVEN XX. THE RETURN OF THE TAILOR XXI. THE CURE HAS AN INSPIRATION XXII. THE WOMAN WHO SAW XXIII. THE WOMAN WHO DID NOT TELL XXIV. THE SEIGNEUR TAKES A HAND IN THE GAME XXV. THE COLONEL TELLS HIS STORY XXVI. A SONG, A BOTTLE, AND A GHOST XXVII. OUT ON THE OLD TRAIL XXVIII. THE SEIGNEUR GIVES A WARNING

Volume 4. XXIX. THE WILD RIDE XXX. ROSALIE WARNS CHARLEY XXXI. CHARLEY STANDS AT BAY XXXII. JO PORTUGAIS TELLS A STORY XXXIII. THE EDGE OF LIFE XXXIV. IN AMBUSH XXXV. THE COMING OF MAXIMILIAN COUR AND ANOTHER XXXVI. BARRIERS SWEPT AWAY XXXVII. THE CHALLENGE OF PAULETTE DUBOIS XXXVIII. THE CURE AND THE SEIGNEUR VISIT THE TAILOR XXXIX. THE SCARLET WOMAN XL. AS IT WAS IN THE BEGINNING

Volume 5. XLI. IT WAS MICHAELMAS DAY XLII. A TRIAL AND A VERDICT XLIII. JO PORTUGAIS TELLS A STORY XLIV. "WHO WAS KATHLEEN?" XLV. SIX MONTHS GO BY XLVI. THE FORGOTTEN MAN XLVII. ONE WAS TAKEN AND THE OTHER LEFT XLVIII. "WHERE THE TREE OF LIFE IS BLOOMING--" XLIX. THE OPEN GATE

Volume 6. L. THE PASSION PLAY AT CHAUDIERE LI. FACE TO FACE LII. THE COMING OF BILLY LIII. THE SEIGNEUR AND THE CURE HAVE A SUSPICION LIV. M. ROSSIGNOL SLIPS THE LEASH LV. ROSALIE PLAYS A PART LVI. MRS. FLYNN SPEAKS LVII. A BURNING FIERY FURNACE LVIII. WITH HIS BACK TO THE WALL LIX. IN WHICH CHARLEY MEETS A STRANGER LX. THE HAND AT THE DOOR LXI. THE CURE SPEAKS

EPILOGUE