Chapter II: Front Matter (2)

_b. Dangers from the lecture method._--While we justly condemn the teacher who has nothing of his own to add to the recitation, we must not forget that there is a danger on the other side. Ask any assemblage of teachers how many think that, in general, their own teachers used to talk too much in the recitation, thereby monopolizing the time, and two thirds will blame their former teachers for over-using the lecture method. Most people, when they are sure of an audience, like to talk, and probably teachers are no exception to the rule.

The teacher who is full of information and enthusiasm for the recitation is led by this very fact into temptation. Some point in the lesson suggests an interesting story or illustration, or some additional bit of information, and the teacher starts to tell it to the class. He becomes himself so interested in it that the lesson is forgotten and the class period ended long before the story is completed. This may do occasionally; but, once it becomes a habit, it is fatal to good teaching. The recitation as prepared by the class should be the chief interest of the class period. The teacher must learn to supplement without monopolizing.

7. _The written recitation_

The written recitation can hardly be called a method, since it can be itself applied to any or all of the methods of reciting. Like all other methods, the written recitation has its strong points of excellence and also its dangers.

_a. The use of the written recitation._--The written recitation is especially useful in cases where all of the class should recite upon all of the lesson. It is easy to see that by having each of a class of ten answer ten questions, a far larger amount of answering is done in the aggregate than if only one could answer at a time, as in oral recitation.

There are certain kinds of knowledge that are seldom used except in writing. For example, we are never called upon to spell or to use letter forms, business forms, punctuation marks, etc., except in writing. It is safe to say that matter of such kinds should usually be taught by having it written.

The written recitation also leads to accuracy and precision of thought and expression. We all formulate more carefully what we write than what we speak.

The written recitation also gives an opportunity for training in verbal expression. Every person needs to be able to express himself easily and forcibly in writing. But this requires much practice, and there is no better practice than in formulating in writing the thoughts of the daily lessons.

_b. Dangers in the use of the written method._--Valuable as the written method is, there are certain cautions to be observed in its use.

This method does not ordinarily possess the interest and spontaneity of the oral recitation. There is no opportunity for the teacher to supplement with points brought in. Misconceptions are not cleared up in the minds of the pupils, at least during that recitation period, unless the written papers are read at once. Usually time does not permit this. Many children do not like to write, and hence find the lesson tiresome, especially if continued for a whole class period.

The amount of writing required of children may be too great. Few pupils can write long at a time without eye-strain, muscle cramp, and bad bodily positions. Where this is the case, over-fatigue results if the amount of written work required is large. It is not unusual to find schools in which children are required to spend almost half of their school hours in some form of written work. This is a serious mistake both educationally and from the standpoint of health.

There is also still another side of the matter to consider. One of the great advantages of written work is that the pupil may have his errors shown him, so that he may reflect upon them and correct them. But not infrequently, where the amount of written work is too large, the errors are not carefully corrected by the teacher, and not corrected at all by the pupil. This is why many pupils will keep on making the same error time after time on their papers. The correction has not sufficiently impressed them.

All written work, with perhaps rare exceptions, should be carefully gone over by the teacher, and all serious or oft-repeated errors corrected by the pupils who make them. Not infrequently may children be seen to glance over a paper upon which the teacher has put precious time and some red ink in making corrections, and then crumple the paper and throw it into the waste basket. Sometimes this is done in sheer carelessness, and sometimes in petulance because of the many corrections. This is all a loss of time and opportunity. The teacher should have tact enough to show the pupils that corrections are made on their papers for their benefit, and not as a punishment. And then the pupils should take the trouble to correct the errors, that they may not occur again. Better a thousand times correct carefully an old paper than write a new one containing the same errors.

III

THE ART OF QUESTIONING

1. _The importance of good questioning_

Skill in the art of questioning lies at the basis of all good teaching. When we were children it looked so easy for the teacher to sit and ask the questions which we were expected to answer. When we become teachers we find that it is much harder to ask the questions than to answer them. For to question well, one must not only know the subject thoroughly, but must also constantly interpret the mind of the pupil to discover what question next to ask, and whether he is mastering what we are teaching him.

Good questioning stimulates thought, leads to inquiry, and results in understanding and mastery. Poor questioning leaves the mental powers unawakened, cripples thought, and results in inefficiency and lack of mastery.

2. _Need of fundamental principles_

Good questioning is dependent upon the teacher's having a firm command of a few essential principles which apply to all questioning used in teaching. The teacher's constant self-criticism in the light of these will greatly improve his control of discussion in the class room.

3. _The principle of freedom from textbooks_

The questions of the recitation must of course deal with the matter of the textbook and be directly suggested by it. Yet there are two dangers to be avoided in this connection: (1) Questions should not follow the language of the text, and (2) the teacher should not be dependent on the textbook to suggest the question itself or to determine the correctness of the answer.

The teacher who has not the lesson well prepared, or who is mentally lazy, has a constant temptation to ask questions in the words of the book. This is much easier than to know the subject and the textbook both well enough to formulate original, appropriate questions. An illustration of what is meant is found in the following account of a recitation conducted from "Montgomery's American History," the lesson being on the landing of the Pilgrims (pp. 77, 78):--

Q. On a morning late in November, what did the Pilgrims do?

A. They sighted Cape Cod.

Q. Two days later, where did the Mayflower come to anchor?

A. In Provincetown Harbor.

Q. While the Mayflower remained at anchor, what did Captain
Standish and a boatload of men do?

A. They went out to explore.

Q. On the shore of Plymouth harbor what is there lying?

A. A granite bowlder.

It is seen that each of these questions follows the words of the text, and that the answer but completes the sentence of which the question is a part. Questions of this kind only suggest to the memory the statement of the text, and do not cause the pupil to use his own thought in realizing the actual event. Hence they arouse little interest and leave little impression. They train the verbal memory, but leave imagination, thought, and understanding untouched. How much better such questions as these:--

When did the Pilgrims first sight land?

What land did they see?

What was its appearance?

Have you ever seen a stretch of shore like this one?

Why did not the Pilgrims land at this point?

Where did they finally anchor?

What measures did they take to see whether this was a
suitable place to land?

Why is the name "Plymouth Rock" so famous in American
history?

These questions cover just the same ground as the ones above, but they suggest living pictures and actual events rather than the language of the textbook.

The unprepared or lazy teacher is also in danger of relying on the textbook for his questions even when he does not formulate them in the language of the printed page. Not infrequently teachers conduct the whole of a recitation with the text open before them, hardly taking their eyes from the book, and seeming to have no inspiration or questions not immediately gleaned from the page before them. In extreme cases of unpreparedness they may even have to test the correctness of the answers given by the class by reference to the text. Of course this is all the highest degree of inefficiency. It should not be called teaching at all, for no one can teach another that which he does not himself possess as a part of his own mental equipment. Nothing can be more deadening to a class than to see a teacher, whom they look upon as their intellectual leader, floundering in such a vain attempt to teach something that he does not himself know.

The eyes and the mind of the teacher must both be free in the recitation--the eyes to look interest and encouragement into the eyes of the class, the mind to marshal the points of the lesson and watch the effects of their presentation on the minds of the pupils. A recitation at its best consists of an animated and interesting conversation between teacher and class. And no conversation can be live and interesting when one of its participants has mind and eyes riveted to a book; for conversation involves an interchange of expression, of spirit, and of personality as well as of words.

It is not meant that a teacher must never have a textbook open before him during a recitation. Often it is not only desirable, but necessary that he should do so; but only for suggestion and reference, and never to supply questions and test answers.

It is certainly much better to have the textbook before one than to teach the lesson after a disconnected and haphazard fashion from lack of familiarity with its points. An excellent substitute for the text, however, is an outline, or plan of the lesson embodying the main points, illustrations, and applications to be made. Such an outline will save the teacher from wandering too far afield in the discussions, will insure unity in the lesson, and make certain that important points shall not be overlooked.

A desirable rule for the teacher to set for himself would be so to prepare for the recitation by mastery of the subject, and by lesson plan or outline, _that he does not need to have the textbook open before him when the pupils do not also have their books open_. The teacher who will heroically meet this standard will soon find growing in himself a feeling of mastery of his subjects and of joy in his teaching.

4. _The principle of unity or continuity in questions_

Questions should be so planned that they develop or bring out the unity of the lesson. It is possible for questions to be so haphazard and disconnected that the pupil receives the impression of a series of unrelated facts, rather than a unified and related subject. In good questioning, one question naturally grows out of another, so that the series develops step by step the truth contained in the lesson, and brings it to the mind of the child as a complete whole.

This means that the teacher must know the whole subject so thoroughly that the right questions come to him easily and naturally, and in the right order to bring out the successive steps of the lesson in their logical relations.

The difference between a related series of questions and an unrelated is shown in two lists which follow. Both deal with the same subject-matter, a physiology lesson on respiration. The questions of the first list are not themselves faulty, but there is no continuity among them; one does not grow out of another so as to "develop" the subject in the minds of the class.

What change takes place in the air while in the lungs?

What change takes place in the blood while in the lungs?

How many cubic inches of air will the lungs contain?

How much of this cannot be expelled by breathing out?

How many times do we naturally breathe in a minute?

What are some of the effects of breathing impure air?

How is the oxygen carried by the blood?

What is animal heat?

What is the temperature of the body?

These questions were all answered fairly well by the class, but the answers contained only so many bits of isolated information, and the pupils did not understand the subject after they had recited upon it. Another teacher asked the following questions:

Why must the body have air to breathe?

Of what use is oxygen in the body?

Where does this oxidization, or burning up of worn-out
cells, take place?

But how is the oxygen carried to every part of the body and
brought into contact with the tissues?

Where do the corpuscles of the blood get their loads of
oxygen?

What gas do they give up in exchange for the oxygen?

Where do they get the carbon dioxide?

How does air entering the lungs differ from air leaving
them?

What corresponding change takes place in the blood while it
is in the lungs?

Explain how the change is effected in each case.

Suppose we breathe air that contains too little oxygen, what
will be the effect on the corpuscles?

What will be the effect on oxidization in the tissues?

And what is the effect of poor oxidization on physical
vitality?

On mental vitality?

The class that answered these questions not only had the information belonging to each separate question, but also understood the lesson as a whole, because each question grew out of the ones that preceded it, thus making the recitation a unified whole.

5. _The principle of clearness_

Questions must be made clear, so that their meaning may be understood. This is not always an easy task, and the teacher frequently misses being wholly clear. This is evidenced by the fact that often when a pupil fails to answer a question asked in one way, he can answer it easily when the wording is changed. This means that the difficulty for the pupil existed in the question, and not in the answer.

Clearness in questioning involves three factors: (1) Freedom from ambiguity or obscurity of wording; (2) adaptation to the age and understanding of the pupil; (3) reasonable brevity.

_a. Freedom from ambiguity or obscurity of wording._--This is fundamentally a matter of the use of good English. It requires such a choice and arrangement of words and clauses that there can be no doubt as to the meaning to be conveyed. Assuming a fair command of the language and care in its use, the basis of clearness at this point is thorough mastery of the subject-matter of the questions, so that the teacher himself understands clearly just what he means to ask.

The following illustrations show some questions that are faulty from the standpoint of obscurity of meaning:--

What caused Lincoln to issue the Emancipation Proclamation in 1863? (Not clear whether question means why did he issue the Emancipation Proclamation at all, or why did he issue it in 1863 instead of at some other time.)

What are the effects of attention to a moving object? (Not clear whether question means effects on the person attending or the effect which the moving of an object has in making itself seen.)

Who chased whom down what valley?

Why has a cat fur and a duck feathers?

_b. Adaptation to the age and understanding of the child._--Questions that are perfectly clear to an adult may be hazy or incomprehensible to a child because he does not understand the terms used in the question, or because it deals with matters beyond his grasp. The teacher must keep within the vocabulary of the child in formulating his questions. Where it is necessary or desirable to introduce new words into questions, care must be taken that the child knows fully the meaning of the new terms. A teacher asked a class in elementary physiology, "What measures would you take to resuscitate a person asphyxiated with carbon dioxide?" The class all looked blank. No one seemed to know what to do. It chanced that the superintendent was visiting the school, and he said to the teacher, "Let me try." Then he asked the class, "What would you do for a person who had been smothered by breathing coal gas?" The class brightened up, and every hand was raised indicating readiness to answer the question.

Another teacher bewildered his class by asking, "Which phenomena of the fratricidal strife in the American Republic were most determinative of the ultimate fate of the nation?" No one knew. Had he asked his question in plain terms, no doubt the class could have answered it.

In an elementary history class, a teacher propounded this question: "What American institutions have been founded on the principle of social democracy?" Not only the terms of the question, but the thought also is beyond the comprehension of children. Such questions are not only useless as a means of testing, teaching, or drilling, but serve to confuse and discourage the child, and cause him to lose interest in school.

_c. Brevity._--No matter how well a question is worded, or how well it is adapted to the age and capacity of the pupil, it may fail in clearness because it is too long and disjointed, or because it deals with too many points. Far better break a complicated question up into several simple ones, concerning whose meaning there can be no doubt.

A teacher who had not yet mastered the art of questioning asked his physiology class a question somewhat like this: "Do you consider it advisable, taking into account the fact that none of the vital processes go on as vigorously during sleep as during the waking hours (you remember that the breathing and the pulse are less rapid and the temperature of the body also lower), to eat just before retiring at night, especially if one is very tired and exhausted--a condition which still further lowers the vitality and hence decreases the powers of digestion and assimilation, and would your answer be different if it is understood that the food taken is to be light and easily digested?"

It is needless to say that the class found themselves lost in the maze of conditions and parenthetical expressions and did not attempt an answer. The question contains material for a dozen different questions, and probably the class could have answered them all had they been properly asked.

6. _The principle of definiteness_

Questions should be definite, so that they can have but one meaning. It is possible to ask a question so that its general meaning is clear enough, but so that its _precise_ meaning is in doubt. Such questions leave the pupil puzzled, and usually lead to indirectness or guessing in the answer. Failure to make questions definite, so that they can have but one meaning is responsible for much of the difference of opinion on disputed questions.

Many a stock question upon which amateur debating societies have exercised their talents would admit of no debate at all, if once the question were made definite. For the ground for debate lies in the difference in interpretation of the question and not in the facts themselves. For example: If a cannon ball were to be fired off by some mechanical device a million miles from where there was any ear to hear, would there be any sound? The lack of definiteness here which permits difference of opinion lies in the word "sound." If we add after the word "sound" the phrase, "in the sense of a conscious auditory sensation," the answer would obviously be, No, since there can be no auditory sensation without an ear to hear it. If, on the other hand, instead of the above phrase we add, "in the sense of wave-vibrations in the air," the answer will obviously be, Yes, since the wave-vibrations in the air do not depend on the presence of an ear to be affected by them.

Likewise, in the question, If a man starts to walk around a squirrel which is clinging to the limb of a tree, and if, as the man circles the tree, the squirrel also circles the tree so that he constantly faces the man, when the man has gone completely around the tree, has he gone around the squirrel? Here the indefiniteness lies in the meaning of to "go around." With this indefiniteness remedied, there is no longer any possibility of difference of opinion.

Indefiniteness may come from the use of certain words that from their very nature are indefinite in meaning. Such are the verbs _be_, _do_, _have_, _become_, _happen_, and the prepositions _of_ and _about_. Examples of indefiniteness growing out of such colorless words are found in the following questions, which are types of many asked in our schools daily:--

What does water _do_ when heated? (Expands, evaporates,
boils.)

What _happens_ when it lightnings? (Thunder, discharge of
electricity, flash.)

What must immigrants coming into this country _have_?
(Money, freedom from disease, character.)

What did Arnold _become_? (A traitor, a British general, an
outcast, a repentant man.)

What _is_ the cow? (A mammal, a quadruped, a producer of
milk, butter, and beef; an herbivorous animal.)

What _about_ the Monroe Doctrine? (A dozen different
things.)

What _of_ the animals in the temperate zone?

Questions may be so general as to be indefinite. The teacher asks, "Where is Chicago?" The class may answer, "In Illinois on Lake Michigan; in North America; in Cook County." The teacher should know just what answer he desires, and then ask, "In what State; on what continent; on what lake; or in what county?"

Other illustrations of vagueness coming from the use of words of too general a meaning are found in such questions as, What _kind_ of man was George Washington?

_When_ does a person need food?

_How_ does tobacco grow?

_What_ do birds like?

All indefinite questions deserve and usually receive an indefinite answer, and hence lead to and encourage guessing. If the answers to such questions as the above are not indefinite, they must be purely memoriter, merely reproducing the words of the text without comprehension of any real meaning.

Indefinite questioning usually comes from a lack of clear thinking on the part of the questioner. The teacher himself does not know precisely what he means to ask, and hence cannot be definite. It is safe to say that the teacher's questions covering a subject will never be any more clear or definite than the subject itself is in his mind. Indeed it is hard for one to be wholly definite in questioning even when he is a perfect master of his subject. Certainly, then, eternal vigilance will be the price of clearness and definiteness on the part of the young teacher who is as yet striving for mastery of what he is teaching.

7. _Secondary principles of good questioning_

Besides the foregoing fundamental principles underlying the art of questioning, there are a few secondary principles, some of which are of hardly less importance:--

1. Questions should be asked naturally, and in a conversational tone, and not explosively _demanded_ of pupils.

2. Usually the question should be addressed to the entire class and, after all have had a moment to think, some one then designated to answer. The reason for this is obvious. If the one who is to answer is designated before the question is asked, the incentive to the rest of the class to think the answer is greatly lessened.

3. No regular order should be followed in calling on pupils. If such an order is established, the lazy and uninterested ones have a tendency to remain inactive until called upon. By the hit-and-miss method of calling no one knows at what moment he may be the next one, hence there is a strong incentive to attend to the lesson. It is also desirable to call on a pupil occasionally the second time very soon after he has previously been called upon. This prevents him from thinking that as soon as he has recited once he can then safely relax his attention.

4. Inattentive or mischievous pupils should be the mark for frequent questions. If it comes to be known that any inattention is sure to bring questions to the pupil at fault, the battle for attention is half won. There is a strong tendency on the part of the teacher to ask for the answer to a question from those whose eyes show that they are attentive and ready with an answer. While this readiness and attention should be rewarded by giving an opportunity to answer, it must not lead the teacher to neglect those who may need the question more than the more ready ones. The questions should be impartially distributed among the bright and the dull pupils.

5. It is highly important that questions shall be asked so that they demand thought in answering, and usually so that the answer must be given in a full statement. Seldom should a question be asked in such form that a simple Yes or No will answer it. This does not require sufficient thought on the part of the pupil, it permits guess-work, and fails to cultivate ability in expression. Answers that may be given in a word or two, or by Yes or No, may be accepted in rapid drill or review work, and also in the inductive questioning used in developing a new subject, but should be used very sparingly in other places in the recitation.

6. The "pumping" question should not be used. In this type of question, the teacher formulates the answer and leaves only the key word for the pupil to supply. The teacher sometimes goes so far as to suggest the necessary word by pronouncing the first syllable or two of it. A dialogue like the following was heard in one school:--

Q. "Columbus was an ----?"

A. "Explorer."

Q. "No, he was an It----?"

A. "Oh, an Italian."

Such an attempt at teaching would be amusing, were it not so serious for the child.

8. _The treatment of answers_

The teacher's treatment of the answers given is of hardly less importance than the formulation of the questions themselves. It is to be remembered that the recitation is an interchange of thought and expression between teacher and class. To this end, the response must be mutual. Not alone when the question is being asked is the teacher to be animated and interested, but likewise while the answer is being given. It is neither good pedagogy nor good manners for a teacher to sit unresponsive and inattentive when a pupil is reciting. Not that the teacher needs always to comment on an answer, or say that it is correct; it is rather a matter of manner, of attention and interest to the answer. We find it embarrassing either in a recitation or out of it to talk to a person who seems not to be listening.

Right at this point, however, there lurks an insidious danger. It comes easily and naturally to one to give some sign of assent or disapproval as to the correctness of the answer while it is being spoken. The slightest inclination of the head, the dropping of the eyelids, or a certain expression of the face, comes to be read by the pupil as a signboard to guide him in his statements. This is, of course, all wrong. The teacher should give absolutely no sign while the answer is going on. Thus to help the child leads him to depend on the teacher instead of relying on his own knowledge. It leads to guessing, and so skillful does this sometimes become that a bright but unprepared pupil is able to steer through a recitation guided by the unsuspecting teacher.

Answers should not be repeated by the teacher. This is a very common fault, and a habit that is usually acquired before the teacher is aware of it. The tendency to repeat answers probably arises at first from a mental unreadiness on the part of the teacher. He has not his next question quite ready, and so bridges over the interval by saying over the answer just given by the pupil. It is a method of gaining time, but really finally results in great loss of time in the recitation. By actual count, many teachers have been found to repeat as many as 75% of the answers given in the recitation. Besides the great waste of time, the repetition of answers is a source of distraction and annoyance to pupils. No one enjoys having his words said over after him constantly. Of course answers may sometimes need to be repeated to emphasize some important point. But when repetition has become a habit, no emphasis is gained by the repetition.

Finally, answers should be required in good English, clear and definite, like the questions. Pupils who say, "An improper fraction is 'where' the numerator is greater than the denominator"; "A compound sentence is 'when' it has two or more independent clauses," should be led to restate their answers in clear and correct language.

IV

CONDITIONS NECESSARY TO A GOOD RECITATION

We have now discussed the aim of the recitation, its methods, and the principles governing the art of questioning. But no matter how well defined the aim for the recitation, no matter how excellent its method, no matter how skilled the teacher may be in the art of questioning, these things alone cannot make a good recitation. Certain other fundamental conditions must obtain if the recitation is to be a success. Let us now discuss the more important of these conditions.

1. _Freedom from distractions_

Distractions of any nature result in a double waste. First, a waste of power through preventing concentration and continuity of thought. Try as hard as one may, he cannot secure the best results from his mental effort, if his stream of thought is being broken in upon. The loss by this process is comparable to that involved in running a train of cars, stopping it every ten rods instead of every ten or every one hundred miles. But this form of waste is not all. There is also a serious waste of interest and enthusiasm resulting from interrupted recitations. Every teacher has at times felt the sudden drop in attention and interest on the part of the class after some interruption which took the minds of the class off the subject. Try as hard as the teacher may, it is impossible to go back to the same level of efficiency after such a break. The following show some of the chief sources of distractions:--

_a. Distractions by the teacher._--Strange as it may seem, many teachers are to be criticised on this point. Any striking feature or peculiarity of manner, dress, or carriage which attracts the attention of the class is a distraction. A loud or ill-modulated voice, tones too low or indistinct to be heard well, the habit of walking up and down the aisles or back and forth before the class, assuming awkward positions standing or sitting before the class--these are all personal factors which the teacher needs to keep constantly under surveillance.

The teacher may also distract the class by answering questions asked by the pupils at their seats, or by rebuking misdemeanors seen among those not in the recitation. Most of such interruptions are wholly unnecessary, and could be avoided by a little foresight and management. The lesson should be so clearly assigned that the pupils can have no excuse to ask later about the assignment, and then there should be a penalty for forgetting it. The drinks of water should be had and the errands attended to between classes. The pencils should be supplied and sharpened before the session begins. The mischievous culprits should be taught that it is a serious offense to interrupt a recitation. The teacher who permits these distractions by the school has not yet learned the secret of good management, and could hardly advertise his inefficiency in this regard any more effectively than by permitting such interruptions to continue.

It is also possible for the teacher to distract the person reciting by interrupting when there is a slight pause to think of the next point, or a hesitation before pronouncing a word. Teachers sometimes even interrupt a pupil who is reciting and themselves offer explanations, make remarks, or continue the discussion, leaving the child standing and not knowing whether he is excused or not. Of course this is bad manners on the part of the teacher, and it is even worse pedagogy. It is not encouraging to the pupil to feel that he may be interrupted at any moment, and few can think clearly or recite well when expecting such interruptions. The pupil should not expect to be allowed to think out a lesson or a point when he is reciting, which he should have thought out before coming to class. On the other hand, the teacher must remember that the child's mind is working on what to him is new and difficult matter, and hence cannot move as rapidly as the teacher's.

_b. Distractions by the class._--Inattention, restlessness, and mischief are great sources of distraction from the class themselves. All these things have a tendency to be contagious, and in any case always break in upon the train of thought of the recitation. Because of this the teacher _must_ win the inattentive and restless, and _must_ check the restless, if he would save his recitation.

Not infrequently, in the more elementary classes, a certain kind of distraction is fostered and encouraged by the teacher with the aim of securing the attention of the whole class to the one who is reciting. This form of distraction consists in having the whole class watch the one who is reciting, and, if they observe an error in the recitation, at once raise their hands, when the one reciting must stop. This is a mistake from almost every standpoint, and has very little to redeem it. It may result in closer attention on the part of the class; but the motive which prompts the attention is bad. It leads to elation and rejoicing over the mistakes and failures of another, and it centres attention on the mistakes rather than on the facts to be brought out. Attention should be trained so that it will not have to depend on this kind of motive, and the memory should be trained to note and hold a correction until the one reciting has finished. Further, it is a most serious distraction to the one who is reciting to be expecting that a forest of hands may at any moment be wildly waving about his ears, gleefully announcing that he has made an error. Condemnation of this method of securing attention can hardly be too severe.

_c. Distractions by the school._--In any busy school there is bound to be more or less of hum and confusion. In many schools, however, there is much more than is warranted. It is true that children get tired of sitting still for an entire session, and that they find relief in going for a drink, or going to the dictionary, or on some other errand about the room. In some schools, one or more pupils may be found walking about the room at almost any time of the day, and not infrequently several are on errands at the same time. This, as previously noted, is usually a fault in management on the part of the teacher. The larger part of these interruptions can just as well be saved by a little foresight and firmness.

Some teachers even leave the class which they are hearing to answer questions or give help to pupils in the school who have not been trained to wait for their requests until the class is dismissed. Usually, only a very small percentage of these questions should have been asked at all, or would have been with the proper management of the school. And all the necessary questions and requests should almost without exception be held for the interval between recitations. The school should be taught that nothing short of the direst necessity will warrant asking a question or making a request during a recitation.

Likewise in the case of misdemeanors. The class which is reciting should not be interrupted for minor misdemeanors which occur during the recitation. This does not mean that the misdemeanor is to go by unnoticed. On the contrary, the settlement for it may be all the more severe for having to wait until the class is dismissed.

_d. Physical distractions._--Distractions from the physical environment may be of several kinds.

Not infrequently, especially in the older schoolhouses, the seats are so placed with reference to windows that the light strikes the eyes of the pupils, instead of the pages of the books; or it may be that a stray sunbeam strikes athwart the class and dazzles the eyes. It need hardly be suggested that no such distraction as this should go unremedied.

In the rural schools the recitation seats are often near the stove, where the temperature becomes unbearably hot when the stove must be generously fired to heat the remainder of the room. Not infrequently the ventilation is bad, and the room is filled with foul air, from which the major part of the oxygen has been exhausted. No matter how good the intentions of the class or how zealous the teacher, such conditions will kill the recitation.

Whatever may be the cause of physical discomfort or unrest should be remedied. One's body should be so comfortable and healthy that it does not attract attention to itself, except when needing food or other care, and it is the duty of the school to do all possible to bring this condition about.

2. _Interest and enthusiasm_

Interest is the foundation of all mental activity. Its very nature is to lead to thought and action. Grown ardent, interest becomes enthusiasm, "without which," says Emerson, "nothing great was ever accomplished." On the other hand, the absence of interest leaves the pupil lifeless and inert mentally, his work a bore and achievement impossible. Interest is, therefore, a first consideration in the recitation.

Interest is contagious. No one ever saw an interested and enthusiastic teacher with a dull and lifeless class. Nor can interest and enthusiasm on the part of a class continue in the presence of a mechanical and lifeless teacher. The teacher is the model, and he sets the standard and pace for his class. Unconsciously the pupils come, under the influence of the teacher's personality, to reflect his type of mind and attitude toward the work of the school. The teacher's interest and vivacity in the recitation depend on many factors, some of which are largely under his own control.

_a. The teacher's command of the subject-matter of the recitation._--A teacher whose grasp of the lesson is doubtful, who does not feel sure that he is a master of all its points, who fears that questions may be asked that he cannot answer or points raised that he cannot explain, can hardly possess an attitude of true interest toward the recitation. His mind is too full of worry and strain and embarrassment. He lacks the sense of ease and freedom which comes from a feeling of mastery.

Command of the subject-matter of the recitation depends, _first_ on the teacher's general mastery of the branch, and, _second_, on being freshly prepared upon it. It behooves every young teacher, therefore, to strive for mastery as he teaches.

But no matter how good the preliminary preparation, this cannot take the place of the fresh daily review, which gives the mind a new readiness and grasp on the subject. Let the teachers who feel that their recitations are slow and dull, seek the cause first of all in their own lack of preparation in one of the two lines mentioned.

_b. The teacher's attitude toward his work._--If the teacher looks upon teaching as a mechanical process; if he looks on the recitation as "hearing the class recite"; if he realizes nothing of the opportunities and responsibilities connected with teaching children, then he can command little interest and no enthusiasm. If, on the other hand, teaching is to the teacher a joy; if he loves to watch the minds of children unfold; if he rejoices in his opportunities and responsibilities as a teacher, then he is sure to develop an interest which will soon intensify with enthusiasm.

_c. The teacher's health._--All have experienced the mental depression and lack of interest in things which comes from over-fatigue. The most interesting occupation palls on us when we are fagged, or when our vitality is low from derangement of health. A case of indigestion may sweep us out of our usual cheery mood into a mood of discouragement and pessimism. Frayed nerves and an ill-nourished or exhausted brain are fatal to enthusiasm.

Teaching is found to be a very trying occupation on the general health, and particularly on the nervous system. Many girls break down or develop a chronic nervous trouble in a few years in the schoolroom. The combined work and worry prove too much for their strength; and not infrequently, also, the teacher who boards and carries a cold luncheon to school fails to secure the right kind of food. This is especially true in the rural schools. Farmers have enough to eat, but often the food suitable for men engaged in heavy manual labor is wholly unsuited for one who works with the brain and does not have a large amount of out-door exercise.

Nor do teachers always secure enough pure air. The air of schoolrooms is usually vitiated to such a degree that one on coming in from the out-door air can detect a foul odor. But the air of a room ceases to be fit to breathe long before an odor can be detected from its impurities.

These are some of the chief factors which are proving so fatal to the health of many of our teachers, and to interest and enthusiasm on the part of the teacher in his work. Both for the sake of his health and his work, every teacher should seek to control these three factors as far as possible. Strain and worry and wear of nerves can be greatly lessened by careful planning of work, by good organization and careful management, and by exercise of the will to prohibit worry over matters large or small when worry will not help solve them. The teacher can in some degree determine what food he will eat, even if it means a change of boarding-place. And surely every teacher can control the supply of fresh air for the schoolroom and his bedroom, and this is perhaps the most important of all.

_d. Experience._--The young teacher, without experience, may from sheer embarrassment and lack of mastery fail to show the enthusiasm which he feels, for embarrassment of any kind and enthusiasm do not thrive well together. But if the teacher is really fundamentally interested in his teaching, the enthusiasm will soon come. And better a thousand times the young teacher who is earnestly fighting for freedom and mastery in the recitation, than the old teacher who has grown wearied of the routine and has made out of the recitation a machine process.

3. _Well-mastered lessons_

Probably the worst of all drawbacks to good recitations is poorly prepared lessons. One of the greatest criticisms to which our educational system is open is that teachers try to teach and pupils try to recite lessons which are badly or indifferently prepared by both. There is nothing more stupefying to the mind, or more fatal to interest in school work than the halting, stumbling, ineffective recitations heard in many schools. Teachers who try to teach lessons with which they are not thoroughly familiar are but blind leaders of the blind, and both they and their pupils are sure to fall into the ditch.

_a. Preparation by the teacher._--The teacher is the key to the situation. If he himself lacks in preparation, he can neither lead nor compel his pupils to the preparation of their lessons. He sets the standard. A stream does not rise higher than its source.

The teacher's preparation has two different aspects: (1) The general fundamental knowledge of the subject as a whole obtained by previous study; and (2) the daily preparation by study, thought, or reading for the recitation.

In general it is safe to say that teachers enter upon their vocation without sufficient education. Our certificate requirements are low, and many enter upon teaching with little or no more schooling than that obtained in the schools where they begin teaching. Of course this is radically wrong, but it is the fault of our school system and not of the teacher. It behooves teachers entering upon their work with this scanty preparation to recognize their limitations, however, and to do their best to remedy them. Low grade of certificate, low standings in any branches, or the teacher's own consciousness of lack of mastery should be sufficient to send the sincere and earnest teacher to school again, even if this must be to summer schools instead of longer sessions. This sacrifice will not only pay abundantly in higher salary, but also in greater teaching power and in the sense of greater mastery and personal growth.

But no amount of preparation in a branch will relieve a teacher of the necessity of daily preparation for the recitation. Dr. Arnold expressed this thought when he said: "I prefer that my pupils shall drink from a running stream, rather than from a stagnant pool." In order that one may develop a line of thought easily it must be _fresh_ in his mind; it is not enough that he has once known it well. One of the master teachers of our country, a university professor who is recognized as a great authority in his chosen subject, Latin, recently said to a group of Latin teachers: "I have taught Cicero for twenty years, until I know it by heart. But yet, every day, one hour before the time for my Cicero class, I go to my study and spend an hour with Cicero, just to get into the spirit of it. I would not dare to meet my class without this."

It is true that the teacher with twenty classes a day cannot spend an hour on the preparation of each lesson. But most of the lessons will not require so much--sometimes the preparation will be the making of an outline or plan, sometimes reading the lesson over to freshen the mind upon it, sometimes only thinking the lesson through, for its plan and topics. It may at times, however, mean hard and serious study to master the difficult points and their presentation. But whatever it means, the conscientious and growing teacher will go to the lesson prepared to teach it in such a way as to inspire to high standards and mastery on the part of the pupils.

_b. Preparation by the class._--But in addition to the well-prepared teacher, there must also be a well-prepared class. The teacher cannot make bricks without straw. Every failure to recite when called upon is a dead weight upon the progress of the recitation; and each failure makes it easier for the next one to fail with impunity, or at least without disgrace. It therefore behooves the teacher who would have inspiring recitations to lead the pupils to a high standard of preparation.

The pupil's preparation of the lesson should include two distinct lines: (1) Mastery of the facts, thought, or meaning of the lesson; and (2) thought or plans how best to express the lesson in the recitation. Most pupils think they "have their lesson" when they have memorized it or come to understand it. They must also be made to see that an important part of their preparation lies in _the ability to tell well what they have learned_.

4. _High standards in the recitation_

There is no more potent force than public opinion to compel to high achievement or restrain from unworthy acts. A school in which the standards of preparation and recitation are low presents a difficult problem for the teacher in the recitation. In some schools pupils who are diffident about reciting, or who do not care to take the trouble, shake their heads in refusal almost before they hear the question in full. Others sit in stolid silence when called upon, and make no response of any kind. In still other cases the class smile or giggle when several have been called upon and have failed to recite, thus taking the failure as a joke.

Of course such a lack of standards proclaims the previous teaching to have been weak and bungling. It shows the effects of a teacher without standards or skill. But the immediate question is how to remedy such an evil situation when one finds it existing in a school.

It is probable that low standards come as often from work that is too difficult or too great in amount as from any other source. If the child fails to understand the lesson, or has not had time to master it, he cannot recite, however much he may desire to. All that is left for him is to decline when called upon. He may be chagrined at first over his failure; but if failure follows failure, he soon ceases to care when unable to recite. The remedy suggests itself at once; assign lessons that are within the child's ability, and also within the time available for their preparation. Then _insist that the work be done and the recitation be made_.

If the failure comes from laziness, lack of study, indulgence in mischief, or any such cause, the remedy will be a different one. But a remedy must be devised and applied. No school can run successfully without good standards well maintained for the recitation. The teacher who feels that the standards of the school are too low in this particular should never be satisfied until the cause for such a condition is discovered, and worthy standards instituted. This will be one of the hardest tests upon the teacher's ingenuity and skill.

The public opinion of the school must be brought to take the recitation seriously. It must not be a cause for levity when several pupils fail. Failure must come to be looked forward to with apprehension, and looked back upon with humiliation. And all this must be done without scolding and bickering. It must be done with great patience and good nature, but it must be done. The teacher must himself have a high standard of excellence, and must persistently impress this upon his class. Here again the ideals of the teacher are contagious.

5. _A spirit of cooperation_

Much depends on the spirit with which class and teacher enter upon the recitation. If the spirit of cooperation is lacking; if the relations between teacher and pupils are strained or not cordial; if the class look upon the recitation as a kind of game in which the teacher tries to corner and catch the class, and the class try to avoid being cornered and caught, then the recitation is certain to be a failure.

Under skillful teaching the pupils should come to look forward to the recitation with pleasure and anticipation. It should be a time when teacher and class work together in whole-hearted, enthusiastic effort, with the common aim of bringing the class to master more fully the matter of the lesson. There should be no feeling that the teacher has one aim and the class another aim, or that their interests are in any way antagonistic; no feeling that the teacher's highest ambition is to catch pupils in errors, and the pupil's highest achievement to avoid being caught. There should be no attempt at bluffing, or covering up errors or points not understood.

Probably the greatest factor in establishing and maintaining a spirit of cooperation between teacher and class is a deep-seated and sympathetic desire on the part of the teacher to be helpful. If his attitude is that of a friend and co-worker, and his criticisms and corrections are all made in the spirit of helping to a better understanding rather than in the spirit of fault-finding, this will go far toward establishing a spirit of cooperation in the class.