Chapter XII: Preface: In the Name of God the Merciful, Most Merciful (4)

"Remember that I place myself in the front of this glorious charge which I exhort you to make. At the moment when the two armies meet hand to hand, you will see me, never doubt it, seeking out this Roderick, tyrant of his people, challenging him to combat, if God is willing. If I perish after this, I will have had at least the satisfaction of delivering you, and you will easily find among you an experienced hero, to whom you can confidently give the task of directing you. But should I fall before I reach to Roderick, redouble your ardor, force yourselves to the attack and achieve the conquest of this country, in depriving him of life. With him dead, his soldiers will no longer defy you."

MOORISH LITERATURE

POETRY OF THE SPANISH MOORS

"_Fortune, that whilom owned my sway,
And bowed obsequious to my nod,
Now sees me destined to obey,
And bend beneath oppression's rod._"
PRINCE MOHAMMED BEN ABAD.

POETRY OF THE SPANISH MOORS

(INTRODUCTION)

While the scientific leadership of the Moors faded with the breaking of their military unity in the twelfth century, they still retained in some of their smaller kingdoms, and especially in that of Granada, a high degree of culture. The love of beauty and the spirit of romance were strong among all the Spanish Moors; and so their poetry continued long after science failed them. Poetry indeed became their main expression. Granada, the last of all their Spanish kingdoms, did not fall before the advancing Christians until 1492. Then, as our histories have so often told, Ferdinand and Isabella, the Christian rulers of Spain, conducted a holy war for the destruction of Granada. Its last fortress surrendered, and its people withdrew to Africa. There, according to a characteristically dreamy legend, they still retain the keys of their mansions in Granada, treasuring them up for the day of their triumphant return.

Of the Moorish poetry which survived the fall of Granada, much was preserved by the Spaniards themselves and in the Spanish language. The victors knew how to value the spirit of the vanquished; and ballads of Moorish origin, telling of Moorish loves, long remained popular in Spain. The authors of most of these have been forgotten. The text of some of the best known of them is given here.

MOORISH POETRY

VERSES TO MY DAUGHTERS[53]

(BY PRINCE MOHAMMED BEN ABAD)

With jocund heart and cheerful brow
I used to hail the festal morn—
How must Mohammed greet it now?—
A prisoner helpless and forlorn.

While these dear maids in beauty's bloom,
With want opprest, with rags o'erspread,
By sordid labors at the loom
Must earn a poor, precarious bread.

Those feet that never touched the ground,
Till musk or camphor strewed the way,
Now bare and swoll'n with many a wound,
Must struggle through the miry clay.

Those radiant cheeks are veiled in woe,
A shower descends from every eye,
And not a starting tear can flow,
That wakes not an attending sigh.

Fortune, that whilom owned my sway,
And bowed obsequious to my nod,
Now sees me destined to obey,
And bend beneath oppression's rod.

Ye mortals with success elate,
Who bask in hope's delusive beam,
Attentive view Mohammed's fate,
And own that bliss is but a dream.

SERENADE TO MY SLEEPING MISTRESS[54]

(BY ALI BEN ABAD)

Sure Harut's[55] potent spells were breathed
Upon that magic sword, thine eye;
For if it wounds us thus while sheathed,
When drawn, 'tis vain its edge to fly.

How canst thou doom me, cruel fair,
Plunged in the hell[56] of scorn to groan?
No idol e'er this heart could share,
This heart has worshiped thee alone.

THE INCONSISTENT[57]

When I sent you my melons, you cried out with scorn,
They ought to be heavy and wrinkled and yellow;
When I offered myself, whom those graces adorn,
You flouted, and called me an ugly old fellow.

THE BULLFIGHT OF GAZUL[58]

King Almanzor of Granada, he hath bid the trumpet sound,
He hath summoned all the Moorish lords, from the hills and plains
around;
From _vega_ and _sierra_, from Betis and Xenil,
They have come with helm and cuirass of gold and twisted steel.

'Tis the holy Baptist's feast they hold in royalty and state,
And they have closed the spacious lists beside the Alhambra's gate;
In gowns of black and silver laced, within the tented ring,
Eight Moors to fight the bull are placed in presence of the King.

Eight Moorish lords of valor tried, with stalwart arm and true,
The onset of the beasts abide, as they come rushing through;
The deeds they've done, the spoils they've won, fill all with hope
and trust,
Yet ere high in heaven appears the sun they all have bit the dust.

Then sounds the trumpet clearly, then clangs the loud tambour,
Make room, make room for Gazul—throw wide, throw wide the door;
Blow, blow the trumpet clearer still, more loudly strike the drum,
The _Alcaydé_ of Algava to fight the bull doth come.

And first before the King he passed, with reverence stooping low,
And next he bowed him to the Queen, and the _Infantas_ all a-row;
Then to his lady's grace he turned, and she to him did throw
A scarf from out her balcony, 'twas whiter than the snow.

With the life-blood of the slaughtered lords all slippery is the sand,
Yet proudly in the center hath Gazul ta'en his stand;
And ladies look with heaving breast, and lords with anxious eye,
But firmly he extends his arm—his look is calm and high.

Three bulls against the knight are loosed, and two come roaring on,
He rises high in stirrup, forth stretching his _rejón_;
Each furious beast upon the breast he deals him such a blow
He blindly totters and gives back, across the sand to go.

"Turn, Gazul, turn!" the people cry—the third comes up behind,
Low to the sand his head holds he, his nostrils snuff the wind;
The mountaineers that lead the steers, without stand whispering low,
"Now thinks this proud _alcaydé_ to stun Harpado so?"

From Guadiana comes he not, he comes not from Xenil,
From Gaudalarif of the plain, or Barves of the hill;
But where from out the forest burst Xarama's waters clear,
Beneath the oak-trees was he nursed, this proud and stately steer.

Dark is his hide on either side, but the blood within doth boil,
And the dun hide glows, as if on fire, as he paws to the turmoil.
His eyes are jet, and they are set in crystal rings of snow;
But now they stare with one red glare of brass upon the foe.

Upon the forehead of the bull the horns stand close and near,
From out the broad and wrinkled skull, like daggers they appear;
His neck is massy, like the trunk of some old knotted tree,
Whereon the monster's shaggy mane, like billows curled, ye see.

His legs are short, his hams are thick, his hoofs are black as night,
Like a strong flail he holds his tail in fierceness of his might;
Like something molten out of iron, or hewn from forth the rock,
Harpado of Xarama stands, to bide the _alcaydé's_ shock.

Now stops the drum—close, close they come—thrice meet, and thrice
give back;
The white foam of Harpado lies on the charger's breast of black—
The white foam of the charger on Harpado's front of dun—
Once more advance upon his lance—once more, thou fearless one!

Once more, once more;—in dust and gore to ruin must thou reel—
In vain, in vain thou tearest the sand with furious heel—
In vain, in vain, thou noble beast, I see, I see thee stagger,
Now keen and cold thy neck must hold the stern _alcaydé's_ dagger!

They have slipped a noose around his feet, six horses are brought in,
And away they drag Harpado with a loud and joyful din.
Now stoop thee, lady, from thy stand, and the ring of price bestow
Upon Gazul of Algava, that hath laid Harpado low.

THE ZEGRI'S BRIDE[59]

Of all the blood of Zegri, the chief is Lisaro,
To wield _rejón_ like him is none, or javelin to throw;
From the place of his dominion, he ere the dawn doth go,
From Alcala de Henares, he rides in weed of woe.

He rides not now as he was wont, when ye have seen him speed
To the field of gay Toledo, to fling his lusty reed;
No gambeson of silk is on, nor rich embroidery
Of gold-wrought robe or turban—nor jeweled _tahali_.

No amethyst nor garnet is shining on his brow,
No crimson sleeve, which damsels weave at Tunis, decks him now;
The belt is black, the hilt is dim, but the sheathed blade is bright;
They have housened his barb in a murky garb, but yet her hoofs are
light.

Four horsemen good, of the Zegri blood, with Lisaro go out;
No flashing spear may tell them near, but yet their shafts are stout;
In darkness and in swiftness rides every armed knight—
The foam on the rein ye may see it plain, but nothing else is white.

Young Lisaro, as on they go, his bonnet doffeth he,
Between its folds a sprig it holds of a dark and glossy tree;
That sprig of bay, were it away, right heavy heart had he—
Fair Zayda to her Zegri gave that token privily.

And ever as they rode, he looked upon his lady's boon.
"God knows," quoth he, "what fate may be—I may be slaughtered soon;
Thou still art mine, though scarce the sign of hope that bloomed
whilere,
But in my grave I yet shall have my Zayda's token dear."

Young Lisaro was musing so, when onward on the path,
He well could see them riding slow; then pricked he in his wrath.
The raging sire, the kinsmen of Zayda's hateful house,
Fought well that day, yet in the fray the Zegri won his spouse.

ZARA'S EARRINGS

"My earrings! my earrings! they've dropped into the well,
And what to say to Muça, I can not, can not tell."
'Twas thus, Granada's fountain by, spoke Albuharez' daughter
"The well is deep, far down they lie, beneath the cold blue water—
To me did Muça give them, when he spake his sad farewell,
And what to say when he comes back, alas! I can not tell.

"My earrings! my earrings! they were pearls in silver set,
That when my Moor was far away, I ne'er should him forget,
That I ne'er to other tongue should list, nor smile on other's tale,
But remember he my lips had kissed, pure as those earrings pale—
When he comes back, and hears that I have dropped them in the well,
Oh, what will Muça think of me, I can not, can not tell.

"My earrings! my earrings! he'll say they should have been,
Not of pearl and of silver, but of gold and glittering sheen,
Of jasper and of onyx, and of diamond shining clear,
Changing to the changing light, with radiance insincere—
That changeful mind unchanging gems are not befitting well—
Thus will he think—and what to say, alas! I can not tell.

"He'll think when I to market went, I loitered by the way;
He'll think a willing ear I lent to all the lads might say;
He'll think some other lover's hand, among my tresses noosed,
From the ears where he had placed them, my rings of pearl unloosed;
He'll think, when I was sporting so beside this marble well,
My pearls fell in—and what to say, alas! I can not tell.

"He'll say, I am a woman, and we are all the same;
He'll say I loved when he was here to whisper of his flame—
But when he went to Tunis my virgin troth had broken,
And thought no more of Muça, and care not for his token.
My earrings! my earrings! O luckless, luckless well,
For what to say to Muça, alas! I can not tell.

"I'll tell the truth to Muça, and I hope he will believe—
That I thought of him at morning, and thought of him at eve;
That, musing on my lover, when down the sun was gone,
His earrings in my hand I held, by the fountain all alone;
And that my mind was o'er the sea, when from my hand they fell,
And that deep his love lies in my heart, as they lie in the well."

THE LAMENTATION FOR CELIN

At the gate of old Granada, when all its bolts are barred,
At twilight at the Vega gate there is a trampling heard;
There is a trampling heard, as of horses treading slow,
And a weeping voice of women, and a heavy sound of woe.
"What tower is fallen, what star is set, what chief come these
bewailing?"
"A tower is fallen, a star is set. Alas! alas for Celin!"

Three times they knock, three times they cry, and wide the doors
they throw;
Dejectedly they enter, and mournfully they go;
In gloomy lines they mustering stand beneath the hollow porch,
Each horseman grasping in his hand a black and flaming torch;
Wet is each eye as they go by, and all around is wailing,
For all have heard the misery. "Alas! alas for Celin!"—

Him yesterday a Moor did slay, of Bencerraje's blood,
'Twas at the solemn jousting, around the nobles stood;
The nobles of the land were by, and ladies bright and fair
Looked from their latticed windows, the haughty sight to share;
But now the nobles all lament, the ladies are bewailing,
For he was Granada's darling knight. "Alas! alas for Celin!"

Before him ride his vassals, in order two by two,
With ashes on their turbans spread, most pitiful to view;
Behind him his four sisters, each wrapped in sable veil,
Between the tambour's dismal strokes take up their doleful tale;
When stops the muffled drum, ye hear their brotherless bewailing,
And all the people, far and near, cry—"Alas! alas for Celin!"

Oh! lovely lies he on the bier, above the purple pall,
The flower of all Granada's youth, the loveliest of them all;
His dark, dark eyes are closed, his rosy lip is pale,
The crust of blood lies black and dim upon his burnished mail,
And evermore the hoarse tambour breaks in upon their wailing,
Its sound is like no earthly sound—"Alas! alas for Celin!"

The Moorish maid at the lattice stands, the Moor stands at his door,
One maid is wringing of her hands, and one is weeping sore—
Down to the dust men bow their heads, and ashes black they strew
Upon their broidered garments of crimson, green, and blue—
Before each gate the bier stands still, then bursts the loud bewailing,
From door and lattice, high and low—"Alas! alas for Celin!"

An old, old woman cometh forth, when she hears the people cry;
Her hair is white as silver, like horn her glazed eye.
'Twas she that nursed him at her breast, that nursed him long ago;
She knows not whom they all lament, but soon she well shall know.
With one deep shriek she through doth break, when her ears receive
their wailing—
"Let me kiss my Celin ere I die—Alas! alas for Celin!"

TURKISH LITERATURE

LEGEND AND POETRY AMONG THE TURKS

"_Once upon a time._"
THE OLD, OLD BEGINNING.

_While still I live, 'tis well that I should mirth and glee enjoy._"
SULTAN MURAD II.

LEGEND AND POETRY AMONG THE TURKS

(INTRODUCTION)

Turkish literature, as pointed out in our general introduction, is of a less advanced character than that of most of the Semitic literatures from which it is sprung. An epigrammatic summary of the Turkish character has said that every fourth word of Turkish is Arabic, every third idea Persian, and every second impulse Mohammedan. This, while not seeming to leave much of the original Turk, is perhaps not an unfair estimate of the extent of the Turks' indebtedness to the earlier races and religion upon which their civilization is built.

The Ottoman Turks, that is, the Turks who founded the present Turkish Empire, were a Tartar or Turanian tribe from Central Asia who adopted the Mohammedan faith and began their conquest of the Mohammedan world about the year 1300. They then possessed legends or childish tales of their own which still survive; and these are still told among the mass of the people with simple faith. One or two of these are given here, to show the natural human character of the race.

The Turks next turned, in literature, to poetry. Persian Mohammedan poetry was then at its best; and the Turks imitated, but scarcely improved upon, its forms. So great, indeed, became the Turkish admiration for poetry that almost every Turkish Sultan, from the year fourteen hundred down to the present, has written poetry. Our book gives a series, by themselves, of the best of these royal poems.

Turkish poetry has chiefly followed the Arabic fashion of expending itself upon language rather than upon thought. We are told that when the first Turkish epic poet Ahmedi presented to Sultan Bajazet's son his long epic history of Alexander the Great, the prince rebuked the poet's years of labor, saying that one tiny, perfectly polished poem would have been worth more than all the epic. Hence it is chiefly to the polishing of tiny poems that the poetic genius of the Turks has been applied. They have a favorite form called the "gazel," which might be likened to our English sonnet, except that the gazel is by far more intricate. It is, in fact, compared by the Turks to a flower with its petals constantly overlapping, forming a circle, and ending at the point where they began. In rhyme, for instance, the gazel opens with a rhyming couplet, and then through the whole poem the second line of each couplet repeats this opening rhyme.

We have tried to give the chief Turkish poets in somewhat chronological order, beginning with their first poet Ashiq, who died in 1332 and whose very name is forgotten, since _ashiq_ means merely "the lover." In other words, Turkish poetry begins with the passion of an unknown lover, not apparently for woman, but for life and God. The collected poems of Ashiq are called a _divan_, the usual Persian and Turkish word for such collections; but very little of the _divan_ of Ashiq has survived.

Among Turkish epic poets, the earliest is Ahmedi (died 1412), who wrote the Book of Alexander the Great. The first romantic song is that of Sheykhi (1426) on the loves of the maiden Shirin. The first religious epic is that of Yaziji-Oglu (1449), called the "Book of Mohammed." These, then, were the early singers. Of poets accounted of the highest rank, the earliest was Nejati (1508). Lamii was the scholar poet, a dervish or monk who delved into the older Persian literature and drew his themes perhaps from ancient Zoroastrian tales. He is usually named as the second greatest of Turkish poets. Gazali, Fuzuli, and Nabi were also noted singers of the sixteenth century, which was the great age of the Turkish Empire, both in literature and in military glory.

Of the two poetesses on our list, Mihri has been called the Turkish Sappho. Yet as the life of a Turkish woman of rank is carefully secluded, no scandal ever attached to her personal life. Her poems are mere dreams of fancy. Zeyneb was equally honored, a lady of high rank and a student of the Persian and Arabic poets.

All other singers, however, are accounted by the Turks inferior to the great lyric poet Baqi (1526-1600). Baqi was at first a saddler, but he studied law and rose to the highest legal position of the empire. Poetry was the avocation of the great lawyer's leisure, and it won him the admiring friendship of the four successive Sultans who reigned during his life. The very name Baqi means "that which lasts," or "the enduring," so it has been frequently punned upon. The poet himself used a seal with a Persian couplet,

"Fleeting is the world, and without faith
God alone endures (or, Baqi alone is god); all else is fleeting"

OLD TURKISH TALES

THE QUEEN OF NIGHT

Once upon a time there was an old man who had three daughters. All of them were beautiful, but the youngest, whose name was Rosa, was not only more lovely, but also more amiable and more intelligent than the others. Jealous and envious exceedingly were the two sisters when they found that the fame of Rosa's beauty was greater than the fame of theirs. They, however, refused to believe that Rosa was really more lovely than they were, and they resolved to ask the Sun's opinion on the subject.

So, one day at dawn, the sisters stood at their open window and cried, "Sun, shining Sun, who wanderest all over the world, say who is the most beautiful among our father's daughters?"

The Sun replied, "I am beautiful, and you are both beautiful; but your youngest sister is the most beautiful of all."

When the two girls heard this, they were beside themselves with anger and spite, and determined to get rid of the sister who so outshone them. Saying nothing to her of what the Sun had told them, they on the following day invited Rosa to accompany them to the wood to gather a salad of wild herbs for their father's dinner. The unsuspecting Rosa at once complied, took her basket, and set out with her sisters, who led her to a spot she had never before visited, a long way from her father's house, and surrounded on all sides by forest. When they were arrived, the eldest sister said,

"Do thou, Rosa, gather all the herbs that are here; we will go a little farther on, and when we have filled our baskets we will return."

The wicked girls, however, went straight home, abandoning Rosa to her fate. When some hours had passed, and she found that they did not return, she feared that she might, while seeking for the herbs, have wandered from the spot where her sisters had left her. Too innocent to suspect them of the wicked treachery of which they had been guilty, she only blamed herself for her carelessness, and wept bitterly at the thought of remaining all night alone in the wild and lonely wood.

After a time the sun set, the twilight came and passed, and darkness fell. The birds ceased their songs, and the silence of the forest was broken only by the flutter of a bat or great gray moth, the melancholy hoot of an owl, and the faint little rustle made by the other flying and creeping things that come forth with the stars. Seated on a great tree-trunk, Rosa wept more and more bitterly as the darkness deepened, and no one came to her aid. Hours passed, the air grew chilly; and faint with hunger and cold, she was about to lay herself down to die, when suddenly a brilliant light, like the sparkling of many stars, shot through the wood and advanced toward the spot where she sat. It was the Queen of Night, who, attended by all her court, was returning to her palace after her usual journey, for it was now near dawn. Rosa, dazzled and frightened, covered her face with her hands, and wept more bitterly than ever. Attracted by the sound of her sobbing, the Radiant Lady approached the weeping girl, and in a kind and gentle voice asked how she came to be there. Rosa looked up, and, reassured by the benign countenance of the Queen of Night, told her story.

"Come then and live with me, dear girl; I will be your mother, and you shall be my daughter," said the Queen, who knew perfectly well how it had all happened.

Gladly the poor girl accompanied the Queen to her palace, and being, as we know, as amiable and intelligent as she was beautiful, her protectress soon became very fond of her, and did everything in her power to make her adopted daughter happy. She gave Rosa the keys of all her treasures, made her the mistress of her palace, and let her do whatever she pleased.

But let us now leave this lucky girl with the Queen of Night for a little while, and return to her sisters. Though they fully believed she must either have perished of hunger or been devoured by wild beasts, they after a time, to make quite certain, went again to their window and cried,

"Sun, shining Sun, who wanderest all over the world, tell us who is the most beautiful of our father's daughters?"

The Sun replied as before, "I am beautiful, and you are both beautiful; but your youngest sister is the most beautiful of all."

"But Rosa has long been dead!"

"No," replied the Sun, "Rosa still lives, and she is in the palace of the Queen of Night."

When the sisters heard this, their rage and spite knew no bounds. Long they consulted together as to the best means of bringing about her death; and finally these wicked girls decided to obtain from a witch of their acquaintance an enchanted kerchief which would make the person wearing it appear to be dead.

Well, they set out, and presently arrived at the palace at an hour when they knew that the Queen of Night would be absent and they might find their sister alone. Rosa was delighted to see them, for though they had often been unkind to her, she loved her sisters very dearly, and welcoming them warmly, she offered them everything she had, and pressed them to remain. They, on their part, pretended to be overjoyed at finding again the sister they had mourned as lost, and congratulated her on her good fortune. When they had eaten and drunk of the good things she set before them, and were about to take their departure, the eldest sister produced from her basket the enchanted kerchief.

"Here, dear Rosa," said she, "is a little present which we should like you to wear for our sakes. Let me pin it round your shoulders. Good-bye, dear!" she added, kissing her affectionately on both cheeks, "we will come and see you again before long and bring our father with us."

"Do, dear sisters, and tell my dear father that I will go to see him as soon as my kind protectress may give me leave."

Rosa watched her sisters from the window till they were out of sight, and then turned to the embroidery-frame which she had laid aside on their arrival. She had not, however, made many stitches, before a feeling of faintness came over her; and letting her work slip from her hands, she fell back on the sofa and lost consciousness. When the Queen of Night came home, she went first, as was her wont, to the chamber of her dear adopted daughter, and finding her thus, she said, as she bent over the maiden and kissed her beautiful mouth, "She has tired herself, poor child, over that embroidery-frame; she is so industrious."

But the beautiful lips were cold and white, and the maiden neither breathed nor stirred. Distracted with grief, the Queen of Night began to unfasten Rosa's dress in order to ascertain whether her death had been caused by the bite of some poisonous reptile, and while doing so, she observed that the kerchief on her shoulders was not one that her daughter was in the habit of wearing. When she had unpinned and taken it off, Rosa heaved a deep sigh, opened her eyes, and seeing the Queen bending over her, smiled and stretched out her arms to her dear mother, saying,

"I must have slept a long time! Oh, I remember!" she added, "I was feeling faint and giddy and lay down, and, I suppose, fell asleep immediately, for I don't recollect anything else."

"But where did you get this?" asked the Queen, picking up the kerchief from the floor. "I don't remember having given it to you."

"Oh, I have not told you that I had a great pleasure yesterday. My sisters, who had thought me forever lost, found out where I was and came to see me, bringing this kerchief as a present. Is it not pretty?"

These words told the Queen of Night the secret of the whole matter; but, not wishing to distress her daughter by acquainting her with her sisters' cruel perfidy, she only replied, "Yes, very pretty. Will you give it to me, Rosa? I should like to have it for myself."

Rosa was naturally only too pleased to be able to give her kind protectress something in return for all her favors; and she also promised her, though not without tears, never again to receive any visitors, not even her sisters, when she was left by herself in the palace.

These wicked creatures in a little while again stood at their window and cried, "Sun, shining Sun, who wanderest the world over, say, is there now any one more beautiful than we are?"

But the Sun only replied as before, "I am beautiful; you, too, are beautiful; but Rosa is the most beautiful of all!"

The sisters looked at each other in dismay. "The kerchief has then failed," said the elder to the younger. "We must try some other method of getting rid of her."

So the wretches went to the same old witch who had given them the magic kerchief, and got from her an enchanted sugar-plum. When at nightfall they again knocked at the door of the palace, the porter informed them that his mistress was absent, and had given orders that the palace-gates were not to be opened until her return. They, however, saw Rosa at her window, and pretending to be greatly distressed at their exclusion, asked her at least to accept from them the delicious sugar-plum which they had brought for her.

"Let down a basket," said the eldest; "I will put the sugar-plum inside, and you can draw it up."

Rosa did so, and drew up the sweetmeat.

"Taste it at once," cried the second sister, "and if you like it, we will bring you more of the same kind."

The poor girl, suspecting no evil, put the sugar-plum into her mouth; but scarcely had she tasted it, than she fell back as if dead; and her sisters, seeing this, hurried away home.

When the Queen returned and again found her favorite lifeless, she was both grieved and angry. All her servants, however, when questioned, assured her that no one had entered the palace during her absence, and that Rosa's sisters had only been allowed to speak to her from a distance as she stood at her high window. In the hope of bringing her to life again, as on the previous occasion, the Queen of Night searched every fold of the maiden's dress, but in vain; she could not discover the fatal charm.

"Perhaps," said she to herself, as she sat and gazed on the lifeless features of her adopted daughter, "what I can not discover, chance may, and I could never bring myself to bury her, dead though she seems to be."

So the grieving Queen sent for a cunning workman, who made at her orders a coffer of silver; and after dressing Rosa in her most beautiful clothes and jewels, she laid her in it, closed the lid, fastened the coffer on the back of a splendid horse, and let him loose to wander at will.

The horse, following his fancy, carried his fair burden in a few hours' time into a neighboring country, the ruler of which was the handsomest man of his time; and this King, being that day out hunting with his court, happened to catch sight of the horse. Attracted by its beauty and fleetness, and by the strange shining burden it bore on its saddle, he approached, and seeing the animal to be masterless, he bade his people seize and lead it to the palace. The silver coffer the King caused to be carried into his bed-chamber, and there he opened it. Imagine, if you can, his surprise on seeing within the form of a beautiful maiden. Though apparently lifeless, she was more lovely than any living woman he had ever beheld, and his heart became filled with such ardent love for her that he would sit for hours together gazing upon her beautiful features, neglecting duties and pleasures alike; and when his ministers came and prayed him to accompany them to the council chamber, he only said,

"Go, I pray you, and do justice in my name."

Days passed, his gentlemen tried to tempt him out hunting, but again he only replied,

"Do you go without me."

The royal cooks vied with one another in preparing the most delicious dishes for his table; but these he hardly tasted, nor did he even appear to notice what he was eating. When this state of things had continued for some days the ministers became alarmed, and sent a messenger to inform the Queen-Mother, who was away at her country palace. She came with all speed, and was much distressed to find her son so dispirited and melancholy. To all her anxious inquiries, however, he only replied that he was quite well, but preferred to remain alone in his bed-chamber. The Queen had, of course, already heard from the courtiers the story of the riderless horse and the silver chest; and she rightly guessed that her son had been bewitched by what he had found in it, and determined to discover what this might be.

So the very next day, while the King was at dinner with his vizier, his mother went to his chamber—for she had a master-key that would open all the doors in the palace—and there, extended on the divan, she saw the silver chest. Going hastily up to it, she raised the lid which the King had closed before leaving. At first she could only gaze in astonishment at the wonderful beauty of the maiden lying within; but her admiration presently changed to anger when she thought of her son; and seizing poor Rosa by her long hair, she dragged her out of the coffer and shook her violently, saying,

"You wicked dead thing! Why are you not decently buried instead of wandering about casting spells on Princes?" But as the Queen shook her the enchanted sugar-plum was jerked out of Rosa's mouth, and she immediately came to life again, and gazed around her in bewilderment. And as she opened her large, lovely eyes, the Queen's anger passed away, and she embraced and kissed Rosa tenderly, weeping with delight the while. The poor girl was so astonished by the strangeness of everything around her, that it was some minutes before she could ask:

"Where am I, noble lady, and where is my dear mother?"

"I know not, my child, but I will be your mother. For you shall marry my son, the King, who is dying for love of you."

As she spoke, footsteps were heard at the door, and the King entered. Imagine, if you can, his amazement and joy at finding, seated on the divan by his mother's side, the maiden he loved so dearly, restored to life, and twenty times lovelier than before. Not to make too long a story of it, the King took her by the hand, and asked her to be his wife. And when Rosa heard of his love for her, and saw how handsome and noble he was, she could not but love him in return. So they were married with great splendor, and there were feasts for the poor, and fountains running honey and wine, and rejoicings for everybody.

Well, the King and Rosa lived very happily together for some time; but her troubles were not over, for her wicked sisters had not yet done their worst to her. They had for long feared to go near the palace again, and nearly a year passed before they learned what had been the result of their last visit. One day, however, in order to make quite sure that Rosa was dead, they once more stood at their window, and cried,

"Sun, shining Sun, who wanderest all over the earth, tell us if thou hast, since our youngest sister died, seen any maiden fairer than we?"

But the Sun only replied as before, "I am beautiful; you, too, are both beautiful; but your youngest sister is the fairest of all."

"But Rosa is dead!"

"No, Rosa lives, and she is the wife of the King of the neighboring country."

Well, if these wicked women could not bear that their sister should be considered fairer than they, still less could they allow her to be a Queen. So, disguised as two old women, they set off at once for Rosa's palace. When they arrived in the royal city, great rejoicings were going on because a baby prince had just been born.

"That is good news," said the elder to the younger when she heard this, "for now we will be the nurses." So they went to the Queen-Mother and gave themselves out to be wonderfully clever nurses from the neighboring country who had nursed the princes there; and the Queen-Mother, deceived by their story, put them in charge of her daughter-in-law and the baby. On the pretext of keeping the young Queen and her child free from evil spells, the make-believe nurses sent away all the other attendants from her apartments; and when they were left alone with their sister, they stack into her head an enchanted pin.

She was immediately changed into a bird, and flew away out of the window; and her eldest sister laid herself down on her bed in her place.

When the King came in to see his wife, he could hardly believe his eyes. This could not be his wife. The false Queen, guessing his thoughts, said,

"You find me changed, dear husband? It is because I have been so ill."

The King, however, pretended not to have observed anything, but his heart froze within him as he looked on the object of this pretended transformation.

It was his custom to breakfast alone every day in the garden; and one day while he was sadly musing there, a pretty bird flew down, perched on a branch overhead, and said, "Tell me, my lord, have the King, and the Queen-Mother, and the little Prince slept well?"

The King smiled and nodded, and the bird continued, "May they ever sleep sweetly. But may she whom they call the young Queen sleep the sleep that knows no waking, and may all things over which I fly wither away!"

This said, the bird spread its wings, and wherever it passed, the grass and flowers withered, and the place became a desert. The gardeners, in despair, asked the King if they might not kill the bird which caused the mischief; but he forbade them, on pain of death, to do it any injury.

Afterward the bird came every day while he was at breakfast in the garden; and the kind voice of the Prince soon made it so tame and fearless that it would perch on his knee and eat from his hand. This familiarity enabled the Prince to observe the bird's plumage more closely, and one day he caught sight of the pin in its head. Surprised at this, he ventured to withdraw it, when the bird disappeared, and his own dear wife stood again by his side. When he had recovered a little from the joy and surprise caused by this strange event, and had welcomed his wife back, he asked her to tell how it had all happened. And Rosa, whose eyes were now fully opened to the malice and wickedness of her sisters, told him all she knew of her own adventures.

When the Prince had learned the evil deeds of his sisters-in-law, he bade his guards bring these wretches before him, and condemned them both to a death suitable to their crimes. In vain did Rosa entreat him to pardon them. The King was inexorable. But when, at sunset, the criminals were being led away to execution, the Queen of Night appeared on the scene, followed by all her train; and touched by the distress of her adopted daughter, she prevailed upon the King to change the sentence he had pronounced. The two evil-doers were then offered the choice of dying a violent death, or living to witness their sister's happiness while deprived of the power of ever again being able to injure her.

They chose the latter fate; and it was not long before they both died of spite and jealousy.

LEGEND AND POETRY AMONG THE TURKS

THE DIVAN OF THE LOVER

THE EARLIEST TURKISH POEM

All the universe, one mighty sign, is shown;
God hath myriads of creative acts unknown:
None hath seen them, of the races jinn and men,
None hath news brought from that realm far off from ken.
Never shall thy mind or reason reach that strand,
Nor can tongue the King's name utter of that land.
Since 'tis his each nothingness with life to vest,
Trouble is there ne'er at all to his behest.
Eighteen thousand worlds, from end to end,
Do not with him one atom's worth transcend.

THE BOOK OF ALEXANDER THE GREAT

(BY AHMEDI)

Up and sing! O _'anga_-natured nightingale!
High in every business doth thy worth prevail:
Sing! for good the words are that from thee proceed;
Whatsoever thou dost say is prized indeed.
Then, since words to utter thee so well doth suit,
Pity were it surely if thy tongue were mute.
Blow a blast in utt'rance that the Trusted One,
When he hears, ten thousand times may cry: "Well done!"
Up and sing! O bird most holy! up and sing!
Unto us a story fair and beauteous bring.
Let not opportunity slip by, silent there;
Unto us the beauty of each word declare.
Seldom opportunities like this with thee lie;
Sing then, for th' occasion now is thine, so hie!
Lose not opportunities that thy hand doth find,
For some day full suddenly Death thy tongue shall bind.
Of how many singers, eloquent of words,
Bound have Death and Doom the tongues fast in their cords!
Lose not, then, th' occasion, but to joy look now,
For one day thy station 'neath earth seek must thou.
While the tongue yet floweth, now thy words collect;
Them as Meaning's taper 'midst the feast erect,
That thy words, remaining long time after thee,
To the listeners' hearing shall thy record be.
Thy mementoes lustrous biding here behind,
Through them they'll recall thee, O my soul, to mind.
Those who've left mementoes ne'er have died in truth;
Those who've left no traces ne'er have lived in sooth.
Surely with this object didst thou come to earth,
That to mind should ever be recalled thy worth.
"May I die not!" say'st thou, one of noble race?
Strive, then, that thou leavest here a name of grace.

* * * * *

Once unto his Vizier quoth the crowned King:
"Thou, who in my world-realm knowest everything!
With my sword I've conquered many and many a shore;
Still I sigh right sorely: 'Ah! to conquer more!'
Great desire is with me realms to overthrow;
Through this cause I comfort ne'er a moment know.
Is there yet a country whither we may wend,
Where as yet our mighty sway doth not extend,
That we may it conquer, conquer it outright?
Ours shall be the whole earth—ours it shall be quite."
Then, when heard the Vizier what the King did say,
Quoth he: "Realm-o'erthrowing Monarch, live for aye!
May the Mighty Ruler set thy crown on high,
That thy throne may ever all assaults defy!
May thy life's rose-garden never fade away!
May thy glory's orchard never see decay!
Thou'st the Peopled Quarter ta'en from end to end;
All of its inhabitants slaves before thee bend.
There's on earth no city, neither any land,
That is not, O Monarch, under thy command.
In the Peopled Quarter Seven Climes are known,
And o'er all of these thy sway extends alone!"

* * * * *

THE LOVES OF SHIRIN

(BY SHEYKHI)

The spot at which did King Khusrev Perviz light
Was e'en the ruined dwelling of that moon bright.
Whilst wand'ring on, he comes upon that parterre,
As on he strolls, it opes before his eyes fair.
Among the trees a night-hued courser stands bound
(On Heaven's charger's breast were envy's scars found).
As softly moved he, sudden on his sight gleamed
A moon that in the water shining bright beamed.
O what a moon! a sun o'er earth that light rains—
Triumphant, happy, blest he who her shade gains.
She'd made the pool a casket for her frame fair,
And all about that casket spread her dark hair.
Her hand did yonder curling serpents back throw—
The dawn 'tis, and thereof we never tired grow.
He saw the water round about her ear play;
In rings upon her shoulders her dark locks lay.
When yon heart-winning moon before the King beamed,
The King became the sun—in him Love's fire gleamed.
The tears e'en like to water from his eyes rolled;
Was't strange, when did a Watery Sign the Moon hold?
No power was left him, neither sport nor pleasure;
He bit his finger, wildered beyond measure.
Unconscious of his gaze, the jasmine-breasted—
The hyacinths o'er the narcissi rested.
When shone her day-face, from that musky cloud bare,
Her eyes oped Shirin and beheld the King there.
Within that fountain, through dismay and shamed fright,
She trembled as on water doth the moonlight.
Than this no other refuge could yon moon find
That she should round about her her own locks bind.
The moon yet beameth through the hair, the dark night,
With tresses how could be concealed the sun bright!
To hide her from him, round her she her hair flung,
And thus as veil her night before her day hung.

* * * * *

When Ferhad bound to fair Shirin his heart's core,
From out his breast Love many a bitter wail tore.
On tablet of his life graved, shown was Shirin;
Of all else emptied, filled alone with Shirin.
As loathed he the companionship of mankind,
In wild beasts 'midst the hills did he his friends find.
His guide was Pain; his boon companion, Grief's throe;
His comrade, Sorrow; and his closest friend, Woe.
Thus wand'ring on, he knew not day from dark night;
For many days he onward strayed in sad plight.
Although before his face a wall of stone rise,
Until he strikes against it, blind his two eyes.
Through yearning for his love he from the world fled;
From out his soul into his body Death sped.
Because he knew that when the earthly frame goes,
Eternal, Everlasting Being love shows,
He fervent longed to be from fleshly bonds free,
That then his life in very truth might Life see.
In sooth, till dies the body, Life is ne'er found,
Nor with the love of life the Loved One e'er found.

THE BOOK OF MOHAMMED

(BY YAZIJI-OGLU)

THE CREATION OF PARADISE

Hither come, O seeker after Truth! if joy thou wouldest share,
Enter on the Mystic Pathway, follow it, then joy thou'lt share.
Harken now what God (exalted high his name!) from naught hath formed.
Eden's bower he hath created; Light, its lamp, he did prepare;
Loftiest its sites, and best and fairest are its blest abodes;
Midst of each a hall of pearls—not ivory nor teak-wood rare.
Each pavilion he from seventy ruddy rubies raised aloft—
Dwellings these in which the dwellers sit secure from fear or care.
Bound within each courtyard seventy splendid houses he hath ranged,
Formed of emeralds green—houses these no fault of form that bear.
There, within each house, are seventy pearl and gem-incrusted thrones;
He upon each throne hath stretched out seventy couches broidered fair;
Sits on every couch a maiden of the bourne of loveliness:
Moons their foreheads, days their faces, each a jeweled crown doth
wear;
Wine their rubies, soft their eyes, their eyebrows troublous,
causing woe:
All-enchanting, Paradise pays tribute to their witching air.
Sudden did they see the faces of those damsels dark of eye,
Blinded sun and moon were, and Life's Stream grew bitter then and
there.
Thou wouldst deem that each was formed of rubies, corals, and of
pearls;
Question there is none, for God thus in the Koran doth declare.
Tables seventy, fraught with bounties, he in every house hath placed,
And on every tray hath spread out seventy sorts of varied fare.
All these glories, all these honors, all these blessings of delight,
All these wondrous mercies surely for his sake he did prepare:
Through his love unto Mohammed, he the universe hath framed;
Happy, for his sake, the naked and the hungry enter there.
O Thou Perfectness of Potence! O Thou God of Awful Might!
O Thou Majesty of Glory! O Thou King of Perfect Eight!

Since he Eden's heaven created, all is there complete and whole,
So that naught is lacking; nothing he created needs repair.
Yonder, for his righteous servants, things so fair hath he devised,
That no eye hath e'er beheld them; ope thy soul's eye, on them stare.
Never have his servants heard them, neither can their hearts conceive;
Reach unto their comprehension shall this understanding ne'er.
There that God a station lofty, of the loftiest, hath reared,
That unclouded station he the name Vesila caused to bear,
That to his Belovèd yonder station a dear home may be,
Thence ordained is Heaven's order free from every grief and care.
In its courtyard's riven center, planted he the Tuba-Tree;
That a tree which hangeth downward, high aloft its roots are there:
Thus its radiance all the Heavens lighteth up from end to end,
Flooding every tent and palace, every lane and every square.
Such a tree the Tuba, that the Gracious One hath in its sap
Hidden whatsoe'er there be of gifts and presents good and fair;
Forth therefrom crowns, thrones, and jewels, yea, and steeds and
coursers come,
Golden leaves and clearest crystals, wines most pure beyond compare.
For his sake there into being hath he called the Tuba-Tree,
That from Ebu-Qasim's hand might every one receive his share.

* * * * *

POEMS BY TURKISH RULERS

RUBA'I

Cupbearer, bring, bring here again my yester even's wine;
My harp and rebec bring, them bid address this heart of mine:
While still I live, 'tis meet that I should mirth and glee enjoy;
The day shall come when none may e'en my resting-place
divine.—_Sultan Murad II._ (reigned 1421-1451).

GAZEL

Souls are fluttered when the morning breezes through thy tresses stray;
Waving cypresses are wildered when thy motions they survey.
Since with witchcraft thou hast whetted keen the lancet of thy glance,
All my veins are bleeding inward through my longing and dismay.
"Why across thy cheek disordered float thy tresses?" asked I her.
"It is Rum-Eyli; there high-starred heroes gallop," did she say.
Thought I, though I spake not: "In thy quarter, through thy tint and
scent,
Wretched and head-giddy, wand'ring, those who hope hope not for stray."
"Whence the anger in thy glances, O sweet love?" I said; then she:
"Silence! surely if I shed blood, I the ensigns should display."
Even as thou sighest, 'Avni, shower thine eyes tears fast as rain,
Like as follow hard the thunder-roll the floods in dread array.

—_Sultan Mohammed II._ (1451-1481).

FRAGMENT OF GAZEL

Torn and pierced my heart has been by thy scorn and tyranny's blade;
Rent by the scissors of grief for thee is the robe that my patience
arrayed.
Like the _mihrab_ of the Kaaba, as shrine where in worship to turn,
Thy ward would an angel take, if thy footprint there he surveyed.
They are pearls, O mine eye! thou sheddest her day-bright face before;
Not a tear is left—these all are dried by the beams by her cheek
displayed.

—_Mohammed II._

GAZEL

To obey, Eight hard for Allah, is my aim and my desire;
'Tis but zeal for Faith, for Islam, that my ardor doth inspire.
Through the grace of Allah, and th' assistance of the Band Unseen,
Is my earnest hope the Infidels to crush with ruin dire.
On the Saints and on the Prophets surely doth my trust repose;
Through the love of God, to triumph and to conquest I aspire.
What if I with soul and gold strive here to wage the Holy War?
Praise is God's! ten thousand sighs for battle in my breast suspire.
O Mohammed! through the chosen Ahmed Mukhtar's glorious aid,
Hope I that my might may triumph over Islam's foes acquire!

—_Mohammed II._

GAZEL