Chapter VIII (4)

She passed the next night, and in the morning she went forth and repaired to Táj-el-Mulook, and, having clad him in women's apparel, said to him, Walk behind me, and incline thy body from side to side as thou steppest,[VIII_65] and proceed not with a hasty pace, nor take notice of any one who may speak to thee. And after she had thus charged him, she went forth, and he behind her in his female attire; and she proceeded to instruct him, on the way, how to act, that he might not fear. She continued on her way, he following her, until they arrived at the entrance of the palace, when she entered, and he also after her, and she passed through successive doors and antechambers until she had conducted him through seven doors. And when she arrived at the seventh door, she said to Táj-el-Mulook, Fortify thy heart, and if I call out to thee, and say to thee, O slave-girl, advance!--be not tardy in thy pace, but hasten on, and when thou hast entered the antechamber beyond, look to thy left: thou wilt see a saloon with seven doors; and do thou count five doors, and enter the sixth; for within it is the object of thy desire.--And whither goest _thou_? said Táj-el-Mulook. She answered, I have no place to go to; but perhaps I may wait after thee and speak with the chief eunuch. She then proceeded, and he followed her, until they arrived at the door where was the chief eunuch; and he saw with her Táj-el-Mulook in the attire of a female slave, and said to her, What is the business of this slave-girl who is with thee? She answered him, The lady Dunyà hath heard that this girl is skilled in different kinds of work, and she desireth to purchase her. But the eunuch replied, I know neither slave-girl nor any other person; and no one shall enter without being searched by me, as the King hath commanded me. Upon this, the old woman, manifesting anger, said to him, I knew that thou wast a man of sense and of good manners; and if thou art changed I will acquaint her with this, and inform her that thou hast offered opposition to her female slave. She then called out to Táj-el-Mulook, and said to him, Advance, O slave-girl! And immediately he entered the antechamber, as she had commanded him, and the eunuch was silent, and said no more. So Táj-el-Mulook counted five doors, and entered the sixth, and found the lady Dunyà standing expecting him.

As soon as she beheld him, she knew him, and pressed him to her bosom, and he embraced her in like manner; and the old woman, coming in to them, contrived a pretext to dismiss the female slaves; after which the lady Dunyà said to her, Be thou keeper of the door. She then remained alone with Táj-el-Mulook, and they passed the whole night in innocent dalliance.[VIII_66] And on the following morning she closed the door upon him and the old woman, and entering another apartment, sat there according to her custom; and her female slaves came to her, and she transacted their affairs and conversed with them, and then said to them, Go forth from me now; for I desire to amuse myself in solitude. So they left her, and she returned to Táj-el-Mulook and the old woman, taking with her some food for them; and thus they ceased not to do for a whole month.

As to the Wezeer, however, and 'Azeez, when Táj-el-Mulook had gone to the palace of the King's daughter and remained all this time, they concluded that he would never return from it, and that he was inevitably lost; and 'Azeez said to the Wezeer, O my father, what wilt thou do? The Wezeer answered, O my son, this affair is one of difficulty, and if we return not to his father to acquaint him, he will blame us for our negligence. So they prepared themselves immediately, and journeyed towards El-Arḍ el-Khaḍrà and El-'Amoodeyn[VIII_67] and the royal residence of the King Suleymán Sháh, and traversed the valleys night and day until they went in and presented themselves before the King Suleymán Sháh; and they informed him of that which had happened to his son, and that they had learnt no news of him since he had entered the palace of the King's daughter. On hearing this, he was as though the day of resurrection had surprised him: his sorrow was intense, and he gave orders to make a proclamation of war throughout his dominions. He then sent forth his troops outside the city, and caused the tents to be pitched for them, and remained in his pavilion until the forces had assembled from all the quarters of his kingdom. His subjects loved him for his great justice and beneficence, and he departed with an army that covered the earth as far as the eye could reach, for the purpose of demanding his son Táj-el-Mulook.

In the meantime, Táj-el-Mulook and the lady Dunyà continued together for half a year, every day increasing in mutual love; and the love and distraction and rapture of Táj-el-Mulook so augmented that he opened to her his mind, and said to her, Know, O beloved of my heart, that the longer I remain with thee, the more do my distraction and ecstasy and desire increase; for I have not altogether attained my wish. So she said, What dost thou wish, O light of my eye, and delight of my heart? He answered, I desire to acquaint thee with my true history: know, then, that I am not a merchant, but a King, son of a King, and the name of my father is the Supreme King Suleymán Sháh, who sent the Wezeer as ambassador to thy father to demand thee for me in marriage; and when the news came to thee thou refusedst to consent.--He then related to her his story from first to last; and added, I desire now to repair to my father, that he may send an ambassador again to thy father, to demand thee in marriage from him, and so we shall remain at ease.--And when she heard this, she rejoiced exceedingly: for it coincided with her wish; and they passed the next night determined upon this proceeding.

But it happened, in accordance with destiny, that sleep overcame them unusually that night, and they remained until the sun had risen. The King Sháh-Zemán was then upon his royal seat, with the emeers of his empire before him, and the chief of the goldsmiths presented himself, having in his hand a large round casket: and he advanced, and, opening it before the King, took forth from it an elegant box worth a hundred thousand pieces of gold for the jewels it contained, and rubies and emeralds, such as no King of the earth could procure. And when the King saw it, he wondered at its beauty; and he looked towards the chief eunuch, to whom the affair with the old woman had happened (as above described), and said to him, O Káfoor,[VIII_68] take this box, and go with it to the lady Dunyà. So the eunuch took it, and proceeded until he arrived at the chamber of the King's daughter, when he found its door closed, and the old woman sleeping at its threshold, and he exclaimed, Until this hour are ye sleeping? And when the old woman heard what he said, she awoke from her sleep, and, in her fear of him, said, Wait until I bring the key. She then went forth and fled. The eunuch, therefore, knew that she was alarmed, and he displaced the door,[VIII_69] and, entering the chamber, found the lady Dunyà asleep with Táj-el-Mulook. At the sight of this, he was perplexed at his case, and was meditating to return to the King, when the lady Dunyà awoke, and found him by her; and she was troubled, and her countenance became pale, and she said, O Káfoor, veil what God hath veiled. But he replied, I cannot conceal anything from the King. And he closed the door upon them, and returned to the King. So the King said to him, Hast thou given the box to thy mistress? The eunuch answered, Take the box: here it is. I cannot conceal from thee anything. Know that I beheld, with the lady Dunyà, a handsome young man, sleeping in the same chamber. The King therefore ordered that they should be both brought before him; and when they had come into his presence, he said to them, What are these deeds? And he was violently enraged, and, seizing a dagger,[VIII_70] was about to strike with it Táj-el-Mulook; but the lady Dunyà threw her head upon him, and said to her father, Slay me before him. The King, however, chid her, and ordered them to convey her back to her chamber. Then looking towards Táj-el-Mulook, he said to him, Wo to thee! Whence art thou, and who is thy father, and what hath emboldened thee to act thus towards my daughter?--Know, O King, answered Táj-el-Mulook, that, if thou put me to death, thou wilt perish, and thou and all in thy dominions will repent.--And why so? said the King. He answered, Know that I am the son of the King Suleymán Sháh, and thou wilt not be aware of the consequence when he will approach thee with his horsemen and his infantry. And when King Sháh-Zemán heard this, he desired to defer putting him to death; and to imprison him until he should see whether his assertion were true; but his Wezeer said to him, O King of the age, it is my advice that thou hasten the execution of this young wretch, since he hath been guilty of presumption towards the daughters of Kings. So he said to the executioner, Strike off his head; for he is a traitor. And the executioner took him, and, having bound him firmly, raised his hand, and made a sign of consultation to the emeers a first and a second time, desiring by this that some delay might take place; but the King called out to him, How long wilt thou consult? If thou do so again I will strike off thy head.

The executioner, therefore, raised his hand until his arm-pit appeared, and was about to strike off his head, when loud cries were heard, and, the people closed their shops. So the King said to the executioner, Hasten not. And he sent a person to learn the news for him; and the messenger went, and, soon returning, said to the King, I beheld an army like the roaring sea agitated with waves; their horses are prancing, and the earth trembleth beneath them, and I know not wherefore they are come. And the King was amazed, and feared lest he should be deposed from his throne. He then said to his Wezeer, Have none of our troops gone forth to meet this army? But his words were not finished when his chamberlains came in to him accompanied by the messengers of the approaching King, and among them was the Wezeer who had been with Táj-el-Mulook. He commenced by salutation; and the King rose to him, and, calling them near to him, asked them respecting the cause of their coming: whereupon the Wezeer advanced from among them, and approached the King, and said to him, Know that he who hath alighted in thy territories is a King not like the Kings who have preceded him, nor like the Sulṭáns of former times.--And who is he? said the King. The Wezeer answered, He is the lord of justice and security, the fame of whose magnanimity the caravans have spread abroad, the Sulṭán Suleymán Sháh, the lord of El-Arḍ el-Khaḍrà and El-'Amoodeyn and the mountains of Iṣpahán, who loveth justice and equity, and hateth tyranny and oppression; and he saith to thee, that his son is in thy dominions and in thy city, and he is the vital spirit of his heart, and its delight; and if he find him in safety, it is what he desireth, and thou wilt be thanked and praised; but if he be not found in thy country, or if any evil hath befallen him, receive tidings of destruction and of the ruin of thy territories; for thy country shall become a desert in which the raven shall croak. Thus I have delivered to thee the message; and peace be on thee.--When the King Sháh-Zemán heard these words of the envoy, his heart was troubled, and he feared for his kingdom, and called out to the lords of his empire, and his wezeers and chamberlains and lieutenants; and when they had come before him he said to them, Wo unto you! Go down and search for this young man.--But he was under the hand of the executioner, and his appearance was changed through the fear that he suffered. The Wezeer then, looking aside, found the King's son upon the skin of blood,[VIII_71] and he recognised him, and arose, and threw himself upon him. So also did the other messengers: they then unbound him, and kissed his hands and his feet; whereupon Táj-el-Mulook opened his eyes, and, recognising the Wezeer and his companion 'Azeez, fell down in a swoon through the excess of his joy at their presence.

The King Sháh-Zemán was perplexed at his situation, and in great fear, on discovering that the coming of the army was on account of this young man; and he arose and walked forward to Táj-el-Mulook, and kissed his head, and, with weeping eyes, said to him, O my son, be not angry with me: be not angry with the evil-doer for his deed; but have compassion on my gray hairs, and lay not waste my dominions. And Táj-el-Mulook approached him, and kissed his hand, saying to him, No harm shall befall thee; for thou art in my estimation as my father; but beware that no evil befall my beloved, the lady Dunyà.--O my lord, rejoined the King, fear not for her; for nought but happiness awaiteth her. And he proceeded to excuse himself to him, and to soothe the mind of the Wezeer of the King Suleymán Sháh, promising him a large sum of money that he might conceal from the King what he had seen; after which he ordered the grandees of his empire to take Táj-el-Mulook and to conduct him to the bath, to clothe him in a suit of the best of royal apparel, and bring him back quickly. So they did this: they conducted him into the bath, and, having clad him in the suit which the King Sháh-Zemán had allotted him, brought him back to the hall of audience; and when he came in, the King rose to him, he and all the lords of his empire, and they all stood to wait upon him. Then Táj-el-Mulook sat and conversed with his father's Wezeer and with 'Azeez respecting the events which had happened to him; and they replied, During that period we went to thy father, and informed him that thou hadst entered the palace of the King's daughter, and not come forth from it, and that thy case appeared doubtful to us; and when he heard this, he made ready the troops, and we came to this country, and on our arrival have experienced joy and happiness. So he said to them, Good fortune hath attended your actions, first and last.

The King, in the meantime, had gone into his daughter, the lady Dunyà, and found her weeping for Táj-el-Mulook. She had taken a sword, and put its hilt to the floor, and its point to the middle of her bosom, and was leaning over it, saying, I must kill myself, and not live after my beloved. When her father, therefore, went in to her, and beheld her in this state, he called out to her, and said, O mistress of the daughters of Kings, do it not; but have mercy upon thy father and the people of thy country! Then advancing to her, he said to her, I conjure thee to abstain, lest evil befall thy father on thy account. And he acquainted her with the case, telling her that her beloved, the son of the King Suleymán Sháh, desired to celebrate his marriage with her, and adding, The affair of the betrothal and marriage is committed to thy judgment. And she smiled, and said to him, Did I not tell thee that he was the son of a Sulṭán? I will make him crucify thee upon a piece of wood worth a couple of pieces of silver. I conjure thee by Allah, he exclaimed, that thou have mercy upon thy father!--Go to him, she rejoined, and bring him to me. He replied, On the head and the eye. And he returned from her quickly, and, going in to Táj-el-Mulook, rejoiced him by what he said. He then arose with him, and went to her again; and when she beheld Táj-el-Mulook, she embraced him in the presence of her father, and clung to him, and said to him, Thou hast made me desolate by thine absence. Then looking at her father, she said, Can any one act injuriously towards such a person as this handsome youth, and he a King, a son of a King? And upon this the King Sháh-Zemán went forth, and closed the door upon them, and, repairing to the Wezeer and the other messengers of the father of Táj-el-Mulook, ordered them to inform the Sulṭán Suleymán Sháh that his son was in prosperity and health, and enjoying a life of the utmost delight. He gave orders also to carry forth provisions and pay to the troops of the Sulṭán Suleymán Sháh; and after they had conveyed all that he commanded them to take forth, he brought out a hundred coursers, and a hundred dromedaries, and a hundred memlooks, and a hundred concubine slaves, and a hundred male black slaves, and a hundred female slaves, and sent them all to him as a present.

He then repaired to him, with the lords of his empire, and his chief attendants, and they proceeded until they arrived outside the city; and when the Sulṭán Suleymán Sháh became acquainted with this he advanced some paces to meet him. The Wezeer and 'Azeez had informed him of the news, and he rejoiced, and exclaimed, Praise be to God who hath granted my son the accomplishment of his wish! And he embraced the King Sháh-Zemán, and seated him by his side upon the couch, and they conversed together; after which the attendants placed before; them the food, and when they had eaten to satisfaction they brought them the sweetmeats. Soon after, Táj-el-Mulook came, approaching in his rich and ornamented dress; and when his father beheld him, he rose to him and kissed him, and all who were present rose to him; and after he had sat with them a while conversing, the King Suleymán Sháh said, I desire to perform my son's contract of marriage to thy daughter in the presence of witnesses. And King Sháh-Zemán replied, I hear and obey. So he summoned the Ḳáḍee and witnesses, and they came, and wrote the marriage-contract; and the troops rejoiced at this. And King Sháh-Zemán began to fit out his daughter.

Then Táj-el-Mulook said to his father, Verily, 'Azeez is a generous person; he hath performed for me a great service, and wearied himself, and journeyed with me, and enabled me to attain the object of my search, ceasing not to exhort me to patience until I accomplished my wish, and he hath been with us two years separated from his country: it is my desire, therefore, that we should prepare for him merchandise; for his country is near. His father replied, Thy opinion is excellent. So they prepared for him a hundred loads of the most costly stuffs; and Táj-el-Mulook bade him farewell, saying to him, O my brother, accept this as a present. And he accepted it, and kissed the ground before him and before his father. Táj-el-Mulook then mounted his horse, and proceeded with 'Azeez for the space of three miles; after which, 'Azeez conjured him to return, and said, Were it not for my mother, I could not endure thy separation; and by Allah, I entreat thee not to cease acquainting me with thy state. Having thus said, he bade him farewell, and repaired to his city. He found that his mother had built for him a tomb in the midst of the house, and she frequently visited it; and when he entered the house, he found that she had dishevelled her hair and spread it upon the tomb, and, with streaming eyes, was reciting these verses:--

By Allah, O tomb, have his charms perished; and hath that brilliant
countenance changed?
O tomb, thou art neither a garden nor a firmament: how then can
the full moon and flowers be united in thee?

She then groaned, and recited some other verses; but before she had finished, 'Azeez went in to her: and when she beheld him, she rose to him and embraced him, and asked him respecting his long absence: so he acquainted her with all the events that had happened to him from first to last, and told her that Táj-el-Mulook had given him, of wealth and stuffs, a hundred loads; and she rejoiced at this.--Such was the history of 'Azeez.

Now as to Táj-el-Mulook, he returned to his beloved, the lady Dunyà, and King Sháh-Zemán fitted her out for the journey with her husband and her father-in-law: he sent to them provisions and presents and rarities, and they loaded their beasts and departed; and King Sháh-Zemán accompanied them three days' journey to bid them farewell. The King Suleymán Sháh then conjured him to return: so he returned; and Táj-el-Mulook and his father and his wife continued their journey night and day until they came in sight of their country. The city was decorated for them, and they entered it; and the King Suleymán Sháh sat upon his throne with his son Táj-el-Mulook by his side; and he gave presents, and liberated the persons confined in the prisons; after which he celebrated for his son a second wedding-festivity: the songs and instrumental music were continued for a whole month, and the tire-women crowded around the lady Dunyà, and she was not tired with the display, nor were they with gazing at her. Táj-el-Mulook then took up his abode with her, after an interview with his father and mother together; and they passed a life of the utmost delight and enjoyment.

NOTES TO CHAPTER EIGHTH.

NOTE 1. The next story to that of Ghánim, in my original, is one of very great length, comprising the greater part of the forty-fourth night and extending to the end of the hundred and forty-fifth; but interrupted by the contents of my eighth chapter, which consists of two stories of a very different kind, that appear to have been introduced to relieve its tediousness. With these, it occupies nearly 162 pages, or not much less than an eighth part of the whole work. It is the story of the King 'Omar En-Noạmán, and his two sons Sharr-kán[360] and Ḍó-el-Mekán,[361] and his daughter Nuzhet-ez-Zemán,[362] &c. It is entirely a fiction, professedly relating to the first century of the Mohammadan era, "before the reign of the Khaleefeh 'Abd-El-Melik the son of Marwán;" and its main subject is a war with two Greek Kings. Taken altogether, I deem it unworthy of a place in the present series of tales; and so much of it depends upon incidents of a most objectionable nature, that I cannot attempt to abridge it; but a pleasant tale might be composed from it by considerable _alterations_.

One of the two stories which I have extracted from it, that of Táj-el-Mulook and the Lady Dunyà, bears apparent indications of a Persian origin; but in their present state, the manners and customs &c. which both exhibit are Arab. The scenes of the events narrated in the story of Táj-el-Mulook are in Persia and, probably, in India; but imaginary names appear to be given to the several kingdoms mentioned in it: the kingdom of El-Arḍ el-Khaḍrà ("the Green Country") and El-'Amoodeyn (which signifies "the Two Columns") is said to include the mountains of Iṣpahán, and its locality is thereby sufficiently indicated: that of El-Arḍ el-Beyḍà ("the White Country") I suppose to be in Persia or India: and as to the Islands of Camphor, I fancy we must be content to consider them vaguely as appertaining to India: the country in which 'Azeez and 'Azeezeh resided is said to have been near to the Islands of Camphor; but their story is perfectly Arab.--The Island of Camphor is also mentioned in the Story of Ḥasan of El-Baṣrah.

NOTE 2. "El-Medeeneh el-Khaḍrà" signifies "the Green City." See the above note.

NOTE 3. "The Compassionate" is an epithet here applied to God.

NOTE 4. See the first note in this series.--"Zahr," in Arabic, signifies "a Flower."

NOTE 5.--_On Coats of Mail, and other Armour worn by the Arabs._ The Prophet David is said to have been the first person who manufactured coats of mail; and the cause of his applying himself to the art was this.--"He used to go forth in disguise; and when he found any people who knew him not, he approached them and asked them respecting the conduct of Dáood (or David), and they praised him and prayed for him; but one day as he was asking questions respecting himself as usual, God sent to him an angel in the form of a human being, who said, 'An excellent man were Dáood if he did not take from the public treasury:'--whereupon the heart of Dáood was contracted, and he begged of God to render him independent: so He made iron soft to him, and it became in his hands as thread; and he used to sell a coat of mail for four thousand [pieces of money--whether gold or silver is not said], and with part of this he obtained food for himself, and part he gave in alms, and with part he fed his family."[363]--Hence an excellent coat of mail is often called by the Arabs "Dáoodee," _i. e._ "Davidean." This kind of armour is worn by some Arabs of the Desert in the present day; but the best specimens, I believe, are mostly found in India. Burckhardt mentions one tribe of Arabs who have about twenty-five; another, two hundred; and two others, between thirty and forty. "The dora [properly dirạ] is," he remarks, "of two sorts, one covering the whole body like a long gown from the elbow, over the shoulders, down to the knees: this is the sirgh: the other, called kembáz, covers the body only to the waist; the arms from the elbows downwards being covered with two pieces of steel, fitting into each other, with iron fingers. Thus clad, the Arab completes his armour by putting on his head an iron cap (tás), which is but rarely adorned with feathers. The price of a coat of mail fluctuates from two hundred to fifteen hundred piastres.... Those of the best quality are capable of resisting a ball."[364] The coat of mail is sometimes worn within the ordinary outer tunic.

NOTE 6. This implies that his parents were dead.

NOTE 7.--_On Public Royal Feasts._ On certain periodical festivals, and on other occasions (as those of the kind here described), it has long been, and still is, a custom of Muslim princes to give public feasts to all classes of their subjects, in the palace. El-Maḳreezee quotes a curious account of the feasts which were given on the festival following Ramaḍán to the inhabitants of Cairo, by the Fáṭimee Khaleefehs.[365] At the upper end of a large saloon was placed the sereer (or couch) of the monarch, upon which he sat with the Wezeer on his right. Upon this seat was placed a round silver table, with various delicacies, of which they alone ate. Before it, and extending nearly from the seat to the other extremity of the saloon, was set up a kind of table or platform (simáṭ) of painted wood, resembling a number of benches placed together, ten cubits (or about eighteen or nineteen feet) in width. Along the middle of this were arranged twenty-one enormous dishes, each containing twenty-one baked sheep, three years old, and fat; together with fowls, chickens, and young pigeons, in number three hundred and fifty of each kind; all of which were piled together in an oblong form, to the height of the stature of a man, and enclosed with dry sweetmeat. The spaces between these dishes were occupied by nearly five hundred other dishes of earthenware; each of which contained seven fowls, and was filled up with sweetmeats of various kinds. The table was strewn with flowers; and cakes of bread made of the finest flower were arranged along each side. There were also two great edifices of sweetmeats, each weighing seventeen hundred-weights, which were carried thither by porters with shoulder-poles; and one of these was placed at the commencement, and the other at the close, of this sumptuous banquet. When the Khaleefeh and Wezeer had taken their seats upon the couch, the officers of state who were distinguished by neck-rings or collars,[366] and the inferior members of the court, seated themselves in the order of their respective ranks; and when they had eaten, they gave place to others. Two such feasts, given on the festival after Ramaḍán and on the "great festival," cost four thousand deenárs, or about two thousand pounds sterling.--Two military officers, named Ibn-Fáïz and Ed-Deylemee, distinguished themselves at these feasts in a very remarkable manner. Each of them used to eat a baked sheep, and ten fowls dressed with sweetmeats, and ten pounds of sweetmeats besides, and was presented with a quantity of food carried away from the feast to his house, together with a large sum of money. One of them had been a prisoner at 'Asḳalán; and after he had remained there some time, the person into whose power he had fallen jestingly told him that if he would eat a calf belonging to him, the flesh of which weighed several hundred-weights, he would emancipate him. This feat he accomplished, and thus he obtained his liberation.[367]

Several cases of a similar kind to those just mentioned are instanced in a late work. One of a man who, as related by Vopiscus, was brought before the Emperor Maximilian [_sic_], and who devoured a whole calf, and was proceeding to eat up a sheep, but was prevented. Another, of a man who commenced his repast (in the presence of Dr. Boehmen, of Wittenberg,) by eating a raw sheep and a sucking pig, and, by way of dessert, swallowed sixty pounds of prunes, stones and all. A third, of an attendant of the menagerie of the Botanical Garden in Paris, who used to devour all the offals of the Theatre of Comparative Anatomy, and ate a dead lion in one day.[368]

NOTE 8.--_On Litters for Travelling._ The kind of litter borne by mules is generally one resembling the pálkee (or palanquin): it is borne by four of these animals, two before and two behind, or by two only, or more commonly by two camels, and sometimes by two horses. When borne by camels, the head of the hindmost of these animals is painfully bent down, under the vehicle. It is the most comfortable kind of litter; and two light persons may travel in it. The name generally given to it is "takhtarawán," or "takht-rawán;" but the term employed in the passage to which this note refers is "miḥaffeh," which is often used as a general name for a camel-litter, and particularly applied to one with a flat top.--A very common kind of camel-litter, called "musaṭṭaḥ," or "ḥeml musaṭṭaḥ," resembles a small square tent, and is chiefly composed of two long chests, each of which has a high back: these are placed on the camel in the same manner as a pair of panniers, one on each side; and the high backs, which are placed outwards, together with a small pole resting on the camel's pack-saddle, support the covering which forms what may be called the tent. This vehicle accommodates two persons. It is generally open at the front; and may also be opened at the back. Though it appears comfortable, the motion is uneasy; especially when it is placed upon a camel that has been accustomed to carry heavy burdens: but camels of easy pace are generally chosen for bearing litters.--Another kind of litter, called "shibreeyeh," is composed of a small square platform with an arched covering. This accommodates but one person; and is placed on the back of the camel: two saḥḥárahs (or square camel-chests), one on each side of the animal, generally form a foundation for it.--The musaṭṭaḥ and shibreeyeh (but particularly the latter) are also called "hódaj."

NOTE 9. See Note 43 to Chapter iv.

NOTE 10. See Note 54 to Chapter iv.

NOTE 11. "Táj-el-Mulook" signifies "the Crown of the Kings."

NOTE 12. Lynxes were often employed in the chase in Arabian and other Eastern countries in former times; but I do not know if they are at present. See Note 24 to Chapter ii.

NOTE 13. By this word are meant "oblong, cylindrical, hollow beads:" "ḳaṣabeh" signifying originally "a reed," "cane," &c.

NOTE 14. The words "who hath taught men," &c., are from the Ḳur-án, ch. xcvi. v. 5.

NOTE 15. "'Azeez" and "'Azeezeh" (masculine and feminine) signify "Dear," "Excellent," &c.

NOTE 16. The handkerchief is generally oblong, and each of its two ends is embroidered with a border of coloured silks and gold; the other two edges being plain.

NOTE 17. My sheykh has remarked in a marginal note, that this sign may allude to her heart, or to her sighing because she enjoys not the union she desires (as expressed immediately after); and that the latter is more probable, as the action is one common with persons in grief.

NOTE 18.--_On Conversing and Corresponding by means of Signs, Emblems, Metaphors, &c._ Many persons of the instructed classes, and some others, among the Arabs, often take delight, and shew much ingenuity and quickness of apprehension, in conversing and corresponding by means of signs, emblems, &c., or in a conventional, metaphorical, language, not understood by the vulgar in general, and sometimes not by any except the parties engaged in the intercourse. In some cases, when the main metaphor employed is understood, the rest of the conversation becomes easily intelligible without any previous explanation; and I have occasionally succeeded in carrying on a conversation of this kind (though not in cases such as that described in the tale referred to by this note); but I have more frequently been unsuccessful in attempting to divine the nature of a topic in which other persons were engaged. One simple mode of secret conversation or correspondence is by substituting certain letters for other letters.

Many of the women are said to be adepts in this art, or science, and to convey messages, declarations of love, &c., by means of fruits, flowers, and other emblems. The inability of numbers of females in families of the middle classes to write or read, as well as the difficulty or impossibility frequently existing of conveying written letters, may have given rise to such modes of communication. Lady Mary Wortley Montagu, in one of her charming letters from the East, has gratified our curiosity by a Turkish love-letter of this kind.[369] A specimen of one from an Arab, with its answer, may be here added.--An Arab lover sent to his mistress a fan, a bunch of flowers, a silk tassel, some sugar-candy, and a piece of a chord of a musical instrument; and she returned for answer a piece of an aloe-plant, three black cumin-seeds, and a piece of a plant used in washing.[370] His communication is thus interpreted:--The fan, being called "mirwaḥah," a word derived from a root which has among its meanings that of "going to any place in the evening," signified his wish to pay her an evening visit: the flowers, that the interview should be in her garden: the tassel, being called "shurrábeh," that they should have sharáb[371] (or wine): the sugar-candy, being termed "sukkar nebát," and "nebát" also signifying "we will pass the night," denoted his desire to remain in her company until the morning: and the piece of a chord, that they should be entertained by music. The interpretation of her answer is as follows:--The piece of an aloe-plant, which is called "ṣabbárah" (from "ṣabr," which signifies "patience"--because it will live for many months together without water), implied that he must wait: the three black cumin-seeds explained to him that the period of delay should be three nights: and the plant used in washing informed him that she should then have gone to the bath, and would meet him.[372]--I have omitted one symbol in the lady's answer, as it conveys an allusion not so consistent with European as with Arab notions of female delicacy.

The language of flowers employed by the Turks does not exactly agree with the system illustrated in the story of 'Azeez and 'Azeezeh; for the former consists of a collection of words and phrases or sentences which rhyme with the names of the objects used as the signs.[373] This system is also employed by the Arabs; but I believe not so commonly as the other.

A remarkable faculty is displayed by some Arabs in catching the meaning of secret signs employed in written communications to them; such signs being often used in political and other intrigues. The following is a curious instance.--The celebrated poet El-Mutanebbee, having written some verses in dispraise of Káfoor El-Ikhsheedee the independent Governor of Egypt, was obliged to flee, and hide himself in a distant town. Káfoor was informed of his retreat, and desired his secretary to write to him a letter promising him pardon, and commanding him to return; but told the writer at the same time, that when the poet came he would punish him. The secretary was a friend of the poet, and, being obliged to read the letter to the Prince when he had written it, was perplexed how to convey to El-Mutanebbee some indication of the danger that awaited him: he could only venture to do so in the exterior address; and having written this in the usual form, commencing "In sháa-lláh" (If it be the will of God) "this shall arrive," &c., he put a small mark of reduplication over the "n" in the first word, which he thus converted into "Inna;" the filial vowel being understood. The poet read the letter, and was rejoiced to see a promise of pardon; but on looking a second time at the address, was surprised to observe the mark of reduplication over the "n." Knowing the writer to be his friend, he immediately suspected a secret meaning, and rightly conceived that the sign conveyed an allusion to a passage in the Ḳur-án commencing with the word "Inna," and this he divined to be the following:--"Verily the magistrates are deliberating concerning thee, to put thee to death."[374] Accordingly, he fled to another town.--Some authors add, that he wrote a reply, conveying, by a similar sign, to his friend, an allusion to another passage in the Ḳur-án:--"We will never enter the country while they remain therein."[375]--It is probable that signs thus employed were used by many persons to convey allusions to certain words; and such may have been the case in the above-mentioned instance: if not, the poet was indeed a wonderful guesser.

NOTE 19. Perhaps it is unnecessary to explain that the actions here described are those of a dyer, dipping a piece of linen into a red dye, and then wringing it. The shop of the dyer is generally, like most other shops, a small chamber or recess open towards the street. Pans containing the different dyes are imbedded in its floor.

NOTE 20. "Maḳ'ad" is a name generally given to a chamber in which male guests or visiters are received, having an open front with two or more arches, and looking into the court or garden of the house. Its floor is elevated about ten or more feet above the ground, and the front is usually towards the north, or nearly so.

NOTE 21. I suppose it to be meant, that these designs were executed in a kind of mosaic work; for the pool of the fountain is generally ornamented with black and white marble, and pieces of fine red tile, inlaid in complicated and tasteful patterns. A view and plan of a fountain of this kind are inserted in the Introduction to my work on the Modern Egyptians.

NOTE 22. "Baḳláweh," from the Turkish "baḳláva," is a name given to a kind of pastry, which is generally thus prepared:--A paste made of fine flour with clarified butter is rolled thin, and laid upon a tray: upon this paste is then spread a composition of clarified butter and blanched almonds (and sometimes walnuts and currants) beaten small; and over this is put another layer of paste. Eight of these double layers of paste with the composition above mentioned between them are placed one upon another, making the whole about an inch thick. It is baked in an oven; cut into lozenge-shaped pieces, about three inches long, and two inches wide; and after it is thus cut, some honey or treacle is poured over.

NOTE 23. See Note 99 to Chapter v.

NOTE 24. It is a general belief of the Muslims that the wicked will rise to judgment with their faces black; and hence the origin of the imprecation, "May God blacken thy face!" But it is often used to signify "May God disgrace thee!" for a person's face is said to be black when he is in any disgrace; and in the reverse case, it is said to be white.[376]

NOTE 25. "Zardeh" (which is a Persian word) is a name given to rice dressed with honey and saffron; but here it appears to be applied to a sweet drink infused with saffron.

NOTE 26. By the play-bone and the ṭáb-stick an allusion is conveyed to two games common among the Arabs. The play-bones are used in the same manner as dice, of which they are probably the origin; and both bear the same name in the Arabic, in the singular "kaạb" or "kaạbeh," that is, "a cube." Of the game of ṭáb I have given a full account in my work on the Modern Egyptians (vol. ii. ch. iv.). I need only mention here, that the ṭáb-stick is of a flat form, about a span (or eight inches) in length, and two-thirds of an inch in breadth, generally formed of a piece of a palm-branch; one side of which, being cut flat and smooth, is white; the other, green, or, if not fresh, of a dull yellow colour. Four such sticks are used in playing the game.

NOTE 27. The more simple interpretation is this:--Idle games are more suited to thee than affairs of love.

NOTE 28. El-Ḳazweenee makes a remark somewhat similar to this at the close of his account of the date; but the interpretation of the meaning conveyed by the date-stone in our text is very far-fetched: my sheykh, in a marginal note, gives one perfectly apposite: the date-stone is called "nawáyeh," and more properly "nawáh" and "nawà;" and the last of these words signifies also "distance," "absence," &c., and is often used to express the state of one who is far from loving or being a lover: it implies also, in this case, that, if he slept again, she would cast him off.

NOTE 29. The locust-fruit, by its dark colour, and the length of time it remains in a state of preservation after it has been plucked, is rendered a fit emblem of a heart long enduring separation from the object of its love.

NOTE 30. "Dirhem," I have before mentioned, is the name of a silver coin: it is also the name of a weight, very nearly equivalent to forty-eight English grains; and being here described as of iron, we must understand it in the latter sense.

NOTE 31. I suppose the iron dirhem to be symbolic of the eye because it is round, and perhaps likewise because the Arabic term for "iron" (namely "ḥadeed") has also the signification of "sharp" or "piercing;" in which sense it is often applied to the sight (as in the Ḳur-án, ch. l. v. 21). See the next note.

NOTE 32. From this double oath, it seems to me probable, that, by the circular form of the dirhem, an allusion was meant to God (as being without beginning or end), and that the matter of which it was composed (from what I have said in the note immediately preceding), as well as its form, conveyed the allusion to the eye.

NOTE 33. This gentle kneading or pressing of the limbs, which is one of the operations performed in the bath, is often practised by the Arabs for the purpose of inducing sleep.

NOTE 34. This is a kind of nebeedh. (See Note 22 to Chapter iii.) The same fruit is also stewed with meat. It is called in Arabic "'onnáb."

NOTE 35. See Note 18 to Chapter vii.

NOTE 36. It is seen that 'Azeezeh speaks of herself in the masculine gender in the verses here inserted; but this is in accordance with a common Arab custom.

NOTE 37.--_On the Ceremony called_ Zikr. Zikrs are very often performed after a death; the merit of the performance being transferred to the soul of the deceased.

I have before mentioned these ceremonies (in Note 63 to Chapter iii.); but in a vague manner; and as it is my object in the present work to give such illustrations as will satisfy the general reader, without obliging him to refer to other books, I shall here insert an abridged extract, descriptive of a zikr, from my Account of the Manners and Customs of the Modern Egyptians.

The zikkeers (or performers of the zikr), who were about thirty in number, sat, cross-legged, upon matting extended close to the houses on one side of the street, in the form of an oblong ring.[377] Within this ring, along the middle of the matting, were placed three very large wax candles; each about four feet high, and stuck in a low candlestick. Most of the zikkeers were Aḥmedee darweeshes, persons of the lower orders, and meanly dressed: many of them wore green turbans. At one end of the ring were four munshids (or singers of religious odes), and with them was a player on the kind of flute called "náy." I procured a small seat of palm-sticks from a coffee-shop close by, and, by means of a little pushing, and the assistance of my servant, obtained a place with the munshids, and sat there to hear a complete act, or "meglis," of the zikr; which act commenced at about three o'clock (or three hours after sunset), and continued two hours.

The performers began by reciting the Fát'ḥah (or opening chapter of the Ḳur-án) all together; their sheykh, or chief, first exclaiming, "El-Fát'ḥah!" They then chanted the following words;--"O God, bless our lord Moḥammad among the former generations; and bless our lord Moḥammad among the latter generations; and bless our lord Moḥammad in every time and period; and bless our lord Moḥammad in the highest degree, unto the day of judgment; and bless all the prophets and apostles among the inhabitants of the heavens and of the earth; and may God (whose name be blessed and exalted!) be well pleased with our lords and our masters, those persons of illustrious estimation, Aboo-Bekr and 'Omar and 'Osmán and 'Alee, and with all the favourites of God. God is our sufficiency; and excellent is the Guardian! There is no strength nor power but in God, the High, the Great! O God! O our Lord! O Thou liberal of pardon! O Thou most bountiful of the most bountiful! O God! Amen!"--They were then silent for three or four minutes; and again recited the Fát'ḥah; but silently. This form of prefacing the zikr is commonly used, by almost all orders of darweeshes in Egypt.

The performers now commenced the zikr. Sitting in the manner above described, they chanted, in slow measure, "Lá iláha illa-lláh" ("There is no deity but God") to the following air:--

Lá i - lá - ha illa - l - láh.
Lá i - lá - ha i - l - la - l - lá - h.
Lá i - lá - ha illa - l - láh.

]

bowing the head and body twice in each repetition of "Lá iláha illa-lláh." Thus they continued about a quarter of an hour; and then, for about the same space of time, they repeated the same words to the same air, but in a quicker measure, and with correspondingly quicker motions. In the meantime, the munshids frequently sang, to the same, or a variation of the same, air, portions of a ḳaṣeedeh, or of a muweshshaḥ; an ode of a similar nature to the Song of Solomon, generally alluding to the Prophet as the object of love and praise; and at frequent intervals, one of them sang out the word "meded," implying an invocation for spiritual or supernatural aid.

The zikkeers, after having performed as above described, next repeated the same words to a different air for about the same length of time; first, very slowly; then, quickly. The air was as follows:--

Lá i - lá - ha illa - l - lá - h.
Lá i - lá - ha illa - l - lá - h.
Lá i - lá - ha illa - l - láh.

]

Then they repeated these words again, to the following air, in the same manner:--

Lá i - lá - ha il - la - l - láh.
Lá i - lá - ha il - la - l - láh.

]

They next rose, and, standing in the same order in which they had been sitting, repeated the same words to another air. After which, still standing, they repeated these words in a very deep and hoarse tone; laying the principal emphasis upon the word "Lá" and the first syllable of the last word "Allah;" and uttering it, apparently, with a considerable effort: the sound much resembled that which is produced by beating the rim of a tambourine. Each zikkeer turned his head alternately to the right and left at each repetition of "Lá iláha illa-lláh." One of them, a eunuch, at this part of the zikr, was seized with an epileptic fit, evidently the result of a high state of religious excitement; but nobody seemed surprised at it; for occurrences of this kind at zikrs are not uncommon. All the performers now seemed much excited; repeating their ejaculations with greater rapidity, violently turning their heads, and sinking the whole body at the same time: some of them jumping. The eunuch above mentioned again was seized with fits several times; and I generally remarked that this happened after one of the munshids had sung a line or two and exerted himself more than usually to excite his hearers: the singing was, indeed, to my taste, very pleasing. The contrast presented by the vehement and distressing exertions of the performers at the close of the zikr, and their calm gravity and solemnity of manner at the commencement, was particularly striking. Money was collected during the performance for the munshids. The zikkeers receive no pay.

NOTE 38. From the last of these verses it appears that the flowers are described as _laid_ upon the tomb (in accordance with the custom mentioned in the last paragraph of Note 16 to Chapter i.), and not as _planted_ upon it; though this is frequently done in some countries of the East; the monument being filled with mould, and the whole of its top open.

NOTE 39. See Note 25 to Chapter v.

NOTE 40. See Note 35 to Chapter ii.

NOTE 41. The "rod" (in Arabic "ḳaṣabeh") was, according to the Egyptian measurement, until lately reduced, about twelve English feet and a half.

NOTE 42. See Note 12 to Chapter iii.

NOTE 43. It is common (as my sheykh has remarked) to say, of a very spacious chamber, that a horseman might gallop in it. The playing at goff by horsemen has been mentioned in a former tale. It was a common exercise in Egypt as well as Persia and other Eastern countries.

NOTE 44. "Deleeleh" is an epithet used in modern Arabic as indicative of artifice, machination, or fraud.[378] It is often employed as a female nickname.

NOTE 45. From this point to the end of the story of 'Azeez and 'Azeezeh I omit some portions which are tedious, and others which are more objectionable.

NOTE 46. Any one may enter the public bath, but none can go out of it, without paying.[379]

NOTE 47. The "kaạk," commonly called "kaḥk," has been described in Note 16 to Chapter i. De Sacy has remarked that our English word "cake" seems to be from the same origin.