Chapter XIV: Book I: The Rock (2)

The cargo of the sloop hoisted on to the deck by the capstan, compact as he had made it, was an encumbrance. Gilliatt surveyed the species of niche, at a height within his reach, in the side of the Little Douvre. These natural closets, not shut in, it is true, are often seen in the rocks. It struck him that it was possible to trust some stores to this depôt, and he accordingly placed in the back of the recess his two boxes containing his tools and his clothing, and his two bags holding the rye-meal and the biscuit. In the front--a little too near the edge perhaps, but he had no other place--he rested his basket of provisions.

He had taken care to remove from the box of clothing his sheepskin, his loose coat with a hood, and his waterproof overalls.

To lessen the hold of the wind upon the knotted cord, he made the lower extremity fast to one of the riders of the Durande.

The Durande being much driven in, this rider was bent a good deal, and it held the end of the cord as firmly as a tight hand.

There was still the difficulty of the upper end of the cord. To control the lower part was well, but at the summit of the escarpment at the spot where the knotted cord met the ridge of the plateau, there was reason to fear that it would be fretted and worn away by the sharp angle of the rock.

Gilliatt searched in the heap of rubbish in reserve, and took from it some rags of sail-cloth, and from a bunch of old cables he pulled out some strands of rope-yarn with which he filled his pockets.

A sailor would have guessed that he intended to bind with these pieces of sail-cloth and ends of yarn the part of the knotted rope upon the edge of the rock, so as to preserve it from all friction--an operation which is called "keckling."

Having provided himself with these things, he drew on his overalls over his legs, put on his waterproof coat over his jacket, drew its hood over his red cap, hung the sheepskin round his neck by the two legs, and clothed in this complete panoply, he grasped the cord, now firmly fixed to the side of the Great Douvre, and mounted to the assault of that sombre citadel in the sea.

In spite of his scratched hands, Gilliatt easily regained the summit.

The last pale tints of sunset were fading in the sky. It was night upon the sea below. A little light still lingered upon the height of the Douvre.

Gilliatt took advantage of this remains of daylight to bind the knotted rope. He wound it round again and again at the part which passed over the edge of the rock, with a bandage of several thicknesses of canvas strongly tied at every turn. The whole resembled in some degree the padding which actresses place upon their knees, to prepare them for the agonies and supplications of the fifth act.

This binding completely accomplished, Gilliatt rose from his stooping position.

For some moments, while he had been busied in his task, he had had a confused sense of a singular fluttering in the air.

It resembled, in the silence of the evening, the noise which an immense bat might make with the beating of its wings.

Gilliatt raised his eyes.

A great black circle was revolving over his head in the pale twilight sky.

Such circles are seen in pictures round the heads of saints. These, however, are golden on a dark ground, while the circle around Gilliatt was dark upon a pale ground. The effect was strange. It spread round the Great Douvre like the aureole of night.

The circle drew nearer, then retired; grew narrower, and then spread wide again.

It was an immense flight of gulls, seamews, and cormorants; a vast multitude of affrighted sea birds.

The Great Douvre was probably their lodging, and they were coming to rest for the night. Gilliatt had taken a chamber in their home. It was evident that their unexpected fellow-lodger disturbed them.

A man there was an object they had never beheld before.

Their wild flutter continued for some time.

They seemed to be waiting for the stranger to leave the place.

Gilliatt followed them dreamily with his eyes.

The flying multitude seemed at last to give up their design. The circle suddenly took a spiral form, and the cloud of sea birds came down upon "The Man Rock" at the extremity of the group, where they seemed to be conferring and deliberating.

Gilliatt, after settling down in his alcove of granite, and covering a stone for a pillow for his head, could hear the birds for a long time chattering one after the other, or croaking, as if in turns.

Then they were silent, and all were sleeping--the birds upon their rock, Gilliatt upon his.

VIII

IMPORTUNÆQUE VOLUCRES

Gilliatt slept well; but he was cold, and this awoke him from time to time. He had naturally placed his feet at the bottom, and his head at the entrance to his cave. He had not taken the precaution to remove from his couch a number of angular stones, which did not by any means conduce to sleep.

Now and then he half-opened his eyes.

At intervals he heard loud noises. It was the rising tide entering the caverns of the rocks with a sound like the report of a cannon.

All the circumstances of his position conspired to produce the effect of a vision. Hallucinations seemed to surround him. The vagueness of night increased this effect; and Gilliatt felt himself plunged into some region of unrealities. He asked himself if all were not a dream?

Then he dropped to sleep again; and this time, in a veritable dream, found himself at the Bû de la Rue, at the Bravées, at St. Sampson. He heard Déruchette singing; he was among realities. While he slept he seemed to wake and live; when he awoke again he appeared to be sleeping.

In truth, from this time forward he lived in a dream.

Towards the middle of the night a confused murmur filled the air. Gilliatt had a vague consciousness of it even in his sleep. It was perhaps a breeze arising.

Once, when awakened by a cold shiver, he opened his eyes a little wider than before. Clouds were moving in the zenith; the moon was flying through the sky, with one large star following closely in her footsteps.

Gilliatt's mind was full of the incidents of his dreams. The wild outlines of things in the darkness were exaggerated by this confusion with the impressions of his sleeping hours.

At daybreak he was half-frozen; but he slept soundly.

The sudden daylight aroused him from a slumber which might have been dangerous. The alcove faced the rising sun.

Gilliatt yawned, stretched himself, and sprang out of his sleeping place.

His sleep had been so deep that he could not at first recall the circumstances of the night before.

By degrees the feeling of reality returned, and he began to think of breakfast.

The weather was calm; the sky cool and serene. The clouds were gone; the night wind had cleared the horizon, and the sun rose brightly. Another fine day was commencing. Gilliatt felt joyful.

He threw off his overcoat and his leggings; rolled them up in the sheepskin with the wool inside, fastened the roll with a length of rope-yarn, and pushed it into the cavern for a shelter in case of rain.

This done, he made his bed--an operation which consisted in removing the stones which had annoyed him in the night.

His bed made, he slid down the cord on to the deck of the Durande, and approached the niche where he had placed his basket of provisions. As it was very near the edge, the wind in the night had swept it down, and rolled it into the sea.

It was evident that it would not be easy to recover it. There was a spirit of mischief and malice in a wind which had sought out his basket in that position.

It was the commencement of hostilities. Gilliatt understood the token.

To those who live in a state of rude familiarity with the sea, it becomes natural to regard the wind as an individuality, and the rocks as sentient beings.

Nothing remained but the biscuit and the rye-meal, except the shell-fish, on which the shipwrecked sailor had supported a lingering existence upon "The Man Rock."

It was useless to think of subsisting by net or line fishing. Fish are naturally averse to the neighbourhood of rocks. The drag and bow net fishers would waste their labour among the breakers, the points of which would be destructive only to their nets.

Gilliatt breakfasted on a few limpets which he plucked with difficulty from the rocks. He narrowly escaped breaking his knife in the attempt.

While he was making his spare meal, he was sensible of a strange disturbance on the sea. He looked around.

It was a swarm of gulls and seamews which had just alighted upon some low rocks, and were beating their wings, tumbling over each other, screaming, and shrieking. All were swarming noisily upon the same point. This horde with beaks and talons were evidently pillaging something.

It was Gilliatt's basket.

Rolled down upon a sharp point by the wind, the basket had burst open. The birds had gathered round immediately. They were carrying off in their beaks all sorts of fragments of provisions. Gilliatt recognised from the distance his smoked beef and his salted fish.

It was their turn now to be aggressive. The birds had taken to reprisals. Gilliatt had robbed them of their lodging, they deprived him of his supper.

IX

THE ROCK, AND HOW GILLIATT USED IT

A week passed.

Although it was in the rainy season no rain fell, a fact for which Gilliatt felt thankful. But the work he had entered upon surpassed, in appearance at least, the power of human hand or skill. Success appeared so improbable that the attempt seemed like madness.

It is not until a task is fairly grappled with that its difficulties and perils become fully manifest. There is nothing like making a commencement for making evident how difficult it will be to come to the end. Every beginning is a struggle against resistance. The first step is an exorable undeceiver. A difficulty which we come to touch pricks like a thorn.

Gilliatt found himself immediately in the presence of obstacles.

In order to raise the engine of the Durande from the wreck in which it was three-fourths buried, with any chance of success--in order to accomplish a salvage in such a place and in such a season, it seemed almost necessary to be a legion of men. Gilliatt was alone; a complete apparatus of carpenters' and engineers' tools and implements were wanted. Gilliatt had a saw, a hatchet, a chisel, and a hammer. He wanted both a good workshop and a good shed; Gilliatt had not a roof to cover him. Provisions, too, were necessary, but he had not even bread.

Any one who could have seen Gilliatt working on the rock during all that first work might have been puzzled to determine the nature of his operations. He seemed to be no longer thinking either of the Durande or the two Douvres. He was busy only among the breakers: he seemed absorbed in saving the smaller parts of the shipwreck. He took advantage of every high tide to strip the reefs of everything which the shipwreck had distributed among them. He went from rock to rock, picking up whatever the sea had scattered--tatters of sail-cloth, pieces of iron, splinters of panels, shattered planking, broken yards--here a beam, there a chain, there a pulley.

At the same time he carefully surveyed all the recesses of the rocks. To his great disappointment none were habitable. He had suffered from the cold in the night, where he lodged between the stones on the summit of the rock, and he would gladly have found some better refuge.

Two of those recesses were somewhat extensive. Although the natural pavement of rock was almost everywhere oblique and uneven it was possible to stand upright, and even to walk within them. The wind and the rain wandered there at will, but the highest tides did not reach them. They were near the Little Douvre, and were approachable at any time. Gilliatt decided that one should serve him as a storehouse, the other as a forge.

With all the sail, rope-bands, and all the reef-earrings he could collect, he made packages of the fragments of wreck, tying up the wood and iron in bundles, and the canvas in parcels. He lashed all these together carefully. As the rising tide approached these packages, he began to drag them across the reefs to his storehouse. In the hollow of the rocks he had found a top rope, by means of which he had been able to haul even the large pieces of timber. In the same manner he dragged from the sea the numerous portions of chains which he found scattered among the breakers.

Gilliatt worked at these tasks with astonishing activity and tenacity. He accomplished whatever he attempted--nothing could withstand his ant-like perseverance.

At the end of the week he had gathered into this granite warehouse of marine stores, and ranged into order, all this miscellaneous and shapeless mass of salvage. There was a corner for the tacks of sails and a corner for sheets. Bow-lines were not mixed with halliards; parrels were arranged according to their number of holes. The coverings of rope-yarn, unwound from the broken anchorings, were tied in bunches; the dead-eyes without pulleys were separated from the tackle-blocks. Belaying-pins, bullseyes, preventer-shrouds, down-hauls, snatch-blocks, pendents, kevels, trusses, stoppers, sailbooms, if they were not completely damaged by the storm, occupied different compartments. All the cross-beams, timber-work, uprights, stanchions, mast-heads, binding-strakes, portlids, and clamps, were heaped up apart. Wherever it was possible, he had fixed the fragments of planks, from the vessel's bottom, one in the other. There was no confusion between reef-points and nippers of the cable, nor of crow's-feet with towlines; nor of pulleys of the small with pulleys of the large ropes; nor of fragments from the waist with fragments from the stern. A place had been reserved for a portion of the cat-harpings of the Durande, which had supported the shrouds of the topmast and the futtock-shrouds. Every portion had its place. The entire wreck was there classed and ticketed. It was a sort of chaos in a storehouse.

A stay-sail, fixed by huge stones, served, though torn and damaged, to protect what the rain might have injured.

Shattered as were the bows of the wreck, he had succeeded in saving the two cat-heads with their three pulley-blocks.

He had found the bowsprit too, and had had much trouble in unrolling its gammoning; it was very hard and tight, having been, according to custom, made by the help of the windlass, and in dry weather. Gilliatt, however, persevered until he had detached it, this thick rope promising to be very useful to him.

He had been equally successful in discovering the little anchor which had become fast in the hollow of a reef, where the receding tide had left it uncovered.

In what had been Tangrouille's cabin he had found a piece of chalk, which he preserved carefully. He reflected that he might have some marks to make.

A fire-bucket and several pails in pretty good condition completed this stock of working materials.

All that remained of the store of coal of the Durande he carried into the warehouse.

In a week this salvage of débris was finished; the rock was swept clean, and the Durande was lightened. Nothing remained now to burden the hull except the machinery.

The portion of the fore-side bulwarks which hung to it did not distress the hull. The mass hung without dragging, being partly sustained by a ledge of rock. It was, however, large and broad, and heavy to drag, and would have encumbered his warehouse too much. This bulwarking looked something like a boat-builder's stocks. Gilliatt left it where it was.

He had been profoundly thoughtful during all this labour. He had sought in vain for the figure-head--the "doll," as the Guernsey folks called it, of the Durande. It was one of the things which the waves had carried away for ever. Gilliatt would have given his hands to find it--if he had not had such peculiar need of them at that time.

At the entrance to the storehouse and outside were two heaps of refuse--a heap of iron good for forging, and a heap of wood good for burning.

Gilliatt was always at work at early dawn. Except his time of sleep, he did not take a moment of repose.

The wild sea birds, flying hither and thither, watched him at his work.

X

THE FORGE

The warehouse completed, Gilliatt constructed his forge.

The other recess which he had chosen had within it a species of passage like a gallery in a mine of pretty good depth. He had had at first an idea of making this his lodging, but the draught was so continuous and so persevering in this passage that he had been compelled to give it up. This current of air, incessantly renewed, first gave him the notion of the forge. Since it could not be his chamber, he was determined that this cabin should be his smithy. To bend obstacles to our purposes is a great step towards triumph. The wind was Gilliatt's enemy. He had set about making it his servant.

The proverb applied to certain kinds of men--"Fit for everything, good for nothing"--may also be applied to the hollows of rocks. They give no advantages gratuitously. On one side we find a hollow fashioned conveniently in the shape of a bath; but it allows the water to run away through a fissure. Here is a rocky chamber, but without a roof; here a bed of moss, but oozy with wet; here an arm-chair, but one of hard stone.

The forge which Gilliatt intended was roughly sketched out by nature; but nothing could be more troublesome than to reduce this rough sketch to manageable shape, to transform this cavern into a laboratory and smith's shop. With three or four large rocks, shaped like a funnel, and ending in a narrow fissure, chance had constructed there a species of vast ill-shapen blower, of very different power to those huge old forge bellows of fourteen feet long, which poured out at every breath ninety-eight thousand inches of air. This was quite a different sort of construction. The proportions of the hurricane cannot be definitely measured.

This excess of force was an embarrassment. The incessant draught was difficult to regulate.

The cavern had two inconveniences; the wind traversed it from end to end; so did the water.

This was not the water of the sea, but a continual little trickling stream, more like a spring than a torrent.

The foam, cast incessantly by the surf upon the rocks and sometimes more than a hundred feet in the air, had filled with sea water a natural cave situated among the high rocks overlooking the excavation. The overflowings of this reservoir caused, a little behind the escarpment, a fall of water of about an inch in breadth, and descending four or five fathoms. An occasional contribution from the rains also helped to fill the reservoir. From time to time a passing cloud dropped a shower into the rocky basin, always overflowing. The water was brackish, and unfit to drink, but clear. This rill of water fell in graceful drops from the extremities of the long marine grasses, as from the ends of a length of hair.

He was struck with the idea of making this water serve to regulate the draught in the cave. By the means of a funnel made of planks roughly and hastily put together to form two or three pipes, one of which was fitted with a valve, and of a large tub arranged as a lower reservoir, without checks or counterweight, and completed solely by air-tight stuffing above and air-holes below, Gilliatt, who, as we have already said, was handy at the forge and at the mechanic's bench, succeeded in constructing, instead of the forge-bellows, which he did not possess, an apparatus less perfect than what is known now-a-days by the name of a "cagniardelle," but less rude than what the people of the Pyrenees anciently called a "trompe."

He had some rye-meal, and he manufactured with it some paste. He had also some white rope, which picked out into tow. With this paste and tow, and some bits of wood, he stopped all the crevices of the rock, leaving only a little air passage made of a powder-flask which he had found aboard the Durande, and which had served for loading the signal gun. This powder-flask was directed horizontally to a large stone, which Gilliatt made the hearth of the forge. A stopper made of a piece of tow served to close it in case of need.

After this, he heaped up the wood and coal upon the hearth, struck his steel against the bare rock, caught a spark upon a handful of loose tow, and having ignited it, soon lighted his forge fire.

He tried the blower: it worked well.

Gilliatt felt the pride of a Cyclops: he was the master of air, water, and fire. Master of the air; for he had given a kind of lungs to the wind, and changed the rude draught into a useful blower. Master of water, for he had converted the little cascade into a "trompe." Master of fire, for out of this moist rock he had struck a flame.

The cave being almost everywhere open to the sky, the smoke issued freely, blackening the curved escarpment. The rocks which seemed destined for ever to receive only the white foam, became now familiar with the blackening smoke.

Gilliatt selected for an anvil a large smooth round stone, of about the required shape and dimensions. It formed a base for the blows of his hammer; but one that might fly and was very dangerous. One of the extremities of this block, rounded and ending in a point, might, for want of anything better, serve instead of a conoid bicorn; but the other kind of bicorn of the pyramidal form was wanting. It was the ancient stone anvil of the Troglodytes. The surface, polished by the waves, had almost the firmness of steel.

He regretted not having brought his anvil. As he did not know that the Durande had been broken in two by the tempest, he had hoped to find the carpenter's chest and all his tools generally kept in the forehold. But it was precisely the fore-part of the vessel which had been carried away.

These two excavations which he had found in the rock were contiguous. The warehouse and the forge communicated with each other.

Every evening, when his work was ended, he supped on a little biscuit, moistened in water, a sea-urchin or a crab, or a few _châtaignes de mer_, the only food to be found among those rocks; and shivering like his knotted cord, mounted again to sleep in his cell upon the Great Douvre.

The very materialism of his daily occupation increased the kind of abstraction in which he lived. To be steeped too deeply in realities is in itself a cause of visionary moods. His bodily labour, with its infinite variety of details, detracted nothing from the sensation of stupor which arose from the strangeness of his position and his work. Ordinary bodily fatigue is a thread which binds man to the earth; but the very peculiarity of the enterprise he was engaged in kept him in a sort of ideal twilight region. There were times when he seemed to be striking blows with his hammer in the clouds. At other moments his tools appeared to him like arms. He had a singular feeling, as if he was repressing or providing against some latent danger of attack. Untwisting ropes, unravelling threads of yarn in a sail, or propping up a couple of beams, appeared to him at such times like fashioning engines of war. The thousand minute pains which he took about his salvage operations produced at last in his mind the effect of precautions against aggressions little concealed, and easy to anticipate. He did not know the words which express the ideas, but he perceived them. His instincts became less and less those of the worker; his habits more and more those of the savage man.

His business there was to subdue and direct the powers of nature. He had an indistinct perception of it. A strange enlargement of his ideas!

Around him, far as eye could reach, was the vast prospect of endless labour wasted and lost. Nothing is more disturbing to the mind than the contemplation of the diffusion of forces at work in the unfathomable and illimitable space of the ocean. The mind tends naturally to seek the object of these forces. The unceasing movement in space, the unwearying sea, the clouds that seem ever hurrying somewhere, the vast mysterious prodigality of effort, all this is a problem. Whither does this perpetual movement tend? What do these winds construct? What do these giant blows build up? These howlings, shocks, and sobbings of the storm, what do they end in? and what is the business of this tumult? The ebb and flow of these questionings is eternal, as the flux and reflux of the sea itself. Gilliatt could answer for himself; his work he knew, but the agitation which surrounded him far and wide at all times perplexed him confusedly with its eternal questionings. Unknown to himself, mechanically, by the mere pressure of external things, and without any other effect than a strange, unconscious bewilderment, Gilliatt, in this dreamy mood, blended his own toil somehow with the prodigious wasted labour of the sea-waves. How, indeed, in that position, could he escape the influence of that mystery of the dread, laborious ocean? how do other than meditate, so far as meditation was possible, upon the vacillation of the waves, the perseverance of the foam, the imperceptible wearing down of rocks, the furious beatings of the four winds? How terrible that perpetual recommencement, that ocean bed, those Danaïdes-like clouds, all that travail and weariness for no end!

For no end? Not so! But for what? O Thou Infinite Unknown, Thou only knowest!

XI

DISCOVERY

A rock near the coast is sometimes visited by men; a rock in mid-ocean never. What object could any one have there? No supplies can be drawn thence; no fruit-trees are there, no pasturage, no beasts, no springs of water fitted for man's use. It stands aloft, a rock with its steep sides and summits above water, and its sharp points below. Nothing is to be found there but inevitable shipwreck.

This kind of rocks, which in the old sea dialect were called _Isolés_, are, as we have said, strange places. The sea is alone there; she works her own will. No token of terrestrial life disturbs her. Man is a terror to the sea; she is shy of his approach, and hides from him her deeds. But she is bolder among the lone sea rocks. The everlasting soliloquy of the waves is not troubled there. She labours at the rock, repairs its damage, sharpens its peaks, makes them rugged or renews them. She pierces the granite, wears down the soft stone, and denudes the hard; she rummages, dismembers, bores, perforates, and grooves; she fills the rock with cells, and makes it sponge-like, hollows out the inside, or sculptures it without. In that secret mountain which is hers, she makes to herself caves, sanctuaries, palaces. She has her splendid and monstrous vegetation, composed of floating plants which bite, and of monsters which take root; and she hides away all this terrible magnificence in the twilight of her deeps. Among the isolated rocks no eye watches over her; no spy embarrasses her movements. It is there that she develops at liberty her mysterious side, which is inaccessible to man. Here she keeps all strange secretions of life. Here that the unknown wonders of the sea are assembled.

Promontories, forelands, capes, headlands, breakers, and shoals are veritable constructions. The geological changes of the earth are trifling compared with the vast operations of the ocean. These breakers, these habitations in the sea, these pyramids, and spouts of the foam are the practicers of a mysterious art which the author of this book has somewhere called "the Art of Nature." Their style is known by its vastness. The effects of chance seem here design. Its works are multiform. They abound in the mazy entanglement of the rock-coral groves, the sublimity of the cathedral, the extravagance of the pagoda, the amplitude of the mountain, the delicacy of the jeweller's work, the horror of the sepulchre. They are filled with cells like the wasps' nest, with dens like menageries, with subterranean passages like the haunts of moles, with dungeons like Bastiles, with ambuscades like a camp. They have their doors, but they are barricaded; their columns, but they are shattered; their towers, but they are tottering; their bridges, but they are broken. Their compartments are unaccommodating; these are fitted for the birds only, those only for fish. They are impassable. Their architectural style is variable and inconsistent; it regards or disregards at will the laws of equilibrium, breaks off, stops short, begins in the form of an archivolt, and ends in an architrave, block on block. Enceladus is the mason. A wondrous science of dynamics exhibits here its problems ready solved. Fearful overhanging blocks threaten, but fall not: the human mind cannot guess what power supports their bewildering masses. Blind entrances, gaps, and ponderous suspensions multiply and vary infinitely. The laws which regulate this Babel baffle human induction. The great unknown architect plans nothing, but succeeds in all. Rocks massed together in confusion form a monstrous monument, defy reason, yet maintain equilibrium. Here is something more than strength; it is eternity. But order is wanting. The wild tumult of the waves seems to have passed into the wilderness of stone. It is like a tempest petrified and fixed for ever. Nothing is more impressive than that wild architecture; always standing, yet always seeming to fall; in which everything appears to give support, and yet to withdraw it. A struggle between opposing lines has resulted in the construction of an edifice, filled with traces of the efforts of those old antagonists, the ocean and the storm.

This architecture has its terrible masterpieces, of which the Douvres rock was one.

The sea had fashioned and perfected it with a sinister solicitude. The snarling waters licked it into shape. It was hideous, treacherous, dark, full of hollows.

It had a complete system of submarine caverns ramifying and losing themselves in unfathomed depths. Some of the orifices of this labyrinth of passages were left exposed by the low tides. A man might enter there, but at his risk and peril.

Gilliatt determined to explore all these grottoes, for the purpose of his salvage labour. There was not one which was not repulsive. Everywhere about the caverns that strange aspect of an abattoir, those singular traces of slaughter, appeared again in all the exaggeration of the ocean. No one who has not seen in excavations of this kind, upon the walls of everlasting granite, these hideous natural frescoes, can form a notion of their singularity.

These pitiless caverns, too, were false and sly. Woe betide him who would loiter there. The rising tide filled them to their roofs.

Rock limpets and edible mosses abounded among them.

They were obstructed by quantities of shingle, heaped together in their recesses. Some of their huge smooth stones weighed more than a ton. They were of every proportion, and of every hue; but the greater part were blood coloured. Some, covered with a hairy and glutinous seaweed, seemed like large green moles boring a way into the rock.

Several of the caverns terminated abruptly in the form of a demi-cupola. Others, main arteries of a mysterious circulation, lengthened out in the rock in dark and tortuous fissures. They were the alleys of the submarine city; but they gradually contracted from their entrances, and at length left no way for a man to pass. Peering in by the help of a lighted torch, he could see nothing but dark hollows dripping with moisture.

One day, Gilliatt, exploring, ventured into one of these fissures. The state of the tide favoured the attempt. It was a beautiful day of calm and sunshine. There was no fear of any accident from the sea to increase the danger.

Two necessities, as we have said, compelled him to undertake these explorations. He had to gather fragments of wreck and other things to aid him in his labour, and to search for crabs and crayfish for his food. Shell-fish had begun to fail him on the rocks.

The fissure was narrow, and the passage difficult. Gilliatt could see daylight beyond. He made an effort, contorted himself as much as he could, and penetrated into the cave as far as he was able.

He had reached, without suspecting it, the interior of the rock, upon the point of which Clubin had steered the Durande. Though abrupt and almost inaccessible without, it was hollowed within. It was full of galleries, pits, and chambers, like the tomb of an Egyptian king. This network of caverns was one of the most complicated of all that labyrinth, a labour of the water, the undermining of the restless sea. The branches of the subterranean maze probably communicated with the sea without by more than one issue, some gaping at the level of the waves, the others profound and invisible. It was near here, but Gilliatt knew it not, that Clubin had dived into the sea.

In this crocodile cave--where crocodiles, it is true, were not among the dangers--Gilliatt wound about, clambered, struck his head occasionally, bent low and rose again, lost his footing and regained it many times, advancing laboriously. By degrees the gallery widened; a glimmer of daylight appeared, and he found himself suddenly at the entrance to a cavern of a singular kind.

XII

THE INTERIOR OF AN EDIFICE UNDER THE SEA

The gleam of daylight was fortunate.

One step further, and Gilliatt must have fallen into a pool, perhaps without bottom. The waters of these cavern pools are so cold and paralysing as to prove fatal to the strongest swimmers.

There is, moreover, no means of remounting or of hanging on to any part of their steep walls.

He stopped short. The crevice from which he had just issued ended in a narrow and slippery projection, a species of corbel in the peaked wall. He leaned against the side and surveyed it.

He was in a large cave. Over his head was a roofing not unlike the inside of a vast skull, which might have been imagined to have been recently dissected. The dripping ribs of the striated indentations of the roof seemed to imitate the branching fibres and jagged sutures of the bony cranium. A stony ceiling and a watery floor. The rippled waters between the four walls of the cave were like wavy paving tiles. The grotto was shut in on all sides. Not a window, not even an air-hole visible. No breach in the wall, no crack in the roof. The light came from below and through the water, a strange, sombre light.

Gilliatt, the pupils of whose eyes had contracted during his explorations of the dusky corridor, could distinguish everything about him in the pale glimmer.

He was familiar, from having often visited them, with the caves of Plémont in Jersey, the Creux-Maillé at Guernsey, the Boutiques at Sark; but none of these marvellous caverns could compare with the subterranean and submarine chamber into which he had made his way.

Under the water at his feet he could see a sort of drowned arch. This arch, a natural ogive, fashioned by the waves, was glittering between its two dark and profound supports. It was by this submerged porch that the daylight entered into the cavern from the open sea. A strange light shooting upward from a gulf.

The glimmer spread out beneath the waters like a large fan, and was reflected on the rocks. Its direct rays, divided into long, broad shafts, appeared in strong relief against the darkness below, and becoming brighter or more dull from one rock to another, looked as if seen here and there through plates of glass. There was light in that cave it is true; but it was the light that was unearthly. The beholder might have dreamed that he had descended in some other planet. The glimmer was an enigma, like the glaucous light from the eye-pupil of a Sphinx. The whole cave represented the interior of a death's-head of enormous proportions, and of a strange splendour. The vault was the hollow of the brain, the arch the mouth; the sockets of the eyes were wanting. The cavern, alternately swallowing and rendering up the flux and reflux through its mouth wide opened to the full noonday without, seemed to drink in the light and vomit forth bitterness; a type of some beings intelligent and evil. The light, in traversing this inlet through the vitreous medium of the sea-water, became green, like a ray of starlight from Aldebaran. The water, filled with the moist light, appeared like a liquid emerald. A tint of aqua-marina of marvellous delicacy spread a soft hue throughout the cavern. The roof, with its cerebral lobes, and its rampant ramifications, like the fibres of nerves, gave out a tender reflection of chrysoprase. The ripples reflected on the roof were falling in order and dissolving again incessantly, and enlarging and contracting their glittering scales in a mysterious and mazy dance. They gave the beholder an impression of something weird and spectral: he wondered what prey secured, or what expectation about to be realised, moved with a joyous thrill this magnificent network of living fire. From the projections of the vault, and the angles of the rock, hung lengths of delicate fibrous plants, bathing their roots probably through the granite in some upper pool of water, and distilling from their silky ends one after the other, a drop of water like a pearl. These drops fell in the water now and then with a gentle splash. The effect of the scene was singular. Nothing more beautiful could be imagined; nothing more mournful could anywhere be found.

It was a wondrous palace, in which death sat smiling and content.

XIII

WHAT WAS SEEN THERE; AND WHAT PERCEIVED DIMLY

A place of shade, which yet was dazzling to the eyes--such was this surprising cavern.

The beating of the sea made itself felt throughout the cavern. The oscillation without raised and depressed the level of the waters within, with the regularity of respiration. A mysterious spirit seemed to fill this great organism, as it swelled and subsided in silence.

The water had a magical transparency, and Gilliatt distinguished at various depths submerged recesses, and surfaces of jutting rocks ever of a deeper and a deeper green. Certain dark hollows, too, were there, probably too deep for soundings.

On each side of the submarine porch, rude elliptical arches, filled with shallows, indicated the position of small lateral caves, low alcoves of the central cavern, accessible, perhaps, at certain tides. These openings had roofs in the form of inclined planes, and at angles more or less acute. Little sandy beaches of a few feet wide, laid bare by the action of the water, stretched inward, and were lost in these recesses.

Here and there seaweeds of more than a fathom in length undulated beneath the water, like the waving of long tresses in the wind; and there were glimpses of a forest of sea plants.

Above and below the surface of the water, the wall of the cavern from top to bottom--from the vault down to the depth at which it became invisible--was tapestried with that prodigious efflorescence of the sea, rarely perceived by human eyes, which the old Spanish navigators called _praderias del mar_. A luxuriant moss, having all the tints of the olive, enlarged and concealed the protuberances of granite. From all the jutting points swung the thin fluted strips of varech, which sailors use as their barometers. The light breath which stirred in the cavern waved to and fro their glossy bands.

Under these vegetations there showed themselves from time to time some of the rarest _bijoux_ of the casket of the ocean; ivory shells, strombi, purple-fish, univalves, struthiolaires, turriculated cerites. The bell-shaped limpet shells, like tiny huts, were everywhere adhering to the rocks, distributed in settlements, in the alleys between which prowled oscabrions, those beetles of the sea. A few large pebbles found their way into the cavern; shell-fish took refuge there. The crustacea are the grandees of the sea, who, in their lacework and embroidery, avoid the rude contact of the pebbly crowd. The glittering heap of their shells, in certain spots under the wave, gave out singular irradiations, amidst which the eye caught glimpses of confused azure and gold, and mother-of-pearl, of every tint of the water.

Upon the side of the cavern, a little above the water-line, a magnificent and singular plant, attaching itself, like a fringe, to the border of seaweed, continued and completed it. This plant, thick, fibrous, inextricably intertwined, and almost black, exhibited to the eye large confused and dusky festoons, everywhere dotted with innumerable little flowers of the colour of lapis-lazuli. In the water they seemed to glow like small blue flames. Out of the water they were flowers; beneath it they were sapphires. The water rising and inundating the basement of the grotto clothed with these plants, seemed to cover the rock with gems.

At every swelling of the wave these flowers increased in splendour, and at every subsidence grew dull again. So it is with the destiny of man; aspiration is life, the outbreathing of the spirit is death.

One of the marvels of the cavern was the rock itself. Forming here a wall, there an arch, and here again a pillar or pilaster, it was in places rough and bare, and sometimes close beside, was wrought with the most delicate natural carving. Strange evidences of mind mingled with the massive stolidity of the granite. It was the wondrous art-work of the ocean. Here a sort of panel, cut square, and covered with round embossments in various positions, simulated a vague bas-relief. Before this sculpture, with its obscure designs, a man might have dreamed of Prometheus roughly sketching for Michael Angelo. It seemed as if that great genius with a few blows of his mallet could have finished the indistinct labours of the giant. In other places the rock was damasked like a Saracen buckler, or engraved like a Florentine vase. There were portions which appeared like Corinthian brass, then like arabesques, as on the door of a mosque; then like Runic stones with obscure and mystic prints of claws. Plants with twisted creepers and tendrils, crossing and recrossing upon the groundwork of golden lichens, covered it with filigree. The grotto resembled in some wise a Moorish palace. It was a union of barbarism and of goldsmith's work, with the imposing and rugged architecture of the elements.

The magnificent stains and moulderings of the sea covered, as with velvet, the angles of granite. The escarpments were festooned with large-flowered bindweed, sustaining itself with graceful ease, and ornamenting the walls as by intelligent design. Wall-pellitories showed their strange clusters in tasteful arrangement. The wondrous light which came from beneath the water, at once a submarine twilight and an Elysian radiance, softened down and blended all harsh lineaments. Every wave was a prism. The outlines of things under these rainbow-tinted undulations produced the chromatic effects of optical glasses made too convex. Solar spectra shot through the waters. Fragments of rainbows seemed floating in that transparent dawn. Elsewhere--in other corners--there was discernible a kind of moonlight in the water. Every kind of splendour seemed to mingle there, forming a strange sort of twilight. Nothing could be more perplexing or enigmatical than the sumptuous beauties of this cavern. Enchantment reigned over all. The fantastic vegetation, the rude masonry of the place seemed to harmonise. It was a happy marriage this, between these strange wild things. The branches seeming but to touch one another clung closely each to each. The stern rock and the pale flower met in a passionate embrace. Massive pillars had capitals and entwining wreaths of delicate garlands, that quivered through every fibre, suggestive of fairy fingers tickling the feet of a Behemoth, and the rock upheld the plant, and the plant clasped the rock with unnatural joy of attraction.

The effect produced by the mysterious reconciliation of these strange forms was of a supreme and inexpressible beauty.

The works of nature, not less than the works of genius, contain the absolute, and produce an impression of awe. Something unexpected about them imperiously insists on our mental submission; we are conscious of a premeditation beyond our human scope, and at no time are they more startling than when we suddenly become aware of the beauty that is mingled with their terror.

This hidden grotto was, if we may use the expression, siderealised. There was everything in it to surprise and overwhelm. An apocalyptic light illuminated this crypt. One could not tell if that which the eyes looked upon was a reality, for reality bore the impress of the impossible. One could see, and touch, and know that one was standing there, and yet it was difficult to believe in it all.

Was it daylight which entered by this casement beneath the sea? Was it indeed water which trembled in this dusky pool? Were not these arched roofs and porches fashioned out of sunset clouds to imitate a cavern to men's eyes? What stone was that beneath the feet? Was not this solid shaft about to melt and pass into thin air? What was that cunning jewellery of glittering shells, half seen beneath the wave? How far away were life, and the green earth, and human faces? What strange enchantment haunted that mystic twilight? What blind emotion, mingling its sympathies with the uneasy restlessness of plants beneath the wave?

At the extremity of the cavern, which was oblong, rose a Cyclopean archivolte, singularly exact in form. It was a species of cave within a cave, of tabernacle within a sanctuary. Here, behind a sheet of bright verdure, interposed like the veil of a temple, arose a stone out of the waves, having square sides, and bearing some resemblance to an altar. The water surrounded it in all parts. It seemed as if a goddess had just descended from it. One might have dreamed there that some celestial form beneath that crypt or upon that altar dwelt for ever pensive in naked beauty, but grew invisible at the approach of mortals. It was hard to conceive that majestic chamber without a vision within. The day-dream of the intruder might evoke again the marvellous apparition. A flood of chaste light falling upon white shoulders scarcely seen; a forehead bathed with the light of dawn; an Olympian visage oval-shaped; a bust full of mysterious grace; arms modestly drooping; tresses unloosened in the aurora; a body delicately modelled of pure whiteness, half-wrapped in a sacred cloud, with the glance of a virgin; a Venus rising from the sea, or Eve issuing from chaos; such was the dream which filled the mind.

It seemed improbable that no phantom figure haunted this abode. Some woman's form, the embodiment of a star, had no doubt but shortly left the altar. Enveloped in this atmosphere of mute adoration the mind pictured an Amphitryon, a Tethys, some Diana capable of passion, some idealistic figure formed of light, looking softly down in the surrounding dusk. It was she who had left behind in the cave this perfumed luminosity, an emanation from her star-body. The dazzling phantom was no longer visible, she was only revealed by the invisible, and the sense of her presence lingered, setting the whole being voluptuously a-quiver. The goddess had departed, but divinity remained.

The beauty of the recess seemed made for this celestial presence. It was for the sake of this deity, this fairy of the pearl caverns, this queen of the Zephyrs, this Grace born of the waves, it was for her--as the mind, at least, imagined--that this subterranean dwelling had been thus religiously walled in, so that nothing might ever trouble the reverent shadows and the majestic silence round about that divine spirit.

Gilliatt, who was a kind of seer amid the secrets of nature, stood there musing, and sensible of confused emotions.

Suddenly, at a few feet below him, in the delightful transparence of that water like liquid jewels, he became sensible of the approach of something of mystic shape. A species of long ragged band was moving amidst the oscillation of the waves. It did not float, but darted about of its own will. It had an object; was advancing somewhere rapidly. The object had something of the form of a jester's bauble with points, which hung flabby and undulating. It seemed covered with a dust incapable of being washed away by the water. It was more than horrible; it was foul. The beholder felt that it was something monstrous. It was a living thing; unless, indeed, it were but an illusion. It seemed to be seeking the darker portion of the cavern, where at last it vanished. The heavy shadows grew darker as its sinister form glided into them, and disappeared.