Chapter II: Part 2

After this, the trial loses itself in a maze of cross-questioning and squabbling. Every witness who was called corroborated Anne de Cornault’s statement that there were no dogs at Kerfol: had been none for several months. The master of the house had taken a dislike to dogs, there was no denying it. But, on the other hand, at the inquest, there had been long and bitter discussions as to the nature of the dead man’s wounds. One of the surgeons called in had spoken of marks that looked like bites. The suggestion of witchcraft was revived, and the opposing lawyers hurled tomes of necromancy at each other.

At last Anne de Cornault was brought back into court—at the instance of the same Judge—and asked if she knew where the dogs she spoke of could have come from. On the body of her Redeemer she swore that she did not. Then the Judge put his final question: “If the dogs you think you heard had been known to you, do you think you would have recognized them by their barking?”

“Yes.”

“Did you recognize them?”

“Yes.”

“What dogs do you take them to have been?”

“My dead dogs,” she said in a whisper.... She was taken out of court, not to reappear there again. There was some kind of ecclesiastical investigation, and the end of the business was that the Judges disagreed with each other, and with the ecclesiastical committee, and that Anne de Cornault was finally handed over to the keeping of her husband’s family, who shut her up in the keep of Kerfol, where she is said to have died many years later, a harmless mad-woman.

So ends her story. As for that of Hervé de Lanrivain, I had only to apply to his collateral descendant for its subsequent details. The evidence against the young man being insufficient, and his family influence in the duchy considerable, he was set free, and left soon afterward for Paris. He was probably in no mood for a worldly life, and he appears to have come almost immediately under the influence of the famous M. Arnauld d’Andilly and the gentlemen of Port Royal. A year or two later he was received into their Order, and without achieving any particular distinction he followed its good and evil fortunes till his death some twenty years later. Lanrivain showed me a portrait of him by a pupil of Philippe de Champaigne: sad eyes, an impulsive mouth and a narrow brow. Poor Hervé de Lanrivain: it was a grey ending. Yet as I looked at his stiff and sallow effigy, in the dark dress of the Jansenists, I almost found myself envying his fate. After all, in the course of his life two great things had happened to him: he had loved romantically, and he must have talked with Pascal....

THE CHINK AND THE CHILD

By THOMAS BURKE

From Limehouse Nights, by Thomas Burke.
Copyright, 1917, by Robert M. McBride and Company.

It is a tale of love and lovers that they tell in the low-lit Causeway that slinks from West India Dock Road to the dark waste of waters beyond. In Pennyfields, too, you may hear it; and I do not doubt that it is told in far-away Tai-Ping, in Singapore, in Tokio, in Shanghai, and those other gay-lamped haunts of wonder whither the wandering people of Limehouse go and whence they return so casually. It is a tale for tears, and should you hear it in the lilied tongue of the yellow men, it would awaken in you all your pity. In our bald speech it must, unhappily, lose its essential fragrance, that quality that will lift an affair of squalor into the loftier spheres of passion and imagination, beauty and sorrow. It will sound unconvincing, a little ... you know ... the kind of thing that is best forgotten. Perhaps....

But listen.

It is Battling Burrows, the lightning welter-weight of Shadwell, the box o’ tricks, the Tetrarch of the ring, who enters first. Battling Burrows, the pride of Ratcliff, Poplar and Limehouse, and the despair of his manager and backers. For he loved wine, woman and song; and the boxing world held that he couldn’t last long on that. There was any amount of money in him for his parasites if only the damned women could be cut out; but again and again would he disappear from his training quarters on the eve of a big fight, to consort with Molly and Dolly, and to drink other things than barley-water and lemon-juice. Wherefore Chuck Lightfoot, his manager, forced him to fight on any and every occasion while he was good and a money-maker; for at any moment the collapse might come, and Chuck would be called upon by his creditors to strip off that “shirt” which at every contest he laid upon his man.

Battling was of a type that is too common in the eastern districts of London; a type that upsets all accepted classifications. He wouldn’t be classed. He was a curious mixture of athleticism and degeneracy. He could run like a deer, leap like a greyhound, fight like a machine, and drink like a suction-hose. He was a bully; he had the courage of the high hero. He was an open-air sport; he had the vices of a French decadent.

It was one of his love adventures that properly begins this tale; for the girl had come to Battling one night with a recital of terrible happenings; of an angered parent, of a slammed door.... In her arms was a bundle of white rags. Now Battling, like so many sensualists, was also a sentimentalist. He took that bundle of white rags; he paid the girl money to get into the country; and the bundle of white rags had existed in and about his domicile in Pekin Street, Limehouse, for some eleven years. Her position was nondescript; to the casual observer it would seem that she was Battling’s relief punch-ball—an unpleasant post for any human creature to occupy, especially if you are a little girl of twelve, and the place be the one-room household of the lightning welter-weight. When Battling was cross with his manager ... well, it is indefensible to strike your manager or to throw chairs at him, if he is a good manager; but to use a dogwhip on a small child is permissible and quite as satisfying; at least he found it so. On these occasions, then, when very cross with his sparring partners, or overflushed with victory and juice of the grape, he would flog Lucy. But he was reputed by the boys to be a good fellow. He only whipped the child when he was drunk; and he was only drunk for eight months of the year.

For just over twelve years this bruised little body had crept about Poplar and Limehouse. Always the white face was scarred with red, or black-furrowed with tears; always in her steps and in her look was expectation of dread things. Night after night her sleep was broken by the cheerful Battling’s brute voice and violent hands; and terrible were the lessons which life taught her in those few years. Yet, for all the starved face and the transfixed air, there was a lurking beauty about her, a something that called you in the soft curve of her cheek that cried for kisses and was fed with blows, and in the splendid mournfulness that grew in eyes and lips. The brown hair chimed against the pale face, like the rounding of a verse. The blue cotton frock and the broken shoes could not break the loveliness of her slender figure or the shy grace of her movements as she flitted about the squalid alleys of the docks; though in all that region of wasted life and toil and decay, there was not one that noticed her, until....

Now there lived in Chinatown, in one lousy room over Mr. Tai Fu’s store in Pennyfields, a wandering yellow man, named Cheng Huan. Cheng Huan was a poet. He did not realise it. He had never been able to understand why he was unpopular; and he died without knowing. But a poet he was, tinged with the materialism of his race, and in his poor listening heart strange echoes would awake of which he himself was barely conscious. He regarded things differently from other sailors; he felt things more passionately, and things which they felt not at all; so he lived alone instead of at one of the lodging-houses. Every evening he would sit at his window and watch the street. Then, a little later, he would take a jolt of opium at the place at the corner of Formosa Street.

He had come to London by devious ways. He had loafed on the Bund at Shanghai. The fateful intervention of a crimp had landed him on a boat. He got to Cardiff, and sojourned in its Chinatown; thence to Liverpool, to Glasgow; thence, by a ticket from the Asiatics’ Aid Society, to Limehouse, where he remained for two reasons—because it cost him nothing to live there, and because he was too lazy to find a boat to take him back to Shanghai.

So he would lounge and smoke cheap cigarettes, and sit at his window, from which point he had many times observed the lyrical Lucy. He noticed her casually. Another day, he observed her, not casually. Later, he looked long at her; later still, he began to watch for her and for that strangely provocative something about the toss of the head and the hang of the little blue skirt as it coyly kissed her knee.

Then that beauty which all Limehouse had missed smote Cheng. Straight to his heart it went, and cried itself into his very blood. Thereafter the spirit of poetry broke her blossoms all about his odorous chamber. Nothing was the same. Pennyfields became a happy-lanterned street, and the monotonous fiddle in the house opposite was the music of his fathers. Bits of old song floated through his mind: little sweet verses of Le Tai-pih, murmuring of plum blossom, ricefield and stream. Day by day he would moon at his window, or shuffle about the streets, lighting to a flame when Lucy would pass and gravely return his quiet regard; and night after night, too, he would dream of a pale, lily-lovely child.

And now the Fates moved swiftly various pieces on their sinister board, and all that followed happened with a speed and precision that showed direction from higher ways.

It was Wednesday night in Limehouse, and for once clear of mist. Out of the coloured darkness of the Causeway stole the muffled wail of reed instruments, and, though every window was closely shuttered, between the joints shot jets of light and stealthy voices, and you could hear the whisper of slippered feet, and the stuttering steps of the satyr and the sadist. It was to the café in the middle of the Causeway, lit by the pallid blue light that is the symbol of China throughout the world, that Cheng Huan came, to take a dish of noodle and some tea. Thence he moved to another house whose stairs ran straight to the street, and above whose doorway a lamp glowed like an evil eye. At this establishment he mostly took his pipe of “chandu” and a brief chat with the keeper of the house, for, although not popular, and very silent, he liked sometimes to be in the presence of his compatriots. Like a figure of a shadowgraph he slid through the door and up the stairs.

The chamber he entered was a bit of the Orient squatting at the portals of the West. It was a well-kept place where one might play a game of fan-tan, or take a shot or so of _li-un_, or purchase other varieties of Oriental delight. It was sunk in a purple dusk, though here and there a lantern stung the gloom. Low couches lay around the walls, and strange men decorated them: Chinese, Japs, Malays, Lascars, with one or two white girls; and sleek, noiseless attendants swam from couch to couch. Away in the far corner sprawled a lank figure in brown shirting, its nerveless fingers curled about the stem of a spent pipe. On one of the lounges a scorbutic nigger sat with a Jewess from Shadwell. Squatting on a table in the centre, beneath one of the lanterns, was a musician with a reed, blinking upon the company like a sly cat, and making his melody of six repeated notes.

The atmosphere churned. The dirt of years, tobacco of many growings, opium, betel nut, and moist flesh allied themselves in one grand assault against the nostrils.

As Cheng brooded on his insect-ridden cushion, of a sudden the lantern above the musician was caught by the ribbon of his reed. It danced and flung a hazy radiance on a divan in the shadow. He saw—started—half rose. His heart galloped, and the blood pounded in his quiet veins. Then he dropped again,—crouched, and stared.

O lily-flowers and plum blossoms! O silver streams and dim-starred skies! O wine and roses, song and laughter! For there, kneeling on a mass of rugs, mazed and big-eyed, but understanding, was Lucy ... his Lucy ... his little maid. Through the dusk she must have felt his intent gaze upon her; for he crouched there, fascinated, staring into the now obscured corner where she knelt.

But the sickness which momentarily gripped him on finding in this place his snowy-breasted pearl passed and gave place to great joy. She was here; he would talk with her. Little English he had, but simple words, those with few gutturals, he had managed to pick up; so he rose, the masterful lover, and, with feline movements, crossed the nightmare chamber to claim his own.

If you wonder how Lucy came to be in this bagnio, the explanation is simple. Battling was in training. He had flogged her that day before starting work; he had then had a few brandies—not many; some eighteen or nineteen—and had locked the door of his room and taken the key. Lucy was, therefore, homeless, and a girl somewhat older than Lucy, so old and so wise, as girls are in that region, saw in her a possible source of revenue. So there they were, and to them appeared Cheng.

From what horrors he saved her that night cannot be told, for her ways were too audaciously childish to hold her long from harm in such a place. What he brought to her was love and death.

For he sat by her. He looked at her—reverently yet passionately. He touched her—wistfully yet eagerly. He locked a finger in her wondrous hair. She did not start away; she did not tremble. She knew well what she had to be afraid of in that place; but she was not afraid of Cheng. She pierced the mephitic gloom and scanned his face. No, she was not afraid. His yellow hands, his yellow face, his smooth black hair ... well, he was the first thing that had ever spoken soft words to her; the first thing that had ever laid a hand upon her that was not brutal; the first thing that had deferred in manner towards her as though she, too, had a right to live. She knew his words were sweet, though she did not understand them. Nor can they be set down. Half that he spoke was in village Chinese; the rest in a mangling of English which no distorted spelling could possibly reproduce.

But he drew her back against the cushions and asked her name, and she told him; and he inquired her age, and she told him; and he had then two beautiful words that came easily to his tongue. He repeated them again and again:

“Lucia ... l’il Lucia.... Twelve.... Twelve.” Musical phrases they were, dropping from his lips, and to the child who heard her name pronounced so lovingly, they were the lost heights of melody. She clung to him, and he to her. She held his strong arm in both of hers as they crouched on the divan, and nestled her cheek against his coat.

Well ... he took her home to his wretched room.

“Li’l Lucia, come-a-home ... Lucia.”

His heart was on fire. As they slipped out of the noisomeness into the night air and crossed the West India Dock Road into Pennyfields, they passed unnoticed. It was late, for one thing, and for another ... well, nobody cared particularly. His blood rang with soft music and the solemnity of drums, for surely he had found now what for many years he had sought—his world’s one flower. Wanderer he was, from Tuan-tsen to Shanghai, Shanghai to Glasgow, Cardiff ... Liverpool ... London. He had dreamed often of the women of his native land; perchance one of them should be his flower. Women, indeed, there had been. Swatow ... he had recollections of certain rose-winged hours in coast cities. At many places to which chance had led him a little bird had perched itself upon his heart, but so lightly and for so brief a while as hardly to be felt. But now—now he had found her in this alabaster Cockney child. So that he was glad and had great joy of himself and the blue and silver night, and the harsh flares of the Poplar Hippodrome.

You will observe that he had claimed her, but had not asked himself whether she were of an age for love. The white perfection of the child had captivated every sense. It may be that he forgot that he was in London and not in Tuan-tsen. It may be that he did not care. Of that nothing can be told. All that is known is that his love was a pure and holy thing. Of that we may be sure, for his worst enemies have said it.

Slowly, softly they mounted the stairs to his room, and with almost an obeisance he entered and drew her in. A bank of cloud raced to the east and a full moon thrust a sharp sword of light upon them. Silence lay over all Pennyfields. With a bird-like movement, she looked up at him—her face alight, her tiny hands upon his coat—clinging, wondering, trusting. He took her hand and kissed it; repeated the kiss upon her cheek and lip and little bosom, twining his fingers in her hair. Docilely, and echoing the smile of his lemon lips in a way that thrilled him almost to laughter, she returned his kisses impetuously, gladly.

He clasped the nestling to him. Bruised, tearful, with the love of life almost thrashed out of her, she had fluttered to him out of the evil night.

“O li’l Lucia!” And he put soft hands upon her, and smoothed her and crooned over her many gracious things in his flowered speech. So they stood in the moonlight, while she told him the story of her father, of her beatings, and starvings and unhappiness.

“O li’l Lucia.... White Blossom.... Twelve.... Twelve years old!”

As he spoke, the clock above the Milwall Docks shot twelve crashing notes across the night. When the last echo died, he moved to a cupboard, and from it he drew strange things ... formless masses of blue and gold, magical things of silk, and a vessel that was surely Aladdin’s lamp, and a box of spices. He took these robes, and, with tender, reverent fingers, removed from his White Blossom the besmirched rags that covered her and robed her again, and led her then to the heap of stuff that was his bed, and bestowed her safely.

For himself, he squatted on the floor before her, holding one grubby little hand. There he crouched all night, under the lyric moon, sleepless, watchful; and sweet content was his. He had fallen into an uncomfortable posture, and his muscles ached intolerably. But she slept, and he dared not move nor release her hand lest he should awaken her. Weary and trustful, she slept, knowing that the yellow man was kind and that she might sleep with no fear of a steel hand smashing the delicate structure of her dreams.

In the morning, when she awoke, still wearing her blue and yellow silk, she gave a cry of amazement. Cheng had been about. Many times had he glided up and down the two flights of stairs, and now at last his room was prepared for his princess. It was swept and garnished, and was an apartment worthy a maid who is loved by a poet-prince. There was a bead curtain. There were muslins of pink and white. There were four bowls of flowers, clean, clear flowers to gladden the White Blossom and set off her sharp beauty. And there was a bowl of water, and a sweet lotion for the bruise on her cheek.

When she had risen, her prince ministered to her with rice and egg and tea. Cleansed and robed and calm, she sat before him, perched on the end of many cushions as on a throne, with all the grace of the child princess in the story. She was a poem. The beauty hidden by neglect and fatigue shone out now more clearly and vividly, and from the head sunning over with curls to the small white feet, now bathed and sandalled, she seemed the living interpretation of a Chinese lyric. And she was his; her sweet self and her prattle, and her bird-like ways were all his own.

Oh, beautifully they loved. For two days he held her. Soft caresses from his yellow hands and long, devout kisses were all their demonstration. Each night he would tend her, as might mother to child; and each night he watched and sometimes slumbered at the foot of her couch.

But now there were those that ran to Battling at his training quarters across the river, with the news that his child had gone with a Chink—a yellow man. And Battling was angry. He discovered parental rights. He discovered indignation. A yellow man after his kid! He’d learn him. Battling did not like men who were not born in the same great country as himself. Particularly he disliked yellow men. His birth and education in Shadwell had taught him that of all creeping things that creep upon the earth the most insidious is the Oriental in the West. And a yellow man and a child. It was ... as you might say ... so ... kind of ... well, wasn’t it? He bellowed that it was “unnacherel.” The yeller man would go through it. Yeller! It was his supreme condemnation, his final epithet for all conduct of which he disapproved.

There was no doubt that he was extremely annoyed. He went to the Blue Lantern, in what was once Ratcliff Highway, and thumped the bar, and made all his world agree with him. And when they agreed with him he got angrier still. So that when, a few hours later, he climbed through the ropes at the Netherlands to meet Bud Tuffit for ten rounds, it was Bud’s fight all the time, and to that bright boy’s astonishment he was the victor on points at the end of the ten. Battling slouched out of the ring, still more determined to let the Chink have it where the chicken had the axe. He left the house with two pals and a black man, and a number of really inspired curses from his manager.

On the evening of the third day, then, Cheng slipped sleepily down the stairs to procure more flowers and more rice. The genial Ho Ling, who keeps the Canton store, held him in talk some little while, and he was gone from his room perhaps half-an-hour. Then he glided back, and climbed with happy feet the forty stairs to his temple of wonder.

With a push of a finger he opened the door, and the blood froze on his cheek, the flowers fell from him. The temple was empty and desolate; White Blossom was gone. The muslin hangings were torn down and trampled underfoot. The flowers had been flung from their bowls about the floor, and the bowls lay in fifty fragments. The joss was smashed. The cupboard had been opened. Rice was scattered here and there. The little straight bed had been jumped upon by brute feet. Everything that could be smashed or violated had been so treated, and—horror of all—the blue and yellow silk robe had been rent in pieces, tied in grotesque knots, and slung derisively about the table legs.

I pray devoutly that you may never suffer what Cheng Huan suffered in that moment. The pangs of death, with no dying; the sickness of the soul which longs to escape and cannot; the imprisoned animal within the breast which struggles madly for a voice and finds none; all the agonies of all the ages—the agonies of every abandoned lover and lost woman, past and to come—all these things were his in that moment.

Then he found voice and gave a great cry, and men from below came up to him; and they told him how the man who boxed had been there with a black man; how he had torn the robes from his child, and dragged her down the stairs by her hair; and how he had shouted aloud for Cheng and had vowed to return and deal separately with him.

Now a terrible dignity came to Cheng, and the soul of his great fathers swept over him. He closed the door against them, and fell prostrate over what had been the resting-place of White Blossom. Those without heard strange sounds as of an animal in its last pains; and it was even so. Cheng was dying. The sacrament of his high and holy passion had been profaned; the last sanctuary of the Oriental—his soul dignity—had been assaulted. The love robes had been torn to ribbons; the veil of his temple cut down. Life was no longer possible; and life without his little lady, his White Blossom, was no longer desirable.

Prostrate he lay for the space of some five minutes. Then, in his face all the pride of accepted destiny, he arose. He drew together the little bed. With reverent hands he took the pieces of blue and yellow silk, kissing them and fondling them and placing them about the pillow. Silently he gathered up the flowers, and the broken earthenware, and burnt some prayer papers and prepared himself for death.

Now it is the custom among those of the sect of Cheng that the dying shall present love-gifts to their enemies; and when he had set all in order, he gathered his brown canvas coat about him, stole from the house, and set out to find Battling Burrows, bearing under the coat his love-gift to Battling. White Blossom he had no hope of finding. He had heard of Burrows many times; and he judged that, now that she was taken from him, never again would he hold those hands or touch that laughing hair. Nor, if he did, could it change things from what they were. Nothing that was not a dog could live in the face of this sacrilege.

As he came before the house in Pekin Street, where Battling lived, he murmured gracious prayers. Fortunately, it was a night of thick river mist, and through the enveloping velvet none could observe or challenge him. The main door was open, as are all doors in this district. He writhed across the step, and through to the back room, where again the door yielded to a touch.

Darkness. Darkness and silence, and a sense of frightful things. He peered through it. Then he fumbled under his jacket—found a match—struck it. An inch of a candle stood on the mantelshelf. He lit it. He looked around. No sign of Burrows, but ... Almost before he looked he knew what awaited him. But the sense of finality had kindly stunned him; he could suffer nothing more.

On the table lay a dog-whip. In the corner a belt had been flung. Half across the greasy couch lay White Blossom. A few rags of clothing were about her pale and slim body; her hair hung limp as her limbs; her eyes were closed. As Cheng drew nearer and saw the savage red rails that ran across and across the beloved body, he could not scream—he could not think. He dropped beside the couch. He laid gentle hands upon her, and called soft names. She was warm to the touch. The pulse was still.

Softly, oh, so softly, he bent over the little frame that had enclosed his friend-spirit, and his light kisses fell all about her. Then, with the undirected movements of a sleep-walker, he bestowed the rags decently about her, clasped her in strong arms, and crept silently into the night.

From Pekin Street to Pennyfields it is but a turn or two, and again he passed unobserved as he bore his tired bird back to her nest. He laid her upon the bed, and covered the lily limbs with the blue and yellow silks and strewed upon her a few of the trampled flowers. Then, with more kisses and prayers, he crouched beside her.

So, in the ghastly Limehouse morning, they were found—the dead child, and the Chink, kneeling beside her, with a sharp knife gripped in a vice-like hand, its blade far between his ribs.

Meantime, having vented his wrath on his prodigal daughter, Battling, still cross, had returned to the Blue Lantern, and there he stayed with a brandy tumbler in his fist, forgetful of an appointment at Premierland, whereby he should have been in the ring at ten o’clock sharp. For the space of an hour Chuck Lightfoot was going blasphemously to and fro in Poplar, seeking Battling and not finding him, and murmuring in tearful tones: “Battling—you dammanblasted Battling—where are yeh?”

His opponent was in his corner sure enough, but there was no fight. For Battling lurched from the Blue Lantern to Pekin Street. He lurched into his happy home, and he cursed Lucy, and called for her. And finding no matches, he lurched to where he knew the couch should be, and flopped heavily down.

Now it is a peculiarity of the reptile tribe that its members are impatient of being flopped on without warning. So, when Battling flopped, eighteen inches of writhing gristle upreared itself on the couch, and got home on him as Bud Tuffit had done the night before—one to the ear, one to the throat, and another to the forearm.

Battling went down and out.

And he, too, was found in the morning, with Cheng Huan’s love-gift coiled about his neck.

THE NOMAD

By ROBERT HICHENS

From Snakebite, by Robert Hichens.
Copyright, 1919, by George H. Doran Company.

1

The fate of Madame Lemaire had certainly not been an ordinary one. She was French, of Marseilles, as you could tell by her accent, especially when she said “_C’est bien!_” and had been an extremely coquettish and lively girl, with a strong will of her own and a passionate love of pleasure and of town life. From her talk when she was seventeen, you would have gathered that if she ever moved from Marseilles it would be to go to Paris. Nothing else would be good enough for her. She felt herself born to play a part in some great city.

And yet, at the age of forty, here she was in the desert of Sahara, keeping an _auberge_ at El-Kelf under the salt mountain! She sometimes wondered how it had ever come about, when she crossed the court of the inn, round which mules of customers were tethered in open sheds, or when she served the rough Algerian wine to farmers from the Tell, or to some dusty commercial traveller from Batna, in the arbour trellised with vines that fronted the desert.

Marie Lemaire, who had been Marie Bretelle, at El-Kelf! Marie Lemaire in the desert of Sahara attending upon God knows whom: Algerians, Spahis, camel-drivers, gazelle-hunters! No; it was too much!

But if you have a “kink” in you, to what may you not come? Marie Bretelle’s “kink” had been an idiotic softness for handsome faces.

She wanted to shine in the world, to cut a dash, to go to Paris; or, if that were impossible, to stay in Marseilles married to some rich city man, and to give parties, and to get gowns from Madame Vannier, of the Rue de Cliche, and hats from Trebichot, of the Rue des Colonies, and to attend the theatres, and to be stared at and pointed out on the race-course, and—and, in fact, to be the belle of Marseilles. And here she was at El-Kelf and all because of that “kink” in her nature!

Lemaire had had a handsome face and been a fine man, stalwart, bold, muscular, determined. He did not belong to Marseilles, but had come there to give an acrobatic show in a music-hall; and there Marie Bretelle had seen him, dressed in silver-spangled tights, and doing marvellous feats on three parallel bars. His bare arms had lumps on them like balls of iron, his fair moustaches were trained into points, his bold eyes were lit with a fire to fascinate women; and—well, Marie Bretelle ran away with him and became Madame Lemaire. And so she came to Algiers, where Lemaire had an accident while giving his performance. And that was the beginning of the Odyssey which had ended at El-Kelf.

“Fool—fool—fool!”

Often she said that to herself, as she went about the inn doing her duties with grains of sand in her hair.

“Fool—fool—fool!”

The word was taken by the wind of the waste and carried away to the desert.

After his accident Lemaire lost his engagements. Then he lost his looks. He put on flesh. He ceased to train his moustaches into points. The great muscles got soft, were covered with flabby fat. Finally he took to drink. And so they drifted.

To earn some money he became many things—guide, _concierge_, tout for “La Belle Fatma.” He had impossible professions in Algiers. And Marie? Well, it were best not to scrutinise her life too closely under the burning sun of Africa. Whatever it was, it was not very successful; and they drifted from Algiers. Where did they go? Where had they not been in this fiery land? Oran on the Moroccan border had seen them, and the mosques of Kairouan, windy Tunis, and rock-bound Constantine, laughing Bougie in its wall by the water, Fort National in the Grande Kabyle. They had been everywhere. And at last some wind of the desert had blown them, like poor grains of desert sand, from the bending palms of Biskra to the mud walls of El-Kelf.

And here—Gold help them!—for ten years they had been keeping the inn, “Au Retour du Desert.”

For ten, long, dry years, and such an inn! Why, at Marseilles they would have called it—well, one cannot tell what they would have called it on the Cannebiere! But they would have found a name for it, that is certain.

It stood alone, this inn, quite alone in the desert, which at El-Kelf circles a small oasis in which there is hidden among fair-sized palms a meagre Arab village. Why the inn should have been built outside of the oasis, away from the village, I cannot tell you. But so it is. It seems to be disdainful of the earth houses of the Arabs, to be determined to have nothing to do with them. And yet there is little reason in its disdain.

For it, too, is built on sun-dried earth for the most part, and has only the ground floor possessed by most of them. It stands facing flat but not illimitable desert. The road that passes before it winds away to land where there is water; and from the trellised arbour, but far off, one can see in the sunshine the sharp, shrill green of crops, grown by the Spahis whose tented camp lies to the right of the caravan track that leads over the Col de Sfa to Biskra.

Far, far along that road one can see from the inn, till its whiteness is as the whiteness of a thread, and any figures travelling upon it are less than little dolls, and even a caravan is but a moving dimness shrouded in a dimness of dust. But towards evening, when the strange clearness of Africa becomes almost terribly acute, every speck upon the thread has a meaning to attract the eye, and set the mind at work asking:

“What is this that is coming upon the road? Who is this that travels? Is it a mounted man on his thin horse, with his matchlock pointing to the sky? Or is it a woman hunched upon a trotting donkey? Or a Nomad on his camel? Or is it only some poor desert man, half naked in his rags, who tramps on his bare brown feet along sun-baked track, his hood drawn above his eyes, his knotted club in his hand?”

After ten years Madame Lemaire still asked herself such questions in the arbour of the inn, when business was slack, when her husband was away, or was lying half drunk upon the bed after an extra dose of absinthe, and the one-eyed Arab servant, Hadj, was squatting on his haunches in a corner smoking keef.

Not that the answer mattered at all to her. She expected nothing of the road that led from the desert. But her mind, stagnant though it had become in the solitude of Africa, had to do something to occupy itself. And so she often stared across the plain, with an aimless “_Je me demande_” trembling upon her lips, and a hard expression of inquiry in her dark brown eyes, whose lids were seamed with tiny wrinkles. Perhaps you will wonder why Madame Lemaire, having once had a passionate love for pleasure and a strong will of her own, had consented to remain for ten years in the solitude of El-Kelf, drudging in a miserable _auberge_, to which few people, and those but poor ones, ever came.

Circumstances and Robert Lemaire had been too much for her. Both had been cruel. She was something of a slave to both. Lemaire was an utter failure, but there lurked within him still, under the waves of absinthe, traces of the dominating power which had long ago made him a success.

Madame Lemaire had worshipped him once, had adored his strength and beauty. They were gone now. He was a wreck. But he was a wreck with fierceness in it. And command with him had become a habit. And Africa bids one accept. And so Madame Lemaire had stayed for ten long years drudging at the inn beside the salt mountain, and staring down the long white road for the something strange and interesting from the desert that never, never came.

And still Lemaire drank absinthe, and cursed and drowsed. For ten long years! And still Hadj squatted upon his haunches and drugged himself with keef. And still Madame Lemaire stood under the trellised vine, with the sand-grains in her hair, and gazed and gazed over the plain.

And when a black speck appeared far off upon the whiteness of the track, she watched it till her eyes ached, demanding who, or what, it was—whether a Spahi on horseback, a woman on her donkey, a Nomad on his camel, or some dark and half-naked pedestrian of the sands, that travelled through the sunset glory towards the lonely inn.

Although Robert Lemaire was a wreck he was not an old man in years, only forty-five, and the fine and tonic air of the Sahara preserved from complete destruction. Shaggy and unkept he was, with a heavy bulk of chest and shoulders, a large, pale face, and the angry and distressed eyes of the absinthe slave. His hands trembled habitually, and on his bad days fluttered like leaves. But there was still some force in his prematurely aged body, still some will in his mind. He was a wreck, but he was the wreck of one who had been really a man and accustomed to dominate women. And this he did not forget.

One evening—it was in May, and the long heats of the desert had already set in—Lemaire was away from the _auberge_, shooting near the salt mountain with an acquaintance, a colonist who had a small farm not far from Biskra, and who had come to spend the night at El-Kelf. This man had a history. He had once been a hotel-keeper, and had reason to suspect a guest in his hotel of having guilty intercourse with his wife.

One night, having discovered beyond possibility of doubt that his suspicions were well founded, he waited till the hotel was closed, then made his way to his guest’s room, and put three bullets into him as he lay asleep in his bed. For this murder, or act of justice, he got only ten months’ imprisonment. But his business as a hotel-keeper was ruined. So now he was a small farmer. He was also, perhaps, the only real friend Lemaire had in Africa, and he came occasionally to spend a night at the Retour du Desert.

Upon this evening of May, Madame Lemaire was alone in the inn with the one-eyed servant Hadj preparing supper for the two sportsmen. The flies buzzed about under the dusty leaves of the vine, which were unstirred by any breeze. The crystals upon the flanks of the salt mountain glittered in the sun that was still fiery, though not far from its declining.

Upon the dry, earthen walls of the inn and over the stones of the court round which it was built, the lizards crept, or rested with eager, glancing patience, as if alert for further movement, but waiting for a signal. A mule or two stamped in the long stable that was open to the court, and a skeleton of a white Kabyle dog slunk to and fro searching for scraps with his lips curled back from his pointed teeth.

And Madame Lemaire went slowly about her work with the sand-grains in her hair, and the flies buzzing around her.

Nothing had happened. Nothing ever did happen at El-Kelf. But for some mysterious reason Madame Lemaire suddenly felt to-day that her existence in the desert had become insupportable. It may have been that Africa, gradually draining away the Frenchwoman’s vitality, had on this day removed the last little drop of the force that had, till now, enabled her to face her life, however dully, however wearily.

It may have been that there was some peculiar and unusual heaviness in the air that was generally of a feathery lightness. Or the reason may have been mental, and Africa may have drawn from this victim’s nature, on this particular day, a grain, small as a grain of sand, of will-power that was absolutely necessary for the keeping of the woman’s stamina upon its feet.

However it was, she felt that she collapsed. She did not cry. She did not curse. She did not faint, or lie down and stare with desperate eyes at the vacant dying day. She did not neglect her domestic duties, and was even now tearing, with a flat key, the cover from some tinned veal and ham for the evening’s supper. But something within her had abruptly raised its voice. She seemed to hear it saying: “I can’t bear any more!” and to know that it spoke the truth. No longer could she bear it: the African sun on the brown-earth walls, the settling of the sand-grains in her hair, the movement of the flies about her face, wrinkled prematurely by the perpetual dry heat and by the desert winds; the brazen sky above her, the iron land beneath, the silence—like the silence that was before creation, or the monotonous sounds that broke it; the mule’s stamp on the stones, the barking of the guard-dogs upon the palm roofs of the distant houses in the village, the sneering laugh of the jackals by night, that whining song of Hadj, as he wagged his shaven head over the pipe-bowl into which he pressed the keef that was bringing him to madness.

She could not bear it any more.

The look in her face scarcely altered. The corners of her mouth, long since grown grim, did not droop any more than usual. Her thin, hard hands were steady as they did their dreary work. But the woman who had resisted somehow during ten terrible years of incomparable monotony suddenly died within Marie Lemaire, and the girl of Marseilles, Marie Bretelle, shrieked out in the middle-aged, haggard body.

“This fate was not meant for me. I cannot bear it any more.”

Presently the tin which had held the veal and ham was empty, save for some bits of opaque jelly that still clung round its edges; and Madame Lemaire went over to the dimly burning charcoal with a dirty old pan in her hand.

Marie Bretelle was still shrieking out, but Madame Lemaire must get ready the supper for her absinthe-soaked husband, and his friend the murderer from Alfa.

The sportsmen were late in returning, and Madame Lemaire’s task was finished before they came. She had nothing more to do, and she came out to the arbour that looked upon the road. Here there was an old table stained with the lees of wine. About it stood three or four rickety chairs. Madame Lemaire sat down—dropped down, rather—on one of these, laid her arms upon the table, and gazed down the empty road.

“_Mon Dieu!_” she said to herself. “_Mon Dieu!_” She beat one hand on the table and said it aloud.

“_Mon Dieu! Mon Dieu!_”

She stared up at the vine. The leaves were sandy, and she saw insects running over them. She watched them. What were they doing? What purpose could they have? What purpose could anything have?

Always the hand tapped, tapped upon the table.

And Marseilles! It was still there by the sea, crowded, gay with life. This was the time when the life began to grow turbulent. The cascades were roaring under the lifted gardens, where the beasts roamed in their cages. The awnings were out over the cafés in that city of cafés. She could almost see the coloured edges of stuff fluttering in the wind that came from the arbour and from the Château d’If. There was a sound of hammering along the sea. They were putting up the bathing sheds for the season. It would be good to go into the sea. It would cool one.

A beetle dropped from the vine on to the table, close to the beating hand. Madame Lemaire started violently. She got up, and went to stand in the entrance of the arbour. Marseilles was gone now. Africa was there.

For ten years she had been looking down the road. She looked down it once more.

It was the wonderful evening hour when Africa seems to lift itself toward the light, reluctant to be given to the darkness. Very far one could see, and with an almost supernatural distinctness. Yet Madame Lemaire strained her eyes, as people do at dusk when they strive to pierce a veil of gathering darkness.

What was coming along the road?

Her gaze travelled onwards over the hard and barren plain till it reached the green crops, on and on past the tents of the Spahis’ encampment, near which rose a trail of smoke into the lucent air; farther still, farther and farther, until the whiteness narrowed towards the mountains, and at last was lost to sight.

And this evening, perhaps because she longed so much for something, for anything, there was nothing on the road. It was a white emptiness under the setting sun.

Then the woman felt frantic, and she beat her hands together, and she cried aloud:

“If the Devil himself would only come along the road and ask me to go from this cursed hole of a place, I’d go with him! I’d go! I’d go!”

She repeated it shrilly, making wild gestures with her hands towards the desert. Her face was twisted awry. She looked just then like a desperate hag of a woman.

But it was the girl of Marseilles who was crying out in her. It was Marie Bretelle who was demanding the joys she had flung away in her youth for the sake of a handsome face.

“I’d go! I’d go!”

The shrill cry went up to the setting sun. But no one answered, and nothing darkened the arid whiteness of the road that wound across the plain and passed before the inn-door.

2

Night had fallen when the two sportsmen rode in on mules, tired and hungry. Hadj came from his keef to take the beasts, Madame Lemaire from her kitchen to ask if there were any birds for her to cook. Her husband gave her a string of them, and she turned away from him without a word, and went back into the house.

There was nothing odd in this, but something in his wife’s face, seen only for a moment in the darkness of the court, had startled Lemaire, and he looked after her as if he were inclined to call her back; then said to his companion, Jacques Bouvier:

“Did you see Marie?”

“Yes. She looks as if she had just stumbled over a jackal,” and he laughed.

Lemaire stood for a minute where he was. Then he shouted to Hadj:

“Hadj! A—Hadj!”

The one-eyed keef-smoker came.

“Who has been here to-day?”

“No one. A few have passed the door, but no one has entered.”

“Good business!” said Bouvier, shrugging his shoulders.

“Business!” exclaimed Lemaire, with an oath. “It’s a fine business we do here. Another ten years, and we shan’t have put by ten sous.”

“Perhaps that is why madame has such a face to-night!”

“We’ll see at supper. Now for an absinthe!”

The two men walked stiffly into the inn, put their guns in a corner, went into the arbour that fronted the desert, and sat down by the table.

“Marie!” bawled Lemaire.

He struck his flabby fist down upon the wood.

“Marie, the absinthe!”

Madame Lemaire heard the hoarse shout in the kitchen, and her face went awry again:

“I’d go! I’d go!”

She hissed it under her breath.

“_Sacré nom de Dieu!_ Marie!”

“_V’là!_”

“The devil! What a voice!” said Bouvier in the arbour.

Lemaire was half turned in his chair. His hands were slightly shaking, and his large white face, with its angry and distressed eyes, looked startled.

“Who was that?” he said, moving in his chair as if he were going to get up.

“Who? Your wife!”

“No, it wasn’t!”

“Well, then——”

At this moment there was a clink and a rattle, and Madame Lemaire came slowly out from the inn, carrying a tray with an absinthe bottle, a bottle of water, and two thick glasses with china saucers. She set it down between the two men. Her husband stared at her like one who stares suspiciously at a stranger.

“Was that you who called out?” he asked.

“Of course! Who else should it be? Who ever comes here?”

“Madame is a bit sick of El-Kelf,” said Bouvier. “That’s what is the matter.”

Madame Lemaire compressed her lips tightly and said nothing.

Her husband looked more suspicious.

“Why should she be sick of it? She’s done very well with it for ten years,” he said roughly.

Madame Lemaire turned away and left the arbour. She was wearing slippers without heels, and went softly.

The two men sat in silence, looking at each other. A breath of wind, the first that had come that day, stole from the desert and rustled the leaves of the vine above their heads. Lemaire stretched out his trembling hand to the absinthe bottle.

“For God’s sake let’s have a drink!” he said. “There’s something about my wife that’s given my blood a turn.”

“Beat her!” said Bouvier, pushing forward his glass. “If you don’t beat them be sure they’ll betray you.”

His wife’s treachery had set him against all women. Lemaire growled something inarticulate. He was thinking of the days in Algiers, of their strange and often disgraceful existence there. Bouvier knew nothing of that.

“Come on!” he said.

And he lifted his glass of absinthe to his lips.

At supper that night Lemaire perpetually watched his wife. She seemed to be just as usual. For years there had been a sort of sickly weariness upon her face. It was there now. For years there had been a dull sound in her voice. He heard it to-night. For years she had had a poor appetite. She ate little at supper, had her habitual manner of swallowing almost with difficulty. Surely she was just as usual.

And yet she was not—she was not!

After supper the two men returned to the arbour to smoke and drink, and Madame Lemaire remained in the kitchen to clear away and wash up.

“Isn’t there something the matter with my wife?” asked Lemaire, lighting a thin, black cigar, and settling his loose, bulky body in the small chair, with his fat legs stretched out, and one foot crossed over the other. “Or is it that I’m out of sorts to-night? It seems to me as if she were strange.”