Chapter V: Introduction (5)

Nietzsche began the writing of "Thus Spake Zarathustra" early in the year 1883, and he did not finish it until the middle of February, 1885. The actual conception of the book came much before this time even, as far back as the summer of 1881. This is when the idea of eternal recurrence first took possession of him. At once he began making notes, using this idea as the basis of Zarathustra's teachings. At this time Nietzsche was just recovering from a siege of ill health which had extended over many years, and no doubt the buoyant and rhapsodic form in which he conceived this work was due to his sudden acquisition of bodily health. The first part was written in ten days, the second part a few months later, and the third part in the autumn of the same year. But it was not until after a lapse of eighteen months that the fourth and last section was completed. Because of this long interval we see a radical difference between the first three parts of the book and the last part. The language remains very much the same throughout--spectacular, poetic and symbolic--but the form is changed. The epigrammatic and non-sequacious mandates give way to a long connected parable. The psalmodie brevity of the utterances of the first three sections is supplanted by description and narrative. A story runs through the entire fourth part; and it is in the obscurities of this fable, rather than in any specific statements, that we must seek the gist of Nietzsche's doctrines. This would be an impossible task were we not more or less familiar with his other books. Yet, once we understand the general trend of his thought, we can penetrate at once to the meanings hidden in the fantastic divagations of his story and can understand the dithyrambic utterances of both Zarathustra and the "higher men" in the cave.

"Thus Spake Zarathustra" is unique for the reason that there are few points in Nietzsche's system of ethic--and for the most part they are the unimportant ones--which we cannot find somewhere in its pages. But do not think that one can grasp an idea of the sweep of his entire thought merely by reading this book. Even in the most simply worded and most lucidly phrased passages one would find difficulty in following the steps in his philosophy, unless there had been considerable preparatory study. To be sure, there are numerous isolated epigrams and bits of observation which are easily understood, but their mere isolation very often robs them of the true meaning they hold when related to the other precepts. The very literalness with which these passages have been taken by those who have read "Zarathustra" before studying any of the other works of Nietzsche, accounts in a large measure for the ignorance in which he is held even by those who profess to have read him and understood him. A philosophy such as his, the outposts of which are so far removed from the routine of our present social life, is naturally hampered by the restricted connotation of current words--even those technical words used to express abstract and infinite things. For this reason it is inevitable that false meanings should attach to many of his statements, and that misunderstandings should arise in quarters where there does not exist a previous general knowledge of the co-ordinated structure of his teachings. This general knowledge cannot be gained from "Thus Spake Zarathustra." Many of its pages are entirely without significance to the reader not already acquainted with Nietzsche's thought. And much of its nomenclature is meaningless without the explanations to be found in the main body of his work.

For the reader, however, who picks up this book after having equipped himself for an understanding of it, there is much of fascination and stimulation. Nietzsche regarded it as his most intimate and personal, and therefore his most important, work. He even had plans for two more parts which were to be included in it. But these were never finished. The indifference with which the book was received, even by those on whose sympathy and understanding he had most counted, reacted unfavourably upon him. It is nevertheless, just as it stands, one of the most remarkable pieces of philosophic literature of modern times. Its form alone makes it unique. Instead of stating his beliefs directly and without circumlocution, as was always his method both before and after the writing of this book, Nietzsche chose for his mouthpiece a poet and philosopher borrowed from the Persians, namely: Zoroaster. This sage of the ancients was used as a symbol of the higher man. Into his mouth were put Nietzsche's own ideas in the form of parables, admonitions, exhortations and discourses. The wanderings and experiences of this Zoroaster are chronicled, and each event in his life embodies a meaning in direct accord with the Nietzschean system of conduct.

Because of the Persian origin of Zoroaster one might imagine that influences of Persian philosophy would be discoverable in the teachings of this nomadic poet. But with the name all similarity between the spokesman and his doctrines ends. Nietzsche's choice of Zoroaster as his mouthpiece grew out of his early admiration for the Persians who, he declared, "were the first to take a broad and comprehensive view of history." As we see Zoroaster in this book we recognise him at once as none other than Nietzsche himself; and the experiences through which he goes in his wanderings are but picturesquely stated accounts of Nietzsche's own sufferings, raptures, aspirations and disappointments. To those familiar with Nietzsche's life, many of the characters introduced in the book will be recognised as portraitures of men whose lives crossed that of the philosopher. Likewise, many of the parables and fables are thinly disguised accounts of the incidents in his own life. In the last part of the book we find Nietzsche creating a fantastic poet to represent Wagner, and holding him up to severe and uncompromising criticism.

Zoroaster, as he appears in this book, is an itinerant law-giver and prophet who seeks the waste places of the earth, the mountains, plains and sea shores, avoiding mankind and carrying with him two symbolic animals, an eagle and a snake. At the end of his wanderings he discovers a lion which is for him the sign that his journey is drawing to a close, for this lion represents all that is best and most powerful in nature. The book is comprised of the discourses and sermons which Zoroaster delivers from day to day to the occasional disciples and unbelievers who cross the path of his wanderings. There are conversations between him and his accompanying animals; and in the last part of the book he gathers together in his cave a number of men representing types of the higher man and talks with them. In all his discourses he makes use of a rhapsodic and poetic style, not unlike that found in the Psalms of David. The text telling of Zoroaster's wanderings and experiences is cast in the manner of the early religious books of the Orientals.

"Thus Spake Zarathustra" was the first book to follow "Human, All-Too-Human," "The Dawn of Day" and "The Joyful Wisdom," and many of Nietzsche's constructive ideas are presented here for the first time.