Chapter XI: Introduction (7)

Whether or not in the further study of the dream we shall hit upon a new item that influences dream distortion, remains to be seen. I should not like to leave the subject of dream symbolism without once more touching upon the curious fact that it arouses such strong opposition in the case of educated persons, in spite of the fact that symbolism in myth, religion, art and speech is undoubtedly so prevalent. Is not this again because of its relationship to sexuality?

ELEVENTH LECTURE

THE DREAM

_The Dream-Work_

If you have mastered dream censorship and symbolic representation, you are, to be sure, not yet adept in dream distortion, but you are nevertheless in a position to understand most dreams. For this you employ two mutually supplementary methods, call up the associations of the dreamer until you have penetrated from the substitute to the actual, and from your own knowledge supply the meaning for the symbol. Later we shall discuss certain uncertainties which show themselves in this process.

We are now in a position to resume work which we attempted, with very insufficient means at an earlier stage, when we studied the relation between the manifest dream elements and their latent actualities, and in so doing established four such main relationships: that of a part of the whole, that of approach or allusion, the symbolic relationship and plastic word representation. We shall now attempt the same on a larger scale, by comparing the manifest dream content as a whole, with the latent dream which we found by interpretation.

I hope you will never again confuse these two. If you have achieved this, you have probably accomplished more in the understanding of the dream than the majority of the readers of my _Interpretation of Dreams_. Let me remind you once more that this process, which changes the latent into the manifest dream, is called _dream-work_. Work which proceeds in the opposite direction, from the manifest dream to the latent, is our _work of interpretation_. The work of interpretation attempts to undo the dream-work. Infantile dreams that are recognized as evident wish fulfillments nevertheless have undergone some dream-work, namely, the transformation of the wish into reality, and generally, too, of thoughts into visual pictures. Here we need no interpretation, but only a retracing of these transformations. Whatever dream-work has been added to other dreams, we call _dream distortion_, and this can be annulled by our work of interpretation.

The comparison of many dream interpretations has rendered it possible for me to give you a coherent representation of what the dream-work does with the material of the latent dream. I beg of you, however, not to expect to understand too much of this. It is a piece of description that should be listened to with calm attention.

The first process of the dream-work is _condensation_. By this we understand that the manifest dream has a smaller content than the latent one, that is, it is a sort of abbreviated translation of the latter. Condensation may occasionally be absent, but as a rule it is present, often to a very high degree. The opposite is never true, that is, it never occurs that the manifest dream is more extensive in scope and content than the latent. Condensation occurs in the following ways: 1. Certain latent elements are entirely omitted; 2. only a fragment of the many complexes of the latent dream is carried over into the manifest dream; 3. latent elements that have something in common are collected for the manifest dream and are fused into a whole.

If you wish, you may reserve the term "condensation" for this last process alone. Its effects are particularly easy to demonstrate. From your own dreams you will doubtless recall the fusion of several persons into one. Such a compound person probably looks like A., is dressed like B., does something that one remembers of C., but in spite of this one is conscious that he is really D. By means of this compound formation something common to all four people is especially emphasized. One can make a compound formation of events and of places in the same way as of people, provided always that the single events and localities have something in common which the latent dream emphasizes. It is a sort of new and fleeting concept of formation, with the common element as its kernel. This jumble of details that has been fused together regularly results in a vague indistinct picture, as though you had taken several pictures on the same film.

The shaping of such compound formations must be of great importance to the dream-work, for we can prove, (by the choice of a verbal expression for a thought, for instance) that the common elements mentioned above are purposely manufactured where they originally do not exist. We have already become acquainted with such condensation and compound formations; they played an important part in the origin of certain cases of slips of the tongue. You recall the young man who wished to _inscort_ a woman. Furthermore, there are jokes whose technique may be traced to such a condensation. But entirely aside from this, one may maintain that this appearance of something quite unknown in the dream finds its counterpart in many of the creations of our imagination which fuse together component parts that do not belong together in experience, as for example the centaurs, and the fabulous animals of old mythology or of Boecklin's pictures. For creative imagination can invent nothing new whatsoever, it can only put together certain details normally alien to one another. The peculiar thing, however, about the procedure of the dream-work is the following: The material at the disposal of the dream-work consists of thoughts, thoughts which may be offensive and unacceptable, but which are nevertheless correctly formed and expressed. These thoughts are transformed into something else by the dream-work, and it is remarkable and incomprehensible that this translation, this rendering, as it were, into another script or language, employs the methods of condensation and combination. For a translation usually strives to respect the discriminations expressed in the text, and to differentiate similar things. The dream-work, on the contrary, tries to fuse two different thoughts by looking, just as the joke does, for an ambiguous word which shall act as a connecting link between the two thoughts. One need not attempt to understand this feature of the case at once, but it may become significant for the conception of the dream-work.

Although condensation renders the dream opaque, one does not get the impression that it is an effect of dream censorship. One prefers to trace it back to mechanical or economic conditions; but censorship undoubtedly has a share in the process.

The results of condensation may be quite extraordinary. With its help, it becomes possible at times to collect quite unrelated latent thought processes into one manifest dream, so that one can arrive at an apparently adequate interpretation, and at the same time conceive a possible further interpretation.

The consequence of condensation for the relation between latent and manifest dreams is the fact that no simple relations can exist between the elements of the one and the other. A manifest element corresponds simultaneously to several latent ones, and vice versa, a latent element may partake of several manifest ones, an interlacing, as it were. In the interpretation of the dream it also becomes evident that the associations to a single element do not necessarily follow one another in orderly sequence. Often we must wait until the entire dream is interpreted.

Dream-work therefore accomplishes a very unusual sort of transcription of dream thoughts, not a translation word for word, or sign for sign, not a selection according to a set rule, as if all the consonants of a word were given and the vowels omitted; nor is it what we might call substitution, namely, the choice of one element to take the place of several others. It is something very different and much more complicated.

The second process of the dream-work is _displacement_. Fortunately we are already prepared for this, since we know that it is entirely the work of dream censorship. The two evidences of this are firstly, that a latent element is not replaced by one of its constituent parts but by something further removed from it, that is, by a sort of allusion; secondly, that the psychic accent is transferred from an important element to another that is unimportant, so that the dream centers elsewhere and seems strange.

Substitution by allusion is known to our conscious thinking also, but with a difference. In conscious thinking the allusion must be easily intelligible, and the substitute must bear a relation to the actual content. Jokes, too, often make use of allusion; they let the condition of content associations slide and replace it by unusual external associations, such as resemblances in sound, ambiguity of words, etc. They retain, however, the condition of intelligibility; the joke would lose all its effect if the allusion could not be traced back to the actual without any effort whatsoever. The allusion of displacement has freed itself of both these limitations. Its connection with the element which it replaces is most external and remote, is unintelligible for this reason, and if it is retraced, its interpretation gives the impression of an unsuccessful joke or of a forced, far-fetched explanation. For the dream censor has only then accomplished its purpose, when it has made the path of return from the allusion to the original undiscoverable.

The displacement of emphasis is unheard of as a means of expressing thoughts. In conscious thinking we occasionally admit it to gain a comic effect. I can probably give you an idea of the confusion which this produces by reminding you of the story of the blacksmith who had committed a capital crime. The court decided that the penalty for the crime must be paid, but since he was the only blacksmith in the village and therefore indispensable, while there were three tailors, one of the latter was hung in his stead.

The third process of the dream-work is the most interesting from a psychological point of view. It consists of the _translation_ of thoughts into visual images. Let us bear in mind that by no means all dream thoughts undergo this translation; many of them retain their form and appear in the manifest dream also as thought or consciousness; moreover, visual images are not the only form into which thoughts are translated. They are, however, the foundation of the dream fabric; this part of the dream work is, as we already know, the second most constant, and for single dream elements we have already learned to know "plastic word representation."

It is evident that this process is not simple. In order to get an idea of its difficulties you must pretend that you have undertaken the task of replacing a political editorial in a newspaper by a series of illustrations, that you have suffered an atavistic return from the use of the alphabet to ideographic writing. Whatever persons or concrete events occur in this article you will be able to replace easily by pictures, perhaps to your advantage, but you will meet with difficulties in the representation of all abstract words and all parts of speech denoting thought relationships, such as particles, conjunctions, etc. With the abstract words you could use all sorts of artifices. You will, for instance, try to change the text of the article into different words which may sound unusual, but whose components will be more concrete and more adapted to representation. You will then recall that most abstract words were concrete before their meaning paled, and will therefore go back to the original concrete significance of these words as often as possible, and so you will be glad to learn that you can represent the "possession" of an object by the actual physical straddling of it.[32] The dream work does the same thing. Under such circumstances you can hardly demand accuracy of representation. You will also have to allow the dream-work to replace an element that is as hard to depict as for instance, broken faith, by another kind of rupture, a broken leg.[33] In this way you will be able to smooth away to some extent the crudity of imagery when the latter is endeavoring to replace word expression.

In the representation of parts of speech that denote thought relations, such as _because_, _therefore_, _but_, etc., you have no such aids; these constituent parts of the text will therefore be lost in your translation into images. In the same way, the dream-work resolves the content of the dream thought into its raw material of objects and activities. You may be satisfied if the possibility is vouchsafed you to suggest certain relations, not representable in themselves, in a more detailed elaboration of the image. In quite the same way the dream-work succeeds in expressing much of the content of the latent dream thought in the formal peculiarities of the manifest dream, in its clearness or vagueness, in its division into several parts, etc. The number of fragmentary dreams into which the dream is divided corresponds as a rule to the number of main themes, of thought sequences in the latent dream; a short preliminary dream often stands as an introduction or a motivation to the complementary dream which follows; a subordinate clause in dream thought is represented in the manifest dream as an interpolated change of scene, etc. The form of the dream is itself, therefore, by no means without significance and challenges interpretation. Different dreams of the same night often have the same meaning, and testify to an increasing effort to control a stimulus of growing urgency. In a single dream a particularly troublesome element may be represented by "duplicates," that is, by numerous symbols.

By continually comparing dream thought with the manifest dream that replaces it, we learn all sorts of things for which we were not prepared, as for instance, the fact that even the nonsense and absurdity of the dream have meaning. Yes, on this point the opposition between the medical and psychoanalytic conception of the dream reaches a climax not previously achieved. According to the former, the dream is senseless because the dreaming psychic activity has lost all power of critical judgment; according to our theory, on the other hand, the dream becomes senseless, whenever a critical judgment, contained in the dream thought, wishes to express the opinion: "It is nonsense." The dream which you all know, about the visit to the theatre (three tickets 1 Fl. 50 Kr.) is a good example of this. The opinion expressed here is: "It was _nonsense_ to marry so early."

In the same way, we discover in interpretation what is the significance of the doubts and uncertainties so often expressed by the dreamer as to whether a certain element really occurred in the dream; whether it was this or something else. As a rule these doubts and uncertainties correspond to nothing in the latent dream thought; they are occasioned throughout by the working of the dream censor and are equivalent to an unsuccessful attempt at suppression.

One of the most surprising discoveries is the manner in which the dream-work deals with those things which are opposed to one another in the latent dream. We already know that agreements in the latent material are expressed in the manifest dream by condensations. Now oppositions are treated in exactly the same way as agreements and are, with special preference, expressed by the same manifest element. An element in a manifest dream, capable of having an opposite, may therefore represent itself as well as its opposite, or may do both simultaneously; only the context can determine which translation is to be chosen. It must follow from this that the particle "no" cannot be represented in the dream, at least not unambiguously.

The development of languages furnishes us with a welcome analogy for this surprising behavior on the part of the dream work. Many scholars who do research work in languages have maintained that in the oldest languages opposites--such as strong, weak; light, dark; big, little--were expressed by the same root word. (_The Contradictory Sense of Primitive Words._) In old Egyptian, _ken_ originally meant both strong and weak. In conversation, misunderstanding in the use of such ambiguous words was avoided by the tone of voice and by accompanying gestures, in writing by the addition of so-called determinatives, that is, by a picture that was itself not meant to be expressed. Accordingly, if ken meant strong, the picture of an erect little man was placed after the alphabetical signs, if _ken_, _weak_, was meant, the picture of a cowering man followed. Only later, by slight modifications of the original word, were two designations developed for the opposites which it denoted. In this way, from _ken_ meaning both strong and weak, there was derived a _ken_, strong, and a _ken_, weak. It is said that not only the most primitive languages in their last developmental stage, but also the more recent ones, even the living tongues of to-day have retained abundant remains of this primitive opposite meaning. Let me give you a few illustrations of this taken from C. Abel (1884).

In Latin there are still such words of double meaning:

_altus_--high, deep, and _sacer_, sacred, accursed.

As examples of modifications of the same root, I cite:

_clamare_--to scream, _clam_--quiet, still, secret;

_siccus_--dry, _succus_--juice.

And from the German:

_Stimme_--voice, _stumm_--dumb.

The comparison of related tongues yields a wealth of examples:

English: _lock_; German: _Loch_--hole, _Luecke_--gap.

English: _cleave_; German: _kleben_--to stick, to adhere.

The English _without_, is to-day used to mean "not with"; that "with" had the connotation of deprivation as well as that of apportioning, is apparent from the compounds: _withdraw_, _withhold_. The German _wieder_, again, closely resembles this.

Another peculiarity of dream-work finds it prototype in the development of language. It occurred in ancient Egyptian as well as in other later languages that the sequence of sounds of the words was transposed to denote the same fundamental idea. The following are examples from English and German:

_Topf_--_pot_; _boat_--_tub_; _hurry_--_Ruhe_ (rest, quiet).

_Balken_ (beam)--_Kloben_ (mallet)--_club_.

From the Latin and the German:

_capere_ (to seize)--_packen_ (to seize, to grasp).

Inversions such as occur here in the single word are effected in a very different way by the dream-work. We already know the inversion of the sense, substitution by the opposite. Besides there are inversions of situations, of relations between two people, and so in dreams we are in a sort of topsy-turvy world. In a dream it is frequently the rabbit that shoots the hunter. Further inversion occurs in the sequence of events, so that in the dream the cause is placed after the effect. It is like a performance in a third-rate theatre, where the hero falls before the shot which kills him is fired from the wings. Or there are dreams in which the whole sequence of the elements is inverted, so that in the interpretation one must take the last first, and the first last, in order to obtain a meaning. You will recall from our study of dream symbolism that to go or fall into the water means the same as to come out of it, namely, to give birth to, or to be born, and that mounting stairs or a ladder means the same as going down. The advantage that dream distortions may gain from such freedom of representation, is unmistakable.

These features of the dream-work may be called _archaic_. They are connected with ancient systems of expression, ancient languages and literatures, and involve the same difficulties which we shall deal with later in a critical connection.

Now for some other aspects of the matter. In the dream-work it is plainly a question of translating the latent thoughts, expressed in words, into psychic images, in the main, of a visual kind. Now our thoughts were developed from such psychic images; their first material and the steps which led up to them were psychic impressions, or to be more exact, the memory images of these psychic impressions. Only later were words attached to these and then combined into thoughts. The dream-work therefore puts the thoughts through a _regressive_ treatment, that is, one that retraces the steps in their development. In this regression, all that has been added to the thoughts as a new contribution in the course of the development of the memory pictures must fall away.

This, then, is the dream-work. In view of the processes that we have discovered about it, our interest in the manifest dream was forced into the background. I shall, however, devote a few remarks to the latter, since it is after all the only thing that is positively known to us.

It is natural that the manifest dream should lose its importance for us. It must be a matter of indifference to us whether it is well composed or resolved into a series of disconnected single images. Even when its exterior seems to be significant, we know that it has been developed by means of dream distortion and may have as little organic connection with the inner content of the dream as the facade of an Italian church has with its structure and ground plan. At other times this facade of the dream, too, has its significance, in that it reproduces with little or no distortion an important part of the latent dream thought. But we cannot know this before we have put the dream through a process of interpretation and reached a decision as to what amount of distortion has taken place. A similar doubt prevails when two elements in the dream seem to have been brought into close relations to one another. This may be a valuable hint, suggesting that we may join together those manifest thoughts which correspond to the elements in the latent dream; yet at other times we are convinced that what belongs together in thought has been torn apart in the dream.

As a general rule we must refrain from trying to explain one part of the manifest dream by another, as if the dream were coherently conceived and pragmatically represented. At the most it is comparable to a Breccian stone, produced by the fusion of various minerals in such a way that the markings it shows are entirely different from those of the original mineral constituents. There is actually a part of the dream-work, the so-called _secondary treatment_, whose function it is to develop something unified, something approximately coherent from the final products of the dream-work. In so doing the material is often arranged in an entirely misleading sense and insertions are made wherever it seems necessary.

On the other hand, we must not over-estimate the dream-work, nor attribute too much to it. The processes which we have enumerated tell the full tale of its functioning; beyond condensing, displacing, representing plastically, and then subjecting the whole to a secondary treatment, it can do nothing. Whatever of judgment, of criticism, of surprise, and of deduction are to be found in the dream are not products of the dream-work and are only very seldom signs of afterthoughts about the dream, but are generally parts of the latent dream thought, which have passed over into the manifest dream, more or less modified and adapted to the context. In the matter of composing speeches, the dream-work can also do nothing. Except for a few examples, the speeches in the dream are imitations and combinations of speeches heard or made by oneself during the day, and which have been introduced into the latent thought, either as material or as stimuli for the dream. Neither can the dream pose problems; when these are found in the dream, they are in the main combinations of numbers, semblances of examples that are quite absurd or merely copies of problems in the latent dream thought. Under these conditions it is not surprising that the interest which has attached itself to the dream-work is soon deflected from it to the latent dream thoughts which are revealed in more or less distorted form in the manifest dream. It is not justifiable, however, to have this change go so far that in a theoretical consideration one regularly substitutes the latent dream thought for the dream itself, and maintains of the latter what can hold only for the former. It is odd that the results of psychoanalysis should be misused for such an exchange. "Dream" can mean nothing but the result of the dream-work, that is, the _form_ into which the latent dream thoughts have been translated by the dream-work.

Dream-work is a process of a very peculiar sort, the like of which has hitherto not been discovered in psychic life. These condensations, displacements, regressive translations of thoughts into pictures, are new discoveries which richly repay our efforts in the field of psychoanalysis. You will realize from the parallel to the dream-work, what connections psychoanalytic studies will reveal with other fields, especially with the development of speech and thought. You can only surmise the further significance of these connections when you hear that the mechanism of the dream structure is the model for the origin of neurotic symptoms.

I know too that we cannot as yet estimate the entire contribution that this work has made to psychology. We shall only indicate the new proofs that have been given of the existence of unconscious psychic acts--for such are the latent dream thoughts--and the unexpectedly wide approach to the understanding of the unconscious psychic life that dream interpretation opens up to us.

The time has probably come, however, to illustrate separately, by various little examples of dreams, the connected facts for which you have been prepared.

TWELFTH LECTURE

THE DREAM

_Analysis of Sample Dreams_

I hope you will not be disappointed if I again lay before you excerpts from dream analyses instead of inviting you to participate in the interpretation of a beautiful long dream. You will say that after so much preparation you ought to have this right, and that after the successful interpretation of so many thousands of dreams it should long ago have become possible to assemble a collection of excellent dream samples with which we could demonstrate all our assertions concerning dream-work and dream thoughts. Yes, but the difficulties which stand in the way of the fulfillment of your wish are too many.

First of all, I must confess to you that no one practices dream interpretation as his main occupation. When does one interpret dreams? Occasionally one can occupy himself with the dream of some friend, without any special purpose, or else he may work with his own dreams for a time in order to school himself in psychoanalytic method; most often, however, one deals with the dreams of nervous individuals who are undergoing analytic treatment. These latter dreams are excellent material, and in no way inferior to those of normal persons, but one is forced by the technique of the treatment to subordinate dream analysis to therapeutic aims and to pass over a large number of dreams after having derived something from them that is of use in the treatment. Many dreams we meet with during the treatment are, as a matter of fact, impossible of complete analysis. Since they spring from the total mass of psychic material which is still unknown to us, their understanding becomes possible only after the completion of the cure. Besides, to tell you such dreams would necessitate the disclosure of all the secrets concerning a neurosis. That will not do for us, since we have taken the dream as preparation for the study of the neuroses.

I know you would gladly leave this material, and would prefer to hear the dreams of healthy persons, or your own dreams explained. But that is impossible because of the content of these dreams. One can expose neither himself, nor another whose confidence he has won, so inconsiderately as would result from a thorough interpretation of his dreams--which, as you already know, refer to the most intimate things of his personality. In addition to this difficulty, caused by the nature of the material, there is another that must be considered when communicating a dream. You know the dream seems strange even to the dreamer himself, let alone to one who does not know the dreamer. Our literature is not poor in good and detailed dream analyses. I myself have published some in connection with case histories. Perhaps the best example of a dream interpretation is the one published by O. Rank, being two related dreams of a young girl, covering about two pages of print, the analysis covering seventy-six pages. I would need about a whole semester in order to take you through such a task. If we select a longer or more markedly distorted dream, we have to make so many explanations, we must make use of so many free associations and recollections, must go into so many bypaths, that a lecture on the subject would be entirely unsatisfactory and inconclusive. So I must ask you to be content with what is more easily obtained, with the recital of small bits of dreams of neurotic persons, in which we may be able to recognize this or that isolated fact. Dream symbols are the most easily demonstrable, and after them, certain peculiarities of regressive dream representations.[34] I shall tell you why I considered each of the following dreams worthy of communication.

1. A dream, consisting of only two brief pictures: "_The dreamer's uncle is smoking a cigarette, although it is Saturday. A woman caresses him as though he were her child._"

In commenting on the first picture, the dreamer (a Jew) remarks that his uncle is a pious man who never did, and never would do, anything so sinful as smoking on the Sabbath. As to the woman of the second picture, he has no free associations other than his mother. These two pictures or thoughts should obviously be brought into connection with each other, but how? Since he expressly rules out the reality of his uncle's action, then it is natural to interpolate an "if." "_If_ my uncle, that pious man, should smoke a cigarette on Saturday, then I could also permit my mother's caresses." This obviously means that the mother's caresses are prohibited, in the same manner as is smoking on Saturday, to a pious Jew. You will recall, I told you that all relations between the dream thoughts disappear in the dream-work, that these relations are broken up into their raw material, and that it is the task of interpretation to re-interpolate the omitted connections.

2. Through my publications on dreams I have become, in certain respects, the public consultant on matters pertaining to dreams, and for many years I have been receiving communications from the most varied sources, in which dreams are related to me or presented to me for my judgment. I am of course grateful to all those persons who include with the story of the dream, enough material to make an interpretation possible, or who give such an interpretation themselves. It is in this category that the following dream belongs, the dream of a Munich physician in the year 1910. I select it because it goes to show how impossible of understanding a dream generally is before the dreamer has given us what information he has about it. I suspect that at bottom you consider the ideal dream interpretation that in which one simply inserts the meaning of the symbols, and would like to lay aside the technique of free association to the dream elements. I wish to disabuse your minds of this harmful error.

"On July 13, 1910, toward morning, I dreamed _that I was bicycling down a street in Tuebingen, when a brown Dachshund tore after me and caught me by the heel. A bit further on I get off, seat myself on a step, and begin to beat the beast, which has clenched its teeth tight._ (_I feel no discomfort from the biting or the whole scene._) _Two elderly ladies are sitting opposite me and watching me with grins on their faces. Then I wake up and, as so often happens to me, the whole dream becomes perfectly clear to me in this moment of transition to the waking state._"

Symbols are of little use in this case. The dreamer, however, informs us, "I lately fell in love with a girl, just from seeing her on the street, but had no means of becoming acquainted with her. The most pleasant means might have been the Dachshund, since I am a great lover of animals, and also felt that the girl was in sympathy with this characteristic." He also adds that he repeatedly interfered in the fights of scuffling dogs with great dexterity and frequently to the great amazement of the spectators. Thus we learn that the girl, who pleased him, was always accompanied by this particular dog. This girl, however, was disregarded in the manifest dream, and there remained only the dog which he associates with her. Perhaps the elderly ladies who simpered at him took the place of the girl. The remainder of what he tells us is not enough to explain this point. Riding a bicycle in the dream is a direct repetition of the remembered situation. He had never met the girl with the dog except when he was on his bicycle.

3. When anyone has lost a loved one, he produces dreams of a special sort for a long time afterward, dreams in which the knowledge of death enters into the most remarkable compromises with the desire to have the deceased alive again. At one time the deceased is dead and yet continues to live on because he does not know that he is dead, and would die completely only if he knew it; at another time he is half dead and half alive, and each of these conditions has its particular signs. One cannot simply label these dreams nonsense, for to come to life again is no more impossible in the dream than, for example, it is in the fairy story, in which it occurs as a very frequent fate. As far as I have been able to analyze such dreams, I have always found them to be capable of a sensible solution, but that the pious wish to recall the deceased to life goes about expressing itself by the oddest methods. Let me tell you such a dream, which seems queer and senseless enough, and analysis of which will show you many of the points for which you have been prepared by our theoretical discussions. The dream is that of a man who had lost his father many years previously.

"_Father is dead, but has been exhumed and looks badly. He goes on living, and the dreamer does everything to prevent him from noticing that fact._" Then the dream goes on to other things, apparently irrelevant.

The father is dead, that we know. That he was exhumed is not really true, nor is the truth of the rest of the dream important. But the dreamer tells us that when he came back from his father's funeral, one of his teeth began to ache. He wanted to treat this tooth according to the Jewish precept, "If thy tooth offend thee, pluck it out," and betook himself to the dentist. But the latter said, "One does not simply pull a tooth out, one must have patience with it. I shall inject something to kill the nerve. Come again in three days and then I will take it out."

"This 'taking it out'," says the dreamer suddenly, "is the exhuming."

Is the dreamer right? It does not correspond exactly, only approximately, for the tooth is not taken out, but something that has died off is taken out of it. But after our other experiences we are probably safe in believing that the dream work is capable of such inaccuracies. It appears that the dreamer condensed, fused into one, his dead father and the tooth that was killed but retained. No wonder then, that in the manifest dream something senseless results, for it is impossible for everything that is said of the tooth to fit the father. What is it that serves as something intermediate between tooth and father and makes this condensation possible?

This interpretation must be correct, however, for the dreamer says that he is acquainted with the saying that when one dreams of losing a tooth it means that one is going to lose a member of his family.

We know that this popular interpretation is incorrect, or at least is correct only in a scurrilous sense. For that reason it is all the more surprising to find this theme thus touched upon in the background of other portions of the dream content.

Without any further urging, the dreamer now begins to tell of his father's illness and death as well as of his relations with him. The father was sick a long time, and his care and treatment cost him, the son, much money. And yet it was never too much for him, he never grew impatient, never wished it might end soon. He boasts of his true Jewish piety toward his father, of rigid adherence to the Jewish precepts. But are you not struck by a contradiction in the thoughts of the dream? He had identified tooth with father. As to the tooth he wanted to follow the Jewish precept that carries out its own judgment, "pull it out if it causes pain and annoyance." He had also been anxious to follow the precept of the law with regard to his father, which in this case, however, tells him to disregard trouble and expense, to take all the burdens upon himself and to let no hostile intent arise toward the object which causes the pain. Would not the agreement be far more compelling if he had really developed feelings toward his father similar to those about his sick tooth; that is, had he wished that a speedy death should put an end to that superfluous, painful and expensive existence?

I do not doubt that this was really his attitude toward his father during the latter's extended illness, and that his boastful assurances of filial piety were intended to distract his attention from these recollections. Under such circumstances, the death-wish directed toward the parent generally becomes active, and disguises itself in phrases of sympathetic consideration such as, "It would really be a blessed release for him." But note well that we have here overcome an obstacle in the latent dream thoughts themselves. The first part of these thoughts was surely unconscious only temporarily, that is to say, during the dream-work, while the inimical feelings toward the father might have been permanently unconscious, dating perhaps from childhood, occasionally slipping into consciousness, shyly and in disguise, during his father's illness. We can assert this with even greater certainty of other latent thoughts which have made unmistakable contributions to the dream content. To be sure, none of these inimical feelings toward the father can be discovered in the dream. But when we search a childhood history for the root of such enmity toward the father, we recollect that fear of the father arises because the latter, even in the earliest years, opposes the boy's sex activities, just as he is ordinarily forced to oppose them again, after puberty, for social motives. This relation to the father applies also to our dreamer; there had been mixed with his love for him much respect and fear, having its source in early sex intimidation.

From the onanism complex we can now explain the other parts of the manifest dream. "_He looks badly_" does, to be sure, allude to another remark of the dentist, that it looks badly to have a tooth missing in that place; but at the same time it refers to the "looking badly" by which the young man betrayed, or feared to betray, his excessive sexual activity during puberty. It was not without lightening his own heart that the dreamer transposed the bad looks from himself to his father in the manifest content, an inversion of the dream work with which you are familiar. "_He goes on living since then_," disguises itself with the wish to have him alive again as well as with the promise of the dentist that the tooth will be preserved. A very subtle phrase, however, is the following: "The dreamer does everything _to prevent him_ (_the father_) _from noticing the fact_," a phrase calculated to lead us to conclude that he is dead. Yet the only meaningful conclusion is again drawn from the onanism complex, where it is a matter of course for the young man to do everything in order to hide his sex life from his father. Remember, in conclusion, that we were constantly forced to interpret the so-called tooth-ache dreams as dreams dealing with the subject of onanism and the punishment that is feared.

You now see how this incomprehensible dream came into being, by the creation of a remarkable and misleading condensation, by the fact that all the ideas emerge from the midst of the latent thought process, and by the creation of ambiguous substitute formations for the most hidden and, at the time, most remote of these thoughts.

4. We have tried repeatedly to understand those prosaic and banal dreams which have nothing foolish or repulsive about them, but which cause us to ask: "Why do we dream such unimportant stuff?" So I shall give you a new example of this kind, three dreams belonging together, all of which were dreamed in the same night by a young woman.

(_a_). "_She it going through the hall of her house and strikes her head against the low-hanging chandelier, so that her head bleeds._"

She has no reminiscence to contribute, nothing that really happened. The information she gives leads in quite another direction. "You know how badly my hair is falling out. Mother said to me yesterday, 'My child, if it goes on like this, you will have a head like the cheek of a buttock.'" Thus the head here stands for the other part of the body. We can understand the chandelier symbolically without other help; all objects that can be lengthened are symbols of the male organ. Thus the dream deals with a bleeding at the lower end of the body, which results from its collision with the male organ. This might still be ambiguous; her further associations show that it has to do with her belief that menstrual bleeding results from sexual intercourse with a man, a bit of sexual theory believed by many immature girls.

(_b_). "_She sees a deep hole in the vineyard which she knows was made by pulling out a tree._" Herewith her remark that "_she misses the tree_." She means that she did not see the tree in the dream, but the same phrase serves to express another thought which symbolic interpretation makes completely certain. The dream deals with another bit of the infantile sex theory, namely, with the belief that girls originally had the same genitals as boys and that the later conformation resulted from castration (pulling out of a tree).

(_c_). "_She is standing in front of the drawer of her writing table, with which she is so familiar that she knows immediately if anybody has been through it._" The writing-table drawer, like every drawer, chest, or box, stands for the female genital. She knows that one can recognize from the genital the signs of sexual intercourse (and, as she thinks, even of any contact at all) and she has long been afraid of such a conviction. I believe that the accent in all these dreams is to be laid upon the idea of _knowing_. She is reminded of the time of her childish sexual investigations, the results of which made her quite proud at the time.

5. Again a little bit of symbolism. But this time I must first describe the psychic situation in a short preface. A man who spent the night with a woman describes his partner as one of those motherly natures whose desire for a child irresistibly breaks through during intercourse. The circumstances of their meeting, however, necessitated a precaution whereby the fertilizing discharge of semen is kept away from the womb. Upon awaking after this night, the woman tells the following dream:

"_An officer with a red cap follows her on the street. She flees from him, runs up the staircase, and he follows after her. Breathlessly she reaches her apartment and slams and locks the door behind her. He remains outside and as she looks through a peephole she sees him sitting outside on a bench and weeping._"

You undoubtedly recognize in the pursuit by an officer with a red cap, and the breathless stair climbing, the representation of the sexual act. The fact that the dreamer locks herself in against the pursuer may serve as an example of that inversion which is so frequently used in dreams, for in reality it was the man who withdrew before the completion of the act. In the same way her grief has been transposed to the partner, it is he who weeps in the dream, whereby the discharge of the semen is also indicated.

You must surely have heard that in psychoanalysis it is always maintained that all dreams have a sexual meaning. Now you yourselves are in a position to form a judgment as to the incorrectness of this reproach. You have become acquainted with the wish-fulfillment dreams, which deal with the satisfying of the plainest needs, of hunger, of thirst, of longing for freedom, the dreams of convenience and of impatience and likewise the purely covetous and egoistic dreams. But that the markedly distorted dreams preponderantly--though again not exclusively--give expression to sex wishes, is a fact you may certainly keep in mind as one of the results of psychoanalytical research.

6. I have a special motive for piling up examples of the use of symbols in dreams. At our first meeting I complained of how hard it is, when lecturing on psychoanalysis, to demonstrate the facts in order to awaken conviction; and you very probably have come to agree with me since then. But the various assertions of psychoanalysis are so closely linked that one's conviction can easily extend from one point to a larger part of the whole. We might say of psychoanalysis that if we give it our little finger it promptly demands the whole hand. Anyone who was convinced by the explanation of errors can no longer logically disbelieve in all the rest of psychoanalysis. A second equally accessible point of approach is furnished by dream symbolism. I shall give you a dream, already published, of a peasant woman, whose husband is a watchman and who has certainly never heard anything about dream symbolism and psychoanalysis. You may then judge for yourselves whether its explanation with the help of sex symbols can be called arbitrary and forced.

"_Then someone broke into her house and she called in fright for a watchman. But the latter had gone companionably into a church together with two 'beauties.' A number of steps led up to the church. Behind the church was a hill, and on its crest a thick forest. The watchman was fitted out with a helmet, gorget and a cloak. He had a full brown beard. The two were going along peacefully with the watchman, had sack-like aprons bound around their hips. There was a path from the church to the hill. This was overgrown on both sides with grass and underbrush that kept getting thicker and that became a regular forest on the crest of the hill._"

You will recognize the symbols without any difficulty. The male genital is represented by a trinity of persons, the female by a landscape with a chapel, hill and forest. Again you encounter steps as the symbol of the sexual act. That which is called a hill in the dream has the same name in anatomy, namely, _mons veneris_, the mount of Venus.

7. I have another dream which can be solved by means of inserting symbols, a dream that is remarkable and convincing because the dreamer himself translated all the symbols, even though he had had no preliminary knowledge of dream interpretation. This situation is very unusual and the conditions essential to its occurrence are not clearly known.

"_He is going for a walk with his father in some place which must be the Prater_,[35] _for one can see the rotunda and before it a smaller building to which is anchored a captive balloon, which, however, seems fairly slack. His father asks him what all that is for; he wonders at it himself but explains it to his father. Then they come to a courtyard in which there lies spread out a big sheet of metal. His father wants to break off a big piece of it for himself but first looks about him to see if anyone might see him. He says to him that all he needs to do is to tell the inspector and then he can take some without more ado. There are steps leading from this courtyard down into a pit, the walls of which are upholstered with some soft material rather like a leather arm chair. At the end of this pit is a longish platform and then a new pit begins...._"

The dreamer himself interprets as follows: "The rotunda is my genital, the balloon in front of it is my penis, of whose slackness I have been complaining." Thus one may translate in more detail, that the rotunda is the posterior--a part of the body which the child regularly considers as part of the genital--while the smaller building before it is the scrotum. In the dream his father asks him what all that is for; that is to say, he asks the object and function of the genitals. It is easy to turn this situation around so that the dreamer is the one who does the asking. Since no such questioning of the father ever took place in real life, we must think of the thought of this dream as a wish or consider it in the light of a supposition, "If I had asked father for sexual enlightenment." We will find the continuation of this idea in another place shortly.

The courtyard, in which the sheet metal lies spread out, is not to be considered primarily as symbolical but refers to the father's place of business. For reasons of discretion I have substituted the "sheet metal" for another material with which the father deals, without changing anything in the literal wording of the dream. The dreamer entered his father's business and took great offense at the rather dubious practices upon which the profits depended to a large extent. For this reason the continuation of the above idea of the dream might be expressed as "if I had asked him, he would only have deceived me as he deceives his customers." The dreamer himself gives us the second meaning of "breaking off the metal," which serves to represent the commercial dishonesty. He says it means masturbation. Not only have we long since become familiar with this symbol, but the fact also is in agreement. The secrecy of masturbation is expressed by means of its opposite--"It can be safely done openly." Again our expectations are fulfilled by the fact that masturbatory activity is referred to as the father's, just as the questioning was in the first scene of the dream. Upon being questioned he immediately gives the interpretation of the pit as the vagina on account of the soft upholstering of its walls. I will add arbitrarily that the "going down" like the more usual "going up" is meant to describe the sexual intercourse in the vagina.

Such details as the fact that the first pit ends in a platform and then a new one begins, he explains himself as having been taken from his own history. He practiced intercourse for a while, then gave it up on account of inhibitions, and now hopes to be able to resume it as a result of the treatment.

8. The two following dreams are those of a foreigner, of very polygamous tendencies, and I give them to you as proof for the claim that one's ego appears in every dream, even in those in which it is disguised in the manifest content. The trunks in the dream are a symbol for woman.

(_a_). "_He is to take a trip, his luggage is placed on a carriage to be taken to the station, and there are many trunks piled up, among which are two big black ones like sample trunks. He says, consolingly, to someone, 'Well, they are only going as far as the station with us.'_"

In reality he does travel with a great deal of luggage, but he also brings many tales of women with him when he comes for treatment. The two black trunks stand for two dark women who play the chief part in his life at present. One of them wanted to travel to Vienna after him, but he telegraphed her not to, upon my advice.

(_b_). A scene at the customs house: "_A fellow traveler opens his trunk and says indifferently while puffing a cigarette, 'There's nothing in here.' The customs official seems to believe him but delves into the trunk once more and finds something particularly forbidden. The traveler then says resignedly, 'Well, there's no help for it.'_"