Aesthetic as Science of Expression and General Linguistic
by OpenStories
Original author: Benedetto Croce
"Aesthetic as Science of Expression and General Linguistic" by Benedetto Croce is a philosophical treatise written in the early 20th century. This work delves into the nature of aesthetics, the process of expression, and their relationship with intuition and art. Croce critiques the separation of artistic intuition from other forms of knowledge, arguing for a unified theory that encompasses both artistic creation and intellectual thought. The opening of the text introduces Benedetto Croce’s views on intuitive knowledge as distinguished from logical knowledge. He asserts that human knowledge consists of two forms—intuitive (aesthetic) and logical (intellectual)—and emphasizes the independence and significance of intuitive knowledge in understanding the nature of art. The text highlights that true intuition is inherently tied to expression, suggesting that to possess an intuition is to have already expressed it in some form. Croce aims to establish a framework that intertwines aesthetics with the broader philosophical inquiry, believing that art is a profound expression of human experience that transcends mere imitation of nature.
Aesthetic as Science of Expression and General Linguistic, by Benedetto Croce. Republished by OpenStories from Project Gutenberg eBook #9306.
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30 Chapters
- 1.Front Matter1,006 words
- 2.Chapter XVIII: Conclusion: Identity of Linguistic and Aesthetic164 words
- 3.Introduction4,730 words
- 4.Chapter I: Intuition and Expression3,820 words
- 5.Chapter II: Intuition and Art3,297 words
- 6.Chapter III: Art and Philosophy3,406 words
- 7.Chapter IV: Historicism and Intellectualism in Aesthetic2,361 words
- 8.Chapter V: Analogous Errors in Historic and Logic2,453 words
- 9.Chapter VI: Theoretic and Practical Activity2,615 words
- 10.Chapter VII: Analogy Between the Theoretic and the Practical2,006 words
- 11.Chapter VIII: Exclusion of Other Spiritual Forms1,875 words
- 12.Chapter IX2,318 words
- 13.Chapter X2,602 words
- 14.Chapter XI: Critique of Aesthetic Hedonism1,643 words
- 15.Chapter XII: The Aesthetic of the Sympathetic and Pseudo-Aesthetic Concepts2,127 words
- 16.Chapter XIII: The So-Called Physically Beautiful in Nature and Art3,363 words
- 17.Chapter XIV: Mistakes Arising From the Confusion Between Physic and Aesthetic2,433 words
- 18.Chapter XV: The Activity of Externalization, Technique and the Theory of the Arts2,480 words
- 19.Chapter XVI: Taste and the Reproduction of Art3,362 words
- 20.Chapter XVII: The History of Literature and Art3,982 words
- 21.Conclusion4,128 words
- 22.Chapter I: Aesthetic Ideas in Graeco-Roman Antiquity2,595 words
- 23.Chapter II: Aesthetic Ideas in the Middle Age and in the Renaissance1,277 words
- 24.Chapter III: Seventeenth and Eighteenth Centuries (1)8,911 words
- 25.Chapter III: Seventeenth and Eighteenth Centuries (2)8,841 words
- 26.Chapter III: Seventeenth and Eighteenth Centuries (3)8,777 words
- 27.Chapter III: Seventeenth and Eighteenth Centuries (4)2,016 words
- 28.Appendix4,246 words
- 29.Chapter II4,237 words
- 30.Chapter III737 words