Chapter XIV: Section II: Mother Goose Jingles and Nursery Rhymes (2)
The fox jumped up on a moonlight night;
The stars they were shining, and all things bright;
Oh, ho! said the fox, it's a very fine night
For me to go through the town, e-oh!
The fox when he came to yonder stile,
He lifted his ears and he listened awhile!
Oh, ho! said the fox, it's but a short mile
From this unto yonder wee town, e-oh!
The fox when he came to the farmer's gate,
Who should he see but the farmer's drake;
I love you well for your master's sake,
And long to be picking your bone, e-oh!
The gray goose she ran round the haystack,
Oh, ho! said the fox, you are very fat;
You'll grease my beard and ride on my back
From this into yonder wee town, e-oh!
The farmer's wife she jumped out of bed,
And out of the window she popped her head:
Oh, husband! oh, husband! the geese are all dead,
For the fox has been through the town, e-oh!
The farmer he loaded his pistol with lead,
And shot the old rogue of a fox through the head;
Ah, ha! said the farmer, I think you're quite dead;
And no more you'll trouble the town, e-oh!
137
FOR WANT OF A NAIL
For want of a nail, the shoe was lost;
For want of the shoe, the horse was lost;
For want of the horse, the rider was lost;
For want of the rider, the battle was lost;
For want of the battle, the kingdom was lost;
And all for the want of a horseshoe nail!
138
A MAN OF WORDS
A man of words and not of deeds
Is like a garden full of weeds;
And when the weeds begin to grow,
It's like a garden full of snow;
And when the snow begins to fall,
It's like a bird upon the wall;
And when the bird away does fly,
It's like an eagle in the sky;
And when the sky begins to roar,
It's like a lion at the door;
And when the door begins to crack,
It's like a stick across your back;
And when your back begins to smart,
It's like a penknife in your heart;
And when your heart begins to bleed,
You're dead, and dead, and dead, indeed.
139
The first stanza of this jingle was long
attributed to Longfellow as an impromptu made
on one of his children. He took occasion to
deny this, as well as the authorship of the
almost equally famous "Mr. Finney had a
turnip." The last two stanzas bear evidence of
a more sophisticated origin than that of real
nursery rhymes. Mr. Lucas, in his _Book of
Verses for Children_, gives two different
versions of these stanzas.
JEMIMA
There was a little girl, and she had a little curl,
Right down the middle of her forehead,
When she was good, she was very, very good,
But when she was bad, she was horrid.
One day she went upstairs, while her parents, unawares,
In the kitchen down below were occupied with meals,
And she stood upon her head, on her little truckle-bed,
And she then began hurraying with her heels.
Her mother heard the noise, and thought it was the boys,
A playing at a combat in the attic,
But when she climbed the stair and saw Jemima there,
She took and she did whip her most emphatic!
140
The following was one of the favorite
"toy-book" texts of the eighteenth century.
These little books generally had a crude
woodcut and one stanza of text on a page. It
can be seen how easily this story lends itself
to illustration. Each stanza is a chapter, and
the story-teller could continue as long as his
inventiveness held out. In one edition there
are these additional lines:
"Old Mother Hubbard sat down in a chair,
And danced her dog to a delicate air;
She went to the garden to buy him a pippin,
When she came back the dog was a-skipping."
MOTHER HUBBARD AND HER DOG
Old Mother Hubbard
Went to the cupboard,
To get her poor dog a bone;
But when she came there,
The cupboard was bare,
And so the poor dog had none.
She went to the baker's
To buy him some bread;
But when she came back,
The poor dog was dead.
She went to the joiner's
To buy him a coffin;
But when she came back,
The poor dog was laughing.
She took a clean dish,
To get him some tripe;
But when she came back
He was smoking his pipe.
She went to the fishmonger's
To buy him some fish;
And when she came back
He was licking the dish.
She went to the ale-house
To get him some beer;
But when she came back
The dog sat in a chair.
She went to the tavern
For white wine and red;
But when she came back
The dog stood on his head.
She went to the hatter's
To buy him a hat;
But when she came back
He was feeding the cat.
She went to the barber's
To buy him a wig;
But when she came back
He was dancing a jig.
She went to the fruiterer's
To buy him some fruit;
But when she came back,
He was playing the flute.
She went to the tailor's
To buy him a coat;
But when she came back,
He was riding a goat.
She went to the cobbler's
To buy him some shoes;
But when she came back,
He was reading the news.
She went to the seamstress
To buy him some linen;
But when she came back,
The dog was spinning.
She went to the hosier's
To buy him some hose;
But when she came back,
He was dressed in his clothes.
The dame made a curtsy,
The dog made a bow;
The dame said, "Your servant,"
The dog said, "Bow, wow."
141
This story of a bird courtship and marriage
with its attendant feast and tragedy, all
followed by the long dirge of No. 142,
constitutes one of the longest nursery novels.
Its opportunities for the illustrator are very
marked, and a copy illustrated by the children
themselves would be an addition to the joy of
any schoolroom.
THE COURTSHIP, MERRY MARRIAGE, AND PICNIC DINNER OF COCK ROBIN AND JENNY WREN;
TO WHICH IS ADDED
THE DOLEFUL DEATH OF COCK ROBIN
It was a merry time
When Jenny Wren was young,
So neatly as she danced,
And so sweetly as she sung,
Robin Redbreast lost his heart:
He was a gallant bird;
He doft his hat to Jenny,
And thus to her he said:--
"My dearest Jenny Wren,
If you will but be mine,
You shall dine on cherry pie,
And drink nice currant wine.
I'll dress you like a Goldfinch,
Or like a Peacock gay;
So if you'll have me, Jenny,
Let us appoint the day."
Jenny blushed behind her fan,
And thus declared her mind:
"Then let it be to-morrow, Bob,
I take your offer kind--
Cherry pie is very good!
So is currant wine!
But I will wear my brown gown,
And never dress too fine."
Robin rose up early
At the break of day;
He flew to Jenny Wren's house,
To sing a roundelay.
He met the Cock and Hen,
And bid the Cock declare,
This was his wedding-day
With Jenny Wren, the fair.
The Cock then blew his horn,
To let the neighbors know,
This was Robin's wedding-day,
And they might see the show.
And first came parson Rook,
With his spectacles and band,
And one of _Mother Hubbard's_ books
He held within his hand.
Then followed him the Lark,
For he could sweetly sing,
And he was to be clerk
At Cock Robin's wedding.
He sang of Robin's love
For little Jenny Wren;
And when he came unto the end,
Then he began again.
Then came the bride and bridegroom;
Quite plainly was she dressed,
And blushed so much, her cheeks were
As red as Robin's breast.
But Robin cheered her up:
"My pretty Jen," said he,
"We're going to be married
And happy we shall be."
The Goldfinch came on next,
To give away the bride;
The Linnet, being bride's maid,
Walked by Jenny's side;
And, as she was a-walking,
She said, "Upon my word,
I think that your Cock Robin
Is a very pretty bird."
The Bullfinch walked by Robin,
And thus to him did say,
"Pray, mark, friend Robin Redbreast,
That Goldfinch, dressed so gay;
What though her gay apparel
Becomes her very well,
Yet Jenny's modest dress and look
Must bear away the bell."
The Blackbird and the Thrush,
And charming Nightingale,
Whose sweet jug sweetly echoes
Through every grove and dale;
The Sparrow and Tom Tit,
And many more, were there:
All came to see the wedding
Of Jenny Wren, the fair.
"O then," says parson Rook,
"Who gives this maid away?"
"I do," says the Goldfinch,
"And her fortune I will pay:
Here's a bag of grain of many sorts,
And other things beside;
Now happy be the bridegroom,
And happy be the bride!"
"And will you have her, Robin,
To be your wedded wife?"
"Yes, I will," says Robin,
"And love her all my life."
"And will you have him, Jenny,
Your husband now to be?"
"Yes, I will," says Jenny,
"And love him heartily."
Then on her finger fair
Cock Robin put the ring;
"You're married now," says parson Rook,
While the Lark aloud did sing:
"Happy be the bridegroom,
And happy be the bride!
And may not man, nor bird, nor beast,
This happy pair divide."
The birds were asked to dine;
Not Jenny's friends alone,
But every pretty songster
That had Cock Robin known.
They had a cherry pie,
Besides some currant wine,
And every guest brought something,
That sumptuous they might dine.
Now they all sat or stood
To eat and to drink;
And every one said what
He happened to think;
They each took a bumper,
And drank to the pair:
Cock Robin, the bridegroom,
And Jenny Wren, the fair.
The dinner-things removed,
They all began to sing;
And soon they made the place
Near a mile round to ring.
The concert it was fine;
And every bird tried
Who best could sing for Robin
And Jenny Wren, the bride.
Then in came the Cuckoo,
And he made a great rout:
He caught hold of Jenny,
And pulled her about.
Cock Robin was angry,
And so was the Sparrow,
Who fetched in a hurry
His bow and his arrow.
His aim then he took,
But he took it not right;
His skill was not good,
Or he shot in a fright;
For the Cuckoo he missed,
But Cock Robin killed!--
And all the birds mourned
That his blood was so spilled.
142
THE BURIAL OF POOR COCK ROBIN
Who killed Cock Robin?
"I," said the Sparrow,
"With my bow and arrow;
And I killed Cock Robin."
Who saw him die?
"I," said the Fly,
"With my little eye;
And I saw him die."
Who caught his blood?
"I," said the Fish,
"With my little dish;
And I caught his blood."
Who made his shroud?
"I," said the Beetle,
"With my little needle;
And I made his shroud."
Who will be the parson?
"I," said the Rook;
"With my little book;
And I will be the parson."
Who will dig his grave?
"I," said the Owl,
"With my spade and shovel;
And I'll dig his grave."
Who will be the clerk?
"I," said the Lark,
"If 'tis not in the dark;
And I will be the clerk."
Who'll carry him to the grave?
"I," said the Kite,
"If 'tis not in the night;
And I'll carry him to the grave."
Who will be the chief mourner?
"I," said the Dove,
"Because of my love;
And I will be chief mourner."
Who will sing a psalm?
"I," said the Thrush,
As she sat in a bush;
"And I will sing a psalm."
Who will bear the pall?
"We," said the Wren,
Both the Cock and the Hen;
"And we will bear the pall."
Who will toll the bell?
"I," said the Bull,
"Because I can pull."
And so, Cock Robin, farewell.
All the birds of the air
Fell to sighing and sobbing
When they heard the bell toll
For poor Cock Robin.
143
The following tale was edited (1885) for
children by John Ruskin from a version "written
principally by a lady of ninety (Mrs. Sharp.)"
Ruskin himself added the third, fourth, eighth,
and ninth stanzas, because "in the old books no
account is given of what the cats learned when
they went to school, and I thought my younger
readers might be glad of some notice of such
particulars." But he thought his rhymes did not
ring like the real ones, of which he said: "I
aver these rhymes to possess the primary value
of rhyme--that is, to be rhythmical in a
pleasant and exemplary degree." The book was
illustrated with quaint woodcuts for each
stanza after the edition of 1823, with
additional drawings for the four new stanzas by
Kate Greenaway, one of the most famous
illustrators of children's books. Ruskin
commends the result "to the indulgence of the
Christmas fireside, because it relates nothing
that is sad, and portrays nothing that is
ugly."
DAME WIGGINS OF LEE, AND HER SEVEN WONDERFUL CATS
Dame Wiggins of Lee
Was a worthy old soul,
As e'er threaded a nee-
dle, or wash'd in a bowl;
She held mice and rats
In such antipa-thy,
That seven fine cats
Kept Dame Wiggins of Lee.
The rats and mice scared
By this fierce whisker'd crew,
The poor seven cats
Soon had nothing to do;
So, as any one idle
She ne'er loved to see,
She sent them to school,
Did Dame Wiggins of Lee.
The Master soon wrote
That they all of them knew
How to read the word "milk"
And to spell the word "mew."
And they all washed their faces
Before they took tea:
"Were there ever such dears!"
Said Dame Wiggins of Lee.
He had also thought well
To comply with their wish
To spend all their play-time
In learning to fish
For stitlings; they sent her
A present of three,
Which, fried, were a feast
For Dame Wiggins of Lee.
But soon she grew tired
Of living alone;
So she sent for her cats
From school to come home.
Each rowing a wherry,
Returning you see:
The frolic made merry
Dame Wiggins of Lee.
The Dame was quite pleas'd
And ran out to market;
When she came back
They were mending the carpet.
The needle each handled
As brisk as a bee;
"Well done, my good cats,"
Said Dame Wiggins of Lee.
To give them a treat,
She ran out for some rice;
When she came back,
They were skating on ice.
"I shall soon see one down,
Aye, perhaps, two or three,
I'll bet half-a-crown,"
Said Dame Wiggins of Lee.
When spring-time came back
They had breakfast of curds;
And were greatly afraid
Of disturbing the birds.
"If you sit, like good cats,
All the seven in a tree,
They will teach you to sing!"
Said Dame Wiggins of Lee.
So they sat in a tree,
And said "Beautiful! Hark!"
And they listened and looked
In the clouds for the lark.
Then sang, by the fireside,
Symphonious-ly
A song without words
To Dame Wiggins of Lee.
They called the next day
On the tomtit and sparrow,
And wheeled a poor sick lamb
Home in a barrow.
"You shall all have some sprats
For your humani-ty,
My seven good cats,"
Said Dame Wiggins of Lee.
While she ran to the field,
To look for its dam,
They were warming the bed
For the poor sick lamb:
They turn'd up the clothes
All as neat as could be;
"I shall ne'er want a nurse,"
Said Dame Wiggins of Lee.
She wished them good night,
And went up to bed:
When, lo! in the morning,
The cats were all fled.
But soon--what a fuss!
"Where can they all be?
Here, pussy, puss, puss!"
Cried Dame Wiggins of Lee.
The Dame's heart was nigh broke,
So she sat down to weep,
When she saw them come back
Each riding a sheep:
She fondled and patted
Each purring tom-my:
"Ah! welcome, my dears,"
Said Dame Wiggins of Lee.
The Dame was unable
Her pleasure to smother,
To see the sick lamb
Jump up to its mother.
In spite of the gout,
And a pain in her knee,
She went dancing about:
Did Dame Wiggins of Lee.
The Farmer soon heard
Where his sheep went astray,
And arrived at Dame's door
With his faithful dog Tray.
He knocked with his crook,
And the stranger to see,
Out the window did look
Dame Wiggins of Lee.
For their kindness he had them
All drawn by his team;
And gave them some field-mice,
And raspberry-cream.
Said he, "All my stock
You shall presently see;
For I honor the cats
Of Dame Wiggins of Lee."
He sent his maid out
For some muffins and crumpets;
And when he turn'd round
They were blowing of trumpets.
Said he, "I suppose
She's as deaf as can be,
Or this ne'er could be borne
By Dame Wiggins of Lee."
To show them his poultry,
He turn'd them all loose,
When each nimbly leap'd
On the back of a goose,
Which frighten'd them so
That they ran to the sea,
And half-drown'd the poor cats
Of Dame Wiggins of Lee.
For the care of his lamb,
And their comical pranks,
He gave them a ham
And abundance of thanks.
"I wish you good-day,
My fine fellows," said he;
"My compliments, pray,
To Dame Wiggins of Lee."
You see them arrived
At their Dame's welcome door;
They show her their presents,
And all their good store.
"Now come in to supper,
And sit down with me;
All welcome once more,"
Cried Dame Wiggins of Lee.
144
This is the perfect pattern of all the
accumulative stories, perhaps the best known
and most loved of children among all nursery
jingles. Halliwell thought it descended from
the mystical Hebrew hymn, "A kid, a kid," found
in the Talmud. Most commentators since have
followed his example in calling attention to
the parallel, though scholars have insisted
that the hymn referred to is a late
interpolation. The hymn opens:
"A kid, a kid, my father bought,
For two pieces of money:
A kid, a kid.
"Then came the cat, and ate the kid,
That my father bought," etc.
Then came the dog and bit the cat, then the
staff and beat the dog, then the fire and
burned the staff, then water and quenched the
fire, then the ox and drank the water, then the
butcher and slew the ox, then the angel of
death and killed the butcher, and the hymn
concludes:
"Then came the Holy One, blessed be He!
And killed the angel of death,
That killed the butcher,
That slew the ox,
That drank the water,
That quenched the fire,
That burned the staff,
That beat the dog,
That bit the cat,
That ate the kid,
That my father bought
For two pieces of money:
A kid, a kid."
There is an elaborate interpretation of the
symbolism of this hymn, going back at least as
far as 1731, in which the kid denotes the
Hebrews, the father is Jehovah, the cat is the
Assyrians, the dog is the Babylonians, the
staff is the Persians, the fire is Greece under
Alexander, the water is the Roman Empire, the
ox is the Saracens, the butcher is the
crusaders, the angel of death is the Turkish
power, while the concluding accumulation shows
that God will take vengeance on the enemies of
the chosen people. This is the interpretation
in barest outline only. Without the key no one
would ever guess its hidden meaning.
Fortunately, "The House That Jack Built" has no
such hidden meaning. But the important point
is that such accumulative stories are almost as
old as human records, and, like so many other
possessions of the race, seem to have come to
us from the Far East.
THIS IS THE HOUSE THAT JACK BUILT
This is the house that Jack built.
This is the malt
That lay in the house that Jack built.
This is the rat,
That ate the malt
That lay in the house that Jack built.
This is the cat,
That killed the rat,
That ate the malt
That lay in the house that Jack built.
This is the dog,
That worried the cat,
That killed the rat,
That ate the malt
That lay in the house that Jack built.
This is the cow with the crumpled horn,
That tossed the dog,
That worried the cat,
That killed the rat,
That ate the malt
That lay in the house that Jack built.
This is the maiden all forlorn,
That milked the cow with the crumpled horn,
That tossed the dog,
That worried the cat,
That killed the rat,
That ate the malt
That lay in the house that Jack built.
This is the man all tattered and torn,
That kissed the maiden all forlorn,
That milked the cow with the crumpled horn,
That tossed the dog,
That worried the cat,
That killed the rat,
That ate the malt
That lay in the house that Jack built.
This is the priest all shaven and shorn,
That married the man all tattered and torn,
That kissed the maiden all forlorn,
That milked the cow with the crumpled horn,
That tossed the dog,
That worried the cat,
That killed the rat,
That ate the malt
That lay in the house that Jack built.
This is the cock that crowed in the morn,
That waked the priest all shaven and shorn,
That married the man all tattered and torn,
That kissed the maiden all forlorn,
That milked the cow with the crumpled horn,
That tossed the dog,
That worried the cat,
That killed the rat,
That ate the malt
That lay in the house that Jack built.
This is the farmer sowing his corn,
That kept the cock that crowed in the morn,
That waked the priest all shaven and shorn,
That married the man all tattered and torn,
That kissed the maiden all forlorn,
That milked the cow with the crumpled horn,
That tossed the dog,
That worried the cat,
That killed the rat,
That ate the malt
That lay in the house that Jack built.
145
THE EGG IN THE NEST
There was a tree stood in the ground,
The prettiest tree you ever did see;
The tree in the wood, and the wood in the ground,
And the green grass growing all around.
And on this tree there was a limb,
The prettiest limb you ever did see;
The limb on the tree, and the tree in the wood,
The tree in the wood, and the wood in the ground,
And the green grass growing all around.
And on this limb there was a bough,
The prettiest bough you ever did see;
The bough on the limb, and the limb on the tree,
The limb on the tree, and the tree in the wood,
The tree in the wood, and the wood in the ground,
And the green grass growing all around.
Now on this bough there was a nest,
The prettiest nest you ever did see;
The nest on the bough, and the bough on the limb,
The limb on the tree, and the tree in the wood,
The tree in the wood, and the wood in the ground,
And the green grass growing all around.
And in the nest there were some eggs,
The prettiest eggs you ever did see;
Eggs in the nest, and the nest on the bough,
The bough on the limb, and the limb on the tree,
The limb on the tree, and the tree in the wood,
The tree in the wood, and the wood in the ground,
And the green grass growing all around,
_And the green grass growing all around_.
146
The following story is the same as that of the
Norwegian tale "The Husband Who Was to Mind the
House" (No. 170). In the Halliwell version the
final lines read,
"If his wife didn't do a day's work in her life,
She should ne'er be ruled by he."
A later reading, now generally accepted, avoids
the bad grammar by changing to direct
discourse.
CHANGE ABOUT
There was an old man, who lived in a wood,
As you may plainly see;
He said he could do as much work in a day,
As his wife could do in three.
With all my heart, the old woman said,
If that you will allow,
To-morrow you'll stay at home in my stead,
And I'll go drive the plough:
But you must milk the Tidy cow,
For fear that she go dry;
And you must feed the little pigs
That are within the sty;
And you must mind the speckled hen,
For fear she lay away;
And you must reel the spool of yarn,
That I spun yesterday.
The old woman took a staff in her hand,
And went to drive the plough:
The old man took a pail in his hand,
And went to milk the cow;
But Tidy hinched, and Tidy flinched,
And Tidy broke his nose,
And Tidy gave him such a blow,
That the blood ran down to his toes.
High! Tidy! ho! Tidy! high!
Tidy! do stand still;
If ever I milk you, Tidy, again,
'Twill be sore against my will!
He went to feed the little pigs
That were within the sty;
He hit his head against the beam,
And he made the blood to fly.
He went to mind the speckled hen,
For fear she'd lay astray,
And he forgot the spool of yarn
His wife spun yesterday.
So he swore by the sun, the moon, and the stars,
And the green leaves on the tree,
"If my wife doesn't do a day's work in her life,
She shall ne'er be ruled by me."
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Children's LiteratureChapter XIV: Section II: Mother Goose Jingles and Nursery Rhymes (2)
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