Chapter XXVIII: Section IV: Fairy Stories--Modern Fantastic Tales (4)
Up rose Fairyfoot and Princess Maybloom, and went together till they found the bramble, and came to where its root grew, hard by the muddy-looking well, with banks of dark green moss in the deepest dell of the forest. Fairyfoot sat down to wash, but at that minute he heard a sound of music, and knew it was the fairies going to their dancing ground.
"If my feet grow large," said the boy to himself, "how shall I dance with them?" So, rising quickly, he took the Princess Maybloom by the hand. The fawn followed them; the maids and the chamberlain followed it, and all followed the music through the forest. At last they came to the flowery green. Robin Goodfellow welcomed the company for Fairyfoot's sake, and gave every one a drink of the fairies' wine. So they danced there from sunset till the grey morning, and nobody was tired; but before the lark sang, Robin Goodfellow took them all safe home, as he used to take Fairyfoot.
There was great joy that day in the palace because Princess Maybloom's feet were made small again. The king gave Fairyfoot all manner of fine clothes and rich jewels; and when they heard his wonderful story, he and the queen asked him to live with them and be their son. In process of time Fairyfoot and Princess Maybloom were married, and still live happily. When they go to visit at Stumpinghame, they always wash their feet in the Growing Well, lest the royal family might think them a disgrace, but when they come back, they make haste to the Fair Fountain; and the fairies and the nightingales are great friends to them, as well as the maids and the chamberlain, because they have told nobody about it, and there is peace and quiet yet in the grove of rose-trees.
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The ill-fated Oscar Wilde (1856-1900) was born
in Ireland, was educated at Oxford, came into
great notoriety as the reputed leader of the
"aesthetic movement," was prominent in the
London literary world from 1885 to 1895, fell
under the obloquy of most of his countrymen,
and died in distressing circumstances in Paris.
In addition to some remarkable plays, poems,
and prose books, he wrote a number of unusual
stories especially fascinating to children,
which were collected under the title _The Happy
Prince, and Other Tales_. These stories were at
once recognized as classic in quality. While
they contain much implied criticism of certain
features of modern civilization, the whole tone
is so idealistic and the workmanship so fine
that they convey no strong note of bitterness
to the child. "The Happy Prince" suggests that
Wilde saw on the one hand "the white faces of
starving children looking out listlessly at the
black streets"; while on the other hand he saw
the Pyramids, marble angels sculptured on the
cathedral tower, and the gold-covered statue of
the Prince of the Palace of the Care-Free.
Wilde also suggests a remedy for the starvation
and wretchedness that exist, especially among
children, in most cities where great wealth is
displayed. The important thing in presenting
this story to children is to get the full
sympathetic response due to the sacrifice made
by the Happy Prince and the little swallow. So
much of the effect depends upon the wonderful
beauty of the language that teachers will, as a
rule, get better results from reading or
reciting than from any kind of oral paraphrase.
Another story in this same volume widely and
successfully used by teachers is the one called
"The Selfish Giant."
THE HAPPY PRINCE
OSCAR WILDE
High above the city, on a tall column, stood the statue of the Happy Prince. He was gilded all over with thin leaves of fine gold, for eyes he had two bright sapphires, and a large red ruby glowed on his sword-hilt.
He was very much admired indeed. "He is as beautiful as a weathercock," remarked one of the Town Councillors who wished to gain a reputation for having artistic tastes; "only not quite so useful," he added, fearing lest people should think him unpractical, which he really was not.
"Why can't you be like the Happy Prince?" asked a sensible mother of her little boy who was crying for the moon. "The Happy Prince never dreams of crying for anything."
"I am glad there is some one in the world who is quite happy," muttered a disappointed man as he gazed at the wonderful statue.
"He looks just like an angel," said the Charity Children as they came out of the cathedral in their bright scarlet cloaks and their clean white pinafores.
"How do you know?" said the Mathematical Master; "you have never seen one."
"Ah! but we have, in our dreams," answered the children; and the Mathematical Master frowned and looked very severe, for he did not approve of children dreaming.
One night there flew over the city a Little Swallow. His friends had gone away to Egypt six weeks before, but he had stayed behind, for he was in love with the most beautiful Reed. He had met her early in the spring as he was flying down the river after a big yellow moth, and had been so attracted by her slender waist that he had stopped to talk to her.
"Shall I love you?" said the Swallow, who liked to come to the point at once, and the Reed made him a low bow. So he flew round and round her, touching the water with his wings, and making silver ripples. This was his courtship, and it lasted all through the summer.
"It is a ridiculous attachment," twittered the other Swallows; "she has no money, and far too many relations"; and indeed the river was quite full of Reeds. Then when the autumn came they all flew away.
After they had gone he felt lonely, and began to tire of his lady-love. "She has no conversation," he said, "and I am afraid that she is a coquette, for she is always flirting with the wind." And certainly, whenever the wind blew, the Reed made the most graceful curtseys. "I admit that she is domestic," he continued, "but I love traveling, and my wife, consequently, should love traveling also."
"Will you come away with me?" he said finally to her; but the Reed shook her head, she was so attached to her home.
"You have been trifling with me," he cried. "I am off to the Pyramids. Good-bye!" and he flew away.
All day long he flew, and at night-time he arrived at the city. "Where shall I put up?" he said; "I hope the town has made preparations."
Then he saw the statue on the tall column.
"I will put up there," he cried; "it is a fine position, with plenty of fresh air." So he alighted just between the feet of the Happy Prince.
"I have a golden bedroom," he said softly to himself as he looked round, and he prepared to go to sleep; but just as he was putting his head under his wing a large drop of water fell on him. "What a curious thing!" he cried; "there is not a single cloud in the sky, the stars are quite clear and bright, and yet it is raining. The climate in the north of Europe is really dreadful. The Reed used to like the rain, but that was merely her selfishness."
Then another drop fell.
"What is the use of a statue if it cannot keep the rain off?" he said; "I must look for a good chimney-pot," and he determined to fly away.
But before he had opened his wings, a third drop fell, and he looked up, and saw--Ah! what did he see?
The eyes of the Happy Prince were filled with tears, and tears were running down his golden cheeks. His face was so beautiful in the moonlight that the little Swallow was filled with pity.
"Who are you?" he said.
"I am the Happy Prince."
"Why are you weeping then?" asked the Swallow; "you have quite drenched me."
"When I was alive and had a human heart," answered the statue, "I did not know what tears were, for I lived in the Palace of Sans-Souci, where sorrow is not allowed to enter. In the daytime I played with my companions in the garden, and in the evening I led the dance in the Great Hall. Round the garden ran a very lofty wall, but I never cared to ask what lay beyond it, everything about me was so beautiful. My courtiers called me the Happy Prince, and happy indeed I was, if pleasure be happiness. So I lived, and so I died. And now that I am dead they have set me up here so high that I can see all the ugliness and all the misery of my city, and though my heart is made of lead yet I cannot choose but weep."
"What! is he not solid gold?" said the Swallow to himself. He was too polite to make any personal remarks out loud.
"Far away," continued the statue in a low musical voice, "far away in a little street there is a poor house. One of the windows is open, and through it I can see a woman seated at a table. Her face is thin and worn, and she has coarse, red hands, all pricked by the needle, for she is a seamstress. She is embroidering passion-flowers on a satin gown for the loveliest of the Queen's maids-of-honor to wear at the next Court-ball. In a bed in the corner of the room her little boy is lying ill. He has a fever, and is asking for oranges. His mother has nothing to give him but river water, so he is crying. Swallow, Swallow, little Swallow, will you not take her the ruby out of my sword-hilt? My feet are fastened to this pedestal and I cannot move."
"I am waited for in Egypt," said the Swallow. "My friends are flying up and down the Nile, and talking to the large lotus-flowers. Soon they will go to sleep in the tomb of the great King. The King is there himself in his painted coffin. He is wrapped in yellow linen, and embalmed with spices. Round his neck is a chain of pale green jade, and his hands are like withered leaves."
"Swallow, Swallow, little Swallow," said the Prince, "will you not stay with me for one night, and be my messenger? The boy is so thirsty, and the mother so sad."
"I don't think I like boys," answered the Swallow. "Last summer, when I was staying on the river, there were two rude boys, the miller's sons, who were always throwing stones at me. They never hit me, of course; we swallows fly far too well for that, and besides, I come of a family famous for its agility; but still, it was a mark of disrespect."
But the Happy Prince looked so sad that the little Swallow was sorry. "It is very cold here," he said; "but I will stay with you for one night, and be your messenger."
"Thank you, little Swallow," said the Prince.
So the Swallow picked out the great ruby from the Prince's sword, and flew away with it in his beak over the roofs of the town.
He passed by the cathedral tower, where the white marble angels were sculptured. He passed by the palace and heard the sound of dancing. A beautiful girl came out on the balcony with her lover. "How wonderful the stars are," he said to her, "and how wonderful is the power of love!"
"I hope my dress will be ready in time for the State-ball," she answered; "I have ordered passion-flowers to be embroidered on it; but the seamstresses are so lazy."
He passed over the river, and saw the lanterns hanging to the masts of the ships. He passed over the Ghetto, and saw the old Jews bargaining with each other, and weighing out money in copper scales. At last he came to the poor house and looked in. The boy was tossing feverishly on his bed, and the mother had fallen asleep, she was so tired. In he hopped, and laid the great ruby on the table beside the woman's thimble. Then he flew gently round the bed, fanning the boy's forehead with his wings. "How cool I feel," said the boy. "I must be getting better"; and he sank into a delicious slumber.
Then the Swallow flew back to the Happy Prince, and told him what he had done. "It is curious," he remarked, "but I feel quite warm now, although it is so cold."
"That is because you have done a good action," said the Prince. And the little Swallow began to think, and then he fell asleep. Thinking always made him sleepy.
When day broke he flew down to the river and had a bath. "What a remarkable phenomenon," said the Professor of Ornithology as he was passing over the bridge. "A swallow in winter!" And he wrote a long letter about it to the local newspaper. Every one quoted it, it was full of so many words that they could not understand.
"To-night I go to Egypt," said the Swallow, and he was in high spirits at the prospect. He visited all the public monuments, and sat a long time on top of the church steeple. Wherever he went the Sparrows chirruped, and said to each other, "What a distinguished stranger!" so he enjoyed himself very much.
When the moon rose he flew back to the Happy Prince. "Have you any commissions for Egypt?" he cried; "I am just starting."
"Swallow, Swallow, little Swallow," said the Prince, "will you not stay with me one night longer?"
"I am waited for in Egypt," answered the Swallow. "To-morrow my friends will fly up to the Second Cataract. The river-horse couches there among the bulrushes, and on a great granite throne sits the God Memnon. All night long he watches the stars, and when the morning star shines he utters one cry of joy, and then he is silent. At noon the yellow lions come down to the water's edge to drink. They have eyes like green beryls, and their roar is louder than the roar of the cataract."
"Swallow, Swallow, little Swallow," said the Prince, "far away across the city I see a young man in a garret. He is leaning over a desk covered with papers, and in a tumbler by his side there is a bunch of withered violets. His hair is brown and crisp, and his lips are red as a pomegranate, and he has large and dreamy eyes. He is trying to finish a play for the Director of the Theatre, but he is too cold to write any more. There is no fire in the grate, and hunger has made him faint."
"I will wait with you one night longer," said the Swallow, who really had a good heart. "Shall I take him another ruby?"
"Alas! I have no ruby now," said the Prince; "my eyes are all that I have left. They are made of rare sapphires, which were brought out of India a thousand years ago. Pluck out one of them and take it to him. He will sell it to the jeweller, and buy food and firewood, and finish his play."
"Dear Prince," said the Swallow, "I cannot do that"; and he began to weep.
"Swallow, Swallow, little Swallow," said the Prince, "do as I command you."
So the Swallow plucked out the Prince's eye, and flew away to the student's garret. It was easy enough to get in, as there was a hole in the roof. Through this he darted, and came into the room. The young man had his head buried in his hands, so he did not hear the flutter of the bird's wings, and when he looked up he found the beautiful sapphire lying on the withered violets.
"I am beginning to be appreciated," he cried; "this is from some great admirer. Now I can finish my play," and he looked quite happy.
The next day the Swallow flew down to the harbor. He sat on the mast of a large vessel and watched the sailors hauling big chests out of the hold with ropes. "Heave a-hoy!" they shouted as each chest came up. "I am going to Egypt!" cried the Swallow, but nobody minded, and when the moon rose he flew back to the Happy Prince.
"I am come to bid you good-bye," he cried.
"Swallow, Swallow, little Swallow," said the Prince, "will you not stay with me one night longer?"
"It is winter," answered the Swallow, "and the chill snow will soon be here. In Egypt the sun is warm on the green palm-trees, and the crocodiles lie in the mud and look lazily about them. My companions are building a nest in the Temple of Baalbec, and the pink and white doves are watching them, and cooing to each other. Dear Prince, I must leave you, but I will never forget you, and next spring I will bring you back two beautiful jewels in place of those you have given away. The ruby shall be redder than a red rose, and the sapphire shall be as blue as the great sea."
"In the square below," said the Happy Prince, "there stands a little match-girl. She has let her matches fall in the gutter, and they are all spoiled. Her father will beat her if she does not bring home some money, and she is crying. She has no shoes or stockings, and her little head is bare. Pluck out my other eye, and give it to her, and her father will not beat her."
"I will stay with you one night longer," said the Swallow, "but I cannot pluck out your eye. You would be quite blind then."
"Swallow, Swallow, little Swallow," said the Prince, "do as I command you."
So he plucked out the Prince's other eye, and darted down with it. He swooped past the match-girl, and slipped the jewel into the palm of her hand. "What a lovely bit of glass," cried the little girl; and she ran home, laughing.
Then the Swallow came back to the Prince. "You are blind now," he said, "so I will stay with you always."
"No, little Swallow," said the poor Prince, "you must go away to Egypt."
"I will stay with you always," said the Swallow, and he slept at the Prince's feet.
All the next day he sat on the Prince's shoulder, and told him stories of what he had seen in strange lands. He told him of the red ibises, who stand in long rows on the banks of the Nile, and catch goldfish in their beaks; of the Sphinx, who is as old as the world itself, and lives in the desert, and knows everything; of the merchants, who walk slowly by the side of their camels, and carry amber beads in their hands; of the King of the Mountains of the Moon, who is as black as ebony, and worships a large crystal; of the great green snake that sleeps in a palm-tree, and has twenty priests to feed it with honey-cakes; and of the pygmies who sail over a big lake on large flat leaves, and are always at war with the butterflies.
"Dear little Swallow," said the Prince, "you tell me of marvelous things, but more marvelous than anything is the suffering of men and of women. There is no Mystery so great as Misery. Fly over my city, little Swallow, and tell me what you see there."
So the Swallow flew over the great city, and saw the rich making merry in their beautiful houses, while the beggars were sitting at the gates. He flew into dark lanes, and saw the white faces of starving children looking out listlessly at the black streets. Under the archway of a bridge two little boys were lying in one another's arms to try to keep themselves warm. "How hungry we are!" they said. "You must not lie here," shouted the Watchman, and they wandered out into the rain.
Then he flew back and told the Prince what he had seen.
"I am covered with fine gold," said the Prince; "you must take it off, leaf by leaf, and give it to my poor; the living always think that gold can make them happy."
Leaf after leaf of the fine gold the Swallow picked off, till the Happy Prince looked quite dull and grey. Leaf after leaf of the fine gold he brought to the poor, and the children's faces grew rosier, and they laughed and played games in the street. "We have bread now!" they cried.
Then the snow came, and after the snow came the frost. The streets looked as if they were made of silver, they were so bright and glistening; long icicles like crystal daggers hung down from the eaves of the houses, everybody went about in furs, and the little boys wore scarlet caps and skated on the ice.
The poor little Swallow grew colder and colder, but he would not leave the Prince; he loved him too well. He picked up crumbs outside the baker's door when the baker was not looking, and tried to keep himself warm by flapping his wings.
But at last he knew that he was going to die. He had just strength to fly up to the Prince's shoulder once more. "Good-bye, dear Prince!" he murmured, "will you let me kiss your hand?"
"I am glad that you are going to Egypt at last, little Swallow," said the Prince. "You have stayed too long here; but you must kiss me on the lips, for I love you."
"It is not to Egypt that I am going," said the Swallow. "I am going to the House of Death. Death is the brother of Sleep, is he not?"
And he kissed the Happy Prince on the lips, and fell down dead at his feet.
At that moment a curious crack sounded inside the statue, as if something had suddenly broken. The fact is that the leaden heart had snapped right in two. It certainly was a dreadfully hard frost.
Early the next morning the Mayor was walking in the square below in company with the Town Councillors. As they passed the column he looked up at the statue: "Dear me! how shabby the Happy Prince looks!" he said.
"How shabby indeed!" cried the Town Councillors, who always agreed with the Mayor; and they went up to look at it.
"The ruby has fallen out of his sword, his eyes are gone, and he is golden no longer," said the Mayor; "in fact, he is little better than a beggar!"
"Little better than a beggar," said the Town Councillors.
"And here is actually a dead bird at his feet!" continued the Mayor. "We must really issue a proclamation that birds are not to be allowed to die here." And the Town Clerk made a note of the suggestion.
So they pulled down the statue of the Happy Prince. "As he is no longer beautiful he is no longer useful," said the Art Professor at the University.
Then they melted the statue in a furnace, and the Mayor held a meeting of the Corporation to decide what was to be done with the metal. "We must have another statue, of course," he said, "and it shall be a statue of myself."
"Of myself," said each of the Town Councillors, and they quarrelled. When I last heard of them they were quarreling still.
"What a strange thing!" said the overseer of the workmen at the foundry. "This broken lead heart will not melt in the furnace. We must throw it away." So they threw it on a dustheap where the dead Swallow was also lying.
"Bring me the two most precious things in the city," said God to one of His Angels; and the Angel brought Him the leaden heart and the dead bird.
"You have rightly chosen," said God, "for in my garden of Paradise this little bird shall sing for evermore, and in my city of gold the Happy Prince shall praise me."
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Two stories of unusual interest and charm for
children are found in the collection of eleven
by Raymond M. Alden (1873--), _Why the Chimes
Rang_. One is the title story of the volume;
the other is "The Knights of the Silver
Shield." The latter follows by permission of
the publishers, The Bobbs-Merrill Co.,
Indianapolis. (Copyright, 1906, 1908.) It is of
striking dramatic interest and emphasizes a
much-needed quality of character, the
importance of a loyal performance of the
lowlier duties of life. The salvation of a
nation may depend upon the humble guardian of
the gate quite as much as upon those who are
engaged in the more spectacular struggle with
giants. Mr. Alden is a scholarly professor of
literature in Leland Stanford Jr. University,
and it may interest the reader to know that he
is the son of the author of the _Pansy Books_,
a type of religious or Sunday-school fiction
widely read throughout the country by a
generation or two of young people.
THE KNIGHTS OF THE SILVER SHIELD
RAYMOND MACDONALD ALDEN
There was once a splendid castle in a forest, with great stone walls and a high gateway, and turrets that rose away above the tallest trees. The forest was dark and dangerous, and many cruel giants lived in it; but in the castle was a company of knights, who were kept there by the king of the country, to help travelers who might be in the forest and to fight with the giants whenever they could.
Each of these knights wore a beautiful suit of armor and carried a long spear, while over his helmet there floated a great red plume that could be seen a long way off by any one in distress. But the most wonderful thing about the knights' armor was their shields. They were not like those of other knights, but had been made by a great magician who had lived in the castle many years before. They were made of silver, and sometimes shone in the sunlight with dazzling brightness; but at other times the surface of the shields would be clouded as though by a mist, and one could not see his face reflected there as he could when they shone brightly.
Now, when each young knight received his spurs and his armor, a new shield was also given him from among those that the magician had made; and when the shield was new its surface was always cloudy and dull. But as the knight began to do service against the giants, or went on expeditions to help poor travelers in the forest, his shield grew brighter and brighter, so that he could see his face clearly reflected in it. But if he proved to be a lazy or cowardly knight, and let the giants get the better of him, or did not care what became of the travelers, then the shield grew more and more cloudy, until the knight became ashamed to carry it.
But this was not all. When any one of the knights fought a particularly hard battle, and won the victory, or when he went on some hard errand for the lord of the castle, and was successful, not only did his silver shield grow brighter, but when one looked into the center of it he could see something like a golden star shining in its very heart. This was the greatest honor that a knight could achieve, and the other knights always spoke of such a one as having "won his star." It was usually not till he was pretty old and tried as a soldier that he could win it. At the time when this story begins, the lord of the castle himself was the only one of the knights whose shield bore the golden star.
There came a time when the worst of the giants in the forest gathered themselves together to have a battle against the knights. They made a camp in a dark hollow not far from the castle, and gathered all their best warriors together, and all the knights made ready to fight them. The windows of the castle were closed and barred; the air was full of the noise of armor being made ready for use; and the knights were so excited that they could scarcely rest or eat.
Now there was a young knight in the castle, named Sir Roland, who was among those most eager for the battle. He was a splendid warrior, with eyes that shone like stars whenever there was anything to do in the way of knightly deeds. And although he was still quite young, his shield had begun to shine enough to show plainly that he had done bravely in some of his errands through the forest. This battle, he thought, would be the great opportunity of his life. And on the morning of the day when they were to go forth to it, and all the knights assembled in the great hall of the castle to receive the commands of their leaders, Sir Roland hoped that he would be put in the most dangerous place of all, so that he could show what knightly stuff he was made of.
But when the lord of the castle came to him, as he went about in full armor giving his commands, he said: "One brave knight must stay behind and guard the gateway of the castle, and it is you, Sir Roland, being one of the youngest, whom I have chosen for this."
At these words Sir Roland was so disappointed that he bit his lip and closed his helmet over his face so that the other knights might not see it. For a moment he felt as if he must reply angrily to the commander and tell him that it was not right to leave so sturdy a knight behind when he was eager to fight. But he struggled against this feeling and went quietly to look after his duties at the gate. The gateway was high and narrow, and was reached from outside by a high, narrow bridge that crossed the moat, which surrounded the castle on every side. When an enemy approached, the knight on guard rang a great bell just inside the gate, and the bridge was drawn up against the castle wall, so that no one could come across the moat. So the giants had long ago given up trying to attack the castle itself.
To-day the battle was to be in the dark hollow in the forest, and it was not likely that there would be anything to do at the castle gate, except to watch it like a common doorkeeper. It was not strange that Sir Roland thought some one else might have done this.
Presently all the other knights marched out in their flashing armor, their red plumes waving over their heads, and their spears in their hands. The lord of the castle stopped only to tell Sir Roland to keep guard over the gate until they had all returned and to let no one enter. Then they went into the shadows of the forest and were soon lost to sight.
Sir Roland stood looking after them long after they had gone, thinking how happy he would be if he were on the way to battle like them. But after a little he put this out of his mind and tried to think of pleasanter things. It was a long time before anything happened, or any word came from the battle.
At last Sir Roland saw one of the knights come limping down the path to the castle, and he went out on the bridge to meet him. Now this knight was not a brave one, and he had been frightened away as soon as he was wounded.
"I have been hurt," he said, "so that I can not fight any more. But I could watch the gate for you, if you would like to go back in my place."
At first Sir Roland's heart leaped with joy at this, but then he remembered what the commander had told him on going away, and he said:
"I should like to go, but a knight belongs where his commander has put him. My place is here at the gate, and I can not open it even for you. Your place is at the battle."
The knight was ashamed when he heard this, and he presently turned about and went into the forest again.
So Sir Roland kept guard silently for another hour. Then there came an old beggar woman down the path to the castle and asked Sir Roland if she might come in and have some food. He told her that no one could enter the castle that day, but that he would send a servant out to her with food, and that she might sit and rest as long as she would.
"I have been past the hollow in the forest where the battle is going on," said the old woman, while she was waiting for her food.
"And how do you think it is going?" asked Sir Roland.
"Badly for the knights, I am afraid," said the old woman. "The giants are fighting as they have never fought before. I should think you had better go and help your friends."
"I should like to, indeed," said Sir Roland. "But I am set to guard the gateway of the castle and can not leave."
"One fresh knight would make a great difference when they are all weary with fighting," said the old woman. "I should think that, while there are no enemies about, you would be much more useful there."
"You may well think so," said Sir Roland, "and so may I; but it is neither you nor I that is commander here."
"I suppose," said the old woman then, "that you are one of the kind of knights who like to keep out of fighting. You are lucky to have so good an excuse for staying at home." And she laughed a thin and taunting laugh.
Then Sir Roland was very angry, and thought that if it were only a man instead of a woman, he would show him whether he liked fighting or no. But as it was a woman, he shut his lips and set his teeth hard together, and as the servant came just then with the food he had sent for, he gave it to the old woman quickly and shut the gate that she might not talk to him any more.
It was not very long before he heard some one calling outside. Sir Roland opened the gate and saw standing at the other end of the drawbridge a little old man in a long black cloak. "Why are you knocking here?" he said. "The castle is closed to-day."
"Are you Sir Roland?" said the little old man.
"Yes," said Sir Roland.
"Then you ought not to be staying here when your commander and his knights are having so hard a struggle with the giants, and when you have the chance to make of yourself the greatest knight in this kingdom. Listen to me! I have brought you a magic sword."
As he said this, the old man drew from under his coat a wonderful sword that flashed in the sunlight as if it were covered with diamonds. "This is the sword of all swords," he said, "and it is for you, if you will leave your idling here by the castle gate and carry it to the battle. Nothing can stand before it. When you lift it the giants will fall back, your master will be saved, and you will be crowned the victorious knight--the one who will soon take his commander's place as lord of the castle."
Now Sir Roland believed that it was a magician who was speaking to him, for it certainly appeared to be a magic sword. It seemed so wonderful that the sword should be brought to him, that he reached out his hand as though he would take it, and the little old man came forward, as though he would cross the drawbridge into the castle. But as he did so, it came to Sir Roland's mind again that that bridge and the gateway had been intrusted to him, and he called out "No!" to the old man, so that he stopped where he was standing. But he waved the shining sword in the air again, and said: "It is for you! Take it, and win the victory!"
Sir Roland was really afraid that if he looked any longer at the sword or listened to any more words of the old man, he would not be able to hold himself within the castle. For this reason he struck the great bell at the gateway, which was the signal for the servants inside to pull in the chains of the drawbridge, and instantly they began to pull, and the drawbridge came up, so that the old man could not cross it to enter the castle, nor Sir Roland to go out.
Then, as he looked across the moat, Sir Roland saw a wonderful thing. The little old man threw off his black cloak, and as he did so he began to grow bigger and bigger, until in a minute more he was a giant as tall as any in the forest. At first Sir Roland could scarcely believe his eyes. Then he realized that this must be one of their giant enemies, who had changed himself to a little old man through some magic power, that he might make his way into the castle while all the knights were away. Sir Roland shuddered to think what might have happened if he had taken the sword and left the gate unguarded. The giant shook his fist across the moat that lay between them, and then, knowing that he could do nothing more, he went angrily back into the forest.
Sir Roland now resolved not to open the gate again, and to pay no attention to any other visitor. But it was not long before he heard a sound that made him spring forward in joy. It was the bugle of the lord of the castle, and there came sounding after it the bugles of many of the knights that were with him, pealing so joyfully that Sir Roland was sure they were safe and happy. As they came nearer, he could hear their shouts of victory. So he gave the signal to let down the drawbridge again, and went out to meet them. They were dusty and bloodstained and weary, but they had won the battle with the giants; and it had been such a great victory that there had never been a happier home-coming.
Sir Roland greeted them all as they passed in over the bridge, and then, when he had closed the gate and fastened it, he followed them into the great hall of the castle. The lord of the castle took his place on the highest seat, with the other knights about him, and Sir Roland came forward with the key of the gate, to give his account of what he had done in the place to which the commander had appointed him. The lord of the castle bowed to him as a sign for him to begin, but just as he opened his mouth to speak, one of the knights cried out:
"The shield! the shield! Sir Roland's shield!"
Every one turned and looked at the shield which Sir Roland carried on his left arm. He himself could see only the top of it and did not know what they could mean. But what they saw was the golden star of knighthood, shining brightly from the center of Sir Roland's shield. There had never been such amazement in the castle before.
Sir Roland knelt before the lord of the castle to receive his commands. He still did not know why every one was looking at him so excitedly, and wondered if he had in some way done wrong.
"Speak, Sir Knight," said the commander, as soon as he could find his voice after his surprise, "and tell us all that has happened to-day at the castle. Have you been attacked? Have any giants come hither? Did you fight them alone?"
"No, my Lord," said Sir Roland. "Only one giant has been here, and he went away silently when he found he could not enter."
Then he told all that had happened through the day.
When he had finished, the knights all looked at one another, but no one spoke a word. Then they looked again at Sir Roland's shield, to make sure that their eyes had not deceived them, and there the golden star was still shining.
After a little silence the lord of the castle spoke.
"Men make mistakes," he said, "but our silver shields are never mistaken. Sir Roland has fought and won the hardest battle of all to-day."
Then the others all rose and saluted Sir Roland, who was the youngest knight that ever carried the golden star.
202
Jean Ingelow (1820-1897) was an English poet,
novelist, and writer of stories for children,
who lived in the fen district of Lincolnshire.
Her most noted poem deals with a terrible
catastrophe that happened there more than three
centuries ago. It is called "The High Tide on
the Coast of Lincolnshire." Many reading books
for the third or fourth grade contain her
dainty and melodious "Seven Times One," in
which a little girl expresses the joy and sense
of power felt on reaching a seventh birthday.
Of her children's books, the favorite is _Mopsa
the Fairy_, which some one has called a
"delightful succession of breezy
impossibilities." Her shorter stories for
children are collected under the title _Stories
Told to a Child_ (two series), from which "The
Prince's Dream" is taken. It is somewhat old
fashioned in method and style, reminding one of
the stories of the days of Addison and Steele.
Its seriousness is in striking contrast with
the more flippant note in much modern writing
for children, and it is sure to suggest some
questions on the dangers and advantages of
great possessions in their effects on labor,
liberty, and human happiness in general.
However, the moral will take care of itself,
and the attention should rest on the means used
by the old man to teach the young prince the
things he is shut out from learning by
experience. The children will easily see that
it is an anticipation of the moving-picture
method. Some other good stories in the
collection mentioned are "I Have a Right," "The
Fairy Who Judged Her Neighbors," and "Anselmo."
THE PRINCE'S DREAM
JEAN INGELOW
If we may credit the fable, there is a tower in the midst of a great Asiatic plain, wherein is confined a prince who was placed there in his earliest infancy, with many slaves and attendants, and all the luxuries that are compatible with imprisonment.
Whether he was brought there from some motive of state, whether to conceal him from enemies, or to deprive him of rights, has not transpired; but it is certain that up to the date of this little history he had never set his foot outside the walls of that high tower, and that of the vast world without he knew only the green plains which surrounded it; the flocks and the birds of that region were all his experience of living creatures, and all the men he saw outside were shepherds.
And yet he was not utterly deprived of change, for sometimes one of his attendants would be ordered away, and his place would be supplied by a new one. This fresh companion the prince would never weary of questioning, and letting him talk of cities, of ships, of forests, of merchandise, of kings; but though in turns they all tried to satisfy his curiosity, they could not succeed in conveying very distinct notions to his mind; partly because there was nothing in the tower to which they could compare the external world, partly because, having chiefly lived lives of seclusion and indolence in Eastern palaces, they knew it only by hearsay themselves.
At length, one day, a venerable man of a noble presence was brought to the tower, with soldiers to guard him and slaves to attend him. The prince was glad of his presence, though at first he seldom opened his lips, and it was manifest that confinement made him miserable. With restless feet he would wander from window to window of the stone tower, and mount from story to story; but mount as high as he would there was still nothing to be seen but the vast unvarying plain, clothed with scanty grass, and flooded with the glaring sunshine; flocks and herds, and shepherds, moved across it sometimes, but nothing else, not even a shadow, for there was no cloud in the sky to cast one.
The old man, however, always treated the prince with respect, and answered his questions with a great deal of patience, till at length he found a pleasure in satisfying his curiosity, which so much pleased the young prisoner, that, as a great condescension, he invited him to come out on the roof of the tower and drink sherbet with him in the cool of the evening, and tell him of the country beyond the desert, and what seas are like, and mountains, and towns.
"I have learnt much from my attendants, and know this world pretty well by hearsay," said the prince, as they reclined on the rich carpet which was spread on the roof.
The old man smiled, but did not answer; perhaps because he did not care to undeceive his young companion, perhaps because so many slaves were present, some of whom were serving them with fruit, and others burning rich odors on a little chafing-dish that stood between them.
"But there are some words to which I never could attach any particular meaning," proceeded the prince, as the slaves began to retire, "and three in particular that my attendants cannot satisfy me upon, or are reluctant to do so."
"What words are those, my prince?" asked the old man. The prince turned on his elbow to be sure that the last slave had descended the tower stairs, then replied--
"O man of much knowledge, the words are these--Labor, and Liberty, and Gold."
"Prince," said the old man, "I do not wonder that it has been hard to make thee understand the first, the nature of it, and the cause why most men are born to it; as for the second, it would be treason for thee and me to do more than whisper it here, and sigh for it when none are listening; but the third need hardly puzzle thee, thy hookah is bright with it; all thy jewels are set in it; gold is inlaid in the ivory of thy bath; thy cup and thy dish are of gold, and golden threads are wrought into thy raiment."
"That is true," replied the prince, "and if I had not seen and handled this gold, perhaps I might not find its merits so hard to understand; but I possess it in abundance, and it does not feed me, nor make music for me, nor fan me when the sun is hot, nor cause me to sleep when I am weary; therefore when my slaves have told me how merchants go out and brave the perilous wind and sea, and live in the unstable ships, and run risks from shipwreck and pirates, and when, having asked them why they have done this, they have answered, 'For gold,' I have found it hard to believe them; and when they have told me how men have lied, and robbed, and deceived; how they have murdered one another, and leagued together to depose kings, to oppress provinces, and all for gold; then I have said to myself, either my slaves have combined to make me believe that which is not, or this gold must be very different from the yellow stuff that this coin is made of, this coin which is of no use but to have a hole pierced through it and hang to my girdle, that it may tinkle when I walk."
"Notwithstanding," said the old man, "nothing can be done without gold; for look you, prince, it is better than bread, and fruit, and music, for it can buy them all, since men love it, and have agreed to exchange it for whatever they may need."
"How so?" asked the prince.
"If a man has many loaves he cannot eat them all," answered the old man; "therefore he goes to his neighbor and says, 'I have bread and thou hast a coin of gold--let us change'; so he receives the gold and goes to another man, saying, 'Thou hast two houses and I have none; lend me one of thy houses to live in, and I will give thee my gold'; thus again they change, and he that has the gold says, 'I have food enough and goods enough, but I want a wife, I will go to the merchant and get a marriage gift for her father, and for it I will give him this gold.'"
"It is well," said the prince; "but in time of drought, if there is no bread in a city, can they make it of gold?"
"Not so," answered the old man, "but they must send their gold to a city where there is food, and bring that back instead of it."
"But if there was a famine all over the world," asked the prince, "what would they do then?"
"Why then, and only then," said the old man, "they must starve, and the gold would be nought, for it can only be changed for that which _is_; it cannot make that which is not."
"And where do they get gold?" asked the prince; "is it the precious fruit of some rare tree, or have they whereby they can draw it down from the sky at sunset?"
"Some of it," said the old man, "they dig out of the ground."
Then he told the prince of ancient rivers running through terrible deserts, whose sands glitter, with golden grains and are yellow in the fierce heat of the sun, and of dreary mines where the Indian slaves work in gangs tied together, never seeing the light of day; and lastly (for he was a man of much knowledge, and had traveled far), he told him of the valley of the Sacramento in the New World, and of those mountains where the people of Europe send their criminals, and where now their free men pour forth to gather gold, and dig for it as hard as if for life; sitting up by it at night lest any should take it from them, giving up houses and country, and wife and children, for the sake of a few feet of mud, whence they dig clay that glitters as they wash it; and how they sift it and rock it as patiently as if it were their own children in the cradle, and afterwards carry it in their bosoms, and forego on account of it safety and rest.
"But, prince," he proceeded, observing that the young man was absorbed in his narrative, "if you would pass your word to me never to betray me, I would procure for you a sight of the external world, and in a trance you should see those places where gold is dug, and traverse those regions forbidden to your mortal footsteps."
Upon this, the prince threw himself at the old man's feet, and promised heartily to observe the secrecy required, and entreated that, for however short time, he might be suffered to see this wonderful world.
Then, if we may credit the story, the old man drew nearer to the chafing-dish which stood between them, and having fanned the dying embers in it, cast upon them a certain powder and some herbs, from whence as they burnt a peculiar smoke arose. As their vapors spread, he desired the prince to draw near and inhale them, and then (says the fable) when he should sleep he should find himself, in his dream, at whatever place he might desire, with this strange advantage, that he should see things in their truth and reality as well as in their outward shows.
So the prince, not without some fear, prepared to obey; but first he drank his sherbet, and handed over the golden cup to the old man by way of recompense; then he reclined beside the chafing-dish and inhaled the heavy perfume till he became overpowered with sleep, and sank down upon the carpet in a dream.
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Children's LiteratureChapter XXVIII: Section IV: Fairy Stories--Modern Fantastic Tales (4)
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