Chapter XXXIX: Section V: Fables and Symbolic Stories (3)

He then led me to the highest pinnacle of the rock, and placed me on the top of it. Cast thy eyes eastward, said he, and tell me what thou seest. I see, said I, a huge valley and a prodigious tide of water rolling through it. The valley that thou seest, said he, is the vale of misery, and the tide of water that thou seest is part of the great tide of eternity. What is the reason, said I, that the tide I see rises out of a thick mist at one end, and again loses itself in a thick mist at the other? What thou seest, says he, is that portion of eternity which is called time, measured out by the sun, and reaching from the beginning of the world to its consummation. Examine now, said he, this sea that is thus bounded with darkness at both ends, and tell me what thou discoverest in it. I see a bridge, said I, standing in the midst of the tide. The bridge thou seest, said he, is human life; consider it attentively. Upon a more leisurely survey of it, I found that it consisted of threescore and ten entire arches, with several broken arches, which added to those that were entire, made up the number about an hundred. As I was counting the arches the genius told me that the bridge consisted at first of a thousand arches; but that a great flood swept away the rest, and left the bridge in the ruinous condition I now beheld it. But tell me further, said he, what thou discoverest on it. I see multitudes of people passing over it, said I, and a black cloud hanging on each end of it. As I looked more attentively, I saw several of the passengers dropping through the bridge, into the great tide that flowed underneath it; and upon further examination, perceived there were innumerable trap-doors that lay concealed in the bridge which the passengers no sooner trod upon, but they fell through them into the tide and immediately disappeared. These hidden pit-falls were set very thick at the entrance of the bridge, so that the throngs of people no sooner broke through the cloud, but many of them fell into them. They grew thinner towards the middle, but multiplied and lay closer together towards the end of the arches that were entire.

There were indeed some persons, but their number was very small, that continued a kind of hobbling march on the broken arches, but fell through one after another, being quite tired and spent with so long a walk.

I passed some time in the contemplation of this wonderful structure, and the great variety of objects which it presented. My heart was filled with a deep melancholy to see several dropping unexpectedly in the midst of mirth and jollity, and catching at everything that stood by them to save themselves. Some were looking up towards the heavens in a thoughtful posture, and in the midst of a speculation stumbled and fell out of sight. Multitudes were very busy in the pursuit of baubles that glittered in their eyes and danced before them, but often when they thought themselves within the reach of them, their footing failed and down they sank. In this confusion of objects, I observed some with scimetars in their hands, who ran to and fro upon the bridge, thrusting several persons upon trap-doors which did not seem to lie in their way, and which they might have escaped, had they not been thus forced upon them.

The genius seeing me indulge myself in this melancholy prospect, told me I had dwelt long enough upon it: take thine eyes off the bridge, said he, and tell me if thou seest anything thou dost not comprehend. Upon looking up, what mean, said I, those great flights of birds that are perpetually hovering about the bridge, and settling upon it from time to time? I see vultures, harpies, ravens, cormorants, and among many other feathered creatures several little winged boys, that perch in great numbers upon the middle arches. These, said the genius, are envy, avarice, superstition, despair, love, with the like cares and passions that infect human life.

I here fetched a deep sigh; alas, said I, man was made in vain! How is he given away to misery and mortality! tortured in life, and swallowed up in death! The genius, being moved with compassion towards me, bid me quit so uncomfortable a prospect. Look no more, said he, on a man in the first stage of his existence, in his setting out for eternity; but cast thine eye on that thick mist into which the tide bears the several generations of mortals that fall into it. I directed my sight as was ordered, and (whether or no the good genius strengthened it with any supernatural force, or dissipated part of the mist that was before too thick for the eye to penetrate) I saw the valley opening at the farther end, and spreading forth into an immense ocean that had a huge rock of adamant running through the midst of it, and dividing it into two equal parts. The clouds still rested on one-half of it, insomuch that I could discover nothing in it; but the other appeared to me a vast ocean planted with innumerable islands, that were covered with fruits and flowers, and interwoven with a thousand little shining seas that ran among them. I could see persons dressed in glorious habits with garlands upon their heads, passing among the trees, lying down by the sides of the fountains, or resting on beds of flowers; and could hear a confused harmony of singing birds, falling waters, human voices, and musical instruments. Gladness grew in me upon the discovery of so delightful a scene. I wished for the wings of an eagle, that I might fly away to those happy seats; but the genius told me there was no passage to them except through the gates of death that I saw opening every moment upon the bridge. The islands, said he, that lie so fresh and green before thee, and with which the whole face of the ocean appears spotted as far as thou canst see, are more in number than the sands of the sea-shore; there are myriads of islands behind those which thou here discoverest, reaching farther than thy eyes, or even than thine imagination, can extend itself. These are the mansions of good men after death, who, according to the degree and kinds of virtue in which they excelled, are distributed among these several islands, which abound with pleasures of different kinds and degrees, suitable to the relishes and perfections of those who are settled in them; every island is a paradise, accommodated to its respective inhabitants. Are not these, O Mirzah, habitations worth contending for? Does life appear miserable that gives the opportunities of earning such a reward? Is death to be feared that will convey thee to so happy an existence? Think not a man was made in vain who has such an eternity reserved for him. I gazed with inexpressible pleasure on these happy islands. At length, said I, Show me now, I beseech thee, the secrets that lie hid under those dark clouds which cover the ocean on the other side of the rock of adamant. The genius making me no answer, I turned about to address myself to him a second time, but I found that he had left me. I then turned again to the vision which I had been so long contemplating, but, instead of the rolling tide, the arched bridge, and the happy islands, I saw nothing but the long hollow valley of Bagdat, with oxen, sheep, and camels grazing upon the sides of it.

253

"The Discontented Pendulum" was one of
seventy-nine brief prose selections by Jane
Taylor (1783-1824) which appeared first in a
paper for young people and were, after the
author's death, gathered together and published
as _Contributions of Q. Q._ (1826). This one
selection only from that volume still lives, is
reprinted often in school-readers, and by
virtue of its cleverness and point deserves its
happy fate. The author attached to it a "Moral"
almost as long as the story itself, and that
has long since fallen by the wayside. Perhaps
that is because the story is too clear to need
the "Moral." Here are a few sentences from it:
"The _present_ is all we have to manage: the
past is irrecoverable; the future is uncertain;
nor is it fair to burden one moment with the
weight of the next. Sufficient unto the
_moment_ is the trouble thereof. . . . One moment
comes laden with its own _little_ burden, then
flies, and is succeeded by another no heavier
than the last; if _one_ could be sustained, so
can another, and another. . . . Let any one
resolve to do right _now_, leaving _then_ to do
as it can, and if he were to live to the age of
Methuselah, he would never err. . . . Let us then,
'whatever our hands find to do, do it with all
our might, recollecting that _now_ is the
proper and the accepted time.'"

THE DISCONTENTED PENDULUM

JANE TAYLOR

An old clock that had stood for fifty years in a farmer's kitchen without giving its owner any cause of complaint, early one summer's morning, before the family was stirring, suddenly stopped.

Upon this, the dial-plate (if we may credit the fable) changed countenance with alarm: the hands made an ineffectual effort to continue their course; the wheels remained motionless with surprise; the weights hung speechless; each member felt disposed to lay the blame on the others. At length the dial instituted a formal inquiry as to the cause of the stagnation; when hands, wheels, weights, with one voice, protested their innocence. But now a faint tick was heard below, from the pendulum, who thus spoke:

"I confess myself to be the sole cause of the present stoppage; and am willing, for the general satisfaction, to assign my reasons. The truth is that I am tired of ticking." Upon hearing this, the old clock became so enraged that it was on the point of _striking_.

"Lazy wire!" exclaimed the dial-plate, holding up its hands.

"Very good!" replied the pendulum, "it is vastly easy for you, Mistress Dial, who have always, as everybody knows, set yourself up above me--it is vastly easy for you, I say, to accuse other people of laziness! You, who have had nothing to do all the days of your life but to stare people in the face, and to amuse yourself with watching all that goes on in the kitchen! Think, I beseech you, how you would like to be shut up for life in this dark closet, and wag backwards and forwards, year after year, as I do."

"As to that," said the dial, "is there not a window in your house on purpose for you to look through?"

"For all that," resumed the pendulum, "it is very dark here; and although there is a window, I dare not stop, even for an instant, to look out. Besides, I am really weary of my way of life; and if you please, I'll tell you how I took this disgust at my employment. This morning I happened to be calculating how many times I should have to tick in the course only of the next twenty-four hours: perhaps some of you, above there, can give me the exact sum."

The minute hand, being _quick at figures_, instantly replied, "Eighty-six thousand four hundred times."

"Exactly so," replied the pendulum: "well, I appeal to you all, if the thought of this was not enough to fatigue one? And when I began to multiply the stroke of one day by those of months and years, really it is no wonder if I felt discouraged at the prospect; so after a great deal of reasoning and hesitation, thinks I to myself--I'll stop."

The dial could scarcely keep its countenance during this harangue; but, resuming its gravity, thus replied:

"Dear Mr. Pendulum, I am really astonished that such a useful, industrious person as yourself should have been overcome by this sudden suggestion. It is true you have done a great deal of work in your time. So we have all, and are likely to do; and although this may fatigue us to _think_ of, the question is, whether it it will fatigue us to _do_: would you now do me the favor to give about half a dozen strokes to illustrate my argument?"

The pendulum complied, and ticked six times at its usual pace. "Now," resumed the dial, "may I be allowed to inquire if that exertion was at all fatiguing or disagreeable to you?"

"Not in the least," replied the pendulum;--"It is not of six strokes that I complain, nor of sixty, but of _millions_."

"Very good," replied the dial, "but recollect that although you may _think_ of a million strokes in an instant, you are required to _execute_ but one; and that however often you may hereafter have to swing, a moment will always be given you to swing in."

"That consideration staggers me, I confess," said the pendulum.

"Then I hope," resumed the dial-plate, "we shall all immediately return to our duty; for the maids will lie in bed till noon if we stand idling thus."

Upon this, the weights, who had never been accused of _light_ conduct, used all their influence in urging him to proceed; when, as with one consent, the wheels began to turn, the hands began to move, the pendulum began to wag, and, to its credit, ticked as loud as ever; while a beam of the rising sun that streamed through a hole in the kitchen shutter, shining full upon the dial-plate, it brightened up as if nothing had been the matter.

When the farmer came down to breakfast that morning, upon looking at the clock he declared that his watch had gained half an hour in the night.

254

Count Leo Tolstoy (1828-1910) was a Russian
novelist, poet, and social reformer; author,
among other important works, of _War and Peace_
and _Anna Karenina_. He wrote many short
stories and sketches, a number of which are
markedly symbolic in character. The one that
follows is a good illustration of a type of
such tales pleasing to modern minds. We no
longer produce the formal fable or allegory. In
Tolstoy's story are two historical characters
of so pronounced individuality that their names
always suggest definite ideas--Croesus, riches
and worldly greatness; Solon, wisdom and
worldly poverty and lowliness. These ideas are
brought into conflict, and the outcome allows
us to see which is the basic one in Tolstoy's
theory of life. Who is the happy warrior? One
would merely have to quote some words from the
story to have an answer. And if the reader
feels the force of the answer, as Tolstoy
evidently hoped he would, it means a new or at
least a more distinctly held ideal of living.

CROESUS AND SOLON

LEO TOLSTOY

In olden times--long, long before the coming of Christ--there reigned over a certain country a great king called Croesus. He had much gold and silver, and many precious stones, as well as numberless soldiers and slaves. Indeed, he thought that in all the world there could be no happier man than himself.

But one day there chanced to visit the country which Croesus ruled a Greek philosopher named Solon. Far and wide was Solon famed as a wise man and a just; and, inasmuch as his fame had reached Croesus also, the king commanded that he should be conducted to his presence.

Seated upon his throne, and robed in his most gorgeous apparel, Croesus asked of Solon: "Have you ever seen aught more splendid than this?"

"Of a surety have I," replied Solon. "Peacocks, cocks, and pheasants glitter with colors so diverse and so brilliant that no art can compare with them."

Croesus was silent as he thought to himself: "Since this is not enough, I must show him something more, to surprise him."

So he exhibited the whole of his riches before Solon's eyes, as well as boasted of the number of foes he had slain, and the number of territories he had conquered. Then he said to the philosopher:

"You have lived long in the world, and have visited many countries. Tell me whom you consider to be the happiest man living?"

"The happiest man living I consider to be a certain poor man who lives in Athens," replied Solon.

The king was surprised at this answer, for he had made certain that Solon would name him himself; yet, for all that, the philosopher had named a perfectly obscure individual!

"Why do you say that?" asked Croesus.

"Because," replied Solon, "the man of whom I speak has worked hard all his life, has been content with little, has reared fine children, has served his city honorably, and has achieved a noble reputation."

When Croesus heard this he exclaimed:

"And do you reckon my happiness as nothing, and consider that I am not fit to be compared with the man of whom you speak?"

To this Solon replied:

"Often it befalls that a poor man is happier than a rich man. Call no man happy until he is dead."

The king dismissed Solon, for he was not pleased at his words, and had no belief in him.

"A fig for melancholy!" he thought. "While a man lives he should live for pleasure."

So he forgot about Solon entirely.

Not long afterwards the king's son went hunting, but wounded himself by a mischance, and died of the wound. Next, it was told to Croesus that the powerful Emperor Cyrus was coming to make war upon him.

So Croesus went out against Cyrus with a great army, but the enemy proved the stronger, and, having won the battle and shattered Croesus' forces, penetrated to the capital.

Then the foreign soldiers began to pillage all King Croesus' riches, and to slay the inhabitants, and to sack and fire the city. One soldier seized Croesus himself, and was just about to stab him, when the king's son darted forward to defend his father, and cried aloud:

"Do not touch him! That is Croesus, the king!"

So the soldiers bound Croesus, and carried him away to the Emperor; but Cyrus was celebrating his victory at a banquet, and could not speak with the captive, so orders were sent out for Croesus to be executed.

In the middle of the city square the soldiers built a great burning-pile, and upon the top of it they placed King Croesus, bound him to a stake, and set fire to the pile.

Croesus gazed around him, upon his city and upon his palace. Then he remembered the words of the Greek philosopher, and, bursting into tears, could only say:

"Ah, Solon, Solon!"

The soldiers were closing in about the pile when the Emperor Cyrus arrived in person to view the execution. As he did so he caught these words uttered by Croesus, but could not understand them.

So he commanded Croesus to be taken from the pile, and inquired of him what he had just said. Croesus answered:

"I was but naming the name of a wise man--of one who told me a great truth--a truth that is of greater worth than all earthly riches, than all our kingly glory."

And Croesus related to Cyrus his conversation with Solon. The story touched the heart of the Emperor, for he bethought him that he too was but a man, that he too knew not what Fate might have in store for him. So in the end he had mercy upon Croesus, and became his friend.