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Dionysius of Halicarnassus On Literary Compositionof Halicarnassus Dionysius

Dionysius of Halicarnassus On Literary Composition

by OpenStories

Original author: of Halicarnassus Dionysius

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"On Literary Composition" by Dionysius of Halicarnassus is a treatise on rhetoric and the art of speech, likely written in the late 1st century BC. The work serves as a guide, particularly for aspiring orators and writers, detailing essential concepts of word arrangement and eloquence in both prose and poetry. It emphasizes the importance of composition in achieving beauty and effectiveness in language, exploring various techniques through examples from classical literature. The opening of the treatise presents its foundational theme, which is the significance of composition in effective communication. Dionysius introduces his work as a birthday gift for his pupil, Rufus, delineating the differences between the substance of speech and the artistry in its expression. He lays out the structure of his discussion, which will cover the nature of composition, its various forms, and how these affect the overall impact of literary works. Furthermore, the author hints at the intricacies involved in word choice and arrangement, setting the stage for an in-depth examination of the elements that contribute to captivating literary expression.

Dionysius of Halicarnassus On Literary Composition, by of Halicarnassus Dionysius. Republished by OpenStories from Project Gutenberg eBook #50212.

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38 Chapters

  1. 1.Front Matter477 words
  2. 2.Preface2,051 words
  3. 3.Introduction134 words
  4. 4.Introduction: I (1)8,515 words
  5. 5.Introduction: I (2)8,721 words
  6. 6.Introduction: I (3)3,523 words
  7. 7.Chapter I: Occasion and Purpose of the Treatise2,805 words
  8. 8.Chapter II: Composition Defined1,626 words
  9. 9.Chapter III: The Magical Effect of Composition, or Word-Order4,837 words
  10. 10.Chapter IV: To Change Order Is to Destroy Beauty6,260 words
  11. 11.Chapter V: No Grammatical Order Prescribed by Nature2,251 words
  12. 12.Chapter VI: Three Processes in the Art of Composition2,824 words
  13. 13.Chapter VII: Grouping of Clauses925 words
  14. 14.Chapter VIII: Shaping of Clauses972 words
  15. 15.Chapter IX: Lengthening and Shortening of Clauses and Periods1,703 words
  16. 16.Chapter X: Aims and Methods of Good Composition793 words
  17. 17.Chapter XI: General Discussion of the Sources of Charm and Beauty in Composition4,653 words
  18. 18.Chapter XII: How to Render Composition Charming2,740 words
  19. 19.Chapter XIII: How to Render Composition Beautiful201 words
  1. 20.Chapter XIV: The Letters: Their Classification, Qualities, and Mode of Production7,145 words
  2. 21.Chapter XV: Syllables and Their Qualities3,369 words
  3. 22.Chapter XVI: Poetic Skill in the Choice and in the Combination of Words4,099 words
  4. 23.Chapter XVII: On Rhythms, or Feet3,029 words
  5. 24.Chapter XVIII: Effect of Various Rhythms7,671 words
  6. 25.Chapter XIX: On Variety2,667 words
  7. 26.Chapter XX: On Appropriateness4,381 words
  8. 27.Chapter XXI: Three Modes, or Styles, of Composition949 words
  9. 28.Chapter XXII: Austere Composition10,086 words
  10. 29.Chapter XXIII: Smooth Composition5,849 words
  11. 30.Chapter XXIV: Harmoniously-Blended, or Intermediate, Composition1,807 words
  12. 31.Chapter XXV: How Prose Can Resemble Verse8,546 words
  13. 32.Chapter XXVI: How Verse Can Resemble Prose (1)8,212 words
  14. 33.Chapter XXVI: How Verse Can Resemble Prose (2)7,892 words
  15. 34.Chapter XXVI: How Verse Can Resemble Prose (3)7,949 words
  16. 35.Chapter XXVI: How Verse Can Resemble Prose (4)862 words
  17. 36.Appendix: A2,694 words
  18. 37.Appendix: B2,618 words
  19. 38.Appendix: C11,204 words