Chapter IX: Eighteenth-Century Literature (1700-1800) (5)

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_Gibbon_. Texts: Decline and Fall of the Roman Empire, edited by Bury, 7 vols. (London, 1896-1900); various other editions; The Student's Gibbon, abridged (Murray); Memoirs, edited by Emerson, in Athenaeum Press (Ginn and Company). Life: by Morison (English Men of Letters). Criticism: Essays, by Birrell, in Collected Essays and Res Judicatae; by Stephen, in Studies of a Biographer; by Robertson, in Pioneer Humanists; by Frederick Harrison, in Ruskin and Other Literary Estimates; by Bagehot, in Literary Studies; by Sainte-Beuve, in English Portraits. See also Anton's Masters in History.

_Sheridan_. Texts: Speeches, 5 vols. (London, 1816); Plays, edited by W.F. Rae (London, 1902); the same, edited by R. Dircks, in Camelot Series; Major Dramas, in Athenaeum Press; Plays also in Morley's Universal Library, Macmillan's English Classics, etc. Life: by Rae; by M. Oliphant (English Men of Letters); by L. Sanders (Great Writers).

_Gray_. Texts: Works, edited by Gosse (Macmillan); Poems, in Routledge's Pocket Library, Chandos Classics, etc.; Selections, in Athenaeum Press, etc.; Letters, edited by D.C. Tovey (Bohn). Life: by Gosse (English Men of Letters). Criticism: Essays, by Lowell, in Latest Literary Essays; by M. Arnold, in Essays in Criticism; by L. Stephen, in Hours in a Library; by A. Dobson, in Eighteenth Century Vignettes.

_Goldsmith_. Texts: edited by Masson, Globe edition; Works, edited by Aiken and Tuckerman (Crowell); the same, edited by A. Dobson (Dent); Morley's Universal Library; Arber's The Goldsmith Anthology (Frowde). See also Selections for Reading, above. Life: by Washington Irving; by A. Dobson (Great Writer's Series); by Black (English Men of Letters); by J. Forster; by Prior. Criticism: Essays, by Macaulay; by Thackeray; by De Quincey; by A. Dobson, in Miscellanies.

_Cowper_. Texts: Works, Globe and Aldine editions; also in Chandos Classics; Selections, in Athenasum Press, Canterbury Poets, etc. The Correspondence of William Cowper, edited by T. Wright, 4 vols. (Dodd, Mead & Company). Life: by Goldwin Smith (English Men of Letters); by Wright; by Southey. Criticism: Essays, by L. Stephen; by Bagehot; by Sainte-Beuve; by Birrell; by Stopford Brooke; by A. Dobson (see above). See also Woodberry's Makers of Literature.

_Burns_. Texts: Works, Cambridge Poets Edition (containing Henley's Study of Burns), Globe and Aldine editions, Clarendon Press, Canterbury Poets, etc.; Selections, in Athenaeum Press, etc.; Letters, in Camelot Series. Life: by Cunningham; by Henley; by Setoun; by Blackie (Great Writers); by Shairp (English Men of Letters). Criticism: Essays, by Carlyle; by R.L. Stevenson, in Familiar Studies; by Hazlitt, in Lectures on the English Poets; by Stopford Brooke, in Theology in the English Poets; by J. Forster, in Great Teachers.

_Blake_. Texts: Poems, Aldine edition; also in Canterbury Poets; Complete Works, edited by Ellis and Yeats (London, 1893); Selections, edited by W.B. Yeats, in the Muses' Library (Dutton); Letters, with Life by F. Tatham, edited by A.G.B. Russell (Scribner's, 1896). Life: by Gilchrist; by Story; by Symons. Criticism: Swinburne's William Blake, a Critical Study; Ellis's The Real Blake (McClure, 1907); Elizabeth Cary's The Art of William Blake (Moffat, Yard & Company, 1907). Essay, by A.C. Benson, in Essays.

_Thomson_. Texts: Works, Aldine edition; The Seasons, and Castle of Indolence, in Clarendon Press, etc. Life: by Bayne; by G.B. Macaulay (English Men of Letters). Essay, by Hazlitt, in Lectures on the English Poets.

_Collins_. Works, edited by Bronson, in Athenaeum Press; also in Aldine edition. Life: by Johnson, in Lives of the Poets. Essay, by Swinburne, in Miscellanies. See also Beers's English Romanticism in the Eighteenth Century.

_Crabbe_. Works, with memoir by his son, G. Crabbe, 8 vols. (London, 1834-1835); Poems, edited by A.W. Ward, 3 vols., in Cambridge English Classics (Cambridge, 1905); Selections, in Temple Classics, Canterbury Poets, etc. Life: by Kebbel (Great Writers); by Ainger (English Men of Letters). Essays, by L. Stephen, in Hours in a Library; by Woodberry, in Makers of Literature; by Saintsbury, in Essays in English Literature; by Courthope, in Ward's English Poets; by Edward Fitzgerald, in Miscellanies; by Hazlitt, in Spirit of the Age.

_Macpherson_. Texts: Ossian, in Canterbury Poets; Poems, translated by Macpherson, edited by Todd (London, 1888). Life and Letters, edited by Saunders (London, 1894). Criticism: J.S. Smart's James Macpherson (Nutt, 1905). See also Beers's English Romanticism. For relation of Macpherson's work to the original Ossian, see Dean of Lismore's Book, edited by MacLauchlan (Edinburgh, 1862); also Poems of Ossian, translated by Clerk (Edinburgh, 1870).

_Chatterton_. Works, edited by Skeat (London, 1875); Poems, in Canterbury Poets. Life: by Russell; by Wilson; Masson's Chatterton, a Biography. Criticism: C.E. Russell's Thomas Chatterton (Moffatt, Yard & Company); Essays, by Watts-Dunton, in Ward's English Poets; by Masson, in Essays Biographical and Critical. See also Beers's English Romanticism.

_Percy_. Reliques, edited by Wheatley (London, 1891); the same, in Everyman's Library, Chandos Classics, etc. Essay, by J.W. Hales, Revival of Ballad Poetry, in Folia Literaria. See also Beers's English Romanticism, etc. (Special works, above.)

_Defoe_. Texts: Romances and Narratives, edited by Aitken (Dent); Poems and Pamphlets, in Arber's English Garner, vol. 8; school editions of Robinson Crusoe, and Journal of the Plague Year (Ginn and Company, etc.); Captain Singleton, and Memoirs of a Cavalier, in Everyman's Library; Early Writings, in Carisbrooke Library (Routledge). Life: by W. Lee; by Minto (English Men of Letters); by Wright; also in Westminster Biographies (Small, Maynard). Essay, by L. Stephen, in Hours in a Library.

_Richardson_. Works: edited by L. Stephen (London, 1883); edited by Philips, with life (New York, 1901); Correspondence, edited by A. Barbauld, 6 vols. (London, 1804). Life: by Thomson; by A. Dobson. Essays, by L. Stephen, in Hours in a Library; by A. Dobson, in Eighteenth Century Vignettes.

_Fielding_. Works: Temple Edition, edited by Saintsbury (Dent); Selected Essays, in Athenaeum Press; Journal of a Voyage to Lisbon, in Cassell's National Library. Life: by Dobson (English Men of Letters); Lawrence's Life and Times of Fielding. Essays, by Lowell; by Thackeray; by L. Stephen; by A. Dobson (see above); by G.B. Smith, in Poets and Novelists.

_Smollett_. Works, edited by Saintsbury (London, 1895); Works, edited by Henley (Scribner). Life: by Hannah (Great Writers); by Smeaton; by Chambers. Essays, by Thackeray; by Henley; by Dobson, in Eighteenth Century Vignettes.

_Sterne_. Works: edited by Saintsbury (Dent); Tristram Shandy, and A Sentimental Journey, in Temple Classics, Morley's Universal Library, etc. Life: by Fitzgerald; by Traill (English Men of Letters); Life and Times, by W.L. Cross (Macmillan). Essays, by Thackeray; by Bagehot, in Literary Studies.

_Horace Walpole_. Texts: Castle of Otranto, in King's Classics, Cassell's National Library, etc. Letters, edited by C.D. Yonge. Morley's Walpole, in Twelve English Statesmen (Macmillan). Essay, by L. Stephen, in Hours in a Library. See also Beers's English Romanticism.

_Frances Burney_ (Madame d'Arblay). Texts: Evelina, in Temple Classics, 2 vols. (Macmillan). Diary and Letters, edited by S.C. Woolsey. Seeley's Fanny Burney and her Friends. Essay, by Macaulay.

SUGGESTIVE QUESTIONS. 1. Describe briefly the social development of the eighteenth century. What effect did this have on literature? What accounts for the prevalence of prose? What influence did the first newspapers exert on life and literature? How do the readers of this age compare with those of the Age of Elizabeth?

2. How do you explain the fact that satire was largely used in both prose and poetry? Name the principal satires of the age. What is the chief object of satire? of literature? How do the two objects conflict?

3. What is the meaning of the term "classicism," as applied to the literature of this age? Did the classicism of Johnson, for instance, have any relation to classic literature in its true sense? Why is this period called the Augustan Age? Why was Shakespeare not regarded by this age as a classical writer?

4. _Pope_. In what respect is Pope a unique writer? Tell briefly the story of his life. What are his principal works? How does he reflect the critical spirit of his age? What are the chief characteristics of his poetry? What do you find to copy in his style? What is lacking in his poetry? Compare his subjects with those of Burns of Tennyson or Milton, for instance. How would Chaucer or Burns tell the story of the Rape of the Lock? What similarity do you find between Pope's poetry and Addison's prose?

5. _Swift_. What is the general character of Swift's work? Name his chief satires. What is there to copy in his style? Does he ever strive for ornament or effect in writing? Compare Swift's _Gulliver's Travels_ with Defoe's _Robinson Crusoe_, in style, purpose of writing, and interest. What resemblances do you find in these two contemporary writers? Can you explain the continued popularity of _Gulliver's Travels_?

6. _Addison and Steele_. What great work did Addison and Steele do for literature? Make a brief comparison between these two men, having in mind their purpose, humor, knowledge of life, and human sympathy, as shown, for instance, in No. 112 and No. 2 of the Spectator Essays. Compare their humor with that of Swift. How is their work a preparation for the novel?

7. _Johnson_. For what is Dr. Johnson famous in literature? Can you explain his great influence? Compare his style with that of Swift or Defoe. What are the remarkable elements in Boswell's _Life of Johnson_? Write a description of an imaginary meeting of Johnson, Goldsmith, and Boswell in a coffeehouse.

8. _Burke_. For what is Burke remarkable? What great objects influenced him in the three periods of his life? Why has he been called a romantic poet who speaks in prose? Compare his use of imagery with that of other writers of the period. What is there to copy and what is there to avoid in his style? Can you trace the influence of Burke's American speeches on later English politics? What similarities do you find between Burke and Milton, as revealed in their prose works?

9. _Gibbon_. For what is Gibbon "worthy to be remembered"? Why does he mark an epoch in historical writing? What is meant by the scientific method of writing history? Compare Gibbon's style with that of Johnson. Contrast it with that of Swift, and also with that of some modern historian, Parkman, for example.

10. What is meant by the term "romanticism?" What are its chief characteristics? How does it differ from classicism? Illustrate the meaning from the work of Gray, Cowper, or Burns. Can you explain the prevalence of melancholy in romanticism?

11. _Gray_. What are the chief works of Gray? Can you explain the continued popularity of his "Elegy"? What romantic elements are found in his poetry? What resemblances and what differences do you find in the works of Gray and of Goldsmith?

12. _Goldsmith_. Tell the story of Goldsmith's life. What are his chief works? Show from _The Deserted Village_ the romantic and the so-called classic elements in his work. What great work did he do for the early novel, in _The Vicar of Wakefield_? Can you explain the popularity of _She Stoops to Conquer_? Name some of Goldsmith's characters who have found a permanent place in our literature. What personal reminiscences have you noted in _The Traveller_, _The Deserted Village_, and _She Stoops to Conquer_?

13. _Cowper_. Describe Cowper's _The Task_. How does it show the romantic spirit? Give passages from "John Gilpin" to illustrate Cowper's humor.

14. _Burns_. Tell the story of Burns's life. Some one has said, "The measure of a man's sin is the difference between what he is and what he might be." Comment upon this, with reference to Burns. What is the general character of his poetry? Why is he called the poet of common men? What subjects does he choose for his poetry? Compare him, in this respect, with Pope. What elements in the poet's character are revealed in such poems as "To a Mouse" and "To a Mountain Daisy"? How do Burns and Gray regard nature? What poems show his sympathy with the French Revolution, and with democracy? Read "The Cotter's Saturday Night," and explain its enduring interest. Can you explain the secret of Burns's great popularity?

15. _Blake_. What are the characteristics of Blake's poetry? Can you explain why Blake, though the greatest poetic genius of the age, is so little appreciated?

16. _Percy_. In what respect did Percy's _Reliques_ influence the romantic movement? What are the defects in his collection of ballads? Can you explain why such a crude poem as "Chevy Chase" should be popular with an age that delighted in Pope's "Essay on Man"?

17. _Macpherson_. What is meant by Macpherson's "Ossian"? Can you account for the remarkable success of the Ossianic forgeries?

18. _Chatterton_. Tell the story of Chatterton and the Rowley Poems. Read Chatterton's "Bristowe Tragedie," and compare it, in style and interest, with the old ballads, like "The Battle of Otterburn" or "The Hunting of the Cheviot" (all in Manly's _English Poetry_).

19. _The First Novelists_. What is meant by the modern novel? How does it differ from the early romance and from the adventure story? What are some of the precursors of the novel? What was the purpose of stories modeled after _Don Quixote_? What is the significance of _Pamela_? What elements did Fielding add to the novel? What good work did Goldsmith's _Vicar of Wakefield_ accomplish? Compare Goldsmith, in this respect, with Steele and Addison.

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