Chapter I: Appendix

A. EARLY DRAWING BY HOLBEIN IN THE 323
MAXIMILIANS MUSEUM, AUGSBURG (Vol. i.
p. 43)

B. DESIGNS FOR PAINTED GLASS OF THE LUCERNE 323
PERIOD (Vol. i. p. 79)

C. EARLY DRAWINGS FOR WALL-PAINTINGS (Vol. 326
i. p. 101)

D. GLASS DESIGNS WITH THE COATS OF ARMS OF 326
THE VON ANDLAU AND VON HEWEN FAMILIES
(Vol. i. p. 145)

THE GLASS DESIGNS OF “THE PASSION OF 327
CHRIST” (Vol. i. p. 156)

E. THE FAESCH MUSEUM (Vol. i. pp. 88, 328
166-8, 180, and 239-41)

F. HANS HOLBEIN AND DR. JOHANN FABRI (Vol. 330
i. p. 175)

G. THE TRADE-MARK OF REINHOLD WOLFE (Vol. 332
i. p. 202)

H. NICOLAS BELLIN OF MODENA (Vol. i. pp. 333
282-4)

I. THE MORE FAMILY GROUP (Vol. i. pp. 334
291-302)

THE PORTRAIT OF SIR THOMAS MORE (Vol. i. 340
pp. 303-4)

J. HOLBEIN’S RETURN TO ENGLAND IN 1532 340
(Vol. i. p. 352)

K. LORD ARUNDEL AND REMBRANDT AS COLLECTORS 341
OF HOLBEIN’S PICTURES (Vol. ii. p. 66)

THE PORTRAITS OF SIR NICHOLAS POYNTZ 342
(Vol. ii. p. 71-72)

L. HOLBEIN’S VISIT TO JOINVILLE AND NANCY 343
IN 1538 (Vol. ii. pp. 148-149)

M. HOLBEIN’S STUDIO IN WHITEHALL (Vol. ii. 344
p. 185)

THE BARBER-SURGEONS’ PICTURE (Vol. ii. 346
p. 294)

SUMMARY LIST OF HOLBEIN’S CHIEF PICTURES AND 347
PORTRAITS

PICTURES BY AND ATTRIBUTED TO HOLBEIN, AND OF 359
HIS SCHOOL AND PERIOD, EXHIBITED AT VARIOUS
EXHIBITIONS BETWEEN 1846 AND 1912

I. THE BRITISH INSTITUTION, 1846 359

II. ART TREASURES OF THE UNITED KINGDOM 360
COLLECTED AT MANCHESTER IN 1857

III. SPECIAL EXHIBITION OF WORKS OF ART, 361
SOUTH KENSINGTON MUSEUM, JUNE, 1862

IV. SPECIAL EXHIBITION OF PORTRAIT 362
MINIATURES ON LOAN AT THE SOUTH
KENSINGTON MUSEUM, JUNE, 1865

V. FIRST SPECIAL EXHIBITION OF NATIONAL 363
PORTRAITS ENDING WITH THE REIGN OF
KING JAMES THE SECOND ON LOAN TO THE
SOUTH KENSINGTON MUSEUM, 1866

VI. THIRD AND CONCLUDING EXHIBITION OF 367
NATIONAL PORTRAITS ON LOAN TO THE
SOUTH KENSINGTON MUSEUM, APRIL, 1868

VII. ROYAL ACADEMY OF ARTS, WINTER 368
EXHIBITIONS OF WORKS BY THE OLD
MASTERS, 1870-1912

VIII. GROSVENOR GALLERY, WINTER EXHIBITION OF 374
DRAWINGS BY THE OLD MASTERS, 1878-79

IX. EXHIBITION OF THE ROYAL HOUSE OF TUDOR. 374
NEW GALLERY, 1890

X. EXHIBITION OF THE ROYAL HOUSE OF TUDOR. 381
CORPORATION OF MANCHESTER ART GALLERY,
1897

XI. NEW GALLERY, WINTER EXHIBITION, 1901-2. 382
MONARCHS OF GREAT BRITAIN AND IRELAND

XII. LOAN COLLECTION OF PORTRAITS OF ENGLISH 383
HISTORICAL PERSONAGES WHO DIED PRIOR
TO THE YEAR 1625. OXFORD, 1904

XIII. EXHIBITION ILLUSTRATIVE OF EARLY ENGLISH 384
PORTRAITURE. BURLINGTON FINE ARTS
CLUB, 1909

XIV. PICTURES BY OR ATTRIBUTED TO HOLBEIN, 386
DESCRIBED BY DR. WAAGEN IN HIS
“TREASURES OF ART IN GREAT BRITAIN,”
1854

A SHORT BIBLIOGRAPHY 390

INDEX 401

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ILLUSTRATIONS

KING HENRY VIII _Frontispiece_
Reproduced in colour, by kind
permission of Earl Spencer, G.C.V.O.
_Althorp._

1. GEORG GISZE (1532) 4
Reproduced in colour.
_Kaiser Friedrich Museum, Berlin._

2. HANS OF ANTWERP (1532) 8
Reproduced by gracious permission of
H.M. the King.
_Windsor Castle._

3. HERMANN HILLEBRANDT WEDIG (1533) 17
Reproduced in colour.
_Kaiser Friedrich Museum, Berlin._

4. (1) DERICH BORN (1533) 18
Reproduced by gracious permission of
H.M. the King.
_Windsor Castle._

(2) DERICH TYBIS (1533) 18
_Imperial Gallery, Vienna._

5. DERICH BERCK (1536) 22
Reproduced by kind permission of Lord
Leconfield. _Petworth, Sussex._

6. THE TRIUMPH OF RICHES 26
Design for the wall-decoration in the
Guildhall of the London Steelyard
Merchants. Pen-and-wash drawing
heightened with white
_Louvre, Paris._

7. THE TRIUMPH OF POVERTY 27
Seventeenth-century copy, by Jan de
Bisschop, of the wall-decoration in
the Guildhall of the London Steelyard
Merchants.
_British Museum._

8. APOLLO AND THE MUSES 31
Design for the decoration of the
Steelyard on the occasion of the
coronation of Anne Boleyn.
Pen-and-wash drawing touched with
green.
_Royal Print Room, Berlin._

9. THE TWO AMBASSADORS: JEAN DE DINTEVILLE 36
AND GEORGE DESELVE (1533)
Reproduced in colour.
_National Gallery, London._

10. PORTRAIT OF A MUSICIAN 52
Reproduced by kind permission of Sir
John Ramsden, Bt.
_Bulstrode Park, Bucks._

11. ROBERT CHESEMAN (1533) 54
Reproduced in colour.
_Royal Picture Gallery, Mauritshuis,
The Hague._

12. CHARLES DE SOLIER, SIEUR DE MORETTE 63
_Royal Picture Gallery, Dresden._

13. TITLE-PAGE OF COVERDALE’S BIBLE (1535) 76
Woodcut.
_From a copy in the British Museum._

14. SIR THOMAS WYAT 79
Drawing in black and coloured chalks.
Reproduced by gracious permission of
H.M. the King.
_Windsor Castle._

15. PORTRAIT OF A LADY, PROBABLY MARGARET 82
WYAT, LADY LEE
Until recently in the collection of
Major Charles Palmer, by whose kind
permission it is reproduced.
_Mr. Benjamin Altman’s Collection, New
York._

16. SIR RICHARD SOUTHWELL (1536) 84
Reproduced in colour.
_Uffizi Gallery, Florence._

17. SIR NICHOLAS CAREW 87
Drawing in black and coloured chalks.
Reproduced in colour.
_Public Picture Collection, Basel._

18. HENRY VII AND HENRY VIII 97
Cartoon for the Whitehall
wall-painting. Reproduced by kind
permission of the Duke of Devonshire,
G.C.V.O.
_Chatsworth, formerly at Hardwick
Hall._

19. HENRY VIII 102
_National Gallery, Rome._

20. QUEEN JANE SEYMOUR 111
Reproduced in colour.
_Imperial Gallery, Vienna._

21. THE DUCHESS OF MILAN (1538) 128
Reproduced in colour.
_National Gallery, London._

22. EDWARD VI WHEN PRINCE OF WALES (1538-9) 165
Reproduced by kind permission of the
Earl of Yarborough.
_Earl of Yarborough’s Collection._

23. EDWARD VI, WHEN PRINCE OF WALES 167
Drawing in black and coloured chalks.
Reproduced by gracious permission of
H.M. the King.
_Windsor Castle._

24. QUEEN ANNE OF CLEVES (1539) 181
Reproduced in colour.
_Louvre, Paris._

25. THOMAS HOWARD, DUKE OF NORFOLK 197
Reproduced in colour, by gracious
permission of H.M. the King.
_Windsor Castle._

26. HENRY HOWARD, EARL OF SURREY 200
Drawing in black and coloured chalks.
Reproduced by gracious permission of
H.M. the King.
_Windsor Castle._

27. PORTRAIT OF AN UNKNOWN YOUNG MAN (1541) 202
Reproduced in colour.
_Imperial Gallery, Vienna._

28. PORTRAIT OF AN UNKNOWN YOUNG MAN WITH A 203
FALCON (1542)
Reproduced in colour.
_Royal Picture Gallery, Mauritshuis,
The Hague._

29. (1) PORTRAIT OF AN UNKNOWN ELDERLY MAN 205
_Kaiser Friedrich Museum, Berlin._

(2) PORTRAIT OF AN UNKNOWN ENGLISH LADY 205
_Imperial Gallery, Vienna._

30. DR. JOHN CHAMBER 208
_Imperial Gallery, Vienna._

31. MINIATURES 222
(1) HENRY BRANDON.
(2) CHARLES BRANDON.
(3) LADY AUDLEY.
(4) QUEEN CATHERINE HOWARD.
Reproduced by gracious permission of
H.M. the King.
_Windsor Castle._

(5) PORTRAIT OF AN UNKNOWN YOUTH.
Reproduced by gracious permission of
H.M. the Queen of Holland.
_Royal Palace, The Hague._

(6) THOMAS CROMWELL, EARL OF ESSEX.
Reproduced by kind permission of the
late Mr. J. Pierpont Morgan.
_New York._

32. STUDY FOR THE PORTRAIT OF A FAMILY GROUP 226
Indian-ink wash drawing with brush
outline.
_British Museum._

33. MINIATURES 228
(1) MRS. ROBERT PEMBERTON.
Reproduced by kind permission of the
late Mr. J. Pierpont Morgan.
_New York._

(2) HANS HOLBEIN: SELF-PORTRAIT.
_Wallace Collection._

34. (1) UNKNOWN ENGLISHMAN. (2) WILLIAM (1)
PARR, MARQUIS OF NORTHAMPTON 256
Drawings in black and coloured chalks. (2)
Reproduced by gracious permission of 256
H.M. the King.
_Windsor Castle._

35. THOMAS, LORD VAUX 257
Drawing in black and coloured chalks.
Reproduced by gracious permission of
H.M. the King.
_Windsor Castle._

36. (1) UNKNOWN MAN, SAID TO BE JEAN DE (1)
DINTEVILLE (2) MARY ZOUCH 257
Drawings in black and coloured chalks. (2)
Reproduced by gracious permission of 257
H.M. the King.
_Windsor Castle._

37. (1) LADY AUDLEY. (2) LADY MEUTAS (1)
Drawings in black and coloured chalks. 257
Reproduced by gracious permission of (2)
H.M. the King. 257
_Windsor Castle._

38. “THE LADY HENEGHAM”: POSSIBLY MARGARET 258
ROPER
Drawing in black and coloured chalks.
Reproduced by gracious permission of
H.M. the King.
_Windsor Castle._

39. PORTRAIT OF AN UNKNOWN YOUNG MAN 259
Drawing in black and coloured chalks.
Reproduced in colour.
_Public Picture Collection, Basel._

40. THE QUEEN OF SHEBA’S VISIT TO KING 262
SOLOMON
Silver-point drawing washed with
colour.
Reproduced by gracious permission of
H.M. the King.
_Windsor Castle._

41. QUEEN JANE SEYMOUR’S CUP 274
Pen-and-ink drawing.
_British Museum._

42. HANS OF ANTWERP’S CUP 275
Pen-and-wash drawing.
_Public Picture Collection, Basel._

43. SIR ANTHONY DENNY’S CLOCK 276
Indian-ink wash and pen drawing.
_British Museum._

44. DESIGN FOR A DAGGER HILT AND SHEATH 277
Pen-and-ink and Indian-ink wash
drawing.
_British Museum._

45. (1) DAGGER SHEATH WITH FOLIATED ORNAMENT 278
(DATED 1529). (2) UPRIGHT BAND OF
ORNAMENT: PIPER AND BEARS. (3) DAGGER
SHEATH WITH THE “JUDGMENT OF PARIS”
_Public Picture Collection, Basel._

46. (1) DAGGER SHEATH WITH A DANCE OF DEATH. 278
(2) DAGGER SHEATH WITH A ROMAN
TRIUMPH. (3) DAGGER SHEATH WITH
“JOSHUA’S PASSAGE OF THE JORDAN”
_Public Picture Collection, Basel._

47. FIVE DESIGNS FOR DAGGER HILTS 278
_British Museum._

48. EIGHT DESIGNS FOR PENDANTS AND ORNAMENTS 279
_British Museum._

49. NINE DESIGNS FOR PENDANTS 279
_British Museum._

50. NINE DESIGNS FOR MEDALLIONS OR ENSEIGNES 280
_British Museum._

51. (1) BAND OF ORNAMENT: CHILDREN AT PLAY. 282
(2) BAND OF ORNAMENT: CHILDREN AND
DOGS HUNTING A HARE
_Public Picture Collection, Basel._

(3) DESIGN FOR A COLLAR, WITH NYMPHS AND 282
SATYRS. (4) DESIGN FOR A CHAIN. (5)
DESIGN FOR A BRACELET OR COLLAR WITH
DIAMONDS AND PEARLS.
_British Museum._

52. DESIGNS FOR ARABESQUE ENAMEL ORNAMENTS 282
_British Museum._

53. DESIGNS FOR MEDALLIONS, &c. 285
(1) HAGAR AND ISHMAEL.
(2) THE LAST JUDGMENT.
(3) ICARUS.
(4) DIANA AND ACTÆON.
(5) CUPID AND BEES.
(6) “I AWAIT THE HOUR.”
(7) THE RAPE OF HELEN.
Reproduced by kind permission of the
Duke of Devonshire.
_Chatsworth._

54. HENRY VIII GRANTING A CHARTER TO THE 288
BARBER-SURGEONS’ COMPANY
Reproduced by kind permission of the
Barber-Surgeons’ Company.
_Barber-Surgeons’ Hall, London._

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Hans Holbein the Younger