Chapter XX: Appendix (2)

“Madame Rouvray a este ycy quelque tans pour meyder a pourvoir
aus affaire de vous et de vostre filz ou fesons le myeux que
povons Depuis que vous ay escrit par vostre argentier franceis
ny a ryens change fors la mort du bailly de Dunoys Son filz a eu
sa place du grant conseil et pourchast fort pour avoir le dit
baillyage Mons. vostre pere men a escrit affin je lavertyse
comme il en pouret faire Mon avys a este en escrire au presydent
a Chateaudum affin quil luy manda son avys et sy le dit filz
estet capable pour lestre ou syl en connest aultre pleus propre
Je luy ay mende ansy que je ne connests le dit filz mais que
javes fort oŭy louer lavocat de Chateaudum savent et de bon
conseil et quyl conet pourpos Je _retires_ (?) ailleurs qui
seret gros daumage pour la meson et que se pouret arestet par
sete offyce de bailly penses seret le proufit du lieu et des
juges veu quy ly est resydent et le filz du trespase nen et que
laustre partission que lon recommendet pour mestre au servyce de
la meson que lon dit ausy homme de bien et de savoir et
demeurant a Chateaudum fut avocat set ung pour quy le presydent
vous parllet mais jen ay houblie le non Je ne ses encore quyl en
ara este feit ledit Rouvray sen retourne paser par Paris quy
sara se quy ara este feit et vous escrira de tout bien au long
Sy croie il ne vous sara dire chose quy vous soit plus agreable
que la sente de nostre petit filz quy est ausy bonne que ly
foystes onques touiours bien rongneus mais il nen leyse a bien
dormyr combien que quelquefois il vouldret estre grate mais
cella se pase legerement et sy menge fort bien lon le mayne
souvent a lesbat quy me senble ly fait grant bien Je le vous
souhete souvent il me senble le trouvariez creu et devenu gros
quant au reste de nostre menage vostre seur y est touiours
mallade de sa fievre et a este sete semayne pasee bien mal dung
fleux de ventre quy la fort afeyblie il y a bien huit jours puis
elle bouge pleus du lyst depuis hier le dit flux se comense a
paser de la fievre je ny seu pas grant amendement combien les
mesdesins soyet davys elle sabregera pour se fleux vostre frere
Claude a este ausy mallade jusques a la mort dung fleux de sanc
avesques la fievre continue dont il lest renchent par deus fois
et estant en chemyn pour revenyr ycy ou Mons. son pere le
renvoyet a cuyde demeurer pres daultun ou il est encore Je luy
ay envoye ma litiere pour lamener lon ma mande il est en tout
hors de denger et prest a senvenyr Vostre seur Anthoinette est
ausy mallade dune fievre et dung rume sy croie elle se portera
bien les aultres se portet bien Je vous avyse que madame vostre
tante est mandee pour aller a la court a la venue de la royne de
Hongrie quy doit bientost estre a Compiegne ou le roy et toute
la court doit estre en pen de jours de moy jen seus _escupee_
pour lamour de mes mallades _il ny a que deus jours que le
gentilhomme du roy dengletere quy fut au Havre et le paintre ont
este ycy le gentilhomme vynt vers moy fesent senblant venyr de
devers lenpereur et que ayent seu Louisse mallade navet voullu
paser sens lavoir affin en savoir dire des nouvelles au roy son
mestre me priant il la puisse voir se quy fit et estet le jour
de sa fievre il luy tint pareil pourpos qua moy puys ma dit
questant sy pres de Lorrayne avet envye daller jusques a Nency
voir le paiys Je me doute incontynent il y allet voir la
demoyselle pour la tirer comme les aultres et pour se envoye a
leur logis voir quy y estet et trouve le dit paintre y estet et
de fait ont este a Nency et y ont seiourne ung jour et ont este
fort festus et venet tous les repas le mestre dostel menger
avesques luy avesque force presans et bien trestes Volla se que
jen ay encore seu au pis alle sy navyes pour voysine vostre seur
se pouret estre vostre cousine_ il se tient quelque pourpos
lenpereur offre reconpence pour la duche de Gueldres et que se
fesant se pouret faire quelque mariage de la fille de Hongrie et
de Mons. le marquys Mons. vostre pere entent bien se fesant
avoir sa part en la dite recompence Je vouldreis il en fusset
bien recompenses voila tout se que jay seu de nouveau depuis
vous escryvys Je vous mes tant de lettres a laventure que croy
quelcune vous en pouront venyr Je baille seus ycy a Rouvray pour
les bailler au bausquyer de Paris affin les vous faire tenyr Je
me doute que ne feres sy bonne diligence den mestre par pays que
moy car je ses bien que tenes de Mons. vostre pere et questes
pareseuse a escrire sy lair descosse ne vous a change Je nay
encore eu que vos premyeres lettres il me tarde bien savoir
comme depuis vous seres portee Il me sera grant joye pover oŭyr
se set touiours bien Nostre Seigneur le veuille, et vous doint
Madame longue et bonne vie (set) se premyer de Sebtenbre de

vostre humble et bonne mere

ANTHOINETTE DE BOURBON

(M) HOLBEIN’S STUDIO IN WHITEHALL. (Vol. ii. p. 185)

[Sidenote: HOLBEIN IN WHITEHALL]

It was probably in Holbein’s painting-room in Whitehall that the incident occurred which set going the story told by Van Mander—a story for which, no doubt, there was some foundation in truth—of Holbein’s violence towards a nobleman who insisted upon forcing his way into the studio when the artist was engaged upon the portrait of a lady, and who was, in consequence, thrown downstairs by the infuriated painter. This story Walpole tells as follows:

The writers of his life relate a story, which Vermander, his
first biographer, affirms came from Dr. Isely of Basil and from
Amerbach.... The story is, that one day as Holbein was privately
drawing some lady’s picture for the king, a great lord forced
himself into the chamber. Holbein threw him downstairs; the peer
cried out; Holbein bolted himself in, escaped over the top of
the house, and running directly to the king, fell on his knees,
and besought his Majesty to pardon him, without declaring the
offence. The king promised to forgive him if he would tell the
truth; but soon began to repent, saying he should not easily
overlook such insults, and bade him wait in the apartment till
he had learned more of the matter. Immediately arrived the lord
with his complaint, but sinking the provocation. At first the
monarch heard the story with temper, but broke out, reproaching
the nobleman with his want of truth, and adding, ‘You have not
to do with Holbein, but with me; I tell you, of seven peasants I
can make as many lords, but not one Holbein—begone, and
remember, that if ever you pretend to revenge yourself, I shall
look on any injury offered to the painter as done to myself.’
Henry’s behaviour is certainly the most probable part of the
story.” (See Walpole, _Anecdotes_, &c., ed. Wornum, vol. i. pp.
71-2.)

Wornum gives a more elaborate account of the adventure (_Holbein_, pp. 319-20), and it is also introduced by Richard Lovelace into his poem called “Peinture: a Panegyrick to the Best Picture of Friendship, Mr. Pet. Lilly” (Sir Peter Lely), included in _Lucasta_, first published in 1649. The lines are as follows:

“When to our huffling Henry there complain’d
A grieved earl, that thought his honor stain’d:
Away (frown’d he), for your own safeties hast!
In one cheap hour ten coronets I’l cast:
But Holbeen’s noble and prodigious worth
Onely the pangs of an whole age brings forth.
Henry! a word so princely saving said,
It might new raise the ruins thou hast made.”
(See _Lucasta_, ed. W. Carew Hazlitt, 1864, pp. 225-6.)

Another seventeenth-century poet who makes reference to Holbein—in this instance it is the Dance of Death which is in question—is Matthew Prior, who, in his _Ode to the Memory of George Villiers_, says:

“Our term of life depends not on our deed,
Before our birth our funeral was decreed;
Nor aw’d by foresight, nor misled by chance,
Imperious Death directs the ebon lance,
Peoples great Henry’s tombs, and leads up Holbein’s Dance.”

[Sidenote: BARBER-SURGEONS’ PICTURE]

It has been suggested that Holbein’s painting-room at Whitehall was over the so-called Holbein Gate. Numerous engravings of this gate were made in the seventeenth and eighteenth centuries, and reproductions of several of these will be found in _Whitehall: Historical and Architectural Notes_ (Portfolio Monograph), by W. J. Loftie, F.S.A., 1895, and in _The Old Royal Palace of Whitehall_, by Dr. Edgar Sheppard, 1901. Mr. Loftie reproduces an engraving of Whitehall showing the Gate after a drawing by Hollar in the Pepysian Library, Cambridge; the “Banqueting Hall, Holbein’s Gate, and Treasury,” from the engraving by J. Silvestre, 1640; “Whitehall in 1724,” from the engraving by J. Kip; “Holbein’s Gate,” from an engraving by G. Vertue, 1725; and “Whitehall, from King Street,” from an engraving by R. Godfrey, 1775, after a drawing by T. Sandby, R.A. Dr. Sheppard reproduces the engraving after Hollar, and the Kip and Vertue engravings, and also “Whitehall,” from a picture by Canaletto in the possession of the Duke of Buccleuch; and “A View of Whitehall with the Holbein Gateway,” from a drawing by Paul Sandby in the possession of Mr. E. Gardner.

THE BARBER-SURGEONS’ PICTURE. (Vol. ii. p. 294)

A further proof of the high value placed upon this picture by the Company in earlier days is to be found in John Strype’s additions to John Stow’s _Survey of the Cities of London and Westminster_, in the folio edition published in 1720. He says (Book iii. p. 128), in speaking of “Barber-Chirurgeons’ Hall”:—“In this Hall also is a large and very curious Piece of K. Henry VIII reaching the Chirurgeons their Charter; with many other Persons of the said Company delineated. It is said to be done by _Hans Holben_; and some say, as many Broad Pieces have been offered for the purchase of it as would cover it.”

------------------------------------------------------------------------

SUMMARY LIST OF HOLBEIN’S CHIEF PICTURES AND PORTRAITS

(_Alphabetically arranged under the various countries_)

The following list of Holbein’s pictures and portraits in public and private collections in England and abroad consists merely of the title of each work, the date whenever known, and the number in Woltmann’s list, together with a reference to the page or pages and the plates in the present book in which the particular picture is described or reproduced. Holbein’s very numerous drawings, studies, and designs are not included. For these the reader must be referred to the second volume of Dr. Woltmann’s book, and, more particularly, to the important publication, now in course of issue, under the editorship of Dr. Paul Ganz, which is to include a facsimile reproduction of every one of the master’s drawings. Nor does this list include Holbein’s woodcuts and book illustrations, for which the student is referred to Woltmann, Passavant, Butsch, and others.

AMERICA

BOSTON: COLLECTION OF MRS. GARDNER

Portrait of Sir William Butts, 1542-3.

Portrait of Lady Butts, 1542-3.

Until recently in the possession of the Pole-Carew family. W. 204,
205. See Vol. ii. p. 209-210.

NEW YORK: METROPOLITAN MUSEUM

Portrait of Benedikt von Hertenstein, 1517.

See vol. i. pp. 72-4, Pl. 24. Not in Woltmann.

Portrait of Erasmus.

Recently purchased by the late Mr. J. Pierpont Morgan from the
Howard of Greystoke family. See vol. i. pp. 177-8. Not in Woltmann.

NEW YORK: COLLECTION OF MR. BENJAMIN ALTMAN

Portrait of a Lady, probably Margaret Wyat, Lady Lee.

Until recently in the collection of Major Charles Palmer, Windsor.
See Vol. ii. p. 82-83; Pl. 15, vol. ii. Not in Woltmann.

NEW YORK: COLLECTION OF MR. H. C. FRICK

Portrait of Sir Thomas More, 1527.

Until recently in the possession of Mr. Edward Huth. See vol. i. pp.
303-4, and Vol. ii. p. 340. W. 207.

NEW YORK: COLLECTION OF THE LATE MR. J. PIERPONT MORGAN

Portrait of Mrs. Pemberton.

Miniature. See Vol. ii. p. 228-289; Pl. 33, vol. ii. Not in
Woltmann.

Portrait of Henry VIII.

Miniature. See Vol. ii. p. 235-236. W. 157.

Portrait of Sir Thomas More.

Miniature. See vol. i. pp. 306-7. Not in Woltmann.

Portrait of Thomas Cromwell.

Miniature. See Vol. ii. p. 231-232; Pl. 31, vol. ii. Not in
Woltmann.

NEW YORK: COLLECTION OF MR. W. C. VANDERBILT

Portrait of Lady Guldeford.

Formerly in the collection of Mr. T. Frewen. See vol. i. pp. 320-1.
W. 206.

Portrait of Lady Rich.

Now in an American collection. Until recently in the collection of
Captain H. R. Moseley, Buildwas Park, Shropshire. See Vol. ii. p.
212. W. 128.

CANADA: COLLECTION OF MR. JAMES H. DUNN

Portrait of Queen Catherine Howard, 1540-41.

See Vol. ii. p. 194-196. Not in Woltmann.

AUSTRIA-HUNGARY

PRAGUE: RUDOLPHINUM

Portrait of Lady Elizabeth Vaux.

Badly damaged, but possibly an original. See Vol. ii. p. 86-87. W.
243.

VIENNA: IMPERIAL GALLERY

Portrait of Derich Tybis, of Duisburg, and the London Steelyard, 1533.

See Vol. ii. p. 20-21; Pl. 4, vol. ii. W. 251.

Portraits of an Official of the Court of Henry VIII, and his Wife, 1534.

Two small roundels. See Vol. ii. p. 70-71. W. 256, 257.

Portrait of Queen Jane Seymour, 1536.

Good copies at The Hague, Woburn Abbey, and elsewhere. See vol. ii.
pp. 111-2; Pl. 20, vol. ii. W. 252.

Portrait of a Young Man, aged 28, 1541.

See Vol. ii. p. 202-203; Pl. 27, vol. ii. W. 254.

Portrait of Dr. John Chamber, 1541-3.

See Vol. ii. p. 208-209; Pl. 30, vol. ii. W. 255.

Portrait of an Unknown English Lady.

See Vol. ii. p. 207; Pl. 29, vol. ii. W. 253.

VIENNA: COLLECTION OF COUNT LANCKORONSKI

Portrait of an Unknown English Lady.

See Vol. ii. p. 211-212. W. 260.

VIENNA: COLLECTION OF COUNT SCHÖNBORN

Portrait of a Member of the Wedigh Family of Cologne, and of the London Steelyard, 1532.

See Vol. ii. p. 15-16. W. 262.

BELGIUM

BRUSSELS: COLLECTION OF FRAU L. GOLDSCHMIDT-PRZIBRAM

Portrait of a Young Man holding a Carnation, 1533.

See Vol. ii. p. 57. W. 261.

BRITISH ISLES

LONDON: NATIONAL GALLERY

The Two Ambassadors: Jean de Dinteville and George de Selve, 1533.

See vol. ii. chap. xvii.; Pl. 9, vol. ii. W. 215.

Portrait of the Duchess of Milan, 1538.

See vol. ii. chap. xx.; Pl. 21, vol. ii. W. 2.

HAMPTON COURT PALACE

Portrait of John Reskimer of Cornwall.

See vol. i. pp. 333-4. W. 162.

Christ appearing to Mary Magdalen (“Noli Me Tangere”).

See vol. i. pp. 95-8, Pl. 32. Not in Woltmann.

Portrait of Johann Froben, printer of Basel.

Probably only a good old copy. See Vol. ii. p. 183-184. Not in
Woltmann.

Portrait of Lady Elizabeth Vaux.

Probably only a good old copy. See Vol. ii. p. 86-87. W. 163.

WINDSOR CASTLE

Portrait of Sir Henry Guldeford, 1527.

See vol. i. pp. 317-20; Pl. 80. W. 264.

Portrait of Hans of Antwerp, 1532.

See Vol. ii. p. 8-14; Pl. 2, vol. ii. W. 265.

Portrait of Derich Born of Cologne, and of the London Steelyard, 1533.

See Vol. ii. p. 18-20; Pl. 4, vol. ii. W. 266.

Portrait of Thomas Howard, Duke of Norfolk, about 1538-9.

See Vol. ii. p. 197-199; Pl. 25, vol. ii. W. 267.

Portrait of Henry Brandon.

Miniature. Date doubtful. See Vol. ii. p. 223-226; Pl. 31, vol. ii.
W. 268.

Portrait of Charles Brandon, 1541.

Miniature. See Vol. ii. p. 223-226; Pl. 31, vol. ii. W. 269.

Portrait of Lady Audley.

Miniature. See Vol. ii. p. 222-223; Pl. 31, vol. ii. W. 270.

Portrait of Queen Catherine Howard.

Miniature. See Vol. ii. p. 192-193; Pl. 31, vol. ii. W. 271.

King Solomon and the Queen of Sheba.

Miniature painting in grisaille, touched with colour and gold. See
vol. ii. pp. 262-3; Pl. 40, vol. ii. W. 272.

VICTORIA AND ALBERT MUSEUM, SOUTH KENSINGTON: SALTING COLLECTION

Portrait of Hans of Antwerp.

Small roundel. See Vol. ii. p. 14. Not in Woltmann.

Portrait of Anne of Cleves.

Miniature. See Vol. ii. p. 181-182, and 236. W. 158.

NATIONAL GALLERY OF IRELAND, DUBLIN

Portrait of Sir Henry Wyat.

Replica of the portrait in the Louvre, Paris. See vol. i. p. 335.
Not in Woltmann.

LAMBETH PALACE

Portrait of William Warham, Archbishop of Canterbury, 1527.

See vol. i. pp. 322-3. W. 208.

WALLACE COLLECTION, HERTFORD HOUSE

Self-Portrait of Hans Holbein, 1543.

Miniature. See Vol. ii. p. 230; Pl. 33, vol. ii. See Woltmann, vol.
ii. pp. 167-8.

BARBER-SURGEONS’ HALL, LONDON

Henry VIII granting a Charter of Incorporation to the Barber-Surgeons, 1543.

See Vol. ii. p. 289-244; Pl. 94, vol. ii. W. 202.

DUKE OF BEDFORD, K.G., WOBURN ABBEY

Portrait of Sir John Russell, afterwards Earl of Bedford.

Attributed to Holbein. W. 358.

Portrait of Queen Jane Seymour.

Old copy. See Vol. ii. p. 112. BERLIN, KAISER FRIEDRICH MUSEUM DUKE
OF BUCCLEUCH, K.G., K.T., DALKEITH HOUSE

Portrait of Sir Nicholas Carew.

See Vol. ii. p. 88-89. W. 142.

Portrait of Queen Catherine Howard.

Miniature. See Vol. ii. p. 193-194. Not in Woltmann.

Other fine miniatures of Sir Thomas More, George Nevill, Lord
Abergavenny, Self-portrait of Holbein, 1543, Jane Seymour, Henry
VIII, &c., attributed to Holbein.

See vol. ii. chap. xxv. BERLIN, KAISER FRIEDRICH MUSEUM MR. AYERST
H. BUTTERY, LONDON

Portrait of an Unknown English Lady.

Formerly in the possession of the Bodenham family. See vol. i.
Postscript to Chapter xiv. and Pl. 95.

EARL OF CALEDON, TYTTENHANGER PARK

Portrait of Thomas Cromwell, 1532-34.

See Vol. ii. p. 58-61. W. 249.

DUKE OF DEVONSHIRE, G.C.V.O., CHATSWORTH

Henry VII and Henry VIII.

Cartoon for the left-hand half of the Whitehall Wall-painting. Until
recently at Hardwick Hall. See Vol. ii. p. 97-99; Pl. 18, vol. ii.
W. 167.

MISS GUEST, OF INWOOD

Portrait of Sir Bryan Tuke.

Formerly in the Collection of the Duke of Westminster. See vol. i.
pp. 331-3. W. 213.

According to report, this picture is no longer in Miss Guest’s
possession, having been sold during the present year (1913).

LORD LECONFIELD, PETWORTH

Portrait of Derich Berck of Cologne, and of the London Steelyard, 1536.

See Vol. ii. p. 22-23; Pl. 5, vol. ii. W. 241.

MR. HAMON LE STRANGE

Portrait of Sir Thomas le Strange, 1536.

See Vol. ii. p. 85-86. Not in Woltmann.

DUKE OF NORTHUMBERLAND, K.G., SYON HOUSE

Portrait of Edward, Prince of Wales.

Attributed to Holbein. See Vol. ii. p. 166. W. 246.

MESSRS. PARKENTHORPE, LONDON

The More Family Group.

The Burford version, recently in the possession of Sir Hugh P. Lane.
Copy, with later additions, of the original painting. See vol. i.
pp. 301-2; Pl. 76.

EARL OF RADNOR, LONGFORD CASTLE

Portrait of Erasmus, 1523.

See vol. i. pp. 169-71; Pl. 54. W. 214.

SIR JOHN RAMSDEN, BT., BULSTRODE PARK

Portrait of a Musician.

Formerly regarded as a portrait of Sir Nicholas Vaux. Considered by
Dr. Ganz to represent Jean de Dinteville. See Vol. ii. p. 52-53; Pl.
10, vol. ii. Not in Woltmann.

LORD SACKVILLE, KNOLE PARK

Portrait of Margaret Roper.

Inscribed “Queen Cathrine.” Old copy of a lost original by Holbein,
or of the figure in the More Family Group. See vol. i. pp. 308-9.

Portrait of Queen Jane Seymour.

Good old copy of the portrait in Vienna. See vol. i. p. 112.

LORD ST. OSWALD, NOSTELL PRIORY

The More Family Group, 1527-30.

This picture, among the various existing versions of the More Family
Group, has the greatest claims to be regarded, at least in parts, as
the original work by Holbein. See vol. i. pp. 295-8; and vol. ii,
pp. 334-40; Pl. 75.

EARL SPENCER, G.P.V.O., ALTHORP PARK

Portrait of Henry VIII, about 1537.

See Vol. ii. p. 107-109; frontispiece, vol. ii. W. 1.

Portrait of Hans of Antwerp (?)

Small roundel. Attributed to Holbein. See Vol. ii. p. 14-15. Not in
Woltmann.

MR. VERNON WATNEY

Portrait of an English Lady.

Miniature. Said to represent Queen Jane Seymour. See Vol. ii. p.
237. Not in Woltmann.

EARL OF YARBOROUGH

Portrait of Edward, Prince of Wales.

Fine old copy of the portrait at Hanover. See Vol. ii. p. 165; Pl.
22, vol. ii.

FRANCE

PARIS, THE LOUVRE

Portrait of Erasmus, 1523.

See vol. i. pp. 172-3; Pl. 56. W. 224.

Portrait of William Warham, Archbishop of Canterbury, 1527.

See vol. i. p. 322; Pl. 83. W. 225.

Portrait of Niklaus Kratzer, the Astronomer, 1528.

See vol. i. pp. 327-30; Pl. 86. W. 226.

Portrait of Sir Henry Wyat, 1527-28.

See vol. i. pp. 335-6; Pl. 88. W. 227.

Portrait of Anne of Cleves, 1539.

See Vol. ii. p. 181-182; Pl. 24, vol. ii. W. 228.

Portrait of Sir Richard Southwell, 1536.

Attributed to Holbein, but probably only a fine old copy. See vol.
ii. p. 85. Not in Woltmann.

F. ENGEL-GROS COLLECTION, CHÂTEAU DE RIPAILLE, THONON, SAVOY

Portrait of a Man wearing the livery of Henry VIII.

Small roundel. See Vol. ii. p. 71. Not in Woltmann.

GERMANY

BERLIN, KAISER FRIEDRICH MUSEUM

Portrait of Georg Gisze, member of the London Steelyard, 1532.

See Vol. ii. p. 4-8; Pl. i. vol. ii. W. 115.

Portrait of Hermann Hillebrandt Wedigh of Cologne, member of the London Steelyard, 1533.

See Vol. ii. p. 16-17; Pl. 3, vol. ii. W. 116.

Portrait of an Unknown Man, aged 37, 1541.

Possibly a Member of the Dutch family of Vos van Steenwyck. See vol.
ii. p. 202. W. 117.

Portrait of an Unknown Man, aged 54.

Formerly in the Collection of Sir J. E. Millais, Bt. See Vol. ii. p.
205-206; Pl. 29, vol. ii. W. 211.

BRUNSWICK, ROYAL MUSEUM

Portrait of Cyriacus Fallen, member of the London Steelyard, 1533.

See Vol. ii. p. 22. W. 126.

DARMSTADT, GRAND-DUCAL PALACE

The Madonna and Child with the Family of Jakob Meyer, Burgomaster of Basel, about 1526.

Commonly known as the Meyer Madonna. See vol. i. pp. 232-45; Pl. 71.
W. 143.

DRESDEN, ROYAL PICTURE GALLERY

Double Portrait of Thomas and John Godsalve, of Norwich, 1528.

See vol. i. pp. 325-7; Pl. 84. W. 144.

Portrait of Charles de Solier, Sieur de Morette, ambassador to the English Court, about 1534.

See Vol. ii. p. 63-70; Pl. 12, vol. ii. W. 145.

The Madonna and Child with the Family of Jakob Meyer.

Long regarded as an original work by Holbein. Fine old copy of the
picture at Darmstadt. See vol. i. pp. 232-45. Not in Woltmann.

FRANKFURT, STÄDELSCHES KUNSTINSTITUT

Portrait of Simon George, of Quocote.

See Vol. ii. p. 207. W. 151.

FREIBURG IM BREISGAU, UNIVERSITY CHAPEL, MINSTER

The Adoration of the Shepherds.

The Adoration of the Kings.

Inner sides of the wings of the Oberried altar-piece. See vol. i.
pp. 88-91; Pl. 29. W. 155, 156.

HANOVER, PROVINZIAL MUSEUM

Portrait of Philip Melanchthon.

Small roundel. See vol. i. pp. 184-5; Pl. 58. W. 164.

Portrait of Edward, Prince of Wales, 1538-9.

See Vol. ii. p. 165. W. 165.

KARLSRUHE, GRAND-DUCAL PICTURE GALLERY

Christ Bearing the Cross, 1515.

On the back the remains of a “Crowning with Thorns.” See vol. i. pp.
38-9. W. 168.

St. George, 1522.

St. Ursula, 1522.

Wings of an altar-piece. See vol. i. pp. 111-2. W. 169, 170.

MUNICH, ALTE PINAKOTHEK

Portrait of Derich Born, member of the London Steelyard, 1533.

Small oval, almost miniature in size. See Vol. ii. p. 20. W. 220.

Portrait of Sir Bryan Tuke, with Death holding a Scythe and Hour-glass.

Probably a good old copy of the picture until recently in the
possession of Miss Guest of Inwood. See vol. i. pp. 331-3. W. 219.

Portrait of Derich Berck, member of the London Steelyard.

Copy of the picture belonging to Lord Leconfield, Petworth. See vol.
ii. p. 23. Not in Woltmann.

MUNICH, BAVARIAN NATIONAL MUSEUM

Portrait of a Man, aged 27.

Miniature, with the initials H. M. on either side of the head. See
vol. ii. pp. 241-2. Not in Woltmann.

HOLLAND

THE HAGUE, ROYAL PICTURE GALLERY

Portrait of a Young Lady, said to be Holbein’s Wife.

See vol. i. pp. 106-8; Pl. 37. W. 161.

Portrait of Robert Cheseman, 1533.

See Vol. ii. p. 54-57; Pl. 11, vol. ii. W. 159.

Portrait of an Unknown Man with a Falcon, aged 28, 1542.

See Vol. ii. p. 203; Pl. 28, vol. ii. W. 160.

Portrait of Queen Jane Seymour.

Good old copy of the picture at Vienna. See Vol. ii. p. 113. Not in
Woltmann.

THE HAGUE, ROYAL PALACE

Portrait of a Boy.

Miniature. See Vol. ii. p. 229-230; Pl. 31, vol. ii. Not in
Woltmann.

ITALY

FLORENCE, UFFIZI GALLERY

Portrait of Sir Richard Southwell, 1536.

See Vol. ii. p. 84-85; Pl. 16, vol. ii. W. 149.

Self-portrait of Hans Holbein, 1543.

See Vol. ii. p. 213. W. 150.

PARMA, PICTURE GALLERY

Portrait of Erasmus, 1530.

Probably only a good old copy. See vol. i. p. 179. W. 240.

ROME, NATIONAL GALLERY

Portrait of Henry VIII, about 1539.

See Vol. ii. p. 102-103; Pl. 19, vol. ii. Not in Woltmann.

SPAIN

MADRID, PRADO

Portrait of an Old Man.

Attributed to Holbein by some writers. Not by him according to Dr.
Ganz. See vol. i. pp. 334-5. W. 217.

SWITZERLAND

BASEL, PUBLIC PICTURE COLLECTION

Madonna and Child, 1514.

See vol. i. pp. 33-5; Pl. 7. Not in Woltmann.

Head of the Virgin.

Head of St. John.

See vol. i. pp. 37-8; Pl. 8. W. 7, 8.

The Lord’s Supper.

Christ on the Mount of Olives.

Christ taken Prisoner.

The Scourging.

Pilate Washing his Hands.

The above five paintings, on canvas, formed part of a larger
“Passion” series, probably for some Basel church, and are among the
earliest works upon which Holbein was engaged after he settled in
that city. See vol. i. pp. 39-42; Pls. 9 and 10. W. 24-8.

Schoolmaster’s Sign, 1516.

Painted on both sides. See vol. i. pp. 51-2; Pl. 14. W. 5, 6.

Double Portrait of the Burgomaster, Jakob Meyer, and his Wife Dorothea Kannengiesser, 1516.

See vol. i. pp. 52-5; Pl. 15. W. 11.

Adam and Eve, 1517.

See vol. i. pp. 55-6; Pl. 17. W. 9.

Portrait of Bonifacius Amerbach, 1519.

See vol. i. pp. 85-7; Pl. 28. W. 10.

The Dead Christ in the Tomb, 1521.

See vol. i. pp. 101-3; Pl. 35. W. 14.

Seven Fragments of three of the Wall-paintings in the Council Chamber of the Basel Town Hall:—

Heads of the Samnite Ambassadors, 1521-2.

Head of Zaleucus of Locri, 1521-2.

Head of a Spectator in the same painting, 1521-2.

Head of King Rehoboam, 1530.

Hand of King Rehoboam, 1530.

Two groups of Heads in the same painting, 1530.

See vol. i. pp. 129-31 and 348; Pls. 40 and 92. W. 21.

Portrait of Erasmus, in profile, writing, 1523.

See vol. i. pp. 173-4. W. 12.

The Last Supper.

See vol. i. pp. 75-6; Pl. 25. W. 16.

The Passion of Christ.

In eight scenes. The outer sides of the wings of an altar-piece. See
vol. i. pp. 91-5; Pl. 30. W. 20.

Christ as the Man of Sorrows.

Mary as Mater Dolorosa.

Diptych, monochrome, with blue backgrounds.

See vol. i. pp. 98-9; Pl. 33. W. 19.

Organ Doors formerly in Basel Minster.

See vol. i. p. 113. W. 4.

Magdalena Offenburg as Laïs Corinthiaca, 1526.

See vol. i. pp. 246-52; Pl. 73. W. 17.

Magdalena Offenburg as Venus, 1526.

See vol. i. pp. 246-52; Pl. 73. W. 18.

Holbein’s Wife and Children, 1528-29.

See vol. i. pp. 343-6; Pl. 90. W. 15.

Portrait of an Unknown Man.

See Vol. ii. p. 211. W. 22.

Portrait of Erasmus.

Small roundel. See vol. i. p. 180; Pl. 58. W. 13.

Portrait of a Young Woman, about 1528.

Unfinished. See vol. i. pp. 346-7; Pl. 91. W. 46.

Printer’s Mark of Johann Froben.

Portrait of Johann Froben.

Old copy. See vol. i. pp. 183-4.

BASEL, UNIVERSITY LIBRARY

Coat of Arms of Petrus Fabrinus, Rector of Basel University, 1523.

Coloured drawing in the University Matriculation Book. See vol. i.
pp. 145-6. W. 112.

BASEL, COLLECTION OF DR. RUDOLPH GEIGY-SCHLUMBERGER

Portrait of a Man, said to be Holbein himself.

Water-colour drawing. See Vol. ii. p. 213. Not in Woltmann.

LUCERNE, KUNSTVEREIN

Fragments of the original wall-painting on the façade of the Hertenstein House in Lucerne: part of the subject of the Death of Lucretia, 1517.

See vol. i. p. 68. W. 216.

SOLOTHURN, STADT MUSEUM

Madonna and Child, with St. Nicholas (or St. Martin) and St. Ursus, 1522.

See vol. i. pp. 103-11; Pl. 36. W. 247.

ZÜRICH, SCHWEIZERISCHES LANDESMUSEUM

Table painted with the legend of St. Nobody, hunting and jousting scenes, &c., for Hans Baer, of Basel, 1515.

See vol. i. pp. 35-7. W. 359.

------------------------------------------------------------------------

PICTURES BY AND ATTRIBUTED TO HOLBEIN AND OF HIS SCHOOL AND PERIOD

EXHIBITED AT VARIOUS EXHIBITIONS BETWEEN 1846 AND 1912

_In almost all cases the attributions are those of the owners of the
pictures_

_The spelling of the names is that of the original Catalogues_

I. THE BRITISH INSTITUTION, 1846

120 │Charles Brandon, Duke of │ Hans │Lord Willoughby d’Eresby
│Suffolk d. 1545 │ Holbein │

122 │Henry VIII │ " │Mrs. Nicholl

131 │The Infant Son of Charles │ " │Lord Willoughby d’Eresby
│Brandon, Duke of Suffolk │ │

133 │Edward VI when Prince of │ " │Earl of Hardwick
│Wales │ │

135 │George Brooke, Lord of │ " │F. L. Popham, Esq.
│Cobham d. 1558 │ │

138 │Queen Mary │ " │Hon. C. C. Cavendish M.P.

155 │Thomas Howard, Duke of │ " │Duke of Norfolk
│Norfolk, │ │

161 │Ambrose Dudley, Earl of │ " │Marquess of Salisbury,
│Warwick, d. 1589 │ │K.G.

162 │William Warham, Archbishop│ " │Archbishop of Canterbury
│of Canterbury, d. 1532 │ │

163 │The Family of Henry VII │ " │Lord Willoughby d’Eresby
│and Henry VIII, &c. │ │

176 │Catherine de Bore, wife of│ " │Duke of Sutherland, K.G.
│Martin Luther │ │

178 │Erasmus, d. 1536 │ " │Duke of Sutherland, K.G.

200 │Lady Elizabeth Gray, wife │ " │Lord Baybrooke
│of Thomas, Lord Audley of │ │
│Warden, Lord Chancellor │ │

205 │Henry VIII granting the │ " │Barber-Surgeons’ Company
│Charter to the │ │
│Barber-Surgeons │ │

II. ART TREASURES OF THE UNITED KINGDOM COLLECTED AT MANCHESTER IN 1857

_Old Masters_

454 │Portrait of Francis I │ Hans │Her Majesty (Hampton
│(considered by some to be│ Holbein │Court)
│a Janet) │ │

455 │King Henry VIII │ " │Earl of Warwick

456 │Dr. Stokes (Bishop of │ " │Her Majesty (Windsor
│London) │ │Castle)

457 │King Edward VI │ " │A. Barker, Esq.

459 │Portrait of a Young Man │ " │Lord Ward
│holding a Book │ │

460 │Portrait of Francis I, │ " │H.R.H. Prince Albert
│dated 1509, No. 40 of │ │
│Kensington Palace │ │
│Catalogue │ │

466 │Portrait of Erasmus. A │ Georg │Her Majesty (Windsor
│copy of a picture by │ Pentz │Castle)
│Holbein │ │

533 │The Root of Jesse │ Gerard │Sir Culling Eardly, Bt.
│ │ Lucas │
│ │ Horebout │

_British Portrait Gallery_

10 │Anne Boleyn │ Unknown │Earl of Denbigh

11 │Anne Boleyn │ “ │Earl of Warwick

12 │Mary Boleyn │ “ │“

13 │Lord Darnley and his │ Lucas │Her Majesty (Hampton
│Brother, Charles Stuart │ d’Heere │Court)

14 │Mary Tudor and Charles │ Unknown │Duke of Bedford
│Brandon, Duke of Suffolk │ │

16 │Queen Katherine Parr │ Holbein │Earl of Denbigh

17 │Earl of Surrey (Henry │ “ │Her Majesty (Hampton
│Howard), the poet, in a │ │Court)
│red habit │ │

26 │Sir Nicholas Carew, K.G., │ “ │Duke of Buccleuch
│in armour │ │

27 │Sir Walter Raleigh │ “ │J. Gibson Craig, Esq.,
│ │ │M.P.

28 │Lady Raleigh │ “ │“

29 │The Darnley Cenotaph │ “ │Duke of Richmond

30 │Littleton │ “ │Lord Lyttelton

31 │Earl of Southampton (Henry│ “ │Duke of Portland
│Wriothesley), │ │
│Shakespeare’s patron, with│ │
│his Cat │ │

32 │Countess of Southampton │ “ │“
│(Elizabeth Vernon), wife │ │
│of above │ │

33 │Bess of Hardwick (Building│ “ │“
│Bess) │ │

34 │William Camden in his │ “ │Painter-Stainers’ Company
│dress as Clarencieux │ │

48 │King Henry VIII │ “ │Duke of Manchester

49 │Cardinal Wolsey │ “ │Christ Church, Oxford

50 │Queen Jane Seymour │ “ │Duke of Bedford

51 │The Father of Sir Thomas │ “ │Earl of Pembroke
│More holding a legal │ │
│document │ │

52 │Sir Henry Guildford │ “ │Her Majesty (Windsor
│ │ │Castle)

SOUTH KENSINGTON, 1862

53 │Lady Grey (Margaret │ Holbein │Duke of Portland
│Wooton) │ │

53A │Lady Jane Grey │ “ │Earl of Stamford and
│ │ │Warrington

54 │King Edward VI. A │ “ │Her Majesty (Windsor
│knee-piece │ │Castle)

55 │King Edward VI at age of │ “ │Earl of Yarborough
│six │ │

55A │King Edward VI │ “ │Duke of Northumberland

56 │King Edward VI. Miniature │ “ │Duke of Portland
│full-length │ │

57 │The Three Children of King│ Mabuse │Earl of Pembroke
│Henry VII │ │

58 │Queen Mary I and Philip │ “ │Duke of Bedford
│II. Small full-lengths, │ │
│dated 1558 │ │

59 │Queen Mary I, 1544 │ Lucas │Society of Antiquaries
│ │ d’Heere │

62 │Queen Elizabeth. Miniature│ “ │Duke of Portland
│full-length │ │

66 │William Warham, Archbishop│ Holbein │Archbishop of Canterbury
│of Canterbury │ │

67 │The Princess Elizabeth, │ “ │Her Majesty (Hampton
│holding a book │ │Court)

67A │Sir Thomas Gresham │ “ │Earl of Stamford and
│ │ │Warrington

173 │Lucius Cary, Viscount │ “ │Earl of Clarendon
│Falkland │ │

Frame │Miniatures of the time of │ — │Duke of Buccleuch
7 │Henry VII and Henry VIII, │ │
│&c. │ │

Frame │Henry VIII │ Holbein │Col. Meyrick
17 │ │ │

Frame │Anne of Cleves │ “ │“
17 │ │ │

III. SPECIAL EXHIBITION OF WORKS OF ART, SOUTH KENSINGTON MUSEUM, JUNE
1862. SECTION XI. PORTRAIT MINIATURES

1901 │Mary Tudor, Queen of │ Sir A. │S. Addington, Esq.
│England (oil) │ More │

1905 │Thomas Cromwell, Earl of │ Holbein │“
│Essex │ │

1932 │Edward VI (sculptured in │ Unknown │T. L. Barwick Baker, Esq.
│wood) │ │

1933 │Henry VIII “ │ “ │“

1934 │Henry, Duke of Richmond │ “ │C. Sackville Bale, Esq.

1935 │Jane Seymour │ Hans │“
│ │ Holbein │

1936 │Mary Tudor │ “ │“

2018 │Henry VII │ “ │Duke of Buccleuch, K.G.

2021 │Henry VIII │ “ │“

2022 │“ │ “ │“

2023 │“ │ “ │“

2024 │Catherine of Aragon │ “ │“

2025 │“ │ “ │“

2026 │“ │ “ │“

2027 │Mary Tudor │ Sir A. │“
│ │ More │

2029 │Catherine Howard │ Hans │“
│ │ Holbein │

2030 │“ │ “ │“

2039 │Prince Edward │ “ │“

2040 │King Edward VI │ Hans │Duke of Buccleuch, K.G.
│ │ Holbein │

2041 │“ │ “ │“

2042 │“ │ “ │“

2061 │Sir Thomas More │ “ │“

2216 │The Three Children of │ Ascribed │J. C. Dent, Esq.
│Henry VII │to Mabuse │

2217 │Jane Seymour │ Hans │“
│ │ Holbein │

2218 │Queen Catherine Parr │ “ │“

2219 │Henry VIII, full-length │ — │“
│(carved in honestone) │ │

2220 │Henry VIII (carved in │ Hans │“
│boxwood) │ Holbein │

2265 │An Unfinished Portrait │ “ │Sir Wentworth Dilke, Bt.

2341 │Henry VIII │ Unknown │Earl of Gosford

2405 │Queen Catherine Howard │ Hans │Duke of Hamilton
│ │ Holbein │

2458 │Sir Thomas More │Attributed│Sir W. T. Holburne. Bt.
│ │to Holbein│

2459 │Erasmus │ “ │“

2477 │Thomas Howard, 3rd Duke of│ Hans │R. S. Holford, Esq.
│Norfolk │ Holbein │

2478 │Thomas Howard, 4th Duke of│ Sir A. │“
│Norfolk │ More │

2544 │Henry VIII, 1526 │ Hans │Hollingworth Magniac, Esq.
│ │ Holbein │

2545 │Catherine of Aragon │ “ │“

2581 │Henry VIII and Jane │ “ │H. Danby Seymour, Esq.,
│Seymour │ │M.P.

2598 │Mary Tudor, Queen of │ Luis de │Rev. Walter Sneyd
│England │ Vargas │

2599 │Philip II of Spain │ “ │“

2641 │Leonhardus Bur, aged 20, │ Hans │Charles Sotheby, Esq.
│1549 │ Holbein │

2651 │Henry VIII (oil on panel) │ “ │Earl Spencer

2652 │Sir John Boling Hatton and│ Lucas │“
│his Mother, 1525 │ d’Heere │

2726 │Catherine, Duchess of │ Hans │Lady Willoughby de Eresby
│Suffolk, d. 1580 │ Holbein │

2727 │Thomas Cromwell, Earl of │ Unknown │“
│Essex │ │

IV. SPECIAL EXHIBITION OF PORTRAIT MINIATURES ON LOAN AT THE SOUTH
KENSINGTON MUSEUM, JUNE 1865

273 │Henry VIII (oil) │ Unknown │Duke of Richmond

307 │Mary Tudor, Queen of │ Sir A. │S. Addington, Esq.
│England (oil) │ More │

601 │Sir Thomas More (enamel) │ H. Bone, │R. G. Clarke, Esq.
│ │ R.A. │

629 │Mary, Queen of England │ Luis de │Rev. W. Sneyd
│(oil). Dated 1555 │ Vargas │

630 │Philip II of Spain (oil) │ “ │“

648 │Katherine of Aragon (on │ Hans │Hollingworth Magniac, Esq.
│vellum) │ Holbein │

652 │Henry VIII. Painted in │ “ │“
│1526 │ │

763 │Sir Nicholas Poyntz │ “ │R. S. Holford, Esq., M.P.
│(vellum) │ │

950 │Sir John Boling Hatton and│ Lucas │Earl Spencer, K.G.
│his Mother. Dated 1525 │ d’Heere │

1029 │Earl of Kildare (oil on │ Hans │Lord Boston
│panel) │ Holbein │

146 │Alicia, wife of Sir Thomas│ “ │J. Heywood Hawkins, Esq.
│More (on card) │ │

1282 │Mary Tudor, Queen of │ Unknown │“
│England │ │

1381 │Henry VIII (on ivory) │Copy after│Earl of Gosford
│ │ Holbein │

1388 │John Calvin (oil on panel)│ Hans │Earl Spencer, K.G.
│ │ Holbein │

1392 │Henry VIII (oil on panel) │ “ │John Jones, Esq.

1554 │Thomas Howard, Duke of │ “ │Philip Henry Howard, Esq.
│Norfolk (on panel) │ │

1590 │Katherine of Aragon (on │ “ │Duke of Buccleuch, K.G.
│vellum) │ │

1603 │Thomas, Lord Seymour of │ “ │“
│Sudeley (on vellum) │ │

1643 │Henry, Duke of Richmond │ Unknown │C. Sackville Bale, Esq.
│(on card) │ │

1645 │Lady Jane Seymour │ Hans │“
│ │ Holbein │

1651 │Queen Mary I of England │ “ │“

1708 │Margaret Tudor, Queen of │ Unknown │Duke of Marlborough
│Scotland │ │

1810 │Ann of Cleves. Signed “H. │ Hans │David Laing, Esq.
│H.” (oil on panel). │ Holbein │

2082 │Henry VIII (oil) │ “ │Earl Spencer, K.G.

2093 │Portrait of a Gentleman in│ “ │Earl of Shaftesbury, K.G.
│a furred gown │ │

2347 │Henry VIII and Edward VI │ Ascribed │Miss Wilson
│ │ to N. │
│ │ Hilliard │

2627 │Portrait of a Lady, aged │ Hans │J. Heywood Hawkins, Esq.
│23 (on card) (Mrs. │ Holbein │
│Pemberton) │ │

2655 │Hans Holbein, the Painter │ “ │Earl Spencer, K.G.
│(oil) │ │

2664 │Edward VI. Dated 1547 │ “ │Henry F. Holt, Esq.

2946 │Charles V, Emperor of │ Ascribed │William Mosely, Esq.
│Germany │to Holbein│

2947 │Anne Boleyn │ “ │“

2948 │Henry VIII │ “ │“

V. FIRST SPECIAL EXHIBITION OF NATIONAL PORTRAITS ENDING WITH THE REIGN
OF KING JAMES THE SECOND, ON LOAN TO THE SOUTH KENSINGTON MUSEUM, 1866

46 │Richard Fox, Bishop of │ Johannes │Corpus Oxford Christi
│Winchester. 30” × 19” │ Corvus │College,

49 │Arthur, Prince of Wales. │ Hans │Her Majesty (Windsor
│15” × 11” │ Holbein │Castle)

50 │Richard Fox. 15” × 12” │ Unknown │Richard Cholmondeley, Esq.

52 │Henry VII. 23” × 18” │ Jan de │Hon. Mrs. Greville Howard
│ │ Mabuse │

53 │Margaret Tudor, Queen of │ Unknown │Her Majesty (Hampton
│Scotland. 94” × 55” │ │Court)

54 │Henry VII and Ferdinand of│ Hans │Henry Musgrave, Esq.
│Aragon. 32” × 31” │ Holbein │

55 │Henry VII. 22” × 17” │ Unknown │Her Majesty (Windsor
│ │ │Castle)

56 │Henry VII. 20” × 16” │ “ │Christ Church, Oxford

57 │Queen Elizabeth of York. │ Ascribed │Mrs. B. J. P. Bastard.
│21” × 16” │to Mabuse │

58 │The Three Children of │ Jan de │Her Majesty (Hampton
│Henry VII. 13” × 17” │ Mabuse │Court)

59 │Henry VII. 22” × 25” │ Unknown │Charles Winn, Esq.

60 │John Colet, Dean of St. │ “ │University Library,
│Paul’s. 34” × 24” │ │Cambridge

62 │Henry VII. 15” × 11” │ “ │Christ Church, Oxford

63 │James IV of Scotland. 14” │ Hans │Marquis of Lothian
│× 11” │ Holbein │

68 │Sir Thomas Wyat the Elder.│ Unknown │Bodleian Library, Oxford
│17” × 13” │ │

71 │Edward Stafford, 3rd Duke │ Hans │Marquis of Hastings
│of Buckingham. 23” × 18” │ Holbein │

72 │Nicolas Kratzer. 34” × 27”│ " │Viscount Galway, M.P.

73 │Hans Holbein, signed “H. │ " │Her Majesty (Hampton
│B., A.D. 1539.” 16” × 11½”│ │Court)

74 │Queen Catherine of Aragon │ " │Walter Moseley, Esq.
│(Portrait of Lady Rich). │ │
│17” × 13” │ │

75 │Henry VIII. 35” × 25” │ " │Duke of Manchester

76 │Charles Brandon, Duke of │ " │Mrs. Branfill
│Suffolk, and his wife, │ │
│Princess Mary Tudor. 30” ×│ │
│22” │ │

77 │Henry VIII. 35” × 27” │ Unknown │Her Majesty (Windsor
│ │ │Castle)

78 │Queen Katherine of Aragon.│ Hans │Countess Delawarr
│26” × 20” │ Holbein │

79 │Queen Katherine of Aragon.│ Unknown │National Portrait Gallery
│23” × 17” │ │

80 │Charles Brandon, Duke of │ Jan de │Earl of Yarborough
│Suffolk, and the Princess │ Mabuse │
│Mary Tudor. 28” × 18” │ │

84 │Henry VIII. 25” × 22” │ Hans │Lady Sophia Des Vœux
│ │ Holbein │

86 │William Warham, Archbishop│ " │Archbishop of Canterbury
│of Canterbury. 32” × 26” │ │

88 │John Fisher, Bishop of │ " │Major J. H. Brooks
│Rochester. 13” × 10” │ │

89 │Sir John More, Kt. 16” × │ " │W. B. Smythe, Esq.
│12” │ │

90 │Margaret Tudor, Queen of │ " │Marquis of Lothian
│Scotland. 14” × 11” │ │

91 │Sir Thomas Wyat the Elder.│ Unknown │Marquis of Hastings
│Circular, diameter 19” │ │

92 │John Fisher, Bishop of │ Hans │St. John’s College,
│Rochester, aged 74. 28” × │ Holbein │Cambridge
│24” │ │

93 │Thomas Cranmer, Archbishop│ " │Jesus College, Cambridge
│of Canterbury. │ │

95 │Henry Howard, Earl of │ " │Bodleian Library, Oxford
│Surrey. 8½” × 6½” │ │

96 │Thomas Linacre, M.D., │Holbein or│Her Majesty (Windsor
│dated 1527. 18” × 13” │ Metsys │Castle)

97 │Queen Anne Boleyn. 25” × │ Unknown │Hon. Mrs. Greville Howard
│10” │ │

98 │Sir Thomas Wyat the Elder.│ “ │John Bruce, Esq.
│15½” × 12” │ │

99 │Henry VIII. 36” × 35” │ " │Earl of Warwick

101 │Sir Thomas Boleyn, Earl of│ Hans │W. B. Stopford, Esq.
│Ormonde and Wiltshire, │ Holbein │
│K.G., aged 60. 20” × 17” │ │

102 │Henry Howard, Earl of │ " │Her Majesty (Hampton
│Surrey, K.G. 76” × 52” │ │Court)

103 │Queen Anne Boleyn. 14” × │ Unknown │Earl of Warwick
│12” │ │

104 │Christina of Denmark, │ Hans │Her Majesty (Windsor
│Duchess of Milan. 17” × │ Holbein │Castle)
│13” │ │

105 │Mary Boleyn. 14” × 12” │ Unknown │Earl of Warwick

106 │James V of Scotland and │ “ │Duke of Devonshire, K.G.
│his second Queen, Mary of │ │
│Guise. 57” × 43” │ │

107 │Queen Anne Boleyn, dated │ Hans │Sir Montague J. Cholmeley,
│1530, “H. B.” 33” × 23” │ Holbein │Bt., M.P.

108 │Sir Richard Southwell, Kt.│ " │H. E. Chetwynd-Stapylton,
│18” × 14” Esq. │ │

109 │Henry VIII. 39” × 29” │ " │Her Majesty (Windsor
│ │ │Castle)

110 │Sir William Butts, Kt. 18”│ " │W. H. Pole-Carew, Esq.
│× 14” │ │

111 │Sir Nicholas (called │ Unknown │Marquis of Ormonde
│“William”) Poyntz, dated │ │
│1535. Canvas. 27” × 18” │ │

112 │Sir Richard Southwell, │ Michell, │Ralph N. Wornum, Esq.
│painted in 1835. 22” × 18”│ after │
│Holbein │ │

113 │Thomas Cromwell, Earl of │ Hans │Duke of Manchester
│Essex. 14” × 11” │ Holbein │

114 │Queen Anne Boleyn. 10½” × │ " │Earl of Denbigh
│8” │ │

115 │Lady Butts. 18” × 14” │ " │W. H. Pole-Carew, Esq.

118 │Henry VIII. 35” × 27” │ " │Viscount Galway, M.P.

119 │Queen Jane Seymour. 14” × │ Unknown │Duke of Northumberland
│11” │ │

120 │Mary Tudor, Queen of │ Unknown │Earl Brownlow
│France. 6½” × 5½” │ │

121 │Henry Howard, Earl of │ Hans │Countess Delawarr
│Surrey. Dated 1546. │ Holbein │
│Canvas, 81” × 51” │ │

122 │Joanna Fitz-Alan, Lady │ " │John Webb, Esq.
│Abergavenny. She died │ │
│before 1519. 16” × 22” │ │

123 │Charles Brandon, Duke of │ Unknown │Earl Brownlow
│Suffolk. 7” × 6” │ │

124 │Henry VIII. 28” × 22” │ Hans │Her Majesty (Hampton
│ │ Holbein │Court)

125 │Queen Jane Seymour. 24” × │ Unknown │Countess Delawarr
│19” │ │

126 │Thomas Cromwell, Earl of │ Hans │“
│Essex. 30” × 24½” │ Holbein │

129 │Sir Henry Guildford, Kt. │ " │John Webb, Esq.
│34” × 25” │ │

131 │Queen Katherine Parr. 70” │ Hans │Richard Booth, Esq.
│× 34” │ Holbein │

132 │Queen Anne of Cleves. 28” │ " │Charles Morrison, Esq.
│× 22” │ │

133 │Sir Henry Wyat, Kt. 30” × │ Unknown │Earl of Romney
│24” │ │

134 │Henry VII and Henry VIII. │ Hans │Duke of Devonshire, K.G.
│Cartoon, 102” × 54” │ Holbein │

135 │Henry VIII and Jane │Van Remée,│Her Majesty (Hampton
│Seymour, &c. 39” × 36” │ after │Court)
│ │ Holbein │

138 │Will Somers. 28” × 23½” │ Hans │“
│ │ Holbein │

141 │Sir William Sidney, Kt. │ " │Lord De L’Isle and Dudley
│“Holbein f. 1523.” 48” × │ │
│38” │ │

142 │Thomas Cranmer. Canvas, │ " │Captain Byng
│36” × 29” │ │

143 │Erasmus. Dated 1537. 23” ×│ G. Pencz │Her Majesty (Windsor
│18” │ │Castle)

144 │Henry VIII. 92” × 53” │ Hans │H. Danby Seymour, Esq.,
│ │ Holbein │M.P.

146 │Henry VIII. 24” × 19” │ Unknown │Royal College of Surgeons

149 │Sir Henry Guildford, Kt. │ Hans │Her Majesty (Windsor
│32” × 26” │ Holbein │Castle)

150 │Sir John More and Sir │ " │Sir Henry Ralph Vane, Bt.
│Thomas More. Dated 1530. │ │
│Canvas, 55” × 48” │ │

151 │Sir Thomas Pope. 47” × 33”│ " │Countess of Caledon

152 │Henry VIII, Princess Mary,│ Unknown │Earl Spencer, K.G.
│and Will Somers. Canvas, │ │
│63” × 50” │ │

153 │Edward Stanley, 3rd Earl │ Hans │Earl of Derby, K.G.
│of Derby, K.G. 13” × 10” │ Holbein │

154 │Sir John Cheke, Kt. 13” × │ " │Duke of Manchester
│9½” │ │

156 │Henry VIII. 30” × 24” │ Unknown │Christ Church, Oxford

157 │Sir Thomas More. 29” × 23”│ Hans │Henry Huth, Esq.
│ │ Holbein │

159 │William, 1st Lord Paget. │ " │Duke of Manchester
│12½” × 9½” │ │

161 │Sir John Thynne, Kt. Dated│ " │Marquis of Bath
│1566. 50” × 39” │ │

162 │Sir Nicholas Carew. 42” × │F. Pourbus│Earl of Yarborough
│32” │ │

163 │Sir Thomas More and his │ Hans │Charles Winn, Esq.
│Family. Canvas, 138” × 99”│ Holbein │

165 │Thomas Howard, 3rd Duke of│ " │Her Majesty (Windsor
│Norfolk, K.G. 30” × 22” │ │Castle)

167 │Henry VIII. Oval, 29” × │ Unknown │Andrew Fountaine, Esq.
│24” │ │

170 │Henry VIII and his Family.│ Hans │Her Majesty (Hampton
│Canvas, 138” × 66” │ Holbein │Court)

172 │Edward VI. 40” × 32” │ " │"

173 │Sir Thomas Smith, Kt. │ P. │Eton College
│1856. 29” × 23½” │ Fischer, │
│ │ after │
│ │ Holbein │

175 │Edward VI. Dated 1546. 11”│ Hans │Earl of Hardwicke
│× 11” │ Holbein │

176 │Edward VI. 22½” × 16½” │ " │Earl of Yarborough

177 │Edward VI. Aged 9. 20” × │ " │Christ’s Hospital
│16” │ │

179 │Edward VI. 40” × 30” │ " │“

180 │Edward VI. Dated 1547. 28”│ " │Duke of Manchester
│× 21” │ │

181 │Thomas, Lord Seymour of │ Hans │Marquis of Bath
│Sudeley, K.G. 23” × 17” │ Holbein │

182 │Sir Thomas Wyat the │ Unknown │Earl of Romney
│Younger. Circular, 15” │ │
│diam. │ │

187 │Edward VI. Canvas, 26” × │ " │King’s College, Cambridge
│21” │ │

192 │Edward VI presenting │ Hans │Bridewell Hospital
│Charters. Canvas, 106” × │ Holbein │
│115” │ │

202 │Stephen Gardiner, Bishop │ " │Lord Taunton
│of Winchester. 13” × 10” │ │

208 │Princess Mary Tudor, │ " │Marquis of Exeter, K.G.
│afterwards Queen Mary. │ │
│Dated at back 1544. 12” × │ │
│9” │ │

236 │Margaret Douglas, Countess│ " │Her Majesty (Hampton
│of Lennox. Dated 1572. 92”│ │Court)
│× 54” │ │

247 │Queen Elizabeth. Aged 16. │ " │Her Majesty (St. James’s
│42” × 31” │ │Palace)

302 │Ambrose Dudley, Earl of │ " │Marquis of Salisbury, K.G.
│Warwick. 37” × 28” │ │

364 │Sir William Harris. Dated │ Gerard │Rev. J. M. St. Clere
│1596. 34” × 28” │ Lucas │Raymond
│ │ Horebout │

371 │Sir John Spencer. Dated │G. Stretes│Earl Spencer, K.G.
│1590. Canvas, 35” × 28” │ │

373 │Admiral Sir John Wallop, │ Hans │Earl of Portsmouth
│K.G. 24” × 17” │ Holbein │

374 │Lady Harris. 34” × 27” │ Gerard │Rev. J. M. St. Clere
│ │ Lucas │Raymond
│ │ Horebout │

VI. THIRD AND CONCLUDING EXHIBITION OF NATIONAL PORTRAITS ON LOAN TO THE
SOUTH KENSINGTON MUSEUM, APRIL 1868

625 │Sir Brian Tuke, Kt. 19” × │ Hans │Marquis of Westminster
│15” │ Holbein │K.G.

626 │Henry Howard, Earl of │ Ascribed │Lord Taunton
│Surrey, and a Lady, │to Holbein│
│supposed to be the Fair │ │
│Geraldine. 6½” × 4½” │ │

627 │Edward Seymour, Duke of │ Hans │Duke of Northumberland
│Somerset, K.G. 8½” × 7 │ Holbein │

628 │John Reskimer. 18” × 13” │ “ │Her Majesty (Hampton
│ │ │Court)

629 │William West, Lord │ “ │R. S. Holford, Esq., M.P.
│Delawarr. 52” × 31” │ │

639 │Queen Katherine Parr. 14” │ Ascribed │Sir G. R. Osborn, Bt.
│× 10” │ to │
│ │ Amberger │

651 │Edward VI. Aged 2. 52” × │ Hans │Duke of Northumberland
│30” │ Holbein │

655 │Sir John Bourchier, 2nd │ “ │Lord Berners
│Baron Berners. 24” × 20” │ │

656 │John Stokesley, Bishop of │ “ │Her Majesty (Windsor
│London, 20” × 15” │ │Castle)

657 │Edward VI. 51” × 32” │ “ │Sir G. R. Osborn, Bt.

659 │Lady Guildeford. Dated │ “ │Thomas Frewen, Esq.
│1527. 34” × 27” │ │

VII. ROYAL ACADEMY OF ARTS: WINTER EXHIBITIONS OF WORKS BY THE OLD
MASTERS, 1870-1912

=1870=│ │ │

23 │The First Lord De la Warr.│ Hans │R. S. Holford, Esq.
│Panel, 52” × 30½” │ Holbein │

108 │Portrait, with a │ “ │Her Majesty (Windsor
│Manuscript. Panel, 24” × │ │Castle)
│18” │ │

111 │Portrait of John, Elector │ “ │R. S. Holford, Esq.
│of Saxony. Panel, 24” × │ │
│18½” │ │

120 │Portrait of Sir Thomas │ “ │Henry Huth, Esq.
│More. Panel, 29” × 23½” │ │

147 │Portrait of Edward VI. │ “ │Duke of Northumberland
│Panel, 51” × 29” │ │

152 │Portrait of a Youth. │ “ │Her Majesty (Windsor
│Panel, 23½” × 17½” │ │Castle)

=1871=│ │ │

153 │Portrait of Thomas Howard,│ “ │“
│3rd Duke of Norfolk. │ │
│Panel, 31” × 24” │ │

292 │Portrait of Geronimo │ “ │J. H. Anderdon, Esq.
│Deodati, murdered at │ │
│Antwerp 1551. Panel, 12” ×│ │
│8½” │ │

296 │Portrait of Francis I. │ “ │Earl of Dudley
│Panel, 28” × 23” │ │

=1872=│ │ │

52 │A Portrait of a Man. │ “ │J. E. Millais, Esq., R.A.
│Panel, 20” × 15” │ │

66 │Portrait of Lady Heneage, │ “ │J. C. Hanford, Esq.
│Cousin of Ann Boleyn. │ │
│Panel, 16½” × 13” │ │

82 │Portrait of Warham, │ “ │Archbishop of Canterbury
│Archbishop of Canterbury. │ │
│Panel, 32” × 25¼” │ │

94 │Portrait of Sir William │ “ │W. H. Pole-Carew, Esq.
│Butts, Kt., principal │ │
│Physician to Henry VIII. │ │
│Panel, 18” × 14¼” │ │

96 │Portrait of Lady Butts. │ “ │“
│Panel, 18” × 14¼” │ │

138 │Portrait of Sir Henry │ “ │Her Majesty (Windsor
│Guildford, K.G., Master of│ │Castle)
│the Horse to Henry VIII. │ │
│Panel, 32” × 26” │ │

213 │Portrait of John │ “ │Her Majesty (Hampton
│Reskimeer, a Cornish │ │Court)
│Gentleman. Panel, 17½” × │ │
│12¼” │ │

214 │Portrait of Dr. Thomas │ “ │W. Fuller Maitland, Esq.
│Linacre, Physician to │ │
│Henry VII and Henry VIII. │ │
│Founded the College of │ │
│Physicians, and was its │ │
│First President. Panel, │ │
│10⅞” × 8½” │ │

225 │“Noli Me Tangere.” Panel, │ “ │Her Majesty (Hampton
│29½” × 36¾” │ │Court)

=1873=│ │ │