Chapter XXIII: Appendix (5)

“Edward VI transferring Bridewell to the City of London,” formerly
attributed to Holbein, ii. 169

“Edward VI,” miniature by Bettes, ii. 309

“Edward VI,” portrait by “Hans Hueet,” ii. 308

Edward VI, his portraits, ii. 164-171

Eewouts, Hans, _see_ Eworthe

Eglin, painter, of Lucerne, i. 72

Egmond, Earl of, ii. 116

Eigner, A., i. 24, 110

Einstein, L., ii. 392

Eisenach, i. 16

Elberfeld Collection, ii. 202

Eichinger, Anna, i. 3;
ii. 162

Elector Palatine, ii. 20

Eleonora of Spain, wife of Francis I, ii. 106

Elizabeth, Princess, _see_ Elizabeth, Queen of England

“Elizabeth, Princess,” portrait once attributed to Holbein, ii. 110,
169

Elizabeth, Princess, of Prussia, i. 242

—— of York, wife of Henry VII, ii. 91, 94-96, 235

—— Queen of England, i. 269, 314 _note_;
ii. 13, 24, 84, 92, 110, 133, 135, 208, 235, 239, ii. 272, ii. 292,
310

Eltham, i. 295;
ii. 334, 337

Elyot, Sir Thomas, i. 336-337

Elyot, Lady, i. 336-337;
ii. 258

“Embarkation of Henry VIII from Dover” (Hampton Court), i. 274

_Emblems of Mortality_ (John Bewick), i. 214

_Emendations of Pliny_ (B. Rhenanus), i. 168

_Encomium Moriæ_, _see_ Erasmus

Engelberg, Burkhart, i. 20

Engel-Gros, Herr F. (Collection), ii. 71, 353

Engleberd, Melchior, painter-stainer, i. 261

English Artists in the reign of Henry VIII, i. 256-263

Enschede, publisher, of Haarlem, i. 183

Enstone, Oxfordshire, ii. 101

_Epigrams_ (Sir Thomas More), i. 193

Episcopal Library, Augsburg, i. 4

Episcopus, Nic., i. 182

_Epitomæ Historiæ Basiliensis_ (Wurstisen), i. 124

Erasmus, i. 44-49, 84, 86, 90, 146, 151, 161-174, 177-185, 192-193,
198-199, 253, 255, 288-292, 294, 298, 313, 321-324, 329, 338-343,
350-351;
ii. 19, 25, 65, 188, 215, 256, 265, 276, 321, 329, 331, 337, 340-341

Erasmus, _Adagia_, i. 45, 49, 181;
_Colloquies_, i. 171;
_Ecclesiastæ_, &c., i. 181;
_Hyperaspistes_, i. 291;
_Institution of Christian Marriage_, i. 291;
_New Testament_, i. 45, 62, 162, 192;
_Paraphrase of the Gospel of St. Mark_, i. 172;
_Praise of Folly_ (_Encomium Moriæ_), i. 45-50, 85, 171;
_Praise of Matrimony_, i. 191;
_Precatio Dominica_ (metal cuts by C. V.), i. 188;
_St. Paul’s Epistle to the Romans_, i. 165

Eresby, Catherine Willoughby de, _see_ Suffolk, Duchess of

—— William, 10th Lord Willoughby de, ii. 225

Erhart, Dominica, i. 4

Ermeland, i. 179-180

Eschenbach, Ulrich von, painter of Lucerne, i. 72

Este, Duke Francesco d’, ii. 66

Este-Modena, Duke Francesco of, ii. 67

Eustace, Clerk of the Works at Hampton Court, i. 327

Evangelic League, Diet of the, ii. 173

_Evangelistical Calendar_ (Dr. Johannes Copp), i. 200

Evelyn, John, _Diary_, i. 97, 171, 276, 304 _note_, 323, 333;
ii. 95, 188, 215;
_Sculptura_, ii. 188

Evolls, Hans, _see_ Eworthe

Ewen, Nicholas, gilder of Henry VII’s tomb, i. 271

Eworthe, Hans, painter, i. 270;
ii. 307-308

Exeter, Duke of, i. 334

—— Marquis of (temp. Hen. VIII), ii. 87

—— —— (collection), ii. 107

Exhibitions, _see_ Basel, Brussels, Burlington Fine Arts Club, Dresden,
Manchester, Oxford, Royal Academy, Tudor, &c. &c.

Exposition du Palais Bourbon (1874), ii. 342

Eycks, the Van, _see_ Van Eyck

Eyston, Mr. Charles John, i. 300, 304 _note_

Faber, Jakob, i. 188, 200;
ii. 79 _note_

Fabri, Dr. Johann, bishop of Vienna, ii. 330-332

Fabrinus, Petrus, rector of Basel University, i. 145

Faesch, Johann Rudolf, ii. 328

—— Johann Rudolf (_d._ 1823), ii. 329-330

Faesch, Remigius, burgomaster of Basel, i. 239-240;
ii. 328, 330

—— Dr. Remigius, grandson of above, collection and inventory, i. 5, 54
_note_, 88, 166, 168, 180, 239-241, 346;
ii. 156, 328-330

_Faeschische Museum_, &c. (Major), ii. 329

Falkland, Viscount, i. 301

Fallen, Cyriacus, Steelyard merchant, ii. 17, 22

Farrer, picture-dealer, i. 303

Fattore, Il, _see_ Penni, G. F.

Félibien, _Entretiens sur les Vies_, &c., ii. 25-26

Feltes, John, painter-stainer, i. 261

Fenrother, Alderman Robert, jeweller, ii. 287

Fenwolf, Morgan, _see_ Wolf-Morgan, Morgan

Ferdinand, Archduke, ii. 137

—— III, Emperor, i. 91

Ferrara, Duke of, i. 284

Ferrari, Gaudenzio, i. 89 _note_, 95, 105 _and note_

Ferreris, Bartholomäus, i. 28

Fidler, G., ii. 392

Field of Cloth of Gold, i. 259, 273;
ii. 86, 103 _note_, 106

“Field of Cloth of Gold” (Hampton Court), i. 258, 274

Figdor Collection, ii. 52 _note_

Fischart, Johann, ii. 94, 186 _note_

Fisher, John, Bishop of Rochester, i. 169, 289, 299, 323-325, 337;
ii. 76, 212, 254, 267

Fitz-Alan family, ii. 135

—— Henry, Earl of Arundel, _see_ Arundel

—— Lady Joan, ii. 133

—— Lady Mary, ii. 135

Fitzroy, Henry, Duke of Richmond and Suffolk, natural son of Henry
VIII, ii. 110, 257

Fitzwater, Lord, ii. 133

Fitzwilliam Museum, Cambridge, ii. 43, 71, 204-205, 304

Flaxman, John, ii. 267

Fleckenstein, Hans, of Lucerne, i. 79;
ii. 323-324

Fleischmann, Privy Councillor, of Strasburg, ii. 27

Fliccius, Gerlach, painter, i. 270;
ii. 303, 305-306

Flint, Richard, painter-stainer, i. 261

Florence, i. 271-272, 276-278, 280

—— Uffizi Gallery, ii. 23, 83, 355

—— Duke of, i. 280

Flötner, Peter, of Nuremberg, ii. 278

Flower, Dr. Wickham, ii. 184 _note_

Flushing, i. 289

Folkestone, ii. 302

—— 1st Lord, i. 164

Fontainebleau, i. 280-284, 315;
ii. 75, 186, 333

Foreign artists at the Court of Henry VIII, i. 256-258, 263-287

Forest Monstier, ii. 40

Förster, i. 15

Fortescue, Mrs., _Holbein_, i. 108-109, 248 _note_, 351;
ii. 49, 393

Foster, Mr. J. J., _British Miniature Painters_, ii. 240, 393

“Fountain of Youth,” i. 70

Fox, i. 329

—— _Ecclesiastical History_, ii. 309

Foxe, Richard, Bishop of Winchester, i. 269;
ii. 304

France, Admiral of, i. 284

Franche Comté, ii. 150

Francis I, King of France, i. 211, 217, 229, 257, 259. 266, 269,
281-285, 311;
ii. 6, 40, 44, 45 _note_, 72, 91, 106, 114, 124, 131, 133, 139-142,
144-145, 148, 154, 171, 177, 197, 333

Francis the Courier, ii. 117

Frankfurt, i. 9, 29, 161 _note_, 224;
ii. 173

—— Staedel Institut, ii. 205, 207, 264, 354

Franks, Sir Augustus W., F.S.A., ii. 189, 296-297

Franz, Arnold, of Basel, ii. 219, 240-241

Freeman, engraver, ii. 61

—— John, jeweller, ii. 288

Freiburg, i. 90-91, 111, 177, 180, 185, 338, 341, 351;
ii. 331, 341

—— University of, i. 84, 145;
University Chapel in Minster, i. 88, 91;
ii. 354

Freihamer, Thomas, i. 13

Frellon, Jehan and François, publishers, of Lyon, i. 212-213, 224,
227-228

French royal accounts, i. 281, 284

Frescobaldi family, i. 270

Frewen, Mr. T., i. 320;
ii. 348

Frey family, of Lucerne, i. 65

Frick, Mr. H. C., New York (collection), ii. 340, 348

Friedländer, Dr., i. 20;
ii. 196, 354

Frisch, A., ii. 393

Friso, Johan Willem, Prince of Orange-Nassau, ii. 57

Froben, Hieronymus, i. 182, 350

—— Johann, printer of Basel, i. 44-45, 47, 57, 62, 162-163, 166-168,
181-184, 188-192, 194, 198, 201, 208, 253, 290, 339;
ii. 241, 256, 329, 331

Frölicher, Elsa, _Die Porträtkunst H. Holbeins des J._, &c., ii. 311
_note_, 393

Fromont, Hans de, ii. 11

Froschover, Christopher, printer of Zürich, i. 202, 228;
ii. 76

Fruytiers, Philip, painter, ii. 198, 200

Fry, Rt. Hon. Lewis, ii. 81-82

—— Roger E., ii. 82-83, 99, 108, 169, 393

Fugger family, i. 6, 19

—— Anton, i. 19

—— Jacob, i. 19

—— Raimund, i. 19

—— Ulrich, i. 19

Fulham, i. 264;
ii. 210

Fürstenberg, Prince Carl von, i. 38

Fusina, Andrea, tomb at Milan, i. 140

Gage, Sir Edward, ii. 65

Gairdner, Dr. James, ii. 153 _and note_, 390

_Galerie du Musée Napoléon_, i. 173

Galway, Viscount (collection), i. 328 _and note_;
ii. 104

Ganz, Dr. Paul, director of the Public Picture Collection, Basel, i.
35, 39, 42, 44, 47, 56, 65, 69, 79, 81, 85 _note_, 88, 97, 107, 109,
112, 121, 130, 139-140, 143, 148-149, 151, 153, 157, 159-160, 174,
184, 234 _note_, 344 _note_, 346, 350, 356;
ii. 14-15, 117, 23, 26 _note_, 28, 52, 71, 83, 86, 87 _note_, 88
_note_, 93 _note_, 103, 108, 186 _note_, 193, 196, 213 _and note_,
214, 226-227, 230, 257, 260, 292, 323-324, 327-328, 347, 352, 393

Gardiner, Stephen, ii. 138

Gardner, Mr. E., ii. 346

Gardner, Mrs. John, Boston (collection), ii. 210, 347

Garrard, Martin, jeweller of Paris, ii. 288

Gassner, Veronica, i. 19

Gates, Richard, painter-stainer, i. 261

“Gaunt, a painter of,” i. 268

Gauthiez, Mons. Pierre, i. 78, 81;
ii. 393

Gay, Mr. Walter, Paris (collection), i. 171

_Gazette des Beaux-Arts_, i. 173, 238

Gebweiler (town), i. 32

Gebwiler, i. 84

Gegenbach, Pamphilius, i. 62

Geigy-Schlumberger, Dr. Rudolph, Basel (collection), ii. 213, 358

Gelderland, ii. 177

Genoa, i. 286

Gentils (Gentilz), President, i. 282-283;
ii. 333

_Gentleman’s Magazine_, i. 302

George II, King of England, ii. 249

—— III, King of England, ii. 249

——, Simon, ii. 205, 207-208, 252, 255

“Gerarde,” i. 267

“Gerhart, Master, Illuminator,” _see_ Hornebolt, Gerard

German Merchants in England, _see_ Steelyard

_German Old Testament_ (Petri), i. 229

Gerster, Hans, town archivist of Basel, i. 109, 111

Gesner, Conrad, of Zürich (_Partitiones Theologicæ_, &c.), i. 224

_Gesta Romanorum_, i. 67

_Geuchmatt_ (Thomas Murner), i. 59

Ghent, i. 265, 268, 289, 307;
Guild of St. Luke, i. 263; St. Bavon, i. 264

Ghirlandajo, Ridolfo, i. 276

Gibson, Richard, i. 260, 315

Giehlow, Dr. Carl, i. 21

Gigs, Margaret, i. 293, 296, 301, 303;
ii. 337, 339-340

Gilpin, ii. 189

Gisze, Georg, Steelyard merchant, ii. 4-8

Glarus, i. 344

Glaser, Dr. Curt, _Hans Holbein the Elder_, i. 15, 20;
ii. 393

Glass-painting, Holbein’s designs for, i. 135-157

Glass-painting in Switzerland, i. 135-136

“Gleane, The,” Southwark, i. 262

Glendon Hall, i. 269

Godefroy brothers, ii. 41-42, 47

Godfrey, R., engraver, ii. 346

Godington Park, Kent, i. 332

Godolphin-Quicke Collection, ii. 220

Godsalve, Sir John, i. 299, 325-327, 337;
ii. 65, 255;
miniature by Bettes, 309

—— Thomas, i. 299, 325-326, 337;
ii. 65, 255

Goelenius, of Louvain, i. 179-180

Goes, van der, _see_ Gow, John van der

Goette, A., ii. 393

Golden Fleece, Exhibition of the, Bruges (1907), ii. 141 _note_

Golden Norton, ii. 11

Goldschmidt-Przibram, Frau L. (collection), ii. 57, 349

Goldsmiths’ Company, ii. 11, 13

Goltzius, ii. 24

Gonzaga, i. 234 _note_

Goodrich Court, ii. 182, 235

Gostwick’s Accounts, ii. 68

Gow, John van der (Hans of Antwerp), ii. 10, 12-13

Gower, Lord Ronald Sutherland, i. 309

Graf, Urs, i. 47, 62, 158, 193, 197, 340

Grafton, ii. 176

Graham, William, Collection, i. 54 _note_

Granger, ii. 68, 194

Great Fire of London, i. 261;
ii. 24

_Great Harry_ (ship), i. 259, 273

Great Wardrobe Accounts, i. 262

_Greek New Testament_ (Bebelius), i. 225

Greenwich, ii. 184, 240, 294, 297-298;
Banqueting House (1527), i. 274-275, 281, 290, 311-316, 331, 336-337;
ii. 64, 91, 310 _note_, 346;
King’s House, ii. 337;
Palace, i. 271, 311, 317;
ii. 208;
Park, ii. 32;
Revels at, i. 260

Gregorius, sculptor, of Augsburg, i. 9

Gregory XIV, Pope, i. 305-306

Grenchen, Chapel of All Saints, i. 110

Grenville, Rt. Hon. George, ii. 237

Gresham, Sir Thomas, i. 287;
ii. 205, 304

Grey, Henry, Duke of Suffolk, i. 269

—— Thomas, i. 253

—— of Wilton, William, Lord, portrait by Flicke, ii. 305

Greystoke Castle, i. 177-179;
ii. 214

Grien, Hans Baldung, i. 31, 56, 88, 147, 168

Griesher, Hans, i. 19, 20

Griffoni, i. 243

Grimm, H., i. 24, 165, 169

Grinder, Mr., ii. 137

Grooth, Nikolaus, i. 75, 92-93

Grosvenor Gallery, Winter Exhibition (1878-1879), ii. 374

Grün, Heinrich, i. 20

—— tailor, of Augsburg, i. 20

Gruner, Herr L., ii. 67

Grünewald, Matthias, i. 31, 147-148

Grünstadt, Bavaria, i. 1, 23

Gsell Collection, ii. 57

Guarienti, Pietro, i. 17

Gubbins (Gobions), Hertfordshire, i. 301;
ii. 335-336

Gueiss, Albert von, ii. 5

Gueldres, ii. 178, 344

Guest, Miss, of Inwood, i. 332;
ii. 351, 355

—— Lady, Theodora, i. 332

Guicciardini, Lodovico, i. 265;
ii. 218, 239 _and note_

Guild of St. Luke, _see_ Ghent

Guise, Anthoinette de Bourbon, Duchess of, ii. 144, 146-150, 337,
343-344

—— Anthoinette de, daughter of Duke Claude, ii. 148-149, 344

—— Claude, Duke of, ii. 139, 144-146, 150, 154, 343-344

—— Claude, son of Duke Claude, ii. 148, 343

—— François II, Duke of, ii. 147

—— Louise of, ii. 142-146, 148-149, 153 _and note_, 154-155, 173, 176,
343-344

—— Marie of, Duchess of Longueville, afterwards Queen of Scotland, ii.
139-144, 147-149, 153 _and note_, 154-155, 235, 343-344

—— Renée of, ii. 144-146, 149, 155, 173, 176

Guises, Castle of the, at Joinville, ii. 147

Guisnes, i. 259, 273

Guldeford, Sir Henry, i. 299, 313, 316-321, 337;
ii. 1, 2, 65, 250, 254-255

—— Lady, i. 299, 318, 320-321, 337;
ii. 65, 87 _note_, 147

—— Sir Richard, i. 319

—— Joan, Lady, i. 319

Guldenknopf, Barbara, i. 109

Gwalther, Rudolph, ii. 156 _and note_

Gysin, _see_ Gisze

Gyssler, Jacob, butcher, of Basel, Holbein’s son-in-law, ii. 301

Haarhaus, J. R., i. 165 _note_

Haarlem, i. 183

Haas, publisher, of Basel, i. 188

Haberdashers’ Company, i. 260

Haddon, Dr. Walter, ii. 226

Hague, The, i. 179, 241;
ii. 59, 229, 341

—— Gallery, i. 106-107, 346-347;
ii. 54, 57, 65, 113, 203, 229, 355

Haig, Mr. J. R., i. 333

_Hall’s Chronicle_, i. 188 _note_;
ii. 79, 294, 309

—— _Triumphant Reigne of Kynge Henry the VIII_, i. 311-312, 316

Halsey, Miss Ethel, _Gaudenzio Ferrari_, i. 89 _note_, 95 _note_;
ii. 393

Hamburg, ii. 6

Hamilton, Duke of, i. 172

Hampton Court Palace, i. 95-96, 98, 165-167, 183-184, 258, 267, 270,
274, 281, 283-284, 301, 315-317, 333;
ii. 77, 86, 93-94, 97, 104-106, 136, 192, 204, 215, 267, 292, 304,
310, 349

Hampton Court Palace Accounts, i. 277

_Handzeichnungen Hans Holbeins des Jüngeren_ (Ganz), ii. 323-327

Hanfstaengl, Mr. F., ii. 250

Hanover, Provinzial Museum, i. 184, 351;
ii. 15, 164-166, 205, 353-354

Hanseatic League in London, _see_ Steelyard

Hanworth, i. 278

Hardie, Mr. Martin, ii. 219 _note_

Harding, S., i. 320

Hardwick Hall, ii. 97, 99, 101 _note_, 141, 205 _note_, 236, 351

Hardy, Mr. J. P., Collection, ii. 61 _note_

Haringworth, ii. 259

Harleian MSS., ii. 246

Harman, Dr. (Barber-Surgeons picture), ii. 291

Harris, John, Sir T. More’s “famulus,” i. 296, 301;
ii. 336-339

Harrowby, Earl of, Collection, ii. 72 _note_, 61

Harrowden, i. 319;
ii. 52, 86

Hartmann, Canon, i. 110

Hasse, George, Steelyard merchant, ii. 6

Hastings, Marquis of, ii. 80

—— plat of, i. 274

Hatfield Priory, Essex, ii. 267

Hauntlowe, Richard, painter-stainer, i. 261

Hauser, of Munich, i. 238;
ii. 22 _note_

Havering, i. 278

Havre, Le, ii. 139-140, 143-144, 146, 148-149, 155, 344

“Haward, a Dutch Juello^r,” portrait by Eworthe, ii. 307

Hawkins, Mr. C. Heywood T., sale (1904), ii. 228, 239-240

—— Mr. J. Heywood (collection), i. 308 _note_

Hay, Mr., Savile Row, i. 304

Haydock, Richard, i. 302;
ii. 218, 308

Hayes, Cornelis, court jeweller;
ii. 73, 92, 164, 287-288

Hazlitt, W. Carew, ii. 345

Heath, Mr. Dudley, ii. 221-222, 307

—— John, _see_ Hethe

Hebdenring, Wilhelm, i. 239

Heere, Lucas d’, ii. 307-308

Heerweghe, Jan van, i. 264

Hefner-Alteneck, Herr J. H. von, ii. 100

Hegner, Ulrich, i. 74, 77, 81, 84;
ii. 156 _note_, 239

Heitz, P., ii. 394, 398

Hemingham, Sir Anthony, ii. 258

—— Lady, ii. 237, 256, 258

“Henegham,” _see_ Hemingham

Henri II of France, i. 281;
ii. 147

Henry II, Emperor, i. 114

—— III of England, ii. 51

Henry VI of England, i. 205

—— VII of England, i. 269, 271-272, 275;
ii. 55, 94-96, 394, 188, 234-235, 267, 301

—— VIII, i. 97, 169, 176, 178, 256-259, 265-266, 268-270, 272-276,
279-280, 282-287, 294, 305-307, 311-312, 314-317, 319, 326-331, 338,
355-356;
ii. 3, 11, 12 _note_, 36, 45 _note_, 54, 59, 60, 65, 67-68, 70-73,
76, 79, 86-87, 90-110, 112-115, 117-120, 122-125, 127, 129-136,
138-144, 145-146, 148-149, 151-152, 154, 157-159, 164, 169,
171-180, 182, 184-185, 186 _note_, 187-188, 192, 194, 196-197,
200, 208-209, 211, 217-218, 221, 223, 225, 231-239, 244-247,
263, 266-267, 271, 274, 276, 278-279, 282, 310, 313, 333, 338

—— —— his collection and inventory of pictures, i. 97;
ii. 109, 127, 133-134, 137, 149, 170

—— —— portraits of, i. 266-267;
ii. 93-109

—— —— his tomb, i. 272, 280-281, 287 _note_

_Henry VIII_ (Shakespeare), ii. 211

“Henry VIII and his Family” (Hampton Court), ii. 97

_Henry Grace à Dieu_ (ship), _see_ _Great Harry:Great-Harry_

Henry, Prince of Wales, ii. 24-26

Henshaw, Charles, ii. 334

Hentzner, Paul, ii. 94-95, 97, 267

Heralds, College of, i. 262, 279

Herbert, Sir William, ii. 268

Herbster, Hans, i. 39, 40, 58, 60-61, 340

Hereford (town), i. 353;
ii. 212

Heresius, _see_ Harris, John

Herlins, Hans, i. 19

Hermitage Gallery, St. Petersburg, i. 61;
ii. 62, 245-246

Heron, Cecilia, daughter of Sir Thomas More, i. 294, 297, 303, 357;
ii. 250, 334-336

—— Essex, i. 300;
ii. 334-335

—— Giles, ii. 334, 336

—— Margaret, ii. 335

—— Sir William, of Heron, Kt., ii. 335

Herrault, Christopher, jeweller of Paris, ii. 288

Hert, illuminator, i. 267

Hertenstein, Benedikt von, i. 70, 72-74, 162;
ii. 278

—— Caspar von, i. 65

—— House decorations, ii 57-58, 64-72, 122

—— Jakob von, ii 57, 65-67, 69, 70, 74, 79

—— Leodegar von, i. 70

—— Peter von, Canon of Basel, i. 79

Hertford, Earl of, ii. 200

Hervey, Miss Mary F. S., _Holbein’s Ambassadors_, ii. 5, 39-41, 70, 45
_note_, 46-47, 49, 50, 52, 69 _note_, 257, 305, 327, 394

Herwart, Margreth, sister of Hans Holbein the Elder, i. 3;
ii. 162

Hes, Dr. Willy, i. 25-26, 45, 47, 60, 63;
ii. 394

Heseltine, Mr. J. P. (collection), i. 318 _note_, 324;
ii. 71 _note_, 3

Hess, Hieronymus, painter, i. 81, 127-130

Hesse, Grand Duke of, i. 232

Hesse-Darmstadt, Prince Charles of, i. 242

Hethe (or Heath), John, painter-stainer, i. 261-263

—— Lancelot, painter-stainer, i. 263

—— Lawrence, painter-stainer, i. 263

_Het Schilder Boek_ (Carel van Mander), _see_ Van Mander:Mander

Hewen, Von, family, i. 145;
ii. 326

—— —— Wolfgang von, rector of Freiburg University, i. 145

Heymans, Mynheer, ii. 187

Higham Park, Northamptonshire, ii. 228

“High Burgony,” _see_ Upper Burgundy

Hilliard, Laurence, ii. 234

—— Nicholas, i. 302;
ii. 90-91, 112-113, 218-219, 234-235, 237, 246, 81-309

Himmel, Zunft zum (Basel Painters’ Guild), i. 58-59, 82-83, 97, 121,
232

Hind, Mr. A. M., i. 230 _note_, ii. 394

Hirth, publisher, of Munich, i. 214

His-Heusler, Dr. Edouard, i. 50, 80, 190, 338;
ii. 157, 299, 394

_History of Portrait Miniatures_ (G. C. Williamson), ii. 220, 230

Hoby, Sir Philip, i. 176;
ii. 119-125, 130-131, 140-141, 143-144, 58, 148-151, 153-156, 343-344

—— Sir Thomas, ii. 168

—— William, of Leominster, ii. 119

Hoefnagel, Joris, engraver, i. 277

Holbein family, i. 1-4

Holbein, Ambrosius, elder son of Hans Holbein the Elder, i. 4, 5;
his portrait by his father in the “St. Paul” altar-piece and in
drawings, 11, 20, 25-27;
training in his father’s workshop, 29;
sets out for Switzerland with his brother, and settles in Basel, 32;
his share in the “Virgin and Child” picture of 1514, 34-35;
his drawings, 34;
date of his arrival in Basel, 37;
his share in the “Passion” series of paintings, 39-42;
designs for Basel printers, 44-45;
his share in the “Praise of Folly” drawings, 47-48;
portrait of a man at Darmstadt (1515), 50-51;
probable visit to Lucerne, 58;
citizen of Basel, and joins Painters’ Guild, 58-59;
portrait of Schweiger, and probable date of his death, 59;
his paintings, and portrait of Herbster, 60-61;
his drawings and designs, 61;
portrait at St. Petersburg, 61-62;
woodcut designs, 59, 62-63;
his art, 63, 82, 185, 189, 192, 254;
ii. 65

Holbein, Ambrosius—

_Pictures and Drawings_

Portraits of Two Boys (Basel), i. 34, 51, 59, 60, 63

Portrait of a Little Girl (Vienna), i. 60

Portrait of Hans Herbster (Basel), i. 39, 50, 60-61

Portrait of a Young Man, dated 1515 (Darmstadt), i. 50-51

Portrait of Jörg Schweiger (Basel), i. 59

Portrait of a Young Man (Hermitage), i. 61-62

The Saviour as the “Man of Sorrows” (Basel), i. 60

Study of Two Death’s Heads (Basel), i. 60

Drawing of a Girl, “Anne” (Basel), i. 34, 61, 63

Drawing, Head of an Unknown Man (Basel Kunstverein), i. 51

Silver-point studies for Portraits of Two Boys (Vienna and Paris), i.
60

Drawing, Head of a Young Woman (Basel), i. 61

Drawing, Head of Young Man turned to left, 1517 (Basel), i. 61

Drawing, coloured, of a member of the Von Rüdiswiler family (Basel), i.
58, 185

Drawing, Head and Body of a Baby (British Museum), i. 63

Glass design, “Foundation of Basel” (Basel), i. 61

Drawings, “Pyramus and Thisbe” and “Hercules and Antæus,” two roundels
(Karlsruhe), i. 63

Woodcut designs for T. Murner’s _Geuchmatt_, i. 59

Woodcut designs for More’s _Utopia_, i. 62, 192

Woodcut designs for title-pages, initial letters, &c., i. 62-63

Woodcut design for title-page, “Tarquin and Lucrece,” i. 193

Holbein, Anna, sister of Hans Holbein the Elder, _see_ Eichinger, Anna

—— Barbara, sister of Hans Holbein the Elder, _see_ Oberhausen, Barbara
von

—— Bruno, mythical brother of Ambrosius and Hans Holbein, i. 4, 5

—— Elsbeth (Schmid), wife of Hans Holbein the Younger, i. 83-84,
105-109, 222, 245, 248, 252-253, 339, 343-347;
ii. 63, 65, 160-162, 168, 300

—— Felicitas, wife of Conrad Volmar, ii. 301

—— Hans, supposed grandfather of Hans Holbein the Younger, i. 3, 4, 7

—— Hans, the Elder, i. 2;
his family, 3, 4;
forged signatures on his pictures, 3;
his birth and earliest works, 4;
his art, 5-7;
settles in Ulm, 8;
visits Frankfurt, 9;
work for the Monastery of Kaisheim, 9-11;
portraits of himself and sons in “Baptism of St. Paul,” 11-12;
drawings of his sons, 11, 20, 25-27;
work for the Church of St. Moritz, Augsburg, 13;
financial troubles, 13;
the “St. Sebastian” altar-piece, 14-16, 30;
“Fountain of Life,” 16-18;
portrait-studies of heads in silver-point, 18-21;
portrait of a Lady, Sir F. Cook’s Collection, 20-22;
his last years, 22;
letter claiming his painting materials left at Isenheim, i. 22,
254;
his death, i. 22; 34, 38, 40, 51;
legend that he lived in Lucerne with his sons, 58, 92, 108, 148,
186, 254

Holbein, Hans, the Elder—

_Pictures and Drawings_

The Virgin with the Infant Christ in her Arms (Augsburg), i. 3

Basilica of Santa Maria Maggiore (Augsburg), i. 4, 7

Joachim’s Sacrifice, Birth of Mary, Presentation of Mary, and
Presentation of Christ, four altar panels (Augsburg), i. 7

The Death of Mary, Afra altar-piece (Basel), i. 7 _note_

Crowning of the Virgin, Vetter altar-piece (Augsburg), i. 8, 38

Genealogy of Christ and of the Dominicans, &c. (Frankfurt), i. 9

Kaisheim Altar-piece (Munich), i. 9, 27

Transfiguration of Christ (Augsburg), i. 10

Basilica of St. Paul (Augsburg), i. 10, 11, 27, 186

Martyrdom of St. Sebastian (Munich), i. 14-17, 30, 33, 104

The Fountain of Life (Lisbon), i. 5, 16-18, 22, 34

Portrait of a Lady (Sir F. Cook’s Collection), i. 20-21

Martyrdom of St. Catherine, Legend of St. Ulrich, The Virgin and St.
Anne Teaching the Infant Christ to Walk, &c., altar panels
(Augsburg), i. 23-25, 30

The Death of Mary (Basel), i. 26-27

Passion Series (Donaueschingen), i. 38, 40

Drawing, Study of his Own Head (Chantilly), i. 11

Drawing of a Lady’s Head, perhaps his wife (Munich), i. 12

Studies for St. Sebastian (Copenhagen), i. 16

Studies for Sir F. Cook’s portrait of a Lady (British Museum and
Berlin), i. 21-22

Portrait-Studies of his Sons, i. 11, 20, 25, 27, 186

Portrait-Studies in silver-point, i. 18-21

Study for the “Death of Mary” (Basel), i. 26

Holbein, Hans, the Younger, his portrait by his father in the “St.
Paul’s” altar-piece (1504), i. 11;
and in his father’s drawings, i. 11, 25-27;
personal appearance, i. 11;
works of his father wrongly ascribed to him, 14-15;
his supposed share in the “St. Sebastian” altar-piece, 15, 16, 30;
place and date of his birth, 23-29;
miniatures of himself, 28;
house where born, 29;
training in his father’s workshop, 29-30;
influence of Burgkmair, 30, of the Italian Renaissance, 30-31, and of
Grien and Grünewald, &c., 31;
sets out with his brother Ambrosius for Switzerland, 32;
date of arrival in Basel, 37;
early works in Basel, 32-45;
possibility that he worked for a time in Hebster’s studio, 39;
work for printers and “Praise of Folly” drawings, 44-49;
legends as to his character, 49-50;
double portrait of Jakob Meyer and his wife, 52-55;
his methods of work at that time, 53;
work in Lucerne and decoration of the Hertenstein House, 57-72;
his visit to Lombardy and its influence on his art, 74-78;
other work in Lucerne, 78-81;
returns to Basel, enters Painters’ Guild, and becomes a burgher,
82-83;
his marriage, 83-84;
portrait of Bonifacius Amerbach, 84-87;
sacred pictures and drawings of this period, 88-101;
Italian influences in his work, and growing mastery of technique,
&c., 86, 94-95, 98;
Dead Christ in the Tomb, 101-103;
Solothurn Madonna, 103-111;
portraits of his wife, 106-109;
wall-paintings for the House of the Dance, and other buildings,
117-123;
his wall-paintings in the Council Chamber of the Basel Town Hall,
123-134;
work as a designer for glass-painters, 135-157;
costume studies and other drawings, 157-161;
his various portraits of Erasmus, 164-174;
his journey though the South of France, 174-176;
portraits of Froben, 166-168, 183-184, of Melanchthon, 184-185, and
of himself, 185-186;
designs for woodcuts and book illustrations, 187-203;
the Dance of Death woodcuts, 204-224;
the happy partnership of Holbein and Lützelburger in these cuts,
223-225;
Alphabet of Death and Old Testament woodcuts, 224-230;
the Meyer Madonna, 232-252;
resolves to visit England, 252-253;
attempts to get his father’s painting materials from Isenheim, 254;
Erasmus’ letter of introduction to Ægidius, 255;
leaves Basel for England, 288;
his relationships with Sir Thomas More, 290-291;
painting of the More Family Group, 291-302;
other portraits of More and his family, 303-310;
his work in connection with the temporary Banqueting House at
Greenwich (1527), 311-316;
portraits of Sir Henry Guldeford, Warham, Fisher, Thomas and John
Godsalve, Kratzer, and others, 317-337;
returns to Basel and purchases two houses, 338-339;
portrait of his wife and two children, 343-346;
finishes his wall-paintings in the Basel Town Hall, 347-350;
paints a new portrait of Erasmus, 351;
lack of work caused by severe iconoclastic outbreaks sends him back
to England, 352

ii. Second residence in London, and connection with the German
merchants of the Steelyard, 1-32;
portraits of Gisze, Hans of Antwerp, Wedigh, Born, Tybis, Fallen,
Berck, &c., 4-23;
his decorative paintings of the Triumphs of Riches and Poverty,
23-30;
triumphal arch designed for Anne Boleyn’s Coronation, 30-32;
painting of “The Two Ambassadors,” 34-53;
portraits of Cheseman, Thomas Cromwell, Morette, Poyntz, Nicolas
Bourbon, 54-75;
woodcuts of the English period, 76-79;
portraits of members of the Wyat family, Sir Richard Southwell, and
others, 79-89;
enters the service of Henry VIII, 90-92;
the Whitehall fresco of Henry VII and Henry VIII, &c., 93-100, and
other portraits of the King and of Jane Seymour, 100-113;
goes to Brussels to paint the Duchess of Milan (1538), 119-137;
goes to Havre in June and to Joinville and Nancy in August (1538), to
take likenesses of ladies of the Guise and Lorraine families,
139-155, 343-344;
revisits Basel, and is entertained at a banquet, 156;
offer of a pension from Basel Town Council, 158-161;
death and will of his uncle Sigmund, 161-162;
returns to England, 162-164;
portraits of the infant Prince of Wales, 164-168;
goes to Düren (1539) to paint Anne of Cleves, 175-182;
his work in Whitehall Palace, 185-187;
residing in parish of St. Andrew Undershaft, 188-189;
payments in advance of his salary, 190-191;
possibility of a visit to Basel in 1540, 191-192;
portraits of Queen Catherine Howard, the Duke of Norfolk, the Earl of
Surrey, the Earl of Southampton, Dr. John Chamber, Sir William and
Lady Butts, and others of unknown men and ladies, 192-212;
various miniatures and portraits of himself, 213;
his work as a miniature painter, 217-242;
his drawings of the heads of the men and women of Henry’s court, now
in the Royal Library, Windsor, 243-259;
similar drawings in Berlin, Basel, &c., 259-261;
comparison between his portrait-drawings and those of the two
Clouets, 261-262;
his work as a practical designer for craftsmen and jewellers, and
architectural designs, 265-286;
his connection with various London goldsmiths, 287-288;
his last large picture, for the Barber-Surgeons’ Company, left
unfinished, 289-294;
his death and will, and executors, 294-298;
earlier mistakes as to the date of his death, 298-299;
his wife, children, and descendants, 299-301;
some of his contemporaries and successors at the English Court,
302-311;
destruction or loss of all his larger decorative works, 312-314;
fertility of his invention and power of dramatic composition,
314-315;
influence of the Italian Renaissance on his art, 315-316;
the brilliance of his draughtsmanship, 316-318;
comparison of his art with Dürer’s, 318-320;
Lord Leighton and Ruskin upon his art, 319-321;
his early drawings and glass designs, 323-327;
his connection with Dr. Johann Fabri, 330-332;
his return to England in 1532, 340-341;
his studio in Whitehall, 344-346

Holbein, Hans, the Younger—_Pictures, Drawings, Woodcuts, &c._—

_Pictures_

Virgin and Child, 1514 (Basel), i. 32-35, 37;
ii. 332, 356

Christ bearing the Cross, 1515 (Karlsruhe), i. 38, 43, 101;
ii. 354

Crowning with Thorns, 1515 (Karlsruhe), i. 39;
ii. 354

Painted Table (Zürich), i. 35-37, 53, 77;
ii. 358

Heads of the Virgin Mary and St. John (Basel), i. 37-38, 56;
ii. 356

Scenes from Christ’s Passion, on canvas (Basel), i. 39-42, 68, 93, 99,
104, 156;
ii. 356
1. The Last Supper, i. 39, 40, 42, 76;
ii. 356
2. Christ on the Mount of Olives, i. 40, 42;
ii. 356
3. The Arrest in the Garden, i. 40, 42, 87;
ii. 356
4. The Scourging of Christ, i. 39, 40-42, 56;
ii. 356
5. Pilate Washing his Hands, i. 41-42;
ii. 356

Schoolmaster’s Signboard, 1516 (Basel), i. 48 _note_, 51-52;
ii. 356

Adam and Eve, 1517 (Basel), i. 38, 55-56, 112;
ii. 93, 356

Passion of Christ Altar-piece (Basel), i. 43-44, 87, 91-96, 150, 350;
ii. 312. 316, 357

The Last Supper (Basel), i. 75-76. 88, 91 _note_, 340;
ii. 357

Coat of Arms for the Painters’ Guild Chamber, Basel, i. 83

Christ as the Man of Sorrows, i. 98-99;
ii. 357

Mary as Mater Dolorosa, i. 98-99;
ii. 357

The Nativity (Freiburg), i. 87-91, 98;
ii. 354

The Adoration of the Kings (Freiburg), i. 87-91, 98;
ii. 354

Dead Christ in the Tomb, 1521 (Basel), i. 77, 160;
ii. 356

St. George, 1522 (Karlsruhe), i. 111-113, 160;
ii. 354

St. Ursula, 1522 (Karlsruhe), i. 111-113, 249;
ii. 354

Solothurn Madonna, 1522 (Solothurn), i. 84, 103-113, 149, 160, 235,
245, 249, 345-346;
ii. 316, 324, 358

Meyer Madonna (Darmstadt), i. 33, 103, 149, 232-246, 249-250, 293
_note_, 243;
ii. 260, 312, 316, 328, 330, 341, 354

Meyer Madonna (Dresden), i. 236-239, 241-244;
ii. 328-329, 354

Magdalena Offenburg as Laïs, 1526, i. 75, 158, 162, 245-252, 289;
ii. 357

Magdalena Offenburg as Venus, 1526, i. 75, 158, 162, 245-252, 289;
ii. 357

“Noli Me Tangere” (Hampton Court), i. 76, 95-98;
ii. 77, 349

Organ Doors, Basel Minster (Basel), i. 87, 113-115, 154, 249, 340;
ii. 357

“Triumph of Riches,” i. 159;
ii. 23-30, 262-263, 313-314

“Triumph of Poverty,” ii. 23-26, 28-30, 262, 313

Various copies and engravings of the Triumphs of Riches and Poverty, by
Zuccaro, Vorsterman, Bisschop, Merian, &c., ii. 26-27

Coats of arms painted for the borough of Waldenburg, i. 233

_Lost Pictures and Pictures Attributed to Holbein_

Head of Christ (Altorf), attributed to Holbein, i. 77

Crucifixion (Altorf), attributed to Holbein, i. 77

Christ in the Tomb (Altorf), copy of the 1521 painting, i. 77-78

Five pictures mentioned by Patin as in Lucerne churches in his day, i.
80-81

Taking Down from the Cross (Palermo), copy of lost original, i. 81

Christ on the Cross between Mary and John (Basel), copy of lost
original, i. 87

Christ taken Prisoner (engraving only), copy of lost original, i. 87

Lamentations over Christ, &c. (etching), copy of lost original, i.
87-88

St. Barbara (etching), copy of lost original, i. 88

Series of Prophets, on canvas (Basel), by Sarburgh after lost
originals, i. 88;
ii. 328, 330

Siege of Terouenne, painting for the Greenwich Banqueting Hall, 1527,
i. 315-316;
ii. 64, 313

Painting of “Adam and Eve,” for a royal cradle (1534), ii. 92-93

Death of Virginia (Dresden), copy of a lost picture, ii. 263-264

Death’s Head and Cross Bones (Arundel Collection, 1655), ii. 65

A Picture with “divers figure Jocatori, &c.” (Arundel Collection,
1655), ii. 65

Arms of England in water-colours (Arundel Collection, 1655), ii. 65

“Legge Vecchio & Nove” (Arundel Collection, 1655), ii. 65

Jupiter and Io, water-colour (BuckinghamInventory, 1635), ii. 215

_Wall-Paintings_

Hertenstein House wall-paintings, i. 57, 64-72, 117, 127, 142

Tarquin and Lucrece, original fragment of above (Lucerne), i. 68;
ii. 358

House of the Dance wall-paintings, i. 117-121, 127, 200;
ii. 157, 315

Basel Town Hall wall-paintings, i. 123-134, 142, 232, 252, 343,
347-352;
ii. 157, 357
Charondas, i. 127-128
Curius Dentatus, i. 127-128, 130-131
Zaleucus, i. 127-130;
ii. 284
Sapor and Valerian, i. 128-129, 131-132
Rehoboam rebuking the Elders, i. 126-128, 347-349;
ii. 263, 314
Samuel and Saul, i. 126-128, 347, 349;
ii. 314
Hezekiah breaking the Idols, i. 128, 347
Single figures of Christ, David, &c., i. 128, 132-133
Original fragments of “Curius Dentatus,” i. 127, 130;
ii. 357
Original fragments of “Rehoboam,” i. 127, 347-349;
ii. 357
Copies of some of the remains by H. Hess, i. 127-129

Whitehall fresco—Henry VII and Elizabeth of York, Henry VIII and Jane
Seymour, i. 286;
ii. 91, 93-97, 100, 103, 105, 109, 113, 185, 187-188, 271, #313

_Portraits (arranged alphabetically)_

Amerbach, Bonifacius, 1519 (Basel), i. 74, 84-87, 90, 122, 162, 170;
ii. 256, 356

Amelie of Cleves (lost portrait), ii. 174-176

Anne of Cleves, 1539 (Louvre), ii. 65, 115, 171, 174-176, 181-182,
236-237, 255, 311, 353;
other portraits, ii. 183-184

Antwerp, Hans von, 1532 (Windsor), ii. 8-14, 16, 215, 350

Antwerp, Hans of, roundel (Salting Collection), ii. 14-15, 350

Antwerp, Hans of (?), roundel (Lord Spencer), after Holbein (?), ii.
14-15, 352

Berck, Derich, 1536 (Petworth), ii. 22-23, 83, 351;
copy at Munich, ii. 23, 355

Born, Derich, 1533 (Windsor), ii. 17-20, 65, 350

Born, Derich (Munich), ii. 20, 355

Bourbon, Nicolas (lost portrait), ii. 72-73

Butts, Sir William (Mrs. Gardner, Boston), ii. 205, 209-210, 289, 347

Butts, Lady (Mrs. Gardner, Boston), i. 354;
ii. 83, 205, 209-210, 347

Carew, Sir Nicholas (Dalkeith), i. 337;
ii. 65, 87-89, 134, 255, 351

Chamber, Dr. John (Vienna), ii. 65, 112, 208-209, 255, 289, 349; copy
at Oxford, ii. 209

Cheseman, Robert, 1533 (Hague), ii. 46, 54-57, 203, 206, 255, 355

Cromwell, Thomas, 1534 (?) (Tyttenhanger Park), i. 328;
ii. 58-60, 65, 88, 255, 311, 351;
other versions of Cromwell portrait, ii. 60-61

Denny, Sir Anthony (lost portrait?), ii. 214

Dinteville, Jean de, and George de Selve, 1533 (The Ambassadors),
(National Gallery), i. 327, 330;
ii. 5, 17 _note_, 19, 35-53, 64, 158, 255, 339, 349

Edward VI (Hanover), ii. 12 _note_, 65, 164-165, 171, 205, 288, 354

Edward VI (Lord Yarborough), ii. 165, 353;
other versions, after Holbein, and by Stretes and others, ii.
166-170, 165

Erasmus, 1523 (Longford Castle), i. 164, 167-172, 177, 179, 180-182,
219, 253, 322-323;
ii. 256, 352

—— 1523 (Louvre), i. 168-169, 172-173, 181-182;
ii. 353

—— 1523 (Basel), study for Louvre portrait, i. 172-174;
ii. 357

—— 1530 (Parma), i. 177, 179-180, 351;
ii. 355

—— roundel (Basel), i. 171 _note_, 177, 179-180, 184, 351

—— (Pierpont Morgan Collection), i. 171 _note_, 177-180;
ii. 347

—— various copies of above, i. 167-168, 171, 180-181;
ii. 328-329

—— and Froben, double portrait, i. 166, 182;
ii. 329

—— (Arundel Collection, 1655), ii. 25, 65

—— (Lumley Inventory, 1590), ii. 134

Fallen, Cyriacus, 1533 (Brunswick), i. 73;
ii. 17, 22, 353

Fisher, John, Bishop of Rochester (lost portrait), i. 299, 323-325, 337

Fitzwilliam, William, Earl of Southampton (Cambridge), after Holbein,
ii. 43, 65, 204, 304

Froben, Johann (Hampton Court and Basel), i. 162, 166-167, 172,
183-184;
ii. 256, 349, 357

Gage, Sir Edward (Arundel Collection, 1655), ii. 65

George, Simon (Frankfurt), ii. 205, 207, 354

Gisze, Georg, 1532 (Berlin), i. 54;
ii. 4-8, 10 _and note_, 14, 18, 43, 129, 353

Godsalve, Thomas and John, 1528 (Dresden), i. 299, 317, 325-326, 337;
ii. 65, 255, 354

Guise, Louise of, 1538 (lost portrait), ii. 144, 146-149, 299

Guldeford, Sir Henry, 1527 (Windsor), i. 299, 317-320, 337;
ii. 65, 134, 311, 350

Guldeford, Lady, 1527 (W. C. Vanderbilt, New York), i. 299, 318-320,
337;
ii. 65, 134, 311, 348

Henry VIII (Althorp), ii. 93, 107-109, 299, 352

Henry VIII (Rome), ii. 93 _note_, 101-103, 171 _note_, 356

Henry VIII presenting a Charter to the Barber-Surgeons’ Company
(Barber-Surgeons’ Hall), ii. 208-209, 289-294, 346, 350

Henry VIII, various portraits after Holbein or by his contemporaries,
at Warwick Castle, ii. 100-102, 104, 217, 290;
Windsor Castle, ii. 103-104, 236;
St. Bartholomew’s Hospital, ii. 101, 103, 234;
and at Belvoir, Petworth, Chatsworth, and elsewhere, ii. 100-107,
101, 169, 234, 236

Henneage, Sir Thomas (Lumley Inventory, 1590), ii. 134

Hertenstein, Benedikt von, 1517 (New York), i. 72-74, 86, 162;
ii. 278, 347

Holbein, Elsbeth, early portrait (The Hague), i. 106-108, 345;
ii. 57, 65, 355

Holbein’s Wife and Children, 1528-529 (Basel), i. 106-107, 185, 250,
343-347;
ii. 164, 189, 255, 357;
other versions, i. 344-345

Holbein, Hans (Uffizi), ii. 213, 231, 355

—— —— (Geigy Collection, Basel), ii. 213, 358

Howard, Queen Catherine (Dunn Collection, Canada), i. 354;
ii. 192, 195-196, 207, 283, 348;
copy in National Portrait Gallery, ii. 194-196

Kratzer, Niklaus, 1528 (Louvre), i. 299, 317, 325, 327-328, 337, 350;
ii. 4, 88, 241, 255, 353

Le Strange, Sir Thomas (Mr. H. Le Strange), ii. 85-86, 134

Lorraine, Anne of, 1538 (lost portrait), ii. 144, 146-149, 154

Lovell, Sir Thomas (Lumley Inventory, 1590), ii. 135

Melanchthon, Philip, roundel (Hanover), i. 184-185, 351;
ii. 354

Meyer, Jakob, and his Wife, 1516 (Basel), i. 52-55, 73-74, 86, 162;
ii. 328, 356

Milan, Christina, Duchess of, 1538 (National Gallery), ii. 25, 43, 51,
65, 88, 115, 125-130, 133-137, 142, 150-151, 155, 171, 255, 349;
copy of the upper half (Windsor), ii. 125-127

More Family Group, i. 293, 328, 337, 357;
ii. 1, 43, 65, 244, 260, 289, 313, 334-340

—— —— —— (Nostell Priory), i. 295-300, 308;
ii. 334-340

—— —— —— (East Hendred), i. 300;
ii. 335-336, 125, 352

—— —— —— (Thorndon), i. 300;
ii. 334-336

—— —— —— (Burford), i. 301-302;
ii. 45 _note_, 300-336, 351

—— —— —— miniature after the Burford picture, by R. Lockey (?) (Sotheby
Collection), i. 302

—— Sir Thomas and his Father (Hutton Hall), i. 300

More, Sir Thomas, 1527 (Frick Collection), i. 293, 299, 303-307,
316-317;
ii. 221, 289, 340, 348

—— Sir Thomas (Lumley Inventory, 1590), ii. 134

—— Sir Thomas (Arundel Collection, 1655), ii. 25, 65

—— Lady (Methuen Collection), i. 299, 303, 307-308;
ii. 289

Morette, Charles de Soliers, Sieur de (Dresden), i. 306;
ii. 17 _note_, 38, 49 _note_, 63-70, 255, 341, 354

Musician, Portrait of a, called Dinteville (Bulstrode Park), ii. 52-53,
65, 87 _note_, 352

Norfolk, Duke of (Windsor), i. 330;
ii. 65, 171, 197-199, 330, 350;
other versions, ii. 197-199

Poyntz, Sir Nicholas (various versions), ii. 63, 72, 342-343

Reskimer (Hampton Court), i. 299, 320, 333-334;
ii. 349

Rich, Sir Richard, attributed to Holbein (Knepp Castle, destroyed by
fire), ii. 311

Rich, Lady (America), ii. 212, 348

Roper, Margaret (Knole), after Holbein, i. 303. 307-309, 337;
ii. 352

Russell, Sir John, attrib. to Holbein (Woburn Abbey), ii. 351

Seymour, Queen Jane (Vienna), i. 54;
ii. 65, 109, 111-113, 181, 237, 280, 349;
other versions, ii. 112-113, 169, 351-352, 355

Southwell, Sir Richard, 1536 (Florence), i. 330;
ii. 23, 83-85, 355;
other versions, ii. 83, 85, 353

Surrey, Earl of (lost portrait), ii. 65, 171, 198, 200, 303-304

Tuke, Sir Bryan (Miss Guest and Munich), i. 299, 331-332, 337;
ii. 351, 355;
other versions, i. 332-333

Tybis, Derich, 1533 (Vienna), ii. 7, 10, 17, 20-21, 348

Vaux, Lord (lost portrait), ii. 87 _and note_

—— Lady (Hampton Court and Prague), ii. 86-87, 348, 349

Warham, Archbishop (Louvre and Lambeth), i. 299, 317, 321-323, 328,
337;
ii. 65, 350, 353

—— —— (Viscount Dillon), i. 323

Wedigh of Cologne, 1532 (Schönborn Collection), ii. 15-16, 349

Wedigh, Hermann H., 1533 (Berlin), ii. 16-17, 17 _note_, 18, 22, 49
_note_, 353

Wyat, Sir Henry (Louvre), i. 304, 306, 335-337;
ii. 353;
other versions (Dublin and Countess of Romney), i. 335;
ii. 350

—— Sir Thomas (various portraits), ii. 65, 79-81, 134, 255

—— Margaret, Lady Lee (Altman Collection, New York), ii. 82-83, 348

Zürich, Hans von (lost portrait), ii. 15, 65

Unknown Young Woman, about 1528 (Basel), unfinished, i. 346-347;
ii. 357

—— Young Man, 1533, roundel (Goldschmidt-Przibram), ii. 57, 349

—— Man in Henry VIII’s livery, 1534, roundel (Vienna), ii. 62, 70-71,
348

—— Lady, wife of above, 1534, roundel (Vienna), ii. 62, 70-71, 348

—— Young Man in Henry VIII’s livery, roundel (F. Engel-Gros), ii. 71,
353

—— —— copy of above in Fitzwilliam Museum, Cambridge, ii. 71

—— —— aged 28, 1541 (Vienna), ii. 202-203, 206, 255, 349

—— —— aged 37, 1541 (Berlin) ii 201-202, 353

—— Man with Falcon, 1542 (Hague), ii. 54, 57, 203, 205, 255, 355

—— Lady (Vienna), ii. 205, 207, 349

—— Middle-aged Man (Berlin), ii. 205-206, 255, 353

—— Man (Basel), ii. 211, 255, 357

—— English Lady (Lanckoronski Collection, Vienna), ii. 211-212, 349

—— English Lady (Mr. A. H. Buttery), i. 353-358;
ii. 351

—— Elderly Man (Prado), formerly attributed to Holbein, i. 334-335;
ii. 356

Portrait of a Lady, “con gli mani giunti” (Arundel Collection, 1655),
ii. 65

Portrait of a Lady aged forty, with motto “In all things,” &c. (Arundel
Collection, 1655), ii. 65

Portraits of various unknown men, ladies, and boys, only known from
Hollar’s etchings after Holbein, ii. 214-215

_Miniatures (by or attributed to Holbein)_

Abergavenny, Lord (Duke of Buccleuch), ii. 62, 222, 351

Anne of Cleves (Salting Bequest), ii. 181-182, 232, 236, 350

Audley, Lady (Windsor), ii. 220, 222-223, 350

Brandon, Charles, Duke of Suffolk (Morgan Collection), not by Holbein,
ii. 241

—— Charles, son of the Duke (Windsor), ii. 201, 220, 222-225, 227, 350

—— Henry, son of the Duke (Windsor), ii. 63, 220, 222-225, 227, 350

Cromwell, Thomas (Morgan Collection), ii. 61, 231-232, 348

Edward VI, various miniatures, ii. 238

Franz, Arnold (Morgan Collection), ii. 219, 240-241

Henry VIII (Morgan Collection), ii. 182, 235-236, 348

—— —— (Duke of Buccleuch), ii. 109, 234;
other miniatures of Henry VIII not by Holbein, ii. 234-235, 351

Holbein, Hans (Wallace Collection), ii. 230, 350

Holbein, Hans (Duke of Buccleuch), ii. 230-231, 351

—— —— other versions, ii. 215, 230-231

Howard, Queen Catherine (Windsor), ii. 192-193, 220, 222, 238, 350

—— —— —— (Duke of Buccleuch), ii. 193-194, 220, 222

Kratzer, Niklaus (Morgan Collection), i. 241, 328

Mielich, Hans, or Maynert, Harry (?) (Munich), ii. 241-242, 355

More, Sir Thomas (Morgan Collection), i. 306-308;
ii. 220-222, 348

—— —— —— (Duke of Buccleuch), ii. 221-222, 351

Pemberton, Mrs. Robert (Morgan Collection), ii. 228-229, 348

Seymour, Queen Jane, various miniatures, ii. 237-238, 351

Unknown Youth (Queen of Holland), ii. 220, 229-230, 355

—— Man in Black (Queen of Holland), ii. 230

_Drawings and Designs_

Calvary, early drawing (Augsburg), ii. 323

Bearing the Cross (Basel), i. 42-44

“Praise of Folly” marginal drawings (Basel), i. 45-50, 63, 85, 229

Study for “Leæna and her Judges,” for Hertenstein House (Basel), i. 68

Architectural design, Hertenstein House (Basel), i. 65-66, 69, 122

Dagger sheath with a Roman Triumph (Basel), i. 73

The Archangel St. Michael (Basel), i. 79, 80, 112, 248

Miners at Work (British Museum), i. 80

The Holy Family (Basel), i. 99, 100

Virgin and Child (Basel), i. 99, 100

Virgin and Child (Leipzig), i. 100

Virgin and Child (Brunswick), 1520, ii. 326

Design for Basel organ case (Basel), i. 113-115

Study for Dancing Peasants, House of the Dance (Berlin), i. 119-121

Various tracings and copies of studies for same house (Basel), i.
120-121

Design for a painted house-front with figure of Emperor (Basel), i.
121-122

Design for a painted framework of a window (Basel), i. 122

Design for “Sapor and Valerian,” Basel Council Chamber (Basel), i.
131-132;
ii. 264

Contemporary copies of the designs for the Council Chamber paintings
(Basel), i. 132-133

Studies of Ladies’ Costumes (Basel), i. 138, 157-159, 245, 248

Coat of arms for Petrus Fabrinus (Basel University), i. 145-146;
ii. 357

Costume Study (Dessau), i. 159

Costume study of a Lady, full-length (British Museum), i. 356-357

St. Adrian (Louvre), i. 159-160

Study of a Nude Woman (Basel), i. 160

Fight of Landsknechte (Basel), i. 160-161, 230;
(Albertina), i. 161 _note_

Lamb, Lamb’s Head, and Bat (Basel), i. 161

Duke of Berry, copy of a sepulchral figure (Basel), i. 175-176

Duchess of Berry, copy of a sepulchral figure (Basel), i. 175-176

Designs for painted glass—
Virgin and Child, with Lucerne Bridge (Basel), i. 78-79
Three Peasants with Holdermeier arms (Basel), i. 79
Design for Hans Fleckenstein (Brunswick), i. 79;
ii. 323-324
Design with arms of Lachner family (Stockholm), ii. 325-326
The Banner-Bearer of the Urseren Valley (Berlin), ii. 324-325
Martyrdom of St. Richardis (Basel), ii. 326-327
Design with figure of a Bishop (Basel), i. 77
St. Barbara (Basel), i. 88
Eight panels of Saints (Basel), i. 137-139, 248
The Prodigal Son (Basel), i. 139-141
Two Unicorns (Basel), i. 140-141
Various designs with figures of Landsknechte (Basel, Berlin, Berne,
&c.), i. 140-144
Scroll-work with helmets and coat of arms of Von Hewen family
(Basel), i. 144-145;
ii. 326
Design with coat of arms of Von Andlau family, i. 145;
ii. 326
Terminus, for Erasmus (Basel), i. 146
Wild Man of the Woods (British Museum), i. 146-147
Christ on the Cross between the Virgin and St. John (Basel), i.
147-148
The Annunciation (Paris), i. 147-148
St. Elizabeth (Basel), i. 148-149;
ii. 325
Virgin and Child with kneeling donor (Basel), i. 149-150, 249
Ten designs illustrating the Passion of Christ (Basel), i. 43-44,
115, 136, 150-157;
ii. 327;
replicas in British Museum, i. 156-157;
ii. 327

Rehoboam rebuking the Elders, study for Basel Council Chamber
wall-painting (Basel), i. 347-348

Meeting of Samuel and Saul, study for Basel Council Chamber
wall-painting (Basel), i. 347, 349-350;
ii. 264

Design for Dagger Sheath, dated 1529 (Basel), i. 350

Design for a Cup for Hans of Antwerp (Basel), ii. 11, 275, 286

Triumph of Riches (Louvre), ii. 26-29, 264

Apollo and the Muses on Mount Parnassus, ii. 31-33

Satirical drawings of the “Passion” for woodcuts, ii. 77, 342

Queen of Sheba and King Solomon (Windsor), ii. 262-264, 350

A Transport Ship (Frankfurt), i. 161 _note_;
ii. 264

Design for a royal fireplace (British Museum), ii. 269-270

Queen Jane Seymour’s Cup (Oxford and British Museum), ii. 113, 274-275,
286

Sir Anthony Denny’s Clock (British Museum), ii. 276, 286

Designs for cups, tankards, sword and dagger hilts, jewellery,
hat-badges, &c. (British Museum, Basel, Chatsworth, &c.) i. 73, 161,
350;
ii. 195-196, 275-286

_Drawings: Portrait-Studies (arranged alphabetically)_

(Except where indicated, the drawings are all in the Windsor Castle
Collection.)

Abergavenny, Marquis of (Wilton House), ii. 62, 222, 248, 255

Audley, Lady, ii. 255, 258

Boleyn, Queen Anne, so-called, ii. 110

Boleyn, Thomas, Earl of Wiltshire, ii. 256

Borough, Lady, ii. 256

Bourbon, Nicolas, ii. 63, 73-74

Butts, Lady, ii. 210, 255

Carew, Sir George, ii. 256

—— Sir Nicholas (Basel), ii. 87-88, 248, 256, 260

Clement, Margaret, i. 303

Cleves, Anne of, so-called, ii. 183

Clinton, Edward, Lord, ii. 256

Cobham, George Brooke, Lord, ii. 256-257

Cresacre, Anne, i. 303

Dancy, Elizabeth, i. 296, 303

Dorset, Marchioness of, ii. 256, 258

Edward VI., three drawings, ii. 166-168, 205, 255

—— —— with meerkat (Basel), ii. 167-168

—— —— roundel in Basel Sketch-Book, ii. 168, 238

Elyot, Sir Thomas, i. 336

Elyot, Lady, i. 336;
ii. 258

Erasmus, study of hands for 1523 portraits (Louvre), i. 171

Fisher, John, Bishop of Rochester, i. 324;
other versions in British Museum, &c., i. 324;
ii. 254

Fitzwilliam, William, Earl of Southampton, ii. 204-205

George, Simon, ii. 207-208, 252, 255

Godsalve, Sir John, i. 325-326;
ii. 125, 251, 255

Guldeford, Sir Henry, i. 318-319, 321;
ii. 250-252, 255;
version formerly in Heseltine Collection, i. 318 _note_;
ii. 254

—— Lady (see below, Unknown Lady)

Hemingham, Lady, i. 310 _note_;
ii. 237, 256, 258

Henry VII and Henry VIII, &c., study for Whitehall wall-painting
(Chatsworth), ii. 93, 95, 97-99, 318 _note_, 105, 107, 134, 236, 351

Henry VIII (Munich), ii. 93, 99-101, 104-105, 107-108, 236, 248

Heron, Cecilia, i. 303;
ii. 250

Hoby, Sir Philip, ii. 119

Holbein, Hans (Basel), i. 185-186

Holbein’s Wife as a Girl (?) (Louvre), i. 108, 112, 144

Howard, Queen Catherine, ii. 194, 254-255

Le Strange, Sir Thomas, ii. 86, 256

Lister, Lady, ii. 258

“Mary, Lady, after Queen,” ii. 110, 215, 258

Melanchthon, Philip, ii. 200, 250

Mewtas, Lady, ii. 140, 256-257

Meyer, Jakob, and Wife, study for double portrait of 1516 (Basel), i.
22, 55;
ii. 256, 328

Meyer, Jakob, Wife, and Daughter, studies for the Meyer Madonna
(Basel), i. 236-237;
ii. 256, 260

Monteagle, Lady, ii. 256

More Family Group, study for (Basel), i. 291-296, 298-301, 303, 305,
308-310, 338, 341-342;
ii. 255, 331, 335-339

More, John, i. 303

More, Sir John, i. 303

More, Sir Thomas, i. 303;
ii. 250-251, 255

Morette, Charles de Soliers, Sieur de (Dresden), ii. 66-67, 69, 248,
256

Parker, Lady, ii. 256, 258

Parr, William, Marquis of Northampton, ii. 256

Parry, Sir Thomas, ii. 256

Poyntz, Sir Nicholas, ii. 71-72

Poyntz, John, ii. 71;
another version formerly in Heseltine Collection, ii. 71 _note_, 254

Ratcliffe, Lady, ii. 256

Reskimer, i. 333-334;
ii. 255

Rich, Sir Richard, ii. 212, 256

Rich, Lady, ii. 212, 256, 258

Richmond, Mary, Duchess of, ii. 110-111, 257

Roper, Margaret (?) (Salting Bequest), i. 309;
ii. 248, 252

Russell, Sir John, ii. 256

Seymour, Queen Jane, ii. 112, 251, 255

Sherrington, Sir William, ii. 256

Southwell, Sir Richard, ii. 85, 255

Stanley, Edward, Earl of Derby, ii. 256

Suffolk, Catherine, Duchess of, ii. 226;
replica in British Museum, ii. 226, 254

Surrey, Henry Howard, Earl of—three drawings, ii. 200-201

Surrey, Lady, ii. 201

Tuke, Sir Bryan, ii. 255

Vaux, Lord, ii. 52, 87, 252, 256-257

—— Lady, ii. 87, 252, 255

Warham, William, Archbishop of Canterbury, i. 321;
ii. 250-251, 255

Wentworth, Sir Thomas, ii. 256

Wingfield, Sir Charles, ii. 254

Wyat, Sir Thomas, ii. 79, 250, 252

Zouch, Mary, ii. 256, 259

Unknown Man (called Dinteville), ii. 43, 69 _and note_, 257

—— Englishman (Berlin), ii. 248, 259

—— —— (Chatsworth), i. 336;
ii. 248

—— —— —— i. 337;
ii. 248

—— —— and Wife (Basel), i. 321;
ii. 248, 260

—— English Lady (Lady Guldeford?) (Basel), i. 321;
ii. 87 _note_, 248, 260

—— Young Man with Broad Hat (Basel), i. 186 _note_;
ii. 259-260

—— —— —— profile, to right, ii. 257

—— Lady in White Cap, ii. 258

—— —— ii. 70, 227

—— —— full-face, ii. 214

—— Boy, dated 1520 (Louvre), ii. 214

Portrait group of a Lady and Children (British Museum), ii. 226-227

Windsor Castle, Collection of Heads of the ladies and gentlemen of
Henry VIII’s Court, &c. (general), i. 294, 309, 321, 328, 336;
ii. 62, 69, 70, 73, 79, 85-87, 101, 110, 125, 134, 140, 191, 200-201,
223, 243-259, 318, 342

_Designs for Woodcuts_

Earliest dated title-page, i. 34, 191, 193, 253

Christ Bearing the Cross, i. 44

Jacob’s Ladder (in Wolff’s _Pentateuch_), i. 77

Table of Cebes, i. 77, 193-195

The New Jerusalem (Wolff’s _New Testament_), i. 77

Title-page, Statue-Book of Freiburg, i. 111, 193

Erasmus, roundel, i. 181

Erasmus “in eim Ghüs,” i. 181-182, 350;
ii. 276, 329

Various title-pages, &c., metal cuts by Faber and “C.V.,” i. 188

Mucius Scævola, i. 191-193

St. Peter and St. Paul (Luther’s _New Testament_), i. 195

Four Evangelists (Luther’s _New Testament_, octavo edition), i. 195-196

St. Paul (Platter’s _New Testament_), i. 196, 350

St. John Baptizing the Saviour, &c. (Wolff, _New Testament_), i.
196-197

Death of Cleopatra, i. 198

David Dancing before the Ark, i. 198

Christ the True Light, i. 198-200

The Sale of Indulgences, i. 198-199

Borders, alphabets, printers’ marks, &c., i. 200-202, 231;
ii. 332

Dance of Death woodcuts, i. 48, 85, 153, 159, 175, 187, 190-191,
204-224, 226-229, 290;
ii. 49, 50, 74, 87-88, 188, 264, 314-315, 345

Alphabet of Death, i. 189, 201, 207, 224-226

Old Testament Woodcuts, i. 85, 187, 190, 204, 211-212, 226-230;
ii. 74-75

Title-page, Coverdale’s Bible, i. 97

Designs for Münster’s Cosmography, &c., i. 350-351

Portrait of Nicolas Bourbon, ii. 74, 79

Woodcuts of English period, ii. 78-79

Title-page, _Hall’s Chronicle_, i. 188 _note_;
ii. 79

Portrait of Sir Thomas Wyat in _Næniæ_, ii. 79-81, 205

Holbein, Jacob, Hans Holbein’s younger son, ii. 301

—— Johann Georg, Knight of Holbeinsberg, ii. 300-301

—— John, of Folkestone, and wife, ii. 302

—— Katherine, wife of Jacob Gyssler, Hans Holbein’s daughter, i.
343-347;
ii. 301

—— Kunigunde (Küngolt), wife of Andreas Syff, Hans Holbein’s daughter,
ii. 301

—— Margreth, _see_ Herwart, Margreth

—— Michel, of Oberschönefeld (1448), i. 1, 2

—— —— leather-dresser, father of Hans Holbein the Elder, and his wife,
i. 2, 3

—— Ottilia, i. 3

—— Philip, Hans Holbein’s eldest son, i. 105-106, 176, 343-347;
ii. 162-164, 298, 300

—— Philip, son of above, ii. 300

—— Ursula, _see_ Nepperschmid, Ursula

—— Sigmund, brother of Hans Holbein the Elder, i. 3, 13, 20, 32;
ii. 161-162, 300

—— an Englishman, of Wells, ii. 301

—— Chamber, Strawberry Hill, ii. 249

—— Exhibition, Basel (1897-1898), i. 79

—— —— Dresden (1871), i. 237;
ii. 206, 211

—— Society, i. 214

_Holbein’s Ambassadors_ (Miss M. F. S. Hervey), 1900, _see_ Hervey

_Holbein’s Ambassadors Identified_ (Elias Dexter), 1890, _see_ Dexter

_Holbein’s Ambassadors Unriddled_ (W. F. Dickes), 1903, _see_ Dickes

Holbein’s coat of arms, i. 1;
ii. 280

Holbein’s Gate, _see_ Whitehall

Holbeinsberg, Knight of, _see_ Holbein, Johann Georg

Holbyn, Johannes, of North Stoke, ii. 301

Holdermeier, State Councillor of Lucerne, i. 79

Holford, Lieut.-Col. G. L., C.I.E. (collection), ii. 304

Holford, Mr. R. S. (collection), ii. 72

Holland, Earl of, i. 323

—— Henry, Lord, Duke of Exeter, i. 334

—— House, i. 328 _and note_