Chapter XXV: Section IV: English Society.--Philosophy.--Religion

Such is our Englishman, with his laws and his administration. Now that he has private comfort and public security, what will he do, and how will he govern himself in this higher, nobler domain, to which man climbs in order to contemplate beauty and truth? At all events, the arts do not lead him there. That vast London is monumental; but, like the castle of a man who has become rich, everything there is well preserved and costly, but nothing more. Those lofty houses of massive stone, burdened with porches, short columns, Greek decorations, are generally gloomy; the poor columns of the monuments seem washed with ink. On Sunday, in foggy weather, we would think ourselves in a cemetery; the perfect readable names on the houses, in brass letters, are like sepulchral inscriptions. There is nothing beautiful: at most, the varnished middle-class houses, with their patch of green, are pleasant; we feel that they are well kept, commodious, capital for a business man who wants to amuse himself and unbend after a hard day's work. But a finer and higher sentiment could relish nothing here. As to the statues, it is difficult not to laugh at them. We see the Duke of Wellington with a cocked hat and iron plumes; Nelson, with a cable which serves him for a tail, planted on his column, and pierced by a lightning-conductor, like a rat impaled on the end of a pole; or again, the half-dressed Waterloo generals, crowned by Victory. The English, though flesh and bone, seem manufactured out of sheet-iron: how much stiffer will English statues look? They pride themselves on their painting; at least they study it with surprising minuteness, in the Chinese fashion; they can paint a truss of hay so exactly that a botanist will tell the species of every stalk; one artist lived three months under canvas on a heath, so that he might thoroughly know heath. Many are excellent observers, especially of moral expression, and succeed very well in showing the soul in the face; we are instructed by looking at them; we go through a course of psychology with them; they can illustrate a novel; we are touched by the poetic and dreamy meaning of many of their landscapes. But in genuine painting, picturesque painting, they are revolting. I do not think there were ever laid upon canvas such crude colors, such stiff forms, stuffs so much like tin, such glaring contrasts. Fancy an opera with nothing but false notes in it. We may see landscapes painted blood-red, trees which split the canvas, turf which looks like a pot of overturned green, Christs looking as if they were baked and preserved in oil, expressive stags, sentimental dogs, undressed women, to whom we should like forthwith to offer a garment. In music, they import the Italian opera; it is an orange-tree kept up at great cost in the midst of turnips. The arts require idle, delicate minds--not stoics, especially not puritans--easily shocked by dissonance, inclined to visible pleasure, employing their long periods of leisure, their free reveries, in harmoniously arranging, and with no other object but enjoyment, forms, colors, and sounds. I need not say that here the bent of mind is quite the opposite; and we see clearly enough why, amidst these combative politicians, these laborious toilers, these men of energetic action, art can but produce exotic or ill-shaped fruit.

Not so in science; but in science there are two divisions. It may be treated as a business, to glean and verify observations, to combine experiments, to arrange figures, to weigh probabilities to discover facts, partial laws, to possess laboratories, libraries, societies charged with storing and increasing positive knowledge; in all this Englishmen excel. They have even a Lyell, a Darwin, an Owen, able to embrace and renew a science; in the construction of the vast edifice, the industrious masons, masters of the second rank, are not lacking; it is the great architects, the thinkers, the genuine speculative minds, who fail them; philosophy, especially metaphysics, is as little indigenous here as music and painting; they import it, and yet they leave the best part on the road. Carlyle was obliged to transform it into a mystical poetry, humorous and prophetic fancies; Hamilton touched upon it only to declare it chimerical; Stuart Mill and Buckle only seized the most palpable part--a heavy residuum, positivism. It is not in metaphysics that the English mind can find its vent. It is on other objects that the spirit of liberal inquiry--the sublime instincts of the mind, the craving for the universal and the infinite, the desire of ideal and perfect things--will fall back. Let us take the day on which the hush of business leaves a free field for disinterested aspirations. There is no more striking spectacle for a foreigner than Sunday in London. The streets are empty, and the churches full. An Act of Parliament forbids any playing to-day, public or private; the public-houses are not allowed to harbor people during divine service. Moreover, all respectable people are at worship, the seats are full: it is not as in France, where there are none but servants, old women, a few sleepy people, of private means, and a sprinkling of elegant ladies; but in England we see men well dressed, or at least decently clad, and as many gentlemen as ladies in church. Religion does not remain out of the pale, and below the standard of public culture; the young, the learned, the best of the nation, all the upper and middle classes, continue attached to it. The clergyman, even in a village, is not a peasant's son, with not over-much polish, just out of the seminary, shackled in a cloistral education, separated from society by celibacy, half-buried in mediævalism. In England he is a man of the times, often a man of the world, often of good family, with the interests, habits, freedom of other men; keeping sometimes a carriage, several servants, having elegant manners, generally well informed, who has read and still reads. On all these grounds he is able to be in his neighborhood the leader of ideas, as his neighbor the squire is the leader of business. If he does not walk in the same path as the free-thinkers, he is not more than a step or two behind them; a modern man, a Parisian, can talk with him on all lofty themes, and not perceive a gulf between his own mind and the clergyman's. Strictly speaking, he is a layman like ourselves; the only difference is, that he is a superintendent of morality. Even in his externals, except for occasional bands and the perpetual white tie, he is like us; at first sight we would take him for a professor, a magistrate, or a notary; and his sermons agree with his person. He does not anathematize the world; in this his doctrine is modern; he follows the broad path in which the Renaissance and the Reformation impelled religion. When Christianity arose, eighteen centuries ago, it was in the East, in the land of the Essenes and the Therapeutists, amid universal dejection and despair, when the only deliverance seemed a renunciation of the world, an abandonment of civil life, destruction of the natural instincts, and a daily waiting for the kingdom of God. When it rose again, three centuries ago, it was in the West, amongst laborious and half-free peoples, amidst universal restoration and invention, when man, improving his condition, regained confidence in his worldly destiny, and widely expanded his faculties. No wonder if the new Protestantism differs from the ancient Christianity, if it enjoins action instead of preaching asceticism, if it authorizes comforts in place of prescribing mortification, if it honors marriage, work, patriotism, inquiry, science, all natural affections and faculties, in place of praising celibacy, withdrawal from the world, scorn of the age, ecstasy, captivity of mind, and mutilation of the heart. By this infusion of the modern spirit, Christianity has received new blood, and Protestantism now constitutes, with science, the two motive organs, and, as it were, the double heart of European life. For, in accepting the rehabilitation of the world, it has not renounced the purification of man's heart; on the contrary, it is towards this that it has directed its whole effort. It has cut off from religion all the portions which are not this very purification, and, by reducing it, has strengthened it. An institution, like a machine, and like a man, is the more powerful for being more special: a work is done better because it is done singly, and because we concentrate ourselves upon it. By the suppression of legends and religious observances, human thought in its entirety has been concentrated on a single object--moral amelioration. It is of this men speak in the churches, gravely and coldly, with a succession of sensible and solid arguments; how a man ought to reflect on his duties, mark them one by one in his mind, make for himself principles, have a sort of inner code, freely accepted and firmly established, to which he may refer all his actions without bias or hesitation; how these principles may be rooted by practice; how unceasing examination, personal effort, the continual edification of himself by himself ought slowly to confirm our resolution in uprightness. These are the questions which, with a multitude of examples, proofs, appeals to daily experience,[236] are brought forward in all the pulpits, to develop in man a voluntary reformation, a guard and empire over himself, the habit of self-restraint, and a kind of modern stoicism, almost as noble as the ancient. On all hands laymen help in this; and moral warning, given by literature as well as by theology, harmoniously unites society and the clergy. Hardly ever does a book paint a man in a disinterested manner: critics, philosophers, historians, novelists, poets even, give a lesson, maintain a theory, unmask or punish a vice, represent a temptation overcome, relate the history of a character being formed. Their exact and minute description of sentiments ends always in approbation or blame; they are not artists, but moralists: it is only in a Protestant country that we will find a novel entirely occupied in describing the progress of moral sentiment in a child of twelve.[237] All co-operate in this direction in religion, and even in the mystic part of it. Byzantine distinctions and subtleties have been allowed to fall away; Germanic inquisitiveness and speculations have not been introduced; the God of conscience reigns alone; feminine sweetness has been cut off; we do not find the husband of souls, the lovable consoler, whom the author of the "Imitation of Christ" follows even in his tender dreams; something manly breathes from religion in England; we find that the Old Testament, the severe Hebrew Psalms, have left their imprint here. It is no longer an intimate friend to whom a man confides his petty desires, his small troubles, a sort of affectionate and quite human priestly guide; it is no longer a king whose relations and courtiers he tries to gain over, and from whom he looks for favor or place; we see in him only a guardian of duty, and we speak to him of nothing else. What we ask of him is the strength to be virtuous, the inner renewal by which we become capable of always doing good; and such a prayer is in itself a sufficient lever to tear a man from his weaknesses. What we know of the Deity is that he is perfectly righteous; and such a reliance suffices to represent all the events of life as an approach to the reign of righteousness. Strictly speaking, righteousness alone exists; the world is a figure which conceals it, but heart and conscience sustain it, and there is nothing important or true in man but the embrace by which he holds it. So speak the old grave prayers, the severe hymns which are sung in the church, accompanied by the organ. Though a Frenchman, and brought up in a different religion, I listened to them with a sincere admiration and emotion. Serious and grand poems, which, opening a path to the Infinite, let in a ray of light into the limitless darkness, and satisfy the deep poetic instincts, the vague desire of sublimity and melancholy, which this race has manifested from its origin, and which it has preserved to the end.