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Chapter VI: Stories and Jests (1)

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Until the Reformation, Europe was, by its religion and the culture growing out of it, a homogeneous state. Not only, however, did the legends of the Church find access to the people everywhere, but the stories imported from the Orient were equally popular and wide-spread. The absence of other works of entertainment and the monotonous character of the legends increased the popularity of tales which were amusing and interesting. We have considered in other places the fairy tales and those stories which are of more direct Oriental origin. In the present chapter we shall examine those stories which are of the character of jests or amusing stories, some of which are also Oriental, but may more appropriately be classed in this chapter. The first story we shall mention is familiar to the reader from the ballad of "King John and the Abbot of Canterbury," in Percy and Buerger's poem of _Der Kaiser und der Abt_. There are two popular versions in Italian, as well as several literary ones. The shortest is from Milan (Imbriani, _Nov. fior._ p. 621), and is entitled:

XCI. THE COOK.

There was once a lord whose name was "Abbot-who-eats-and-drinks-without-thinking." The king went there and saw this name on the door, and said that if he had nothing to think of, he would give him something to think of. He told him that he must do in a week the three things which he told him. First, to tell him how many stars there were in heaven, how many fathoms of rope it would take to reach to heaven, and what he, the king, was thinking of. The cook saw that his master was sad, and sat with his head bent over the table, and asked him what was the matter, and his master told him everything. The cook promised to settle the matter if he would give him half of his property. He also asked for the skin of a dead ass, a cart-load of rope, and his master's hat and cloak. Then the cook went to the king, who said to him: "Well, how many stars are there in heaven?" The cook answered: "Whoever counts the hairs on this ass' skin will know how many stars there are in heaven." Then the king told him to count them, and he answered that his share was already counted, and that it was for the king to count now. Then the king asked him how many fathoms of rope it would take to reach to heaven, and the cook replied: "Take this rope and go to heaven, and then come back and count how many fathoms there are." Finally the king asked: "What am I thinking of?" "You are thinking that I am the abbot; instead of that, I am the cook, and I have here the stew-pan to try the broth."

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The version in Pitre (No. 97) is much better. It is called:

XCII. THE THOUGHTLESS ABBOT.

There was once in a city a priest who became an abbot, and who had his carriages, horses, grooms, steward, secretary, valet, and many other persons on account of the wealth that he had. This abbot thought only of eating, drinking, and sleeping. All the priests and laymen were jealous of him, and called him the "Thoughtless Abbot."

One day the king happened to pass that way, and stopped, and all the abbot's enemies went to him straightway, and accused the abbot, saying: "Your Majesty, in this town there is a person happier than you, very rich, and lacking nothing in the world, and he is called the 'Thoughtless Abbot.'"

After reflection the king said to the accusers: "Gentlemen, depart in peace, for I will soon make this abbot think." The king sent directly for the abbot, who had his carriage made ready, and went to the king in his coach and four. The king received him kindly, made him sit at his side, and talked about various things with him. Finally he asked him why they called him the "Thoughtless Abbot," and he replied that it was because he was free from care, and that his servants attended to his interests.

Then the king said: "Well, then, Sir Abbot, since you have nothing to do, do me the favor to count all the stars in the sky, and this within three days and three nights; otherwise you will surely be beheaded." The poor "Thoughtless Abbot" on hearing these words began to tremble like a leaf, and taking leave of the king, returned home, in mortal fear for his neck.

When meal-time came, he could not eat on account of his great anxiety, and went at once out on the terrace to look at the sky, but the poor man could not see a single star. When it grew dark, and the stars came out, the poor abbot began to count them and write it down. But it grew dark and light again, without the abbot succeeding in his task. The cook, the steward, the secretaries, the grooms, the coachmen, and all the persons in the house became thoughtful when they saw that their master did not eat or drink, and always watched the sky. Not knowing what else to think, they believed that he had gone mad. To make the matter short, the three days passed without the abbot counting the stars, and the poor man did not know how to present himself to the king, for he was sure he would behead him. Finally, the last day, an old and trusty servant begged him so long, that he told him the whole matter, and said: "I have not been able to count the stars, and the king will cut my head off this morning." When the servant had heard all, he said: "Do not fear, leave it to me; I will settle everything."

He went and bought a large ox-hide, stretched it on the ground, and cut off a piece of the tail, half an ear, and a small piece out of the side, and then said to the abbot: "Now let us go to the king; and when he asks your excellency how many stars there are in heaven, your excellency will call me; I will stretch the hide on the ground, and your excellency will say: 'The stars in heaven are as many as the hairs on this hide; and as there are more hairs than stars, I have been obliged to cut off part of the hide.'"

After the abbot had heard him, he felt relieved, ordered his carriage, and took his servant to the king. When the king saw the abbot, he saluted him, and then said: "Have you fulfilled my command?" "Yes, your Majesty," answered the abbot, "the stars are all counted."

"Then tell me how many they are." The abbot called his servant, who brought the hide, and spread it on the ground, while the king, not knowing how the matter was going to end, continued his questioning.

When the servant had stretched out the hide, the abbot said to the king: "Your Majesty, during these three days I have gone mad counting the stars, and they are all counted." "In short, how many are they?" "Your Majesty, the stars are as many as the hairs of this hide, and those that were in excess, I have had to cut off, and they are so many hundreds of millions; and if you don't believe me, have them counted, for I have brought you the proof."

Then the king remained with his mouth open, and had nothing to answer; he only said: "Go and live as long as Noah, without thoughts, for your mind is enough for you;" and so speaking, he dismissed him, thanking him, and remaining henceforth his best friend.

The abbot returned home with his servant, delighted and rejoicing. He thanked his servant, made him his steward and intimate friend, and gave him more than an ounce of money a day to live on.[1]

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In another Sicilian version referred to by Pitre, vol. IV., p. 437, the Pope, instead of the king, wishes to know from the abbot: "What is the distance from heaven to earth; what God is doing in heaven; what the Pope is thinking of." The cook, disguised as the abbot, answers: "As long as this ball of thread. Rewarding the good, and punishing the wicked. He thinks he is speaking with the abbot, and on the contrary, is talking to the cook."

The following story from Venice (Bernoni, _Fiabe_, No. 6) is a combination of the two stories in Grimm, "Clever Alice" and the "Clever People." It is called:

XCIII. BASTIANELO.

Once upon a time there was a husband and wife who had a son. This son grew up, and said one day to his mother: "Do you know, mother, I would like to marry!" "Very well, marry! whom do you want to take?" He answered: "I want the gardener's daughter." "She is a good girl; take her; I am willing." So he went, and asked for the girl, and her parents gave her to him. They were married, and when they were in the midst of the dinner, the wine gave out. The husband said: "There is no more wine!" The bride, to show that she was a good housekeeper, said: "I will go and get some." She took the bottles and went to the cellar, turned the cock, and began to think: "Suppose I should have a son, and we should call him Bastianelo, and he should die. Oh! how grieved I should be! oh! how grieved I should be!" And thereupon she began to weep and weep; and meanwhile the wine was running all over the cellar.

When they saw that the bride did not return, the mother said: "I will go and see what the matter is." So she went into the cellar, and saw the bride, with the bottle in her hand, and weeping, while the wine was running over the cellar. "What is the matter with you, that you are weeping?" "Ah! my mother, I was thinking that if I had a son, and should name him Bastianelo, and he should die, oh! how I should grieve! oh! how I should grieve!" The mother, too, began to weep, and weep, and weep; and meanwhile the wine was running over the cellar.

When the people at the table saw that no one brought the wine, the groom's father said: "I will go and see what is the matter. Certainly something wrong has happened to the bride." He went and saw the whole cellar full of wine, and the mother and bride weeping. "What is the matter?" he said; "has anything wrong happened to you?" "No," said the bride, "but I was thinking that if I had a son and should call him Bastianelo, and he should die, oh! how I should grieve! oh! how I should grieve!" Then he, too, began to weep, and all three wept; and meanwhile the wine was running over the cellar.

When the groom saw that neither the bride, nor the mother, nor the father came back, he said: "Now I will go and see what the matter is that no one returns." He went into the cellar and saw all the wine running over the cellar. He hastened and stopped the cask, and then asked: "What is the matter, that you are all weeping, and have let the wine run all over the cellar?" Then the bride said: "I was thinking that if I had a son and called him Bastianelo and he should die, oh! how I should grieve! oh! how I should grieve!" Then the groom said: "You stupid fools! are you weeping at this, and letting all the wine run into the cellar? Have you nothing else to think of? It shall never be said that I remained with you! I will roam about the world, and until I find three fools greater than you I will not return home."

He had a bread-cake made, took a bottle of wine, a sausage, and some linen, and made a bundle, which he put on a stick and carried over his shoulder. He journeyed and journeyed, but found no fool. At last he said, worn out: "I must turn back, for I see I cannot find a greater fool than my wife." He did not know what to do, whether to go on or to turn back. "Oh!" he said, "it is better to try and go a little farther." So he went on and shortly he saw a man in his shirt-sleeves at a well, all wet with perspiration and water. "What are you doing, sir, that you are so covered with water and in such a sweat?" "Oh! let me alone," the man answered, "for I have been here a long time drawing water to fill this pail and I cannot fill it." "What are you drawing the water in?" he asked him. "In this sieve," he said. "What are you thinking about, to draw water in that sieve? Just wait!" He went to a house near by, and borrowed a bucket, with which he returned to the well and filled the pail. "Thank you, good man, God knows how long I should have had to remain here!" "Here is one who is a greater fool than my wife."

He continued his journey and after a time he saw at a distance a man in his shirt who was jumping down from a tree. He drew near, and saw a woman under the same tree holding a pair of breeches. He asked them what they were doing, and they said that they had been there a long time, and that the man was trying on those breeches and did not know how to get into them. "I have jumped, and jumped," said the man, "until I am tired out and I cannot imagine how to get into those breeches." "Oh!" said the traveller, "you might stay here as long as you wished, for you would never get into them in this way. Come down and lean against the tree." Then he took his legs and put them in the breeches, and after he had put them on, he said: "Is that right?" "Very good, bless you; for if it had not been for you, God knows how long I should have had to jump." Then the traveller said to himself: "I have seen two greater fools than my wife."

Then he went his way and as he approached a city he heard a great noise. When he drew near he asked what it was, and was told it was a marriage, and that it was the custom in that city for the brides to enter the city gate on horseback, and that there was a great discussion on this occasion between the groom and the owner of the horse, for the bride was tall and the horse high, and they could not get through the gate; so that they must either cut off the bride's head or the horse's legs. The groom did not wish his bride's head cut off, and the owner of the horse did not wish his horse's legs cut off, and hence this disturbance. Then the traveller said: "Just wait," and came up to the bride and gave her a slap that made her lower her head, and then he gave the horse a kick, and so they passed through the gate and entered the city. The groom and the owner of the horse asked the traveller what he wanted, for he had saved the groom his bride, and the owner of the horse his horse. He answered that he did not wish anything and said to himself: "Two and one make three! that is enough; now I will go home." He did so and said to his wife: "Here I am, my wife; I have seen three greater fools then you; now let us remain in peace and think about nothing else." They renewed the wedding and always remained in peace. After a time the wife had a son whom they named Bastianelo, and Bastianelo did not die, but still lives with his father and mother.[2]

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There is a Sicilian version of this story (Pitre, No. 148) called, "The Peasant of Larcara," in which the bride's mother imagines that her daughter has a son who falls into the cistern. The groom (they are not yet married) is disgusted and sets out on his travels with no fixed purpose of returning if he finds some fools greater than his mother-in-law, as in the Venetian tale. The first fool he meets is a mother, whose child, in playing the game called _nocciole_,[R] tries to get his hand out of the hole while his fist is full of stones. He cannot, of course, and the mother thinks they will have to cut off his hand. The traveller tells the child to drop the stones, and then he draws out his hand easily enough. Next he finds a bride who cannot enter the church because she is very tall and wears a high comb. The difficulty is settled as in the former story.

[Footnote R: A game played with peach-pits, which are thrown into holes made in the ground and to which certain numbers are attached.]

After a while he comes to a woman who is spinning and drops her spindle. She calls out to the pig, whose name is Tony, to pick it up for her. The pig does nothing but grunt, and the woman in anger cries: "Well, you won't pick it up? May your mother die!"

The traveller, who had overheard all this, takes a piece of paper, which he folds up like a letter, and then knocks at the door. "Who is there?" "Open the door, for I have a letter for you from Tony's mother, who is ill and wishes to see her son before she dies." The woman wonders that her imprecation has taken effect so soon, and readily consents to Tony's visit. Not only this, but she loads a mule with everything necessary for the comfort of the body and soul of the dying pig.

The traveller leads away the mule with Tony, and returns home so pleased with having found that the outside world contains so many fools that he marries as he had first intended.

The credulity of the woman in the last version, in allowing Tony to visit his sick mother, finds a parallel in a Neapolitan story (Imbriani, _Pomiglianesi_, p. 226) called:

XCIV. CHRISTMAS.

Once upon a time there was a husband who had a wife who was a little foolish. One day he said to her: "Come, put the house in order, for Christmas is coming." As soon as he left the house his wife went out on the balcony and asked every one who passed if his name was Christmas. All said No; but finally, one--to see why she asked--said Yes. Then she made him come in, and gave him everything that she had (in order to clean out the house). When her husband returned he asked her what she had done with things. She responded that she had given them to Christmas, as he had ordered. Her husband was so enraged at what he heard that he seized her and gave her a good beating.

Another time she asked her husband when he was going to kill the pig. He answered: "At Christmas." The wife did as before, and when she spied the man called Christmas she called him and gave him the pig, which she had adorned with her earrings and necklace, saying that her husband had so commanded her. When her husband returned and learned what she had done, he gave her a sound thrashing; and from that time he learned to say nothing more to his wife.[3]

In the Sicilian version, Pitre, No. 186, "Long May,"[S] the wife, who is very anxious to make more room in her house by getting rid of the grain stored in it, asks her husband when they shall clean out the house. He answers: "When Long May comes." The wife asks the passers-by if they are Long May; and at last a swindler says he is, and receives as a gift all the grain. The swindler was a potter, and the woman told him that he ought to give her a load of pots. He did so, and the wife knocked a hole in the bottom of each, and strung them on a rope stretched across the room. It is needless to say that when the husband returned the wife received a beating "that left her more dead than alive."

[Footnote S: There is a Sicilian phrase: "Long as the month of May," to indicate what is very long.]

Another story about foolish people is the following Venetian tale (Bernoni, _Fiabe_, xiii.), entitled:

XCV. THE WAGER.

There was once a husband and a wife. The former said one day to the latter: "Let us have some fritters." She replied: "What shall we do for a frying-pan?" "Go and borrow one from my godmother." "You go and get it; it is only a little way off." "Go yourself; I will take it back when we are done with it." So she went and borrowed the pan, and when she returned said to her husband: "Here is the pan, but you must carry it back." So they cooked the fritters, and after they had eaten, the husband said: "Now let us go to work, both of us, and the one who speaks first shall carry back the pan." Then she began to spin and he to draw his thread,--for he was a shoemaker,--and all the time keeping silence, except that when he drew his thread he said: "_Leulero, leulero_;" and she, spinning, answered: "_Picici, picici, picicio_." And they said not another word.

Now there happened to pass that way a soldier with a horse, and he asked a woman if there was any shoemaker in that street. She said that there was one near by, and took him to the house. The soldier asked the shoemaker to come and cut his horse a girth, and he would pay him. The latter made no answer but: "_Leulero, leulero_," and his wife: "_Picici, picici, picicio_." Then the soldier said: "Come and cut my horse a girth, or I will cut your head off!" The shoemaker only answered: "_Leulero, leulero_," and his wife: "_Picici, picici, picicio_." Then the soldier began to grow angry, and seized his sword and said to the shoemaker: "Either come and cut my horse a girth, or I will cut your head off!"

But to no purpose. The shoemaker did not wish to be the first one to speak, and only replied: "_Leulero, leulero_," and his wife: "_Picici, picici, picicio_." Then the soldier got mad in good earnest, seized the shoemaker's head, and was going to cut it off. When his wife saw that, she cried out: "Ah! don't, for mercy's sake!" "Good!" exclaimed her husband, "good! Now you go and carry the pan back to my godmother, and I will go and cut the horse's girth." And so he did, and won the wager.

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In a Sicilian story with the same title (Pitre, No. 181), the husband and wife fry some fish, and then set about their respective work,--shoemaking and spinning,--and the one who finishes first the piece of work begun is to eat the fish. While they were singing and whistling at their work, a friend comes along, who knocks at the door, but receives no answer. Then he enters and speaks to them, but still no reply; finally, in anger, he sits down at the table and eats up all the fish himself.[4]

One of our most popular stories illustrating woman's obstinacy is found everywhere in Italy. The following is the Sicilian version:

XCVI. SCISSORS THEY WERE.

Once upon a time there was a husband and a wife. The husband was a tailor; so was the wife, and in addition was a good housekeeper. One day the husband found some things in the kitchen broken,--pots, glasses, plates. He asked: "How were they broken?" "How do I know?" answered the wife. "What do you mean by saying 'how do I know?' Who broke them?" "Who broke them? I, with the scissors," said the wife, in anger. "With the scissors?" "With the scissors!" "Are you telling the truth? I want to know what you broke them with. If you don't tell me, I will beat you." "With the scissors!" (for she had the scissors in her hand). "Scissors, do you say?" "Scissors they were!" "Ah! what do you mean? Wait a bit; I will make you see whether it was you with the scissors." So he tied a rope around her and began to lower her into the well, saying: "Come, how did you break them? You see I am lowering you into the well." "It was the scissors!" The husband, seeing her so obstinate, lowered her into the well; and she, for all that, did not hold her tongue. "How did you break them?" said the husband. "It was the scissors." Then her husband lowered her more, until she was half way down. "What did you do it with?" "It was the scissors." Then he lowered her until her feet touched the water. "What did you do it with?" "It was the scissors!" Then he let her down into the water to her waist. "What did you do it with?" "It was the scissors!" "Take care!" cried her husband, enraged at seeing her so obstinate, "it will take but little to put you under the water. You had better tell what you did it with; it will be better for you. How is it possible to break pots and dishes with the scissors! What has become of the pieces, if they were cut?" "It was the scissors! the scissors!" Then he let go the rope. Splash! his wife is all under the water. "Are you satisfied now? Do you say any longer that it was with the scissors?" The wife could not speak any more, for she was under the water; but what did she do? She stuck her hand up out of the water, and with her fingers began to make signs as if she were cutting with the scissors. What could the poor husband do? He said: "I am losing my wife, and then I shall have to go after her. I will pull her out now, and she may say that it was the scissors or the shears." Then he pulled her out, and there was no way of making her tell with what she had broken all those things in the kitchen.[5]

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Another familiar story is:

XCVII. THE DOCTOR'S APPRENTICE.

Once upon a time there was a doctor who took his apprentice with him when he made his visits. One day while visiting a patient, the doctor said: "Why do you not listen to my orders that you are not to eat anything?" The invalid said: "Sir, I assure you that I have eaten nothing." "That is not true," answered the doctor, "for I have found your pulse beating like that of a person who has eaten grapes." The patient, convicted, said: "It is true that I have eaten some grapes; but it was only a little bunch." "Very well; do not risk eating again, and don't think you can fool me."

The poor apprentice, who was with the doctor, was amazed to see how his master guessed from the pulse that his patient had eaten grapes; and as soon as they had left the house he asked: "Master, how did you perceive that he had eaten grapes?" "Listen," said the doctor. "A person who visits the sick must never pass for a fool. As soon as you enter, cast your eyes on the bed and under the bed, too, and from the crumbs that you see you can guess what the patient has eaten. I saw the stalk of the grapes, and from that I inferred that he had eaten grapes."

The next day there were many patients in the town, and the doctor, not being able to visit them all, sent his apprentice to visit a few. Among others, the apprentice went to see the man who had eaten the grapes; and wishing to play the part of an expert like his master, to show that he was a skilful physician, when he perceived that there were bits of straw under the bed, said angrily: "Will you not understand that you must not eat?" The invalid said: "I assure you that I have not even tasted a drop of water." "Yes, sir, you have," answered the apprentice; "you have been eating straw, for I see the bits under the bed." The sick man replied at once: "Do you take me for an ass like yourself?" And so the apprentice cut the figure of the fool that he was.[6]

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There are two figures in Sicilian folk-lore around whom many jokes have gathered which are, in other parts of Italy, told of some nameless person or attributed to the continental counterparts of the insular heroes. These two are Firrazzanu and Giufa. The former is the practical joker; the second, the typical booby found in the popular literature of all peoples.

The following stories of Firrazzanu (unless otherwise indicated) are from Pitre, No. 156.

XCVIII. FIRRAZZANU'S WIFE AND THE QUEEN.

Firrazzanu was the valet of a prince in Palermo, on whom he also played his tricks; but as Firrazzanu was known and everybody was amused by him, the prince overlooked them.

The queen was once in Palermo, and wished to know Firrazzanu. He went to see her, and amused her somewhat. The queen said: "Are you married, or single?" "Married, your Majesty." "I wish to make your wife's acquaintance." "How can that be, your Majesty, for my wife is deaf?" (Firrazzanu made this up out of his own head, for it was not true.) "No matter; when I speak with her I will scream. Go, have your wife come here."

Firrazzanu went home. "Fanny, the queen wants to know you; but you must remember that she is a little hard of hearing, and if you wish to speak to her, you must raise your voice."

"Very well," said his wife, "let us go." When they arrived at the palace she said to the queen, in a loud voice: "At your Majesty's feet!" The queen said to herself: "You see, because she is deaf, she screams as if everybody else were deaf!" Then she said to her, loudly: "Good day, my friend; how do you do?" "Very well, your Majesty!" answered Firrazzanu's wife, still louder. The queen, to make herself heard, raised her voice and screamed, also, and Fanny, for her part, cried out louder and louder, so that it seemed as if they were quarrelling. Firrazzanu could contain himself no longer, and began to laugh, so that the queen perceived the joke; and if Firrazzanu had not run away, perhaps she would have had him arrested, and who knows how the matter had ended?[7]

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The second story, "The Tailor who twisted his Mouth," has already been mentioned in Chapter III.

On one occasion (No. 7) the viceroy gave a feast, and needed some partridges. Now the word _pirnicana_ means both partridge and humpback; so Firrazzanu said he would get the viceroy as many _pirnicani_ as he wanted, although they were very scarce. The viceroy said twenty would do. Firrazzanu then collected a score of humpbacks and introduced them into the viceroy's kitchen, sending word to the viceroy that the _pirnicani_ were ready. His excellency wished to see them, and Firrazzanu led his troop to his apartment. When they were all in, Firrazzanu said: "Here they are." The viceroy looked around and said: "Where?" "Here. You wanted _pirnicani_, and these are _pirnicani_." The viceroy laughed, gave each of the humpbacks a present, and dismissed them.[8]

Another time, while the prince was at dinner, Firrazzanu led a number of asses under his window, and made them bray so that the poor prince was driven almost to distraction. The author of the joke, as usual, took to his heels, and escaped.

Once a very wealthy prince, having a great number of rents to collect, and not succeeding, thought of making Firrazzanu collector. "Here," said he to him, "take my authority, and collect for me, and I will give you twenty per cent." Firrazzanu went into the places where the rents were to be collected, and called together all the debtors. What do you suppose he did? He made them pay his share, that is, twenty per cent., and nothing more. "The rest," he said, "you can pay another year to the prince; now you may depart."

Then he went back to the prince. "What have you done, Firrazzanu? Have you collected all the rents?" "What are you talking about collecting! I had hard work to collect my share." "What do you mean?" "I collected with difficulty the twenty per cent. that belonged to me; your share will be paid next year." The prince was obliged to laugh at last, and Firrazzanu went away happy and satisfied.[9]

Another time the prince went hunting, and ordered Firrazzanu, when it was convenient, to tell the princess that he should not be home to dinner that day. Firrazzanu did not find it convenient to deliver the message for a week, when he said that the prince would not be home to dine that day. On the first occasion, of course, the princess waited for her husband in great anxiety until midnight; on the second she went out to pay visits, and when the prince returned, he found his wife out, and no dinner prepared. Firrazzanu, when scolded, excused himself by saying that the prince told him to deliver the message when convenient.

This recalls the story in Straparola (XIII. 6) where a master orders his lazy servant to go to market and buy some meat, and says to him, sarcastically: "Go and stay a year!" which command the servant obeys to the letter.

The viceroy at last, angry at one of Firrazzanu's jokes, banished him to the town of Murriali. When Firrazzanu grew tired of the place, he had a cart filled with the earth of the town, and rode into Palermo on it. The viceroy had him arrested as soon as he saw him, but Firrazzanu protested that he had not broken the viceroy's command, for he was still on the earth of Murriali.

The same story is told of Gonnella, the Italian counterpart of Firrazzanu, by Sacchetti (Nov. 27), and Bandello (IV. 18).

The prince desired once to give Firrazzanu a lesson that would correct him of his fondness for jokes; so he told the commandant of the castle that he would send him one day a servant of his with a letter, and that he, the commandant, should carry out the orders contained in it.

A week after, the prince called Firrazzanu and said: "Go to the commandant of the castle and ask him to give you what this letter says."

Firrazzanu went, turning over the letter and in doubt about the matter. Just then he met another servant and said to him: "Carry this letter for me to the commandant of the castle, and tell him to give you what he has to give you. When you return, we will have a good drink of wine."

The servant went and delivered the letter to the commandant, who opened it, and read: "The commandant will give my servant, who is a rascal, a hundred lashes, and then send him back to me." The order was carried out, and the poor servant returned to the palace more dead than alive. When Firrazzanu saw him, he burst out laughing, and said: "My brother, for me and for you, better you than me."

This story is told in Gonzenbach (No. 75) as the way in which the queen tried to punish Firrazzanu for the joke he played on her by telling her his wife was deaf.

There are other stories told of Firrazzanu, but they do not deserve a place here, and we can direct our attention at once to Giufa, the typical booby, who appears in the various provinces of Italy under different names.[10]

The first story told of him in Pitre's collection (No. 190) is:

XCIX. GIUFA AND THE PLASTER STATUE.

Once upon a time there was a very poor woman who had a son called Giufa, who was stupid, lazy, and cunning. His mother had a piece of cloth, and said one day to Giufa: "Take this cloth, and go and sell it in a distant town, and take care to sell it to those who talk little." So Giufa set out, with the cloth on his shoulder.

When he came to a town, he began to cry: "Who wants cloth?" The people called him, and began to talk a great deal; one thought it coarse, another dear. Giufa thought they talked too much, and would not sell it to them. After walking a long way, he entered a court-yard where he found nothing but a plaster image. Giufa said to it: "Do you want to buy the cloth?" The statue said not a word, and Giufa, seeing that it spoke little, said: "Now I must sell you the cloth, for you speak little;" and he took the cloth and hung it on the statue, and went away, saying: "To-morrow I will come for the money."

The next day he went after the money, and found the cloth gone. "Give me the money for the cloth." The statue said nothing. "Since you will not give me the money, I will show you who I am;" and he borrowed a mattock, and struck the statue until he overthrew it, and inside of it he found a jar of money. He put the money in a bag, and went home to his mother, and told her that he had sold the cloth to a person who did not speak, and gave him no money; that he had killed him with a mattock, and thrown him down, and he had given him the money which he had brought home. His mother, who was wise, said to him: "Say nothing about it, and we will eat this money up little by little."[11]

Another time his mother said to him: "Giufa, I have this piece of cloth to be dyed; take it and leave it with the dyer, the one who dyes green and black." Giufa put it on his shoulder, and went off. On his way he saw a large, beautiful snake, and because it was green he said to it: "My mother has sent me with this cloth which she wants dyed. To-morrow I will come for it." And there he left it.

He went home and told his mother, who began to tear her hair. "Ah! shameless fellow! how you ruin me! Hasten and see whether it is there still!" Giufa went back, but the cloth had disappeared.[12]

C. GIUFA AND THE JUDGE.

One day Giufa went out to gather herbs, and it was night before he returned. On his way back the moon rose through the clouds, and Giufa sat down on a stone and watched the moon appear and disappear behind the clouds, and he exclaimed constantly: "It appears, it appears! it sets, it sets!"

Now there were near the way some thieves, who were skinning a calf which they had stolen, and when they heard: "It appears, it sets!" they feared that the officers of justice were coming, so they ran away and left the meat. When Giufa saw the thieves running away, he went to see what it was and found the calf skinned. He took his knife and cut off flesh enough to fill his sack and went home. When he arrived there his mother asked him why he came so late. He said it was because he was bringing some meat which she was to sell the next day, and the money was to be kept for him. The next day his mother sent him into the country and sold the meat.

In the evening Giufa returned and asked his mother: "Did you sell the meat?" "Yes, I sold it to the flies on credit." "When will they give you the money?" "When they get it." A week passed and the flies brought no money, so Giufa went to the judge and said to him: "Sir, I want justice. I sold the flies meat on credit and they have not come to pay me." The judge said: "I pronounce this sentence on them: wherever you see them you may kill them." Just then a fly lighted on the judge's nose, and Giufa dealt it such a blow that he broke the judge's head.

* * * * *

The anecdote of the fly in the latter part of the story is found independently in a version from Palermo. "The flies plagued Giufa and stung him. He went to the judge and complained of them. The judge laughed and said: 'Wherever you see a fly you can strike it.' While the judge was speaking a fly rested on his face and Giufa dealt it such a blow that he broke the judge's nose."

This story, which, as we shall see, has variants in different parts of Italy, is of Oriental origin and is found in the _Pantschatantra_. A king asked his pet monkey to watch over him while he slept. A bee settled on the king's head; the monkey could not drive it away, so he took the king's sword and killed the bee--and the king, too. A similar parable is put into the mouth of Buddha. A bald carpenter was attacked by a mosquito. He called his son to drive it away; the son took the axe, aimed a blow at the insect, but split his father's head in two, in killing the mosquito. In the _Anvar-i-Suhaili_, the Persian translation of the _Pantschatantra_, it is a tame bear who keeps the flies from the sleeping gardener by throwing a stone at his head.[13]

The only popular European versions of this story, as far as we know, are found in Italy. Besides those from Sicily, there are versions from Florence, Leghorn, and Venice. The first is called:

CI. THE LITTLE OMELET.

Once upon a time there was a little woman who had a little room and a little hen. The hen laid an egg and the little woman took it and made a little omelet of it, and put it to cool in the window. Along came a fly and ate it up. Imagine what an omelet that must have been! The little woman went to the magistrate and told him her story. He gave her a club and told her to kill the fly with it wherever she saw it. At that moment a fly lighted on the magistrate's nose, and the woman, believing it to be the same fly, gave it a blow and broke the magistrate's nose.

The versions from Leghorn and Venice are in almost the same words.[14]

The literary versions are quite abundant, four or five being found in Italy, and a number in France, the best known of which is La Fontaine's fable of "The Bear and the Amateur Gardener," Book VIII. 10.[15]

One morning, before Giufa was up, he heard a whistle and asked his mother who was passing. She answered that it was the morning-singer. One day Giufa, tired of the noise, went out and killed the man who was blowing the whistle, and came back and told his mother that he had killed the morning-singer. His mother went out and brought the body into the house and threw it into the well, which happened to be dry. Then she remembered that she had a lamb, which she killed and also threw in the well.

Meanwhile the family of the murdered man had learned of the murder and had gone to the judge, with their complaint, and all together went to Giufa's house to investigate the matter. The judge said to Giufa: "Where did you put the body?" Giufa, who was silly, replied: "I threw it in the well." Then they tied Giufa to a rope and lowered him into the well. When he reached the bottom he began to feel around and touched wool, and cried out to the son of the murdered man: "Did your father have wool?" "My father did not have wool." "This one has wool; he is not your father." Then he touched the tail: "Did your father have a tail?" "My father did not have a tail." "Then it's not your father." Then he felt four feet and asked: "How many feet did your father have?" "My father had two feet." Giufa said: "This one has four feet; he is not your father." Then he felt the head and said: "Did your father have horns?" "My father did not have horns." Giufa replied: "This one has horns; he is not your father." Then the judge said: "Giufa, bring him up either with the horns or with the wool." So they drew up Giufa with the lamb on his shoulder, and when the judge saw that it was a real lamb, they set Giufa at liberty.

In a variant of the above story Giufa's mother, to get rid of him, one day tells him to take his gun and go off and shoot a cardinal-bird. Giufa asks what a cardinal is, and his mother tells him that it is one that has a red head. Giufa, of course, shoots a cardinal and carries him home. The remainder of the story is as above. In another variant Giufa's mother has a cock which she cooks one day, and Giufa, who had never eaten anything of the kind before, likes it greatly and asks what it is. His mother tells him it is the night-singer. One evening Giufa saw a poor man singing behind a door, and thinking he was a night-singer, killed him and carried him home. The rest of the story is like the first version.[16]

Giufa is not without an occasional gleam of wit, as is shown in the following story (Pitre No. 190, Sec. 8), entitled:

CII. EAT, MY CLOTHES!

As Giufa was half a simpleton no one showed him any kindness, such as to invite him to his house or give him anything to eat. Once Giufa went to a farm-house for something, and the farmers, when they saw him looking so ragged and poor, came near setting the dogs on him, and made him leave in a hurry. When his mother heard it she procured for him a fine coat, a pair of breeches, and a velvet vest. Giufa dressed up like an overseer, went to the same farm-house, and then you should see what great ceremonies they made! they invited him to dine with them. While at the table all were very attentive to him. Giufa, on the one hand, filled his stomach, and on the other, put into his pockets, coat, and hat whatever was left over, saying: "Eat, my clothes, for you were invited!"

* * * * *

It is interesting to note that this story is told of no less a person than Dante, about whom cluster more popular traditions than many are aware of. It is the subject of one of Sercambi's novels, and will be found with many other interesting traditions of the great poet in Papanti's _Dante secondo la Tradizione e i Novellatori_, Leghorn, 1873.[17]

Giufa was not a very safe person to leave alone in the house. Once his mother went to church and told him to make some porridge for his little sister. Giufa made a great kettle of boiling porridge and fed it to the poor child and burned her mouth so that she died. On another occasion his mother, on leaving home, told him to feed the hen that was sitting and put her back on the nest, so that the eggs should not get cold. Giufa stuffed the hen with the food until he killed her, and then sat on the eggs himself until his mother returned.[18]

Giufa's mother went to mass once and said to him: "Pull the door to!" When his mother had gone out Giufa took hold of the door and began to pull it, and pulled and pulled until it came off. Giufa put it on his back and carried it to the church, and threw it down before his mother, saying: "There is the door!"[19]

A number of other stories about Giufa are found in Gonzenbach (No. 37) which we give here for completeness.

CIII. GIUFA'S EXPLOITS.

After Giufa had scalded his little sister to death, his mother drove him from the house, and he entered the service of a priest. "What wages do you want?" asked the priest. "One egg a day, and as much bread as I can eat with it; and you must keep me in your service until the screech-owl cries in the ivy." The priest was satisfied and thought he could not find such a cheap servant again. The next morning Giufa received his egg and a loaf of bread. He opened the egg and ate it with a pin, and every time he licked off the pin he ate a great piece of bread. "Bring me a little more bread," he cried; "this is not enough;" and the priest had to get him a large basket of bread.

So it was every morning. "Alas for me!" cried the priest; "in a few weeks he will reduce me to beggary." It was winter then and would be several months until the screech-owl cried in the ivy. In despair the priest said to his mother: "This evening you must hide in the ivy and scream like an owl." The old woman did as she was told and began to cry: "Miu, miu!" "Do you hear, Giufa?" said the priest, "the screech-owl is crying in the ivy; we must part." So Giufa took his bundle and was going to return to his mother.

As he was going by the place where the priest's mother was still crying "Miu, miu," he exclaimed: "O you cursed screech-owl suffer punishment and sorrow!" and threw stones into the ivy and killed the old woman.

Giufa's mother would not allow him to remain at home, and made him take service as a swineherd with a farmer, who sent him into the woods to keep the swine until they were fat and then drive them back. So Giufa lived several months in the woods until the swine were fat. As he was driving them home he met a butcher and said to him: "Would you like to buy these swine? I will sell them to you at half price if you will give me back the ears and tails." The butcher bought the whole herd, and paid Giufa the money, together with the ears and tails.

Giufa then went to a bog near by and planted two ears close together and three spans off a tail, and so with all of them. Then he ran in great trouble to the farmer and cried: "Sir, imagine what a great misfortune has happened to me. I had fattened your swine beautifully and was driving them home when they fell into a bog and are all swallowed up in it. The ears and tails only are still sticking out." The farmer hastened with all his people to the bog, where the ears and tails still stuck out. They tried to pull the swine out, but whenever they seized an ear or a tail it came right off and Giufa exclaimed: "You see how fat the swine were: they have disappeared in the marsh from pure fatness." The farmer was obliged to return home without his swine, while Giufa took the money home to his mother and remained a time with her.

One day his mother said to him: "Giufa, we have nothing to eat to-day; what shall we do?" "Leave it to me," said he, and went to a butcher. "Gossip, give me half a _rotulu_ of meat; I will give you the money to-morrow." The butcher gave him the meat and he went in the same way to the baker, the oil-merchant, the wine-dealer, and the cheese-merchant and took home to his mother the meat, macaroni, bread, oil, wine, and cheese which he had bought on credit, and they ate together merrily.

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Italian Popular TalesChapter VI: Stories and Jests (1)

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