Chapter IV: Painting and Sculpture

§ 1. DRAWING AND COMPOSITION:--Supposed Canon of Proportion--Drawing
Materials--Sketches--Illustrations to the _Book of the Dead_--
Conventional Treatment of Animal and Human Figures--Naturalistic
Treatment--Composition--Grouping--Wall-paintings of Tombs--A Funerary
Feast--A Domestic Scene--Military Subjects--Perspective--Parallel
between a Wall-painting in a Tomb at Sakkarah and the Mosaic of
Palestrina

§ 2. TECHNICAL PROCESSES:--The Preparation of Surfaces--Outline--
Sculptors' Tools--Iron and Bronze Tools--Impurity of Iron--Methods of
Instruction in Sculpture--Models--Methods of cutting Various Stones--
Polish--Painted Sculptures--Pigments--Conventional Scale of Colour--
Relation of Painting to Sculpture in Ancient Egypt

§ 3. SCULPTURE:--The Great Sphinx--Art of the Memphite School--Wood-
panels of Hesi--Funerary Statues--The Portrait-statue and the Double
--_Chefs d'oeuvre_ of the Memphite School--The Cross-legged
Scribe--Diorite Statue of Khafra--Rahotep and Nefert--The Sheikh el
Beled--The Kneeling Scribe--The Dwarf Nemhotep--Royal Statues of the
Twelfth Dynasty--Hyksos Sphinxes of Tanis--Theban School of the
Eighteenth Dynasty--Colossi of Amenhotep III.--New School of Tel el
Amarna--Its Superior Grace and Truth--Works of Horemheb--School of the
Nineteenth Dynasty--Colossi of Rameses II.--Decadence of Art begins
with Merenptah--Ethiopian Renaissance--Saïte Renaissance--The
Attitudes of Statues--Saïte Innovations--Greek Influence upon Egyptian
Art--The Ptolemaic and Roman Periods--The School of Meroë--Extinction
of Egyptian Art