Chapter VI: Part 2: also consists of Seneca legends and myths, which are (1)

translations made expressly for this work from native texts recorded by Mr. Hewitt in the autumn of 1896. Two of the texts so translated appear here, revised and edited, with a closely literal interlinear translation in English. The matter of Part 2 constitutes about two-fifths of the whole, containing only 31 items, while there are 107 in Part 1; but the latter narratives are uniformly much longer than the former.

The Seneca informants of Mr. Hewitt in the field were Mr. Truman Halftown, Mr. John Armstrong, and Chief Priest Henry Stevens, all of the Cattaraugus Reservation, N. Y. These worthy men, who have all passed away, were uniformly patient, kind, and interested. They were men whose faith in the religion of their ancestors ennobled them with good will, manliness, and a desire to serve.

Special attention is drawn to the freedom of these Seneca narratives from coarseness of thought and expression, although in some respectable quarters obscenity seems to be regarded as a dominant characteristic of American Indian myths and legendary lore. This view is palpably erroneous and unjust, because it is founded on faulty and inadequate material; it is, moreover, governed largely by the personal equation.

To form an impartial and correct judgment of the moral tone of the myths and legends of the American Indian, a distinction must be made between myths and legends on the one hand and tales and stories which are related primarily for the indecent coarseness of their thought and diction on the other; for herein lies the line of demarcation between narratives in which the rare casual references to indelicate matters are wholly a secondary consideration and not the motives of the stories, and those ribald tales in which the evident motive is merely to pander to depraved taste by detailing the coarse, the vulgar, and the filthy in life.

It is, indeed, a most unfortunate circumstance in the present study of the spoken literature of the North American Indians that the headlong haste and nervous zeal to obtain bulk rather than quality in collecting and recording it are unfavorable to the discovery and acquisition of the philosophic and the poetic legends and myths so sacred to these thoughtful people. The inevitable result of this method of research is the wholly erroneous view of the ethical character of the myths and legends and stories of the American Indian, to which reference has already been made. The lamentable fact that large portions of some collections of so-called American Indian tales and narratives consist for the greater part of coarse, obscene, and indelicate recitals in no wise shows that the coarse and the indelicate were the primary motives in the sacred lore of the people, but it does indicate the need of clean-minded collectors of these narratives, men who know that the obscene can not be the dominant theme of the legendary lore of any people. Such men will take the necessary time and trouble to become sufficiently acquainted with the people whose literature they desire to record to gain the confidence and good will of the teachers and the wise men and women of the community, because these are the only persons capable of giving anything like a trustworthy recital of the legendary and the poetic narratives and the sacred lore of their people.

Should one attempt to acquire standard specimens of the literature of the white people of America by consulting corner loafers and their ilk, thereby obtaining a mass of coarse and obscene tales and stories wholly misrepresenting the living thought of the great mass of the white people of the country, the procedure would in no wise differ, seemingly, from the usual course pursued by those who claim to be collecting the literature of the American Indian people by consulting immature youth, agency interpreters, and other uninformed persons, rather than by gaining the confidence of and consulting the native priests and shamans and statesmen.

To claim that in American Indian communities their story-tellers, owing to alleged Christian influence, are editing the mythic tales and legends of their people into a higher moral tone is specious and is a sop thrown to religious prejudice for the purpose of giving color to the defense of an erroneous view of the moral tone of such myths and legends.

It is notorious that in this transition period of American Indian life the frontiersman and the trader on the borderland have not been in general of such moral character as to reflect the highest ideals in thought or action. Few genuine native legends and myths show any so-called “moral” revision from contact with “white people.” It is, of course, undeniable that the coarse, the rude, and the vulgar in word, thought, and deed are very real and ever-present elements in the life of every so-called Christian community; and they are present in every other community. But this fact does not at all argue that it is useful to collect and record in detail the narratives of these indecent aspects of life in any community, because the wholesome, the instructive, and the poetic and beautiful are, forsooth, far more difficult to obtain.

Except in the case of novices in the work it may be stated that the moral tone or quality of the mythic and legendary material collected in any community is measurably an unconscious reflex of the mental and moral attitude of the collector toward the high ideals of the race.

It is a pleasure to make reference here to the work of Mr. Frank Hamilton Cushing, Dr. Washington Matthews, and Mr. Jeremiah Curtin, who, in order to study with discrimination and sympathy the spoken literature of the American Indians, took the necessary trouble to learn the motif of the narratives of mythic and legendary origin of these people; hence they did not feel it incumbent upon them to apologize for the moral tone of the legends and myths they recorded and published, for their own mental attitude toward the wholesome, the worthy, and the noble was such as to enable them to discover and to appreciate the same qualities in the thinking of the people they studied. To expound like the priest, to speak like the prophet, and to think like the myth-maker, were among the gifts of these men which enabled them to understand the motives underlying the myths and legends of the tribal men of the world, while they were at the same time fully alive to the scientific use and value of these same poetic narratives when analyzed and interpreted sympathetically.

Mr. Curtin obtained his Seneca material from the following persons of the Seneca tribe, many of whom have since died: Abraham Johnny-John, Solomon O’Bail, George Titus, John Armstrong, Zachariah Jimeson, Andrew Fox, Henry Jacob, Henry Silverheels, Peter White, Black Chief, and Phoebe Logan. He recorded an extensive vocabulary of the Seneca, with which he had become familiar by intensive study of its structure.

Mr. Curtin, with the mind of a master, fully grasped the importance and the paramount significance of the intelligent collection, and the deeper sympathetic study, of legends and myths in general, and of those of the American Indians in particular, in the final establishment of the science of mythology.

To the editor it is one of the delightful memories of his early official life to recall the many instructive hours spent with Mr. Curtin in discussing the larger significance and the deeper implications which are found in the intelligent study and interpretation of legends, epics, and myths—the highest type of poetic and creative composition. And for this reason he has so freely cited from the writings of Mr. Curtin the meaning and the value which such a study and analysis had for Mr. Curtin and has for those who like him will fully appreciate that “the Indian tales reveal to us a whole system of religion, philosophy, and social polity. ... the whole mental and social life of the race to which they belong is evident in them.”

The following quotations give all too briefly, perhaps, his philosophic views on these questions in his own deft, inimitable way. It is believed that these citations will enable the reader and the student to gain some clear idea of the pregnant lessons Mr. Curtin drew from the analysis and interpretation of the legends and myths which he recorded, as well as of his method of studying and expounding them. The Seneca collection herewith presented forms only a small portion of his recorded mythic material.

A few tens of years ago it was all-important to understand and
explain the brotherhood and blood-bond of Aryan nations, and their
relation to the Semitic race; to discover and set forth the meaning
of that which in mental work, historic strivings, and spiritual
ideals ties the historic nations to one another. At the present
time this work is done, if not completely, at least measurably
well, and a new work awaits us, to demonstrate that there is a
higher and a mightier bond, the relationship of created things with
one another, and their inseverable connection with That which some
men reverence as God, but which other men call the Unknowable, the
Unseen.

This new work, which is the necessary continuation of the first,
and which alone can give it completeness and significance, will be
achieved when we have established the science of mythology. [4]

Again, he asks: “How is this science from which men may receive such service to be founded?”

On this point Mr. Curtin is clear and instructive, maintaining that such a science of mythology can be founded—

In one way alone: by obtaining from races outside of the Aryan and
Semitic their myths, their beliefs, their view of the world; this
done, the rest will follow as a result of intelligent labor. But
the great battle is in the first part of the work, for the inherent
difficulty of the task has been increased by Europeans, who have
exterminated great numbers among the best primitive races,
partially civilized or rather degraded others, and rendered the
remainder distrustful and not easily approached on the subject of
their myths and ethnic beliefs.

Its weightiest service will be rendered in the domain of religion,
for without mythology there can be no thorough understanding of any
religion on earth, either in its inception or its growth. [5]

The next citation shows Mr. Curtin’s complete mastery of the subject in hand, and his conclusions are well worth the careful consideration of every student of mythic and legendary lore. In reference to the collection of myths and tales and beliefs he presents the following wise conclusions:

There is everywhere a sort of selvage of short tales and anecdotes,
small information about ghosts and snakes, among all these races,
which are easily obtained, and most Europeans seem to think that
when they have collected some of these trivial things they have all
that the given people possess. But they are greatly mistaken. All
these people have something better. There was not a single stock of
Indians in America which did not possess, in beautiful forms, the
elements of an extensive literature with a religion and philosophy
which would have thrown light on many beginnings of Aryan and
Semitic thought, a knowledge of which in so many cases is now lost
to us, but which we hope to recover in time ... if civilized men
instead of slaying “savages,” directly and indirectly, will treat
them as human beings, and not add to the labor of those workers who
in the near future will surely endeavor, singly or in small groups,
to study the chief primitive races of the earth and win from them,
not short insignificant odds and ends of information but great
masses of material; ... these races possess in large volume some of
the most beautiful productions of the human mind, and facts that
are not merely of great, but of unique, value. [6]

But we have no tale in which it is clear who all the characters
are; the modifying influences were too great and long-continued to
permit that. Though myth-tales are, perhaps, more interesting ...
in their present form, they will have not their full interest for
science till it is shown who most of the actors are under their
disguises.

This is the nearest task of mythology.

There are masterpieces in literature filled with myths, inspired
with myth conceptions of many kinds, simply colored by the life of
the time and the nations among which these masterpieces were
written and moulded to shape by artists, made strong from the
spirit of great, simple people, as unknown to us as the nameless
heroes who perished before Agamemnon. How much mythology is there
in the Iliad and the Odyssey, in the Æneid, in the Divine Comedy of
Dante, in the works of the other three great Italian poets? How
much in Paradise Lost? How could “King Lear” and “Midsummer Night’s
Dream,” or the “Idylls of the King,” have been written without
Keltic mythology? Many of these literary masterpieces have not
merely myths in their composition as a sentence has words, but the
earlier ones are enlarged or modified myth-tales of those periods,
while the later ones are largely modeled on and inspired by the
earlier. [7]

Again he declares:

It should be remembered that whatever be the names of the myth-tale
heroes at present, the original heroes were not human. They were
not men and women, though in most cases the present heroes or
heroines bear the names of men and women, or children; they perform
deeds which no man could perform, which only one of the forces of
Nature could perform, if it had the volition and desires of a
person. This is the great cause of wonderful deeds in myth-tales.
[8]

With reference to the work already done in American Indian mythology, Mr. Curtin remarks:

We have now in North America a number of groups of tales obtained
from the Indians which, when considered together, illustrate and
supplement one another; they constitute, in fact, a whole system.
These tales we may describe as forming collectively the creation
myth of the New World.... In some cases, simple and transparent, it
is not difficult to recognize the heroes; they are distinguishable
at once either by their names or their actions or both. In other
cases these tales are more involved, and the heroes are not so
easily known, because they are concealed by names and epithets.
Taken as a whole, however, the Indian tales are remarkably clear.
[9]

As to the content of these American Indian tales and legends, Mr. Curtin says:

What is the substance and sense of these Indian tales, of what do
they treat? To begin with, they give an account of how the present
order of things arose in the world, and are taken up with the
exploits, adventures, and struggles of various elements, animals,
birds, reptiles, insects, plants, rocks, and other objects before
they became what they are.... According to the earliest tales of
North America, this world was occupied, prior to the appearance of
man, by beings called variously “the first people,” “the outside
people,” or simply “people,”—the same term in all cases being used
for people that is applied to Indians at present.

These people, who were very numerous, lived together for ages in
harmony. There were no collisions among them, no disputes during
that period; all were in perfect accord. In some mysterious
fashion, however, each individual was changing imperceptibly; an
internal movement was going on. At last a time came when the
differences were sufficient to cause conflict, except in the case
of a group to be mentioned hereafter, and struggles began. These
struggles were gigantic, for the “first people” had mighty power;
they had also wonderful perception and knowledge. They felt the
approach of friends or enemies even at a distance; they knew the
thought in another’s heart. If one of them expressed a wish, it was
accomplished immediately; nay, if he even thought of a thing, it
was there before him. Endowed with such powers and qualities, it
would seem that their struggles would be endless and indecisive;
but such was not the case. Though opponents might be equally
dextrous, and have the power or the wish or the word in a similar
degree, one of them would conquer in the end through wishing for
more effective and better things, and thus become the hero of a
higher cause; that is, a cause from which benefit would accrue to
mankind, the coming race. [10]

... Among living creatures, we are not to reckon man, for man does
not appear in any of those myth tales; they relate solely to
extra-human existences, and describe the battle and agony of
creation, not the adventures of anything in the world since it
received its present form and office. According to popular modes of
thought and speech, all this would be termed the fall of the gods,
for the “first people” of the Indian tales correspond to the
earliest gods of other races. [11]

In the theory of spiritual evolution, worked out by the aboriginal
mind of America, all kinds of moral quality and character are
represented as coming from an internal movement through which the
latent, unevolved personality of each individual of these “first
people,” or gods, is produced. Once that personality is produced,
every species of dramatic situation and tragic catastrophe follows
as an inevitable sequence. There is no more peace after that; there
are only collisions followed by combats which are continued by the
gods till they are turned into all the things, animal, vegetable,
and mineral—which are either useful or harmful to man, and thus
creation is accomplished. During the period of struggles, the gods
organize institutions, social and religious, according to which
they live. These are bequeathed to man; and nothing that an Indian
has is of human invention, all is divine. An avowed innovation,
anything that we call reform, anything invented by man, would be
looked on as sacrilege, a terrible, an inexpiable crime. The Indian
lives in a world prepared by the gods, and follows in their
footsteps—that is the only morality, the one pure and holy
religion. [12]

This creation myth of the New World is a work of great value, for
by aid of it we can bring order into mythology, and reconstruct, at
least in outline, and provisionally, that early system of belief
which was common to all races: a system which, though expressed in
many languages and in endlessly varying details, has one meaning,
and was, in the fullest sense of the word, one—a religion truly
catholic and œcumenical, for it was believed in by all people,
wherever resident, and believed in with a vividness of faith, and a
sincerity of attachment, which no civilized man can even imagine,
unless he has had long experience of primitive races. [13]

The war between the gods continued till it produced on land, in the
water, and the air, all creatures that move, and all plants that
grow. There is not a beast, bird, fish, reptile, insect, or plant
which is not a fallen divinity; and for every one noted there is a
story of its previous existence.

This transformation of the former people, or divinities, of America
was finished just before the present race of men—that is, the
Indians—appeared. [14]

In some mythologies a few personages who are left unchanged at the
eve of man’s coming transform themselves voluntarily. The details
of the change vary from tribe to tribe, but in all it takes place
in some described way, and forms part of the general change, or
metamorphosis, which is the vital element in the American system.
In many, perhaps in all, the mythologies, there is an account of
how some of the former people, or gods, instead of fighting and
taking part in the struggle of creation and being transformed,
retained their original character, and either went above the sky or
sailed away westward to where the sky comes down, and passed out
under it, and beyond, to a pleasant region where they live in
delight. This is that contingent to which I have referred, that
part of the “first people” in which no passion was developed; they
remained in primitive simplicity, undifferentiated, and are happy
at present. They correspond to those gods of classic antiquity who
enjoyed themselves apart, and took no interest whatever in the
sufferings or the joys of mankind. [15]

Everything in nature had a tale of its own, if some one would but
tell it, and during the epoch of constructive power in the
race,—the epoch when languages were built up and great stories
made,—few things of importance to people of that time were left
unconsidered; hence there was among the Indians of America a volume
of tales as immense, one might say, as an ocean river. This
statement I make in view of materials which I have gathered myself,
and which are still unpublished,—materials which, though
voluminous, are comparatively meager, merely a hint of what in some
tribes was lost, and of what in others is still uncollected....

From what is known of the mind of antiquity, and from what data we
have touching savage life in the present, we may affirm as a theory
that primitive beliefs in all places are of the same system
essentially as the American. In that system, every individual
existence beyond man is a divinity, but a divinity under
sentence,—a divinity weighed down by fate, a divinity with a
history behind it, a history which is tragedy or comedy as the case
may be. These histories extend along the whole line of experience,
and include every combination conceivable to primitive man. [16]

During eight years of investigation among Indian tribes in North
America, I obtained the various parts of that Creation myth
mentioned in this introduction, from tribes that were remote from
one another, and in different degrees of development. Such tales I
found in the east, in the central regions, and finally in
California and Oregon. Over this space, the extreme points of which
are 3,000 miles apart, each tribe has the Creation myth,—one
portion being brought out with special emphasis in one tribe, and
another portion in a different one. In tribes least developed, the
earliest tales are very distinct, and specially valuable on some
points relating to the origin and fall of the gods. Materials from
the extreme west are more archaic and simple than those of the
east. In fact the two regions present the two extremes, in North
America, of least developed and most developed, aboriginal thought.
In this is their interest. They form one complete system. [17]

To sum up, we may say, that the Indian tales reveal to us a whole
system of religion, philosophy, and social polity....

Those tales form a complete series. The whole mental and social
life of the race to which they belong is evident in them. [18]

The results to be obtained from a comparison of systems of thought
like the Indian and the Gaelic would be great, if made thoroughly.
If extended to all races, such a comparison would render possible a
history of the human mind in a form such as few men at present even
dream of,—a history with a basis as firm as that which lies under
geology.... We must make large additions indeed to our knowledge of
primitive peoples. We must complete the work begun in America....
The undertaking is arduous, and there is need to engage in it
promptly. The forces of civilized society, at present, are
destroying on all sides, not saving that which is precious in
primitive people. Civilized society supposes that man, in an early
degree of development, should be stripped of all that he owns, both
material and mental, and then be refashioned to serve the society
that stripped him. If he will not yield to the stripping and
training, then slay him. [19]

In the United States, little was accomplished till recent years; of
late, however, public interest has been roused somewhat, and, since
Major Powell entered the field, and became Director of the Bureau
of Ethnology, more has been done in studying the native races of
America than had been done from the discovery of the country up to
that time.[18]

Of course there is no true information in the American ethnic
religion as to the real changes which affected the world around us;
but there is in it, as in all systems like it, true information
regarding the history of the human mind. Every ethnic religion
gives us documentary evidence. It gives us positive facts which, in
their own sphere, are as true as are facts of geology in the
history of the earth’s crust and surface. They do not tell us what
took place in the world without, in the physical universe, they had
no means of doing so; but they do tell us what took place at
certain periods in the world of mind, in the interior of man. [20]

An ethnic or primitive religion is one which belongs to people of
one blood and language, people who increased and developed together
with the beliefs of every sort which belong to them. Such a
religion includes every species of knowledge, every kind of custom,
institution, and art. Every aboriginal nation or human brood has
its gods. All people of one blood and origin are under the
immediate care and supervision of their gods, and preserve
continual communication and converse with them. According to their
own beliefs, such people received from their gods all that they
have, all that they practice, all that they know. Such people,
while their blood is unmixed and their society unconquered, adhere
to their gods with the utmost fidelity.

The bonds which connect a nation with its gods, bonds of faith, and
those which connect the individuals of that nation with one
another, bonds of blood, are the strongest known to primitive man,
and are the only social bonds in prehistoric ages. [21]

A good deal has been given to the world of late on mythology by
able writers who with good materials would attain good results; but
as the materials at their disposal are faulty, much of their work
with all its cleverness is mainly a persistent pouring of the empty
into the void.

We have seen attempts made to show that real gods have been
developed by savage men from their own dead savage chiefs. Such a
thing has never been done since the human race began, and it could
never have been imagined by any man who knew the ideas of primitive
races from actual experience or from competent testimony. The most
striking thing in all savage belief is the low estimate put on man
when unaided by divine, uncreated power. In Indian belief every
object in the universe is divine except man. [22]...

Vegetable gods, so called, have been scoffed at by writers on
mythology. The scoff is baseless, for the first people were turned,
or turned themselves, into trees and various plants as frequently
as into beasts and other creatures. Maize or Indian corn is a
transformed god who gave himself to be eaten to save man from
hunger and death. When Spanish priests saw little cakes of meal
eaten ceremonially by Indians, and when the latter informed them
that they were eating their god, the good priests thought this a
diabolical mockery of the Holy Sacrament, and a blasphemous trick
of Satan to ruin poor ignorant Indians.

I have a myth in which the main character is a violent and cruel
old personage who is merciless and faith-breaking, who does no end
of damage till he is cornered at last by a good hero and turned
into the wild parsnip. Before transformation this old parsnip could
travel swiftly, but now he must stay in one place, and of course
kills people only when they eat him.

The treasure saved to science by the primitive race of America is
unique in value and high significance. The first result from it is
to carry us back through untold centuries to that epoch when man
made the earliest collective and consistent explanation of this
universe and its origin.

Occupying this vantage-ground, we can now throw a flood of light on
all those mythologies and ethnic religions or systems of thought
from which are lost in part, great or small, the materials needed
to prove the foundation and beginnings of each of them. In this
condition are all ancient recorded religions, whether of Greece,
Rome, Egypt, Chaldea, Persia, or India. [23]

Again, in speaking of the first people, the ancients, or the man-beings of the oldest myth, or rather cycle of myths, in America, Mr. Curtin continues his exposition of the significance of these poetic figures:

After they had lived on an indefinite period, they appear as a vast
number of groups, which form two camps, which may be called the
good and the bad. In the good camp are the persons who originate
all the different kinds of food, establish all institutions, arts,
games, amusements, dances, and religious ceremonies for the coming
race.

In the other camp are cunning, deceitful beings, ferocious and
hungry man-eaters—the harmful powers of every description. The
heroes of the good camp overcome these one after another by
stratagem, superior skill, swiftness, or the use of the
all-powerful wish; but they are immortal, and, though overcome, can
not be destroyed....

When the present race of men (that is, Indians) appear on the
scene, the people of the previous order of affairs have vanished.
One division, vast in number, a part of the good and all the bad
ones, have become the beasts, birds, fishes, reptiles, insects,
plants, stones, cold, heat, light, darkness, fire, rain, snow,
earthquake, sun, moon, stars—have become, in fact, every living
thing, object, agency, phenomenon, process, and power outside of
man. Another party much smaller in number, who succeeded in
avoiding entanglement in the struggle of preparing the world for
man, left the earth. According to some myths they went beyond the
sky to the upper land; according to others they sailed in boats
over the ocean to the West—sailed till they went out beyond the
setting sun, beyond the line where the sky touches the earth. There
they are living now free from pain, disease, and death, which came
into the world just before they left, but before the coming of man
and through the agency of this first people....

This earliest American myth cycle really describes a period in the
beginning of which all things—and there was no thing then which was
not a person—lived in company without danger to each other or
trouble. This was the period of primæval innocence, of which we
hear so many echoes in tradition and early literature, when that
infinite variety of character and quality now manifest in the
universe was still dormant and hidden, practically uncreated. This
was the “golden age” of so many mythologies—the “golden age”
dreamed of so often, but never seen by mortal man; a period when,
in their original form and power, the panther and the deer, the
wolf and the antelope, lay down together, when the rattlesnake was
as harmless as the rabbit, when trees could talk and flowers sing,
when both could move as nimbly as the swiftest on earth.

Such, in a sketch exceedingly meager and imperfect, a hint rather
than a sketch, is the first great cycle of American mythology—the
creation-myth of the New World. From this cycle are borrowed the
characters and machinery for myths of later construction and
stories of inferior importance; myths relating to the action of all
observed forces and phenomena; struggles of the seasons, winds,
light and darkness; and stories in great numbers containing
adventures without end of the present animals, birds, reptiles, and
insects—people of the former world in their fallen state....

To whatever race they may belong, the earliest myths, whether of
ancient record or recent collection, point with unerring indication
to the same source as those of America, for the one reason that
there is no other source. The personages of any given body of myths
are such manifestations of force in the world around them, or the
result of such manifestations, as the ancient myth-makers observed;
and whether they went backwards or forwards, these were the only
personages possible to them, because they were the only personages
accessible to their senses or conceivable to their minds....

Since they had passions varying like those of men, the myth-makers
narrate the origin of these passions, and carried their personages
back to a period of peaceful and innocent chaos, when there was no
motive as yet in existence. After a while the shock came. The
motive appeared in the form of revenge for acts done through
cupidity or ignorance; strife began, and never left the world of
the gods till one quota of them was turned into animals, plants,
heavenly bodies, everything in the universe, and the other went
away unchanged to a place of happy enjoyment.

All myths have the same origin, and all run parallel up to a
certain point, which may be taken as the point to which the
least-developed people have risen. [24]

And Mr. Curtin further says:

At that period the earth ... was occupied by personages who are
called people, though it is well understood at all times that they
were not human; they were persons, individuals. [25]

To trace the ancestral sources of a people’s thought and character, a careful and critical study of the myths, and later of the mythology of that people, first exclusively and then comparatively, is required. This study deals with ideas and concepts expressed by three well-known Greek terms, mythos, epos, and logos, and also with those expressed by the term resulting from the combination of the first and the last of these words. These are among many words of human speech which comprise all human experience and history. It is remarkable also that each may be translated into English by the term “word.”

The word “mythology” is a philosophic term composed of two very interesting and instructive Greek words, mythos and logos.

The first term, mythos, denoted whatever was thoughtfully uttered by the mouth of savage and barbaric men—the expression of thought which had been shut in to mature—a story of prehistoric time, a naïve, creative concept stated in terms of human life and activity—a poem. In matters of religion and cosmogony such an utterance was final and conclusive to those men.

The second term, logos, having at the beginning approximately the same meaning as mythos, became in Greek philosophic thinking the symbol or expression of the internal constitution as well as the external form and sign of thought, and so became “the expression of exact thought—... exact because it corresponds to universal and unchanging principles,” reaching “its highest exaltation in becoming not only reason in man but the reason in the universe—the Divine Logos, the thought of God, the Son of God, God himself” (Curtin). The logos is thus the expression of the philosophy of men measurably cultured; it is the intelligent exegesis of the content of the mythos in terms of objective and subjective reality; it is scientific because it is logical; it is the later literary criticism—the analytic and synthetic treatment of myths and epics. So, in the experience of every people having an ethnic past, mythos and logos represent two well-defined stages of human thought—the naïve and the philosophic—and also the elder time and the modern. So mythology may be defined as the science or the logic of the myth; it belongs to times of relatively high culture and does not flourish in savagery, for savages have only myths. It may be well to note that a third stage of thought is expressed in the Greek term epos, which is the adornment or garbing and dramatizing of the myth concepts in poetic form, in story, saga, and legend—the epic.

Only modern research with its critical exegesis and sympathetic interpretation brings down the study of the concepts of the myths of the fathers measurably to the character of a science.

The highest type of poetry expresses itself in myth, in the epos, and in the logos. For men of undeveloped thought, of inchoate mentation, this is the mental process through which they dimly apprehend the significance of the complex and closely interrelated phenomena of life and of environing nature, and the medium by which they harmonize the ceaseless functioning of these with their own experience, with the activity of their own subconscious mind, and with the divine promptings and visions vouchsafed them by the dawn of their own superconscious intellect.

The initial step of the process is the ingenuous act of the imagination in personifying, yea, in ideally humanizing, the bodies, elements, and forces of environing nature; as, for instance, the picturing by the Iroquois and their neighbors, the Algonquian, of snow as the living body of a man formed by the God of Winter, whose breath was potent enough to drive animals and birds into their winter retreats and some even into hibernation, represented as the hiding of the animals from his brother, the Master or God of Life.

The next step in the process is the socialization of this vast company—the imputation of life, soul, purpose, and a rational rôle to them constitutes the epic, which is also the poet’s handiwork.

As the basis of religious expression, Seneca-Iroquoian myths and legends, in common with those of all other men, are to most people the empty tales of superstition, the foundations of idolatry, because its gods and deities, forsooth, have never actually existed. But myths are fictitious only in form and dress, while they are true in matter and spirit, for truth is congruity between reason and objects, and hence is eternal and universal.

The human side of these personifications of the processes and phenomena of nature in some instances has become so real and so natural that these beings no longer act or function in terms of the processes of nature only, but as the thaumaturgic fetishes of potent sorcerers, performing wonderful feats of orenda, as they are represented as doing in a large number of these narratives. Now, these accounts are certainly not myths and are not legends in the true sense of the term, but are, rather, fictitious narratives or tales of reputed individual human achievement, quite incredible, of course, as authentic acts of mankind. They center about the reputed affairs of a human being, or do so at least in the view of the modern story-teller.

In the collection of Seneca narratives of Mr. Curtin eight relate to the Genonsgwa (the Stone Coats or Stone Giants), six to Hiʹʼnoⁿʼ (Hinon) or the Thunder People, six to the Dagwanoenyent or Whirlwind People, five to the Shagodiioweq or Wind People, and three to the Djogeon or Dwarf People. It is probable that the two groups of “wind” peoples originally arose from a single personage. From single personages like Hiʹʼnoⁿʼ or Thunder, Shagodiioweq or the Wind, and Dagwanoenyent or the Cyclone or Whirlwind, the story-tellers of to-day have created large bodies of fictitious people, representing a reversal of the original process by which the first great concepts were formed.

But truth seemingly was not readily appreciable by primal men until it was dramatized in saga, in legend, and in myth, in formulas, rites, ceremonies, customs, and material symbols based on those narratives; in short, it had to be couched in terms of human expression and activity. These symbols and figurative expressions bore the fashion and impress of the time and the place, and so before truth so dramatized can be fully understood it must be carefully freed from the garb and trappings of local and temporal use and need; in brief, the literal unreality of myth must be lifted from the substantive and the spiritual realities it symbolizes.

And, for this reason, a deity embodying or representing one of the great recurrent processes of nature or one of the seemingly changeless features of the universe is something vastly more than a mere figment of the human brain; for, although conceived in terms of man, the “deity” in his own sphere and function is limitless in power, incomprehensible in mode of life and action, and abides without beginning of days or end of years—properties which make the god divine and infinitely superior to man, the creature of divine power.

One of the fundamental teachings of the study of the myths of the American Indians is that the so-called Genesis or Creation myths relate the activities and exploits, in more or less detail, of the “elder people,” the “first people,” whom men later call the gods. Rightly understood and sympathetically conceived, these events are not predicated of human beings as such. These narrations explain in just what manner the present order of things in nature arose; they detail what took place in a condition of things different from the present, and which were, in the minds of their relators, the necessary antecedent processes resulting in the establishment of the present order of nature. They treat only of the “first people.” None relate to human beings and none treat of things done since man appeared on earth.

Human in form and in feeling, and yet most divine, were the gods and deities of the ancient Seneca and the other Iroquoian peoples. While the divine social and political organization was necessarily for psychological reasons a close reflex or replica of the human, and although both gods and man derived descent from an original first parent, yet the first divine ancestor was a self-existing god, and the first man was the creature of one of these divine Powers.

The expression of the mythic—the cosmogonic, the cosmologic—in terms of human function and attribute and activity is well illustrated in the legends and myths of the Iroquoian peoples. In these sagas the personifications of the elements and forces of nature are classified as human by the use of the term oñʹgwe, “a human being or mankind” (for the word has both a singular and a plural signification), to designate them.

The task of classifying these narratives, even tentatively, is not an easy one, for the proportion of these stories which seem to be unquestionably fiction to those which are myths and legends is relatively much larger than might be suspected without some investigation. It is clearly wrong to call everything legend or myth when the evidence from the facts seems to forbid such action. For it is evident that very many of the narratives are fiction—stories composed and related to amuse, to mystify, or to glorify some hero, or perhaps to spread the fame of some noted sorcerer and his fetishes.

The setting and the framework of the narrative or story may be taken from a myth and one or more myth episodes incorporated in it, but the result is a fabrication because it does not rest on facts of human experience.

Now, for example, the narratives concerning the so-called Stone Coats, Stone Giants, or the Genonsgwa are not myths but legends. These beings do not figure in the Creation Myth of the Iroquois, but are a brood of beings whose connection with Stone is due to false etymology of a proper name in a myth. [26] This is an interesting and instructive example of forgotten derivations of words and names and the resultant new conceptions.

In the Genesis myth of the Iroquoian peoples the Winter Season, by personification, was placed in the class of man-beings with the name, “He-who-is-clad-in-ice,” or “He-who-is-ice-clad.” Now it so happens that the word for ice and for chert or flint stone is derived from a common stem whose fundamental meaning is “glare,” “crystal,” or “what is ice-like.” But the myth-tellers, in order to add an air of the mystical to their recital, did not fail to play on the double meaning of the word for ice, and so represented the Winter Man-being as “The Flint-clad Man-being” rather than as “The Ice-clad Man-being.” And the results of Winter’s cold and frost were told in terms of flint or chert stone, and so bergs and cakes and blocks of ice became in the narration objects of flint and chert stone. Winter’s cold is conveyed from place to place by means of cakes and bergs of ice, which are transformed by the poet into canoes of flint or stone. And in time the stone canoe is transferred from myth to the realm of fiction and legend to glorify the fame of some human hero.

And in the thinking of the Iroquois the Flint-clad Man-being became separated and distinct from the Man-being of the Winter. At this point the fictitious Man-being who was Stone-clad parted company forever with the personified nature force or process that was frost-bearing and ice-clad. The former was gradually reduced to a peculiar species of mankind—the stone giant, for he was represented as stone-clad, while the latter retained his first estate as one of the chief characters in the Genesis myth of the Iroquoian peoples.

The ordinary Iroquoian concept of the Stone Coat or Stone Giant indicates, to the student at least, that the Winter God, the Great Frost Giant of the common Iroquoian Genesis myth, was its source. Aside from the evident etymologic connection, the most significant feature is the constant tradition that the home land of these anthropoid monsters is in the regions of the north where this same authority usually places the burial place of the Winter God after his defeat and death at the hands of his twin brother, the Life God, sometimes called the Master of Life.

The tales which relate how the Stone Coat people are made from perverse men and women first by carefully covering the body with pitch and then by rolling and wallowing in sand and down sand banks repeatedly, shows how utterly forgotten is the true source of this interesting concept among the story tellers and their hearers. There is no doubt that the original “Stone Coat” was the “Ice-Clad Winter God.” In the Curtin collection there are eight stories which refer to the Genonsgwa, or Stone Coats, sometimes called Stone Giants, but there is nothing in them to connect these peculiar fictitious monsters with the original conception. In none are the operations of the winter process predicated of these fictitious beings. They are merely exaggerated human figures and not symbols of a process of nature, their deeds are the deeds of men, and are not the acts of a process of nature expressed in terms of human activity.

And thus is founded the race of the Stone Giants or Stone Coats, or more popularly the Giants. When once these fictitious beings were regarded as human monsters they soon became confused with cruel hermits and bloodthirsty sorcerers who because of evil tastes were cannibals and dwelt apart from the habitations of men, who shunned and feared them, and the tales about them became narratives that do not detail the activities of the Winter God—the personified process of nature; and so, like their human prototypes, they increased and multiplied mightily, and so were as numerous as the leaves on the trees.

The persons or figures produced by the attribution of human life and mind to all objective and subjective things were, by virtue of the reality of the elements they embodied, the deities or the gods of this system of thought. In brief, they were composed of both the metamorphosed and of the unchanged first or ancient people who in distinctive character were conceived of as the formal and outward expression of human mind. In the course of time these deities or gods are said to have taught their people the arts and crafts and the elements of their culture and their faith, thus revealing their will and the things which were to be in the future. This divine knowledge, this wisdom of the gods, was obtained or revealed in dreams or visions and by theophanies. But a knowledge of the activities of the people holding these views makes it evident that the doctrines and the arts and the crafts taught by the gods and the institutions founded by them for the people are in fact the activities of the people themselves which had been unconsciously imputed to these deities. Of course, the gods can teach and can reveal only what has been before imputed to them by the people.

The original and chief person in the myth was not a human being, although he was represented as possessed of the form, the desires, and the volition of a person. He is reputed to have performed acts which no human being had the power to perform, acts which only the functioning of a process of nature or of life could accomplish.

In some of these narratives human beings, bearing human names, have been substituted and the heroes and heroines of these stories are men, women, and children.

The substitution of human beings in the stead of the personified forces or processes of nature supplies the reason that apparently wonderful superhuman deeds are accomplished by the human substitutes, whereas the acts portrayed are those of natural forces, not of human brain and brawn.

The stories of the Dagwanoenyent, or Flying Heads, Cyclones, and Whirlwinds, of the Genonsgwa, or Stone Coats (the Frost Giants, or Gods of Winter, but originally named Tawiskaron), and of the Sʻhagodiyoweqgowa, or Wind God, purport to relate historical events, although they are mythic and legendary in form. But unlettered peoples do not transmit history. The writing of history presupposes not only the art of writing but also some kind of permanent social and political organization. Individual experiences fade rapidly, for lacking the needful general interest they do not unite with others in forming even some phase of the local history of a group. The experiences of individuals and even of small unimportant groups of people also lack the interest necessary to bring about their transmission as history. Hence such uncivilized peoples leave to their posterity no authentic accounts of the events of their times, for only in song and saga, where poetry mingles with fact, do they attempt to transmit the narratives of historical events and experiences.

But with the organization and development of society into greater complexity of social and governmental organization there arises the need for the transmission of a record of tribal or communal experiences in which a certain number of persons are intensely interested—tribal wars, feats and acts and sayings of great leaders and reformers, and other noteworthy public events claim permanency of record, and thus history is written.

Popular tradition treats historical events in a naïve poetical way, and authentic historical experiences may thus be preserved. Through poetic treatment oral tradition becomes legend, so that one of the clearest criterions of legend is the fact that it frequently relates things that are not credible. Legend is the tradition of men who have not the art of writing and is a particular form of poetic narrative. So that in origin and nature history differs from legend because of difference of spheres of interest. Private and personal affairs and experiences and things that are of some interest to the common people and heroes, great personages, and public events and affairs are made attractive to the popular minds by means of poetic treatment. Legend is oral tradition in use among folk who do not make use of writing or other graphic art to secure permanency of record, while history is the written record of events and achievements and thoughts of men, which always presupposes the existence and the practice of graphic or scriptorial art.

Now, oral tradition, or legend, is not transmitted without important variation in details from generation to generation, and so it is an untrustworthy medium for the conveyance of historical events.

The saga, or popular story, may become sacred legend—that is, a characteristically “sacred” narrative about the “first people,” or the gods—or it may remain simply a story or tale. These two classes of story or narrative had specific names among the Seneca and their congeners of the Iroquoian stock. The sacred legend was called Kăʹkāāʼ, or Kăʹkarăʼ by the r-using dialects of the Iroquoian tribes. The literal meaning of this noun is not known; in the Onondaga dialect the k-sound would be replaced by the g-sound. These legends are “sacred” to the extent that they would not be related except during certain seasons of the year for the fear of breaking a religious taboo, forbidding strictly the telling of this class of narrative. The transgression of this prohibition was punished by the offended and vexed “first people,” concerning whom the myths or stories are related, although modern story-tellers, with scarce an exception, who have forgotten the true and logical reason for the inhibition mistakenly declare that the aforesaid penalty would be inflicted by the toads or snakes or by some other subtle animal.

The myths of the American Indian refer to an order of things which preceded the present order, and to a race of man-beings who dwelt first in the world above the sky and later in small number only on this earth and who were the so-called “first people,” “the ancients.” It is evident that myths of origins project backward to an assumed condition of things the story of a day or of a year, and creation is described as Spring on a universal scale, that is, it explains the manner in which the order of things, existent where the stories are told, came about, as a Rebirth of Nature. But no one will contend that there were human eyewitnesses of what the narratives report.