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Chapter IV: Introduction (3)

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She was a merry-looking sort of girl, with a happy, half-roguish face that seemed on the lookout for somebody to play with. Her mother, like most of the people in the big hotel, was an invalid; the girl, a dutiful and patient daughter. They had arrived that very day apparently. A laugh is a revealing thing, he thought as he fell asleep to dream of a lob-sided olive rolling consciously towards him, and of a girl's eyes that watched its awkward movements, then looked up into his own and laughed. In his dream the olive had been deliberately and cleverly dispatched upon its uncertain journey. It was a message.

He did not know, of course, that the mother, chiding her daughter's awkwardness, had muttered:

"There you are again, child! True to your name, you never see an olive without doing something queer and odd with it!"

A youngish man, whose knowledge of chemistry, including invisible inks and such-like mysteries, had proved so valuable to the Censor's Department that for five years he had overworked without a holiday, the Italian Riviera had attracted him, and he had come out for a two months' rest. It was his first visit. Sun, mimosa, blue seas and brilliant skies had tempted him; exchange made a pound worth forty, fifty, sixty and seventy shillings. He found the place lovely, but somewhat untenanted.

Having chosen at random, he had come to a spot where the companionship he hoped to find did not exist. The place languished after the war, slow to recover; the colony of resident English was scattered still; travellers preferred the coast of France with Mentone and Monte Carlo to enliven them. The country, moreover, was distracted by strikes. The electric light failed one week, letters the next, and as soon as the electricians and postal-workers resumed, the railways stopped running. Few visitors came, and the few who came soon left.

He stayed on, however, caught by the sunshine and the good exchange, also without the physical energy to discover a better, livelier place. He went for walks among the olive groves, he sat beside the sea and palms, he visited shops and bought things he did not want because the exchange made them seem cheap, he paid immense "extras" in his weekly bill, then chuckled as he reduced them to shillings and found that a few pence covered them; he lay with a book for hours among the olive groves.

The olive groves! His daily life could not escape the olive groves; to olive groves, sooner or later, his walks, his expeditions, his meanderings by the sea, his shopping--all led him to these ubiquitous olive groves.

If he bought a picture postcard to send home, there was sure to be an olive grove in one corner of it. The whole place was smothered with olive groves, the people owed their incomes and existence to these irrepressible trees. The villages among the hills swam roof-deep in them. They swarmed even in the hotel gardens.

The guide books praised them as persistently as the residents brought them, sooner or later, into every conversation. They grew lyrical over them:

"And how do you like our olive trees? Ah, you think them pretty. At first, most people are disappointed. They grow on one."

"They do," he agreed.

"I'm glad you appreciate them. I find them the embodiment of grace. And when the wind lifts the under-leaves across a whole mountain slope--why, it's wonderful, isn't it? One realises the meaning of 'olive-green'."

"One does," he sighed. "But all the same I should like to get one to eat--an olive, I mean."

"Ah, to eat, yes. That's not so easy. You see, the crop is--"

"Exactly," he interrupted impatiently, weary of the habitual and evasive explanations. "But I should like to taste the _fruit_. I should like to enjoy one."

For, after a stay of six weeks, he had never once seen an olive on the table, in the shops, nor even on the street barrows at the market place. He had never tasted one. No one sold olives, though olive trees were a drug in the place; no one bought them, no one asked for them; it seemed that no one wanted them. The trees, when he looked closely, were thick with a dark little berry that seemed more like a sour sloe than the succulent, delicious spicy fruit associated with its name.

Men climbed the trunks, everywhere shaking the laden branches and hitting them with long bamboo poles to knock the fruit off, while women and children, squatting on their haunches, spent laborious hours filling baskets underneath, then loading mules and donkeys with their daily "catch." But an olive to eat was unobtainable. He had never cared for olives, but now he craved with all his soul to feel his teeth in one.

"Ach! But it is the Spanish olive that you _eat_," explained the head waiter, a German "from Basel." "These are for oil only." After which he disliked the olive more than ever--until that night when he saw the first eatable specimen rolling across the shiny parquet floor, propelled towards him by the careless hand of a pretty girl, who then looked up into his eyes and smiled.

He was convinced that Eve, similarly, had rolled the apple towards Adam across the emerald sward of the first garden in the world.

He slept usually like the dead. It must have been something very real that made him open his eyes and sit up in bed alertly. There was a noise against his door. He listened. The room was still quite dark. It was early morning. The noise was not repeated.

"Who's there?" he asked in a sleepy whisper. "What is it?"

The noise came again. Some one was scratching on the door. No, it was somebody tapping.

"What do you want?" he demanded in a louder voice. "Come in," he added, wondering sleepily whether he was presentable. Either the hotel was on fire or the porter was waking the wrong person for some sunrise expedition.

Nothing happened. Wide awake now, he turned the switch on, but no light flooded the room. The electricians, he remembered with a curse, were out on strike. He fumbled for the matches, and as he did so a voice in the corridor became distinctly audible. It was just outside his door.

"Aren't you ready?" he heard. "You sleep for ever."

And the voice, although never having heard it before, he could not have recognised it, belonged, he knew suddenly, to the girl who had let the olive fall. In an instant he was out of bed. He lit a candle.

"I'm coming," he called softly, as he slipped rapidly into some clothes. "I'm sorry I've kept you. I shan't be a minute."

"Be quick then!" he heard, while the candle flame slowly grew, and he found his garments. Less than three minutes later he opened the door and, candle in hand, peered into the dark passage.

"Blow it out!" came a peremptory whisper. He obeyed, but not quick enough. A pair of red lips emerged from the shadows. There was a puff, and the candle was extinguished. "I've got my reputation to consider. We mustn't be seen, of course!"

The face vanished in the darkness, but he had recognised it--the shining skin, the bright glancing eyes. The sweet breath touched his cheek. The candlestick was taken from him by a swift, deft movement. He heard it knock the wainscoting as it was set down. He went out into a pitch-black corridor, where a soft hand seized his own and led him--by a back door, it seemed--out into the open air of the hill-side immediately behind the hotel.

He saw the stars. The morning was cool and fragrant, the sharp air waked him, and the last vestiges of sleep went flying. He had been drowsy and confused, had obeyed the summons without thinking. He now realised suddenly that he was engaged in an act of madness.

The girl, dressed in some flimsy material thrown loosely about her head and body, stood a few feet away, looking, he thought, like some figure called out of dreams and slumber of a forgotten world, out of legend almost. He saw her evening shoes peep out; he divined an evening dress beneath the gauzy covering. The light wind blew it close against her figure. He thought of a nymph.

"I say--but haven't you been to bed?" he asked stupidly. He had meant to expostulate, to apologise for his foolish rashness, to scold and say they must go back at once. Instead, this sentence came. He guessed she had been sitting up all night. He stood still a second, staring in mute admiration, his eyes full of bewildered question.

"Watching the stars," she met his thought with a happy laugh. "Orion has touched the horizon. I came for you at once. We've got just four hours!" The voice, the smile, the eyes, the reference to Orion, swept him off his feet. Something in him broke loose, and flew wildly, recklessly to the stars.

"Let us be off!" he cried, "before the Bear tilts down. Already Alcyone begins to fade. I'm ready. Come!"

She laughed. The wind blew the gauze aside to show two ivory white limbs. She caught his hand again, and they scampered together up the steep hill-side towards the woods. Soon the big hotel, the villas, the white houses of the little town where natives and visitors still lay soundly sleeping, were out of sight. The farther sky came down to meet them. The stars were paling, but no sign of actual dawn was yet visible. The freshness stung their cheeks.

Slowly, the heavens grew lighter, the east turned rose, the outline of the trees defined themselves, there was a stirring of the silvery green leaves. They were among olive groves--but the spirits of the trees were dancing. Far below them, a pool of deep colour, they saw the ancient sea. They saw the tiny specks of distant fishing-boats. The sailors were singing to the dawn, and birds among the mimosa of the hanging gardens answered them.

Pausing a moment at length beneath a gaunt old tree, whose struggle to leave the clinging earth had tortured its great writhing arms and trunk, they took their breath, gazing at one another with eyes full of happy dreams.

"You understood so quickly," said the girl, "my little message. I knew by your eyes and ears you would." And she first tweaked his ears with two slender fingers mischievously, then laid her soft palm with a momentary light pressure on both eyes.

"You're half-and-half, at any rate," she added, looking him up and down for a swift instant of appraisement, "if you're not altogether." The laughter showed her white, even little teeth.

"You know how to play, and that's something," she added. Then, as if to herself, "You'll be altogether before I've done with you."

"Shall I?" he stammered, afraid to look at her.

Puzzled, some spirit of compromise still lingering in him, he knew not what she meant; he knew only that the current of life flowed increasingly through his veins, but that her eyes confused him.

"I'm longing for it," he added. "How wonderfully you did it! They roll so awkwardly----"

"Oh, that!" She peered at him through a wisp of hair. "You've kept it, I hope."

"Rather. It's on my mantelpiece----"

"You're sure you haven't eaten it?" and she made a delicious mimicry with her red lips, so that he saw the tip of a small pointed tongue.

"I shall keep it," he swore, "as long as these arms have life in them," and he seized her just as she was crouching to escape, and covered her with kisses.

"I knew you longed to play," she panted, when he released her. "Still, it was sweet of you to pick it up before another got it."

"Another!" he exclaimed.

"The gods decide. It's a lob-sided thing, remember. It can't roll straight." She looked oddly mischievous, elusive.

He stared at her.

"If it had rolled elsewhere--and another had picked it up----?" he began.

"I should be with that other now!" And this time she was off and away before he could prevent her, and the sound of her silvery laughter mocked him among the olive trees beyond. He was up and after her in a second, following her slim whiteness in and out of the old-world grove, as she flitted lightly, her hair flying in the wind, her figure flashing like a ray of sunlight or the race of foaming water--till at last he caught her and drew her down upon his knees, and kissed her wildly, forgetting who and where and what he was.

"Hark!" she whispered breathlessly, one arm close about his neck. "I hear their footsteps. Listen! It is the pipe!"

"The pipe----!" he repeated, conscious of a tiny but delicious shudder.

For a sudden chill ran through him as she said it. He gazed at her. The hair fell loose about her cheeks, flushed and rosy with his hot kisses. Her eyes were bright and wild for all their softness. Her face, turned sideways to him as she listened, wore an extraordinary look that for an instant made his blood run cold. He saw the parted lips, the small white teeth, the slim neck of ivory, the young bosom panting from his tempestuous embrace. Of an unearthly loveliness and brightness she seemed to him, yet with this strange, remote expression that touched his soul with sudden terror.

Her face turned slowly.

"Who _are_ you?" he whispered. He sprang to his feet without waiting for her answer.

He was young and agile; strong, too, with that quick response of muscle they have who keep their bodies well; but he was no match for her. Her speed and agility out-classed his own with ease. She leapt. Before he had moved one leg forward towards escape, she was clinging with soft, supple arms and limbs about him, so that he could not free himself, and as her weight bore him downwards to the ground, her lips found his own and kissed them into silence. She lay buried again in his embrace, her hair across his eyes, her heart against his heart, and he forgot his question, forgot his little fear, forgot the very world he knew....

"They come, they come," she cried gaily. "The Dawn is here. Are you ready?"

"I've been ready for five thousand years," he answered, leaping to his feet beside her.

"Altogether!" came upon a sparkling laugh that was like wind among the olive leaves.

Shaking her last gauzy covering from her, she snatched his hand, and they ran forward together to join the dancing throng now crowding up the slope beneath the trees. Their happy singing filled the sky. Decked with vine and ivy, and trailing silvery green branches, they poured in a flood of radiant life along the mountain side. Slowly they melted away into the blue distance of the breaking dawn, and, as the last figure disappeared, the sun came up slowly out of a purple sea.

They came to the place he knew--the deserted earthquake village--and a faint memory stirred in him. He did not actually recall that he had visited it already, had eaten his sandwiches with "hotel friends" beneath its crumbling walls; but there was a dim troubling sense of familiarity--nothing more. The houses still stood, but pigeons lived in them, and weasels, stoats and snakes had their uncertain homes in ancient bedrooms. Not twenty years ago the peasants thronged its narrow streets, through which the dawn now peered and cool wind breathed among dew-laden brambles.

"I know the house," she cried, "the house where we would live!" and raced, a flying form of air and sunlight, into a tumbled cottage that had no roof, no floor or windows. Wild bees had hung a nest against the broken wall.

He followed her. There was sunlight in the room, and there were flowers. Upon a rude, simple table lay a bowl of cream, with eggs and honey and butter close against a home-made loaf. They sank into each other's arms upon a couch of fragrant grass and boughs against the window where wild roses bloomed ... and the bees flew in and out.

It was Bussana, the so-called earthquake village, because a sudden earthquake had fallen on it one summer morning when all the inhabitants were at church. The crashing roof killed sixty, the tumbling walls another hundred, and the rest had left it where it stood.

"The Church," he said, vaguely remembering the story. "They were at prayer----"

The girl laughed carelessly in his ear, setting his blood in a rush and quiver of delicious joy. He felt himself untamed, wild as the wind and animals. "The true God claimed His own," she whispered. "He came back. Ah, they were not ready--the old priests had seen to that. But he came. They heard his music. Then his tread shook the olive groves, the old ground danced, the hills leapt for joy----"

"And the houses crumbled," he laughed as he pressed her closer to his heart--

"And now we've come back!" she cried merrily. "We've come back to worship and be glad!" She nestled into him, while the sun rose higher.

"I hear them--hark!" she cried, and again leapt, dancing from his side. Again he followed her like wind. Through the broken window they saw the naked fauns and nymphs and satyrs rolling, dancing, shaking their soft hoofs amid the ferns and brambles. Towards the appalling, ruptured church they sped with feet of light and air. A roar of happy song and laughter rose.

"Come!" he cried. "We must go too."

Hand in hand they raced to join the tumbling, dancing throng. She was in his arms and on his back and flung across his shoulders, as he ran. They reached the broken building, its whole roof gone sliding years ago, its walls a-tremble still, its shattered shrines alive with nesting birds.

"Hush!" she whispered in a tone of awe, yet pleasure. "He is there!" She pointed, her bare arm outstretched above the bending heads.

There, in the empty space, where once stood sacred Host and Cup, he sat, filling the niche sublimely and with awful power. His shaggy form, benign yet terrible, rose through the broken stone. The great eyes shone and smiled. The feet were lost in brambles.

"God!" cried a wild, frightened voice yet with deep worship in it--and the old familiar panic came with portentous swiftness. The great Figure rose.

The birds flew screaming, the animals sought holes, the worshippers, laughing and glad a moment ago, rushed tumbling over one another for the doors.

"He goes again! Who called? Who called like that? His feet shake the ground!"

"It is the earthquake!" screamed a woman's shrill accents in ghastly terror.

"Kiss me--one kiss before we forget again...!" sighed a laughing, passionate voice against his ear. "Once more your arms, your heart beating on my lips...! You recognised his power. You are now altogether! We shall remember!"

But he woke, with the heavy bed-clothes stuffed against his mouth and the wind of early morning sighing mournfully about the hotel walls.

* * * * *

"Have they left again--those ladies?" he inquired casually of the head waiter, pointing to the table. "They were here last night at dinner."

"Who do you mean?" replied the man, stupidly, gazing at the spot indicated with a face quite blank. "Last night--at dinner?" He tried to think.

"An English lady, elderly, with--her daughter----" at which moment precisely the girl came in alone. Lunch was over, the room empty. There was a second's difficult pause. It seemed ridiculous not to speak. Their eyes met. The girl blushed furiously.

He was very quick for an Englishman. "I was allowing myself to ask after your mother," he began. "I was afraid"--he glanced at the table laid for one--"she was not well, perhaps?"

"Oh, but that's very kind of you, I'm sure." She smiled. He saw the small white even teeth....

And before three days had passed, he was so deeply in love that he simply couldn't help himself.

"I believe," he said lamely, "this is yours. You dropped it, you know. Er--may I keep it? It's only an olive."

They were, of course, in an olive grove when he asked it, and the sun was setting.

She looked at him, looked him up and down, looked at his ears, his eyes. He felt that in another second her little fingers would slip up and tweak the first, or close the second with a soft pressure----

"Tell me," he begged: "did you dream anything--that first night I saw you?"

She took a quick step backwards. "No," she said, as he followed her more quickly still, "I don't think I did. But," she went on breathlessly as he caught her up, "I knew--from the way you picked it up----"

"Knew what?" he demanded, holding her tightly so that she could not get away again.

"That you were already half and half, but would soon be altogether."

And, as he kissed her, he felt her soft little fingers tweak his ears.

ONCE A HERO

By HAROLD BRIGHOUSE

(From _Pan_)

1922

Standing in a sheltered doorway a tramp, with a slouch hat crammed low over a notably unwashed face, watched the outside of the new works canteen of the Sir William Rumbold Ltd., Engineering Company. Perhaps because they were workers while he was a tramp, he had an air of compassionate cynicism as the audience assembled and thronged into the building, which, as prodigally advertised throughout Calderside, was to be opened that night by Sir William in person.

There being no one to observe him, the tramp could be frank with his cynicism; but inside the building, in the platform ante-room, Mr. Edward Fosdike, who was Sir William's locally resident secretary, had to discipline his private feelings to a suave concurrence in his employer's florid enthusiasm. Fosdike served Sir William well, but no man is a hero to his (male) secretary.

"I hope you will find the arrangements satisfactory," Fosdike was saying, tugging nervously at his maltreated moustache. "You speak at seven and declare the canteen open. Then there's a meal." He hesitated. "Perhaps I should have warned you to dine before you came."

Sir William was aware of being a very gallant gentleman. "Not at all," he said heroically, "not at all. I have not spared my purse over this War Memorial. Why should I spare my feelings? Well, now, you've seen about the Press?"

"Oh, yes. The reporters are coming. There'll be flash-light photographs. Everything quite as usual when you make a public appearance, sir."

Sir William wondered if this resident secretary of his were quite adequate. Busy in London, he had left all arrangements in his local factotum's hands, and he was doubting whether those hands had grasped the situation competently. "Only as usual?" he said sharply. "This War Memorial has cost me ten thousand pounds."

"The amount," Fosdike hastened to assure him, "has been circulated, with appropriate tribute to your generosity."

"Generosity," criticised Rumbold. "I hope you didn't use that word."

Mr. Fosdike referred to his notebook. "We said," he read, "'the cost, though amounting to ten thousand pounds, is entirely beside the point. Sir William felt that no expense was excessive that would result in a fitting and permanent expression of our gratitude to the glorious dead.'"

"Thank you, Fosdike. That is exactly my feeling," said the gratified Sir William, paying Fosdike the unspoken compliment of thinking him less of a fool than he looked. "It is," he went on, "from no egotistic motive that I wish the Press to be strongly represented to-night. I believe that in deciding that Calderside's War Memorial should take the form of a Works Canteen, I am setting an example of enlightenment which other employers would do well to follow. I have erected a monument, not in stone, but in goodwill, a club-house for both sexes to serve as a centre of social activities for the firm's employees, wherein the great spirit of the noble work carried out at the Front by by the Y.M.C.A. will be recaptured and adapted to peace conditions in our local organisation in the Martlow Works Canteen. What are you taking notes for?"

"I thought----" began Fosdike.

"Oh, well, perhaps you are right. Reporters have been known to miss one's point, and a little first aid, eh? By the way, I sent you some notes from town of what I intended to say in my speech. I just sent them ahead in case there was any local point I'd got wrong."

He put it as a question, but actually it was an assertion and a challenge. It asserted that by no possible chance could there be anything injudicious in the proposed speech, and it challenged Fosdike to deny that assertion if he dared.

And Fosdike had to dare; he had to accuse himself of assuming too easily that Rumbold's memory of local Calderside detail was as fresh as the memory of the man on the spot.

"I did want to suggest a modification, sir," he hazarded timidly.

"Really?"--quite below zero--"Really? I felt very contented with the speech."

"Yes, sir, it's masterly. But on the spot here----"

"Oh, agreed. Quite right, Fosdike. I am speaking to-night to the world--no; let me guard against exaggeration. The world includes the Polynesians and Esquimaux--I am speaking to the English-speaking races of the world, but first and foremost to Calderside. My own people. Yes? You have a little something to suggest? Some happy local allusion?"

"It's about Martlow," said Fosdike shortly.

Sir William took him up. "Ah, now you're talking," he approved. "Yes, indeed, anything you can add to my notes about Martlow will be most welcome. I have noted much, but too much is not enough for such an illustrious example of conspicuous gallantry, so noble a life, so great a deed, and so self-sacrificing an end. Any details you can add about Timothy Martlow will indeed----"

Fosdike coughed. "Excuse me, sir, that's just the point. If you talk like that about Martlow down here, they'll laugh at you."

"Laugh?" gasped Rumbold, his sense of propriety outraged. "My dear Fosdike, what's come to you? I celebrate a hero. Our hero. Why, I'm calling the Canteen after Martlow when I might have given it my own name. That speaks volumes." It did.

But Fosdike knew too well what would be the attitude of a Calderside audience if he allowed his chief to sing in top-notes an unreserved eulogy of Tim Martlow. Calderside knew Tim, the civilian, if it had also heard of Tim, the soldier. "Don't you remember Martlow, sir? Before the war, I mean."

"No. Ought I to?"

"Not on the bench?"

"Martlow? Yes, now I think of the name in connection with the old days, there was a drunken fellow. To be sure, an awful blackguard, continually before the bench. Dear me! Well, well, but a man is not responsible for his undesirable relations, I hope."

"No, sir. But that was Martlow. The same man. You really can't speak to Calderside of his as an ennobling life and a great example. The war changed him, but--well, in peace, Tim was absolutely the local bad man, and they all know it. I thought you did, or----"

Sir William turned a face expressive of awe-struck wonder. "Fosdike," he said with deep sincerity, "this is the most amazing thing I've heard of the war. I never connected Martlow the hero with--well, well _de mortuis_." He quoted:

"'Nothing in his life
Became him like the leaving it; he died
As one that had been studied in his death
To throw away the dearest thing he owed
As 'there a careless trifle.'

"Appropriate, I think? I shall use that."

It was, at least, a magnificent recovery from an unexpected blow, administered by the very man whose duty it was to guard Sir William against just that sort of blow. If Fosdike was not the local watch-dog, he was nothing; and here was an occasion when the dog had omitted to bark until the last minute of the eleventh hour.

"Very apt quotation, sir, though there have never been any exact details of Martlow's death."

Sir William meditated. "Do you recall the name of the saint who was a regular rip before he got religion?" he asked.

"I think that applies to most of them," said Fosdike.

"Yes, but the one in particular. Francis. That's it." He filled his chest. "Timothy Martlow," he pronounced impressively, "is the St. Francis of the Great War, and this Canteen is his shrine. Now, I think I will go into the hall. It is early, but I shall chat with the people. Oh, one last thought. When you mentioned Martlow, I thought you were going to tell me of some undesirable connections. There are none?"

"There is his mother. A widow. You remember the Board voted her an addition to her pension."

"Oh, yes. And she?"

"Oh, most grateful. She will be with you on the platform. I have seen myself that she is--fittingly attired."

"I think I can congratulate you, Fosdike," said Sir William magnanimously. "You've managed very well. I look forward to a pleasant evening, a widely reported speech, and--"

Then Dolly Wainwright came into the ante-room.

"If you please, sir," she said, "what's going to be done about me?"

Two gentlemen who had all but reached the smug bathos of a mutual admiration society turned astonished eyes at the intruder.

She wore a tam, and a check blanket coat, which she unbuttoned as they watched her. Beneath it, suitable to the occasion, was a white dress, and Sir William, looking at it, felt a glow of tenderness for this artless child who had blundered into the privacy of the ante-room. Something daintily virginal in Dolly's face appealed to him; he caught himself thinking that her frock was more than a miracle in bleached cotton--it was moonshine shot with alabaster; and the improbability of that combination had hardly struck him when Fosdike's voice forced itself harshly on his ears.

"How did you get in here?"

Sir William moved to defend the girl from the anger of his secretary, but when she said, with a certain challenge, "Through the door," he doubted if she were so defenceless as she seemed.

"But there's a doorkeeper at the bottom," said Fosdike. "I gave him my orders."

"I gave him my smile," said Dolly. "I won."

"Upon my word--" Fosdike began.

"Well, well," interrupted Sir William, "what can I do for you?"

The reply was indirect, but caused Sir William still further to readjust his estimate of her.

"I've got friends in the meeting to-night," she concluded. "They'll speak up for me, too, if I'm not righted. So I'm telling you."

"Don't threaten me, my girl," said Sir William without severity. "I am always ready to pay attention to any legitimate grievance, but----"

"Legitimate?" she interrupted. "Well, mine's not legitimate. So there!"

"I beg your pardon?" She puzzled Sir William. "Come now," he went on in his most patriarchal manner, "don't assume I'm not going to listen to you. I am. To-night there is no thought in my mind except the welfare of Calderside."

"Oh, well," she said apologetically, "I'm sorry if I riled you, but it's a bit awkward to speak it out to a man. Only" (the unconscious cruelty of youth--or was it conscious?) "you're both old, so perhaps I can get through. It's about Tim Martlow."

"Ah," said Sir William encouragingly, "our glorious hero."

"Yes," said Dolly. "I'm the mother of his child."

We are all balloons dancing our lives amongst pins. Therefore, be compassionate towards Sir William. He collapsed speechlessly on a hard chair.

Fosdike reacted more alertly. "This is the first I've heard of Martlow's being married," he said aggressively.

Dolly looked up at him indignantly. "You ain't heard it now, have you?" she protested. "I said it wasn't legitimate. I don't say we'd not have got married if there'd been time, but you can't do everything on short leave."

There seemed an obvious retort. Rumbold and Fosdike looked at each other, and neither made the retort. Instead, Fosdike asked: "Are you employed in the works here?"

"I was here, on munitions," she said, "and then on doles."

"And now you're on the make," he sneered.

"Oh, I dunno," she said. "All this fuss about Tim Martlow. I ought to have my bit out of it."

"Deplorable," grieved Sir William. "The crass materialism of it all. This is so sad. How old are you?"

"Twenty," said Dolly. "Twenty, with a child to keep, and his father's name up in gold lettering in that hall there. I say somebody ought to do something."

"I suppose now, Miss----" Fosdike baulked.

"Wainwright, Dolly Wainwright, though it ought to be Martlow."

"I suppose you loved Tim very dearly?"

"I liked him well enough. He was good-looking in his khaki."

"Liked him? I'm sure it was more than that."

"Oh, I dunno. Why?" asked the girl, who said she was the mother of Martlow's child.

"I am sure," said Fosdike gravely, "you would never do anything to bring a stain upon his memory."

Dolly proposed a bargain. "If I'm rightly done by," she said, "I'll do right by him."

"Anything that marred the harmony of to-night's ceremony, Miss Wainwright, would be unthinkable," said Sir William, coming to his lieutenant's support.

"Right," said Dolly cheerfully. "If you'll take steps according, I'm sure I've no desire to make a scene."

"A scene," gasped Sir William.

"Though," she pointed out, "it's a lot to ask of any one, you know. Giving up the certain chance of getting my photograph in the papers. I make a good picture, too. Some do and some don't, but I take well and when you know you've got the looks to carry off a scene, it's asking something of me to give up the idea."

"But you said you'd no desire to make a scene."

"Poor girls have often got to do what they don't wish to. I wouldn't make a scene in the usual way. Hysterics and all that. Hysterics means cold water in your face and your dress messed up and no sympathy. But with scenes, the greater the occasion the greater the reward, and there's no denying this is an occasion, is there? You're making a big to-do about Tim Martlow and the reward would be according. I don't know if you've noticed that if a girl makes a scene and she's got the looks for it, she gets offers of marriage, like they do in the police-court when they've been wronged and the magistrate passes all the men's letters on to the court missionary and the girl and the missionary go through them and choose the likeliest fellow out of the bunch?"

"But my dear young lady----" Fosdike began.

She silenced him. "Oh, it's all right. I don't know that I want to get married."

"Then you ought to," said Sir William virtuously.

"There's better things in life than getting married," Dolly said. "I've weighed up marriage, and I don't see what there is in it for a girl nowadays."

"In your case, I should have thought there was everything."

Dolly sniffed. "There isn't liberty," she said. "And we won the fight for liberty, didn't we? No; if I made that scene it 'ud be to get my photograph in the papers where the film people could see it. I've the right face for the pictures, and my romantic history will do the rest."

"Good heavens, girl," cried the scandalised Sir William, "have you no reverence at all? The pictures! You'd turn all my disinterested efforts to ridicule. You'd--oh, but there! You're not going to make a scene?"

"That's a matter of arrangement, of course," said the cool lady. "I'm only showing you what a big chance I shall miss if I oblige you. Suppose I pipe up my tale of woe just when you're on the platform with the Union Jack behind you and the reporters in front of you, and that tablet in there that says Tim is the greatest glory of Calderside----"

Sir William nearly screamed. "Be quiet, girl. Fosdike," he snarled, turning viciously on his secretary, "what the deuce do you mean by pretending to keep an eye on local affairs when you miss a thing like this?"

"'Tisn't his fault," said Dolly. "I've been saving this up for you."

"Oh," he groaned, "and I'd felt so happy about to-night." He took out a fountain pen. "Well, I suppose there's no help for it. Fosdike, what's the amount of the pension we allow Martlow's mother?"

"Double it, add a pound a week, and what's the answer, Mr. Fosdike?" asked Dolly quickly.

Sir William gasped ludicrously.

"I mean to say," said Dolly, conferring on his gasp the honour of an explanation, "she's old and didn't go on munitions, and didn't get used to wangling income tax on her wages, and never had no ambitions to go on the pictures, neither. What's compensation to her isn't compensation to me. I've got a higher standard."

"The less you say about your standards, the better, my girl," retorted Sir William. "Do you know that this is blackmail?"

"No, it isn't. Not when I ain't asked you for nothing. And if I pass the remark how that three pounds a week is my idea of a minimum wage, it isn't blackmail to state the fact."

Sir William paused in the act of tearing a page out of Fosdike's note-book. "Three pounds a week!"

"Well," said Dolly reasonably, "I didn't depreciate the currency. Three pounds a week is little enough these times for the girl who fell from grace through the chief glory of Calderside."

"But suppose you marry," suggested Mr. Fosdike.

"Then I marry well," she said, "having means of my own. And I ought to, seeing I'm kind of widow to the chief glory of--"

Sir William looked up sharply from the table. "If you use that phrase again," he said, "I'll tear this paper up."

"Widow to Tim Martlow," she amended it, defiantly. He handed her the document he had drawn up. It was an undertaking in brief, unambiguous terms to pay her three pounds a week for life. As she read it, exulting, the door was kicked open.

The tramp, whose name was Timothy Martlow, came in and turning, spoke through the doorway to the janitor below. "Call out," he said, "and I'll come back and knock you down again." Then he locked the door.

Fosdike went courageously towards him. "What do you mean by this intrusion? Who are you?"

The tramp assured himself that his hat was well pulled down over his face. He put his hands in his pockets and looked quizzically at the advancing Mr. Fosdike. "So far," he said, "I'm the man that locked the door."

Fosdike started for the second door, which led directly to the platform. The tramp reached it first, and locked it, shouldering Fosdike from him. "Now," he said, Sir William was searching the wall, "are there no bells?" he asked desperately.

"No."

"No?" jeered the tramp. "No bell. No telephone. No nothing. You're scotched without your rifle this time."

Fosdike consulted Sir William. "I might shout for the police," he suggested.

"It's risky," commented the tramp. "They sometimes come when they're called."

"Then----" began the secretary.

"It's your risk," emphasised the tramp. "And, I don't advise it. I've gone to a lot of trouble this last week to keep out of sight of the Calderside police. They'd identify me easy, and Sir William wouldn't like that."

"I wouldn't like?" said Rumbold. "I? Who are you?"

"Wounded and missing, believed dead," quoted the tramp. "Only there's been a lot of beliefs upset in this war, and I'm one of them."

"One of what?"

"I'm telling you. One of the strayed sheep that got mislaid and come home at the awkwardest times." He snatched his hat off. "Have a good look at that face, your worship."

"Timothy Martlow," cried Sir William.

Fosdike staggered to a chair while Dolly, who had shown nothing but amusement at the tramp, now gave a quick cry and shrank back against the wall, exhibiting every symptom of the liveliest terror. Of the trio, Sir William, for whom surely this inopportune return had the most serious implications, alone stood his ground, and Martlow grimly appreciated his pluck.

"It's very near made a stretcher-case of him," he said, indicating the prostrated Fosdike. "You're cooler. Walking wounded."

"I ... really...."

"Shake hands, old cock," said Martlow, "I know you've got it writ up in there----" he jerked his head towards the hall--"that I'm the chief glory of Calderside, but damme if you're not the second best yourself, and I'll condescend to shake your hand if it's only to show you I'm not a ghost."

Sir William decided that it was politic to humour this visitor. He shook hands. "Then, if you know," he said, "if you know what this building is, it isn't accident that brings you here to-night."

"The sort of accident you set with a time-fuse," said Martlow grimly. "I told you I'd been dodging the police for a week lest any of my old pals should recognise me. I was waiting to get you to-night, and sitting tight and listening. The things I heard! Nearly made me take my hat off to myself. But not quite. Not quite. I kept my hat on and I kept my hair on. It's a mistake to act premature on information received. If I'd sprung this too soon, the wrong thing might have happened to me."

"What wrong thing, Martlow?" asked Sir William with some indignation. If the fellow meant anything, it was that he would have been spirited away by Sir William.

"Oh, anything," replied Martlow. "Anything would be wrong that made me miss this pleasure. You and me conversing affable here. Not a bit like it was in the old days before I rose to being the chief glory of Calderside. Conversation was one-sided then, and all on your side instead of mine. 'Here again, Martlow,' you'd say, and then they'd gabble the evidence, and you'd say 'fourteen days' or 'twenty-one days,' if you'd got up peevish and that's all there was to our friendly intercourse. This time, I make no doubt you'll be asking me to stay at the Towers to-night. And," he went on blandly, enjoying every wince that twisted Sir William's face in spite of his efforts to appear unmoved, "I don't know that I'll refuse. It's a levelling thing, war. I've read that war makes us all conscious we're members of one brotherhood, and I know it's true now. Consequently the chief glory of the place ain't got no right to be too high and mighty to accept your humble invitation. The best guest-room for Sergeant Martlow, you'll say. See there's a hot water-bottle in his bed, you'll say, and in case he's thirsty in the night, you'll tell them to put the whisky by his side."

After all, a man does not rise to become Sir William Rumbold by being flabby. Sir William struck the table heavily. Somehow he had to put a period to this mocking harangue. "Martlow," he said, "how many people know you're here?"

Tim gave a good imitation of Sir William's gesture. He, too, could strike a table. "Rumbold," he retorted, "what's the value of a secret when it's not a secret? You three in this room know, and not another soul in Calderside."

"Not even your mother?" queried Rumbold.

"No. I been a bad son to her in the past. I'm a good one now I'm dead. She's got a bit o' pension, and I'll not disturb that. I'll stay dead--to her," he added forcibly, dashing the hope which leapt in Rumbold.

"Why have you come here? Here--to-night?"

The easy mockery renewed itself in Martlow's voice. "People's ideas of fun vary," he stated. "The fly's idea ain't the same as the spider's. This 'ere is my idea--shaking your hand and sitting cosy with the bloke that's sent me down more times than I can think. And the fun 'ull grow furious when you and I walk arm in arm on to that platform, and you tell them all I'm resurrected."

"Like this?" The proper Mr. Fosdike interjected.

"Eh?" said Tim. "Like what?"

"You can't go on to the platform in those clothes, Martlow. Have you looked in a mirror lately? Do you know what you look like? This is a respectable occasion, man."

"Yes," said Tim drily. "It's an occasion for showing respect to me. I'll do as I am, not having had time to go to the tailor's for my dress suit yet."

"Martlow," said Sir William briskly, "time's short. I'm due on that platform."

"Right, I'm with you." Tim moved towards the platform door.

Sir William, with a serene air of triumph, played his trump card. He took out his cheque-book. "No," he said. "You're not coming. Instead--"

He shrank back hastily as a huge fist was projected vehemently towards his face. But the fist swerved and opened. The cheque-book, not Sir William's person, was its objective. "Instead be damned," said Tim Martlow, pitching the cheque-book to the floor. "To hell with your money. Thought I was after money, did you?"

Sir William met his eye. "Yes, I did," he said hardily.

"That's the sort of mean idea you would have, Sir William Rumbold. They say scum rises. You grew a handle to your name during the war, but you ain't grown manners to go with it. War changes them that's changeable. T'others are too set to change."

Sir William felt a strange glow of appreciation for this man who, with so easy an opportunity to grow rich, refused money. "It's changed you," he said with ungrudging admiration that had no tincture of diplomacy in it.

"Has it?" mused Tim. "From what?"

"Well--" Sir William was embarrassed. "From what you were."

"What was I?" demanded Tim. "Go on, spit it out. What sort of character would you have given me then?" "I'd have called you," said Sir William boldly, "a disreputable drunken loafer who never did an honest day's work in his life." Which had the merit of truth, and, he thought, the demerit of rashness.

To his surprise he found that Tim was looking at him with undisguised admiration. "Lummy," he said, "you've got guts. Yes, that's right. 'Disreputable drunken loafer.' And if I came back now?" he asked.

"You were magnificent in the war, Martlow."

"First thing I did when I got civvies on was to get blind and skinned. Drink and civvies go together in my mind."

"You'll get over that," said Sir William encouragingly; but he was puzzled by the curiously wistful note which had replaced Tim's hectoring.

"There's a chance," admitted Tim. "A bare chance. Not a chance I'd gamble on. Not when I've a bigger chance than that. You wouldn't say, weighing me up now, that I've got a reformed look, would you?"

Sir William couldn't. "But you'll pull yourself together. You'll remember--"

"I'll remember the taste of beer," said Tim with fierce conviction. "No, I never had a chance before, but I've got one now, and, by heaven, I'm taking it." Sir William's apprehension grew acute; if money was not the question, what outrageous demand was about to be made of him? Tim went on, "I'm nothing but a dirty, drunken tramp to-day. Yes, drunk when I can get it and craving when I can't. That's Tim Martlow when he's living. Tim Martlow dead's a different thing. He's a man with his name wrote up in letters of gold in a dry canteen. Dry! By God, that's funny! He's somebody, honoured in Calderside for ever and ever, amen. And we won't spoil a good thing by taking chances on my reformation. I'm dead. I'll stay dead." He paused in enjoying the effect he made.

Sir William stooped to pick his cheque-book from the floor. "Don't do that," said Tim sharply. "It isn't out of your mind yet that money's what I came for. Fun's one thing that brought me. Just for the treat of showing you myself and watching your quick-change faces while I did it. And I've had my fun." His voice grew menacing. "The other thing I came for isn't fun. It's this." Dolly screamed as he took her arm and jerked her to her feet from the corner where she had sought obscurity. He shook her urgently. "You've been telling tales about me. I've heard of it. You hear all the news when you lie quiet yourself and let other people do the talking. You came in here to-night to spin a yarn. I watched you in. Well, is it true?"

"No," said Dolly, gasping for breath. "I mean--" he insisted, "what you said about you and me. That isn't true?"

She repeated her denial. "No," he said, releasing her, "it 'ud have a job to be seeing this is the first time I've had the pleasure of meeting you. That'll do." He opened the platform door politely. "I hope I haven't made you late on the platform, sir," he said.

Both Sir William and the secretary stared fascinated at Dolly, the enterprising young person who had so successfully bluffed them. "I repeat, don't let me make you late," said Tim from the now wide open door.

Rumbold checked Fosdike who was, apparently, bent on doing Dolly a personal violence. "That can wait," he said. "What can't wait is this." He held out his hand to Martlow. "In all sincerity, I beg the honour."

Tim shook his hand, and Rumbold turned to the door. Fosdike ran after him with the notes of his speech. "Your speech, sir."

Sir William turned on him angrily. "Man," he said, "haven't you heard? That muck won't do now. I have to try to do Martlow justice." He went out to the platform, Fosdike after him.

Tim Martlow sat at the table and took a bottle from his pocket. He drew the cork with his teeth, then felt a light touch on his arm. "I was forgetting you," he said, replacing the bottle.

"I ain't likely to forget you," said Dolly ruefully.

He gripped her hard. "But you are going to forget me, my girl," he said. "Tim Martlow's dead, and his letters of gold ain't going to be blotted by the likes of you. You that's been putting it about Calderside I'm the father of your child, and I ain't never seen you in my life till to-night."

"Yes, but you're getting this all wrong," she blubbered. "I didn't have a baby. I was going to borrow one if they'd claimed to see it."

"What? No baby? And you put it across old Rumbold?" Laughter and sheer admiration of her audacity were mingled in his voice. With a baby it was a good bluff; without one, the girl's ingenuity seemed to him to touch genius.

"He gave me that paper," she said, pride subduing tears as she handed him her splendid trophy.

"Three pounds a week for life," he read, with profound reverence. "If you ain't a blinkin' marvel." He complimented her, giving her the paper back. Then he realised that, through him, her gains were lost.

"Gawd, I done wrong. I got no right to mess up a thing like that. I didn't know. See, I'll tell him I made you lie. I'll own the baby's mine."

"But there ain't no baby," she persisted.

"There's plenty of babies looking for a mother with three pounds a week," he said.

She tore the paper up. "Then they'll not find me," she said. "Three pounds a week's gone. And your letters of gold, Mr. Martlow, remain."

The practised voice of Sir William Rumbold, speaking on the platform, filled the ante-room, not with the rhetorician's counterfeit of sincerity, but, unmistakably, with sincerity itself. "I had prepared a speech," he was saying. "A prepared speech is useless in face of the emotion I feel at the life of Timothy Martlow. I say advisedly to you that when I think of Martlow, I know myself for a worm. He was despised and rejected. What had England done for him that he should give his life for her? We wronged him. We made an outcast of him. I personally wronged him from the magistrate's bench, and he pays us back like this, rising from an undeserved obscurity to a height where he rests secure for ever, a reproach to us, and a great example of the man who won. And against what odds he played it out to a supreme end, and----"

"You're right," said Tim Martlow, motioning the girl to close the door. He wasn't used to hearing panegyrics on himself, nor was he aware that, mechanically, he had raised the bottle to his lips.

Dolly meant to close the door discreetly; instead, she threw it from her and jumped at the bottle. Tim was conscious of a double crash, putting an emphatic stop to the sound of Sir William's eulogy--the crash of the door and the bottle which Dolly snatched from him and pitched against the wall.

"Letters of gold," she panted, "and you shan't tarnish them. I'll see to that."

He gaped for a moment at the liquor flowing from the bottle, then raised his eyes to hers. "You?" he said.

"I haven't got a baby to look after," said Dolly. "But--I've you. Where were you thinking of going now?"

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The best British short stories of 1922Chapter IV: Introduction (3)

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