Chapter IX: Introduction (8)

Mick's accustomed recklessness of action was gone, he was cool and prepared to be calculating. We slipped on our boots and I moved over to Twinetoes' bed. I touched his arm. Mumbling curses he opened his eyes. "It's Mac," I whispered, leaning over and looking steadyingly into his face.

"Wot the 'ell...." he began, but I managed to silence him. Once accustomed to the gloom, his eyes took in the strangeness of the situation and, painfully swallowing the foul nausea of his drunk, he calmly and quietly pulled on his boots.

The old woman had again covered up the still sleeping girl and engaged the Boss in a wrangle about money. "You'll bloody well swing yet," said the Boss irrelevantly.

"Mebbe; but that don't alter it. I wants my full share 'n I means to 'av' it."

Dispassionately, the dock rat eyed them both and hoped for the best for himself. We had ceased to exist for them. "Goin'?" asked the dock rat as the others moved towards the stairs. They looked at him, but did not reply. So far as we were aware, though we had forgotten the entire world outside that room, there had been complete silence downstairs; but now we could hear movement. The other dock rats were evidently awake and waiting. As the foot of the Boss fell on the top stair, the spell seemed to fall from Mick. He glared fixedly at the dock rat who stood by the girl's bed. "I'll tear his guts out," said Mick with appalling certainty of tone.

The old woman heard it. The lead pipe again in her fist, like a cornered rat she whipped round. Mick did not wait; full at the canvas he sprang. His Irish impulsiveness overcame caution, and in a moment he was wrapped in the hanging sail, the old woman battering the bellying folds. The dock rat's head was knocking at the wall, Twinetoes cursing rhythmically and shutting off his breath with fingers of steel. My left eye was half closed and the Boss's knuckles were bleeding. The girl, awake and utterly confounded, blinked foolishly and silently, weakly trying to fix her eyes on some definite point in the tangled thread of palpitating life that surged about her.

"Look out! Drop him!" I shouted to Twinetoes as I swung in, furious but with some care, to the face of the Boss. Twinetoes did not heed; he staggered across the room under a blow from one of the new arrivals; but he did not loose his hold. He was a hefty man, entirely reliable, indeed almost happy in such an affair. As number two dock rat tried to follow up his blow, Twinetoes swung number one round in his way; then, changing his hold, taking both the man's shoulders in his hands, he drew back his head as a snake does and butted his man clean over one of the beds.... His face a pitiful pulp, number one was definitely out of it.

Ordinarily, the Boss would have been much too much for me; but now fate favoured me. He was considerably perturbed about the possible outcome of the row and its effect on his business; I was intent only on the fight. With a clean left-hand cut I drove him over, tore a quilt from a bed and flung it over his dazed head, then swung round to where the lead pipe was still flailing. I was concerned for Mick. Seizing the old woman's shoulders I flung her back from Mick and the sail. He would have cleared himself, but his legs were somehow mixed up with the foot of the bed, and she occupied his attention too much. The hag raised the lead and rushed, and for the only time in my life I hit a woman. Without hesitancy or compunction, only revolted at the thought of such contact with such matter, I smashed her down. The Boss and Mick freed themselves together and embraced each other willingly. Twinetoes was playing skittles with the remaining dock rats. There was surprisingly little noise. No one shouted. There was no howling hounding on of each other. All but the girl were absorbed in the immediate business of giving or warding off of blows.

"Dress, quick!" I said to the girl.

The fight had shifted to the centre, and her bed had remained unmoved, herself unmolested. In wondering silence she obeyed. "Quicker! Quicker!" I enjoined, with a new brutal note in my voice. The reaction had set in. I could cheerfully have shoved her down the stairs and flung her garments after her.

The kip was hidden away in a dark alley, the history and reputation of which were shudderingly doubtful, but there were police within dangerous hailing distance. The girl's lips began to quiver. Supposing she broke down and raised the court by hysterical howling! "Don't breathe a sound, or we'll leave you to it," I threatened. She shrank back, gave a low moan, and clutched my coat. I tore her hand loose and turned away in time to floor the Boss by an easy blow on his left ear. The fight was finished.

We wasted no time but descended the stairs and passed out through the court into the street. There were signs of life in the gloomy court, though no one spoke or molested us; the street was dead silent. Mick's arms and shoulders were a mass of bruises from the lead pipe, but his face was clear. Twinetoes was all right, he said, but craving for a wet. I alone showed evidence of the struggle; my eye was unsightly and painful, and my left wrist was slightly sprained. The girl sobbed quietly. "Oh! Oh!" she cried repeatedly, "whatever's to become of me!"

She irritated me. "Shut up!" I said at last, "_You_'ll be all right." She snuffled unceasingly. I looked across at Mick--she walked between us, Twinetoes on my right--and at once I saw the outcome of it all. "Stop it, blast you!" I shook her shoulder. "My pal is the best, biggest fool that ever raised a fist. He's silly enough for anything decent," and then, with the voice of conviction born of absolute certainty of mind: "He'll never chuck you over. He'll marry you sometime, you fool!"

And he did.

THE BACKSTAIRS OF THE MIND

By ROSAMOND LANGBRIDGE

(From _The Manchester Guardian_)

1922

Patrick Deasey described himself as a "philosopher, psychologist, and humorist." It was partly because Patrick delighted in long words, and partly to excuse himself for being full of the sour cream of an inhuman curiosity. His curiosity, however, did not extend itself to science and _belles lettres_; it concerned itself wholly with the affairs of other people. At first, when Deasey retired from the police force with a pension and an heiress with three hundred pounds, and time hung heavy on his hands, he would try to satisfy this craving through the medium of a host of small flirtations with everybody's maid. In this way he could inform himself exactly how many loaves were taken by the Sweeneys for a week's consumption, as compared with those which were devoured by all the Cassidys; for whom the bottles at the Presbytery went in by the back door; and what was the real cause of the quarrel between the twin Miss McInerneys.

But these were but blackbird-scratchings, as it were, upon the deep soil of the human heart. What Deasey cared about was what he called "the secrets of the soul."

"Never met a man," he was wont to say, "with no backstairs to his mind! And the quieter, decenter, respectabler, innocenter a man looked--like enough!--the darker those backstairs!"

It was up these stairs he craved to go. To ring at the front door of ordinary intercourse was not enough for him. When Deasey invested his wife's money in a public-house he developed a better plan. It was the plan which made him ultimately describe himself as a humorist. He would wait until the bar was deserted by all but the one lingering victim whom his trained eye had picked out. Then, rolling that same eye about him, as though to make quite sure no other living creature was in sight, he would gently close the door of the bar-parlour, pick up a tumbler, breathe on it, polish the breath, lean one elbow on the bar, look round him once again, and, setting the whisky-bottle betwixt his customer and himself, with a nod which said "Help yourself," he would lean forward, with the soft indulgent grin of the human man-of-the-world, and begin:

"Now, don't distress yourself, me dear man, but as between frien's, certain delicate little--facts--in your past life have come inadvertently to me hearing."

Sometimes he would allude to a "certain document," or "incriminating facts," or "certain letters"--he would ring the changes on these three, according to the sex and temperament with which he had to deal. But always, whatever the words, whatever the nature or sex, the shot would tell. First came the little start, the straightened figure, the pallor or flush, the shamed and suddenly-lit eyes, and then--

"Who told you, Mr. Deasey, sir?" Or "Where did you get the letter?"

"Ah, now, that would be telling!" Deasey would make reply. "But 'twas from a _certain person_ whom, perhaps, we need not name!" Then the whiskey-bottle would move forward, like a pawn in chess, and the next soothing words would be, "Help yourself now--don't be shy, me dear man! And--your secret is safe with me!"

Forthwith the little skeleton in that man's cupboard would lean forward and press upon the door, until at last the door flew open and a bone or two, and sometimes the whole skeleton, would rattle out upon the floor.

He had played this game so often, that, almost at first sight he could classify his dupes under the three heads into which he had divided them: Those who demanded with violent threats--(which melted like snow before the sunshine of John Jamieson) the letter, or the name of the informant; those who asked, after a gentle sip or two how the letter had come into his hands, and those who asked immediately if the letter hadn't been destroyed. As a rule, from the type that demanded the letter back, he only caught sight of the tip of the secret's ears. From those--they were nearly always the women--who swiftly asked if he hadn't destroyed the letters, he caught shame-faced gleams of the truth.

But those who asked between pensive sips, how the facts or the letter had come his way, these were the ones who yielded Deasey the richest harvest of rattling skeleton bones.

Indeed, it was curiously instructive how John Jamieson laid down a causeway of gleaming stepping-stones, so that Deasey might cross lightly over the turgid waters of his victims' souls. At the words, accompanied by John Jamieson--"A certain dark page of your past history--help yourself, me boy!--has been inadvertently revealed to me, but is for ever sacred in me breast!"--it was strange to see how, from the underworld of the man's mind, there would trip out the company of misshapen hobgoblins and gnomes which had been locked away in darkness, maybe, this many a year.

"Well--how would I get the time to clane the childer and to wash their heads, and I working all the day at curing stinkin' hides! 'Twas Herself should have got it, and Herself alone!"...

Or--

"No, I never done it, for all me own mother sworn I did. I only give the man a little push--that way!--and he fell over on the side, and busted all his veins!"

Or--

"Well, an' wouldn't you draw two pinsions yourself, Mr. Deasey, if you'd a wife with two han's like a sieve for yellow gold!"

But there were some confessions, haltingly patchy and inadequate, but hauntingly suggestive, which Deasey could neither piece out on the spot, nor yet unravel in the small hours of the night. There was one of this nature which troubled his rest long:

"Well, the way of it was, you see, he put it up the chimbley, but when the chimbley-sweepers come he transferred it in his weskit to my place, and I dropped it down the well. They found it when they let the bucket down, but I wasn't his accomplice at all, 'twas only connivance with me!"

When he had spoken of the chimney and the well Deasey concluded at once it was a foully murdered corpse. But then, again, you could not well conceal a corpse in someone's waistcoat; and gold coins would melt or be mislaid amongst the loose bricks of a sooty chimney. Deasey had craved for corpses, but nothing so grim as that had risen to his whisky-bait until he tried the same old game on Mrs. Geraghty. What subtle instinct was it that had prompted him to add to the first unvarying words: "But all that is now past and over, and safe beneath the mouldering clay!"

At these last words, the Widow Geraghty knew well, the barrier was down that fences off one human soul from another; all the same, she shook her trembling head when Deasey drew the cork. At her refusal Deasey was struck with the most respectful compassion; until that hour he had never known one single lacerated soul decline this consolation.

"And to look at me!" she wept forthwith, "would you think I could shed a drop of ruddy gore?"

"No, ma'am," returned Deasey. "To look at you, ye'd think ma'am ye could never kill a fly!"

And respectfully he passed the peppermints.

"Sometimes," the widow muttered, "I hears it, and it bawling in me dreams o' night. And the two bright eyes of it, and the little clay cold feet!" Deasey knew what was coming now, and he twitched in every vein. And she so white-haired and so regular at church: and the black bonnet on the head of her, an' all! "It was the only little one she had," went on the widow, bowed almost to the bar by shame, "and it always perched up on her knee, and taking food from her mouth, and she nursing it agin her face. But I had bad teeth in me head, and I couldn't get my rest, with the jaws aching, and all the whiles it screeching with the croup. 'Twould madden you!"

"All the same," Deasey whispered, "maybe it wasn't your fault: 'twas maybe your man egged you on to do the shameful deed----"

"It was so," said the widow. "'Let you get up and cut its throat,' says he, 'and then we will be shut of the domned screechin' thing.'" "Then you got the knife, ma'am," prompted Deasey. "It was the bread-knife," she answered, "with the ugly notches in the blade,--and I stole in the back way to her place in the dead hours of the night--and I had me apron handy for to quench the cries; and when I c'ot it be the throat didn't it look up at me with the two bright, innocent eyes!"

"And what'd you do with the body?" he asked.

"I dug a grave in the shine of the moon," she answered. "And I put it in by the two little cold grey feet----"

This touch of the grey feet laid a spell on Deasey's hankering morbidity.

"_What turned the feet grey_?" he whispered.

"Nature, I s'pose!" replied the white-haired widow. She drew her shawl about her shrinking form before she turned away.

"'Twas never found out, from that hour to this, who done it!" muttered the Widow Geraghty, "but, may the Divvle skelp me if I touch one drop of chucken-tea again!"

THE BIRTH OF A MASTERPIECE

By LUCAS MALET

(From The _Story-Teller_)

1922

Looking back on it from this distance of time--it began in the early and ended in the middle eighties--I see the charm of ingenuous youth stamped on the episode, the touching glamour of limitless faith and expectation. We were, the whole little band of us, so deliciously self-sufficient, so magnificently critical of established reputations in contemporary letters and art. We sniffed and snorted, noses in air, at popular idols, while ourselves weighted down with a cargo of guileless enthusiasm only asking opportunity to dump itself at an idol's feet. We ached to burn incense before the altar of some divinity; but it must be a divinity of our own discovering, our own choosing. We scorned to acclaim ready-made, second-hand goods. Then we encountered Pogson--Heber Pogson. Our fate, and even more, perhaps, his fate, was henceforth sealed.

He was a large, sleek, pink creature, slow and rare of movement, from much sitting bulky, not to say squashy, in figure, mild-eyed, slyly jovial and--for no other word, to my mind, so closely fits his attitude--resigned. A positive glutton of books, he read as instinctively, almost as unconsciously, as other men breathe. But he not only absorbed. He gave forth and that copiously, with taste, with discrimination, now and again with startlingly eloquent flights and witty sallies. His memory was prodigious. The variety and vivacity of his conversation, the immense range of subjects he brilliantly laboured, when in the vein, remain with me as simply marvellous. With us he mostly was in the vein. And, vanity apart, we must have composed a delightful audience, generously censer-swinging. No man of even average feeling but would be moved by such fresh, such spontaneous admiration! Thus, if our divinity melodiously piped, we did very radiantly dance to his piping.

Oh! Heber Pogson enjoyed it. Never tell me he didn't revel in those highly articulate evenings of monologue, gasconade, heated yet brotherly argument, lasting on to midnight and after, every bit as much as we did! Anyhow at first. Later he may have had twinges, been sensible of strain; though never, I still believe, a very severe one. In any case, Nature showed herself his friend--his saviour, if also, in some sort, his executioner. When the strain tended to become distressing, for him personally, very simply and cleverly, she found a way out.

A background of dark legend only brought the steady glow of his--and our--present felicity into richer relief. We gathered hints of, caught in passing smiling allusion to, straitened and impecunious early years. He had endured a harsh enough apprenticeship to the profession of letters in its least satisfactory, because most ephemeral, form--namely journalism, and provincial journalism at that. This must have painfully cribbed and confined his free-ranging spirit. We were filled by reverent sympathy for the trials and deprivations of his past. But at the period when the members--numbering a dozen, more or less--of our devoted band trooped up from Chelsea and down from the Hampstead heights to worship in the studio-library of the Church Street, Kensington, house, Pogson was lapped in a material well-being altogether sufficient. He treated us, his youthful friends and disciples, to very excellent food and drink; partaking of these himself, moreover, with evident readiness and relish. Those little "help-yourselves," stand-up suppers in the big, quiet, comfortably warmed and shaded room revealed in him no ascetic tendency, though, I hasten to add, no tendency to unbecoming excess. Such hospitality testified to the soundness of Pogson's existing financial position; as did his repeated assertions that now, at last--praise heaven--he had leisure to do worthy and abiding work, work through which he could freely express his personality, express in terms of art his judgments upon, and appreciations of, the human scene.

We listened breathless, nodding exuberant approval. For weren't we ourselves, each and all of us, mightily in love with art and with the human scene? And hadn't we, listening thus breathlessly to our amazing master, the enchanting assurance that we were on the track of a masterpiece? Not impossibly a whole gallery of masterpieces, since Heber Pogson had barely touched middle age as yet. For him there still was time. Fiction, we gathered to be the selected medium. He not only meant to write, but was actually now engaged in writing, a novel during those withdrawn and sacred morning hours when we were denied admittance to his presence. We previsaged something tremendous, poetic yet fearlessly modern, fixed on the bedrock of realism, a drama and a vision wide, high, deep, spectacular yet subtle as life itself. Let his confreres, French and Russian--not to mention those merely British born--look to their laurels, when Heber Pogson blossomed into print! And--preciously inspiring thought--he was our Pogson. He inalienably belonged to us; since hadn't we detected the quality of his genius when the veil was still upon its face? Oh! we knew, bless you; we knew. We'd the right to sniff and snort, noses in air, at contemporary reputations because we were snugly awaiting the disclosure of a talent which would prick them into nothingness like so many bubbles, pop them like so many inflated paper bags, knock them one and all into the proverbial cocked hat!

Unfortunately youth, with a fine illogic, though having all the time there is before it, easily waxes impatient. In our eagerness for his public recognition, his apotheosis, we did, I am afraid, hustle our great man a little. Instead of being satisfied with his nocturnal coruscations--they brilliant as ever, let it be noted--we just a fraction resented the slowness of his progress, began ever so gently to shove that honoured bulky form behind and pull at it in front. We wanted the tangible result of those many sacred and secret morning hours during which his novel was in process of being formed and fashioned, gloriously built up. Wouldn't he tell us the title, enlighten us as to the theme, the scheme, thus allaying the hunger pangs of our pious curiosity by crumbs--ever so small and few--dropped from his richly furnished table? With exquisite good-humour, he fenced and feinted. Almost roguishly he would laugh us off and launch the conversation into other channels, holding us--after the first few vexatiously outwitted seconds--at once enthralled and delicately rebuked.

But at last--in the late spring, as far as I remember, of the second year of our devotion--there came a meeting at which things got pressed somehow to a head. Contrary to custom feminine influence made itself felt.

And here I pause and blush. For it strikes me as so intimately characteristic of our whole relation--in that earlier stage, at least--that I should have written all this on the subject of Heber Pogson without making one solitary mention of his wife. She existed. Was permanently in evidences--or wasn't it, rather, in eclipse?--as a shadowy parasitic entity perambulating the hinterland of his domestic life. She must have been by some years his junior--a tall, thin, flat-chested woman, having heavy, yellowish brown hair, a complexion to match, and pale, nervous eyes. Her clothes hung on her as on a clothes-peg. She affected vivid greens--as was the mistaken habit of Victorian ladies possessing the colouring falsely called "auburn"--but clouded their excessive verdure to neutrality by semi-transparent over-draperies of black. Harry Lessingham, in a crudely unchivalrous mood, once described her as "without form and void," adding that she "had a mouth like a fish." These statements I considered unduly harsh, yet admitted her almost miraculously negative. She mattered less, when one was in the room with her, than anything human and feminine which I, so far, had ever run across. And I was at least normally susceptible, I'm very sure of that.

As a matter of course, on our arrival at the blest house in Church Street, we one and all respectfully greeted her, passed, to put it vulgarly, the time of day with her. But there intercourse ceased. At some subsequent instant she faded out--whether into space or into some adjacent connubial chamber, I had no notion. I only realized, when the act was accomplished, that we now were without her, that she had vanished, leaving behind her no faintest moral or emotional trace.

But, on the occasion in question, she did not vanish. We fed her at supper. And still she remained--in the interests of social propriety, as we imagined, since for once the Pogson symposium included a stranger, an eminently attractive lady guest.

Harry Lessingham had begged to bring his sister with him. He told me of this beforehand, and I rejoiced. Lessingham had long been dear to me as a brother; while that Arabella should only be dear to me as a sister was, just then, I own, among the things I wished least. I craved, therefore, to have her share our happy worship. She had a pretty turn for literature herself. I coveted to see her dazzled, exalted, impressed--it would be a fascinating spectacle. Before I slept that night, or rather next morning, I recognized her coming as a disastrous mistake. For she had received insufficient instruction in ritual, in the suitable forms of approach to so august a presence as that of our host. She played round him, flickering, darting, like lightning round a cathedral tower, metal tipped. Where we, in our young male modesty, had but gently drawn or furtively shoved, she tickled the soft, sedentary creature's ribs as with a rapier point. And--to us agitated watchers--the amazing thing was, that Pogson didn't seem to mind. He neither rebuked her nor laughed her off; but purred, veritably purred, under her alternate teasing and petting like some big, sleek cat.

At last, with a cajoling but really alarming audacity, she went for him straight.

"Of course, dear Mr. Pogson, Harry has told me all about your wonderful novel," she said. "I am so interested, so thrilled--and so grateful to you for letting me join your audience to-night. But I want quite frightfully to know more. Speaking not only for myself, but for all who are present, may I implore a further revelation? Pray don't send us empty away in respect of the wonderful book. It would be so lovely while we sit here at your feet."...

She, in fact, sat by his side, her chair placed decidedly close to his.

"If you would read us a chapter.... A chapter is impossible?"...

Her charming, pliant mouth; her charming dancing eyes; her caressing voice--I won't swear even her caressing hands didn't, for a brief space, take part--all wooed him to surrender.

"Well, a page then, a paragraph? Ah! don't be obdurate. The merest sentence? Surely we may claim as much as that? Picture our pride, our happiness."

She enclosed us all in a circular and sympathetic glance, which ended, as it had started, by meeting his mild eyes, lingering appealingly upon his large, pink countenance.

Pogson succumbed. No, he wouldn't read; but, since she so amiably desired it....

"More than anything in all my life!" with the most convincing and virginal sincerity.

... He thought he might rehearse a passage, which wasn't--as he gladly believed--altogether devoid of merit. He did rehearse it. And we broke into applause the more tempestuous because suspicion of a chill queerly lay upon us. A chill insidious as it was vague, disturbing as it was--wasn't it? we silently, quite violently, hoped so--ridiculously uncalled for.

"After all, that passage is thundering good, you know," Harry Lessingham announced, as though arguing with himself, arguing himself out of that same invidious chill, an hour later.

Arabella had refused a hansom, declaring herself excited, still under the spell, and so wanting to walk. Leaving the Church Street house, the three of us crossed into Campden Grove, with a view to turning down Campden House Road, thus reaching Kensington High Street.

"It was out of sight of the average--packed with epigram; worthy of all we've ever believed or asked of him. It takes a master of technique, of style, to write like that."

"Beloved brother, which of us ever said it didn't?" Arabella took him up sweetly.

Slender, light-footed, the train of her evening gown switched over her arm, beneath her flowing orange and white-flowered satin cloak, she walked between us.

"Why, it was good to the point of being inevitable. One seemed--I certainly did--to know every phrase, every word which was coming. None could have been other, or been placed otherwise than it was--and that's the highest praise one can give to anybody's prose, isn't it? One jumped to the perfect rightness of the whole--a rightness so perfect as to make the sentences sound quite extraordinarily familiar."

This last assertion dropped as a bomb between Lessingham and myself.

"By the way," the girl presently said, as our awkward silence continued, "has either of you happened to read, or re-read, Meredith's 'Egoist' just lately?"

Lessingham stopped short, and in the light of a neighbouring gas-lamp I saw his handsome, boyish face look troubled to the point of physical pain.

"What on earth are you driving at? What do you mean, Arabella--that Pogson is a plagiarist?"

"Don't eat me, Harry dearest, if I incline to use a shorter, commoner expression."

"A thief?"

"An unconscious one, no doubt," she threw off quickly, fearful of explosions, possibly, in her turn. "He may have been betrayed by his own extraordinary memory."

"But this is horrible, horrible," Lessingham cried. "All the names, though, were different."

Arabella appeared to have overcome her fear of explosions. Her charming eyes again danced.

"Exactly," she said. "That was the peculiar part of it, the thing which riveted my attention. He had--I mean the names of the characters and places were different--were altered, changed."

Lessingham stood bare-headed in the light of a gas-lamp. He ran the fingers of his left hand through his crisp fair hair, rumpling it up into a distracted crest. I could see, could almost hear, the travail of his honest soul. Loyalty, faith and honour worked at high pressure to hit on a satisfactory explanation.

Suddenly he threw back his head and laughed.

"Why, of course," he cried, "it's as clear as mud. Pogson wasn't betrayed by anything. He did it on purpose. Don't you understand, you dear goose, you very-much-too-clever-by-half dear goose? It was simply his kindly joke, his good-natured little game. And we, like the pack of idiots which--compared with him--we are, never scented it. You pestered--yes, Arabella, most unconscionably pestered him to read an excerpt from his novel; and to pacify you he quoted a page from Meredith instead."

Harry Lessingham tucked his hand under the folds of the orange and white-flowered cloak, and taking the girl affectionately by the elbow, trotted her down the sloping pavement towards Kensington High Street.

"All the honours of war rest with Pogson," he joyfully assured her. "You made an importunate, impertinent demand for bread. He didn't mean to be drawn; but was too civil, too tender-hearted to put you off with a stone, so slyly cut you a slice from another man's loaf. Does it occur to you, my sweet sister, you've been had--very neatly had?"

"If it comes to that, Miss Lessingham by no means stands alone," I interrupted. "We've all been had, as you so gracefully put it, very neatly and very extensively had."

For though I trusted Lessingham's view was the correct one--trusted so most devoutly--I could not but regret the discomfiture of Arabella. Her approach to our chosen idol may have slightly lacked in reverence; she may, indeed, in plain English, have cheeked him. But she had done so in the prettiest, airiest manner. Pogson's punishment of her indiscretion, if highly ingenious, still struck me as not in the best taste. For was it not at once rather mean and rather cheap to make so charming a person the subject, and that before witnesses, of a practical joke?

If, after all, it really was a joke. That insidious, odious chill which earlier prompted my tempestuous applause, as I woefully registered, hung about me yet. Unquestionably Arabella Lessingham's visit to Church Street showed more and more, when I considered it, as a radical mistake! From it I date the waning of the moon of my delight in respect of both Pogson and herself. I had bowed in worship, equally sincere, though diverse in sentiment, before each; and to each had pledged my allegiance. To have them thus discredit one another represented the most trying turn of events.

For a full month I cold-shouldered the band, abjured the shrine, and avoided the lady. Then, while still morose and brooding, my trouble at its height, a cousin--in the third degree--rich, middle-aged, and conveniently restless, invited me to be his travelling companion. We had taken trips together before. This one promised fields of wider adventure--nothing less than the quartering of southern Europe, along with nibblings at African and Asiatic Mediterranean coasts. It was the chance of a life-time. I embraced it. I also called at the house in Church Street to make my farewells. I could do no less.

I have used the word "resigned" in describing Pogson. To-day that word notably covered him. Our friend appeared depressed; yet bland in his depression, anxious to mollify and placate rather than reproach. His attitude touched me. I hardly deserved it after my neglect--to which, by the way, he made no smallest reference. But as I unfolded my plans, he increasingly threw off his depression and generously entered into them. Would have me fetch an atlas and trace out my proposed itinerary upon the map. It included names to conjure with. These set wide the flood-gates of his speech. He at once enchanted and confounded me by his knowledge of the literature, art, history, of Syria, Egypt, Italy, Greece, and the Levant.

For the next three-quarters of an hour I had Pogson at his best. And oh! how vastly good that same best was! Under the flashing, multi-coloured light of it, he routed my suspicions; put my annoyance and distrust to flight. As he leaned back in the roomy library chair, filled to veritable overflowing by his big, squashy, brown-velvet jacketted person--Pogson had put on flesh of late; put it on sensibly, as I remarked, even during the few weeks of my absence--he reconquered all my admiration and belief.

As I rose to depart:

"Ah! you fortunate youth," he thus genially addressed me; "thrice fortunate youth, in your freedom, your enterprise, your happy elasticity of flesh and spirit! What won't you have to tell me of things actually seen, of lands, cities, civilizations, past and present, and the storied wonder of them, when you come back!"

"And what won't you have to read to me in return, dear Master," I echoed, eager to testify to my recovered faith. "By then the book will be finished on which all our hopes and affections are set. Ten times more precious, more illuminating than anything I have seen, will be what I hear from you when I come back!"

But, as I spoke, surely I wasn't mistaken in thinking that for an agitating minute the pinkness of Pogson's large countenance sickly ebbed and blanched. And while my attention was still engaged by this disquieting phenomenon, I became aware that Mrs. Pogson had joined us. Silently, mysteriously, she faded--the term holds good--into evidence, as on so many former occasions she had silently, mysteriously faded out.

Dressed in one of those verdant gowns, so dolorously veiled in semi-transparent black, she stood behind her husband's chair. Her eyes met mine. They were no longer nervous or in expression vague; but oddly aggressive, challenging, defiantly alight.

"Oh, yes," she declared, "by then Heber will have completed his great novel, without doubt."

When uttering his name, she laid a thin, long-fingered hand upon his rounded shoulder, and to my--little short of--stupefaction, I saw Pogson's fat, pink hand move up to seek and clasp it.

On me this action--hers soothing, protective; his appealing, welcoming--produced the most bewildering effect. I felt embarrassed and abashed; an indecently impertinent intruder upon the secret places of two human hearts. That any such intimate and tender correspondence existed between this so strangely ill-assorted couple I never dreamed.

I uttered what must have sounded wildly incoherent farewells and fled.

Of the ensuing eighteen months of foreign travel it is irrelevant here to speak. Suffice it that on my return to England and to Chelsea, the earliest news which greeted me was that Arabella Lessingham had been now five weeks married and Heber Pogson a fortnight dead. Lessingham, dear, good fellow, was my informant, and minded acquainting me, so I fancied, only a degree less with the first item than with the second.

For some considerable time, he told me, Pogson had been ailing. He grew inordinately stout, unwieldy to the extent of all exertion, all movement causing him distress. Suffocation threatened if he attempted to lie down; so that, latterly, he spent not only all day, but all night sitting in the big library chair we knew so well. If not actually in pain, he must still have suffered intolerable discomfort. But he never complained, and to the last his passion for books never failed.

"We took him any new ones we happened to run across, as you'd take a sick woman flowers. To the end he read."

"And wrote?" I asked.

"That I can't say," Lessingham replied. "There were things I could not make out. And I couldn't question him. It didn't seem to be my place, though I had an idea he'd something on his mind to speak of which would be a relief. It worried me badly. I felt sure he wanted to tell us, but couldn't bring himself to the point. He talked of you. He cared for you more than for any of us; yet--I may be all wrong--it seemed to me he was glad you weren't here. Once or twice, I thought, he felt almost afraid you might come back before--before it was all over, you know. It sounds rather horrible, but I had a feeling he longed to slink off quietly out of sight--for he did not dread death, I'm certain of that. What he dreaded was that life had some trick up her sleeve which, if he delayed too long, might give him away; put him to shame somehow at the last."

"And Mrs. Pogson?"

Lessingham looked at me absently.

"Oh! Mrs. Pogson? She's never interested me. She's too invertebrate; but I believe she took care of Pogson all right."

Next day I called at the house in Church Street. After some parley I was admitted into the studio-library. Neither in Mrs. Pogson nor in the familiar room did I find any alteration, save that the green had disappeared from her dress. She wore hanging, trailing, unrelieved black. And that a piece of red woollen cord was tied across, from arm to arm, of Pogson's large library chair, forbidding occupation of it. This pleased me. It struck the positive, the, in a way, aggressive note, which Mrs. Pogson had once before so strangely, unexpectedly, sounded in my presence.

I said the things common to such occasions as that of our present meeting; said them with more than merely conventional feeling and emphasis. I praised her husband's great gifts, his amazing learning, his eloquence, the magnetic charm by which he captivated and held us.

Finally I dared the question I had come here to ask, which had burned upon my tongue, indeed, from the moment I heard of Pogson's death.

"What about the novel? Might we hope for speedy, though posthumous, publication? We were greedy; the world should know how great a literary genius it had lost. Was it ready for press, as--did she remember?--she'd assured me it would certainly be by the time I came back?"

Mrs. Pogson did not betray any sign of emotion. Her thin hands remained perfectly still in her crape-covered lap.

"There is no novel," she calmly told me. "There never has been any novel. Heber did not finish it because he never began it. He did not possess the creative faculty. You were not content with what he gave. You asked of him that which he could not give. At first he played with you--it amused him. You were so gullible, so absurdly ignorant. Then he hesitated to undeceive you--in that, I admit, he was weak. But he suffered for his weakness. It made him unhappy. Oh I how I have hated--how I still hate you!--for I saved him from poverty, from hard work. I secured him a peaceful, beautiful life, till you came and spoilt it.... All the money was mine," she said.

"GENIUS"

By ELINOR MORDAUNT

(From _Hutchinson's Magazine_ and _The Century Magazine_)

1921, 1922

I have written before of Ben Cohen, with his eternal poring and humming over the scores of great masters; of the timber-yard at Canning Town, for ever changing and for ever the same, devouring forests with the eternal wind-like rush of saws, slide of gigantic planes; practical and chill; wrapped in river-fogs, and yet exotic with the dust of cedar, camphor, paregoric.

In those days Ben Cohen was wont to read music as other boys read their penny-dreadfuls, avidly, with the imagined sounds like great waves for ever a-rush through his soul.

In the very beginning it was any music, just music. Then for a while Wagner held him. Any Wagnerian concert, any mixed entertainment which included Wagner--it seemed as though he sniffed them upon the breeze--and he would tramp for miles, wait for hours; biting cold, sleet, snow, mud, rain, all alike disregarded by that persistence which the very poor must bring to the pursuit of pleasure, the capture of cheap seats.

Once ensconced, regardless of hard, narrow seats, heights, crowds, his passion of adoration and excitement took him, shook him, tore him so that it was wonder his frail body did not split in two, render up the soul coming forth as Lazarus from the sepulchre. It was indeed, if you knew little Ben Cohen, him, _himself_, difficult to realise that his body had anything more to do with him than the yellow-drab water-proof which is a sort of uniform--a species of charity, covering a multitude of sins of poverty, shabbiness, thread-bareness--had to do with the real Jenny Bligh.

And yet, Ben Cohen's body was more completely his than one might have imagined. Jenny could, and indeed did, slough off her disguise on Sundays or rare summer days; but Ben and that self which was apart from music--that wildly-beating heart, pulsing blood, flooding warmth, grateful as the watchman's fire in the fog-sodden yard, that little fire over which he used to hang, warming his stiffened hands--were, after all, amazingly one.

The thing surprised him even more than it surprised any one else; above all, when it refused to be separated from his holy of holies, crept, danced, smiled its way through the most portentous scores--a thrilling sense of Jenny Bligh, all crotchets and quavers, smiles and thrills, quaint homeliness, sudden dignity.

By the time he first met Jenny he was clear of Wagner, had glanced a little patronisingly at Beethoven, turned aside and enwrapped himself in the sombre splendour of Bach, right away from the world; then, harking back, with a fresh vision, a sudden sense of the inevitable, had anchored himself in the solemn, wide-stretching harbourage of Beethoven.

It was like a return from a long voyage, tearing round a world full of beauty and interest, and yet, at the same time, full of pettiness, fuss, annoyance: a home-coming beyond words. There was a sense of eternity, a harmony which drew everything to itself, smoothing out the pattern of life, the present life and the life to come, so crumpled that, up to this time, he had had no real idea of the meaning of it.

All at once everything was immensely right, with Jenny as an essential and inevitable part of the rightness. He felt this so strongly that he never stopped to wonder if other people felt it as plainly as he did.

Apart from all this, he was bound by the inarticulateness of his class. His Jewish blood lent him a wider and more picturesque vocabulary than most, and yet it stopped at any discussion of his feelings.

We have an idea that what we call the "common people" are more communicative on such subjects than we are; but this is not so. They talk of their physical ailments and sensations, but they are deeply shy upon the subject of their feelings. Ben's mother would discuss the state of her inside, the deaths of her relations and friends; his own birth, down to the smallest detail. But she would never have dreamt of telling her son that she loved him, desired his love, hungered for his coming, grieved at his going.

Ben himself put none of his feeling for Beethoven into words, above all to his mother; she would not have understood him if he had. He said nothing of Jenny, either, save as a girl he'd met, a girl he was going to bring home to tea; but she understood that without any words; that was courting, part of the business of human nature; much like the preparation of meals.

It was odd, coming to think of it--might have been ridiculous, save that ridicule was the sort of thing which could find no possible lodgment with Ben--that his determination to devote his whole musical life to Beethoven, to interpret him as no Englishman had ever done before, should have been synonymous with his sacred, heady, and yet absolute determination to marry Jenny Bligh.

Jenny worked in the jam-factory, and there was something of the aroma of ripe fruit about her: ripe strawberries, raspberries, plums, damsons. She was plumpish and fresh: very red lips and very bright eyes, reddish-brown, the colour of blackberry leaves in autumn, with hair to match. Her little figure was neat; her small hands, with their square-tipped fingers, deft and quick in their movements; there was something at once rounded and clear-cut about everything she did.

A sea-faring admirer used to say that she was "a bit short in the beam, but a daisy fur carryin' sail"; and that was the idea she gave: so well-balanced, so trim, going off to work in her wide white apron on those rare mornings when she shook off the yellow mackintosh.

Ben saw her like that for the first time crossing the Lee just below the timber-yard with its cranes like black notes zigzagging out over the river, which had for once discarded its fog. It was a day of bright blue sky, immense, rounded, silvery clouds, fresh and clean; with a wind which caught up the white apron and billowed it out for the sheer fun of the thing: showing trim ankles, the turn of a plump calf, such as Ben Cohen had never even thought of before, the realisation of which was like wine: freshly tasted, red, fruity, running through his veins, mounting to his head. He had known that women had legs; his mother, the laundress, suffered from hers--complainingly, devoted woman as she was--swollen with much standing, and "them there dratted veins": stocky legs, with loose folds of stocking.

As to thinking any more of a woman's legs than of the legs of a table, the idea had never even occurred to him. But there you are! It is the unexpected that happens: the sort of thing which we could never have imagined ourselves as doing, thinking, feeling. The temptations we have recognised, struggled against, are nothing; but there comes a sort of wild, whistling wind from nowhere--much the same as that wind about jenny's skirts, white apron--and our life is like a kaleidoscope, suddenly shaken up and showing a completely fresh pattern.

Who could have thought it--who?--that Ben Cohen, dreamer, idealist, passionate, pure, the devotee of art, would have fallen in love with Jenny Bligh's legs--or, rather, a pair of ankles, and a little more at that side where the wind caught her skirt--before he had so much as a glimpse of her face?

Just over the bridge she stopped to speak with another girl who worked in his own counting-house. As Ben hurried up to pass them before they separated, really see her, this other girl recognised him, flung him a friendly "Hullo!" and was answered in the same fashion.

As he moved on he heard her--was meant to hear, knew that he was meant to hear, from the pitch of the voice--"Clever ain't no word fur it! There ain't no tune as----"

The end of the sentence was lost; but he knew the sort of thing, knew it by heart, had spent his time running away from it. Now, however, he was grateful: more grateful still when he met Miss Ankles again, and she herself, regarding Florry Hines' eulogy as a sort of introduction, smiled, moved on a step, and herself tossed a "Hullo" over one shoulder.

Ben's thin olive-tinted face was flushed as he drew forward to her side with his odd stoop, his way of ducking his head and raising his eyes, dark and glowing. He took jenny's dinner-basket, and she noticed his hands, large and well-shaped, with long fingers, widened at the tips. Florry had said that he was a "Sheeny," but there was nothing of the Jew about him apart from his colouring, his brilliant dark eyes; unless it were a sort of inner glow, an ardour, curbed by his almost childlike shyness, lack of self-confidence in everything apart from his music: that something, at once finer and more cruelly persistent, vital, than is to be found in the purely Anglo-Saxon race.

Though Jenny liked what she called "a pretty tune," she knew nothing whatever of music, understood less. And yet, almost from that first moment, she understood Ben Cohen, realising him as lover and child: understood him better, maybe, then than she did later on: losing her sureness for a while, shaken and bewildered; everything blurred by her own immensity of love, longing; of fearing that she did not understand--feeling out of it.

But that was not for sometime to come: in the meanwhile she was like a dear little bantam hen with one chick; while Ben himself was content to shelter under her wing, until it grew upon him that, loving her as he did, loving his mother--realising what it meant to be a mother, in thinking of jenny herself with a child--his child--in her arms--it was "up to" him to prove himself for their sakes, to make them proud of him and his music, without the faintest idea of how proud they were already, lift the whole weight of care from their shoulders.

The worst of it was, he told them nothing whatever about it. The better sort of men are given to these crablike ways of appearing to move away from what they intend to move towards. It simply seemed as though he were forgetting them a little--then, more and more; elbowing them aside to clear the way for his beloved music.

He was no longer deprecating, appealing, leaning upon them: each woman thought of him as "her child," and when his love made a man of him, they realised the hurt, nothing more.

He overdid it, too, as genius does overdo things; was brusque, entirely immersed in his great scheme. Sometimes he even laughed to himself over this. "They don't know what I'm up to!" he would declare to himself, with a sense of triumph.

He had never even thought of his music in the money sense before, but as his love and ambition for the two women grew upon him, he was like a child with a new toy. He would not only make a great name, he would make an immense fortune: his mind blinked, dazzled at the very thought. He moved with a new pride, and also--alas!--a new remoteness.

His health had broken when he was about seventeen--his bent shoulders still showed that old drag upon the chest--and he was away in a sanatorium for a year. When he came back he was cured. It was young Saere, the junior partner in the timber business, who had sent him away; and it was he who, when Ben returned, paid for lessons for him, so that he learnt to play as well as read music.

From that time onward he had always stuck to the firm, working in the tally sheds; paid, out of his earnings, for the use of a room and a piano for practising upon so many hours each week, completely happy and contented.

He had never even thought of leaving the business until he realised his immense love for Jenny, and, through her, for his mother; the necessity for doing something big. What did sacrifice matter? What did it matter being poor, hungry, shabby?--What did anything matter just for a while? There was so little he wanted; meals were a nuisance; his eyes were so dazzled by the brilliance of the future, set upon a far horizon, that he forgot the path of the present, still beneath his feet.

If his mother had not set food before him he would scarcely have thought of it. But, all the same, he ate it, and money had to be earned by some one or other.

His mother had never let him know the actual pinch of poverty; she wore that shoe upon her own foot. He had no more idea than a child of the cost of mere daily necessities; and during the last few years, between his work and hers, they had been comfortable enough.

"We can hang on for a bit," he said, when he spoke of leaving the wood-yard; and she answered, almost with triumph, that she had "hung on" well enough before he'd earned "aught but a licking."