Chapter V: Introduction (4)

His eyes went to the door behind which Sir William was, presumably, still praising him, and his head jerked resolutely. "Playing it out," he said. "I've got to vanish good, and sure after that. I'll play it out, by God. I was a hero once, I'll be a hero still." His foot crunched broken glass as he moved. "I'm going to America, my girl. It's dry."

Perhaps she distrusted the absolute dryness of America, and perhaps that had nothing to do with Dolly. She examined her hand minutely. "Going to the Isle of Man on a rough day, I wasn't a bit ill," she said casually. "I'm a good sailor."

"You put it across Sir William," he said. "You're a blinkin' marvel."

"No," she said, "but a thing that's worth doing is worth doing well. I'm not a marvel, but I might be the metal polish in those gold letters of yours if you think it worth while."

His trampish squalor seemed to him suddenly appalling. "There, don't do that," he protested--her arm had found its way into his. "My sleeve's dirty."

"Idiot!" said Dolly Wainwright, drawing him to the door.

THE PENSIONER

By WILLIAM CAINE

(From _The Graphic_)

1922

Miss Crewe was born in the year 1821. She received a sort of education, and at the age of twenty became the governess of a little girl, eight years old, called Martha Bond. She was Martha's governess for the next ten years. Then Martha came out and Miss Crewe went to be the governess of somebody else. Martha married Mr. William Harper. A year later she gave birth to a son, who was named Edward. This brings us to the year 1853.

When Edward was six, Miss Crewe came back, to be his governess. Four years later he went to school and Miss Crewe went away to be the governess of somebody else. She was now forty-two years old.

Twelve years passed and Mrs. Harper died, recommending Miss Crewe to her husband's care, for Miss Crewe had recently been smitten by an incurable disease which made it impossible for her to be a governess any longer.

Mr. Harper, who had passionately loved his wife, gave instructions to his solicitor to pay Miss Crewe the sum of one hundred and fifty pounds annually. He had some thoughts of buying her an annuity, but she seemed so ill that he didn't. Edward was now twenty-two.

In the year 1888, Mr. Harper died after a very short illness. He had expected Miss Crewe to die any day during the past thirteen years, but since she hadn't he thought it proper now to recommend her to Edward's care. This is how he did it.

"That confounded old Crewe, Eddie. You'll have to see to her. Let her have her money as before, but for the Lord's sake don't go and buy her an annuity now. If you do, she'll die on your hands in a week!" Shortly afterwards the old gentleman passed away.

Edward was now thirty-five. Miss Crewe was sixty-seven and reported to be in an almost desperate state. Edward followed his father's advice. He bought no annuity for Miss Crewe. Her one hundred and fifty pounds continued to be paid each year into her bank; but by Edward, not by his late father's solicitors.

Edward had his own ideas of managing the considerable fortune which he had inherited. These ideas were unsound. The first of them was that he should assume the entire direction of his own affairs. Accordingly he instructed his solicitors to realise all the mortgages and railway-stock and other admirable securities in which his money was invested and hand over the cash to him. He then went in for the highest rate of interest which anyone would promise him. The consequence was that, within twelve years, he was almost a poor man, his annual income having dwindled from about three thousand to about four hundred pounds.

Though he was a fool he was an honourable man, and so he continued to pay Miss Crewe her one hundred and fifty pounds each year. This left him about two hundred and fifty for himself. The capital which his so reduced income represented was invested in a Mexican brewery in which he had implicit faith. Nevertheless, he began to think that he might do well were he to try to earn a little extra money.

The only thing he could do was to paint, not at all well, in water-colours. He became the pupil, quite seriously, of a young artist whom he knew. He was now forty-seven years old, while Miss Crewe was seventy-nine. The year was 1900.

To everybody's amazement Edward soon began to make quite good progress in his painting. Yes, his pictures were not at all unpleasant little things. He sent one of them to the Academy. It was accepted. It was, as I live, sold for ten pounds. Edward was an artist.

Soon he was making between thirty and forty pounds a year. Then he was making over a hundred. Then two hundred. Then the Mexican brewery failed, General Malefico having burned it to the ground for a lark.

This happened in the spring of 1914 when Edward was sixty-one and Miss Crewe was ninety-three. Edward, after paying her money to Miss Crewe, might flatter himself on the possibility of having some fifty pounds a year for himself, that is to say, if his picture sales did not decline. A single man can, however, get along, more or less, on fifty pounds more or less.

Then the Great War broke out.

It has been said that in the autumn of 1914 the Old Men came into their kingdom. As the fields of Britain were gradually stripped bare of their valid toilers, the Fathers of each village assumed, at good wages, the burden of agriculture. From their offices the juniors departed or were torn; the senior clerks carried on desperately until the Girls were introduced. No man was any longer too old at forty. Octogenarians could command a salary. The very cinemas were glad to dress up ancient fellows in uniform and post them on their doorsteps.

Edward could do nothing but paint rather agreeable water-colours, and that was all. The market for his kind of work was shut. A patriotic nation was economising in order to get five per cent on the War Loans. People were not giving inexpensive little water-colours away to one another as wedding gifts any longer. Only the painters of high reputation, whose work was regarded as a real investment, could dispose of their wares.

Starvation stared Edward in the face, not only his own starvation, you understand, but Miss Crewe's. And Edward was a man of honour.

He hated Miss Crewe intensely, but he had undertaken to provide for her, and provide for her he must--even if he failed to provide for himself.

He wrapped some samples of his paintings in brown paper, and began to seek for a job among the wholesale stationers. He offered himself as one who was prepared to design Christmas-cards and calendars, and things of the kind.

Adversity had sharpened his wits. Even the wholesale stationers were not turning white-headed men from their portals. To Edward was accorded the privilege of displaying the rather agreeable contents of his parcel. After he had unpacked it and packed it up again some thirty times he was offered work. His pictures were really rather agreeable. It was piecework, and he was to do it off the premises, no matter where. By toiling day and night he might be able to earn as much as L4 a week. He went away and toiled. His employers were pleased with what, each Monday, he brought them. They did not offer to increase his remuneration, but they encouraged him to produce, and took practically everything he offered. Edward was very fortunate.

During the first year of the war he lived like a beast, worked like a slave, and earned exactly enough to keep his soul in his body and pay Miss Crewe her one hundred and fifty pounds. During the second year of the war he did it again. The fourth year of the war found him still alive and still punctual to his obligations towards Miss Crewe.

Miss Crewe, however, found one hundred and fifty pounds no longer what it had been. Prices were rising in every direction. She wrote to Edward pointing this out, and asking him if he couldn't see his way to increasing her allowance. She invoked the memory of his dear mother and father, added something about the happy hours that he and she had spent together in the dear old school-room, and signed herself his affectionately.

Edward petitioned for an increase of pay. He pointed out to his firm of wholesale stationers that prices were rising in every direction. The firm, who knew when they had a marketable thing cheap, granted his petition. Henceforth Edward was able to earn five pounds a week. He increased Miss Crewe's allowance by fifty pounds, and continued to live more like a beast than ever, for the price of paper and paints was soaring. He worked practically without ceasing, save to sleep (which he could not do) and to eat (which he could not afford). He was now sixty-four, while Miss Crewe was rising ninety-seven.

Edward had been ailing for a long time. On Armistice Day he struck work for an hour in order to walk about in the streets and share in the general rejoicing. He caught a severe cold, and the next day, instead of staying between his blankets (he had no sheets), he went up to the City with some designs which he had just completed. That night he was feverish. The next night he was delirious. The third night he was dead, and there was an end of him.

He had, however, managed, before he died (two days before), to send to Miss Crewe a money order for her quarter's allowance of fifty pounds. This had left him with precisely four shillings and twopence in the Post Office Savings Bank.

He was, consequently, buried by the parish.

Miss Crewe received her money. She was delighted to have it, and at once wrote to Edward her customary letter of grateful and affectionate thanks. She added in a post-script that if he _could_ find it in his generous heart to let her have a still little more next quarter it would be most acceptable, because every day seemed to make it harder and harder for her to get along.

Edward was dead when this letter was delivered.

Miss Crewe sent her money order to her bank, asking that it might be placed to her deposit account. This she reminded the bank, would bring up the amount of her deposit to exactly two thousand pounds.

BROADSHEET BALLAD

By A.E. COPPARD

(From _The Dial_)

1922

At noon the tiler and the mason stepped down from the roof of the village church which they were repairing and crossed over the road to the tavern to eat their dinner. It had been a nice little morning, but there were clouds massing in the south; Sam the tiler remarked that it looked like thunder. The two men sat in the dim little tap-room eating, Bob the mason at the same time reading from a newspaper an account of a trial for murder.

"I dunno what thunder looks like," Bob said, "but I reckon this chap is going to be hung, though I can't rightly say for why. To my thinking he didn't do it at all: but murder's a bloody thing and someone ought to suffer for it."

"I don't think," spluttered Sam as he impaled a flat piece of beet-root on the point of a pocket-knife and prepared to contemplate it with patience until his stuffed mouth was ready to receive it, "he ought to be hung."

"There can be no other end for him though, with a mob of lawyers like that, and a judge like that, and a jury too ... why the rope's half round his neck this minute; he'll be in glory within a month, they only have three Sundays, you know, between the sentence and the execution. Well, hark at that rain then!"

A shower that began as a playful sprinkle grew to a powerful steady summer downpour. It splashed in the open window and the dim room grew more dim, and cool.

"Hanging's a dreadful thing," continued Sam, "and 'tis often unjust I've no doubt, I've no doubt at all."

"Unjust! I tell you ... at majority of trials those who give their evidence mostly knows nothing at all about the matter; them as knows a lot--they stays at home and don't budge, not likely!"

"No? But why?"

"Why? They has their reasons. I know that, I knows it for truth ... hark at that rain, it's made the room feel cold."

They watched the downfall in complete silence for some moments.

"Hanging's a dreadful thing," Sam at length repeated, with almost a sigh.

"I can tell you a tale about that, Sam, in a minute," said the other. He began to fill his pipe from Sam's brass box which was labelled cough lozenges and smelled of paregoric.

"Just about ten years ago I was working over in Cotswold country. I remember I'd been into Gloucester one Saturday afternoon and it rained. I was jogging along home in a carrier's van; I never seen it rain like that afore, no, nor never afterwards, not like that. B-r-r-r-r! it came down ... bashing! And we came to a cross-roads where there's a public house called The Wheel of Fortune, very lonely and onsheltered it is just there. I see'd a young woman standing in the porch awaiting us, but the carrier was wet and tired and angry or something and wouldn't stop. 'No room'--he bawled out to her--'full up, can't take you!' and he drove on. 'For the love o' God, mate,' I says, 'pull up and take that young creature! She's ... she's ... can't you see!' 'But I'm all behind as 'tis'--he shouts to me--'You knows your gospel, don't you: time and tide wait for no man?' 'Ah, but dammit all, they always call for a feller'--I says. With that he turned round and we drove back for the girl. She clumb in and sat on my knees; I squat on a tub of vinegar, there was nowhere else and I was right and all, she was going on for a birth. Well, the old van rattled away for six or seven miles; whenever it stopped you could hear the rain clattering on the tarpaulin, or sounding outside on the grass as if it was breathing hard, and the old horse steamed and shivered with it. I had knowed the girl once in a friendly way, a pretty young creature, but now she was white and sorrowful and wouldn't say much. By and bye we came to another cross-roads near a village, and she got out there. 'Good day, my gal'--I says, affable like, and 'Thank you sir,'--says she, and off she popped in the rain with her umbrella up. A rare pretty girl, quite young, I'd met her before, a girl you could get uncommon fond of, you know, but I didn't meet her afterwards: she was mixed up in a bad business. It all happened in the next six months while I was working round those parts. Everybody knew of it. This girl's name was Edith and she had a younger sister Agnes. Their father was old Harry Mallerton, kept The British Oak at North Quainy; he stuttered. Well, this Edith had a love affair with a young chap William, and having a very loving nature she behaved foolish. Then she couldn't bring the chap up to the scratch nohow by herself, and of course she was afraid to tell her mother or father: you know how girls are after being so pesky natural, they fear, O they do fear! But soon it couldn't be hidden any longer as she was living at home with them all, so she wrote a letter to her mother. 'Dear Mother,' she wrote, and told her all about her trouble.

"By all accounts the mother was angry as an old lion, but Harry took it calm like and sent for young William, who'd not come at first. He lived close by in the village so they went down at last and fetched him.

"'Alright, yes,' he said, 'I'll do what's lawful to be done. There you are, I can't say no fairer, that I can't.'

"'No,' they said, 'you can't.'

"So he kissed the girl and off he went, promising to call in and settle affairs in a day or two. The next day Agnes, which was the younger girl, she also wrote a note to her mother telling her some more strange news:

"'God above!' the mother cried out, 'can it be true, both of you girls, my own daughters, and by the same man! Oh, whatever were you thinking on, both of ye! Whatever can be done now!"

"What!" ejaculated Sam, "both on 'em, both on 'em!"

"As true as God's my mercy--both on 'em--same chap. Ah! Mrs. Mallerton was afraid to tell her husband at first, for old Harry was the devil born again when he were roused up, so she sent for young William herself, who'd not come again, of course, not likely. But they made him come, O yes, when they told the girl's father.

"'Well may I go to my d-d-d-damnation at once!' roared old Harry--he stuttered you know--'at once, if that ain't a good one!' So he took off his coat, he took up a stick, he walked down street to William and cut him off his legs. Then he beat him till he howled for his mercy, but you couldn't stop old Harry once he were roused up--he was the devil born again. They do say as he beat him for a solid hour; I can't say as to that, but then old Harry picked him up and carried him off to The British Oak on his own back, and threw him down in his own kitchen between his own two girls like a dead dog. They do say that the little one Agnes flew at her father like a raging cat until he knocked her senseless with a clout over head; rough man he was."

"Well, a' called for it sure," commented Sam.

"Her did," agreed Bob, "but she was the quietest known girl for miles round those parts, very shy and quiet."

"A shady lane breeds mud," said Sam.

"What do you say?--O ah!--mud, yes. But pretty girls both, girls you could get very fond of, skin like apple bloom, and as like as two pinks they were. They had to decide which of them William was to marry."

"Of course, ah!"

"I'll marry Agnes'--says he.

"'You'll not'--says the old man--'you'll marry Edie.'

"'No I won't'--William says--'it's Agnes I love and I'll be married to her or I won't be married to e'er of 'em.' All the time Edith sat quiet, dumb as a shovel, never a word, crying a bit; but they do say the young one went on like a ... a young ... Jew."

"The jezebel!" commented Sam.

"You may say it; but wait, my man, just wait. Another cup of beer? We can't go back to church until this humbugging rain have stopped."

"No, that we can't."

"It's my belief the 'bugging rain won't stop this side of four."

"And if the roof don't hold it off it 'ull spoil the Lord's Commandments that's just done up on the chancel front."

"Oh, they be dry by now," spoke Bob reassuringly and then continued his tale. "'I'll marry Agnes or I won't marry nobody'--William says--and they couldn't budge him. No, old Harry cracked on, but he wouldn't have it, and at last Harry says: 'It's like this.' He pulls a half-crown out of his pocket and 'Heads it's Agnes,' he says, 'or tails it's Edith,' he says."

"Never! Ha! ha!" cried Sam.

"Heads it's Agnes, tails it's Edie, so help me God. And it come down Agnes, yes, heads it was--Agnes--and so there they were."

"And they lived happy ever after?"

"Happy! You don't know your human nature, Sam; wherever was you brought up? 'Heads it's Agnes,' said old Harry, and at that Agnes flung her arms round William's neck and was for going off with him then and there, ha! But this is how it happened about that. William hadn't any kindred, he was a lodger in the village, and his landlady wouldn't have him in her house one mortal hour when she heard all of it; give him the right-about there and then. He couldn't get lodgings anywhere else, nobody would have anything to do with him, so of course, for safety's sake, old Harry had to take him, and there they all lived together at The British Oak--all in one happy family. But they girls couldn't bide the sight of each other, so their father cleaned up an old outhouse in his yard that was used for carts and hens and put William and his Agnes out in it. And there they had to bide. They had a couple of chairs, a sofa, and a bed and that kind of thing, and the young one made it quite snug."

"'Twas a hard thing for that other, that Edie, Bob."

"It was hard, Sam, in a way, and all this was happening just afore I met her in the carrier's van. She was very sad and solemn then; a pretty girl, one you could like. Ah, you may choke me, but there they lived together. Edie never opened her lips to either of them again, and her father sided with her, too. What was worse, it came out after the marriage that Agnes was quite free of trouble--it was only a trumped-up game between her and this William because he fancied her better than the other one. And they never had no child, them two, though when poor Edie's mischance come along I be damned if Agnes weren't fonder of it than its own mother, a jolly sight more fonder, and William--he fair worshipped it."

"You don't say!"

"I do. 'Twas a rum go, that, and Agnes worshipped it, a fact, can prove it by scores o' people to this day, scores, in them parts. William and Agnes worshipped it, and Edie--she just looked on, long of it all, in the same house with them, though she never opened her lips again to her young sister to the day of her death."

"Ah, she died? Well, it's the only way out of such a tangle, poor woman."

"You're sympathizing with the wrong party." Bob filled his pipe again from the brass box; he ignited it with deliberation; going to the open window he spat into a puddle in the road. "The wrong party, Sam; 'twas Agnes that died. She was found on the sofa one morning stone dead, dead as a adder."

"God bless me," murmured Sam.

"Poisoned," added Bob, puffing serenely.

"Poisoned!"

Bob repeated the word poisoned. "This was the way of it," he continued. "One morning the mother went out in the yard to collect her eggs, and she began calling out 'Edie, Edie, here a minute, come and look where that hen have laid her egg; I would never have believed it'--she says. And when Edie went out her mother led her round the back of the outhouse, and there on the top of a wall this hen had laid an egg. 'I would never have believed it, Edie'--she says--'scooped out a nest there beautiful, ain't she; I wondered where her was laying. T'other morning the dog brought an egg round in his mouth and laid it on the doormat. There now, Aggie, Aggie, here a minute, come and look where the hen have laid that egg.' And as Aggie didn't answer the mother went in and found her on the sofa in the outhouse, stone dead."

"How'd they account for it?" asked Sam, after a brief interval.

"That's what brings me to the point about this young feller that's going to be hung," said Bob, tapping the newspaper that lay upon the bench. "I don't know what would lie between two young women in a wrangle of that sort; some would get over it quick, but some would never sleep soundly any more not for a minute of their mortal lives. Edie must have been one of that sort. There's people living there now as could tell a lot if they'd a mind to it. Some knowed all about it, could tell you the very shop where Edith managed to get hold of the poison, and could describe to me or to you just how she administrated it in a glass of barley water. Old Harry knew all about it, he knew all about everything, but he favoured Edith and he never budged a word. Clever old chap was Harry, and nothing came out against Edie at the inquest--nor the trial either." "Was there a trial then?"

"There was a kind of a trial. Naturally. A beautiful trial. The police came and fetched poor William, they took him away and in due course he was hanged."

"William! But what had he got to do with it?"

"Nothing. It was rough on him, but he hadn't played straight and so nobody struck up for him. They made out a case against him--there was some onlucky bit of evidence which I'll take my oath old Harry knew something about--and William was done for. Ah, when things take a turn against you it's as certain as twelve o'clock, when they take a turn; you get no more chance than a rabbit from a weasel. It's like dropping your matches into a stream, you needn't waste the bending of your back to pick them out--they're no good on, they'll never strike again. And Edith, she sat in court through it all, very white and trembling and sorrowful, but when the judge put his black cap on they do say she blushed and looked across at William and gave a bit of a smile. Well, she had to suffer for his doings, so why shouldn't he suffer for hers. That's how I look at it...."

"But God-a-mighty...!"

"Yes, God-a-mighty knows. Pretty girls they were, both, and as like as two pinks."

There was quiet for some moments while the tiler and the mason emptied their cups of beer. "I think," said Sam then, "the rain's give over now."

"Ah, that it has," cried Bob. "Let's go and do a bit more on this 'bugging church or she won't be done afore Christmas."

THE CHRISTMAS PRESENT

By RICHMAL CROMPTON

(From _Truth_)

1922

Mary Clay looked out of the window of the old farmhouse. The view was dreary enough--hill and field and woodland, bare, colourless, mist-covered--with no other house in sight. She had never been a woman to crave for company. She liked sewing. She was passionately fond of reading. She was not fond of talking. Probably she could have been very happy at Cromb Farm--alone. Before her marriage she had looked forward to the long evenings with her sewing and reading. She knew that she would be busy enough in the day, for the farmhouse was old and rambling, and she was to have no help in the housework. But she looked forward to quiet, peaceful, lamplit evenings; and only lately, after ten years of married life, had she reluctantly given up the hope of them. For peace was far enough from the old farm kitchen in the evening. It was driven away by John Clay's loud voice, raised always in orders or complaints, or in the stumbling, incoherent reading aloud of his newspaper.

Mary was a silent woman herself and a lover of silence. But John liked to hear the sound of his voice; he liked to shout at her; to call for her from one room to another; above all, he liked to hear his voice reading the paper out loud to her in the evening. She dreaded that most of all. It had lately seemed to jar on her nerves till she felt she must scream aloud. His voice going on and on, raucous and sing-song, became unspeakably irritating. His "Mary!" summoning her from her household work to wherever he happened to be, his "Get my slippers," or "Bring me my pipe," exasperated her almost to the point of rebellion. "Get your own slippers" had trembled on her lips, but had never passed them, for she was a woman who could not bear anger. Noise of any kind appalled her.

She had borne it for ten years, so surely she could go on with it. Yet today, as she gazed hopelessly at the wintry country side, she became acutely conscious that she could not go on with it. Something must happen. Yet what was there that could happen?

It was Christmas next week. She smiled ironically at the thought. Then she noticed the figure of her husband coming up the road. He came in at the gate and round to the side-door.

"Mary!"

She went slowly in answer to the summons. He held a letter in his hand.

"Met the postman," he said. "From your aunt."

She opened the letter and read it in silence. Both of them knew quite well what it contained.

"She wants us to go over for Christmas again," said Mary.

He began to grumble.

"She's as deaf as a post. She's 'most as deaf as her mother was. She ought to know better than to ask folks over when she can't hear a word any one says."

Mary said nothing. He always grumbled about the invitation at first, but really he wanted to go. He liked to talk with her uncle. He liked the change of going down to the village for a few days and hearing all its gossip. He could quite well leave the farm to the "hands" for that time.

The Crewe deafness was proverbial. Mary's great-grandmother had gone stone deaf at the age of thirty-five; her daughter had inherited the affliction and her grand-daughter, the aunt with whom Mary had spent her childhood, had inherited it also at exactly the same age.

"All right," he said at last, grudgingly, as though in answer to her silence, "we'd better go. Write and say we'll go."

* * * * *

It was Christmas Eve. They were in the kitchen of her uncle's farmhouse. The deaf old woman sat in her chair by the fire knitting. Upon her sunken face there was a curious sardonic smile that was her habitual expression. The two men stood in the doorway. Mary sat at the table looking aimlessly out of the window. Outside, the snow fell in blinding showers. Inside, the fire gleamed on to the copper pots and pans, the crockery on the old oak dresser, the hams hanging from the ceiling.

Suddenly James turned.

"Jane!" he said.

The deaf woman never stirred.

"Jane!"

Still there was no response upon the enigmatic old face by the fireside.

"_Jane_!"

She turned slightly towards the voice.

"Get them photos from upstairs to show John," he bawled.

"What about boats?" she said.

"_Photos_!" roared her husband.

"Coats?" she quavered.

Mary looked from one to the other. The man made a gesture of irritation and went from the room.

He came back with a pile of picture postcards in his hand.

"It's quicker to do a thing oneself," he grumbled. "They're what my brother sent from Switzerland, where he's working now. It's a fine land, to judge from the views of it."

John took them from his hand. "She gets worse?" he said nodding towards the old woman.

She was sitting gazing at the fire, her lips curved into the curious smile.

Her husband shrugged his shoulders. "Aye. She's nigh as bad as her mother was."

"And her grandmother."

"Aye. It takes longer to tell her to do something than to do it myself. And deaf folks get a bit stupid, too. Can't see what you mean. They're best let alone."

The other man nodded and lit his pipe. Then James opened the door.

"The snow's stopped," he said. "Shall we go to the end of the village and back?"

The other nodded, and took his cap from behind the door. A gust of cold air filled the room as they went out.

Mary took a paper-backed book from the table and came over to the fireplace.

"Mary!"

She started. It was not the sharp, querulous voice of the deaf old woman, it was more like the voice of the young aunt whom Mary remembered in childhood. The old woman was leaning forward, looking at her intently.

"Mary! A happy Christmas to 'ee."

And, as if in spite of herself, Mary answered in her ordinary low tones.

"The same to you, auntie."

"Thank 'ee. Thank 'ee."

Mary gasped.

"Aunt! Can you hear me speaking like this?"

The old woman laughed, silently, rocking to and fro in her chair as if with pent-up merriment of years.

"Yes, I can hear 'ee, child. I've allus heard 'ee."

Mary clasped her hand eagerly.

"Then--you're cured, Aunt--"

"Ay. I'm cured as far as there was ever anything to be cured."

"You--?"

"I was never deaf, child, nor never will be, please God. I've took you all in fine."

Mary stood up in bewilderment.

"You? Never deaf?"

The old woman chuckled again.

"No, nor my mother--nor her mother neither."

Mary shrank back from her.

"I--I don't know what you mean," she said, unsteadily. "Have you been--pretending?"

"I'll make you a Christmas present of it, dearie," said the old woman. "My mother made me a Christmas present of it when I was your age, and her mother made her one. I haven't a lass of my own to give it to, so I give it to you. It can come on quite sudden like, if you want it, and then you can hear what you choose and not hear what you choose. Do you see?" She leant nearer and whispered, "You're shut out of it all--of having to fetch and carry for 'em, answer their daft questions and run their errands like a dog. I've watched you, my lass. You don't get much peace, do you?"

Mary was trembling.

"Oh, I don't know what to think," she said. "I--I couldn't do it."

"Do what you like," said the old woman. "Take it as a present, anyways--the Crewe deafness for a Christmas present," she chuckled. "Use it or not as you like. You'll find it main amusin', anyways."

And into the old face there came again that curious smile as if she carried in her heart some jest fit for the gods on Olympus.

The door opened suddenly with another gust of cold air, and the two men came in again, covered with fine snow.

"I--I'll not do it," whispered Mary, trembling.

"We didn't get far. It's coming on again," remarked John, hanging up his cap.

The old woman rose and began to lay the supper, silently and deftly, moving from cupboard to table without looking up. Mary sat by the fire, motionless and speechless, her eyes fixed on the glowing coals.

"Any signs o' the deafness in her?" whispered James, looking towards Mary. "It come on my wife jus' when she was that age."

"Aye. So I've heered."

Then he said loudly, "Mary!"

A faint pink colour came into her cheeks, but she did not show by look or movement that she had heard. James looked significantly at her husband.

The old woman stood still for a minute with a cup in each hand and smiled her slow, subtle smile.

SEATON'S AUNT By WALTER DE LA MARE

(From _The London Mercury_)

1922

I had heard rumours of Seaton's Aunt long before I actually encountered her. Seaton, in the hush of confidence, or at any little show of toleration on our part, would remark, "My aunt," or "My old aunt, you know," as if his relative might be a kind of cement to an _entente cordiale_.

He had an unusual quantity of pocket-money; or, at any rate, it was bestowed on him in unusually large amounts; and he spent it freely, though none of us would have described him as an "awfully generous chap." "Hullo, Seaton," he would say, "the old Begum?" At the beginning of term, too, he used to bring back surprising and exotic dainties in a box with a trick padlock that accompanied him from his first appearance at Gummidge's in a billycock hat to the rather abrupt conclusion of his school-days.

From a boy's point of view he looked distastefully foreign, with his yellow skin, and slow chocolate-coloured eyes, and lean weak figure. Merely for his looks he was treated by most of us true-blue Englishmen with condescension, hostility, or contempt. We used to call him "Pongo," but without any better excuse for the nickname than his skin. He was, that is, in one sense of the term what he assuredly was not in the other sense, a sport.

Seaton and I were never in any sense intimate at school, our orbits only intersected in class. I kept instinctively aloof from him. I felt vaguely he was a sneak, and remained quite unmollified by advances on his side, which, in a boy's barbarous fashion, unless it suited me to be magnanimous, I haughtily ignored.

We were both of us quick-footed, and at Prisoner's Base used occasionally to hide together. And so I best remember Seaton--his narrow watchful face in the dusk of summer evening; his peculiar crouch, and his inarticulate whisperings and mumblings. Otherwise he played all games slackly and limply; used to stand and feed at his locker with a crony or two until his "tuck" gave out; or waste his money on some outlandish fancy or other. He bought, for instance, a silver bangle, which he wore above his left elbow, until some of the fellows showed their masterly contempt of the practice by dropping it nearly red-hot down his neck.

It needed, therefore, a rather peculiar taste, a rather rare kind of schoolboy courage and indifference to criticism, to be much associated with him. And I had neither the taste nor the courage. None the less, he did make advances, and on one memorable occasion went to the length of bestowing on me a whole pot of some outlandish mulberry-coloured jelly that had been duplicated in his term's supplies. In the exuberance of my gratitude I promised to spend the next half-term holiday with him at his aunt's house.

I had clean forgotten my promise when, two or three days before the holiday, he came up and triumphantly reminded me of it.

"Well, to tell you the honest truth, Seaton, old chap----" I began graciously; but he cut me short.

"My aunt expects you," he said; "she is very glad you are coming. She's sure to be quite decent to _you_, Withers."

I looked at him in some astonishment; the emphasis was unexpected. It seemed to suggest an aunt not hitherto hinted at, and a friendly feeling on Seaton's side that was more disconcerting than welcome.

* * * * *

We reached his home partly by train, partly by a lift in an empty farm-cart, and partly by walking. It was a whole-day holiday, and we were to sleep the night; he lent me extraordinary night-gear, I remember. The village street was unusually wide, and was fed from a green by two converging roads, with an inn, and a high green sign at the corner. About a hundred yards down the street was a chemist's shop--Mr. Tanner's. We descended the two steps into his dusky and odorous interior to buy, I remember, some rat poison. A little beyond the chemist's was the forge. You then walked along a very narrow path, under a fairly high wall, nodding here and there with weeds and tufts of grass, and so came to the iron garden-gates, and saw the high flat house behind its huge sycamore. A coach-house stood on the left of the house, and on the right a gate led into a kind of rambling orchard. The lawn lay away over to the left again, and at the bottom (for the whole garden sloped gently to a sluggish and rushy pond-like stream) was a meadow.

We arrived at noon, and entered the gates out of the hot dust beneath the glitter of the dark-curtained windows. Seaton led me at once through the little garden-gate to show me his tadpole pond, swarming with what, being myself not the least bit of a naturalist, I considered the most horrible creatures--of all shapes, consistencies, and sizes, but with whom Seaton seemed to be on the most intimate of terms. I can see his absorbed face now as he sat on his heels and fished the slimy things out in his sallow palms. Wearying at last of his pets, we loitered about awhile in an aimless fashion. Seaton seemed to be listening, or at any rate waiting, for something to happen or for some one to come. But nothing did happen and no one came.

That was just like Seaton. Anyhow, the first view I got of his aunt was when, at the summons of a distant gong, we turned from the garden, very hungry and thirsty, to go into luncheon. We were approaching the house when Seaton suddenly came to a standstill. Indeed, I have always had the impression that he plucked at my sleeve. Something, at least, seemed to catch me back, as it were, as he cried, "Look out, there she is!"

She was standing in an upper window which opened wide on a hinge, and at first sight she looked an excessively tall and overwhelming figure. This, however, was mainly because the window reached all but to the floor of her bedroom. She was in reality rather an under-sized woman, in spite of her long face and big head. She must have stood, I think, unusually still, with eyes fixed on us, though this impression may be due to Seaton's sudden warning and to my consciousness of the cautious and subdued air that had fallen on him at sight of her. I know that without the least reason in the world I felt a kind of guiltiness, as if I had been "caught." There was a silvery star pattern sprinkled on her black silk dress, and even from the ground I could see the immense coils of her hair and the rings on her left hand which was held fingering the small jet buttons of her bodice. She watched our united advance without stirring, until, imperceptibly, her eyes raised and lost themselves in the distance, so that it was out of an assumed reverie that she appeared suddenly to awaken to our presence beneath her when we drew close to the house.

"So this is your friend, Mr. Smithers, I suppose?" she said, bobbing to me.

"Withers, aunt," said Seaton.

"It's much the same," she said, with eyes fixed on me. "Come in, Mr. Withers, and bring him along with you."

She continued to gaze at me--at least, I think she did so. I know that the fixity of her scrutiny and her ironical "Mr." made me feel peculiarly uncomfortable. But she was extremely kind and attentive to me, though perhaps her kindness and attention showed up more vividly against her complete neglect of Seaton. Only one remark that I have any recollection of she made to him: "When I look on my nephew, Mr. Smithers, I realise that dust we are, and dust shall become. You are hot, dirty, and incorrigible, Arthur."

She sat at the head of the table, Seaton at the foot, and I, before a wide waste of damask tablecloth, between them. It was an old and rather close dining-room, with windows thrown wide to the green garden and a wonderful cascade of fading roses. Miss Seaton's great chair faced this window, so that its rose-reflected light shone full on her yellowish face, and on just such chocolate eyes as my schoolfellow's, except that hers were more than half-covered by unusually long and heavy lids.

There she sat, eating, with those sluggish eyes fixed for the most part on my face; above them stood the deep-lined fork between her eyebrows; and above that the wide expanse of a remarkable brow beneath its strange steep bank of hair. The lunch was copious, and consisted, I remember, of all such dishes as are generally considered mischievous and too good for the schoolboy digestion--lobster mayonnaise, cold game sausages, an immense veal and ham pie farced with eggs and numberless delicious flavours; besides sauces, kickshaws, creams, and sweetmeats. We even had wine, a half-glass of old darkish sherry each.

Miss Seaton enjoyed and indulged an enormous appetite. Her example and a natural schoolboy voracity soon overcame my nervousness of her, even to the extent of allowing me to enjoy to the best of my bent so rare a "spread." Seaton was singularly modest; the greater part of his meal consisted of almonds and raisins, which he nibbled surreptitiously and as if he found difficulty in swallowing them.

I don't mean that Miss Seaton "conversed" with me. She merely scattered trenchant remarks and now and then twinkled a baited question over my head. But her face was like a dense and involved accompaniment to her talk. She presently dropped the "Mr.," to my intense relief, and called me now Withers, or Wither, now Smithers, and even once towards the close of the meal distinctly Johnson, though how on earth my name suggested it, or whose face mine had reanimated in memory, I cannot conceive.

"And is Arthur a good boy at school, Mr. Wither?" was one of her many questions. "Does he please his masters? Is he first in his class? What does the reverend Dr. Gummidge think of him, eh?"

I knew she was jeering at him, but her face was adamant against the least flicker of sarcasm or facetiousness. I gazed fixedly at a blushing crescent of lobster.

"I think you're eighth, aren't you, Seaton?"

Seaton moved his small pupils towards his aunt. But she continued to gaze with a kind of concentrated detachment at me.

"Arthur will never make a brilliant scholar, I fear," she said, lifting a dexterously-burdened fork to her wide mouth....

After luncheon she preceded me up to my bedroom. It was a jolly little bedroom, with a brass fender and rugs and a polished floor, on which it was possible, I afterwards found, to play "snow-shoes." Over the washstand was a little black-framed water-colour drawing, depicting a large eye with an extremely fishlike intensity in the spark of light on the dark pupil; and in "illuminated" lettering beneath was printed very minutely, "Thou God Seest ME," followed by a long looped monogram, "S.S.," in the corner. The other pictures were all of the sea: brigs on blue water; a schooner overtopping chalk cliffs; a rocky island of prodigious steepness, with two tiny sailors dragging a monstrous boat up a shelf of beach.

"This is the room, Withers, my brother William died in when a boy. Admire the view!"

I looked out of the window across the tree-tops. It was a day hot with sunshine over the green fields, and the cattle were standing swishing their tails in the shallow water. But the view at the moment was only exaggeratedly vivid because I was horribly dreading that she would presently enquire after my luggage, and I had not brought even a toothbrush. I need have had no fear. Hers was not that highly-civilised type of mind that is stuffed with sharp material details. Nor could her ample presence be described as in the least motherly.

"I would never consent to question a schoolfellow behind my nephew's back," she said, standing in the middle of the room, "but tell me, Smithers, why is Arthur so unpopular? You, I understand, are his only close friend." She stood in a dazzle of sun, and out of it her eyes regarded me with such leaden penetration beneath their thick lids that I doubt if my face concealed the least thought from her. "But there, there," she added very suavely, stooping her head a little, "don't trouble to answer me. I never extort an answer. Boys are queer fish. Brains might perhaps have suggested his washing his hands before luncheon; but--not my choice, Smithers. God forbid! And now, perhaps, you would like to go into the garden again. I cannot actually see from here, but I should not be surprised if Arthur is now skulking behind that hedge."

He was. I saw his head come out and take a rapid glance at the windows.

"Join him, Mr. Smithers; we shall meet again, I hope, at the tea-table. The afternoon I spend in retirement."

Whether or not, Seaton and I had not been long engaged with the aid of two green switches in riding round and round a lumbering old gray horse we found in the meadow, before a rather bunched-up figure appeared, walking along the field-path on the other side of the water, with a magenta parasol studiously lowered in our direction throughout her slow progress, as if that were the magnetic needle and we the fixed pole. Seaton at once lost all nerve in his riding. At the next lurch of the old mare's heels he toppled over into the grass, and I slid off the sleek broad back to join him where he stood, rubbing his shoulder and sourly watching the rather pompous figure till it was out of sight.

"Was that your aunt, Seaton?" I enquired; but not till then.

He nodded.

"Why didn't she take any notice of us, then?"

"She never does."

"Why not?"

"Oh, she knows all right, without; that's the dam awful part of it." Seaton was about the only fellow at Gummidge's who ever had the ostentation to use bad language. He had suffered for it, too. But it wasn't, I think, bravado. I believe he really felt certain things more intensely than most of the other fellows, and they were generally things that fortunate and average people do not feel at all--the peculiar quality, for instance, of the British schoolboy's imagination.

"I tell you, Withers," he went on moodily, slinking across the meadow with his hands covered up in his pockets, "she sees everything. And what she doesn't see she knows without."

"But how?" I said, not because I was much interested, but because the afternoon was so hot and tiresome and purposeless, and it seemed more of a bore to remain silent. Seaton turned gloomily and spoke in a very low voice.

"Don't appear to be talking of her, if you wouldn't mind. It's--because she's in league with the devil." He nodded his head and stooped to pick up a round flat pebble. "I tell you," he said, still stooping, "you fellows don't realise what it is. I know I'm a bit close and all that. But so would you be if you had that old hag listening to every thought you think."

I looked at him, then turned and surveyed one by one the windows of the house.

"Where's your _pater_?" I said awkwardly.

"Dead, ages and ages ago, and my mother too. She's not my aunt by rights."

"What is she, then?"

"I mean she's not my mother's sister, because my grandmother married twice; and she's one of the first lot. I don't know what you call her, but anyhow she's not my real aunt."

"She gives you plenty of pocket-money."

Seaton looked steadfastly at me out of his flat eyes. "She can't give me what's mine. When I come of age half of the whole lot will be mine; and what's more"--he turned his back on the house--"I'll make her hand over every blessed shilling of it."

I put my hands in my pockets and stared at Seaton. "Is it much?"

He nodded.

"Who told you?" He got suddenly very angry; a darkish red came into his cheeks, his eyes glistened, but he made no answer, and we loitered listlessly about the garden until it was time for tea....

Seaton's aunt was wearing an extraordinary kind of lace jacket when we sidled sheepishly into the drawing-room together. She greeted me with a heavy and protracted smile, and bade me bring a chair close to the little table.

"I hope Arthur has made you feel at home," she said as she handed me my cup in her crooked hand. "He don't talk much to me; but then I'm an old woman. You must come again, Wither, and draw him out of his shell. You old snail!" She wagged her head at Seaton, who sat munching cake and watching her intently.