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Chapter II: The Green Emotion (1)

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Virtually buried in a raft of ethical tracts of the Middle Kingdom, all more or less repetitions of Lao-tsze's insistence on heaven's quiet way, I ignored the sounding of the telephone; but its continuous bur--I had had the bell removed--triumphed over my absorption, and I answered curtly. It was McGeorge. His name, in addition to the fact that it constituted an annoying interruption, recalled principally that, caught in the stagnant marsh of spiritism, he had related an absurd fabrication in connection with the Meeker circle and the death of Mrs. August Kraemer.

Our acquaintance had been long, but slight. He had never attempted to see me at my rooms, and for this reason only--that his unusual visit might have a corresponding pressing cause--I directed Miss Maynall, at the telephone exchange, to send him up. Five minutes later, however, I regretted that I had not instinctively refused to see him. It was then evident that there was no special reason for his call. It was inconceivable that any one with the least knowledge of my prejudices and opinions would attempt to be merely social, and McGeorge was not without both the rudiments of breeding and good sense.

At least such had been my impression of him in the past, before he had come in contact with the Meekers. Gazing at him, I saw that a different McGeorge was evident, different even from when I had seen him at the Italian restaurant where he had been so oppressed by the fear not of death, but of life. In the first place, he was fatter and less nervous, he was wearing one of those unforgivable soft black ties with flowing ends, and he had changed from Virginia cigarettes to Turkish.

A silence had lengthened into embarrassment, in which I was combating a native irritability with the placid philosophical acceptance of the unstirred Tao, when he asked suddenly:

"Did you know I was married?" I admitted that this information had eluded me, when he added in the fatuous manner of such victims of a purely automatic process, "To Miss Ena Meeker that was."

I asked if he had joined the family circle in the special sense, but he said not yet; he wasn't worthy. Then I realized that there was a valid reason for his presence, but, unfortunately, it operated slowly with him; he had to have a satisfactory audience for the astounding good fortune he had managed. He wanted to talk, and McGeorge, I recalled, had been a man without intimates or family in the city. Almost uncannily, as if in answer to my thought, he proceeded:

"I'm here because you have a considerable brain and, to a certain extent, a courageous attitude. You are all that and yet you won't recognize the truth about the beyond, the precious world of spirits."

"Material."

However, I indicated in another sense that I wasn't material for any propaganda of hysterical and subnormal seances. His being grew inflated with the condescending pity of dogmatic superstition for logic.

"Many professors and men of science are with us, and I am anxious, in your own interest, for you to see the light. I've already admitted that you would be valuable. You can't accuse me of being mercenary." I couldn't. "I must tell you," he actually cried out, in sudden surrender to the tyrannical necessity of self-revelation. "My marriage to Ena was marvelous, marvelous, a true wedding of souls. Mr. Meeker," he added in a different, explanatory manner, "like all careful fathers, is not unconscious of the need, here on earth, of a portion of worldly goods. For a while, and quite naturally, he was opposed to our union.

"There was a Wallace Esselmann." A perceptible caution overtook him, but which, with a gesture, he evidently discarded. "But I ought to explain how I met the Meekers. I called." I expressed a surprise, which he solemnly misread. "It became necessary for me to tell them of my admiration and belief," he proceeded.

"I saw Mrs. Meeker and Ena in the front room where the sittings are held. Mrs. Meeker sat straight up, with her hands folded; but Ena was enchanting." He paused, lost in the visualization of the enchantment. "All sweet curves and round ankles and little feet." Then he unexpectedly made a very profound remark: "I think pale girls are more disturbing than red cheeks. They've always been for me, anyway. Ena was the most disturbing thing in the world."

Here, where I might have been expected to lose my patience disastrously, a flicker of interest appeared in McGeorge and his connection with the Meekers. A normal, sentimental recital would, of course, be insupportable; but McGeorge, I realized, lacked the cooerdination of instincts and faculties which constitutes the healthy state he had called, by implication, stupid. The abnormal often permits extraordinary glimpses of the human machine, ordinarily a sealed and impenetrable mystery. Hysteria has illuminated many of the deep emotions and incentives, and McGeorge, sitting lost in a quivering inner delight, had the significant symptoms of that disturbance.

He may, I thought, exhibit some of the primitive "complex sensitiveness" of old taboos, and furnish an illustration, for a commentary on the sacred Kings, of the physical base of religious fervor.

"An ordinary prospective mother-in-law," said McGeorge, "is hard enough, but Mrs. Meeker----" He made a motion descriptive of his state of mind in the Decker parlor. "Eyes like ice," he continued; "and I could see that I hadn't knocked her over with admiration. Ena got mad soon, and made faces at her mother when she wasn't looking, just as if she were a common girl. It touched me tremendously. Then--I had looked down at the carpet for a moment--Mrs. Meeker had gone, without a sound, in a flash. It was a good eight feet to the door and around a table. Space and time are nothing to her."

Silence again enveloped him; he might have been thinking of the spiritistic triumphs of Mrs. Meeker or of Ena with her sweet curves. Whatever might be said of the latter, it was clear that she was no prude. McGeorge drew a deep breath; it was the only expression of his immediate preoccupation.

"It was quite a strain," he admitted presently. "I called as often as possible and a little oftener. The reception, except for dear Ena, was not prodigal. Once they were having a sitting, and I went back to the kitchen. Of course Lizzie Tuoey, their former servant, was no more, and they had an ashy-black African woman. Some one was sobbing in the front room--the terrible sobs of a suffocating grief. There was a voice, too, a man's, but muffled, so that I couldn't make out any words. That died away, and the thin, bright tones of a child followed; then a storm of knocking, and blowing on a tin trumpet.

"A very successful sitting. I saw Jannie directly afterward, and the heroic young medium was positively livid from exhaustion. She had a shot of Benedictine and then another, and Mr. Meeker half carried her up to bed. I stayed in the kitchen till the confusion was over, and Albert came out and was pointedly rude. If you want to know what's thought of you in a house, watch the young.

"Ena was flighty, too; it irritated her to have me close by--highly strung. She cried for no reason at all and bit her finger-nails to shreds. There was a fine platinum chain about her neck, with a diamond pendant, I had never seen before, and for a long while she wouldn't tell me where it had come from. The name, Wallace Esselmann, finally emerged from her hints and evasions. He was young and rich, he had a waxed mustache, and the favor of the Meekers generally.

"Have you ever been jealous?" McGeorge asked abruptly. Not in the degree he indicated, I replied; however, I comprehended something of its possibilities of tyrannical obsession. "It was like a shovelful of burning coals inside me," he asserted. "I was ready to kill this Esselmann or Ena and then myself. I raved like a maniac; but it evidently delighted her, for she took off the chain and relented.

"At first," McGeorge said, "if you remember, I was terrified at the thought of living forever; but I had got used to that truth, and the blessings of spiritualism dawned upon me. No one could ever separate Ena and me. The oldest India religions support that----"

"With the exception," I was obliged to put in, "that all progression is toward nothingness, suspension, endless calm."

"We have improved on that," he replied. "The joys that await us are genuine twenty-two carat--the eternal companionship of loving ones, soft music, summer----"

"Indestructible lips under a perpetual moon."

He solemnly raised a hand.

"They are all about you," he said; "they hear you; take care. What happened to me will be a warning."

"Materialize the faintest spirit," I told him, "produce the lightest knock on that Fyfe table, and I'll give you a thousand dollars for the cause." He expressed a contemptuous superiority to such bribery. "By your own account," I reminded him, "the Meekers gave this Esselmann every advantage. Why?"

McGeorge's face grew somber.

"I saw him the next time I called, a fat boy with his spiked mustache on glazed cheeks, and a pocketful of rattling gold junk, a racing car on the curb. He had had Ena out for a little spin, and they were discussing how fast they had gone. Not better than sixty-eight, he protested modestly.

"Albert hung on his every word; he was as servile to Esselmann as he was arrogant to me. He said things I had either to overlook completely or else slay him for. I tried to get his liking." McGeorge confessed to me that, remembering what the Meekers' old servant had told him about Albert's peculiar habit, he had even thought of making him a present of a box of flies, precisely in the manner you would bring candy for a pretty girl.

"It began to look hopeless," he confessed of his passion. "Ena admitted that she liked me better than Wallace, but the family wouldn't hear of it. Once, when Mr. Meeker came to the door, he shut it in my face. The sittings kept going right along, and the manifestations were wonderful; the connection between Jannie and Stepan, her spirit control, grew closer and closer. There was a scientific investigation--some professors put Jannie on a weighing-machine during a seance and found that, in a levitation, she had an increase in weight virtually equal to the lifted table. They got phonograph records of the rapping----"

"Did you hear them?" I interrupted.

"They are still in the laboratory," he asserted defiantly, "But I have a photograph that was taken of an apparition." He fumbled in an inner pocket and produced the latter. The print was dark and obscured, but among the shadows a lighter shape was traceable: it might have been a woman in loose, white drapery, a curtain, light-struck; anything, in fact. I returned it to him impatiently.

"That," he informed me, "was a Christian martyr of ancient times."

"Burned to a cinder," I asked, "or dismembered by lions?"

"Can't you even for a minute throw off the illusion of the flesh?"

"Can you?"

He half rose in a flare of anger; for my question, in view of his admissions, had been sharply pressed.

"All love is a sanctification," McGeorge said, recovering his temper admirably. "The union of my beloved wife and me is a holy pact of spirits, transcending corruption."

"You married her against considerable opposition," I reminded him.

"I had the hell of a time," he said in the healthy manner of the former McGeorge. "Everything imaginable was done to finish me; the powers of earth and of the spirit world were set against me. For a while my human frame wasn't worth a lead nickel."

"The beyond, then, isn't entirely the abode of righteousness?"

"There are spirits of hell as well as of heaven."

"The Chinese," I told him, "call them Yin and Yang, spirits of dark and light. Will you explain--it may be useful, if things are as you say--how you fought the powers from beyond?"

"Do you remember what Lizzie Tuoey thought about Jannie and Stepan?" he asked, apparently irrelevantly. "That time Stepan had an engagement with Isabella of Spain." I didn't. "Well, she said that Jannie was jealous of the queen."

McGeorge had, by his own account, really a dreadful time with what was no better than common or, rather, uncommon murder. Two things were evident on the plane of my own recognition--that he had succeeded in holding the illusive affections of Ena, no small accomplishment in view of her neurotic emotional instability, and that the elder Meekers had an interest in the most worldly of all commodities, not exceeded by their devotion to the immaculate dream of love beyond death.

The girl met McGeorge outside the house; he called defiantly in the face of an unrelenting, outspoken opposition. It was in the Meeker front room that he first realized his mundane existence was in danger. He could give no description of what happened beyond the fact that suddenly he was bathed in a cold, revolting air. It hung about him with the undefinable feel and smell of death. A rotten air, he described it, and could think of nothing better; remaining, he thought, for half a minute, filling him with instinctive abject terror, and then lifting.

Ena, too, was affected; she was as rigid as if she were taking part in a seance; and when she recovered, she hurried from the room. Immediately after McGeorge heard her above quarrelling with Jannie. She returned in tears, and said that they would have to give each other up. Here McGeorge damned the worlds seen and unseen, and declared that he'd never leave her. This, with his complete credulity, approached a notable courage or frenzy of desire. He had no doubt but they would kill him. Their facilities, you see, were unsurpassed.

Worse followed almost immediately. The next morning, to be accurate, McGeorge was putting an edge on his razor--he had never given up the old type--when an extraordinary seizure overtook him; the hand that held the blade stopped being a part of him. It moved entirely outside his will; indeed, when certain possibilities came into his shocked mind, it moved in opposition to his most desperate determination.

A struggle began between McGeorge in a sweating effort to open his fingers and drop the razor to the floor, and the will imposing a deep, hard gesture across his throat. He was twisted, he said, into the most grotesque positions; the hand would move up, and he would force it back perhaps an inch at a time. During this the familiar, mucid feel closed about him.

I asked how the force was applied to his arm, but he admitted that his fright was so intense that he had no clear impression of the details. McGeorge, however, did try to convince me that his wrist was darkly bruised afterward. He was, he was certain, lost, his resistance virtually at an end when, as if from a great distance, he heard the faint ring of the steel on the bath-room linoleum.

That, he told himself, had cured him; the Meekers, and Ena in particular, could have their precious Wallace Esselmann. This happened on Friday, and Sunday evening he was back at the Meeker door. The frenzy of desire! Love is the usual, more exalted term. Perhaps. It depends on the point of view, the position adopted in the attack on the dark enigma of existence. Mine is unpresumptuous.

They were obviously surprised to see him,--or, rather, all were but Ena,--and his reception was less crabbed than usual. McGeorge, with what almost approached a flash of humor, said that it was evident they had expected him to come from the realm of spirits. In view of their professed belief in the endless time for junketing at their command, they clung with amazing energy to the importance of the present faulty scheme.

Ena was wonderfully tender, and promised to marry him whenever he had a corner ready for her. McGeorge, a reporter, lived with the utmost informality with regard to hours and rooms. He stayed that night almost as long as he wished, planning, at intervals, the future. Sometime during the evening it developed that Jannie was in disfavor; the sittings had suddenly become unsatisfactory. One the night before had been specially disastrous.

Stepan, in place of satisfying the very private curiosity of a well-known and munificent politician, had described another party that had made a wide ripple of comment and envious criticism among the shades. It had been planned by a swell of old Rome, faithful in every detail to the best traditions of orgies; and Stepan's companion, a French girl of the Maison Doree, had opened the eyes of the historic fancy to the latent possibilities of the dance.

Jannie, at this, had spoiled everything, but mostly the temper of the munificent politician, by a piercing scream. She had gone on, Ena admitted, something terrible. When Mr. Meeker had tried to bundle her to bed, she had kicked and scratched like never before. And since then she declared that she'd never make another effort to materialize shameless spirits.

Argument, even the temporary absence of Benedictine, had been unavailing. Very well, Mrs. Meeker had told her grimly, she would have to go back to cotton stockings; and no more grilled sweetbreads for supper, either; she'd be lucky if she got scrapple. She didn't care; everything was black for her. Black it must have been, I pointed out to McGeorge; it was bad enough with worry limited to the span of one existence, but to look forward to a perpetuity of misery--

McGeorge returned the latter part of the week with the plans for their marriage, an elopement, considerably advanced; but only Jannie was at home. She saw him listlessly in the usual formal room, where--he almost never encountered her--he sat in a slight perplexity. Jannie might be thought prettier than Ena, he acknowledged, or at least in the face. She had quantities of bright brown hair, which she affected to wear, in the manner of much younger girls, confined, with a ribbon, and flowing down her back. Her eyes, too, were brown and remarkable in that the entire iris was exposed. Her full under lip was vividly rouged, while her chin was unobtrusive.

That evening she was dressed very elaborately. The pink silk stockings and preposterous kid slippers were in evidence; her dress was black velvet, short, and cut like a sheath; and there was a profusion of lacy ruffles and bangles at her wrists. To save his soul, McGeorge couldn't think of anything appropriate to talk about. Jannie was a being apart, a precious object of special reverence. This, together with her very human pettishness, complicated the social problem. He wanted excessively to leave,--there was no chance of seeing Ena,--but neither could he think of any satisfactory avenue of immediate escape.

Jannie's hands, he noticed, were never still; her fingers were always plaiting the velvet on her knees. She would sigh gustily, bite her lips, and accomplish what in an ordinary person would be a sniffle. Then suddenly she drew nearer to McGeorge and talked in a torrent about true love. She doubted if it existed anywhere. Spirits were no more faithful than humans.

This, for McGeorge, was more difficult than the silence; all the while, he told me, his thoughts were going back to the scene in the bath-room. He had no security that it wouldn't be repeated and with a far different conclusion. He had a passing impulse to ask Jannie to call off her subliminal thugs; the phrasing is my own. There was no doubt in his disordered mind that it was she who, at the instigation of the elder Meekers, was trying to remove him in the effort to secure Wallace Esselmann.

She dissolved presently into tears, and cried that she was the most miserable girl in existence. She dropped an absurd confection of a handkerchief on the floor, and he leaned over, returning it to her. Jannie's head drooped against his shoulder, and, to keep her from sliding to the floor, he was obliged to sit beside her and support her with an arm. It had been a temporary measure, but Jannie showed no signs of shifting her weight; and, from wishing every moment for Ena's appearance, he now prayed desperately for her to stay away.

McGeorge said that he heard the girl murmur something that sounded like, "Why shouldn't I?" Her face was turned up to him in a way that had but one significance for maiden or medium. She was, he reminded me, Ena's sister, about to become his own; there was a clinging, seductive scent about her, too, and a subtle aroma of Benedictine; and, well, he did what was expected.

However, no sooner had he kissed her than her manner grew inexplicable. She freed herself from him, and sat upright in an expectant, listening attitude. Her manner was so convincing that he straightened up and gazed about the parlor. There was absolutely no unusual sight or sound; the plain, heavy table in the center of the room was resting as solidly as if it had never playfully cavorted at the will of the spirits, the chairs were back against the walls, the miniature Rock of Ages, on the mantel, offered its testimony to faith.

One insignificant detail struck his eye--a weighty cane of Mr. Meeker's stood in an angle of the half-opened door to the hall, across the floor from where Jannie and he were sitting.

III

After a little, with nothing apparently following, the girl's expectancy faded; her expression grew petulant once more, and she drew sharply away from McGeorge, exactly as if he had forced a kiss on her and she was insulted by the indignity. Lord! he thought, with an inward sinking, what she'll do to me now will be enough!

He rose uneasily and walked to the mantel, where he stood with his back to Jannie, looking down absently at the fringed gray asbestos of a gas hearth. An overwhelming oppression crept over him when there was a sudden cold sensation at the base of his neck, and a terrific blow fell across his shoulders.

McGeorge wheeled instinctively, with an arm up, when he was smothered in a rain of stinging, vindictive battering. The blows came from all about him, a furious attack against which he was powerless to do anything but endeavor to protect his head. No visible person, he said solemnly, was near him. Jannie was at the other side of the room.

"Did you see her clearly while this was going on?" I asked.

Oh, yes, he assured me sarcastically; he had as well glanced at his diary to make sure of the date. He then had the effrontery to inform me that he had been beaten by Mr. Meeker's cane without human agency. He had seen it whirling about him in the air. McGeorge made up his mind that the hour of his death had arrived. A fog of pain settled on him, and he gave up all effort of resistance, sinking to his knees, aware of the salt taste of blood. But just at the edge of unconsciousness the assault stopped.

After a few moments he rose giddily, with his ears humming and his ribs a solid ache. The cane lay in the middle of the room, and Jannie stood, still across the parlor, with her hands pressed to scarlet cheeks, her eyes shining, and her breast heaving in gasps.

"Why not after such a violent exercise?"

McGeorge ignored my practical comment.

"She was delighted," he said; "she ran over to me and, throwing her arms about my neck, kissed me hard. She exclaimed that I had helped Jannie when everything else had failed, and she wouldn't forget it. Then she rushed away, and I heard her falling up-stairs in her high-heeled slippers."

Naturally he had half collapsed into a chair, and fought to supply his laboring lungs with enough oxygen. It's an unpleasant experience to be thoroughly beaten with a heavy cane under any condition, and this, he was convinced, was special.

I asked if he was familiar with Havelock Ellis on hysterical impulses, and he replied impatiently that he wasn't.

"There are two explanations," I admitted impartially, "although we each think there is but one. I will agree that yours is more entertaining. Jannie was jealous again. The Roman orgies, the young person from the _grands boulevards_, were more than she could accept; and she tried, in the vocabulary lately so prevalent, a reprisal. But I must acknowledge that I am surprised at the persistent masculine flexibility of Stepan."

"It was at the next sitting," McGeorge concluded, "that Stepan announced the wedding of Ena and me. The spirits awaited it. There was a row in the Meeker circle; but he dissolved, and refused to materialize in any form until it was accomplished."

"To the music of the spheres," I added, with some attempt at ordinary decency.

THE CENTENARIAN[15]

[Note 15: Copyright, 1919, by Harper & Brothers. Copyright, 1920, by Will E. Ingersoll.]

BY WILL E. INGERSOLL

From _Harper's Magazine_

There were few who knew--and, frankly, there were few who seemed to care to know--what Old Dalton meant when he mumbled, in his aspirate and toothless quest for expression of the thoughts that doddered through his misty old brain, "Thay wur-rld luks diff'rent now--all diff'rent now, yagh!" Sometimes he would go on, after a pause, in a kind of laborious elucidation: "Na, na! Ma there, now, she's gone. I--egh, egh--I went to school 'long of her; an' et didn't matter so much, mun, about th' rest going, 's long as she wer' here. But now--she's gone, ey. Agh-m! Ey, now she's gone-like, an' th' ain't nobody to help me keep--keep a-hold o' things. I'm a hundred years old, mun. Agh-m! You wouldn't--you wouldn't know what I was meanin', now, when I tell you this here world has growed all yellow-like, this month back. Ey, that's it, mun--all queer-like. Egh, it's time I was movin' on--movin' on."

Part of this monologue--a very small part--was Old Dalton's own, repeated over and over, and so kept in mind ever since the more initiative years a decade ago when he first began to think about his age. Another part of the utterance--more particularly that about "movin' on"--consisted of scraps of remarks that had been addressed to him, which he had hoarded up as an ape lays away odds and ends, and which he repeated, parrotlike, when the sun and his pipe warmed Old Dalton into speech. But that idea that the earth was growing yellow--that was a recent uncanny turn of his fancy, his own entirely.

He was pretty well past having any very definite inclination, but there seemed no special reason why the old man should wish to "move on." He appeared comfortable enough, pulling away at his blackened old pipe on the bench by the door. No man above fifty, and few below that age, enjoyed better health than he had; and many of fifty there are who _look_ nearer death than Old Dalton did.

"Crack me a stick 'r two o' wood, grampa," his married great-granddaughter, with whom he lived, would sometimes say; and up and at it the old man would get--swinging his ax handily and hitting his notch cleanly at every clip.

Assuredly, his body was a wonderful old machine--a grandfather's clock with every wheel, bearing, and spring in perfect order and alignment. Work had made it so, and work kept it so, for every day after his smoke Old Dalton would fuss about at his "chores" (which, partly to please him, were designedly left for him to do)--the changing of the bull's tether-picket, watering the old horse, splitting the evening's wood, keeping the fence about the house in repair, and driving the cows o' nights into the milking-pen.

To every man in this world is assigned his duty. To every man is given just the mental and physical equipment he needs for that duty. Some men obtusely face away from their appointed work; some are carried afield by exigency; some are drawn by avarice or ambition into alien paths; but a minor proportion of happy ones follow out their destiny. There do not occur many exceptions to the rule that the men who find their work and do it, all other conditions being equal, not only live to old age, but to an extreme, a desirable, a comfortable, and a natural old age.

Old Dalton had been built and outfitted to be a simple, colloquial home-maker, family-raiser, and husbandman. His annals were never intended to be anything more than plain and short. His was the function of the tree--to grow healthily and vigorously; to propagate; to give during his life, as the tree gives of its fruit and shade, such pleasant dole and hospitable emanation as he naturally might; and in the fullness of time to return again to the sod.

He had found and done thoroughly this appointed work of his. He was doing it still, or at least that part of it which, at the age of one hundred years, fittingly remained for him to do. He was tapering off, building the crown of his good stack. When Death, the great Nimrod, should come to Old Dalton, he would not find him ready caught in the trap of decrepitude. He would find him with his boots on, up and about--or, if in bed, not there except as in the regular rest intervals of his diurnal round.

And the fact that he, a polyp in the great atoll of life, had found his exact place and due work was the reason that, at one hundred years, life was yet an orange upon the palate of Old Dalton.

Nanny Craig--who later became Mother Dalton--had, in remote eighteen hundred and twenty, been a squalling, crabbed baby, and had apparently started life determined to be crotchety. If she had adhered to this schedule she would have been buried before she was sixty and would have been glad to go. But Old Dalton--then young Dave Dalton--married her out of hand at seventeen, and so remade and conserved her in the equable, serene, and work-filled atmosphere of the home he founded that Nanny far outdid all her family age records, recent or ancestral, and lived to ninety-three. She was seven years younger than Dave, and now three months dead.

Dave had missed her sorely. People had said the Message would not be long coming to him after she went. Perhaps if he had been in the usual case of those who have passed the seventh decade--weary and halt and without employment or the ability or wish for it--he would have brooded and worried himself into the grave very soon after the passing of his old "mate" and one living contemporary. But he was a born, inured, and inveterate worker, and as long as there were "chores" for him to do he felt ample excuse for continuing to exist. Old Dalton still had the obsession, too, that while and where he lived he was "boss" and manager; and one solid, sustaining thought that helped to keep him living was that if he died the Dalton farm (it was the original old homestead that these young descendants of his occupied) would be without its essential head and squire.

So sturdy, so busy, and so well had he been always that all the deaths he had seen in his journey down a hundred years of mortality had failed to bring home to him the grave and puissant image of death as a personal visitant.

"Ey, I'm always out wur-rkin' when they send fur me, I guess," was the joke he had made at eighty and repeated so often since that now he said it quite naively and seriously, as a fact and a credible explanation.

But, although it took time to show its effect, Nanny's going hit him a little harder than any of the other deaths he had witnessed. She had traveled with him so long and so doughtily that he had never been able to form any anticipative picture of himself without her. Indeed, even now it felt as if she had merely "gone off visitin'," and would be back in time to knit him a pair of mitts before the cold weather came.

It was the odd idea about the world growing "yellow-lookin'"--sometimes he said "red-lookin'" and at other times seemed not quite certain which description conveyed the vague hue of his fancy--that appeared to be pulling him to pieces, undermining him, more than any other influence. Most people, however, were accustomed to consider the hallucination an effect of Mother Dalton's removal and a presage of Old Dalton's own passing.

This odd yellowness (or redness), as of grass over which chaff from the threshing-mill has blown, lay across the old pasture on this afternoon of his second century, as Old Dalton went to water the superannuated black horse that whinnied at his approach.

"Ey, Charley," he said, reflectively, as he took the old beast by the forelock to lead it up to the pump--"ey, Charley-boy"; then, as the horse, diminishing the space between its forefoot and his heel with a strange ease, almost trod on him--"ey, boy--steady there, now. Es yur spavin not throublin' ye th' day, then? Ye walk that free. S-steady, boy--ey!"

But Grace, the granddaughter, glancing across the pasture as she came to the kitchen door to empty potato peelings, put it differently.

"See how hard it be's gettin' for grampa to get along, Jim," she said to her husband, who sat mending a binder-canvas at the granary door. "I never noticed it before, but that old lame Charley horse can keep right up to him now."

Jim Nixon stuck his jack-knife into the step beside him, pushed a rivet through canvas and fastening-strap, and remarked, casually: "He ought to lay off now--too old to be chorin' around. Young Bill could do all the work he's doin', after he comes home from school, evenings."

"He's not bin the same sence gramma died," Gracie Nixon observed, turning indoors again. "It ain't likely we'll have him with us long now, Jim."

The old man, coming into the house a little haltingly that evening, stopped sharply as his granddaughter, with a discomposingly intent look, asked, "Tired to-night, grampa?"

"Ey?" His mouth worked, and his eyes, the pupils standing aggressively and stonily in the center of the whites, abetted the protest of the indomitable old pioneer. "Tired nothin'. You young ones wants t'l maind yur own business, an' that'll--egh--kape yous busy. Where's me pipe, d'ye hear, ey? An' the 'bacca? Yagh, that's it." The old man's fingers crooked eagerly around the musty bowl. He lit, sucked, and puffed noisily, lowering himself on a bench and feeling for the window-sill with his elbow. "In my taime," he continued, presently, in an aggrieved tone, "young ones was whopped fur talkin' up t'l thur elders like that. Lave me be, now, an' go 'n' milk thame cows I just fetched. Poor beasts, their bags es that full--ey, that full. They're blattin' to be eased."

With indulgent haste, the young couple, smiling sheepishly at each other like big children rebuked, picked up their strainer-pails and went away to the corral. The old man, his pipe-bowl glowing and blackening in time to his pulling at it, smoked on alone in the dusk. In the nibbling, iterative way of the old, he started a kind of reflection; but it was as if a harmattan had blown along the usual courses of his thought, drying up his little brooklet of recollection and withering the old aquatic star-flowers that grew along its banks. His mind, in its meandering among old images, groped, paused, fell pensive. His head sank lower between his shoulders, and the shoulders eased back against the wall behind his bench. When Jim Nixon and his wife, chasing each other merrily back and forth across the dewy path like the frolicsome young married couple they were, reached the door-yard, they found the old man fallen "mopy" in a way uncommon for him, and quite given over to a thoughtless, expressionless torpor and staring.

"You'll be tired-like, grampa, eh?" Jim Nixon said, as he came over to the veteran and put a strong hand under Old Dalton's armpit. "Come on, then. I'll help you off to your bed."

But the old man flamed up again, spiritedly, although perhaps this time his protest was a little more forced. "Ye'll not, then, boy," he mumbled. "Ye'll just lave me be, then. I'm--egh, egh"--he eased gruntingly into a standing position--"I'm going to bed annyway, though." He moved off, his coattail bobbing oddly about his hips and his back bowed. The two heard him stump slowly up the stairs.

Jim Nixon drew the boot-jack toward him and set the heel of his boot thoughtfully into the notch. "They go quick, Gracie," he observed, "when they get as old as him. They go all at onct, like. Hand me thon cleaver, an' I'll be makin' a little kindlin' for th' mornin'."

The alcove where the old man's bed stood was only separated by a thin partition from the room where the young couple slept; and the sounds of their frolic, as they chased, slapped, and cast pillows at each other, came to him companionably enough as he drew the blankets up about his big, shrunken chest and turned the broad of his back to the comfortable hay-stuffed bed-tick.

But all the merry noise and sociable proximity of the young people staved not off the great joust with loneliness this mighty knight of years had before he slept--a loneliness more than that of empty house and echoing stair; more than that, even, of Crusoe's manless island; utterly beyond even that of an alien planet; of spaces not even coldly sown with God-aloof stars--the excellent, the superlative loneliness of one soul for another. It is a strange, misty, Columbus-voyage upon which that hardy soul goes who dares to be the last of his generation.

There was in that bed a space between him and the wall--a space kept habitually yet for the Nanny who never came to fill it, who never again would come to fill it. (There would have been no great demonstration on the old man's part even if she had miraculously come. Merely a grunt of satisfaction; perhaps a brief, "Ey, ma--back?" and then a contented lapsing into slumber.) His want of her was scarcely emotional; at least it did not show itself to him that way. It took more the form of a kind of aching wish to see things "as they was" again. But that ache, that uneasiness, had upon Old Dalton all the effect of strong emotion--for it rode him relentlessly through all these days of his December, its weight and presence putting upon the tired old heart an added task. The ordinary strain of life he might have endured for another decade, with his perfect old physique and natural habits of life. But this extra pressure--he was not equipped for that!

"They go quick, at that age," his granddaughter's man had said. But, although even he himself did not know it, Old Dalton had been "going" for weeks--ever since the first confident feeling that "ma" would come back again had given place to the ache of her coming long delayed.

To-night it was cold in bed for August. Old Dalton wished "they" would fetch him another quilt.

But it should not have been cold that August evening. Beyond the wooden bed a small, rectangular window with sash removed showed a square of warm sky and a few stars twinkling dully in the autumnal haze. An occasional impatient tinkle of the cow-bell down in the corral indicated midges, only present on bland days and nights when there is in the air no hint of frost to stiffen the thin swift mite-wings.

High summer, and he was cold! Bedlam in the next room, and he was lonely! His sensations were getting out of hand, beyond the remedial influences and friendly fraternal sounds of this world he had so long tenanted. By a score of years he had exceeded his due claim upon earth's good offices to man. He was a trespasser and an alien in this strange present--he with his ancient interests, fogy ways of speech and thought, obsolete images and ideals, and mind that could only regard without attempt at comprehension the little and great innovations of the new age.

"We c'u'd make shift well enough with the things we had whin I was a lad," Old Dalton had often said to those who talked to him of the fine things men were inventing--the time-savers, space-savers, work-savers; "we c'u'd make shift well enough. We got along as well as they do now, too, we did; and, sir, we done better work, too. All men thinks of, these days, is gettin' through quick. Yagh, that's it, that's it--gettin' through quick-like, an' leavin' things half done."

So is a man born and implanted in his own generation. And if by strength he invades the next generation beyond, he does not go far before he finds he is a stranger utterly. In the current talk of men there are new smartnesses of speech built upon the old maternal tongue. There are new vogues of dress, new schools of thought, new modes even of play. Perhaps, again, new vices that the older simpler life kept dormant give the faces of this fresh generation a look and a difference strange and sinister.

A hundred years old! There are to be found, notably in steadily moving rural communities, not a few who endure to ninety hardily enough; but rare and singular are the cases where a man is to be found, except as dust in a coffin, a century after his birth. Old Dalton had inherited from his mother the qualities that are the basis of longevity--a nature simple and serene, a physique perfect in all involuntary functions and with the impulse of sane and regular usages to guide voluntary ones, an appetite and zest for work. She had married at eighteen and had lived to see her son reach his eightieth year, herself missing the century mark by only a few months.

But Old Dalton had breasted the tape, the first of his race to do it. And if it had not been for this wave of loneliness; this parching, astringent wind of sorrow that seemed to dry up the oil of his joints, evaporate the simple liquor of his thought, put out the vital sparkle in his eye; and now, latest act of dispossession, to milk his old veins of their warmth--if it had not been for this influence and prescience, Old Dalton might have run hardily quite a good little way into his second century.

But somewhere, afar and apart, the finger was about to descend upon the chronometer that timed his race. The dust atoms that a hundred years ago had been exalted to make a man now clamored for their humble rehabilitation. Man shall never, in this mortal body we use, exemplify perpetual motion.

Old Dave Dalton turned in his bed. Something beyond the chilliness was wrong with him, and he did not know what it was. There is no condition so vexatious as an unexplainable lack of ease; and Old Dalton twisted, gathered up his knees, straightened them again, tensed, relaxed, shifted the bedclothes, and busily but vainly cast about for the source of his disquiet.

Ah!--the thought slipped into his mind like a late guest.

"Et's thame sticks I forgot, ey," the old man muttered as he forthwith and arduously rose into a sitting position and pushed the blankets off him. "Ey, ey, that's it--the sticks for the mornin'!"

The chopping of the wood for the morning fire, in order that the sower, haymaker, or harvester, as the seasonal case might be, should have as little delay as possible in getting to his field or meadow; this had been a regular chore of Old Dalton's, a function never omitted before in all the scope of his methodical and assiduous days.

"Ey, but I never thought now that I'd ever lave that job not done," he muttered as he shuffled slowly and sheepishly down the stairs. "Ey, ey ... ma!"

There she was, at the foot of the stairs! Old Dalton saw her, as plainly as if it had been daylight. Gray apron with its horseshoe pattern almost obliterated by many washings, waist bulging halely, shoulders bowed forward, old wool hood tied over her head. There she was, with her visage, that in all their years together had not changed for him, squeezed and parched into the wrinkles of her thirty-four thousand days. (The only difference Old Dalton could see, as he stopped, his elbows bent a little, and regarded her in his quelling masculine way, resided in the eyes. Instead of being held downcast in the old attitude of deference, they now looked across at him, straight level, and--summoning!)

Immobile age and Old Dalton's habit kept him from any visible expression of the welcome that lay warm (though tempered by an odd feeling of strangeness due to that look she carried in her eyes) in his soul.

"Ey, ma--back?" he murmured, as he looked her up and down a moment, to get used to the sight of her, and then edged on in a vague, indifferent way toward the outside door and the chip-pile.

Mother Dalton followed, without comment or change of expression, but a tear seemed to flit and zigzag its way down the dried courses of her thousand wrinkles. She stood in the doorway, facing the moon as it rose above the roof of the granary. If she was a little translucent for so solid-shaped an old presence, Old Dalton did not notice it, as he picked up his ax and went handily to his wood-chopping.

She maintained her position on the step quietly, her hands folded across her waistband, her feet bluish and bare upon the pine sill. But, though she did not interrupt by word or movement, Old Dalton (who had used to be no more conscious of her than of the wind or the daylight) felt to-night as embarrassed by her proximity as though she were a stranger and a hostile presence. He was sweating and irritable when he finished his sticks; and, as he stood his ax against the end of a log, twisted his head around sharply, with the intent of asking the old woman why she was "gappin' there, place o' goin' and gettin' thon bed warmed up."

But the old pioneer himself fell agape as he encountered the look on her face. There is a vast respect in the country for that many-phased quality called "second sight"; and, if Old Dalton had ever seen signs of the possession of it on a human face, he saw them on his old woman's now. It struck him, too, for the first time definitely, as he groped about in the fog of his old mind for the reason she looked so queer, so like a stranger to him, that Mother Dalton had brought some odd quality back from this "visit" she had been making.

There grew upon Old Dalton something of fear. He stood fumbling and tetering, his hands wandering nervously up and down the edge of his coat.

Mother Dalton stood upon that step, facing the half-moon that looked down from above the grove. Her glance was not directed toward him, but up and away. In the pupils of her eyes was a shine which seemed a refraction of the silver-gray beams of the moon. There was about her gaze a something heavy, mournful, and boding which old Dave could not understand, but which made him think of the expression she had lifted in the old homesteading days toward the hail-cloud that swept from eastward to beat down their little, hard-sown crop.

"They 's trouble a-comin'." The voice was hers--at least it came from her direction--yet it seemed to Old Dalton that the words came not from her, but _through_ her. "Ey, Davie ... there 's trouble a-comin' ... trouble a-comin'. Ess time you was movin' ... movin' on...."

Old Dave Dalton had never, in the long, long course of his years, had a sensation like that which took him, as the queer voice melted away, blending imperceptibly with the homely rustlings and lowings of the farm night. The ache he had carried in his heart for those last weeks seemed suddenly to bulge and burst, like a bubble. The old moon, the hills and trees and trail of his long travel; the night, the world, and the odd old figure over against him, were bundled up with a sudden vast infolding in a blanket of black, a corner of which seemed thrust against his mouth, gagging him and cutting off his breath. He was lifted, lifted as in a great wind--lifted by shoulders, crown, and knees, and whirled around--around ... then set again on his feet very softly, with the blackness gone and the clear country night above him as before.

He should have been giddy after that cataclysm, but he stood upright and steady. He should have been tired and shaken, but he was fresh and calm. He should have been heavy and stiff and held to the earth by the ball and chain of a hundred years; yet he seemed scarcely more solid, scarcely less light, than an embodied wind. He should have been (for the atmosphere of the home in which you have dwelt for a century is not so easily dissipated) a doddering old corporeality, yet he felt he was now all thought and glorious essence of life. He should have seen on the step that old wife who had stood so uncannily by while he sweat over his wood-splitting; yet the presence that moved toward him from the pine sill, though wholly familiar and intimate and full of kind emanations, had neither wrinkles nor grayness nor any of the attributes and qualities of mortality. He should have bespoken that kindred presence in halting colloquialities, yet the greeting he gave flowed from him in the form of a thought untranslated into any sluggish medium of language. He should have been filled with a vague curiosity about that trouble she had just presaged, yet now he knew wholly....

"Let us thank God that our sojourn ended within the bourne of His peace!" was the thought exchanged as these two dutiful ones, cleared and lightened for swift voyaging, turned their faces toward the Gates of the Day.

On the earth they had left midnight was wearing toward morning--the morning of August the First, Nineteen Hundred and Fourteen!

MESSENGERS[16]

[Note 16: Copyright, 1919, by The Curtis Publishing Company. Copyright, 1920, by Calvin Johnston.]

From _The Saturday Evening Post_

BY CALVIN JOHNSTON

The group before the fire at the Engineers' Club were listening, every one--though nothing was being said; nor was it the crackle of apple logs or fluttering sails and drowning cries of the northeaster in the chimney that preoccupied them. Rather some still, distant undertone in their own breasts, arresting their conversation, gestures, thoughts--they glanced at one another surreptitiously, uneasily.

"But listen--I am telling you," said old Con O'Connel, the railroad builder, his voice rolling and sweet as the bells of Shandon: "To-night I hear a footfall in the rain--that of Tim Cannon, the messenger."

So that was the undertone which had arrested their thoughts; the rush of footfalls symbolizing to the group, every one, the pursuit of himself by a belated messenger. They settled themselves, relieved and smiling; after all the thing had been naturally suggested to them by the echo of rain on the broad plate windows. And they nodded their heads to Con, still listening.

The footfall of Tim Cannon, a name of ancient days on the P. D. Railroad; but as the story does not concern him except as Molly Regan's messenger I will leave him come into it in his own time and take up with the Regans themselves.

Two of them there were to begin with--young Michael, swinging a lusty pick in a construction gang of the Great Southwest Railway; and Molly, a pretty bride with solemn wondering gaze and air of listening to things which no one else could hear.

Often Mike would smile at her queer fancies that there are things to learn and do beyond the day's work, and after the Great Southwest has been builded and he has laid aside pick and shovel to become track boss at Turntable Station this queerness of Molly's leads her into playing a great joke on her husband.

For she saves her odd pennies against his birthday and presents him with a book. "A book of higher knowledge, it is," she says, while Mike scratches his head in awe; and she must kiss him for the kind interest he takes and that evening read to him a page in a voice like the song of soldiers marching. Mike toils after in mind with his big fists gripping and forehead glistening in the struggle to remember the journey, but at the end a darkness comes down on him, and the two gaze at each other uneasily and the page is read over again.

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The best short stories of 1919, and the yearbook of the American short storyChapter II: The Green Emotion (1)

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