Chapter XVII: Appendix (2)

Assisi, upper church of, Frescoes in, by unknown artist, school of
Cimabue, 118

Assyria, sacred tree of, 353 and _note_
the Svastika in, 44, 47

Astarte, meaning of the Svastika sign on, 43, 47

Auckland, N.Z., first folio Shakespeare at, and its donor, 336

Augsburg, Titian’s stay at, to paint the Emperor Charles V., 281

Austria, _see_ Anne of, Maximilian, Vienna
regulations for the protection of ancient buildings in, 4

Auvilliers, France, Bas-relief from church of, _Virgin_, _Child_,
_Saint_, and _Angels_, now in the Louvre, probably by A. di
Duccio, 89

Azzurro della Magnia, a blue, used by A. Baldovinetti, various writers
_cited_ on, 167-8

~Baal~, the Svastika supposed emblem of, 43

Babar, Emperor, invader of India, his history of his own
campaigns, 143

Babylon, influence of Greek art on its sculpture, etc., 136-7

Babylonia, the Svastika in, 44, 47

Bacchus represented on the Labarum by the Cross, 47-8

Backgrounds; of illuminations of MS. 616 of _Gaston Phoebus_ chiefly
diapered in conventional way, 11
of paintings by Cariani, 78
by G. David, the Square of St. John at Bruges shown in _Judgement
of Cambyses_, 36
in portraits by Titian, landscapes, 282,
sign of comparatively late date, 285

Bakers, Barbers, Butchers and Drapers, _see_ Gilds of

Baldovinetti, Alesso, (Luca d’ Alesso), A Newly-Discovered ‘Libro di
Ricordi’ of, H. P. Horne, 22
Appendix giving Documents referred to, 377
commission from Bongianni Gianfigliazzi to paint the Cappella
Maggiore of S. Trinità, 167
colours used by, 27, 167-9
his famous pupil, Ghirlandajo, 174
his methods of fresco-painting, 169
Altarpiece for S. Trinità, Florence, _Trinity with two Saints_,
now in the Florentine Academy, 32
Painted glass Windows designed by, existing and otherwise, 31
work of, in Mosaic, 24
date of his death, 22, 24
paintings by, frescoes on walls of Cappella Maggiore, of S. Trinità,
Florence, subjects of, and portraits in, Vasari cited on, 170
his own portrait in his frescoes, Richa _cited_ on, 174
early decay of these frescoes, ruthless destruction and recent
restoration of, 173
description of, 173-4
portrait of Francesco di Giovanni di Guido in, 174

Balfour, views of, regarding origin of name of Tirthakar sect in
Thibet, 44

Ballin, employed by Le Brun, 235

Banchi and Borghesi, authorities on Vanni as diplomat, etc., 309

Barbara, sister of Casimir, Margrave of Culmbach, 290

Barbarelli, once the supposed cognomen of Giorgione, 78

Barker, Dr. Hugh, Standing Cup and Cover presented by, to Winchester
College, 161

Barna, painting attributed to, (ascribed by Perkins to Vanni), Panel,
_Virgin and Child_, half-length, (Chapel of SS. Chiodi, Siena),
315-6

Barrett, G., drawing by, for illustration, apparent influence of
Turner shown by, 305-6

Bartolozzi, F., engraver of _Portrait of Lady Hamilton_ as a
Bacchante, (Normanton), ascribed to Sir J. Reynolds, 224
wash-drawing in indian ink by, for an illustration, 305

=Bas-reliefs:=--
by (probably) Duccio, Agostino di, _Virgin and Child with Saint and
Angels_, from a rural French church, (Louvre), 89
Greek, slab from frieze of Parthenon, _Head of a Knight and of a
Horse_, shown at the Burlington Fine Arts Club Exhibition, 244
Two Italian, in the Louvre, A. Michel, 84
_A Warrior_, by Leonardo da Vinci (Malcolm collection), its
analogies, 84

Bastard, Count, resemblance between foliage and scroll reproductions
in his work and Foucquet’s illuminations in MS. 616 of _Gaston
Phoebus_, 11

Bathenians, the, heterodox Mussulmans, their tenets as affecting art,
135

Battersea and Overstrand, Lord, drawing by Sandys owned by, large
version of _Amor Mundi_, 300

Bavaria (_see_ Prince Rupert, _and_ Susanna of), Duke Albert III.
of, his wife and daughter, 290 regulations for protection of ancient
buildings in, 4

Bayreuth, George of, reforming tendencies of, 289

Beauclerk, Elizabeth, afterwards Countess of Pembroke, mother of the
second Countess of Normanton, _Portrait_ of, by Sir J. Reynolds, as
_Una with the Lion_, (Normanton), 217,
later portrait, head only, 223
Topham, his wife and daughter, portraits of the latter by Sir J.
Reynolds, 217, 223

Beaumont and Fletcher, collected works of, published 1647 , size of
edition and cost per copy then and in 1680., Lee _cited_ on, 335

=Belgium=, (see Ypres Chest)
Notes from:--Ghent and Nieuport, architectural works in progress at,
R. Petrucci, 375
rarity of seals of Gilds in, reasons for this, 193
regulations for the protection of ancient monuments in, 4, 5

Benincasa, Caterina, _see_ S. Catherine of Siena

Berchem, painting signed by, but attributed to Cüyp, (_q. v._),
Guildhall 1903., _Head of a Cow_, 59

Berenson, B., The Authorship of a _Madonna_ by Solario, _letter_, 114
paintings by Andrea Vanni owned by, _Deposition from the Cross_, 321
_Virgin and Child_, 316
paintings by Vanni pointed out by, 321 _note_
paintings at Munich, panels, _Last Judgement_, etc., attributed by,
to Giotto, 118

Bergamo, _see_ Accademia Carrara

Berkheyde, Gerrit, painting attributed to, Guildhall, 1903., _Rising
in a Dutch Town_, 60

=Berlin=, (_see_ Raczynski gallery), fine collection of drawings in,
293
first folio Shakespeare at, provenance of, and alleged mutilation
of, 336
paintings by Jan Vermeer in gallery at, 35
_Portrait of Strozzi_ by Titian in gallery at, (small), 285
Notes from, Pictures acquired by the gallery, 375

Bewick, T., one of the initiators of illustration as an art in
England, 294

Biadetto, or sbiadata, _see_ Azzurro della Magnia

=Bibliography and Reviews:=--
‘The Ambassadors Unriddled,’ Dickes, 367
‘Ancient Coffers and Cupboards,’ Roe, 258
Books and Magazines Received, 266-7
‘Contribution a l’Étude du Blason en Orient,’ Artin Pasha, 261
‘Frans Hals,’ Davies, 107
‘French Engravers and Draughtsmen of the 18th Century,’ Lady Dilke,
reviewed by H. Bouchot, 104
‘Guide to Siena: History and Art,’ W. Heywood and Lucy Olcott, 260
‘Isabella d’Este, Marchioness of Mantua,’ Julia Cartwright, (Mrs.
Ady), 106
‘The National Portrait Gallery,’ Cust, 105
‘La Peinture an Pays de Liége et sur les bords de la Meuse,’
Helbig, 262
‘Pintoricchio: His Life, Work, and Time,’ Ricci, (trs. Florence
Simmons), 256
‘Un des Peintres peu connus de l’Ecole Flamande de Transition, Jean
Gossart, sa vie et son œuvre,’ Maurice Gossart, 369
Periodicals:--
_Architectural Review_, 113, 266, 372
_Ateneum_, (Helsingfors), 112
_Emporium_, (Bergamo), 266
_Gazette des Beaux-Arts_, 109, 265, 370
_Jahrbuch der Königlich Preussischen Kunstsammlungen_, 1903., 2.
Heft, 262
_Jahrbuch der Kunsthistorischen Sammlungen des Allerhöchsten
Kaiserhausen_, 110
_L’Art_, 112
_L’ Arte_, Parts I-IV, 263
_Onze Kunst_, 112
_Rassegna d’Arte_, 111, 265, 370
_Repertorium fur Kunstwissenschaft_, 111, 372
_Revue de l’Art Ancien et Moderne_, 112, 372
_Zeitschrift für Bücherfreunde_, 113

Bibliothèque Nationale, Paris, several copies of _Gaston Phoebus_ and
MS. 616 in, 11, 16

Bici, Neri di, his mediocre acquirements, 131

Bièvre river, site of the Gobelins on, 235

Bilbao, paintings by Isenbrant exported to, 326

Biographies of Mussulman saints by Sultan Husain ibn Bäikara, a
masterpiece of Persian literature, 143

Birdwood, Sir G., _cited_ on the Tree conventionalized as the Tree of
Life, 353

Birmingham Museum, drawings owned by, how chosen, 293 _note_

Bisschop, Christopher, painting by, shown at Guildhall, 1903.,
_Prayer Disturbed_, 189

Black Sisters, Bruges, paintings owned by, artist unknown, panel, _S.
Nicolas of Tolentino_, and _Roger de Jonghe_, Austin friar, (Bruges,
1902.), 332

Blake, W., one of the initiators of illustration as an art in
England, 294

Blochet, E., Mussulman Manuscripts and Miniatures as illustrated in
the recent Exhibition at Paris, I., 132

Blount, E. and J. Jaggard, publishers of the 1623. edition of the
first folio Shakespeare, 335

Blue (_see_ Azzurro) ultramarine, intensity of, in painting by Jean
Malouel, not found in Italian work, 90

‘Boccaccio,’ illuminated by Foucquet for E. Chevalier, 11

Boels, L., paintings by, ascribed to Memlinc, various owners, 35

Bold, Michael, Standing Salt bequeathed by, to Winchester College,
161-2

Bolney, John, Tankard and cover of rare shape presented by, to
Winchester College, 161

Bologna, associations of, with the Empress Isabella, 282

Bonington, R. P., as a painter of wet sand, 178

Bontemps, Pierre, French sculptor, work of, on the Tomb of François
I., 95

Book Illustrations, Later Nineteenth Century, J. Pennell, I., 293

Books of Hours, illuminated by Foucquet for E. Chevalier, and for the
Duchess of Cleves, 11

‘Books of the Kings,’ Persian MSS., Sefevæan dynasty, repetitive
decorations of, 135
of the subsequent transition period (de Rothschild), 144

Borgo di S. Sepolcro, _Altarpiece_ at, artists of, and fate of central
panel, 321

Bosboom, Jan, painting by, shown at Guildhall, 1903., _Archives at
Veere_, 189

Boston and Salem, U.S.A., crested and initialed porcelain imported to,
from the East in the ~XVIII~. cent., 271

Botticelli, S., Medicean cameo in painting by, at Frankfort,
(_Portrait of Lucretia Tornabuoni_), also occurring in painting by
G. David, 36

Bouchot, H., French Engravers and Draughtsmen of the Eighteenth
Century, (Lady Dilke), _review_, 104

Bourbon, Connétable de, conspiracy of, with Charles V. of Germany, 12

Bouts, Dirk, 35,
Gerard David possibly a pupil of, at Louvain, 36

Bow or Chelsea china factories, source of Browne’s skill in
porcelain-making at Lowestoft, 272

Brabant, John, Duke of, privileges accorded to, by the patricians of
Brussels, 190

Brahma, the Svastika supposed emblem of, 43

Brahmin views and use of the Lotus, 350, 353

Brandenburg-Ansbach and Bayreuth, Frederick, Margrave of, his
daughter Margaret the Lady of the portrait by Dürer, recently
acquired by the British Museum, 289

Brera Gallery, Milan, _Portrait of Count Porcia_ by Titian in, 285

Brézé, Jacques de, and his wife, indirect connexion of, with _Gaston
Phoebus_, 11

Brick-casings, many-coloured, at Apadana, prototypes of, 139,
the same at Samarcand, 143

Brihaspati, his wife Tara and her son, 354

British Engraving, Exhibition of, at the V. and A. Museum, 194

=British Museum:=--
British and Mediaeval Antiquities Department, new acquisitions, 199
drawings on wood for illustrations to Dalziel’s ‘Arabian Nights,’
etc., owned by, 305
Early Staffordshire Pottery Ware in, 64 _et seq._
Print Room, new acquisitions, 200;
Portrait Drawing of a Lady, by Dürer, 286
woodcuts, 75
rule of, against purchasing work of living artists, some effects
of, 293

Bromley Collection, _Altarpiece_ in five parts by B. Daddi, formerly
in, (Parry), 126

Bronze age, the Svastika in use among peoples of, 47

=Bronzes, Greek= (shown at the Burlington Fine Arts Club
Exhibition):--
Amphora Handle, Aphrodite, (2), various owners, archaic character
of, 250
Head of Apollo, (Devonshire), 243
Mask of Sea-deity, (Salting), 250
Mounted Warrior, the ‘Athenæum’ _cited_ on, its probable
provenance, 243
Plaque or pierced mirror-support, with Reclining winged boy,
(Wallis), 250
Repoussé mirror-cover, Eros at a lady’s toilet, 250
Statuettes, Eros, history of, 250
seated and emaciated man, (Wyndham Cook)
source of, 255
Seilenos, 250

Brouwer, Adriaen, painting ascribed to, Guildhall, 1903., _Interior
with Figures_, possible painter of, 56

Brown, Ford Madox, drawing by for illustrations to Dalziel’s ‘Bible
Gallery,’ 305

Browne, Robert, head of the Lowestoft porcelain factory till 1771.,
nine-sided ink-pot bearing his monogram, (Crisps), 272
how he gained his knowledge of the trade, _ib._

Bruges (_see_ Early Painters of the Netherlands), association of John
Prevost, painter, with, 332
Cathedral of St. Donatian at, paintings by G. David formerly in, now
in the National Gallery, 36
Exhibition of 1902., The Early Painters of the Netherlands as
illustrated by, W. H. J. Weale, 35, 326
façades of houses in, owned by the Municipality, 5
Gild of St. John at, a gild of miniaturists, connexion of Gerard
David with, 40
great foreign artists of, 35-6
Museum, paintings by Gerard David, _Judgement of Cambyses_, two
pictures, (one illustrated), 36
by J. Prevost, _Last Judgement_, (Bruges, 1902.), 332
and other Belgian towns in which seals of gilds exist, 193

Brushwork of Frans Hals, unsurpassed excellence of, 52

Brussels, association with, of Bernard van Orley, painter, 205
city of, armorial bearings of, ~XV~. cent., 192
Gilds of, sketch of their history, lack of juridical powers,
question of authenticity of their seals, lack of documents sealed
by, probable reasons for existence of seal matrices, 190 _et seq._
Museum, paintings in, shown at Bruges, 1902., one attributed to
Memlinc, _Passion of St. Sebastian_, 35
one now attributed to G. David, formerly ascribed to J. van
Eyck, 39
one by A. Isenbrant, Diptych, _Our Lady of Sorrows_, 326

Buckingham, Duchess of, painting by, copy of _Portrait of Mrs. Siddons
as the Tragic Muse_, by Sir J. Reynolds, (Westminster), in the
Normanton collection, 224

‘Buckle’ tea service of genuine Lowestoft porcelain, made by R. Allen,
1768., (Crisps), 272

Buddha, birth of, the Lotus as associated with, 350
the Svastika in footprints of, on Indian mountains, 43

Buddhist sacred flower, the Lotus, 350, 353

Buigne (or Vigne), Gace de la, parts of _Gaston Phoebus_ borrowed
from, 15

Building(s), _see_ Ancient Buildings

Bulletta, Cardinale del, colours bought from, by Baldovinetti, 168

Bunbury, Henry William, caricaturist, _Portrait of his Wife when Miss
Horneck_, by Sir J. Reynolds, (Normanton), and sketch, (Bunbury),
223

Bunyan’s ‘Pilgrim’s Progress,’ high price paid for scarce edition of,
in 1901., 335

Buonarroti, Michael Angelo, _see_ Michael Angelo

Burgoigne, Phelippes de France, Duc de, original _Gaston Phoebus_
dedicated to, 8

Burgundian Chest, shown at Bruges, 1902., (Hospices civiles, Aalst),
358

Burgundy, Mary of, and the trades of Brussels, 192

=Burlington Fine Arts Club:=--
The Exhibition of Greek Art at the, C. Smith, 236
Bas-reliefs, _Fragment of the Frieze of the Parthenon_, (T. D.
Botterell), 236
Bronzes, _Amphora Handle_, (Wyndham Cook), _Mask of Sea-deity_,
(G. Salting), _Plaque_, (H. Wallis), 245
Bronzes, statuettes, _Aphrodite, Nude_, (C. Loeser), _Aphrodite
with Torch_, (J. E. Taylor), 250
_Sick Man_, (Wyndham Cook), 245
_Seilenos Crouching_, (J. E. Taylor), 250
Ceramics, _Krater_, (Harrow School), _Kylix_ signed Tleson, and
_Plate_ signed Epiktetos, (Marquess of Northampton), 253
Metal work, _Mirror-cover, Repoussé_, (J. E. Taylor), 247
Sculpture, _Bust of Aphrodite_, probably by Praxiteles (Lord
Leconfield), 239
_Head of a Mourning Woman_, (C. Ponsonby), _Head of a Youth_
(Sir E. Vincent), 241
Terra-cottas, _Caryatid Figure_, (J. E. Taylor), _Doll_, (Mrs.
Mitchell), _Woman Leaning on Pedestal_, (J. E. Taylor), _Woman
with Fan_, (J. Knowles), _The Young Dionysos_, (J. E. Taylor),
251
Plate of Dr. Burton, headmaster of Winchester College, circ. 1740.,
shown at, 1902., 155
other plate exhibited, 156

Burnouf on the derivation of the Suavastika, 44

Burslem pottery processes, ~XVII~. cent., Plot _cited_ on, 66

Burton, Dr., headmaster, plate accrued and re-cast by, Winchester
College, 155

Butay, Suzanne, wife of C. Le Brun, 230

Byzantine art, traces of, in _Nativity and Adoration_, (Parry), 118
Christians, art of, 132,
influence of, on Mussulman art, 135, 139

~Cagnolo~, Don Guido, _cited_ on a fresco by Vanni at Orvieto, 321
_note_

Cairo, College of the Bathenians at, built by Saladin, 135

Cairo Museum, famous Koursis at, 343

Canto de’ Gori, Florence, Baldovinetti’s hired house at, 23

Cape Town, first folio Shakespeare at, and its donor, 336

Cariani, paintings by, formerly attributed to Barbarelli (or
Giorgione), _ex_ Leuchtenberg collection: _Adoration of the
Shepherds_, and _Madonna and Child_, 78 _et seq._
_La Vergine Cucitrice_, (Corsini Gallery, Rome), illustrated, 78

Carpaccio, resemblance to, of some of Gerard David’s work, 36

Carpets, _see_ Oriental Carpets

Carthage, the Svastika introduced into, by travellers to Phoenicia, 47

Cartoons for frescoes, methods of transferring to the plaster, 167

Cashel, Dr. Palmer, Dean of, nephew of Sir J. Reynolds, his wife the
model for Reynolds’s painting of _Prudence_, 217

Casimir III., King of Poland, 289

Castagno, influence of Donatello on, 131

Cathay, Grand Khan of, reports of missionaries to, on Mongol sacred
drawings, 140

Catherine de’ Medici, Queen of France, her tomb and its sculptor, 95

Ceccharelli, features of work by, 89

Cedar, the, as the Tree of Life, 353

Cennini, Cennino, _cited_ on ~XV~. cent. methods of the ‘maestri di
finestre’ in Florence, 31
_cited_ on various artists’ colours, 168-9

=Ceramics:=--
and glass recently acquired by the British Museum, 199-200
Early Staffordshire Ware, illustrated by Pieces in the British
Museum, R. L. Hobson, 64
Greek, Burlington Fine Arts Club: Vases, and Plate, Krater (Harrow
School), Kylix by Tleson, plate by Epiktetos, 255
Lowestoft Porcelain Factory, The, and the Chinese Porcelain made for
the European Market in the Seventeenth Century, L. Solon, 271
Samian bowls found during excavations at Rouen, 374
Three Italian Albarelli, recently acquired by the Louvre, J. J.
Marquet de Vasselot, 338

Cerbini, Ser Pierozzo, engrosser of the patronage deed of the
Cappella Maggiore di S. Trinità, Florence, 28

Chaffers, W., author of ‘Marks and Monograms,’ his erroneous theory
regarding Lowestoft porcelain, 271, 277, 278

Chaldeans, the Svastika in use among the, 47

Chalices, Mediaeval Silver from Iceland in the Victoria and Albert
Museum, H. P. Mitchell, 70
The Sorö Chalice, (from Denmark), H. P. Mitchell, 357

Chamberlayne Collection, painting by Sir J. Reynolds in, _Lady
Hamilton as a Bacchante_, copy, Normanton collection, 224

Chantilly, library of the Duc d’Aumale at, copy. of _Gaston
Phoebus_ in, 15

Charles II., silver plate of his reign owned by Winchester College,
155

Charles V., Emperor of Germany, and the butchers of Brussels, 193
coronation festivities of, at Bologna, possible connection of
Titian’s portrait of the Empress Isabella with, 282
landsknechte of, at the battle of Pavia, 8, 12
portraits of, by Titian referred to, 281
one at Munich with landscape background, 285
_Portrait of the Empress Isabella_, by Titian, commisioned by, 281

Charles VII. of France and his daughter Charlotte, 11, 12

=Chests:=--
Burgundian, shown at Bruges, 1902., (Hospices civiles, Aalst), 368
Oaken, of Ypres, 357

Chevalier, Estienne, Treasurer of Charles VII. of France,
‘Book of Hours’ and ‘Boccaccio’ illuminated for, by J. Foucquet, 11

Chicago, first folio Shakespeare said to have been destroyed at, in
the fire of 1871., 336

Ch’ien Lung, Emperor of China, handwriting of, on roll acquired by
the Print Room, British Museum, 205

Chigi, Count Fabio, Siena, painting by Andrea Vanni, owned by,
_Annunciation_, 316

China, (_see_ Manchu, Emperor of), the rose-lotus used for food in,
350
use of the Svastika in, 43

Chinese characters C. h. e., renewal and perpetuity of life signified
by, 44
influence on Persian art, 140, 143-4
paintings recently acquired by the Print Room, British Museum, 200
Porcelain made for the European Market during the Eighteenth
Century, The Lowestoft Porcelain Factory and, L. Solon, 271

Chini, Dario, restorer of Baldovinetti’s frescoes, 173

Christian symbolism, the Tree of Life in, 353

Christie’s, notable persons present at, during the Thomond sale,
1821., 211

‘Chrysoloras,’ printed by Guillen, result of use of accents in, 358-60

‘Cicerone,’ the, _cited_ on a painting by A. Vanni at Siena, 316
_note_

Cinelli, Giovanni, _cited_ on the subjects of Baldovinetti’s frescoes
and their excellence, 170

Clarendon Press, _facsimile_ of the first folio Shakespeare, and its
original, 335

Cleves, Duchess Marie of, ‘Book of Hours’ made for, by J. Foucquet, 11

Clifford’s Inn, and the Protection of Ancient Buildings, _editorial_,
3

Cluny, Hôtel de, Paris, Group of _Les Trois Parques_ in, by G. Pilon,
95

Cnoop, Cornelia, wife of Gerard David, paintings by, Triptych (of
miniatures), (Colnaghi), 40

Cockerell, drawings by, of Greece, shown at Burlington Fine Arts Club
Exhibition, 255

Cockpit Hill, Derby, slipware of, 68

Codde, Pieter, and other painters, greatly resembling Palamedes in
style and subject, 56,
work by Pot, at Hampton Court, formerly attributed to, _ib._

Coins of the Aiyubite (heterodox) Sultans, mixed devices on, 135
of the Arsacidae, Greek influence manifest in, 139

Colbert, minister of Louis XIV. of France, and the Gobelins
manufactory, 229-35
his choice of Le Brun as organiser, 229, 230

Collection, The, of Pictures of the Earl of Normanton, at Somerley,
Hampshire, M. Roldit; I. Pictures by Sir Joshua Reynolds, 206

Collection, The, of Pictures of Sir Hubert Parry, at Highnam Court,
near Gloucester, R. Fry; I. Italian Pictures of the Fourteenth
Century, 117

Colnaghi, Sir D., author of ‘Dictionary of Florentine painters,’ 27

Colour, intensity of, in ~XV~. cent. Florentine painted windows, 31
in two pictures, probably French, ~XIV~. cent., (Dowdeswell), 90

Colouring matter used in Burslem pottery-making, ~XVII~. cent., 66

Colours employed by Alesso di Baldovinetti, 167-9

Comparative Exhibition of Greek and Mediaeval art, suggested by C.
Smith, 236, 243

Complutensian Polyglot Bible, type cut for, (the Alcalà fount), 358

Confraternity of the Holy Cross, Furnes, Altarpiece commissioned by,
from Bernard van Orley, 205

Coningham, Capt. W., his collection of drawings by old masters sold to
Colnaghi, 1846., possible inclusion in, of the Dürer portrait,
recently acquired by British Museum, 286

Cook, H., Two Alleged ‘Giorgiones,’ 78

Copper Koursi Cover, Arabic, gold- and silver-encrusted, acquired by
the Louvre, G. Migeon, 344

Corinthian Art, ~VI~. cent. ~B.C.~, characteristics of, 243

Cornelis, Albert, painting by, the only known work of, _Coronation of
the Virgin_, (Bruges, 1902.), 332

Correspondence, (_see_ also Foreign _do._), 113, 267, 376

Corsini Gallery, Rome, painting by Cariani in _La Vergine Cucitrice_,
78

Courajod, Louis. (the late), security assured by, to the Bas-relief
probably by Duccio, (Louvre), 89
and others, views of, on the artist of the _P. Scipioni_ Bas-relief,
84

Courbould, black-and-white drawing by, for an illustration, 305

Coventry, Sir W., and the Hon. Henry, first sale by auction of a
first folio Shakespeare, at sale of the library of, 1687., price
unknown, 335

Coxon, Thomas, engraver, no work by, shown at V. and A. Museum
Exhibition, 194

Crisps, A., specimens of genuine Lowestoft-made ‘Lowestoft china’
owned by, 272

Cromwell, Thomas, visit of, to Winchester College, 149

Cross, the, origin and symbolism of, 47

Crowe and Cavalcaselle, _cited_ on Bernardo Daddi, 125, 126
on Titian’s paintings, 281, 282 _notes_
on a painting by A. Vanni, usually attributed to Barna, 316

Ctesiphon, Ivān of, the Palace of, gigantic oval of, tradition
concerning, 139

Culmbach, Casimir, Margrave of, his family, and the _Portrait of a
Lady_, by Dürer, recently acquired by the British Museum, 289
lost portrait of his wife by the same, 290
conjectured identity of _Portrait of a (Young) Lady_, (Heseltine),
with this lady, _ib._

Cunningham, views of, regarding origin of name of Tirthakar sect in
Thibet, 44

Cups, _see_ Silver Plate

Curmer’s edition of ‘Paul et Virginie,’ and its illustrators, 299, 306

Cust, R. H. H., Professor Langton Douglas and Documentary Evidence,
_letter_, 113

Cüyp, A., characteristics of his work, 59
painting attributed to, Guildhall, 1903., signed Berchem, _Head of a
Cow_, 59
painting by, Guildhall, 1903., _Herdsman and Woman tending Cattle_,
59

Cyprus, the Svastika introduced into, by travellers to Phoenicia, 47

~Daddi~, Bernardo, birth and death dates of, 126
painting by, _Altarpiece_ in five parts (Parry), 125
provenance of, 126

Daksha, the twenty-seven daughters of, their symbolism, 354

Dallaway, James, _cited_ on England as ‘the seat and refuge of the
arts,’ 236

d’Alviella, Count Goblet, _see_ Goblet d’Alviella

Dalziel’s ‘Arabian Nights’ and ‘Goldsmith,’ 1865., preservation and
present ownership of original drawings on the wood for, 305
‘Bible Gallery,’ drawings on wood for, by Watts, Poynter, etc. (V.
and A. M.), 305

d’Andrea, Giovanni, glazier of Florence, 168

Daria, wife of Baldovinetti, 23

Date-palm, hom, or Soma-tree, sometimes supposed to be the Tree of
Life, 350, 353

Daubigny, C.-F., as a painter of the Spring, 177
painting by, _On the Seine_ (Balli), 360

Daucher, Hans, Medal by, with portrait of Susanna of Bavaria (Vienna
Gallery), 290

d’Aumont, Marshal, house of, decorated by Le Brun, 230

Davenport in ‘Aphrodisiaco’ supporting Higgins’ view on origin of
official name for Governor of Thibet, 44

David, Gerard, painter of Bruges, notes on his history and works, 36
paintings by, _Adoration of the Magi_, formerly attributed to J. van
Eyck, owned by Brussels Museum, shown at Bruges, 1902., 39;
_Altarpiece_ in the National Gallery, and (part of a) _Triptych_,
36;
Triptych, _Baptism of Christ_, shown at Bruges, 1902., 36;
_B.V.M. with Child, Virgin Saints, and Angels_, Rouen Museum,
shown at Bruges, 1902., (illustrated), 36, 39;
Judgement of Cambyses, two pictures, in Bruges Museum (one
illustrated), 36;
miniatures, and by his wife C. Cnoop, where preserved (some
illustrated), 40;
parts of a Triptych, (J. Simon of Berlin), shown at Bruges, 1902.,
39
panels, part of an _Altarpiece_, (Lady Wantage), 39
Triptych, _St. Anne, the B. V. M . and Child with Saints_, (M. de
Somzée), shown at Bruges, 1902., 39
_Transfiguration_, (Church of Our Lady, Bruges), shown at Bruges,
1902., 40
paintings possibly attributable to, variously owned, some shown at
Bruges, 1902., 39-40
period of his painting in Bruges, 326
dates, limiting known period of production of, 39

Davis, Mrs. C. E., drawings on wood owned by, 305

Dealers, The Publication of Works of Art belonging to, _editorial_, 5

de Bock, Théophile, characteristics of his work, 189
painting by, shown at Guildhall, 1903., _An Avenue in Holland_, 189

de Brézé, Jacques, _see_ Brézé, Jacques de

de Brocar, Arnaldo Guillen, printer of the Complutensian Bible and
other books, 358

de Calonne, M., former owner of a painting attributed (erroneously)
to Rembrandt, _Portrait of the Artist_ (Guildhall, 1903.), 52

de Carpin, Jean du Plan, missionary to the Grand Khan, _cited_ on
Mongol sacred pictures, 140

de Charenton, Enguerrand, painter, influence of Italian ideas on, 90

de Comano, Marc, and François de la Planche, Flemish upholsterers,
brought to Paris by Henri IV., 235

de Foix, _see_ Foix

de Iode, plate by, of the picture from which Titian painted his
_Portrait of the Empress Isabella_, 282 _note_

de Keyser, Thomas, painting by, _Portrait of a Gentleman_ (Guildhall,
1903.), and characteristics of his art, 55

de Koninck, Philips, characteristics of his painting, 59
painting, now ascribed to, (Guildhall, 1903.), his masterpiece,
attributed to Rembrandt, _Commencement d’Orage_, (Lady Wantage),
60 _et seq._

de Koninck, S., painting probably by, _Head of a Man_, usually
attributed to Rembrandt, (Guildhall, 1903.), 52

de la Bazinière, Bertrand, house of, decorated by Le Brun, 230

de la Planche, F., _see_ de Comano and

Delft, _see_ Van der Neer

Delft-faïence, trade of Holland in English clays for, 277
and in the manufactured article, with Lowestoft, 272

Delhi, the Grand Moguls of, their love for art, 143

de Limbourg, Pol, miniature by, a copy of a fresco by T. Gaddi at
Florence, 90

della Robbia, Andrea, ornaments of the loggia of the Spedale di S.
Paolo, Florence, by, 23

de Marsy, Gaspard and Balthazar, employed under Le Brun, 235

de’ Medici, Giuliano, in Baldovinetti’s frescoes, 170
Lorenzo, the Magnificent, in Baldovinetti’s frescoes, 170

Demeter, meaning of the Svastika sign on, 43

de’ Migliorelli, Giovanni di Jacopo, notary of Florence, 170

Denmark (_see_ Anne of), regulations for the protection of ancient
buildings in, 4, 5
Sorö Chalice (found in grave of Bishop Absalon), H. P. Mitchell, 357

‘Denunzie’ of Baldovinetti, details of his affairs given by, 23

De Passe, Crispin, engraver, portrait of _Queen Elizabeth_ by, V. and
A. Museum Exhibition (H.M. the King), 194
family, prints by, V. and A. Museum Exhibition (H.M. the King), 194

de Pellegrini, G., Mr. Julius Wernher’s Titian (_Portrait of Giacomo
Doria_), (letter), 267

De Poitiers, _see_ Poitiers, Diane, Jean, and Marie de

de Quaroube, Joan, widow of Simon Marmion, first wife of John
Prevost, painter, 332

Derby, Countess of, _see_ Hamilton, Lady Betty
twelfth Earl of, his two wives, 218

de Richelieu, Cardinal, works done for, by Le Brun, his resultant
appointment, 229-30

de Roias, Francis, Dominican Breviary owned by,--its artist, 39

de Rorthays, Vicomte G., Notes from France, Exhibition of French
Primitives, to be held 1904., 373

de Rothschild, Baron Edouard, Persian MS. late ~XV.~ cent. owned by,
144

de Ruffo Bonneval, Viscount, painting by J. Prevost owned by, _Last
Judgement_ (Bruges, 1902.), 332

de Ruysbroeck, Guillaume, missionary to the Grand Khan, _cited_ on
Mongol sacred pictures, 140

Des Marez, G., keeper of the records of Brussels, and the Gilds’
Seals discovered by him, 190 et _seq._

de Somzée Collection, painting by Gerard David in, Triptych, _St.
Anne, the B.V.M. and Child with Saints_, (Bruges, 1902.), 39
painting by Isenbrant _ex, S. Mary Magdalene in the Desert_
(Bruges, 1902.), 331

de Thorigny, Lambert, decorations in house of, by Le Brun, results to
the painter, 230

de Vasselot, J. J. Marquet, Three Italian Albarelli, recently acquired
by the Louvre, 338

Devonshire, Duke of, disappearance of copy of _Gaston Phoebus_ from
his library, 21
owner of a first folio Shakespeare, original of the Clarendon Press
facsimile, 335

de Vos, Cornelis, painting by, Guildhall, 1903., _Portrait of
Ambrogio Marchese di Spinola_, 55

Dharma and Prabhakara, parents of Rishi Atri according to some
legends, 354

Dibdin’s _Decameron_, description of lost copy of _Gaston Phoebus_
in, 21

Dickinson, W., engraver of lost _Portrait of the Countess of Derby_
by Sir J. Reynolds, 218

Digby, Sir Kenelm, prices realized for the works of Ben Jonson and
Beaumont and Fletcher at the sale of his library, 1680., 335

Dodgson, Campbell, A Newly Discovered Portrait-drawing by Dürer, 286

Dogs, excellence of Gainsborough and Velasquez as painters of, 218

Domenico, gold-beater of Florence, 169

Donatello and his followers, 131

Dordrecht, associations of, with Cüyp, 59

Dormer-Hunter first folio Shakespeare, price paid for, 1901., (C.
Scribner, New York), 335

Douglas, Professor Langton, and Documentary Evidence, _letter_, R. H.
H. Cust, 113

=Drawings:=--
by Cockerell, _Greek Landscapes_, shown at the Burlington Fine Arts
Club Exhibition, 255
by Dürer, A., on green paper, Portraits, _of a Lady_, _of his Wife_,
of _Lord Morley_ (B.M.), of a _Young Lady_ (Heseltine), 287
one in the Vienna Hof Museum, deductions from as to authenticity
of _Portrait_ recently acquired by the British Museum, 289
Drawing, A Newly Discovered Portrait--, by Dürer, C. Dodson, 286
for illustrations. _see_ Later Nineteenth-century Illustrations _and
under artists’ names_

Dresden Gallery, tine collection of drawings at, 293
paintings by Jan Vermeer in, 55

Druggists’ jars, or Albarelli and similar ware, principal pieces of,
and their source, 338

Dubosc, Georges, Notes from Rouen, 374

Duccio, Agostino di, sculptor, Bas-relief (probably) by _Virgin and
Child with Saint and Angels_, (Louvre), 89
other works of, _ib._

Du Celier, John, Diptych painted for, by Memlinc, (Louvre), prototype
of one by Isenbrant, 326
picture painted for, by Memlinc, _Sacra Conversazione_, now in the
Louvre, 39

Dudley and Ward, Lady, portrait of, by Sir J. Reynolds, as
_Fortitude, clad as Britannia_ (Normanton), 211, 217

Dulwich College gallery, painting by Sir J. Reynolds in, replica of
_Portrait of Mrs. Siddons as the Tragic Muse_, 224

Dumontier, views of, on the Svastika as development of Chinese
characters C. h. e., 44

Dunford, Clark, London agent of the Lowestoft Porcelain Factory,
1770., 277

Dürer, Agnes, wife of Albrecht, _Portrait of_, by her husband (B.M.),
289

Dürer, Albrecht. A Newly Discovered Portrait-Drawing by, C. Dodgson,
286
drawings by, on green paper, _Portrait of a Lady_, _Portrait of his
Wife_, and _Portrait of Lord Morley_ (B.M.), 286-9
_Portrait of a Young Lady_ (Heseltine), 287
provenance and authenticity of the first drawing, 286-9
one, with notes on a dream (Vienna Hof Museum), deductions from,
as to authenticity of _Portrait_ recently acquired by the
British Museum, 289
painting by, _lost votive picture_, with portraits of the Margrave
of Culmbach and his wife, 290

Dur-Sarkayan, glazed-brick Bas-reliefs of, 139

Dutch Exhibition, The, at the Guildhall; I. The Old Masters, 51
II. The Modern Painters, 177
painters, modern, representative collection of, at Glasgow
Exhibition, 177
painters to whom the picture by Hendrik Pot, at Hampton Court, has
been successively attributed, 56

Duyster, Willem Cornelisz, and other painters greatly resembling
Palamedes in method and subject, 56

~Early~ French Printers of _Gaston Phoebus_, 8

Early Painters, The, of the Netherlands, as illustrated by the Bruges
Exhibition of 1902., W. H. J. Weale, 35, 326

Early Staffordshire Ware, illustrated by pieces in the British
Museum, R. L. Hobson, 64

=Editorial Articles:=--
Clifford’s Inn and the Protection of Ancient Buildings, 3
The Publication of Works of Art belonging to Dealers, 5

Edward IV., visit of and loan of live lion by, to Winchester College,
149

Edward VI., sequestration of Winchester College plate in the reign
of, 150

Egypt, (_see_ Cairo), and the Lotus, 350

Egyptian influence on Arab Illuminations, 136
and Nubian houses, dreariness of, 349

Elstracke, Renold, Flemish engraver, prints by, shown at V. and A.
Museum Exhibition; _Prince Charles_, etc. (H.M. the King), 194

Ely cathedral, paintings on roof of nave of, by T. G. Parry, 117

Empress Isabella, the, Titian’s Portrait of, G. Gronau, 281

England (_see_ British), pre-eminence of, in private collections of
Greek antiquities, 236

English engravers employed on Curmer’s ‘Paul et Virginie,’ 306
potters, copyists of Chinese decoration, 278

Engraving, _see_ British Engraving

=Engraving(s)=, shown at the V. and A. Museum Exhibition, by de Passe,
Crispin, _Portrait of Queen Elizabeth_ (H.M. the King), 194
others by members of the same family, _ib._
by Elstracke, R., _Prince Charles_, etc. (H.M. the King), 194
by Gemini, Thomas, 194
Landseer, school of, (Sheepshanks collection), 199
by Rogers, William, the first important British engraver, Portraits,
_Alphonso, King of Castile_, _Godfrey Aldelmar_, _Queen
Elizabeth_, (H.M. the King), and _Sir T. Docwra_, 194
by Woollett, W., and his school of Engravers, plate by and by his
pupil, _Roman Edifices in Ruins_, after Claude, and other plates,
194-9

Epiktetos, plate signed by, shown at the Burlington Fine Arts Club
Exhibition, 255

Escurial, Spain, loss of the original of _Gaston Phoebus_ from,
1809., 8

Esther, Queen, the Apadana of, and its art, 139

=Etching(s):=--
by Rembrandt, _The Three Trees_, compared with the painting, _Le
Commencement d’Orage_, 63
at the V. and A. Museum Exhibition of British Engraving, 199

Europe, (_see_ Northern Europe), the Tree of Life in the Symbolism of,
353

Everat, printer of Curmer’s edition of ‘Paul et Virginie,’ etc., 306

Exhibition(s), _see_ British Engraving, Bruges, Glasgow, Guildhall,
Hague, Mussulman Art, _etc._
of French Primitives, to be held 1904., G. de Rorthays, 373
The, of Greek Art, at the Burlington Fine Arts Club, C. Smith, 236

~Fabritius~, Karel, possibly the painter of _Ruth and Naomi_,
attributed to Rembrandt, Guildhall, 1903., 52

Faenza, Ceramic ware of, 338, 343

Fa-hiau, (a doctor of reason), _cited_ on the Tao-sse of China, 47

Faithorne and other Engravers, latter ~XVII.~ cent., fine work by,
shown at the V. and A. Museum Exhibition, 194

Falconer, Miss, (Hon. Mrs. Stanhope), Portrait of, by Sir J. Reynolds,
as _Contemplation_, (Normanton), 217

Family names of painters, importance of writing them correctly, 332
_note_

Farnese family, patrons of Titian, 281
once owners of the painting from which he painted his _Portrait of
the Empress Isabella_, 282

Farren, Miss, actress, afterwards Countess of Derby, 218

Fei, Paolo di Giovanni, a pupil of Andrea Vanni, painting by,
_Madonna del Rosario_, (S. Domenico), other paintings and their
locations, 325

Ferdinand, Archduke, Duke of Tyrol, Codex MS. 616 of _Gaston Phoebus_
presented to, by Bishop Bernard of Trent, 12
Lord Morley’s visit to, with the order of the Garter, 1523., and
Dürer’s portrait of the latter, 289

Ferrukh Siyyar, books owned by, 143

Fiesole Cathedral, painting by unknown artist, Florentine school,
early ~XV.~ cent., in, 131

Finest Hunting MS. Extant, the, W. A. Baillie-Grohman, 8

First Folio Shakespeare, the, The Geographical Distribution of, F.
Rinder, 335

Flanders, _see_ Early Flemish Painters, _and_ Elstracke

Flemish School, artist unknown, painting by, shown at Bruges, 1902.,
Panel, _S. Nicolas of Tolentino_, and _Roger do Jonghe_, Austin
Friar, (Black Sisters, Bruges), 332

Flemish upholsterers brought to Paris by Henri IV., 235

Florence, _see_ Baldovinetti, Opera di Duomo, S. Croce, S. Trinità,
Spedale di S. Paolo, _etc._
Ceramic wares of, 343

Florentine Academy, painting by A. Baldovinetti in, Altarpiece,
(formerly in S. Trinita), _Trinity with two Saints_, 32

Florentine painters, works of, in the Parry collection, 117 _et seq._

Flötner, P., Medal by, with portrait of Susanna of Bavaria, (Munich),
290

Foix, Agnes de, daughter of Philip III. of Navarre, wife of Gaston de
Foix, 11
Gaston de, (Gaston III. of Béarn and Foix, surnamed Phoebus), patron
of Froissart, author of the ‘Livre de Chasse’ known as _Gaston
Phoebus_, 8
characteristics of,
as shown by his book, 16
made Lieutenant de Roi in Languedoc and Saxony, 8
marriage of, with Agnes daughter of Philip III of Navarre, 11
his nicknames for his secretaries, 8
his remorse for the murder of his son, 15

Fonthill, Mrs. Alfred Morrison’s collection of Lace at, 95

=Foreign Correspondence=, 373
Notes from Belgium, Ghent and Nieuport, architectural works in
progress at, R. Petrucci, 375
from Berlin, Pictures acquired by the Gallery, 375
from France, Exhibition of French Primitives, (to be held 1904.), G.
de Rorthays, 373
repairs to the cathedral etc., and Samian bowls, coins, etc.,
found during excavations at Rouen, G. Dubose, 374
from Vienna, Pictures in the new Modern Gallery, 375

Foucquet, Jean, valet-painter to Charles VII. of France, 11
_Boccaccio_ and _Book of Hours_ executed by, for E. Chevalier, and
_Book of Hours_ for the Duchess of Cleves, _ib._
illuminations in MS. 616 of _Gaston Phoebus_ attributed to and other
illuminated MSS. executed by, _ib._
influence of Italian ideas on, 90

Fouquet, Superintendent to Louis XIV., patron of Le Brun, 230
his fêtes of 1659., organized by Le Brun, _ib._

=France=, (_see_ Louvre, St. Denis, Paris, _etc._)
Drawings in, storage and exhibition of, 293
French and English illustrators of the early ~XIX.~ cent., different
aims of, 306
German and English engravers employed on Curmer’s ‘Paul et
Virginie,’ 306
illustrators working in, 1836. _et seq._, 299
Notes from:--
Exhibition of French Primitives (to be held 1904)., G. de
Rorthays, 373
Rouen, repairs to the Cathedral, etc., and Samian bowls, coins,
etc., found during other excavations at, G. Dubosc, 374
regulations for the protection of ancient buildings in, 4, 5
tendency to centralization in, _temp._ Louis XIV., 229

Francesci, Piero dei, painting by, central panel of Altarpiece, Borgo
S. Sepolcro, _Baptism of Christ_, (London), 321

Francis I. of France and Diane de Poitiers, 12
Tomb of, designed by P. Delorme, executed by Bontemps, Perret, and
Pilon, 95

Franciscan administration of the Spedale di S. Paolo, Florence, 23-4

Frankfort, Städel Institute at, painting by Botticelli in, details
identical with those in a painting by G. David, in Bruges Museum, 36

Fraschetti, and Stettiner, studies of, on Albarelli, _see_ Albarelli

Fredi, Bartolo di, a pupil or partner of Vanni, 321
influence shown in paintings by, 309

French Art of the ~XIV.~ cent., Italian influence discernible in, 90
Furniture of the Seventeenth and Eighteenth Centuries; E. Molinier;
II. The Louis XIV. style: The Gobelins, 229
paintings probably ~XIV.~ cent., artists unknown, _Adoration of the
Magi_ and _Dormition of the B.V.M._ (Dowdeswell), 89
Primitive painters, Exhibition of, to be held 1904., G. de Rorthays,
373
Revolution, suppression of the trade corporations under, 229

Frescoes by A. Baldovinetti in the Cappella Maggiore, S. Trinità,
Florence, subjects of, and portraits amongst, Vasari _cited_ on, 170
early decay, ruthless destruction and recent restoration of, 173
methods of transferring cartoons for, to plaster, 167
at Pisa, attributed by Milanesi to Daddi, _Triumph of Death_, 126

Fresco-painting(s) by Sir F. Leighton, (V. and A. M.), 117
Parry’s researches into and practice of the art of, 117

Friedländer, Dr., _cited_ on the _Annunciation_ attributed to Memlinc,
(Prince Radziwill), Bruges, 1902., 35
views of, on the _Adoration of the Magi_ attributed to G. David,
shown at Bruges, 1902., 39
and on a Holy Family so attributed, 40

Fry, R., Pictures in the Collection of Sir Hubert Parry, at Highnam
Court, near Gloucester; I. Italian Pictures of the Fourteenth
Century, 117

Furniture, French, of the Seventeenth and Eighteenth centuries, E.
Molinier; II. The Louis XIV. Style: The Gobelins, 229

Furtwängler, Professor, _cited_ on Apollo as the Βούπαις, 244
_cited_ on the sculptor of the Leconfield _Head of Aphrodite_, 249
and Mrs. Strong, views of, on the modeller of the _Head of Zeus_,
shown at the Burlington Fine Arts Club Exhibition, 249

~Gaddi~, Agnolo, painting by, _Coronation of the Virgin_, (Parry), 126
Taddeo, follower of Giotto, 125
painting by, _Coronation of the Virgin_, (S. Croce), 126
fresco by, in S. Croce, Florence, copied in miniature by Pol de
Limbourg, 90

Gainsborough, T., excellence of, as a painter of dogs, 218

Galerie d’Apollon, Louvre, work of Le Brun, 230, 235
d’Hercule, painted by Le Brun in the de Thorigny mansion, his
consequent call to Vaux, 230

Gambart sale, drawings by Millais for illustrations to _Dream of Fair
Women_ purchased at, by V. and A. Museum, 294 _note_

Gandhi’s views on the origin of the name of the Tirthakar sect of
Thibet, 44

Gaston Phoebus, _see_ Foix, Gaston de

_Gaston Phoebus_, familiar title of the _Livre de Chasse_, written by
Gaston III. of Béarn and Foix, 11
Codex MS. 616 of, now with others in Bibliothèque Nationale, Paris,
15
contents summarized, 16
difference between it and other mediaeval hunting-books, 15
illuminations in, 15;
locale and losses of existing copies of, 16, 21
portions of, borrowed from other writers, 15
prologue of, a reflection of the spirit of the age, 15-16

Gaucheraud, researches of, on Codex MS. 616 of _Gaston Phoebus_, 8

Gemini, Thomas, title-page to ‘Anatomy’ of, early instance of British
engraving, (V. and A M.), 194

Genoese war with Florence, B. Gianfigliazzi the ‘Commessario’ of
Florence in, 28

Geographical Distribution, The, of the First Folio Shakespeare, F.
Rinder, 335
its publishers, a facsimile of, and its original, Lee’s notes on,
first authentic sale of a copy by auction, 335
first priced records, classification of copies extant, 336
table showing present ownership of said copies, 337

Germany (_see_ Bavaria, Berlin, Charles V., Dresden, Dürer, Munich,
_etc._), (La Magnia), source of ‘Azzurro della Magnia,’ 168

’Ghazels,’ the, of Hāfiz. 143

Ghent, Crypt staircase, etc., at S. Bavo’s, 375

Ghirlandajo, Domenico, pupil of Baldovinetti, works of, in Florence,
174

Gianfigliazzi, Bongiani, patron of the Capella Maggiore of S. Trinità,
Florence, his agreement with Baldovinetti, 27, 167
his family history, high official rank, and connexion with the
Chapel, 28 _et seq._
death of, 170
portrait of, with Jacopo and Giovanni in Baldovinetti’s frescoes,
170
Gherardo, high rank attained by, 28
sepulchral slab of, _ib._
Jacopo, son of Bongiani, and continuer of his work, 170

Gigoux, Jean, as an engraver, 306
illustration by, to ‘Gil Blas,’ 299

Gild of Bakers, Brussels, matrix of seal of, (Lefébure), 190
described, 192
privileges owned by, 193

Gild of Barbers, Brussels, matrix of seal of, (Museées Royaux du
Cinquantenaire), 190
described, 191-2

Gild of Butchers, Brussels, matrix of seal of, (City archives), 190
described, 192
their privileges, etc, 193

Gild of Drapers, Brussels, its lack of judicial powers, 190
its seal, 190
described, reason for existence of the seal, 191

Gild of Painters, dispute of, with the king’s painters, France,
result of, to Le Brun, 230

Gild of St. John, (miniaturists), Gerard David a member of, 40

Gild of St. Luke, 326, 332
some members of, 36, 343

‘Giorgione,’ Two Alleged Paintings by, H. Cook, 78
once called Barbarelli, two paintings attributed to, but by Cariani,
_Adoration of the Shepherds_, _ex_ Leuchtenberg Gallery, 78
Madonna and Child, (Salting), _ib._

Giotto, characteristic of his styles, 125
influence of, on painter of _Nativity and Adoration_, (Parry), 118
paintings attributed to, by Berenson, Panels, _Last Judgement_,
etc., (Munich Gallery), 118

Giovanni d’Andrea, glazier, Florence, work of, in the Cappella
Maggiore, 31, 168

Giovanni di Jacopo de’ Migliorelli, notary of Florence, 170

Giovanni di Paolo, _see_ Paolo, G. di

Giovanni, Il Rosso, gold-beater of Florence, 169

Giovanni, Matteo di, paintings by, part of _Altarpiece_, (Borgo S.
Sepolcro), 321
probably by, Panels, _SS. Peter and Paul_, (S. Pietro Ovile,
Siena), 321

Girardon, François, employed by Le Brun, 235

Girolamo dai Libri, _see_ Libri

Glasgow Exhibition, representative collection of modern Dutch
painters at, 177

Glass, _see_ Ceramics _and_ Glass

Glaze, as used at Burslem, ~XVII.~ cent., 66

Gobelin, Jean, dyer, from Rheims, his house annexed by Colbert,
whence the name of ‘Gobelins,’ 235

Gobelins Manufactory, The, E. Molinier, 229
foundation of, preliminary to the suppression of corporations under
the Revolution, 229
letters patent of Louis XIV. instituting, 235
origin of the name, _ib._

Goblet d’Alviella, Count, _cited_ on absence of Svastika in Babylonia
and Assyria, 44
on meaning of Chinese characters C. h. e., _ib._
on the Tree of Life, its origin and diffusion, 353

Goldsmith (Oliver), his names for the Misses Horneck, 223

Gonzaga, Ludovico, Mecal of, with helmeted knight, Greek character
of, 243

‘Good Words,’ some illustrators of, 300

Goodall, _see_ Turner and Goodall

Goodyear, Professor, _cited_ on the Lotus as a keynote of decoration
rather than the Svastika, 48
on the same as associated with Sun-worship, etc., 350 _et seq._
and with the Svastika, 354

Gordon, Major-General, _cited_ on a Svastika on breech of gun captured
in Taku Fort in 1861., and on its thoroughly Chinese character, 47

Gossart, J., painting attributed to, _Virgin and Child_ ascribed by
Hulin to Prevost, (Carlsruhe), 332

Gothic style, intrusion of, into Eastern art, 139

Graffiato ware, Staffordshire, 68

Grafton, Duchess of, _see_ Liddell, Miss Anne

Grand Moguls of Delhi, their love for art, 143

Granvella, Titian’s letter to, on his portraits of Charles V. and his
wife, (_see note_), 281

Great Britain, lack of legislation in, for protection of ancient
buildings, 3

Greece, drawings of, by Cockerell, shown at the Burlington Fine Arts
Club Exhibition, 255
regulations in, for the protection of ancient buildings, 5

=Greek Art=, evolution of, from idealism to realism, 243
value and limitations of, 236
Exhibition of, The, at the Burlington Fine Arts Club; C. Smith, 236
fret, the, and the Svastika, 48
influence on Persia and Persian art, early prevalence of, 136-9
Type, A New Fount of, (Proctor’s Otter), 358

Green, W. T., remarkable engravings by, illustrations to ‘Solace of
Song,’ etc., 306

Grey, Sir George, donor of a first folio Shakespeare to Auckland, New
Zealand, and Cape Town, 336

Grohman, W. A. Baillie-, The Finest Hunting Manuscript Extant, 8

Gronau, Georg, Titian’s Portrait of the Empress Isabella, 281

Grumentum, probable source of the Greek bronze, _A Mounted Warrior_,
shown at the Burlington Fine Arts Club Exhibition, 243

Guicciardini, Luigi, the elder, portrait of, in Baldovinetti’s
frescoes, 170

Guildhall, the, The Dutch Exhibition (of paintings) at, 1903.
I. The Old Masters, 51
II. The Modern Painters, 177

Guillen, _see_ de Brocar

‘Gulistan,’ Persian MS., non-illuminated, 143

Gwatkin, Mrs., _see_ Palmer, ‘Offy’

Gwyn, Mrs., (Mary Horneck), Goldsmith’s ‘Jessamy Bride,’ portrait of,
_see_ Horneck, the Misses
_Portrait_ of, by Sir J. Reynolds, in _Persian dress_, original
owned by W. W. Astor, copy in Normanton collection, 224

~Haarlem~, 36

Hāfiz, delight of Timur Bey in his writings, 143

Halifax, first Earl of, portrait of his daughter, Lady Charlotte
Johnstone, by Sir J. Reynolds (Normanton), 223

Hals, Dirk, and other painters greatly resembling Palamedes in style
and subject, 56

Hals, F., paintings attributed to, conjointly with Judith Lyster,
_see_ Lyster, Guildhall, 1903., probably by Molenaer, _Group of
Three_, 52
part probably by Van Goyen, _Van Goyen and his wife_, 52
painting by, same exhibition, so-called _Admiral de Ruyter_, high
excellence of, 52

Hamilton, Lady Betty, afterwards Countess of Derby, _Portrait of, as a
child_, by Sir J. Reynolds, (Normanton), her history, 218
later Portrait of by Reynolds, lost, _ib._

Hanap, _see_ Silver Plate

Handles a feature of Staffordshire ware, 66, 68

Hapsburg family, Codex MS. 616 of _Gaston Phoebus_ possessed by, for
130 years, 12

Harrow School, Greek Krater owned by, decoration, _Kaineus overcome
by Centaurs_, shown at the Burlington Fine Arts Club Exhibition, 255

Harvey, William, as an illustrator and wood-engraver, 294, 306
illustrations by, to Lane’s ‘Arabian Nights,’ 299
to ‘Northcote’s Fables,’ 299
to the ‘Solace of Song,’ features of, 306
and Jackson, designers and engravers, illustration by, 306

Hearne, Thomas, water-colour artist, pupil of W. Woollett, engraver,
engraving said to be by him, 194-9

Heath Collection, Liphook, painting attributed to Memlinc once in,
Triptych, _Deposition with Saints_, shown at Bruges, 1902., 35

Heilsbronn, burial-place of the Margraves of Culmbach, Altarpiece
at, with group of the daughters of the Margravine Sophia of
Brandenburg-Ansbach, 289

Henri II. of France and Catherine de’ Medici, Tomb of, at St. Denis,
executed by G. Pilon, 95
and Diane de Poitiers, 12

Henri IV. of France, Flemish upholsterers brought to Paris by, 235

Henry IV. (of England), 21

Henry VI., gift of plate by, to Winchester College, 149
visits of to the school, _ib._
Henry VIII., gift of Winchester College to, 149

Henslowe, Radolphus, Parcel-gilt Rose-water dish presented by, to
Winchester College, 155

Hera, meaning of Svastika sign on, 43

Herat, celebrated Persian writers of, 143
fine library of Sultan Husain Mirza at, _ib._
Persian illuminated MS. executed at, ‘Ascension of Mohammed to
Heaven,’ beauty of, 143
question of Chinese influence on, 144

‘Hero and Leander’ printed by Guillen, effect of use of accents in,
358-60

Herringham, Mrs., _cited_ on various artists’ colours, 168

Higgins, _cited_ on the origin of official name for Governor of
Thibet, 44

Highnam Church, frescoes in, by T. G. Parry, 117
Court, Sir H. Parry’s collection of pictures at, R. Fry, 117

Hindu gods, the Svastika supposed emblem of, 43
use of the Lotus as an emblem, 350

Hipponax, bust of, shown at the Burlington Fine Arts Club Exhibition,
250

Hissarlik, the leaden goddess from, meaning of Svastika sign on, 43

Hittite origin of the Svastika suggested by Sayce, 47

Hiuantusang, (a Doctor of Reason), _cited_ on the Tao-sse of China, 47

Hobbema, characteristics of his work, its singular evenness of
quality, 59
paintings by, Guildhall, 1903., _Landscape_ and _Woody Landscape_,
39

‘Hobby Horse, The,’ a drawing by Sandys produced in, 300

Hobson, R. L., Early Staffordshire Ware, illustrated by pieces in the
British Museum, 64

Holland and China, Rotterdam the centre of the ~XVIII.~ cent. commerce
between, 277
trade of, with Lowestoft in Delft-faïence, 272
and in English clays for its manufacture, 277

Hom, _see_ Date-palm _and_ Soma tree

Honiton lace, revival of, by the late Mrs. Treadwin, 95

Horne, H. P., A Newly-discovered ‘Libro di Ricordi’ of Alesso
Baldovinetti, 22
Appendix giving documents referred to, 377
frescoes by unknown artist, school of Cimabue, discovered by, near
Florence, 118

Horneck, the Misses, afterwards Mrs. Bunbury and Mrs. Gwyn, _Portraits
of_, by Sir J. Reynolds, (Normanton), 223
sketch of, (Bunbury), _ib._
sobriquets given to them by Goldsmith, _ib._

House-Irons, Svastika on, 48

Hulagu, the Mongolian, sent to conquer Persia by Manchu, Emperor of
China, 139
his Christian wife, 140

Hulin, G., _cited_ on the _Annunciation_ attributed to Memlinc,
(Prince Radziwill), shown at Bruges, 1902., 35
_cited_ on the portraits of Philip Wielant and Joan van Halewyn on a
Triptych by Isenbrant, 331
paintings attributed to J. Prevost by, and their locations, 332 and
_note_

Hungary, King Matthias Corvinus of, works executed for, by Verrochio,
84

Hunt, W. Holman, illustrations by, to Moxon’s edition of Tennyson, 299

Hunting Manuscript, The Finest Extant, W. A. Baillie-Grohman, 8

Husain ibn Bäikara, Sultan, ruler of Persia, famous writings of and
famous writers of his day, 143

Husain Mirza, Sultan, Timurid ruler of Persia, fine library collected
by, at Herat, 143, 144
‘Life of the Sufis of,’ repetitive decorations in MSS. of, 135

~Ibn Arabshah~, misrepresentation of Timur Bey by, 143

Iceland, Mediaeval Silver Chalice from, in the Victoria and Albert
Museum, H. P. Mitchell, 70

Illuminated MSS., The Reid Gift of, Victoria and Albert Museum, II.,
74

Inchbald, Mrs., _Portrait of_, ascribed to Sir J. Reynolds,
(Normanton), 224

India, (_see_ Buddha and _other divinities_, Hindu, _etc._), home of
the rose lotus, 350
symbolism of the Svastika in, 43

Indra, the rain god, the Svastika supposed to be an emblem of, 43

Innsbruck, Castle Ambras near, 12

Inselin, house of, decorated by Le Brun, 230

Isabella, Empress, Titian’s Portrait of, G. Gronau, 281

Isabey, G., and other French artists, illustrations by, in Curmer’s
‘Paul et Virginie,’ 306

Isenbrant, Adrian, assistant to Gerard David, notes on his work at
Bruges, and its characteristics, etc., 326
paintings by, shown at Bruges, 1902., Diptych, _Our Lady of the
Seven Dolours_, (part in church of Our Lady at Bruges, part in
Brussels Museum), 326
_B. V. M. in landscape with female saints,_ (Count Arco-Valley),
326
its prototype, replica and variants, _ib._
_B. V. M. and Child on throne with rams’ heads_, (Northbrook), 331
Panels, _B.V. M. and Child enthroned in garden with donor,
peacocks, etc._, (Northbrook), _ib._
_St. Luke with portrait of B. V. M. and Child_, (Colnaghi), _ib_
_SS. Andrew, Michael and Francis_, with _Crucifixion_ in upper
part. (Sedelmeyer), _ib._
_St. Mary Magdalene in the Desert_, (De Somzée), _ib._
Triptychs, _B. V. M. and Child with angels with musical
instruments_ (Lotman), 326
_Presentation in the Temple_, with portraits, probable source of,
(Bruges Cathedral), 331
part of, _Donor and family protected by St. John and a female
saint_, (von Kaufmann), _ib._
_Vision of S. Ildephonsus_, (Northbrook), _ib._
paintings attributed to, _B. V. M. and Child with a Carthusian_,
ascribed by Hulin to Prevost, 332
_B. V. M. and Child_, (Carlsruhe), ascribed to Gossart, _ib._

Israels, Josef, a leader of modern Dutch painting, characteristics and
inequality of his work, 177
paintings by, shown at Guildhall, 1903., _The Cottage Madonna_,
special excellence of, 177
_A Jewish Wedding_, last picture painted by, _ib._
_The New Flower_, _A Ray of Sunshine_, _The Shipwrecked Fisherman_,
_ib._

Italian Albarelli, Three, (Louvre), 338
art, evolution of, from the early Christian style, works of art
illustrating, 118
influence of, evident in paintings by Gerard David, 36
Bas-reliefs, Two, in the Louvre, A. Michel, 84
Painters, _see_ Baldovinetti, Cariani, Giorgione, Titian, Vanni
Pictures of the Fourteenth Century, at Highnam Court, in the
Collection of Sir Hubert Parry, R. Fry, 117

Italy and the North, (specially France), ~XIV.~ cent., interchange of
artistic ideas between, instances of, 90
regulations in, for the preservation of ancient buildings, 5

Itoga, chief divinity of the Mongols, 140

Ivory carvings recently acquired by the British Museum, 200

~Jackson~, _see_ Harvey, W., and Jackson

Jains, _see_ Tirthankara

Jāmī, illustrious Sūfi poet of Herat, 143

Japan, symbolism of the Svastika in, 43

Jarvis, glass-painter, executor of the Reynolds designs for New
College window, 211

Jenghis Khan, 132

Jerusalem, arms of, with others, on Italian Albarelli, (Louvre), 338

Johnson, J., printer of ‘Northcote’s Fables,’ excellent work of, 306

Johnstone, Lady Charlotte, daughter of first Earl of Halifax,
_Portrait of_, (Normanton), by Sir J. Reynolds, 223

Jonson, Ben, collected works of, published 1616. and 1640., size of
edition and cost per copy then and in 1680., Lee on, 335

Joseph, Mrs., painting by Jan Vermeer, owned by, 55

Jourdain, M., Lace in the Collection of Mrs. Alfred Morrison at
Fonthill, 95

Jupiter Pluvius and Jupiter Tonans, Svastika supposed to be an emblem
of, 43

~Kalaoun~, Sultan, Koursi inscribed with his name, (Cairo Museum), 344

Kaufmann, R. von, owner of painting attributed to Memlinc, Triptych,
_Deposition with Saints_, (Bruges, 1902.), 35

Khorassan, Chinese influence on the Timurid art of, 143

Khwand-Amir, historian, of Herat, 143

Knight, Payne, _cited_ on the sculptor of the Leconfield _Head of
Aphrodite_, 249