Chapter XVIII: Appendix (3)

Knutchmar, German engraver of Menzel’s illustrations, 306

‘Koran,’ Arab illuminated MSS. of, inferiority of, 136

Koursi cover, Arabic, copper, gold and silver encrusted, acquired by
the Louvre, G. Migeon, 344 names inscribed on, _ib._

Ku K’ai-chih, Chinese artist of the T’ang dynasty, roll believed to
be his work acquired by the Print Room, British Museum, 200-5

Kunigunda of Austria, sister of the Emperor Maximilian, her husband
and daughter, 290

~Labarum~ standard and the Tau Cross, 47, _see note_

Lace in the Collection of Mrs. Alfred Morrison at Fonthill, M.
Jourdain, 95

‘La Chace dou Serf,’ poetical work of ~XIII.~ cent., parts of _Gaston
Phoebus_ borrowed from, 15

Lanchals, Peter, picture by Gerard David commemorating the execution
of, 36

Landscape backgrounds in Titian‚s portraits, 282
a sign of comparatively late date, instances of, 285

Landseer school of engraving, (Sheepshanks collection), shown at the
V. and A. Museum Exhibition, 199

Landsknechte of Charles V. of Germany, 8
the first trained infantry, 52

Langue d’Oc, spelling peculiar to, ~XIV.~ cent., found in MS. 616 of
_Gaston Phoebus_, 11

Lastra, Il, (Bartolommeo di Giovanni), glazier, work of, from designs
by Baldovinetti, in the Cappella Maggiore of S. Trinità, Florence,
31
other work there, 168

Later Nineteenth-Century Book Illustrations, J. Pennell, I., 293
artists and collections of drawings, 293, _and see note_
collectors, hesitancy of, and its causes, 293
fate of early originals till 1865., 300
intervention of photography to save, 305
methods of workers, 300, 305
Notes on the illustrations, 305
publisher and illustrator, past and present relations between, 300

Latin gods represented by the Svastika, 43

Lavallée, Joseph, researches of, on Codex MS. 616 of _Gaston
Phoebus_, 8, 11, 21

Lawrence, Sir T., mark of, on the Dürer Portrait-Drawing newly
acquired by the British Museum, 286

Layard _cited_ on the Palm as an Assyrian symbol, 353

Le Brun, Charles, ‘first painter to the King’ (Louis XIV.), sketch of
his life and association with the Gobelins, 229-35
designs for Tapestry by, _Chasses de Méléagre_, _History of
Constantinople_, _Jupiter allaité par le chèvre Amalthée_, _Mars
et Venus_, _Les Muses_, 230
painting by, _Alexandre pénétrant dans le tente de Darius_, ordered
by Louis XIV., 230
paintings by or designed by, executed at Vaux, _L’Apothéose
d’Hercule_, _L’Aurore_, _Le Palais du Soleil_, _Le Sommeil_, Le
Triomphe de la Fidélité, 230
sculptors and decorators employed by, 235
Nicholas, sculptor, father of Charles Le Brun, 229

Leconfield, Lord, _Head of Aphrodite_ ascribed to Praxiteles, owned
by, shown at the Burlington Fine Arts Club Exhibition, 249

Lee, Sidney, introduction by, etc., to Clarendon Press facsimile
first folio Shakespeare, 335 _et seq._

Lefébure, C., matrix of the seal of the Gild of Bakers of Brussels,
owned by, 190, 192
M., exertions of, in reviving lace-making, 95

Le Gros family, Augustinian nun of, portrait of, on triptych by
Isenbrant, 331

Leighton, Lord, drawings by, for Dalziel’s ‘Bible Gallery,’ 305
fresco paintings by, (V. and A. M.), 117

Le Maire, Barbara, wife of George Van de Velde, donor of painting by
Isenbrant to church of Our Lady, Bruges, 326

Lemoyne, employed by Le Brun, 235

Le Noir, Philippe, _Gaston Phoebus_ hand-printed by, 8

Leonardo da Vinci, his father the notary of Florence who engrossed the
‘ricordo’ referring to Baldovinetti, 22
is the Bust in Bas-relief inscribed ‘_P. Scipioni_’ his work? 84 _et
seq._

Le Roi, Martin, painting by unknown Flemish artist attributed to G.
David, owned by, _Holy Family_, 40

Leuchtenberg Gallery, St. Petersburg, painting by Cariani, attributed
to Giorgione, from, _Adoration of the Shepherds_, illustrated, 78

Lévy, MM., et ses Fils, Paris, 315 _note_

Lhermitte, Leon, painting by, Pastel, _Le Pêcheur_, (Balli), 360

‘Liber Studiorum.’ mezzotints of, (Rawlinson), shown at the V. and A.
Museum Exhibition, 199

Libri, Girolamo dai, backgrounds of his paintings, 78

‘Libro de la Monteria,’ by Argote de Molina, containing description
of lost original of _Gaston Phoebus_, 8

Liddell, Miss Anne, afterwards Duchess of Grafton and Countess of
Upper Ossory, _Portrait of_, by Sir J. Reynolds, (Normanton), 223

Light, god of, and of Lightning, Svastika supposed to be the emblem
of, 43

Lilly, Joseph, vendor of the Berlin first folio Shakespeare, 336

Line engraving, late development of, in Great Britain, 194

Linnell, John, as a wood-engraver and illustrator, 294

Lippi, Filippo, influence of, on Lorenzo Monaco, 131

Lippmann, Dr., suggestion of, as to the identity of the person in the
newly acquired Portrait-Drawing by Dürer, (B. M.), 290

Lockyer, Dr., _cited_ on the Svastika as a Chinese symbol, 47

London, _see_ Clifford’s Inn _and_ Guildhall
County Council, and its work in preserving ancient buildings, 3
and district. slipware of, ~XVII.~ cent. _et seq._, 68

Lorenzo the Magnificent (de’ Medici), in Baldovinetti’s frescoes, 170

Lorenzotti, the brothers, influence of, shown in paintings by Fredi
and Vanni, 309, 310
Ambrogio, 310
painting attributed to (ascribed by Perkins to Vanni), Fresco,
_Seated Virgin, and Child_, (S. Francesco, Siena), 315
Pietro, painting attributed to, (ascribed by Perkins to Vanni),
_Madonna degli Infermi_, (S. Francesco, Siena), 310-15

Lotto, Lorenzo, influence of, on Cariani, 78

Lotus, the accepted Tree of Life, Goodyear on, 48
connexion of the Svastika with, 43
evolution of, from ornament to symbol, 349
as a development of sun-worship, etc., Goodyear _cited_ on the
three forms of, and identity with the Tree of Life, 350
evolution of the Svastika from, according to Goodyear, 354
and Tree of Life, The, in Oriental Carpets, 349

Louis XIV. Style, The, in French Furniture, _see_ Molinier

Louvain, visit of Dirk Bouts, painter, to, 36

=Louvre, the:=--
commission of Le Brun to restore the gallery destroyed by fire in
1661., 230
afterwards called the Galerie d’Apollon, 235
paintings by Jean Malouel in, intense ultramarine in and in some
other pictures there, 90
by Memlinc in, _Sacra Conversazione,_ done for John Du Celier, 39
by Jacob Ruysdael in, 343
by Jan Vermeer in, 55
Recent Acquisitions by:--Italian Albarelli, Three, J. J. Marquet de
Vasselot, 338
Koursi Cover, Arabic, G. Migeon, 344
Pictures, _Landscapes_ (2) by S. Ruysdael, _Portrait of Dame
Danger_, by L. Tocqué, P. Vitry, 343
sculpture in, group, _Les Trois Grâces_, by G. Pilon, 95
Two Italian Bas-reliefs in, artists unknown, _Bust in Profile
wearing helmet and armour inscribed ‘P. Scipioni,’_ 84
_Virgin and Child with Saints and Angels_, from a country church,
(probably) by A. di Duccio, 89
Two Italian Bas-reliefs in, artists unknown, A. Michel, 84

Lowestoft Porcelain Factory, The, and the Chinese Porcelain made for
the European market during the ~XVIII.~ cent., L. Solon, 271
Allen, Robert, manager of, maker of the ‘Buckle’ teaservice,
(Crisps), 272
hard porcelain teapot, Chinese, marked with his name, 277
Browne, Robert, head of factory, how he gained his knowledge of the
trade, 272
crested or initialed porcelain found at Lowestoft, Chaffers’
erroneous theory _re_, its true provenance, 271, 277, 278
Crisps, A., genuine ‘Lowestoft’ Porcelain owned by, 272
dates of some of the pieces extant, 272
distinctive features of genuine Lowestoft ware, 271, 272
absence of any mark, 278
distinctive features of so-called Lowestoft ware, 278
hard porcelain never made at, but imported and sold from, 271, 272-7
history of the works, 272-8
London warehouse of, its manager and methods, 277
ruin of, how caused, _ib._
specimens of, ‘Buckle’ tea-service, by R. Allen, inkpots (one marked
‘Allen’), teapot, etc., (Crisps), 272
teapot in hard porcelain, Chinese in decoration, marked ‘Allen,
Lowestoft,’ (V. and A. M.), 277

Lucca, painted glass window in the Cathedral at, designed by A.
Baldovinetti, _Annunciation_, non-extant, 31

Lund, Bishop Absalon of, _see_ Sorö

Lung’ arno Corsini, Florence, palace of the Gianfigliazzi on, 28

Lysippus, _Head of Mourning Woman_, (Ponsonby), attributed to by
Reinach, shown at Burlington Fine Arts Club Exhibition, 249
Michaelis cited on, 250

Lyster, Judith, wife of J. M. Molenaer, paintings by, attributed to
her and F. Hals, Guildhall, 1903., _The Jovial Companions_, and _The
Health of the Troop_, 55

~Macartney~, Lord, embassy of, to China, 205

Mackowsky, historian of Verrochio, views of, on the artist of the _P.
Scipioni_ Bas-relief, 84

Macquoid, P., The Plate of Winchester College, 149

Maghreb and Yemen, no illuminated MSS. from, 135

Maincy, manufactory of high-warp tapestry at, established by Fouquet,
230

Malcolm Collection, Bas-relief in, _Warrior_, by Leonardo da Vinci,
analogies of, 84

Malik al Nasir, name on Koursi cover, (Louvre), 344

Malouel, Jean, painter, intense ultramarine employed by, 90

Manchu, Emperor of China, Hulagu the Mongol sent by, to conquer
Persia, 139

Manni, Domenico Maria, _cited_ on Baldovinetti’s portraits of himself
and Guido Baldovinetti in his frescoes, 174

=Manuscripts=, see Mussulman MSS.
illuminated, (_see_ Reid Gift), The Finest Hunting MS. Extant, W. A.
Baillie-Grohman, 8

Marble Statue, A, by Germain Pilon, _Charité_, 90

Marbled Staffordshire Slipware, 68

Margaret of Anjou, Queen, gift of plate made by, to Winchester
College, 149
daughter of Frederick, Margrave of Brandenburg-Anspach, probably the
subject of the newly-acquired Portrait-Drawing by Dürer, (B. M.),
289

Maria Theresa, wife of Louis XIV., 230

Maris, the brothers, J., M., and W., leaders of modern Dutch painting,
177-8
Jacob, characteristics of his work, 51, 177-8
his methods and their evolution, 177-8
paintings by, shown at Guildhall, 1903., _The Bridge_, 178
_A Dutch Town_, _ib._
_The Ferry Boat_, influences traceable in, _ib._
_Gathering Seaweed_, notable brushwork of, _ib._
_River and Windmill_, _The Storm Cloud_; _The Weary Watchers_,
in his early highly finished style; _A Windmill_, _Moonlight_,
his last work, _ib._
Matthew, characteristics of his work, 178, 189
paintings by, shown at Guildhall, 1903., _The Butterflies_, 189
_L’Enfant Couchée_, _ib._
_Lady and Goats_, _ib._
_Montmartre_, _ib._
_Outskirts of a Town_, 178
_A Study_, 189
Willem, characteristics of his work, 178
painting by, shown at Guildhall, 1903., _Springtime_, 178

‘Marks and Monograms,’ by W. Chaffers, erroneous theories in, as to
Lowestoft China, 271, 277, 278

Marlborough, George, third Duke of, _Portrait of_, by Sir J. Reynolds,
(Normanton), 218
and replica, (Pembroke), 223

Marmion, Simon, miniaturist of Valenciennes, 332

Marquet de Vasselot, J. J., _see_ de Vasselot

Marshall, John, State of a Sculptured Head of a Girl, from Chios,
shown at Burlington Fine Arts Exhibition, Smith’s views traversed by
those of Rodin, _letter_, 376

Martin Folkes copy, first folio Shakespeare, price paid for, by
Steevens, 1756., (Rylands Library), 336

Martini, Simone, influence of, shown in paintings by Fredi and Vanni,
309, 310
paintings by, _Annunciation_, (Uffizi), free copy by Vanni, (S.
Pietro Ovile), 321
fresco of the _Majestas_ (Palazzo della Signoria), 310
_St. John Baptist_, (2), (Pisa and Altenburg), 310
type of Madonna painted by, 89

Mary I., Queen of England, visit and gifts of, to Winchester College,
on her marriage, 150

Masaccio, influence of Donatello on, 131
the young, type of head painted by, 131

Masolino, type of head painted by, 131

‘Master of Game, The,’ by Edward, Duke of York, oldest English
hunting-book, its indebtedness to _Gaston Phoebus_, 21

Mas’ūdī, _cited_ on ‘The Sum of Histories,’ Persian MS., 140

Matteo di Giovanni, see Giovanni, Matteo di

Matthias Corvinus, King of Hungary, works executed for, by Verrochio,
84

Mauritshuis, Hague, painting by J. Ruysdael in, _View of Haarlem_,
its excellence, 59

Mauve, Anton, characteristics and inequality of his work, 177, 189
paintings by, shown at Guildhall, 1903., _Driving in the Dunes_, 189
_The Hay Cart_, _ib._
_Watering Horses_, _ib._

Maximilian I., Emperor of Austria, 36
his sister and niece and patronage of Dürer, 290
and the trades of Brussels, 192

Mazarin, Cardinal, patron of Le Brun, 230

Mazdean Persians, art of, 132

Mea, servant of Baldovinetti, his provision for, 22, 23

Medals by Flötner and Daucher, with portraits of Susanna of Bavaria,
290

Medici, Lorenzo de’ (vecchio), works of Verrochio executed for, 84

Medicean cameos, in painting by G. David, deductions from, 36

Meissonier, J. L. E., as an illustrator, 294, 299
illustrations by, to the ‘Contes Rémois,’ 299, 306

Melbourne Museum, drawings on wood for illustrations to Dalziel’s
Arabian Nights, etc., owned by, 305

Melik Adel, brother of Saladin, marriage projected between him and
Cœur de Lion’s sister, 135

Memlinc, Hans, paintings attributed to, shown at Bruges, 1903.,
various owners, 35
paintings by, Diptych (Louvre), prototype of one by Isenbrant, 326
_Sacra Conversazione_, done for John Du Celier, now in the Louvre,
39

Memmi, Lippo, a follower of Simone Martini, 310
painting attributed to, copy of Simone Martini’s _Annunciation_, (S.
Pietro Ovile, Siena), ascribed by Perkins and Berenson to Vanni,
321
Triptych, _St. Michael between St. Anthony the abbot and the
Baptist_, (Siena Gallery), ascribed by Perkins to Vanni, 325
Vanni a pupil of the school of, 325

‘Memoirs’ of Timur Bey, his undisputed authorship of, 143

Menander, busts of, shown at the Burlington Fine Arts Club
Exhibition, 250

Mendoza, Don Diego, and Titian’s _Portrait of the Empress Isabella_,
281

Menzel, A., as an illustrator, 294
his work the source of modern illustration in England, 306
illustrations by, to ‘Geschichte Friedrichs des Grossen,’ 294
excellence of, 299, 306

Mesdag, characteristics of his work, its defects, 189
paintings by, shown at Guildhall, 1903., _A Stormy Sunset_, 189
_A Threatening Sky_, _ib._

Mesopotamia and the Tree of Life, 353

Metals and Metal Work, _see_ Copper _and_ Silver

Metsys, Quentin, influence of, on paintings attributed to G. David,
39, 40

Metzu, Gabriel, painting by, or attributed to, Guildhall, 1903.,
_Woman Dressing Fish_, 56

Meux, Miss, _Portrait of_, by Sir J. Reynolds, 223
earlier erroneous identification of, (Normanton) 224

Mexican and Maga codices, the Tree of Life in, 353

Meyer, Dr. Julius, cited on a lost votive picture by Dürer, with
portraits of the Margrave of Culmbach and his wife, 290

=Mezzotint(s):=--A New, _Portrait of Mrs. Home Drummond_, after
Raeburn, executed by H. Scott Bridgwater for P. and D. Colnaghi, 267
shown at V. and A. Museum Exhibition, Prince Rupert’s _Great
Executioner_, after Spagnoletto, (H.M. the King), and others, 199
C. Turner’s _Watermill_, after Callcott, fine qualities of, 199

Michael Angelo (di Buonarroti), the ‘bar’ of, 249
his intellectual rendering of constructed form, as in _The Last
Judgement_, foreshadowed by Baldovinetti’s Altarpiece, 32
position of, in Italian sculpture, 243

Michaelis, _cited_ on the _Head of a Mourning Woman_, (Ponsonby),
shown at the Burlington Fine Arts Club Exhibition, 250

Michel, A., Two Italian Bas-reliefs in the Louvre, 84

Migeon, Gaston, Koursi Cover, Arabic, copper, encrusted with gold and
silver, recently acquired by the Louvre, 344

Milan, arms of, with others, on the Italian Albarelli now in the
Louvre, 338
Duke of, _see_ Sforza, Francesco I.

Milanesi, commentator of Vasari, his bequest to the Communal Library,
Siena, and extracts from the ‘Ricordi’ of Baldovinetti amongst, 24,
27
error of, as to locale of the Baldovinetti ‘ricordo,’ 22
and as to name of Baldovinetti’s wife, 23
source of all information on Bernardo Daddi, 125-6
_cited_ on Vanni as diplomat, and on his death, 309, 325

Millais, Sir J. E., illustrations by, to Moxon’s edition of Tennyson,
299
study by, for illustrations to ‘The Parables,’ (B.M.), 300

Miniatures, _see_ Mussulman Miniatures

Miniaturists, _see_ Gerard David, _and_ Marmion

Mir Alī Shir Navā’ī, Vizir of the Timurid Sultan Husain ibn Bäikara, a
famous writer, 143
splendid MS. dated 1527. from divān of, 144

Mr Julius Wernher’s Titian, (letter), G. de Pellegrini, 267

Mitchell, H. P., The Sorö Chalice, (from Bishop Absalon’s grave,
Denmark), 357

Modern Dutch Painters, The; works of, Dutch Exhibition, Guildhall, 177

Mohammed, effect on art of his prohibition of the art of painting, 132
Persian tradition connected with his birth, 139

Mohammed el Nasser, Koursi inscribed with his name, (Cairo Museum),
344

Mohammed Shah, books owned by, 143

Mohammedan Art, distribution of and commonplace character of, 132
various schools of, 135
foreign influences on, 139 _et seq._

Molenaer, Jan Miense, painting probably by, attributed to Frans Hals,
Guildhall, 1903., _Group of Three_, 52
painting by, The _Spinet-players_, (Rycks Museum, Amsterdam),
compared with above, _ib._

Molina, Argote de, his ‘Libro de la Monteria’ containing description
of lost original of _Gaston Phoebus_, 8

Molinier, E., French Furniture of the ~XVII.~ and ~XVIII.~ Centuries;
II. The Louis XIV. Style: The Gobelins, 229

Monaco, Lorenzo, features of his work and influence traceable in, 126,
131
paintings by, Predella pieces, _Adoration of the Magi_ and
_Visitation_, (Parry), 126
_Adoration_, (Raczynski Gallery, Berlin) compared with the
foregoing, 131

Monaldi, Piero, _cited_ on the Gianfigliazzi family of Florence, 28

Mongolian dynasty in Persia, 139
attitude of, towards Christianity, 140
Persian Art during this period, _ib._

Mons, Hainault, birthplace of John Prevost, painter, 331, 332 _note_

Moon, the connexion of, with Soma, 354

Moor, Major, cited on the Lotus, 350

More, Warden, ‘Election Cup’ presented by, to Winchester College, 155

Morelli, painting bequeathed by, to the Accademia Carrara, Bergamo,
part of a fresco said to be the portrait of A. Baldovinetti, 174

Morley, Lord, (Henry Parker), _Portrait drawing of_, by Dürer,
(B.M.), 289, 290

Morrison, Mrs. Alfred, Lace in her Collection at Fonthill, M.
Jourdain, 95

=Mosaic(s)= on the mosques of the Sefevæan kings of Persia, 139
Treatise on, by A. Baldovinetti, lost, 22, 24
his work in, 169-70

Moses of Chorene _cited_ on the Arsacidean Kings of Armenia, 47

Mostaert, painting attributed to, _B. V. M. and Child_, ascribed by
Hulin to Prevost (N.G.), 332

Moxon’s edition of Tennyson, and its illustrators, 299

Müller, Ludwig, his discovery of Svastikas on Persian coins of the
Arsacide and Sassanide dynasties, 44

Müller, Professor Max, _cited_ on alleged absence of Svastika in
Babylonia and Assyria, 44
on the Suavastika, 44

Muller-Walde, and others, views of, on the artist of the _P.
Scipioni_ bas-relief, 84

Munich Gallery, _Portrait of Charles V._ by Titian in, 285
Royal Library ‘Boccaccio’ illuminated by J. Fouquet for Chevalier,
now in, 11

Munro, H. A. J., of Novar, first owner of the _Portrait of Miss Anne
Liddell_, by Sir J. Reynolds, (Normanton), 223
and of the _Portrait of Miss Meux_, wrongly called _Portrait of
Fanny Reynolds_, (Normanton), 224

Murghab, monuments of, influence shown by, 136

Murray, Fairfax, drawings on wood owned by, 305
Miss, of Kirkcudbright, _Portrait of, when a child_, by Sir J.
Reynolds, (Normanton), 218

Musées Royaux du Cinquantenaire. Brussels, Matrix of seal of Gild of
Barbers, Brussels, in, 190, 191

Museums, _see_ British Museum, Louvre, V. and A., _and others_,
_under their names_

Mussulman Art, Exhibition of, in Paris, May to June, 1903., 132
Manuscripts and Miniatures as illustrated in the recent Exhibition
at Paris, E. Blochet, I., 132
painting, ~XV.~ cent., locale of its masterpieces, 143

Mytens, painting by H. Pot, at Hampton Court, _Souldier making a
Strange Posture to a Dutch Lady_, formerly attributed to, 56

~Nana~ of Chaldea, meaning of Svastika sign on, 43

Naples and Sicily. Alfonzo II. of Aragon, King of, 338

Nardo, elder brother of Orcagna, not identical with Bernardo Daddi,
125

=National Gallery=, attitude of, towards picture-buying, 7
paintings in, by Cariani, _Madonna and Child_, _ex_ Leuchtenberg
collection, lent to, by G. Salting, 78
by G. David, from the Cathedral at Bruges, _Altarpiece_, and (part
of) a _Triptych_, 36
by P. de Koninck, compared with Commencement d’Orage, 60
by J. Ruysdael, _View over an extensive flat wooded Country_, an
excellent example, 59

National Museums, _see_ New Acquisitions at, _and under names of
museums_

Nature gods, Svastika supposed to be the emblem of, 43

Navarre, Philip III. of, father of Agnes, wife of Gaston Phoebus de
Foix, 11

Nelthorpe, Sutton, painting attributed to J. Prevost, owned by, _S.
Francis renouncing the world_, 332

Neroni, Diotisalvi, portrait of, in Baldovinetti’s frescoes, 170

Netherlands, the, The Early Painters of, as illustrated by the Bruges
Exhibition of 1902., W. H. J. Weale, 35, 326

Netherlands, Turenne’s Campaign in, 12

Neuburg, Otto Heinrich Count Palatine of, second husband of Susanna
of Bavaria, Margravine of Culmbach, medal portraits of, 290

Neuhuys, Albert, painting by, shown at Guildhall, 1903., _Near the
Cradle_, 189

New Acquisitions at the National Museums:--
British Museum, Department of Mediaeval Antiquities, 199
Print Room, 75
rare Chinese roll, 199
Victoria and Albert Museum, Mediaeval Silver Chalice from Iceland,
H. P. Mitchell, 70
The Reid Gift, (MSS.), 74
New College, Oxford, window at, original designs for, by Sir J.
Reynolds, subjects of, and models for, 211 _et seq._
his intentions stated by himself, 212
English character of painting, _ib._

Newton, Lord, of Lyme, Rose-water dish and ewer owned by, compared
with those of Winchester College, 136

Niccolini, Don Averardo, collector of notices of S. Trinità,
Florence, ~XVII.~ cent., 32

Nicolas, Dr., Warden, gift of plate by, to Winchester College, 155

Nieuport, Belgium, restoration of the church of, 375

Nineteenth-Century Book Illustrations, Later, J. Pennell, I., 293

Nizāmī, delight of Timur Beg in his writings, 143

Normanton, Diana, second Countess of, 206
_Portrait of Her Mother_, by Sir J. Reynolds, 217
the present Earl of, The Collection of Pictures of, at Somerley,
Hampshire, M. Roldit I. Pictures by Sir Joshua Reynolds, 206
Welbore Ellis, second Earl of, Normanton picture gallery formed by,
chief works in, 206
predominance of Sir J. Reynolds’ paintings in, 206, 211, 224
prices paid by this Earl, _passim_, the pictures described, 212_
et seq._

North Africa, Svastika introduced into, by travellers to Phoenicia, 47

North American Indians, use of and name for the Svastika, 43-4

Northbrook, Earl of, paintings by A. Isenbrant owned by, shown at
Bruges, 1902., panel, _B. V. M. and Child, enthroned in garden,
donor, peacocks, etc._, 335
_B. V. M. and Child, on stone throne with rams’ heads_, _ib._
_Vision of S. Ildephonsus_, _ib._

Northern Europe, plain plate with granulated or matted surface made
in, 161

Nuremberg, visit of Lord Morley to, 1523., its object, and the
portrait made by Dürer, 289

~Oaken~ Chest, The, of Ypres, 357

Old Dutch Masters, at the Guildhall Exhibition, 1903., 51

Onatas, statue of Apollo by, and epigram on, 244

‘Once a Week,’ and its illustrators, 299

On Oriental Carpets:--
III. The Svastika, 43
IV. The Lotus and the Tree of Life in, 349

Opera di Duomo, Florence, _Madonna_ of, by A. di Duccio, 89

Orcagna, (Italian painter), 125, 126

‘Oresteia’ of Aeschylus, the first book to be printed from ‘Otter
type,’ 360

Oriental Carpets:--
III. The Svastika, 43
IV. The Lotus and the Tree of Life, 349

Oriental China in Europe and America, ~XVIII.~ cent., Chaffers’
erroneous theory regarding, 271, 277, 278

Orthéz, splendour of Gaston de Foix’s court at, 8

Osiris, the Lotus as an attribute of, 350

‘Otter’ Type, Proctor’s, 358

Oudenarde, birthplace of Gerard David, painter, of Bruges, 36

~Painted~ glass windows, designed by A. Baldovinetti, 31
methods of executing, Florence, ~XV.~ cent., 31

Painters, Dutch, Exhibition of the works of, Guildhall, 1903., 51, 177
Early, of the Netherlands, as illustrated by the Bruges Exhibition
of 1902., W. H. J. Weale, 35, 326
having marked similarity in style and subject to Palamedes, 56

=Painting(s) in Oils, Frescoes=,_ etc._, _see also_ Pictures:--
by Baldovinetti, A., Altarpiece for S. Trinità, Florence, _Trinity
with two Saints_, now in the Florentine Academy, 32
Frescoes, in the Cappella Maggiore, S. Trinità, Florence, the only
ones preserved, 167
found in 1890-7., and described, 173-4
attributed to Barna, panel, _Virgin and Child_, half-length, (Chapel
of SS. Chiodi, Siena), ascribed by Perkins to Vanni, 315-6
attributed to Berkheyde, Gerrit, Guildhall, 1903., _Rising in a
Dutch Town_, 60
by Bisschop, Christopher, shown at Guildhall, 1903., _Prayer
Disturbed_, 189
by Bosboom, Jan, shown at Guildhall, 1903., _Archives at Veere_,
189
by Botticelli, S. _Portrait of Lucretia Tornabuoni_, (Städel
Institute, Frankfort), Medicean medallion in, also painted by G.
David, 36
attributed to Brouwer, Adriaen, Guildhall, 1903., _Interior with
Figures_, possible painters of, 56
by Cariani, ascribed to Giorgione, _ex_ Leuchtenberg collection,
_Adoration of the Shepherds_, (Wertheimer), and _Madonna and
Child_, (Salting), 78
_La Vergine Cucitrice_, (Corsini Gallery, Rome), 78
by Cornelis, Albert, the only known work of, _Coronation of the B.
Virgin_, (Bruges, 1902.), 332
attributed to Cüyp, Adrian, Guildhall, 1903., signed Berchem, _Head
of a Cow_, 59
by Daddi, Bernardo, _Altarpiece_ in five parts, (Parry), 125
attributed to David, G., Triptych, _Deposition of Christ_, views of
Mr. Weale on its authenticity, 39, 40
_Holy Family_, (M. Le Roi), shown at Bruges, 1902., 40
_Annunciation_, shown at Bruges, 1902., 39, 40
paintings by him: dates limiting period of production of, 39
_Adoration of the Magi_, formerly attributed to J. van Eyck,
(Brussels Museum), shown at Bruges, 1902., 39
_Altarpiece_, and (part of a) _Triptych_, (N. G.), 36
Triptych, _Baptism of Christ_, shown at Bruges, 1902., 36
_B. V. M. with Child, Virgin Saints, and Angels_, (Rouen
Museum), 36, 39
_Judgement of Cambyses_, two pictures in Bruges Museum, (one
illustrated), 36;
panels, part of an Altarpiece, (Lady Wantage), 39
parts of a Triptych, (J. Simon, of Berlin), shown at Bruges,
1902., 39
Triptych, _St. Anne and the B. V. M. and Child, SS Nicholas and
Anthony of Padua_, (de Somzee), shown at Bruges, 1902., 39
_Transfiguration_, (Church of Our Lady, Bruges), shown at
Bruges, 1902., 40
by de Bock, Théophile, shown at Guildhall, 1903., _An Avenue in
Holland_, 189
by de Keyser, T., Guildhall, 1903., _Portrait of a Gentleman_, 55
by or ascribed to de Koninck, P., (his masterpiece), attributed to
Rembrandt, _Commencement d’Orage_, (Wantage), Guildhall, 1903., 60
_et seq._
probably by de Koninck, S., _Head of a Man_, usually ascribed to
Rembrandt, Guildhall, 1903., 52
by de Limbourg, P.. a (miniature) copy of a Florentine fresco by T.
Gaddi, 90
by de Vos, Cornelis, Guildhall, 1903., _Portrait of Ambrogio,
Marchese di Spinola_, 55
Flemish School, artist unknown, _Altarpiece_ by, for the Gild of SS.
Mary Magdalene, Katherine, and Barbara, compared with one by
Gerard David, 39
by unknown artist, shown at Bruges, 1902., panel, _S. Nicolas of
Tolentino_, and _Roger de Jonghe, Austin friar_, (Black Sisters,
Bruges), 332
by unknown artist, _Portrait of the Empress Isabella_ from which
Titian painted his Portrait, 281, 282, 285
Florentine School, early ~XV.~ cent., artist unknown, _Madonna and
Child with Angels_, (Parry), and Triptych, _Madonna and Child with
Angels and Saints_, (Uffizi), 131
Francesco, Piero dei, central panel, Altarpiece, Borgo S. Sepolcro,
_Baptism of Christ_, (in London), 321
probably French, ~XIV.~ cent., artists unknown, _Adoration of the
Magi_, and _Dormition of the B. V. M._, (Dowdeswell), 89
by Gaddi, Agnolo, _Coronation of the Virgin_, (Parry), 126
by Gaddi, Taddeo, _Coronation of the Virgin_, (S. Croce), 126
Fresco copied as a miniature by Pol de Limbourg, 90
probably by Giovanni di Paola, panel, _Crucifixion_, (S. Pietro
Ovile, Siena), 321
probably by Giovanni, Matteo di, panels, _SS. Peter and Paul_, (S.
Pietro Ovile, Siena), 321
attributed to Gossart, Jean, ascribed by Hulin to Prevost, _Virgin
and Child_, (Carlsruhe), 332
by Hals, Frans, Guildhall, 1903., so-called _Admiral de Ruyter_,
excellence of, 52
paintings attributed to, probably by Jan Miense Molenaer, _Group
of Three_, 52
part probably by Van Goyen, _Van Goyen and his Wife_, 52
conjointly with Judith Lyster, _see_ Lyster
by Hobbema, Guildhall, 1903., _Landscape_, and _Woody Landscape_, 59
by Isenbrant, Adrian, shown at Bruges, 1902., Diptych, _Our Lady of
the Seven Dolours_, (part in church of Our Lady at Bruges, part in
Brussels Museum), 326
_B. V. M. and Child, in landscape with female Saints_, (Count
Arco-Valley), 326
its prototype, replica, and variants, _ib._
_B. V. M. and Child on throne with rams’ heads_, (Northbrook), 331
panel, _B. V. M. and Child enthroned in a garden, donor, peacocks,
etc._, (Northbrook), _ib._
_S. Luke with portrait of B. V. 111 and Child_, (Colnaghi), _ib._
_SS. Andrew, Michael, and Francis_, with _Crucifixion_ in upper
part, (Sedelmeyer), 331
_St. Mary Magdalene in the desert_, (De Somzée), 331
Triptych, _B. V. M., Child, and angels with harp and mandoline_,
(Lotman), 326
_Presentation in the Temple_, with portraits, probable source of,
(Bruges Cathedral), 331
Triptych, part of, _Donor and family protected by St. John and a
female Saint_, (von Kaufmann), 331
Vision of S. Ildephonsus, (Northbrook), 330
attributed to, ascribed by Hulin to Prevost, _B. V. M. and Child
with a Carthusian,_ 332
by Israels, Josef, Guildhall, 1903., _The Cottage Madonna_, 177
_A Jewish Wedding_, _ib._
_ The New Flower_, _ib._
_A Ray of Sunshine_, _ib._
_The Shipwrecked Fisherman_, _ib._
by Le Brun, C., _Alexandre pénétrant dans le tente de Darius_,
ordered by Louis XIV., 230
paintings or designs by, at Vaux, _L’Apothéose d’Hercule_,
_L’Aurore_, _Le Palais du Soleil_, _Le Sommeil_, _Le Triomphe de
la Fidélité_, 230
attributed to Lorenzotto, Ambrogio, fresco, _Seated Virgin and
Child_, (S. Francesco, Siena), ascribed by Perkins to Vanni, 315
attributed to Lorenzotto, Pietro, _Madonna degli Infermi_, (S.
Francesco, Siena), ascribed by Perkins to Vanni, 310-15
by Lyster, Judith, wife of J. M. Molenaer, (attributed to her and
Hals), Guildhall, 1903., _The Jovial Companions_, and _The Health
of the Troop_, 55
by Maris, Jacob, Guildhall, 1903., _The Bridge_, 178
_A Dutch Town_, _ib._
The Ferry Boat, _ib._
Gathering Seaweed, _ib._
River and Windmill, _ib._
The Storm Cloud _ib._
The Weary Watchers, _ib._
A Windmill, Moonlight, (his last work), _ib._
Matthew, Guildhall, 1903., The Butterflies, 189
_L’Enfant Couchée_, ib; Lady and Goats, _ib._
_Montmartre_, _ib._
_Outskirts of a Town_, 178
_A Study_, 189
Willem, Guildhall, 1903., Springtime, 178
by Martini, Simone, _Annunciation_, (Uffizi), 321
copy of the same, variously attributed, _ib._
fresco of the _Majestas_, (Signoria), 310
_St. John Baptist_, (2), (Pisa and Altenburg), 310
by Mauve, Anton, shown at Guildhall, 1903., _Driving in the Dunes_,
189
The Hay Cart, _ib._
Watering Horses, _ib._
by Memlinc, Hans, _Sacra Conversazione_, done for John Du Celier,
now in the Louvre, 39
attributed to him, Bruges, 1903., (various owners), amongst
others, _Passion of St. Sebastian_, (Brussels Museum),
_Triptych, Deposition of Christ. SS. James and Christopher_,
(von Kaufmann), _Blessed Virgin and Child, donor, and St.
Anthony_, (Thiem), _Annunciation_ (Prince Radziwill); views of
Waagen, Huten, and Friedländer controverted, 35
attributed to Memmi, Lippo, copy of Simone Martini’s _Annunciation_,
(S. Pietro Ovile, Siena), ascribed by Perkins and Berenson to
Vanni, 321
Triptych, _St. Michael between St. Anthony the abbot and the
Baptist_, (Siena Gallery), ascribed by Perkins to Vanni, 325
by Mesdag, shown at Guildhall, 1903., _A Stormy Sunset_, 189
_A Threatening Sky_, _ib._
attributed to Metzu, G., Guildhall, 1903., Woman Dressing Fish, 56
by Molenaer, Jan Miense, _The Spinet-players_, (Rycks Museum,
Amsterdam), compared with the _Group of Three_, attributed to
Hals, Guildhall, 1903., 52
by Monaco, Lorenzo, Predella pieces, _Adoration of the Magi_, and
_Visitation_, (Parry), 126
_Adoration_, (Raczynski Gallery, Berlin), compared with the
foregoing, 131
attributed to Mostaert, _B. V. M. and Child_, ascribed by Hulin to
Prevost, (N. G.), 332
by Neuhuys, Albert, shown at Guildhall, 1903., _Near the Cradle_,
189
attributed to Palamedes, Guildhall, 1903., _Lady at Harpsichord_,
probably by Pot, 56
by Pourbus, P., shutters of _Altarpiece_ by Gerard David, 40
by Prevost, J., shown at Bruges, 1902., _Last Judgement_, only
authentic work of, (Bruges Museum), earlier version, (Viscount de
Ruffo Bonneval), and another, (Weber), 332
paintings attributed to, by Hulin, and their locations, 332 _and
note_
by Rembrandt, _Portrait of a Lady_, (Hage), 359
paintings by or attributed to, Guildhall, 1903., _Commencement
d’Orage_, (Lady Wantage), 51
now ascribed to P. de Koninck (pros and cons), 60 _et seq._
_Portrait of the Artist_, previous owners of, unauthentic, 52
_Portrait of the Painter’s Son Titus_, compared with a similar
picture in the Wallace collection, 51
_Ruth and Naomi_, possibly by K. Fabritius, 52
by Reynolds, Sir J., _Nativity_, original design for centre of New
College window, Oxford, and its fate, 212
in the Normanton collection, _Boy Reading_, (said to be his own
portrait), 223
_Faith, Hope, Charity, Temperance, Prudence, Justice, and
Fortitude_, original designs for New College window, 211
_Felina_, 217
_The Little Gardener_, a child’s portrait, 218
Portraits: _Elizabeth Beauclerk_, (afterwards Countess of
Pembroke), as Una and the Lion, 257
_George, third Duke of Marlborough_, 218, 223
_Himself as President of the Royal Academy_, 217
_Lady Betty Hamilton_, 218
_Lady Charlotte Johnstone_, 223
_Study of a Little Girl_, octagonal in shape, 224
of _Miss Anne Liddell_, 223
(on panel),_ Miss Falconer as Contemplation_, 217
_Miss Meux_, 224
_Miss Murray of Kirkcudbright_, as a child, 218
_The two Misses Horneck_, 223
_Mrs. Quarrington_, (actress), as _St. Agnes_, 224
_Mrs. Russell_, 223
in the same collection, _The Little Archer_, 224
paintings ascribed to, in the same collection: Portraits; _Admiral
Barrington_, 224
_Lady Hamilton as a Bacchante_, _ib._
_Mrs. Inchbald_, _ib._
copies of, in the same collection, Portraits, _Mrs. Gwyn in
Persian dress_, 224
_Mrs. Siddons as the Tragic Muse_, painted by the Duchess of
Buckingham, 224
by Ruysdael, Jacob, Guildhall, 1903.,_ Forest Scene_, _Sea-piece_,
and _View on the Brill_, 59
_ View of Haarlem_, (Mauritshuis, Hague), 59
_View over an extensive flat wooded country_, (N. G.), 59
by Solario, _Madonna_, 114
by Steen, Jan, Guildhall, 1903., _Portrait of Himself_,
(Northbrook), 56
by Terborch, Guildhall, 1903., _Portrait of a Lady_, and _Portrait
of a Young Woman_, 56
by Titian, Portraits: _Empress Isabella_, 281
_Giacomo Doria_, 267
by Tocqué, J. L., at the Louvre, chiefly official portraits, 344
_Portrait of Dame Danger_, recently acquired, 343-4
by Unknown Artists, _Richard II._, Diptych, (Wilton), perfection of,
89
School of Cimabue: _Nativity and Adoration_, (Parry), 117-8
Altarpiece of St. Cecilia, (Uffizi), other Altarpieces by,
recently found near Florence by Horne, 118
frescoes by same hand, (Upper Church, Assisi), 118
by van Aelst, Willem, Guildhall, 1903., _Still-life Subject_, 56
by van de Capelle, Jan, Guildhall, 1903., both masterpieces, _Off
Scheveningen_, and _Sea-piece_, 60
River Scene, (N. G.), 60
by van de Velde, Adriaen, Guildhall, 1903., _Landscape with Cattle_,
small and excellent, 59
by van der Heyden, Jan, Guildhall, 1903., _Landscape_, small, very
highly finished, 59
attributed to van der Neer, Aart, _Moonlight River Scene_, 59
by van Eecke or van Eeckele, John, shown at Bruges, 1902., _Mater
Dolorosa_, (Bruges Cathedral), formerly ascribed to John van Eyck,
locale of copies of the same, 332
_Vision of S. Bernard_, (Tournay Museum), 332
by van Huysum, Guildhall, 1903., _Still-life Subjects_, 56
by Vanni, Andrea; _Annunciation_, (Count Fabio Chigi, Siena), 316
_Annunciation_ after Simone Martini, (S. Pietro Ovile, Siena),
various attributions of, 321
_Crucifixion_, (fragmentary), formerly in the church of the
Alborino, (Istituto delle Belle Arte, Siena), 309, 321
_Deposition from the Cross_, (Berenson), 321
Frescoes, one in bad condition, (S. Giovenale, Orvieto), 321
_note_
_Seated Virgin and Child_ (S. Francesco, Siena), usually
attributed to Ambrogio Lorenzotti, 315
_Madonna_ (church on Monte Nero, near Leghorn), 321 note
_Madonna degli Infermi_, (S. Francesco, Siena), attributed to
Pietro Lorenzotti, 310-15
panels, _Madonna and Child_, (S. Giovannino della Staffa, Siena),
316
_Virgin and Child_, full length, (S. Spirito, Siena), 316
_Virgin and Child_, half-length, (Chapel of SS. Chiodi, Siena),
usually attributed to Barna, 315-6
_Virgin and Child_, (priest’s house next S. Pietro Ovile, Siena),
325
Polyptych, _Altarpiece_, (S. Stefano, Siena), 309
_Portrait of St. Catherine of Siena_, (S. Domenico, Siena), 309,
321
Triptych, _St. Michael between St. Anthony the Abbot and the
Baptist_, (Siena Gallery), attributed to Memmi, 325
_Virgin and Child_, (Berenson), 316
by van Os, Jan, Guildhall, 1903., _Still-life Subjects_, 56
by van Ruysdael, Saloman, recently acquired by the Louvre,
Landscapes, (2), 343
by Veneziano, Domenico, frescoes, now lost, once in Cappella
Maggiore of S. Egidio, 168
by Vermeer, Jan, Guildhall, 1903., _The Cook Asleep_, 55
by and probably by Verspronck, Jan, Guildhall, 1903., _Portrait of
a Dutch Lady_, (Mrs. Stephenson Clarke), 55
_Portrait of a Lady_, (at Antwerp), 55

Paintings in Water-colour, _see_ Drawings

Palamedes, painting ascribed to, Guildhall, 1903., _Lady at a
Harpsichord_, probably by Pot, 56
painting formerly ascribed to, at Hampton Court, _Souldier making a
Strange Posture to a Dutch Lady_, now attributed to H. Pot, 56

Palma Vecchio, influence of, on Cariani, 78

Palmer, Mary, _see_ Thomond, Marchioness of
Mrs. Elizabeth, model of Sir J. Reynolds for painting of _Prudence_,
(Normanton), 217
‘Offy,’ (Mrs. Gwatkin), niece and frequent model of Sir J. Reynolds,
211
as _Felina_, 217
Samuel, illustration by, to Adams’s ‘Distant Hills,’ perfection of,
306

Palmetta, the, as the Tree of Life, 350, 353

Paolo, Giovanni di, painting probably by; panel, _Crucifixion_, (S.
Pietro Ovile, Siena), 321

Papillon, Bewick’s possible indebtedness to, 294

Papyrus, the, as the Tree of Life, 350

Parfilage, fashionable work in the ~XVIII.~ cent., 344

=Paris=, see Bibliothèque Nationale, Louvre, _and_ Cluny
decorative paintings by Le Brun in mansions of, 230, 235
recent Exhibition (of Mussulman Art) at, Mussulman Manuscripts and
Miniatures, E. Blochet, I., 132

Parker, Henry, _see_ Morley, Lord

Parry, Sir Hubert, Pictures in the collection of, at Highnam Court,
near Gloucester, R. Fry; I. Italian Pictures of the Fourteenth
Century, 117
_Altarpiece_, in five parts, by Bernardo Daddi, 125
_ Madonna and Child with Angels_, Florentine School of the early
~XV.~ cent., 129
_Coronation of the Virgin_, by Agnolo Gaddi, 126
Predella pieces, _Adoration of the Magi and Visitation_, by
Lorenzo Monaco, 126
_Nativity and Adoration_, by unknown artist, School of Cimabue,
117-8
Thomas Gambier, of Highnam, father of Sir Hubert Parry, his
researches into fresco-painting and paintings in fresco by, his
collection of pictures at Highnam, 117 _et seq._

Parthenon, the, Persepolitan building recalling, 139
slab from north frieze of, bas-relief, _Head of a Knight and of a
horse_, various owners and homes of, shown at the Burlington Fine
Arts Club Exhibition, 244

Passavant, his use of ‘Barbarelli’ as cognomen of Giorgione, 78

Pau, castle of, a stronghold of Gaston de Foix, 8

Paul III., Pope, patron of Titian, meeting of, with Charles V. at
Busseto, 1543., 281

Pavia, battle of, ‘Gaston Phoebus’ MS. 616 part of the loot after, 8,
11, 12

Pavillon de Marsan, Paris, Exhibition of Mussulman Art at, 1903., 132

Pazzi Chapel, S. Croce, Florence, painted window in, designed by A.
Baldovinetti, 31

Pella, birthplace of Alexander the Great, bronze statuette of
emaciated man, possibly a Yogi, found at, 255

Pembroke, Countess of, _see_ Beauclerk, Elizabeth
Earl of, _Portrait of George, third Duke of Marlborough_, owned by,
replica of that by Sir J. Reynolds in the Normanton collection,
222
Earl and Countess of, _Heads of_, by Sir J. Reynolds, (Normanton),
223
earlier portrait of the Countess by him as Una, 217

Pennell, Joseph, Later Nineteenth-Century Book Illustrations, I., 293

Pepoli family of Bologna, original owners of the painting from which
Titian painted his _Portrait of the Empress Isabella_, 282

Pergamene stage, the, of Greek art, 243

Perkins, F. Mason, Andrea Vanni, 309

Persepolis, illustrated book seen at, by Mas’ūdī, ‘Sum of Histories,’
140
monuments of, influences shown by, 136

=Persia=, beginning of the art-history of, early and continuous Greek
influence in, 136-7
Sassanian kings of, 47
Sassanid art in, 140
the three great schools of painting in, 139
the Mongolian, 140
the Timurid, 143
the Sefevæan, 140, 144

Persian coins of the Arsacide and Sassanide dynasties, the Svastika
on, 44

Persian skill in miniature painting, 132
monotonous character of the work, 135
Greek influences on, 139

Perrett, Ambrose, French sculptor, work of, on the Tomb of François
I., 95

Perrier, first master of Charles Le Brun, 229

Perugia, front of S. Bernardino at, by A. di Duccio, 89

Peschiera, meeting of Aretino with Charles V. at, 281

Petrucci, R., Notes from Ghent and Nieuport, 375
Seals of the Brussels Gilds, 190

Phallus associated with the Svastika in Egypt, 43, 47

Pheidias, fragments of his work shown at the Burlington Fine Arts
Club Exhibition, 244

Phelippes de France, Duc de Bourgoigne, original of _Gaston Phoebus_
dedicated to, 8

Philip the Good, privilege granted by, to the butchers of Brussels,
193

Philip II. of Spain, marriage of, to Queen Mary of England, at
Winchester, 150

Philip III. of Navarre, father of Agnes wife of Gaston Phoebus de
Foix, 11

Phoebus, Gaston, or Le Roi Phoebus, sobriquet of Gaston de Foix, and
familiar title of his book, 11

Phoenicia, no trace of Svastika found in, 47

Piazza di San Giovanni, Florence, houses in, assigned to Baldovinetti
in payment for his mosaic work, 170

=Pictures=, _see_ Collection of the Earl of Normanton, Dutch, _etc._
exhibitions of, _see_ Bruges, _and_ Guildhall in the Collection of
Sir Hubert Parry, at Highnam Court, near Gloucester, R. Fry; I.
Italian Pictures of the Fourteenth Century, 117
recently acquired by the Louvre, _Landscapes_, (2.), by S. Ruysdael,
_Portrait of Dame Danger_, by L. Tocqué, P. Vitry, 343

Piero, Lorenzo di, painter and colour seller, 167, _and note_

Pierrotti, Dr., preface of, and notes by, to the ‘Ricordi di Alesso
Baldovinetti,’ 24
sources of his information, 27

Pilon, Germain, French Sculptor ~XVI.~ cent., marble statue by, _La
Charité_, (Lowengard), 90
other works by, groups, _Les Trois Grâces_, (Louvre), _Les Trois
Parques_, (Hôtel de Cluny), 95
_Tomb of François I._, (with other sculptors), _Tomb of Henri II.
and Catherine de Médicis_, 95

Pinwell, G., forgeries of his own drawings by, 305

Pinzocheri, the Frati, of the Spedale di S. Pedro, Florence, 22, 24
records of, 27
women attached to the Hospital, 24

Piot, M., his use of Greek coins ‘to correct the eye,’ 236

Pisa, frescoes, the, in campo-santo at, attributed by Milanesi to
Daddi, _Triumph of Death_, 126

Pisano, Giovanni, influence of, on the painter of the _Nativity_ and
_Adoration_, (Parry), 118
leading features of his work, 125

Pitti, Lucca, portrait of, in Baldovinetti’s frescoes, 170

Place Dauphine, Paris, triumphal arch to welcome Louis XIV. and his
queen, erected on, by Le Brun, 230

Plassenburg Castle, prison of Frederick Margrave of
Brandenburg-Anspach, 289

Plate, (_see_ Silver Plate) The, of Winchester College; P. Macquoid,
149

Plot’s ‘Natural History of Staffordshire’ _cited_ on Burslem pottery
and processes, ~XVII.~ cent., 66

Poelenburg, painting by H. Pot at Hampton Court, _Souldier making a
Strange Posture to a Dutch Lady_, formerly ascribed to, 50

Poitiers, Diane de, daughter of the Sieur de Saint-Vallier and of
Marie of France, her probable connexion with Codex MS. 616 of
_Gaston Phoebus_, 12
Jean de, Sieur de Saint-Vallier, probable owner of Codex MS. 616 of
_Gaston Phoebus_ till 1523., 12
his pardon obtained by his daughter from Francis I., 12

Poland, _see_ Casimir III., King of

Polykleitos, sculptor, leader, of Argive School, earliest recorded
work of, and variants thereof, statue; _Boy-boxer crowning himself_,
_Head_ (Vincent), shown at the Burlington Fine Arts Club Exhibition,
244

Pomegranate, as the Tree of Life, on Yarkand rugs, 353

Ponsonby, Claude, _Head of a Mourning Woman_, owned by, shown at the
Burlington Fine Arts Club Exhibition, 249

Porcelain, _see_ Ceramics

Porcia, Count, _Portrait of_, by Titian, with landscape background,
(Brera Gallery, Milan), 285

Portata al Catasto, Florence, 1470., details given in, as to
Baldovinetti, 23
evidence of, as to his handwriting, 27

=Portrait(s)=, (_see also_ Paintings _and_ Pictures), of the Empress
Isabella, Titian’s, G. Gronau, 281
_Portrait of a Lady,_ by Rembrandt, on view at the Hague, (Hage),
359
by Titian, of _Giacomo Doria_, (J. Wernher), letter on, from G. de
Pellegrini, 267

Portrait-Drawing, A Newly-Discovered, by Dürer, C. Dodgson, 286

Pot, Hendrik, and other painters greatly resembling Palamedes in style
and subject, 56
painting by, at Hampton Court, _Souldier making a Strange Posture to
a Dutch Lady_, various attributions of, 56

Pott, Miss C. M., joint-author, _see_ Short

Pottery Ware, Early Staffordshire, illustrated by pieces in the
British Museum, 64

Pourbus, Peter, shutters of _Altarpiece_, by G. David, painted by, 40

Poussin, Nicolas, companion of C. Le Brun in his journey to Rome, 230

Poynter, Sir E., drawings by, on wood for illustrations to Dalziel’s
‘Bible Gallery,’ V. and A. Museum, 305

Praxiteles, _Head of Aphrodite_ ascribed to, (Leconfield), shown at
the Burlington Fine Arts Club Exhibition, 249
other statues by, compared with the foregoing, _ib._

Previtali, influence of, on Cariani, 78

Prevost, John, notes on his history, 331-2
paintings by and attributed to, shown at Bruges, 1902., _Last
Judgement_, the only authentic work by him, (Bruges Museum), 332
also an earlier version, (Viscount de Ruffo-Bonneval), and another,
(Weber), _ib._
paintings attributed to, by Hulin, and their location, 332 _and
note_

Print Room, British Museum, new acquisitions, 75, 200

Printers, early French, of _Gaston Phoebus_, 8

Proctor’s new fount of Greek Type, (the ‘Otter’ type), 358

Protection of Ancient Buildings, Clifford’s Inn and the, _editorial_,
3

Puzzle cups, jugs, etc , _see_ Early Staffordshire Ware

~Quaritch~, the _late_ Bernard, _cited_ on the value of early
editions of Shakespeare, 335

Quarrington, Mrs., actress, _Portrait of_, by Sir J. Reynolds,
(Normanton), 224

Queen Street, Cheapside, workhouse of the Lowestoft Porcelain Factory
in 1770., 277

~Raczynski~ Gallery, Berlin, painting by Lorenzo Monaco in,
_Adoration_, compared with that in the Parry collection, 131

Raphael, Bernard van Orley said to have been a pupil of, 205

Rattier, P., of Paris, Bas-relief bequeathed by, to the Louvre, _Bust
in Profile, wearing armour_, artist unknown, suggestive of Leonardo.
84

Ravensworth, Lord, father of Miss Anne Liddell, painted by Sir J.
Reynolds, 223

Rawlinson, Mr., British engravings and mezzotints owned by, shown at
the V. and A. Museum Exhibition, 199

Recent Acquisitions at the Louvre, Koursi cover, Arabic, G. Migeon,
344
Pictures, _Landscapes_, (2), by S. Ruysdael, _Portrait of Dame
Danger_, by L. Tocqué, Paul Vitry, 343
Three Italian Albarelli, J. J. Marquet de Vasselot, 338

Regnauldin, Thomas, employed by Le Brun, 235

Reid Gift, The, to the V. and A. Museum, II., 74

Reinach, S., _cited_ on the sculpture of the _Head of a Mourning
Woman_, (Ponsonby), 249

Rembrandt, (van Rijn), etching by, The Three Trees, compared with
_Le Commencement d’Orage_, 63
paintings by and attributed to, Guildhall, 1903., _Commencement
d’Orage_, (Lady Wantage), 51
now attributed to P. de Koninck, 60 _et seq._
_Head of a Man_, probably by Solomon de Koninck, 52
_Painter’s Son Titus_, 55
_Portrait of the Artist_, unauthentic, its previous owners, 52
_Ruth and Naomi_, possibly by K. Fabritius, 52
shown at the Hague, 1903., _Portrait of a Lady_, (Hage), 360
_Landscape with Tobias and the Angel_, (N.G.), 63
Wallace collection, _His Son Titus_, compared with similar portrait,
Guildhall, 1903., 51

Rendall, M. J., 155

‘Restoration’ too often synonymous with destruction, 3

Resurrection and creation, the Lotus as emblem of, 350

Reynolds, Fanny, sister of Sir Joshua, _Portrait of Miss Meux_ by
him, formerly supposed to represent, (Normanton), 224

Reynolds, Sir Joshua, Pictures by, in the Collection of the Earl of
Normanton, M. Roldit, 206
methods of, in portrait painting, 217
_Nativity_, original design for central space, New College window,
and its fate, 212
paintings by, in the Normanton collection, their sources, prices,
and other comments upon them, 211 _et seq._
_Boy Reading_, said to be a portrait of himself, his own
satisfaction with the picture, 223
_Faith_, _Hope_, and _Charity_, _Temperance_, _Prudence_,
_Justice_, and _Fortitude_, the original designs for New College
window, Oxford, executed on glass by Jarvis, 211
_Girl embracing Kitten_, known as _Felina_, 217
Portraits: child, _The Little Gardener_, 218
_Elizabeth Beauclerk_, afterwards Countess of Pembroke, _as Una
with the Lion_, 217
_George, third Duke of Marlborough_, 218, 223
replica of (Pembroke), _ib._
_Himself as President of the Royal Academy_, 217
_Lady Betty Hamilton_, afterwards Countess of Derby, 218
_Lady Charlotte Johnstone_, daughter of first Earl of Halifax,
223
_Study of A Little Girl_, octagonal, 224
_Miss Anne Liddell_, 223
(on panel), _Miss Falconer_, afterwards Hon. Mrs. Stanhope, as
_Contemplation_, earlier owners of, 217
_Miss Meux_, 223
earlier erroneous identification of, 224
_Miss Murray of Kirkcudbright_ as a child, 258
the _Misses Horneck_, 223
_Mrs. Quarrington_, actress, as _St. Agnes_, 224
_Mrs. Russell_, daughter of F. Vassall, 223
paintings ascribed to, same collection, _The Little Archer_, 224
Portraits: _Admiral Barrington_. 224
_Lady Hamilton as a Bacchante_, engraved by Bartolozzi, 224
(probably by his pupils) at Normanton, _Mrs. Inchbald_, 224
copies of paintings by, in Normanton collection, _Portrait of
Mrs. Gwyn in Persian dress_, original owned by W. W. Astor,
224
_Portrait of Mrs. Siddons as the Tragic Muse_, from that at
Grosvenor House, painted by the Duchess of Buckingham, 224

Rheims, birthplace of Jean Gobelin, 235

Richa, Giuseppe, _cited_ on Baldovinetti’s portrait of himself in his
frescoes. 174
_cited_ on the condition of Baldovinetti’s frescoes, 1755., 173
_cited_ on the Gianfigliazzi family, of Florence, 28

Richard I. (Cœur de Lion), marriage projected between his sister and
Saladin’s brother, Melik Adel, 135

Richard II., licence granted by, for the founding of Winchester
College, 149

Richter on the absence of the Svastika in Phoenicia, and its westward
transmission, 47

Rimini, interior decoration of the temple of, by A. di Duccio, 89

Rinder, Frank, The Geographical Distribution of the First Folio
Shakespeare, 335

Rishi Atri and his son, Soma, 354

Rishis of Kashmir, use of Soma by, 354

Rives, Dr. George, Rose-water dish presented by, to Winchester
College, 161

Rogers’ ‘Poems,’ Turner’s illustrations to, (N. G.), 300

Rogers, William, first British engraver of importance, plates by,
shown at V. and A. Museum Exhibition; Portraits: _Alphonso, King of
Castile_, _Godfrey Adelmar_, _Queen Elizabeth_ (H.M. the King), and
_Sir T. Docwra_, 194

Roldit, M., The Collection of Pictures of the Earl of Normanton, at
Somerley, Hampshire; I. Pictures by Sir Joshua Reynolds, 206

‘Romance of Alexander,’ by Nizāmī, 143

=Rome=, _see_ Academy of St. Luke, Corsini Gallery, _and_ Vatican
Library
alleged visit to, of Bernard van Orley, 205
chief source of Albarelli or druggists’ jars and similar wares,
338-43
visit of C. Le Brun to, 230

Rose Lotus, the, Indian origin of, Chinese use of, etc. 350

Rose-water Dishes, _see_ Silver Plate

Rosselli, Cosimo, and other painters, estimate by, of the cost
Baldovinetti’s paintings in the Cappella Maggiore of S. Trinità,
Florence, 169
Stefano, _cited_ on the Altarpiece by A. Baldovinetti, and its
inscription, 170
and Richa, _cited_ on the Pinzochere of S. Paolo, Florence, 24

Rossetti, D. G., illustration by, to Allingham’s ‘Music Master,’ _The
Maids of Elfen Mere_, 299
influence of Menzel on, 306
other illustrations by, to Moxon’s edition of Tennyson, 299

Rotterdam, centre of the trade between Holland and China, 277

Rouen Museum, painting by G. David in, _B. V. M. with Child, Virgin
Saints, and Angels_, 36, 39
Archaeological discoveries during excavations at, 374

_Roy Modus_, parts of _Gaston Phoebus_ borrowed from, 15

Rubens, Peter Paul, influence of Titian on, 285

Rupert, Prince, (of Bavaria), Mezzotint by, _The Great Executioner_,
after Spagnoletto, (H.M. the King), shown at the V. and A. Museum
Exhibition, 199

Russell, Mrs. (_née_ Vassall), Portrait of, by Sir J. Reynolds,
(Normanton), 223

Russia, lack of legislative protection for ancient buildings in, 3

Rutland, Duke of, painting by Sir J. Reynolds once owned by,
_Nativity_, original design for centre of New College window,
Oxford, burnt in 1816., 212

Ruysdael, Jacob, characteristics of his best work, 56, 59
paintings by, Guildhall, 1903., _Forest Scene, Sea-piece_, and _View
on the Brill_, 59
_View of Haarlem_, (Mauritshuis, Hague), 59
_View over an extensive flat wooded Country_, (N. G.), 59
Solomon, paintings by, landscapes, (2), (Louvre), 343
traces of his influence in painting by Jacob Maris, 178

Rylands Library, first folio Shakespeare in, price paid for, by
Steevens, 1756., 336

_Saccostemma viminale_, said by some to be the Soma of the Vedas,
etc., 353-4

S. Andrew’s Chapel, Gloucester Cathedral, paintings in, by T. G.
Parry, 117

S. Aubert, Bishop of Cambrai, patron of Brussels Bakers, 192

S. Catherine of Siena, a friend of Andrea Vanni, 309
her portrait by him, 309, 321

S. Cosmas and S. Damian, patrons of Barber Surgeons, 191

S. Croce, Florence, painted window in the Pazzi chapel of, designed
by A. Baldovinetti, 31
painting in, Fresco by T. Gaddi, copied as a miniature by Pol de
Limbourg, 90

S. Denis, Abbey of, Tomb of Henri II. and Catherine de’ Medici at,
executed by G. Pilon, 95

S. Francesco, church of, Siena, fire at, 1655., 315
painting by Vanni, _Madonna degli Infermi_, in, usually ascribed to
P. Lorenzotti, _ib._
other work by Vanni in, usually ascribed to other hands, _ib._

S. Francis. traditional residence of, at the Spedale di S. Paolo,
Florence, 23

S. George, church of, at Ruballa, first home of the _Altarpiece_ in
five parts by B. Daddi, (Parry), 126

S. George, the Dragon and Cleodolinde, on the Ypres chest, 357

S. Giovanni, Florence, baptistery of, Baldovinetti employed to
restore, 23
his emoluments, 170

S. Lorenzo, Florence, tomb of Baldovinetti in, 22, 24
district of, Florence, hired dwelling of Baldovinetti in, 23

S. Luke. (_see_ Academy of), Gild of, 326, 332

S. Maria a Quinto, Florence, land in, owned by Baldovinetti, 23

S. Maria Novella, marble frontal of the High Altar of S. Trinità found
in, 32
Piazza of, remains of the Spedale di S. Paolo on, 23
work of D. Ghirlandajo in, 174

S. Maria Nuova, Florence, Archivio di, ‘Ricordi’ of Baldovinetti once
in, 24

S. Martino a Sesto, Florence, land in, owned by Baldovinetti, 23

S. Michael (Archangel), patron of the Brussels gild of Butchers, 191
and of Drapers, 190

S. Miniato a Monte, Florence, mosaic façade of, restored by
Baldovinetti, 169

S. John Gualbert’s Crucfix removed from, to S. Trinità, 32

S. Trinità, Florence, Altarpiece for, painted by A. Baldovinetti,
_Trinity, with two Saints_, now in the Florentine Academy, 32
decoration of, by Baldovinetti, notes of accounts kept by him, 27
work of D. Ghirlandajo in, 174

Saint-Vallier family, arms of, as shown in MS. 616 of _Gaston
Phoebus_, 11, 12

Saladin, heterodoxy of, evidences of, 135

Salting, G., present owner of painting attributed to Giorgione now
ascribed to Cariani, _ex_ Leuchtenberg collection, _Madonna and
Child_, 78

Salviati, Bernardine, Canon of Bruges Cathedral, Triptych painted
for, by G. David, (N. G.), 36

Samarcand, edifice of Chinese porcelain set up at, by a Timurid
Sultan, 144
MS. from, containing astronomical treatise of ‘Abd ur-Rahmān el
Sufi, strong Chino-Japanese style of, _ib._
Timurid mosques of, ogival doorways of, 139, 143

Samian bowls found during excavations at Rouen, 374

Sandys, drawings by, for illustrations, never engraved, _Spirit of the
Storm_, and another, vicissitudes of, 300
his method of preparing illustrations, and large version of his
drawing, _Amor Mundi_, (Battersea), 300

Sargon, Palace of, Persepolitan building recalling, 139

Sarzana, capture of, by Florence, 28

Sassanides, Kings of Persia, history of, 44, 47
influence of, on Mussulman architects, art and methods of their
period, 139, 140

Savoy, Beatrice, Duchess of, sister of the Empress Isabella, at
Bologna, possibilities of the visit as to the portrait of the
latter, 282

Sayce, Professor A. H., _cited_ on the cedar and the palm as the Tree
of Life, 353
_cited_ on Hittite origin of the Svastika, 47

Scandinavia, Art and Artists of, (_see_ Denmark _and_ Iceland),
Svastika said to represent Thor of, 43

Schefer, C., Arab illuminated MS. owned by, the ‘Makāmāt of Harīrī,’
136