Chapter XIX: Appendix (4)

Scheibler, Dr., attribution by, to G. David of the _Adoration of the
Magi_ previously ascribed to J. van Eyck, 39

Schliemann, Dr., letter to, from Major-General Gordon on Svastika as
Chinese symbol, 47

=Sculpture=, _see_ Bas-reliefs
Bust of _St. John Baptist_ _ex_ Gigli Campana collection (S. K.), is
it the work of Leonardo da Vinci? 84
Greek, Burlington Fine Arts Club Exhibition:--
Busts:_ Hipponax and Menander_, 250
Heads: _Aphrodite_, ascribed to Praxiteles, (Leconfield), 249
_Girl from Chios_, 249 _and note_
letter on, by J. Marshall, 376
_Mourning Woman_, (Ponsonby), ascribed to Lysippos, 249
of Statue by Polykleitos, (Vincent), 244
of a Youth, (Vincent), 241
by Pilon, G., Groups: _Les Trois Grâces_. (Louvre), 95
_Les Trois Parques_, (Hôtel de Cluny), _ib._
Statue, Marble, _La Charité_, (Lowengard), 95
_Tomb of François I._ (with other sculptors), and _Tomb of Henri
II._ and _Catherine de’ Medici_, 95
by Verrochio, _David_, Statue, resemblance of its mouth to that of
the _P. Scipioni_ Bas-relief, 84

Seals of the Brussels Gilds, R. Petrucci, 190

Sefevæan Kings of Persia, MSS. of their period, 135, 144
mosaics adorning Mosques of, 139

Segher, Hercules, etcher, influence of, on Rembrandt, 63

Séguier, Chancellor, patron of Charles Le Brun, 229, 230

Settignano, Desiderio da, carver of the Gianfigliazzi arms, on their
Florentine palace, 28

Seuter and Townley, engravers, 52

Seventeenth and Eighteenth Century British Engravers, and their work,
V. and A. Museum Exhibition, 194

Sforza, Francesco, first Duke of Milan, his daughter and her husband,
338

Shah Abbas, Persian art during period of, large survival of MSS. of,
144

Shah-Alem II., and his library, 143

Shah-Jehan, Emperor of Hindustan, and his love for literature, 143

Shah-Rokh, son of Timur Bey, art in Persia during his reign, 143

Shakespeare, the First Folio, The Geographical Distribution of, F.
Rinder, 335

Sheepshanks Collection of proofs of the Landseer school of engraving,
(N. Art Library), shown at the V. and A. Museum Exhibition, 199

Sheridan, Mrs., model of Sir J. Reynolds for painting of _Charity_ and
the Virgin in the _Nativity_, (Normanton), 212

Short, Frank, fine work of, in mezzotint, shown at the V. and A.
Museum Exhibition, 199
and Miss C. M. Pott, catalogue and exhibition of Engraving and
Etching processes, arranged by, V. and A. Museum Exhibition, 199

Siddons, Mrs., portrait of, as _Tragic Muse_, by Sir J. Reynolds,
(Westminster), copy, by the Duchess of Buckingham, (Normanton),
replica by Reynolds, (Dulwich), 224

Siena, Communal Library of, extracts from the ‘Ricordi’ of
Baldovinetti found in, 24
paintings by A. Vanni still extant in, _see_ Vanni, _passim_

=Silver:=--
Chalice, Mediaeval, from Iceland, in the V. and A. Museum, H. P.
Mitchell, 70
from Sorö, Denmark, H. P. Mitchell, 357
The Plate of Winchester College, P. Macquoid, 149
Cup with cover, gilt, presented by a Marquis of Winchester, 156
Ecclesiastical; Two Chalices and an Alms Dish, etc., 162
‘Election Cup’ presented by Warden More, 150, 155
Hanap, or Tall Standing Cup, 162
Rose-water Dish and Ewer, parcel-gilt, presented by Radolphus
Henslowe 155
parallels owned by Lord Newton of Lyme, 156
Rose-water Dish, presented by Dr. George Rives, 161
Standing Cup and cover, presented by Hugh Barker, 16,
Standing Salt, bequeathed by Michael Bold, 161-2
Standing Salt, gilt, 156
Steeple Cup and cover, gilt, 162
Sweetmeat Dish of tazza form, 156
Tankard and cover, presented by John Bolney, rare shape of, 161
Tankard with lid, parcel-gilt, Commonwealth period, 162

Simon, J., of Berlin, paintings by Gerard David owned by, parts of a
Triptych, 39

Simone, _see_ Martini, Simone

Sisamnes, the unjust judge, in painting by Gerard David, _Judgement
of Cambyses_, 36

Siva, Svastika the supposed emblem of, 43

Six Collection, Amsterdam, paintings by Jan Vermeer in, 55

Sixtus IV., Pope, Bongianni Gianfigliazzi one of the Florentine
orators sent to, on his election, 28

Sky and Sky God, Svastika the supposed emblem of, 43

Slip ornament, Staffordshire pottery, 68, 69

‘Slip’ in pottery making, a definition of, 66

Smith, _Portrait of the Artist_, ascribed (erroneously) to Rembrandt,
52

Smith, C., The Exhibition of Greek Art at the Burlington Fine Arts
Club, 236

‘Solace of Song,’ remarkable illustrations to, by Harvey, engraved by
W. T. Green and others, 299, 306

Solario, The Authorship of a _Madonna_ by, _letter_, B. Berenson, 114

Solon, L., The Lowestoft Porcelain Factory, and the Chinese Porcelain
made for the European Market in the Eighteenth Century, 271

Soma, son of Rishi Atri, legend of, and connexion of with a Buddha,
354

Soma tree (date palm or hom,) as the Tree of Life, 350, 353
other theories concerning identity of, 353
juice of, how prepared, its uses, and allusions to it in the
Rigveda, 354

Somerley, Hampshire, The Collection of Pictures of the Earl of
Normanton at, M. Roldit; I. Pictures by Sir Joshua Reynolds, 206

Soorgh, Hendrik, possibly the painter of the picture attributed to
Adriaen Brouwer, Guildhall, 1903., _Interior with Figures_, 56

Sophia, daughter of Casimir III. King of Poland, her daughter’s
portrait by Dürer, 289
sister of Casimir, Margrave of Culmbach, 290

Sorö Chalice, The, (from Denmark), H. P. Mitchell, 357

Soung-Young, (a Doctor of reason), _cited_ on the Tao-sse of China, 47

Spain, paintings by Adrian Isenbrant sent to, 326

Spedale di S. Paolo, Florence, ‘ricordo’ in, relating to Baldovinetti,
22
locale, ornaments, and original use of, 23
the Pinzochere of, 24

Spedale di S. Maria Nuova, that of S. Paolo united with, 22

Spiral Scroll, The, and the Svastika, 48

Städel Institute, Frankfort, painting by Botticelli in, resemblance
of details in, to those in painting by G. David, (Bruges Museum), 36

Staffordshire Pottery Ware, Early, illustrated by pieces in the
British Museum, R. L. Hobson, 64

Stanhope, Hon. Mrs., _see_ Falconer, Miss

State, the, of a sculptured _Head of a Girl_ from Chios, recently
shown at the Burlington Fine Arts Club, Rodin _cited_ on, _letter_,
J. Marshall, 376

Statue, Marble, by Pilon, _La Charité_, 90

Steen, Jan, painting by, Guildhall, 1903., _Portrait of Himself_,
(Northbrook), 56

Steevens, George, price paid by, for first folio Shakespeare, Martin
Folkes copy, 1756., (Rylands Library), 336

Stothard, T., illustrations by, to the ‘Voyage of Columbus,’ 299
sepia drawing by. for an illustration, 305

Strange, E. F., British Engraving (Exhibition of), at the V. and A.
Museum, 194
Sir Robert, engraver, work by, in V. and A. Museum Exhibition, 194

Strassburg Museum, paintings attributed to Memlinc owned by, shown at
Bruges, 1903., ascription controverted, 35

Strong, Mrs., Exhibition of Greek Art organized by, 236-55
comment on the exhibits by, _ib._

Strozzi, Filippo, portrait of, in Baldovinetti’s frescoes, 170
portrait by Titian with landscape background, (Berlin Gallery), 285

Suavastika supposed symbol of the Autumnal Sun, 44

Sufis of Sultan Husein Mirza, MSS. of the Life of, repetitive
decorations of, 135

Sultan Husein Mirza, the Sufis of, MSS. of the Life of, repetitive
decorations of, 135

Sultan Mirza Ulugh Beg, _see_ Ulugh Beg

Sun, Autumnal, the Suavastika supposed emblem of, 44

Sun God, Sun and Sun Chariot, the Svastika supposed emblem of, 43

Sun-worship, association of the Lotus with, Goodyear cited on, 350

Sung period of Chinese art, rarity of relics of, 205

Sunnà of Mohammed, laws of, as to art, 132, 135

Susanna of Bavaria, wife of Casimir, Margrave of Culmbach, patroness
of Dürer, in a lost picture by him, 290
possibly the Lady of Portrait by him owned by Mr. Heseltine, _ib._
other (medal) portraits of and of her second husband, _ib._

=Svastika, The=, 43
absence of, from Phoenicia, 47
absence of, alleged, in Babylonia and Assyria, 47
as an auspicious sign, and always ornamental, 43
on breach of gun taken at Taku Fort, 47
in the Bronze Age, 47
as the emblem of Agni, 43
fecundity, 43
the female, 43
Hindu gods, 43
Jupiter Tonans and Jupiter Pluvius, 43
Thor of the Scandinavians, 43
evolution of, from the Lotus, according to Goodyear, 354
in footprints of Buddha on Indian mountains, 43
Hittite origin or, Sayce on, 47
introduction of, into Cyprus, Carthage and North Africa, Richter’s
views as to, 47
in relation to the Lotus, 43, 48
in relation to the Nature gods. 43
oldest known Aryan symbol. 43
origin and symbolism of, theories concerning, 43
on Persian coins of Arsacide and Sassanide dynasties, 44
Phallic meaning attributed to, 43
probably a development of the Chinese characters C. h. e, 44
in Thibet. 44
traceable in household appointments, house-irons, etc., 48
universality of, the basis of all decorative design, 43
use and name of, among North American Indians, 43-4
Wilson on, 43
his discovery of, on Assyrian coins and those of Alexander the
Great, 47

Sydney, N.S.W., first folio Shakespeare at, and its donor, 336

Sykes, Colonel, on Tao-sse of China, 47

~Taku~ Fort, the Svastika, obviously Chinese, found on breech of gun
taken at, 47

Tamerlane, _see_ Timur Bey

T’ang dynasty of Chinese rulers, rarity of art relics of, 205

Tangye, Sir R., donor of first folio Shakespeare to Sydney, N.S.W.,
336

Tankards, etc., _see_ Silver Plate

Tao-sse sect of China, (_see_ also Tirthakar), 47

Tapestry, designs for, by C. Le Brun, _Chasses de Méléagre_, _History
of Constantinople_, _Jupiter allaité par le chèvre Amalthée_, _Mars
et Venus_, _Les Muses_, 230
high warp, manufactory of, established by Fouquet at Maincy, 230

Tara, wife of Brihaspati, mother of a Buddha, by Soma, 354

Tattooing, the Swastika used in, in Thibet, 44

Tau Cross, ivory, found at Alcester, (B.M.,) 200

Teapot, hard porcelain, Chinese in decoration, marked ‘Allen,
Lowestoft,’ (V. and A. M.), 277

Temperament in native Dutch art, 51

Terborch, G., paintings by, Guildhall, 1903., _Portrait of a Lady_
and _Portrait of a Young Woman_, 56

Terra-cottas, _see_ Ceramics

Tewkesbury Abbey, frescoes on roof of, by T G. Parry, 117

Textile Arts, _see_ Lace, Oriental Carpets, Tapestry, Weaving, _etc._

Thibet, connection of the Svastika with, 44
Tirthakar sect in, derivation of name, 44

Thiem, A., owner of painting attributed to Memlinc, _B. V. M. and
Child_, (Bruges, 1902.), 35

Thomas, Mr., on the Svastika and the Jain Tirthankara, 44

Thomond, Marchioness of, niece of Sir J. Reynolds, sale of her
pictures, 1821., the foundation of the Normanton collection, 211

Thor of Scandinavia, the Svastika supposed emblem of, 43

Thunder-gods, the Svastika probably emblem of, 43

_Times, The_, view of, as to correct attribution of _Le Commencement
d’Orage_, Guildhall, 1903., (Lady Wantage), 60

Timur Bey, (Tamerlane), 132
as art patron and author, 143
and his successors, art in Persia during reigns of, 143

Timurid art in Persia, 143
of Khorassan, Chinese influence on, 143
Mosques of Samarcand, ogival doorways of, and art associations of,
139

Tirthakar sect of Thibet synonymous with Tao-sse of China, 44

Tirthankara, the Jain, the Svastika one of their devices, Max Müller
and Thomas on, 44, _see note_

Titian, (Tiziano Vecellio), _Portrait of the Empress Isabella_ by, G.
Gronau, 281
his commission from Charles V. at Busseto, Aretino _cited_ on, 281
his inferior model, 281-5
his success, _ib._
visit of, to, Augsburg, confusion caused by his references to his
work there, 281
his adoption of landscape backgrounds, 285
his influence on subsequent portrait painters, _ib._
portrait by, of _Giacomo Doria_, owned by J. Wernher, letter on,
from G. de Pellegrini, 267

Tizio, _cited_ on the _Altarpiece_ by Vanni in S Stefano, Siena, 310
and on his work for the friars minor of S. Francesco, 315

Tleson, Kylix signed by, shown at the Burlington Fine Arts Club
Exhibition, 255

Tocqué, Jean-Louis, paintings by at the Louvre, chiefly official
portraits, 344
_Portrait of Dame Danger_, recently acquired, 343-4

Tod, Colonel, on the date of introduction of Buddhism into Thibet, 47

Toft ware, a name for slipware, its origin, 69

Tomb of Francis I. of France, designed by Delorme, work of Pilon and
other sculptors on, 95
Henri II. of France and Catherine de’ Medici, executed by G. Pilon,
95

Tommé, Lucca di, painter, 310

Tone in Dutch painters ancient and modern, 51

Toscanelli, Paolo da Pozzo, astrologer, portrait of, in
Baldovinetti’s frescoes, 169

Tournay Museum, painting by John van Eecke owned by, _Vision of S.
Bernard_, (Bruges, 1902.), 332

Treadwin, Mrs., _the late_, Honiton lace revival by, 95

Tree of Life identified with the Lotus by Goodyear, 350
types and distribution of, 353
and Lotus, in Oriental Carpets, 349

Trees and Plants identified with the Tree of Life, 350, 353

Trepperel, _Gaston Phoebus_ hand-printed by, 8

Turenne, Marshal, campaign of, in the Netherlands, 12

Turkestan, Timurid MSS. in, better executed than similar MSS. in
Persia, 144

Turkey, lack of legislative protection for ancient buildings in, 3

Turkish skill in miniature painting, 132

Turner, Charles, Mezzotint by, shown at the V. and A. Museum
Exhibition, _The Water Mill_, after Callcott, 199

Turner, J. M. W., as an illustrator, 306
illustrations by, to Rogers’ ‘Poems,’ (N. G.), 300
struggles of, with his steel-engravings, 294
and Barrett, resemblances of their work as illustrators, 306
and Goodall, illustrations by, to ‘Datur Hora Quieti,’ 300

Tuscany, Pietro Leopoldo, Grand Duke of, union of the Spedale of S.
Maria Nuova and S. Paolo effected by, 22

Two Alleged Giorgiones, H. Cook, 78
Italian Bas-reliefs in the Louvre, A. Michel, 84
Pictures in the possession of Messrs. Dowdeswell, _Adoration of the
Magi_ and _Dormition of the B. V. M._, probably French ~XIV.~
cent., 89

Type, Greek, A New Fount of, (Proctor’s ‘Otter’), 358

Types of the Tree of Life, 353

Typography, _see_ Greek Type

Tyrol, Archduke Ferdinand, Duke of, Codex MS. 616 of _Gaston Phoebus_
presented to, by Bishop Bernard of Trent, 12
Landsknechte of Charles V. of Germany recruited from, 12

~Uffizi Gallery~, painting by unknown artist, Florentine School, early
~XV.~ cent. in, Triptych, _Madonna and Child, with Angels and
Saints_, 131
painting by unknown artist, School of Cimabue, in Altarpiece of _St.
Cecilia_, 118

Ulugh Beg, grandson of Timur Bey, astronomical tables drawn up by, 143
astronomical MS. copied for, at Samarcand, strongly marked Chinese
influence in, 144

United States of America, general provision of legislative protection
for ancient buildings in, 3

Upper Ossory, Earl of, his second wife, Miss Anne Liddell, painted by
Sir J. Reynolds, (Normanton), 223

Urbino, Duchess of, _Portrait of_, by Titian, believed to be the first
in which he employed landscape background, 285
Guidobaldo, Duke of, meeting of, with Charles V. at Peschiera, 281

~Van Aelst~, Willem, painting by, Guildhall, 1903., _Still-life
Subject_, 56

van Craesbeeck, Joost, possibly the painter of the picture attributed
to Adriaen Brouwer, Guildhall, 1903., _Interior with Figures_, 56

Van de Capelle, Jan, beauties and characteristics of his work, 60
paintings by, Guildhall, 1903., _Off Scheveningen_ and _Sea Piece_,
both masterpieces, 60
painting by, _River Scene_, (N.G.), beauties of, 60

Van der Heyden, Jan, painting by, Guildhall, 1903., _Landscape_,
(very highly finished), 59

Van der Neer, Aart, painting attributed to, Guildhall, 1903.,
_Moonlight River Scene_, doubtful authenticity of, 59

Van de Velde, Adriaen, painting by, Guildhall, 1903., _Landscape with
Cattle_, small and excellent, 59
George and his son John, portraits of, on Diptych, by Isenbrant, 326
Willem, paintings of, surpassed by some of van de Capelle’s shown at
Guildhall, 1903., 60

van Dyck, Sir A., (or Vandyke), influence of, traceable in painting by
Sir J. Reynolds, 223
influence of Titian on, 285

van Eecke or van Eeckele, John, paintings by, shown at Bruges, 1902.,
formerly ascribed to John van Eyck, _Mater Dolorosa_, (Bruges
Cathedral), locale of copies of the same, 332
Vision of S. Bernard, (Tournay Museum), 332

van Eyck, John, paintings formerly attributed to, one now ascribed to
Gerard David, _Adoration of the Magi_, (Brussels Museum), Bruges,
1902., 39
another, now ascribed to van Eecke or van Eeckele, Bruges, 1902.,
_Mater Dolorosa_, (Bruges Cathedral), locale of copies of the
same, 332

van Goyen, Jan, favourite subjects in paintings of, 343
part of painting attributed to Frans Hals, possibly by, _Van Goyen
and his Wife_, Guildhall, 1903., 52
traces of his influence in paintings by Jacob Maris, 178

van Halewyn, Joan, and her husband, portraits of, on triptych, by
Isenbrant, 331

van Huerne, M., paintings by Isenbrant and others, presented by, to
Bruges Cathedral, 331

van Huysum, Jan, paintings by, Guildhall, 1903., _Still-life
Subjects_, 56

Vanni, Andrea, F. Mason Perkins, 309
of Siena, painter, diplomat, and devotee, friend of S. Catherine of
Siena, date of his birth, share in revolution of 1368, etc., 309
characteristics of his style, 89, 309, 322
date of his death, 325
paintings by; _Annunciation_, (Count F. Chigi, Siena), 316;
_Annunciation_, after Simone Martini, (S. Pietro Ovile, Siena),
various attributions of, 321
_Crucifixion_, (fragmentary), formerly in the church of the
Alborino, (Istituto delle Belle Arte, Siena), 309, 321
_Deposition from the Cross_, (Berenson), 321
Frescoes, in bad condition, (S. Giovenale, Orvieto), 321, _note_
_Seated Virgin and Child_, (S. Francesco, Siena), usually
attributed to A. Lorenzotti, 315
_Madonna_, (church on Monte Nero, near Leghorn), 321, _note_
_Madonna degli Infermi_, (S. Francesco, Siena), attributed to
Pietro Lorenzotti, 310-15
_Panels, Madonna and Child_, (S. Giovanni della Staffa, Siena),
316
_Virgin and Child_, full-length, (S. Spirito, Siena), 316
_Virgin and Child_, half-length, (Chapel of SS. Chiodi, Siena),
usually attributed to Barna, 315-6
_Virgin and Child_, (priest’s house, next S. Pietro Ovile), 325
Polyptych, _Altarpiece_, (S. Stefano, Siena), 309
Portrait of St. Catherine of Siena, (S. Domenico, Siena), 309,
321
Triptych, _St. Michael between St. Anthony the Abbot and the
Baptist_, (Siena Gallery), usually ascribed to Lippo Memmi,
325
_Virgin and Child_, (Berenson), 316
presumptions as to his later and earlier artistic life, 325
one of his pupils referred to, _ib._

van Orley, Bernard, Notes on the Life of, W. H. J. Weale, 205
Valentine, reputed father of Bernard, 205

van Os, Jan, paintings by, Guildhall, 1903., _Still-life Subjects_, 56

van Pynbroek, Margaret, alleged mother of Bernard van Orley, 205

van Rijn, Rembrandt, _see_ Rembrandt

van Ruysdael, _see_ Ruysdael

Vasari _cited_ on Baldovinetti, 22, 24
his methods of fresco painting, 169
his frescoes in the Cappella Maggiore of S. Trinita, Florence, and
their subjects, 170
on their early decay, 173
_cited_ on the metal heads made by Verrochio, 84
_cited_ on the preparation of frescoes, 167
‘Life of Stefano Fiorentino and Ugolino Sanese,’ by, 126
and others, error of, as to Bernardo Daddi, 125

Vassall, F., portrait of his daughter, Mrs. Russell, by Sir J.
Reynolds, (Normanton), 223

Vaux, Château de, works of C. Le Brun at, 230

Vecellio, Tiziano, _see_ Titian

Vedas, the, story of Agni the fire God, and the origin of the Svastika
in, 44
note concerning these books, 353

Velasquez, as a painter of dogs, 218
one of the few painters whose brushwork equals that of Frans Hals,
52

Veneziano, Domenico, use of oil by, in his frescoes, 169

Ventura, Bernardino di, pencil-maker, of Florence, 167

Veramin, _see_ Ardabil and Veramin

Verard, Antoine, _Gaston Phoebus_ hand-printed by, 8

Verino, Ugolino, reference to the Gianfigliazzi family in a poem by,
28

Vermeer, Jan, of Delft, a rare master, painting by, Guildhall,
1903., _The Cook Asleep_, 55
other and finer works by elsewhere, _ib._

Verrochio, possibly the artist of the _P. Scipioni_ Bas-relief, views
of Bode and others _cited_, 84
statue by, _David_, resemblance between its mouth and that of the
above, 84

Versailles, works at, directed by C. Le Brun, 235

Verspronck, J., paintings by, Guildhall, 1903., _Portrait of a Dutch
Lady_, (Mrs. Stephenson Clarke), resemblance of his technique to
that of Hals, 55
painting probably by, _Portrait of a Lady_, (at Antwerp), _ib._

Via dell’ Ariento, Florence, Baldovinetti’s hired house in, 23

Vianizzi, Giovanni di Ser Antonio, writer of the records of the
Pinzochere of S. Paolo, Florence, 27

=Victoria and Albert Museum:=--
drawings on the wood for illustration to Dalziel’s ‘Arabian Nights,’
etc., in, 305
Exhibition of British Engraving at, E. F. Strange, 194
frescoes in, by Sir F. Leighton, 117
New Acquisitions at:--
Mediaeval Silver Chalice from Iceland, H. P. Mitchell, 70
The Reid Gift, (MSS.), 74

Vienna Museum, paintings by Boels in, ascribed to Memlinc, 35
Modern Gallery, Pictures in the new, 375

Vierge, Daniel, and his style, 306

Vigne, Gace de la, _see_ Buigne

Vincent, Sir E., _Head of a statue_ by Polykleitos owned by, shown at
the Burlington Fine Arts Club Exhibition, 244

Vinci, Leonardo da, _see_ Leonardo da Vinci
Ser Piero di Leonardo da, notary of Florence, engrosser of the
‘ricordo’ concerning Baldovinetti, 22, 23

Visconti, Bianca-Maria, second wife of Alfonzo II. of Aragon, 338

Vishnu, the Svastika probably an emblem of, 43

Vitry, Paul, Pictures recently acquired by the Louvre, _Landscapes_,
(2), by S. Ruysdael; _Portrait of Dame Danger_, by L. Tocqué, 343

Volpaia, Lorenzo dalla, astrologer, portrait of, in Baldovinetti’s
frescoes, 170

von Kaufmann, R , painting by A. Isenbrant owned by, _A Donor and his
Family, with Protecting Saints_, (Bruges, 1902.), 331

von Knebel, Hofrath Christian Friedrich, of Ansbach, lost votive
picture by Dürer once owned by, with portraits of the Margrave of
Culmbach and his Wife, 290

Vouet, Simon, early master of Charles Le Brun, 229

~Waagen, Dr.~, 60
_cited_ as to the _Annunciation_ attributed to Memlinc, (Prince
Radziwill), (Bruges, 1902.), 35

Walde, Muller-, _see_ Muller-Walde

Wantage, Lady, painting formerly attributed to Rembrandt, owned by,
_Le Commencement d’Orage_, Guildhall, 1903., 60
panels by Gerard David owned by, 39

Waring _cited_ on alleged absence of the Svastika in Babylonia and
Assyria, 44

Water-gods, Greek, and Hindu, Svastika the supposed emblem of, 43

Water-colour Paintings, _see_ Drawings

Watts, G. W., drawings on wood by, for illustrations to Dalziel’s
‘Bible Gallery,’ (V. and A. M.), 305

Wauters, A., _cited_ on Bernard van Orley, 205

Weale, W. H. J., The Early Painters of the Netherlands as illustrated
by the Bruges Exhibition of 1902., 35, 326
Note on the Life of Bernard van Orley, 205

Weaving, evolution of the art of, 349

Weber, E., painting by J. Prevost owned by, _Last Judgement_, (Bruges,
1902.), 332

Werth, researches of, on Codex MS. 616 of _Gaston Phoebus_, 8, 12

Wertheimer, A., painting attributed to Giorgione, but to be ascribed
to Cariani, acquired by, _ex_ Leuchtenberg collection, _Adoration of
the Shepherds_, 78

Westall, W., wash-and-pen drawing by, for illustration, 305

Westminister, Duke of, owner of painting by Sir J. Reynolds, _Mrs.
Siddons as the Tragic Muse_, 224
paintings attributed to Memlinc owned by, probably by L. Boels, 35

Wielant, Philip, and his wife, portrait of, on Triptych by Isenbrant,
331

Willett, Henry, armorial plate in Indo-European style, marked
‘Canton, 1791.,’ owned by, 277

William I., German Emperor, Berlin copy of first folio Shakespeare
bought by, 1858., 336

William III., deterioration of the acanthus design on plate in the
reign of, 161

William of Wykeham, founder of Winchester College, his arms and
outlay. 149

Wilson, Professor, _cited_ on the Svastika as primarily an ornament,
43
on the Svastika on Assyrian coins and those of Alexander the Great,
47
Sir Matthew, former owner of painting by Rembrandt, _Portrait eta
Lady_, (Hage), 360

Winchester Cathedral, marriage of Queen Mary to Philip of Spain in,
150
City, importance of, as one time capital of England, 149
College, The Plate of; P. Macquoid. 149
its founder, 149
visitors to, and their gifts of plate, 149-50;
inventory of plate of, _temp._ Henry VIII., 150
sequestration of the plate, _temp._ Edward VI., _ib._
subsequent gifts of new plate to, 155
description of principal existing pieces, 155 _et seq._
Marquis of. _circ._ 1682., Silver-gilt cup with cover presented by,
to Winchester College, 156

Windows, _see_ Glass, Painted Windows, _etc._

Woertz Museum, painting attributed to Memlinc owned by, (Bruges,
1903.), condition of, 35

Wolvesey Castle, visit to, of Henry VIII., 149

Woodburn, Samuel, marks affixed by, to Lawrence drawings, 286

Wood-carving, Burgundian Chest, (Bruges, 1902.), (Hospices civiles,
Aalst), 358
Oaken Chest of Ypres, 357

Woodcuts, newly acquired by the Print Room of the British Museum, 75

Woollett, William, and his school of engravers, work by, shown at the
V. and A. Museum Exhibition, 194
plate by, and by his pupils, _Roman Edifices in Ruins_, after
Claude, 194-9

Works of Art belonging to Dealers, The Publication of, _editorial_, 5

Wrotham, Kent, slipware of, ~XVII.~ and ~XVIII.~ cent., 68

Wykeham, _see_ William of Wykeham

~Xerxes~, the Apadana of, and its art, 139

Ximenes, Cardinal, type cut by order of, the Alcalà fount, 358

~Yarkand~ Rugs, the pomegranate as the Tree of Life on, 353

Yez-de-jird the Third, last of the Sassanian kings overthrown by the
Mahomedans, 47

Ypres, The Oaken Chest of, 357

~Zendavesta~, _note_ concerning, 354

Zeus, the Svastika supposed to be an emblem of, 43

Zmigrodski on the derivation of the Suavastika, 44

❧ INDEX OF ARTISTS AND WORKS OF ART ❧

~Albarelli~, Italian, _see_ Ceramics

Altarpiece, by A. Baldovinetti, painted for the Cappella Maggiore, S.
Trinità, now in the Florentine Academy, _Trinity, with Saints_, 29

Aquatint, coloured, by Stadler, _The Hôtel de Ville, Louvain_, after
S. Prout; (V. and A. M.), 203

Armorial Bearings, (Shields), of the Doria family, (in text), 268

~Bagg~, engraving by, after E. Isabey,_ Ship During Storm_,
illustration to Curmer’s ‘Paul et Virginie,’ 307 (3)

Baldovinetti, Alesso, painted glass window, designed by, in S. Croce,
Florence, with figures of God the Father and St. Andrew, 25
paintings by, Altarpiece, _Trinity, with Saints_, formerly in S.
Trinità, now in the Florentine Academy, 29
_Patriarchs_, _Abraham_, _Noah_, _Moses_ and _David_ on the Vault
of the Cappella Maggiore of S. Trinità, Florence, 171

Barret, G., drawing by, for an illustration, _Landscape_, 301 (3)

Bartolozzi, F., drawing by, for an illustration, _Cupid with a Tragic
Mask_, 298 (3)

=Bas-reliefs:=--
by Agostino di Duccio, _Virgin and Child, with Saints and Cherubs_,
in the Louvre, 88
Greek, Burlington Fine Arts Exhibition, _Fragment of the Frieze of
the Parthenon_, (T. D. Botterell), 236
School of Leonardo da Vinci, _Bust and profile in helmet and armour,
inscribed ‘P. Scipioni,’_ in the Louvre, 88

Book-illustrations of the Later Nineteenth Century, five plates, 295,
298, 301, 304, 307

Bosboom, Jan, painting by, _The Archives at Veere_, (J. C. J.
Drucker), Dutch Exhibition, Guildhall, 179

Boule, André Charles, Furniture by, Marquetry Bureau, and Bookcase,
234

=Bronzes:=--
Greek, Burlington Fine Arts Exhibition, _Amphora Handle_, (Wyndham
Cook), _Mask of Sea Deity_, (Salting), _Mirror-cover_, (Taylor),
247
_Plaque_, (Wallis), 245
Statuettes, _Aphrodite_, _Nude_, (Loeser), _Aphrodite with Torch_,
_Seilenos Crouching_, (Taylor),_ Sick Man_, (Wyndham Cook), 245

Bruges Museum, painting by Gerard David in, _The Judgement of
Cambyses_, 2

Brussels, Seals of the Gilds of Bakers, Barbers, and Butchers of, (in
text), 190, 191

Burgundian Wooden Chest, ~XV.~ cent., richly carved, (Hospices
civiles, Aalst), 361

Burlington Fine Arts Club, Exhibition held by, _see_ Greek Art

Busi, Giovanni, _see_ Cariani

~Cariani~, (Giovanni Busi), paintings by, _Madonna and Child_, (G.
Salting), 79
_The Sempstress Madonna_, (Corsini Gallery, Rome), 81

Carpets, _see_ Textiles

=Ceramics= (_see_ Terra-cottas):--
Early Staffordshire Ware, (slip-ware, etc.), Dish, Tygs, Cups,
Cradle, Jug, Lantern, etc., illustrated in text, ~XV.~ figs., 64-9
Greek, Burlington Fine Arts Exhibition, _Krater_, (Harrow School),
253
_Kylix_ signed Tleson, and _Plate_ signed Epiktetos, (Marquess of
Northampton), 253
Lowestoft China, Teapot, (Harding), and Small Plate, (Franks), 273
Teapot, hard porcelain, made and decorated in China, but marked
‘Allen, Lowestoft’; (V. and A. M.), 276
Three Italian Albarelli, ~XIV.~ cent., (Louvre), 339

=Chalices:=--
Early Scandinavian, (~XIII.~ cent.), Silver, from Iceland, with
details of inscription and decoration, V. and A. Museum, 71
The Sorö, Silver, from Denmark, 356
Winchester College, 165

=Chests:=--
Burgundian, ~XV.~ cent., richly carved, (Hospices civiles, Aalst),
361
Polychrome Wooden Chest (The Ypres Chest), 361

Cimabue, School of, paintings by, artist unknown, _Nativity_, and
_Adoration_, (Parry), 118

Cnoop, Cornelia, wife of Gerard David, painting by, Triptych, _B. V.
M. and Child, SS. Catherine and Barbara_, (P. and D. Colnaghi), 37

Corsini Gallery, Rome, painting by Cariani, _The Sempstress Madonna_,
in, 81

Courbould, drawing by, for an illustration, _Duel Scene_, 298 (4)

~Daddi~, Bernardo, painting by, _Altarpiece in Five Parts_, (Parry),
121

Dalziels, engraving by, after D. G. Rossetti, _The Maids of Elfen
Mere_, illustration to Allingham’s ‘Music Master,’ 304 (1)

Daubigny, Charles-François, painting by, _On the Seine_, (Balli), 365

David, Gerard, (_see_ Cnoop, Cornelia, his wife, and her painting),
paintings by, _B. V. M. and Child, with Angels_, _Virgin Saints, the
painter and his wife_, (Rouen Museum), 34
_The Judgement of Cambyses_, (Bruges Museum), 2

De Koninck, Philips, painting variously attributed to, and to
Rembrandt, shown at Guildhall, 1903., _Le Commencement d’Orage_,
(Lady Wantage), 61

Denmark, The Sorö Chalice from, 356

Doria family, armorial bearings of the, (in text), 268

=Drawings:=--
by artist unknown, for an illustration, _River Scene_, 301 (2)
by Barret, G., for an illustration, Landscape, 305 (3)
by Bartolozzi, G., for an illustration, _Cupid with is Tragic Mask_,
298 (3)
by Corbould, for an illustration, _Duel Scene_, 298 (4)
by Dürer, A., _Portrait of a Lady_, (B. M.), 287
_Portrait of a Lady with a Lap-dog_, (Heseltine), 291
by Gigoux, J., _Man’s Head_, illustration to ‘Gil Blas,’ 295 (1)
by Harvey, _Butterfly and Ant_, illustration to ‘Northcote’s
Fables,’ 298 (2)
by Isabey, E.,_ Ship during Storm_, illustration to Curmer’s ‘Paul
et Virginie,’ 307 (3)
by Meissonier, J. L. E., _Shoeing a Horse_, illustration to ‘Les
Contes Rémois,’ 307 (1)
by Menzel, A., _The Round Table_, illustration to ‘Geschichte
Friedrichs des Grossen,’ 295 (2)
by Palmer, S., illustration to ‘Sacred Allegories,’ 304 (2)
by Rossetti, D. G., for an illustration to Allingham’s ‘Music
Master,’ _The Maids of Elfen Mere_, 304 (1)
by Stothard, T., for an illustration, _Cupid’s Shooting-lesson_,
301 (1)
by Westall, W., for an illustration, _Barefooted Woman under Tree,
Man and Dog to left_, 293 (1)

Duccio, Agostino di, Bas-relief by, _Virgin and Child with Saints and
Cherubs_, (Louvre), 88

Dürer, Albrecht, drawings by, _Portrait of a Lady_, (B. M.), 287
_Portrait of a Lady with a Lap-dog_, (Heseltine), 291

Dutch Exhibition at the Guildhall, 1903., Painters whose work
was shown at, _see_ Bosboom, De Koninck, Israels,
Maris, J., and M., Mauve, Molenaer, Rembrandt,
Steen, Van de Capelle, Vermeer, Verspronck

~Early~ Painters of the Netherlands whose work was shown at Bruges,
1902., _see_ Cnoop, David, Isenbrant, Memlinc, van Eecke

=Engravings=, see also Mezzotints:--
artist unknown, after J. Gigoux, _Man’s Head_, illustration to ‘Gil
Blas,’ 295 (1)
by Bagg, after E. Isabey, _Ship during Storm_, illustration to
Curmer’s ‘Paul et Virginie,’ 307 (3)
by Green, W. T., after S. Palmer, illustration to ‘Sacred
Allegories,’ 304 (2)
by Jackson, after Harvey, _Butterfly and Ant_, illustration to
‘Northcote’s Fables,’ 298 (2)
by Knutchmar, E., after A. Menzel, _The Round Table_, illustration
to ‘Geschichte Friedrichs des Grossen,’ 295 (2)
by Lagornal, after Meissonier, _Shoeing a Horse_, illustration to
‘Les Contes Rémois,’ 307 (1)
by Williams, Mary Ann, _Jacque_, illustration to Curmer’s ‘Paul et
Virginie,’ 307 (2)
Line, British, _Portrait of Queen Elizabeth_, by W. Rogers, (H.M.
the King), 195
_Roman Edifice in Ruins_, after Claude, by T. Hearne and W.
Woollett, working proof, (V. and A. M.), 197

~Flemish~ School, paintings of. by unknown artists, _Portrait of the
Empress Isabella_, from which Titian painted his portrait, 283
_Portrait of Roger de Jonghe_, _Austin Friar_, (Sœurs Noires,
Bruges), 333

Florentine Academy; Altarpiece by A. Baldovinetti in, _Trinity with
Saints_, 29
School, paintings by artist unknown; _Madonna and Child with
Angels_, (Parry), 129
Triptych by same hand, (Uffizi), _ib._

=France, Art and Artists of:=--
Statue, Marble, by G. Pilon, ~XVI.~ cent., _La Charité_, (E.
Lowengard), (two aspects of), 94
French painters illustrated, _see_ Daubigny, Isabey, Lhermitte,
Meissonier, Tocqué
paintings, (probable), artists unknown, ~XIV.~ cent., _Adoration of
the Magi_, and _Dormition of the B. V. M._, (Messrs. Dowdeswell).
91

French Book-illustrations of the Later Nineteenth Century, 295 (1),
300 (1 and 3)
Furniture, Marquetry Bureau, and Bookcase by A. C. Boule, 234
Tapestry, Gobelin,_ Psyche’s Bath_, and section of border of the
same, (Louvre), 231
High Warp, _Louis XIV. visiting the Gobelins_, after C. Le Brun,
228

Furniture, French, by A. C. Boule, Marquetry Bureau, and Bookcase, 234

~Gaddi~, Agnolo, painting by, _Coronation of Our Lady_, (Parry), 123
Taddeo, painting by, _Part of an Altarpiece_ in S. Croce, Florence,
123

‘Gaston Phoebus’ MS., Facsimiles from, 9, 13, 17, 19

Gigoux, J., drawing by, _Man’s Head_, illustration to ‘Gil Blas,’
295 (1)

Gilds in Brussels, Seals of those of the Bakers, Barbers, and
Butchers, 191, 192

Glass, _see_ Painted Glass

Greek Art, _see under_ Bas-reliefs, Bronzes, Ceramics, Metal Work,
Sculpture, Terra-cottas

Green, W. T., engraving by, after S. Palmer, illustration to ‘Sacred
Allegories,’ 304 (2)

~Harvey~, drawing by, _Butterfly and Ant_, illustration to
‘Northcote’s Fables.’ 298 (2)

Hearne, T., and W. Woollett, line engraving by, _Roman Edifice in
Ruins_, working proof, (V. and A. M.), 197

~Iceland~, Scandinavian Silver Chalice, early ~XIII.~ cent., from,
with details of inscription and decoration (V. and A. M.), 71

Illuminated MS., ‘Gaston Phoebus,’ Facsimiles from, 9. 13, 17, 19

=Illustrations= (_see also_ Book-illustrations) =in the Text=:--
Early Staffordshire Pottery-ware, (slipware, etc.). Dish, Tygs,
Cups, Cradle, Jug, Lantern, etc., ~XV.~ figs., 64-9
Heraldic Shields of the Doria Family, 268
Lotus flower, natural forms of, 349, 350, 353
Seals of the Gild of Bakers, Barbers, and Butchers, Brussels, 191,
192
Svastika, various forms of, 43, 44, 47, 48

Isabey, E., drawing by, _Ship during storm_, illustration to Curmer’s
‘Paul et Virginie.’ 307 (3)

Isenbrant, Adrian, paintings by, shown at Bruges, 1902., _St. Luke_,
(Colnaghi), 327
_Virgin and Child, with two Angels_, (Lotman), _ib._
_Vision of St. Ildephonsus_, (Northbrook), 330

Israels, Josef, paintings by,_ A Jewish Wedding_, (J. C. F. Drucker),
179
_The New Flower_, (J. S. Forbes), Dutch Exhibition, Guildhall,
1903., 181

Italian Painters, _see_ Baldovinetti, Cariani, Florentine School,
Leonardo da Vinci, Titian, Vanni, Venetian School, _etc._

Italy, Maiolica of, Three Albarelli, ~XIV.~ cent. (Louvre), 339

~Jackson~, engraving by, after Harvey, _Butterfly and Ant_,
illustration to ‘Northcote’s Fables,’ 298 (2)

~Knutchmar~, E., engraving by, after A. Menzel, _The Round Table,_
illustration to ‘Geschichte Friedrichs des Grossen,’ 295. (2)

Koursi, Arabic, Lid of, ~XIV.~ cent., copper encrusted with gold and
silver (Louvre), 347

~Lace~, Brussels, Honiton, Rose-point, Drawn-thread-work, Venetian,
Irish crochet, Imitation Alençon, 99
Russian, Venetian, Alençon, Modern Irish Needle-point, 97
Turkish Drawn-thread-work, Reticella, Venetian-made Alençon, Alençon
bordering, (Mrs. Alfred Morrison), 101

Lagornal, engraving by, after Meissonier, _Shoeing a Horse_,
illustration to ‘Les Contes Rémois,’ 307 (1)

Le Brun, C., Tapestry after, (High Warp), _Louis XIV. visiting the
Gobelins_, 228

Lhermitte, Leon, painting by, _Le Pêcheur_, (Balli), 365

Leonardo da Vinci, school of, Bas-relief, by artist unknown,
_Bust and profile in helmet and armour, inscribed ‘P. Scipioni’_
(Louvre), 88

Leuchtenberg Collection, St. Petersburg, painting of the Venetian
School from, _Adoration of the Shepherds_, artist unknown, 85

Lotus plant, the, natural forms of, _in text_, 349, 350, 353

Louvre, The, Bas-reliefs in, by Agostino di Duccio, _Virgin and Child
with Saint and Cherubs_, 88
by unknown artist, school of Leonardo da Vinci, _Bust and profile in
helmet and armour, inscribed ‘P. Scipioni,’_ 88

Lowestoft China, _see_ Ceramics

~Maiolica~, _see_ Albarelli _under_ Ceramics

Manuscripts, _see_ Illuminated MS.

Maris, Jacob, paintings by, _The Canal Bridge_, (Agnew), 183
_A Windmill_, _Moonlight_, (J. C. J. Drucker), Dutch Exhibition,
Guildhall, 185

Maris, Matthew, paintings by, _The Butterflies_, (W. Burrell), 187
_A Fantasy_, (Mme. E. J. van Wisselingh), Dutch Exhibition,
Guildhall, 181

Martini, Simone, paintings by, _Annunciation_, (Uffizi), 323

Mauve, Anton, painting by, _Watering Horses_, (J. C. J. Drucker),
Dutch Exhibition, Guildhall, 183

Meissonier, drawing by, _Shoeing a Horse_, illustration to ‘Les
Contes Rémois,’ 307 (1)

Memlinc, Hans, paintings attributed to, _Portraits of Thomas
Portunari and his Wife_, (probably by Van der Goes), (L.
Goldschmidt), 41

Menzel, A., drawing by, for illustration to ‘Geschichte Friedrichs
des Grossen,’ _The Round Table_, 295 (2)

=Metal Work=, _see_ Copper and Silver:--
Arabic, Lid of a Koursi, copper encrusted with gold and silver,
~XIV.~ cent., (Louvre), 347
Greek, Burlington Fine Arts Exhibition, _Mirror-cover_, Repoussé (J.
E. Taylor), 247

Mezzotints, by Prince Rupert, after Spagnoletto, _The Great
Executioner_, (H.M. King Edward), 270
by C. Turner, _The Water Mill_, after Sir A. W. Callcott, (V. and A.
M.), 201

=Miniatures:=--
from the Arab MS., Makamat of Hariri; (C. Schefer), 133
from MS. of the Astronomical Treatise of Abd-er-Rahman El-Sufi,
(Nat. Lib. of France), 133
from a Persian MS., of 1527., Hunting Scene, (Nat. Lib. of France),
145
(two) from a Persian MS., of 1566., ‘The Book of Kings,’ (Baron E.
de Rothschild), 137, 141

Molenaer, Jan Miense, painting by, _A Group of Three_, (E. Speyer),
Dutch Exhibition, Guildhall, 176

Monaco, Lorenzo, paintings by, _Adoration of the Magi_, 127
_The Visitation_, (Parry), _ib._

Museums and Galleries, _see_ Bruges Museum, Corsini Gallery, Rome,
Florentine Academy, Leuchtenberg Collection National Gallery, Nat.
Lib. of France, Rouen Museum, V. and A. Museum, _etc._

Mussulman Miniatures, Arabic and Persian (various owners), 133, 137,
141, 145

~National~ Gallery, painting, Venetian School, artist unknown, in,
_Adoration of the Shepherds_, 85

New College, Oxford, paintings by Sir J. Reynolds as designs for the
Window at, _Cardinal Virtues_, _Temperance and Prudence_, 213
_Fortitude and Justice_, 216
_Theological Virtues_, _Faith_, _Hope_, and _Charity_, 210

Normanton Collection, paintings by Sir J. Reynolds in, _The Cardinal
Virtues_, _Temperance and Prudence_, 213
_Fortitude and Justice_, all designs for the window at New College,
Oxford, 216
_The Three Theological Virtues_ for the same, 210
_The Little Gardener_, 219
Portraits: _George, third Duke of Marlborough_, 222
_Lady Betty Hamilton_, 116
_Miss Murray of Kirkcudbright_, 207
The Misses Horneck, _225_
_Study of a Little Girl_, _ib._

~Oxford~, see New College

~Painted~ Glass Window, with figures of God the Father and St.
Andrew, from cartoons of A. Baldovinetti, S. Croce, Florence, 25

=Paintings:=--
attributed to Memlinc, Hans, _Portraits of Thomas Portunari and his
Wife_, (probably by Van der Goes), (Goldschmidt), 41
attributed to Rembrandt and to De Koninck, Le Commencement d’Orage.
(Lady Wantage), shown at Guildhall, 1903., 61
by Baldovinetti, A., Altarpiece, _Trinity_, formerly in S. Trinità,
now in the Florentine Academy, 29
on the Vault of the Cappella Maggiore of S. Trinità, Florence,
_Abraham_, _Noah_, _Moses_, and _David_, 166
by Bosboom, Jan, _The Archives at Veere_, (J. C. J. Drucker), Dutch
Exhibition, Guildhall, 179
by Cariani (Giovanni Busi), _Madonna and Child_, (Salting), 79
_The Sempstress Madonna_, (Corsini Gallery, Rome), 81
by Cnoop, Cornelia, wife of Gerard David, Triptych, _B. V. M. and
Child, SS. Catherine and Barbara_, (Colnaghi), 37
by Daddi, Bernardo, _Altarpiece in Five Parts_, (Parry), 121
by Daubigny. C.-F., _On the Seine_, (Balli), 365
by David, Gerard, _B. V. M. and Child, with Angels, Virgin Saints,
the painter and his wife_, (Rouen Museum), 34
_The Judgement of Cambyses_, (Bruges Museum), 2
Flemish school, artists unknown, _Portrait of the Empress Isabella_
from which Titian painted the portrait now in the Prado Museum,
Madrid, (in private collection, Florence), 283
shown at Bruges, 1902., _Portrait of Roger de Jonghe_, _Austin
Friar_, (Sœurs Noires, Bruges), 333
Florentine School, artist unknown, _Madonna and Child with Angels_,
(Parry), 129
_Triptych_ by the same artist (Uffizi), _ib._
probably French, ~XIV.~ cent., artists unknown, _Adoration of the
Magi_, and _Dormition of the B. V. M._, (Dowdeswell), 91
by Gaddi, Agnolo, _Coronation of Our Lady_, (Parry), 123
by Gaddi, Taddeo, _Part of an Altarpiece_ in S. Croce, Florence, 123
by Isenbrant, Adrian, shown at Bruges, 1902., _St. Luke_,
(Colnaghi), 327
_Virgin and Child with two Angels_, (Lotman),_ ib._
_Vision of St. Ildephonsus_, (Northbrook). 330
by Israels, Josef, shown at the Dutch Exhibition, Guildhall, _A
Jewish Wedding_, (J. C. J. Drucker) 179
_The New Flower_, (J. S. Forbes), 181
by Lhermitte, Leon, _Le Pêcheur_, (Balli), 365
by Maris, Jacob, shown at Dutch Exhibition, Guildhall, _The Canal
Bridge_, (Agnew), 183
_A Windmill_, _Moonlight_, (Drucker), 185
by Maris, Matthew, shown at Dutch Exhibition, Guildhall, _The
Butterflies_, (W. Burrell), 187
_A Fantasy_, (Mme. E. J. van Wisselingh), 181
by Martini, Simone, _Annunciation_, (Uffizi), 323
by Mauve, Anton, _Watering Horses_, (J. C. J. Drucker), Dutch
Exhibition, Guildhall, 183
by Molenaer, Jan Miense, _A Group of Three_, (E. Speyer), Dutch
Exhibition, Guildhall, 176
by Monaco, Lorenzo, _Adoration of the Magi_, 127
_The Visitation_ (Parry), 127
by Rembrandt, _Portrait of a Lady_, (Hage), 363
School of Cimabue, artist unknown, _Nativity and Adoration_,
(Parry), 118
by Reynolds, Sir Joshua, (Normanton), _The Cardinal Virtues_,
_Temperance_ and _Prudence_, _Fortitude_ and _Justice_, _The Three
Theological Virtues_, _Faith_, _Hope_, and _Charity_, all for the
Window at New College, Oxford, 210, 213, 216
_The Little Gardener_, 219
Portraits: _George, third Duke of Marlborough_, 222
_Lady Betty Hamilton_, 116
_Miss Murray of Kirkcudbright_, 207
_The Misses Horneck_, 225
_Study of a Little Girl_, _ib._
by Ruysdael, Solomon, _Landscapes_, (2), (Louvre), 342
by Steen, Jan, _Portrait of Himself_, (Northbrook), shown at
Guildhall, 1903., 53
by Titian, (Tiziano Vecellio), _Portrait of the Empress Isabella_,
(Prado Museum, Madrid), 280
by Tocqué, Louis, _Portrait of Dame Danger_, (Louvre), 345
by Van de Capelle, J., _Off Scheveningen_, (Crews), shown at
Guildhall, 1903., 57
by Van Eecke, John, shown at Bruges, 1902., _Episodes in the Life
of St. Bernard_, (Tournai Museum), 333
by Vanni, Andrea, Altarpiece, Polyptych, _Madonna and Saints_, S.
Stefano, Siena, 311
_Annunciation_, (Chigi collection, Siena), 323
_Annunciation_, in S. Pietro Ovile, Siena, 314
details of the foregoing, 320
_Madonna and Child_, (Berenson), 317
_Virgin and Child_, from the Altarpiece in S. Francesco, Siena,
314
Venetian School, artists unknown, _Adoration of the Shepherds_, one
in the National Gallery, one from the Leuchtenberg collection, 85
by Vermeer, Jan, of Delft, _The Cook Asleep_, (Kann), shown at
Guildhall, 1903., 50
by Verspronck, Jan, Portrait of the Wife of Thomas Wijck, (Mrs.
Stephenson Clarke), shown at Guildhall, 1903., 53

Palmer, Samuel, drawing by, illustration to ‘Sacred Allegories,’
304 (2)

Parry Collection, paintings in, by Bernardo Daddi, _Altarpiece in Five
Parts_, 121
Florentine School, artist unknown, _Madonna and Child with Angels_,
129
_Triptych_ by the same artist (Uffizi), _ib._
by Agnolo Gaddi, _Coronation of Our Lady_, 123
by Lorenzo Monaco, _Adoration of the Magi_, 127
_The Visitation_, 127
School of Cimabue, artist unknown, _Nativity and Adoration_, 118

Pilon, Germain, French Sculptor, (~XVI.~ cent ), Marble Statue by _La
Charité_, (Löwengard), (two aspects of), 94

Plate belonging to Winchester College:--
Ecclesiastical, 165
Election Cup, 148
Gilt Cup with Cover, 154
Parcel Gilt Rose-water Dish and Ewer with top of Cover of Ewer, 151
Rose-water Dish and Ewer, and Small Gilt Standing Cup and Cover, 157
Steeple Cup and Hanap, 163
Sweetmeat Dish and Gilt Standing Salt, 154
Two Tankards and Standing Salt, 160

Polychrome Wooden Chest, (The Ypres Chest), 361

Pottery, _see_ Ceramics

Prince Rupert, _see_ Rupert, Prince

~Rembrandt~, (Van Rijn), painting by, _Portrait of a Lady_, (Hage),
363
variously ascribed to, and to De Koninck, shown at Guildhall, 1903.,
_Le Commencement d’Orage_, (Lady Wantage), 61

Reynolds, Sir J., paintings by, Normanton collection: _The Cardinal
Virtues_, _Temperance_ and _Prudence_, 213
_Fortitude_ and _Justice_, all designs for the Window at New
College, Oxford, 216
_The Three Theological Virtues_, _Faith_, _Hope_, and _Charity_, for
the same, 210
_The Little Gardener_, 219
Portraits: _George, third Duke of Marlborough_, 222
_Lady Betty Hamilton_, 116
_Miss Murray of Kirkcudbright,_ 207
_The Misses Horneck_, 225
_Study of a Little Girl_, _ib._

Rogers, W., engraver, line engraving by, _Portrait of Queen
Elizabeth_, (H.M. the King), V. and A. Museum Exhibition, 195

Rose-water Dish and Ewer, Parcel Gilt, with top of cover of Ewer,
(Winchester College), 155
and Small Gilt Standing Cup and Cover, (Winchester College), 157

Rossetti, D. G., drawing by, _The Maids of Elfen Mere_, to illustrate
Allingham’s ‘Music Master,’ 304 (1)

Rouen Museum, painting by Gerard David in, _B. V. M. and Child, with
Angels, Virgin Saints, the painter and his wife_, 34

Rupert, Prince, Mezzotint by, _The Great Executioner_, after
Spagnoletto, (H.M. King Edward), 270

Russia, _see_ Russian Lace _under_ Lace, _and_ Leuchtenberg Collection

Ruysdael, Solomon, paintings by, _Landscapes_, (2), (Louvre), 342

~Scandinavia~, Art of, _see_ Denmark _and_ Iceland

=Sculpture=, _see_ Bas-reliefs, Bronzes, Statues and Terra-cottas:--
Greek, Burlington Fine Art Exhibition, _Bust of Aphrodite_, probably
by Praxiteles, (Leconfield), 239
_Head of a Mourning Woman_, (Ponsonby), 241
_Head of a Youth_, (Vincent), 241

Seals of the Gilds of Bakers, Barbers and Butchers, Brussels, (in
text), 191, 192

Silver and Silver Plate, _see_ Plate
Chalices, Scandinavian, early ~XIII.~ cent., from Iceland, with
details of inscription and decoration, (V. and A. M.), 71
The Sorö, from Denmark, 356

Sorö, Chalice, The, from Denmark, 356

Stadler, J. C., Coloured Aquatint by, _The Hôtel de Ville, Louvain_,
after Prout; V. and A. Museum Exhibition, 203

Standing Salt (Winchester College), 154, 160

Statue, Marble, by G. Pilon, ~XVI.~ cent., _La Charité_, (Lowengard),
(two aspects), 94

Steen, Jan, painting by, _Portrait of Himself_, (Northbrook), shown
at Guildhall, 1903., 53

Stothard, T., drawing by, for an illustration, _Cupid’s Shooting
Lesson_, 301 (1)

Svastika, The, occurring in an Oriental Carpet owned by H. Hartley, 45
Various forms of, to illustrations in text, 43, 44, 47, 48

Sweetmeat Dish (Winchester College), 154

~Tankards~, silver, (Winchester College), 160

=Tapestry:=--
Gobelin, _Psyche’s Bath_, and section of border of the same,
(Louvre), 231
High Warp, _Louis XIV. visiting the Royal Furniture Manufactory at
the Gobelins_, after C. Le Brun, 228

Terra-cottas, Greek, Burlington Fine Art Exhibition, Doll, (Mrs.
Mitchell), 251
_Female Caryatid Figure_, _Woman Leaning on Pedestal_, _The Young
Dionysos_, (Taylor), 251
_Woman with Fan_, (Knowles), 251

=Textiles,= (_see_ Lace, _and_ Tapestry), Carpets, Tabriz, centre
medallion illustrating the Tree of Life and Lotus Flower, (Gillow),
350

Titian, (Tiziano Vecellio), painting by, _Portrait of the Empress
Isabella_, (Prado Museum, Madrid), 280

Tocqué, Louis, painting by, _Portrait of Dame Danger_, (Louvre), 345

Turner, C., Mezzotint by, after Calcott, _The Water Mill_, (V. and A.
M.), 201

Type, Mr. Robert Proctor’s new Greek ‘Otter’ type, _facsimile_, 359

~Van de Capelle~, Jan, painting by, _Off Scheveningen_, (Crews),
shown at Guildhall, 1903., 57

Van Eecke, John, painting by, shewn at Bruges, 1902., _Episodes in
the Life of St. Bernard_, (Tournai Museum), 333

Vanni, Andrea, paintings by, Altarpiece, Polyptych, _Madonna and
Saints_, S. Stefano, Siena, 311
_Annunciation_, (Chigi collection, Siena), 323
_Annunciation_, in S. Pietro Ovile, Siena, 314
details of the foregoing, 320;
_Madonna and Child_, (Berenson), 317
_Virgin and Child_, from the Altarpiece in S. Francesco, Siena, 314

Venetian School, paintings of, artists unknown, _Adoration of the
Shepherds_, one in the National Gallery, one from the Leuchtenberg
collection, 85

Vermeer, Jan, of Delft, painting by, _The Cook Asleep_, (Kann), shown
at Guildhall, 1903., 50

Verspronck, Jan, painting by, _Portrait of the Wife of Thomas Wijck_,
(Mrs. Stephenson Clarke), shown at Guildhall, 1903., 53

=Victoria and Albert Museum:=--
Exhibition of British Engraving at:--
coloured Aquatint in, by Stadler, after Prout, _The Hôtel de
Ville, Louvain_, 203
engravings (line) in, by T. Hearne and W. Woollett, _Roman Edifice
in Ruins_, working proof, 197
by W. Rogers, _Portrait of Queen Elizabeth_, (H. M. the King),
195
mezzotint in, by C. Turner after Callcott, _The Water Mill_, 201
Scandinavian Silver Chalice, early ~XIII.~ cent., from Iceland, in,
(with details of inscription and decoration), 71

~Westall, W.~, drawing by, for an illustration, _Barefooted Woman
under Tree, Man and Dog to left_, 298 (1)

Williams, Mary Ann, engraving by, _Jacque_, illustration to Curmer’s
‘Paul et Virginie,’ 307 (2)

Winchester College, Plate of, 148, 151, 154, 157, 160, 163, 165

=Wood-carvings:=--
Burgundian Chest, ~XV.~ cent. (Hospices civiles, Aalst), 361
Polychrome Chest, (The Ypres Chest), 361

Woollett, W., engraver, _see_ Hearne, T.

FOOTNOTES:

[1] ‘Reports from Her Majesty’s representatives abroad as to the statutory provisions existing in foreign countries for the preservation of historical buildings.’-- Miscellaneous, No. 2 (1897).

[2] Messrs. Ballantyne, Hanson and Co.

[3] Appendix, Doc. I.

[4] Vasari, ed. Sansoni, Vol. II, p. 597, note 3.

[5] Vasari, ed. 1568, Vol. I, p. 381.

[6] Appendix, Doc. II.

[7] Appendix, Doc. IV.

[8] Vasari, ed. Sansoni, Vol. II, p. 601.

[9] Appendix, Doc. V.

[10] Appendix, Doc. VI.

[11] G. Richa, _Chiese Fior._ Vol. III, p. 122.

[12] l. c., p. 124.

[13] l. c., p. 125.

[14] Cod. Magliabechiano; XXVI, 23; fol. Sio _recto_ to 811 _recto_.

[15] Appendix, Doc. VIII.

[16] Appendix, Doc. III.

[17] Vasari, ed. Sansoni, Vol. II, p. 595, note.

[18] Appendix, Doc. VIII.

[19] A. Cocchi, _Le Chiese di Firenze_, Firenze, 1903, Vol. I, p. 180.

[20] Appendix, Doc. IX.

[21] l. c., Lib. III, ed. 1790, p. 122.

[22] Firenze: _Biblioteca Nazionale_, Codice II, I, 129; _Storia della Nobilita di Firenze: Scritta da Piero di Gio. Monaldi_. [_c._ 1626.]

[23] Vasari, ed. 1568, Vol. I, p. 417.

[24] I have searched in vain for it, in the protocols of that notary, preserved in the Archivio di Stato at Florence.

[25] G. Richa, _Chiese Fior._ Vol. III, p.

[26] Appendix, Doc. VII

[27] C. Cennini, _Il Libro del Arte_, Firenze, 1859, cap. clxxi, p. 122.

[28] Appendix, Doc. IX.

[29] _Ricordi di Alesso Baldovinetti_, Lucca, 1868, pp. 14 and 16.

[30] Appendix, Doc. VII.

[31] Appendix, Doc. IX.

[32] ‘Tirthankara.’ from Tirt’ ha (Sanskrit--any Hindu shrine or holy place to which Hindus make pilgrimages). ‘Tirthankara’ is the generic title of the twenty-four deceased saints held sacred by the Jains. They are deified mortals.

[33] ‘Labarum’ was the name given before the time of Constantine, and apparently as far back as that of Hadrian, in the Roman army to the standard of the cavalry. Gradually this became the standard of the whole army, and in its later developments the banner became surmounted by the Eagle of Victory, but always with the cross beneath. Constantine replaced the eagle by the sacred monogram (the Greek letter P traversed by X); he further embroidered the Christian emblems on the purple of the banner in gold and jewels, and beneath these he placed medallions representing in portraiture himself and his children.

[34] Compare the inscription on a paten from Haraldsborg, Denmark, in the Copenhagen Museum:--HINC PANEM VITE MVNDATI SVMITE QVIQ[ue]. (J. J. A. Worsaae, ‘Nordiske Oldsager i det Kongelige Museum i Kjöbenhavn,’ 1859, p. 144.)

[35] F. Bock, ‘Les Trésors Sacrés de Cologne,’ 1862, pl. 28. H. Otte, ‘Handbuch der Kirchlichen Kunst-Archäologie.’ 5th ed. 1883, I. p. 223.

[36] It is distinctive of chalices of the twelfth century and earlier that the bowl either is separated from the knop by only a narrow interval or springs directly from it. Compare the examples of the eighth to twelfth century figured in Otte’s Handbuch, and the French examples of the Church of St. Gauzelin and of St. Rémy. (Exposition rétrospective, Paris, 1900. Catalogue illustré, pp. 65, 73.) It may be remarked that only one of these examples exhibits the slightly turned-out lip which characterizes English chalices of early date. (See Hope and Fallow, ‘English Medieval Chalices and Patens,’ _Archaeological Journal_, xliii, 142.)

[37] Burlington Fine Arts Club. Exhibition of Silversmiths’ Work, 1901. Illustrated Catalogue, Pl. II.

[38] C. Nyrop, ‘Meddelelser om Dansk Guldsmedekunst,’ 1885, fig. 3, p. 6. Gams, Series Episcoporum, p. 330.

[39] J. J. A. Worsaae, ‘Nordiske Oldsager,’ p. 134. J. O. Westwood, Catalogue of Fictile Ivories in the South Kensington Museum, p. 152.

[40] A. Bertram. ‘Das eherne Taufbecken im Dome zu Hildesheim.’ In _Zeitschrift fur Christliche Kunst_, xiii, 129.

[41] See the casts of the doors of the churches of Sauland and Hallingdal in the South Kensington Museum.

[42] F. York Powell on Icelandic literature.

[43] See ‘Zorzon da Castelfranco. La sua origine, la sua morte e tomba.’ By Dr. Georg Gronau. Venice, 1894.

[44] Cf. Jacobsen. Rep. fur Kunstwiss. xxiv, 5, p. 368.

[45] P. 134: ‘No responsibility is accepted by the author for the attributions of pictures on this list,’ etc.

[46] Described and reproduced in Havard’s ‘Merveilles de l’Art Hollandais, exposées à Amsterdam en 1872.’

[47] _Inter alia_, those in the R. Kann, M. Kann, and Schloss collections (Paris); the Teixeira de Mattos collection (Holland), etc., etc.

[48] Rosini ‘Storia,’ III, p. 28. In 1828 it was owned by an Abate L. Celotti of Venice. Messrs. Crowe and Cavalcaselle suspect that it may be the panel described in 1742 in the catalogue of the collection of the Prince du Carignan as ‘Vierge et un petit S. Jean par André Solario, dans le gout de Léonard de Vincy’ (sold for 240 livres). See also Mündler, ‘Essai d’une Analyse Critique,’ etc., Paris, Firmin Didot, 1850.

[49] Published as Solario’s in my ‘Lorenzo Lotto,’ p. 95, note.

[50] Mr. Horne hopes before long to publish these works in ~The Burlington Magazine~.

[51] Appendix, Doc. VIII,

[52] Appendix, Doc. VII.

[53] l. c., ed. 1568, Vol. I, p. 47.

[54] C. Cennini, ‘Il Libro dell’ Arte,’ Firenze, 1859, cap. 141, p. 94.

[55] The painter from whom Baldovinetti purchased this ‘biadetto’ was ‘Lorenzo dipiero randeglj dipintore in borgho s^o apostolo’; so named in an entry of the year 1472 in the ‘Libro Rosso’ of the Compagnia di San Luca, fol. 90 tergo. This Lorenzo was, no doubt, the ‘Lorenzo dipiero dip[a]pa, dipintore,’ of the popolo of ‘Santa Maria di Verzaia drento alle mura,’ who in 1498 returned his ‘Portata della Decima,’ in Gonfalone Drago, Quartiere di Santo Spirito. He was then living in a house which he had bought in 1483, situated in the Via San Gallo; and he still rented ‘vna botegha aduso didipintore, posta in firenze in borgho sant^o appostolo enelpopolo di sant^o stefano a ponte.’--Firenze: Archivio di Stato; l. c. Campione 2^{do}, N^o verde 28, fol. 909.

[56] Cennini, ed. 1859, cap. 61, p. 37.

[57] This would appear to have been a very unusual method. The Giottesque painters commonly employed a ‘bed’ of a reddish colour.

[58] Cennini, ed. 1859, cap. 60, p. 36.

[59] Cennini, ed. 2859, cap. 52, p. 33. C. J. Herringham: ‘The Book of the Art of Cennino Cennini,’ London, 1899, p. 256.

[60] In an early manuscript cited by Mrs. Herringham, in her edition of Cennini, ‘azzurro della Magnia’ is said to have cost from 1 to 3 ducats the pound, whereas ultramarine cost 5 ducats the ounce. Cennini, English ed., 1899, p. 257.

[61] Cennini, ed. 1859, cap. 50, p. 32.

[62] Cennini, English ed., 1899, p. 255.

[63] ‘Cennini,’ ed. 1859, p. 66.

[64] Vasari, ed. 1568, Vol. I, p. 380. The passage in the original runs thus: ‘Le quali Alesso abozzò à fresco, e poi fini a secco, temperando i colori con rosso d’ uouo mescolato con vernice liquida fatta à fuoco.’

[65] Vasari, ed. Sansoni, Vol. II, pp. 673 and 685.

[66] Appendix, Doc. IX.

[67] Vasari, ed. Sansoni, Vol. II, p. 599, note.

[68] G. Richa, ‘Chiese Fior.’, Vol. V, p. xxxv.

[69] Appendix, Doc. VI.

[70] Appendix, Doc. XI.

[71] Appendix, Doc. XII.

[72] Appendix, Doc. XIII. Compare, also, Doc. XIV.

[73] Vasari, ed. 1568, Vol. I. p. 380.

[74] l. c., p. 189.