Chapter XV: Book V: Psalms Cvii.-Cl (9)

In vv. 4-6 the record of the emotions caused by his peril follows. They begin with the natural gloom. As in Psalm cxlii. 3 (with which this has many points of resemblance, possibly indicating identity of author), he describes his "spirit" as swathed in dark robes of melancholy. His heart, too, the centre of personality, was _stunned_ or _benumbed_, so that it almost ceased to beat. What should a "servant" of Jehovah's, brought to such a pass, do? If he is truly God's, he will do precisely what this man did. He will compel his thoughts to take another direction, and call Memory in to fight Despair and feed Hope. His own past and God's past are arguments enough to cheer the most gloom-wrapped sufferer. "A sorrow's crown of sorrow" may be "remembering happier things," but the remembrance will be better used to discrown a sorrow which threatens to lord it over a life. Psalm lxxvii. 5, 6, 11, 12, has shaped the expressions here. Both the contrast of present misery with past mercy, and the assurances of present help given by that past mercy, move the psalmist to appeal to God, stretching out his hands in entreaty. Psalm lxiii. 1 echoes in ver. 6_b_, the pathos and beauty of which need no elucidation. The very cracks in parched ground are like mouths opened for the delaying rains; so the singer's soul was gaping wide in trouble for God's coming, which would refresh and fertilise. Blessed is that weariness which is directed to Him; it ever brings the showers of grace for which it longs. The construction of ver. 6_b_ is doubtful, and the supplement "thirsteth" (A.V. and R.V.) is possibly better than the "is" given above.

The second half of the psalm is purely petition. Vv. 7-9 ask especially for outward deliverance. They abound with reminiscences of earlier psalms. "Make haste, answer me" recalls Psalm lxix. 17; "my spirit faints" is like Psalm lxxxiv. 2; "Hide not Thy face from me" is a standing petition, as in Psalms xxvii. 9, cii. 2, etc.; "Lest I become like those who descend into the pit" is exactly reproduced from Psalm xxviii. 1. The prayer for the manifestation of God's loving-kindness in the morning is paralleled in Psalm xc. 14, and that for illumination as to the way to walk in is like Exod. xxxiii. 13; Psalm xxv. 4. The plea "To Thee do I lift my soul" is found in Psalms xxv. 1, lxxxvi. 4.

The plea appended to the petition in ver. 9_b_ is difficult. Literally, the words run, "To Thee have I covered [myself]," which can best be explained as a pregnant construction, equivalent to "I have fled to Thee and hid myself in Thee." Much divergence exists in the renderings of the clause. But a slight emendation, adopted by Hupfeld and Cheyne from an ancient Jewish commentator, reads the familiar expression, "I have fled for refuge." Baethgen prefers to read "have waited," which also requires but a trivial alteration; while Graetz reaches substantially the same result by another way, and would render "I have hope."

A glance at these three verses of petition as a whole brings out the sequence of the prayers and of their pleas. The deepest longing of the devout soul is for the shining of God's face, the consciousness of His loving regard, and that not only because it scatters fears and foes, but because it is good to bathe in that sunshine. The next longing is for the dawning of a glad morning, which will bring to a waiting heart sweet whispers of God's loving-kindness, as shown by outward deliverances. The night of fear has been dark and tearful, but joy comes with the morning. The next need is for guidance in the way in which a man should go, which here must be taken in the lower sense of practical direction, rather than in any higher meaning. That higher meaning follows in vv. 10-12; but in ver. 8 the suppliant asks to be shown the path by which he can secure deliverance from his foes. That deliverance is the last of his petitions. His pleas are beautiful as examples of the logic of supplication. He begins with his great need. His spirit faints, and he is on the edge of the black pit into which so much brightness and strength have gone down. The margin is slippery and crumbling; his feet are feeble. One Helper alone can hold him up. But his own exceeding need is not all that he pleads. He urges his trust, his fixing of his desires, hopes, and whole self, by a dead lift of faith, on God. That is a reason for Divine help. Anything is possible rather than that such hope should be disappointed. It cannot be that any man, who has fled for sanctuary to the asylum of God's heart, should be dragged thence and slain before the God whose altar he has vainly clasped.

The last part (vv. 10-12) puts foremost the prayer for conformity of will with God's, and, though it closes with recurring prayer for outward deliverance, yet breathes desires for more inward blessings. As in the preceding verses, there are, in these closing ones, many echoes of other psalms. The sequence of petitions and pleas is instructive. To do, not merely to know, God's will is the condition of all blessedness, and will be the deepest desire of every man who is truly God's servant. But that obedience of heart and hand must be taught by God, and He regards our taking Him for our God as establishing a claim on Him to give all illumination of heart and all bending of will and all skill of hand which are necessary to make us doers of His will. His teaching is no mere outward communication of knowledge, but an inbreathing of power to discern, and of disposition and ability to perform, what is His will. Ver. 10_b_ is best taken as a continuous sentence, embodying a prayer for guidance. The plea on which it rests remains the same, though the statement of it as a separate clause is not adopted in our translation. For the fact that God's spirit is "good"--_i.e._, beneficently self-communicative--heartens us to ask, and binds Him to give, all such direction as is needed. This is not a mere repetition of the prayer in ver. 8, but transcends it. "A level land" (or, according to a possible suggested emendation, _path_) is one in which the psalmist can freely walk, unhindered in doing God's will. His next petition goes deepest of the three, inasmuch as it asks for that new Divine life to be imparted, without which no teaching to do God's will can be assimilated, and no circumstances, however favourable, will conduce to doing it. He may not have known all the depth which his prayer sounded; but no man who has real desires to conform heart and life to the supreme will of God but must have felt his need of a purer life to be poured into his spirit. As this prayer is deep, so its plea is high. "For Thy name's sake"--nothing can be pleaded of such force as that. God supremely desires the glory of His name; and, for the sake of men whose blessedness depends on their knowing and loving it, will do nothing that can dim its lustre. His name is the record of His past acts, the disclosure of that in Him which is knowable. That name contains the principles of all His future acts. He will be what He has been. He will magnify His name; and the humblest, most tormented soul that can say, "Thou art my God," may be sure that Divinely given life will throb in it, and that even its lowliness may contribute to the honour of the name.

The hunted psalmist cannot but come back, in the close of his psalm, to his actual circumstances, for earthly needs do clog the soul's wings. He unites righteousness and loving-kindness as co-operating powers, as in ver. 1 he had united faithfulness and righteousness. And as in the first verses he had blended pleas drawn from God's character with those drawn from his relation to God, so he ends his petitions with pleading that he is God's servant, and, as such, a fit object of God's protection.

PSALM CXLIV.

1 Blessed be Jehovah my rock, who trains my hands for battle,
My fingers for war;
2 My loving-kindness and my fortress, my high tower and my
deliverer,
My shield and He in whom I take refuge,
Who subdues my people under me.

3 Jehovah, what is man, that Thou takest knowledge of him?
The son of frail man, that Thou takest account of him?
4 Man--he is like to a breath,
His days are like a shadow passing away.

5 Jehovah, bow Thy heavens and come down,
Touch the mountains that they smoke.
6 Lighten lightning and scatter them,
Shoot Thy arrows and confound them.
7 Stretch Thy hands from on high,
Pluck me [out] and deliver me from many waters,
From the hands of the sons of the alien,
8 Whose mouth speaks falsehood,
And whose right hand is a right hand of lies.

9 O God, a new song will I sing to Thee,
On a ten-stringed harp will I harp to Thee,
10 Who giveth salvation to kings,
Who snatches David His servant from the evil sword.
11 Pluck me [out] and deliver me from the hand of the sons of the
alien,
Whose mouth speaks falsehood,
And whose right hand is a right hand of lies.

12 So that (? or Because) our sons [may be] as plants,
Grown tall in their youth;
Our daughters like corner-pillars,
Carved after the fashion of a palace;
13 Our granaries full, giving forth kind after kind [of supply];
Our flocks producing thousands,
Producing tens of thousands in our fields;
14 Our kine heavy with young;
No breach and no sally,
And no [battle-] cry in our open spaces.
15 Happy the people that is in such a case!
Happy the people whose God is Jehovah!

The force of compilation could no further go than in this psalm, which is, in the first eleven verses, simply a _réchauffé_ of known psalms, and in vv. 12-15 is most probably an extract from an unknown one of later date. The junctions are not effected with much skill, and the last is tacked on very awkwardly (ver. 12). It is completely unlike the former part, inasmuch as there the speaker is a warlike king praying for victory, while in the latter the nation sings of the tranquil blessings of peaceful expansion. The language of the later portion is full of late forms and obscurities. But the compiler's course of thought is traceable. He begins by praising Jehovah, who has taught him warlike skill; then adoringly thinks of his own weakness, made strong by God's condescending regard; next prays for complete victory, and vows fresh praises for new mercies; and closes with a picture of the prosperity which follows conquest, and is secured to Israel because Jehovah is its God.

Vv. 1, 2, are echoes of Psalm xviii. 2, 34, 46, with slight variations. The remarkable epithet "My loving-kindness" offends some critics, who emend so as to read "My stronghold"; but it has a parallel in Jonah ii. 9, and is forcible as an emotional abbreviation of the fuller "God of my loving-kindness" (Psalm lix. 10). The original passage reads "people," which is the only appropriate word in this connection, and should probably be read in ver. 2_c_.

Psalm viii. supplies the original of vv. 3, 4, with a reminiscence of Psalm xxxix. 5, and of Psalm cii. 11, from which comes the pathetic image of the fleeting shadow. The link between this and the former extract seems to be the recognition of God's condescension in strengthening so weak and transient a creature for conflict and conquest.

The following prayer for further Divine help in further struggles is largely borrowed from the magnificent picture of a theophany in Psalm xviii. 9, 14-16. The energetic "Lighten lightning" is peculiar to this psalm, as is the use of the word for "Pluck out." The description of the enemies as "sons of the alien" is like Psalm xviii. 44, 45. As in many other psalms, the treachery of the foe is signalised. They break their oaths. The right hand which they had lifted in swearing is a lying hand. The vow of new praise recalls Psalms xxxiii. 2, 3, and xcvi. 1, xcviii. 1. Ver. 10 is a reproduction of Psalm xviii. 50. The mention of David's deliverance from the "evil sword" has apparently been the reason for the LXX. referring the psalm to the victory over Goliath--an impossible view. The new song is not here sung; but the psalm drops from the level of praise to renew the petition for deliverance, in the manner of a refrain caught up in ver. 11 from ver. 7. This might make a well-rounded close, and may have originally been the end of the psalm.

The appended fragment (vv. 12-15) is attached to the preceding in a most embarrassing fashion. The first word of ver. 12 is the sign of the relative. The LXX. accordingly translates "Whose sons are," etc., and understands the whole as a description of the prosperity of the enemies, which view necessarily involves the alteration of "our" into "their" in the following clauses. Others supply an antecedent to the relative by inserting _save us_ or the like expression at the beginning of the verse. Others, again--_e.g._, Ewald, followed by Perowne--connect the relative with ver. 15: "We whose sons are," etc.... "Happy is the people," etc. Delitzsch takes the relative to signify here "because," and compares Judg. ix. 17; Jer. xvi. 13. The prosperity subsequently described would then be alleged as the occasion of the enemies' envy. Others would slightly emend the text so as to read, "I pronounce happy," or "Happy are we." The latter, which makes all smooth, and corresponds with ver. 15, is Graetz's proposal. The rendering of the A.V., "that" or "in order that," has much in its favour. The word which is the sign of the relative is a component of the full expression usually so rendered, and stands alone as equivalent to it in Deut. iv. 40, Gen. xi. 7. It is true, as Delitzsch objects to this rendering, that the following verbs are usually finite, while here they are participles; but that is not a fatal objection. The whole that follows would then be dependent on the petition of ver. 11, and would describe the purpose of the desired deliverance. "This is, in fact, the poet's meaning. He prays for deliverance from enemies, in order that the happy condition pictured in ver. 12 _sqq._ may come to pass" (Baethgen). On the whole, that rendering presents least difficulty, but in any case the seam is clumsy.

The substance of the description includes three things--a vigorous, growing population, agricultural prosperity, and freedom from invasion. The language is obscure, especially in ver. 14, but the general drift is plain. The characteristic Jewish blessing of numerous offspring is first touched on in two figures, of which the former is forcible and obvious, and the latter obscure. The comparison of the virgin daughters of Israel to "corners" is best understood by taking the word to mean "corner-pillars," not necessarily caryatides, as is usually supposed--an architectural decoration unknown in the East. The points of comparison would then be slender uprightness and firm grace. Delitzsch prefers to take the word as meaning _cornices_, such as, to the present day, are found in the angles of Eastern rooms, and are elaborately carved in mazy patterns and brightly coloured. He would also render "variegated" instead of "carved." But such a comparison puts too much stress on gay dresses, and too little on qualities corresponding to those of the "well-grown" youths in the former clause.

The description of a flourishing rural community is full of difficult words. "Granaries" is found only here, and "kind" is a late word. "Fields" is the same word as is usually rendered "streets"; it literally means "places outside," and here obviously must refer to the open pastures without the city, in contrast to the "open spaces" within it, mentioned in the next verse. In that verse almost every word is doubtful. That rendered "kine" is masculine in form, but is generally taken as being applicable to both sexes, and here used for the milky mothers of the herd. The word translated above "heavy with young" means _laden_, and if the accompanying noun is masculine, must mean laden with the harvest sheaves; but the parallel of the increasing flocks suggests the other rendering. The remainder of ver. 14 would in form make a complete verse, and it is possible that something has fallen out between the first clause and the two latter. These paint tranquil city life when enemies are far away. "No breach"--_i.e._, in the defences, by which besiegers could enter; "No going forth"--_i.e._, sally of the besieged, as seems most probable, though _going forth as captured_ or _surrendering_ has been suggested; "No cry"--_i.e._, of assailants who have forced an entrance, and of defenders who make their last stand in the open places of the city.

The last verse sums up all the preceding picture of growth, prosperity, and tranquillity, and traces it to the guardian care and blessing of Jehovah. The psalmist may seem to have been setting too much store by outward prosperity. His last word not only points to the one Source of it, but sets high above the material consequences of God's favour, joyous as these are, that favour itself, as the climax of human blessedness.

PSALM CXLV.

1 א I will exalt Thee, my God, O King,
And I will bless Thy name for ever and aye.
2 ב Every day will I bless Thee,
And I will praise Thy name for ever and aye.
3 ג Great is Jehovah and much to be praised,
And of His greatness there is no searching.
4 ד Generation to generation shall loudly praise Thy works
And Thy mighty acts shall they declare.
5 ה The splendour of the glory of Thy majesty,
And the records of Thy wonders will I meditate.
6 ו And the might of Thy dread acts shall they speak,
And Thy greatness will I tell over.

7 ז The memory of Thy abundant goodness shall they well forth,
And Thy righteousness shall they shout aloud.
8 ח Gracious and full of compassion is Jehovah,
Slow to anger and great in loving-kindness.
9 ט Good is Jehovah to all,
And His compassions are upon all His works.
10 י All Thy works thank Thee, Jehovah,
And Thy favoured ones shall bless Thee.

11 כ The glory of Thy kingdom shall they speak,
And talk of Thy might;
12 ל To make known to the sons of men His mighty deeds
And the glory of the splendour of His kingdom.
13 מ Thy kingdom is a kingdom for all ages,
And Thy dominion [endures] through every generation after
generation.

14 ס Jehovah upholds all the falling,
And raises all the bowed down.
15 ע The eyes of all look expectantly to Thee,
And Thou givest them their food in its season.
16 פ Thou openest Thy hand,
And satisfiest every living thing [with] its desire.
17 צ Jehovah is righteous in all His ways,
And loving in all His works.
18 ק Jehovah is near to all who call on Him,
To all who call on Him in truth.
19 ר The desire of them that fear Him He will fulfil,
And their cry He will hear and will save them.
20 ש Jehovah keeps all who love Him,
And all the wicked will He destroy.

21 ת The praise of Jehovah my mouth shall speak,
And let all flesh bless His holy name for ever and aye.

This is an acrostic psalm. Like several others of that kind, it is slightly irregular, one letter (Nun) being omitted. The omission is supplied in the LXX. by an obviously spurious verse inserted in the right place between vv. 13 and 14. Though the psalm has no strophical divisions, it has distinct sequence of thought, and celebrates the glories of Jehovah's character and deeds from a fourfold point of view. It sings of His greatness (vv. 1-6), goodness (vv. 7-10), His kingdom (vv. 11-13), and the universality of His beneficence (vv. 14-21). It is largely coloured by other psalms, and is unmistakably of late origin.

The first group of verses has two salient characteristics--the accumulation of epithets expressive of the more majestic aspects of Jehovah's self-revelation, and the remarkable alternation of the psalmist's solo of song and the mighty chorus, which takes up the theme and sends a shout of praise echoing down the generations.

The psalmist begins with his own tribute of praise, which he vows shall be perpetual. Ver. 1 recalls Psalms xxx. 1 and xxxiv. 1. We "exalt" God, when we recognise that He is King, and worthily adore Him as such. A heart suffused with joy in the thought of God would fain have no other occupation than the loved one of ringing out His name. The singer sets "for ever and aye" at the end of both ver. 1 and ver. 2, and while it is possible to give the expression a worthy meaning as simply equivalent to _continually_, it is more in harmony with the exalted strain of the psalm and the emphatic position of the words to hear in them an expression of the assurance which such delight in God and in the contemplation of Him naturally brings with it, that over communion so deep and blessed, Death has no power. "Every day will I bless Thee"--that is the happy vow of the devout heart. "And I will praise Thy name for ever and ever"--that is the triumphant confidence that springs from the vow. The experiences of fellowship with God are prophets of their own immortality.

Ver. 3_a_ is from Psalm xlviii. 1, and _b_ is tinged by Isaiah xl., but substitutes "greatness," the key-note of the first part of this psalm, for "understanding." That note having been thus struck, is taken up in vv. 4-6, which set forth various aspects of that greatness, as manifested in works which are successively described as "mighty"--_i.e._, instinct with conquering power such as a valiant hero wields; as, taken together, constituting the "splendour of the glory of Thy majesty," the flashing brightness with which, when gathered, as it were, in a radiant mass, they shine out, like a great globe of fire; as "wonders," not merely in the narrower sense of miracles, but as being productive of lowly astonishment in the thoughtful spectator; and as being "dread acts"--_i.e._, such as fill the beholder with holy awe. In ver. 5_b_ the phrase rendered above "records of His wonders" is literally "words of His wonders," which some regard as being like the similar phrase in Psalm lxv. 3 (words or matters of iniquities), a pleonasm, and others would take as they do the like expression in Psalm cv. 27, as equivalent to "_deeds_ of the Divine wonders" (Delitzsch). But "words" may very well here retain its ordinary sense, and the poet represent himself as meditating on the records of God's acts in the past as well as gazing on those spread before his eyes in the present.

His passing and repassing from his own praise in vv. 1, 2, to that of successive generations in ver. 4, and once more to his own in ver. 5, and to that of others in ver. 6, is remarkable. Does he conceive of himself as the chorus leader, teaching the ages his song? Or does he simply rejoice in the less lofty consciousness that his voice is not solitary? It is difficult to say, but this is clear, that the Messianic hope of the world's being one day filled with the praises which were occasioned by God's manifestation in Israel burned in this singer's heart. He could not bear to sing alone, and his hymn would lack its highest note, if he did not believe that the world was to catch up the song.

But greatness, majesty, splendour, are not the Divinest parts of the Divine nature, as this singer had learned. These are but the fringes of the central glory. Therefore the song rises from greatness to celebrate better things, the moral attributes of Jehovah (vv. 7-10). The psalmist has no more to say of himself, till the end of his psalm. He gladly listens rather to the chorus of many voices which proclaims Jehovah's widespread goodness. In ver. 7 the two attributes which the whole Old Testament regards as inseparable are the themes of the praise of men. Goodness and righteousness are not antithetic, but complementary, as green and red rays blend in white light. The exuberance of praise evoked by these attributes is strikingly represented by the two strong words describing it; of which the former, "well forth," compares its gush to the clear waters of a spring bursting up into sunlight, dancing and flashing, musical and living, and the other describes it as like the shrill cries of joy raised by a crowd on some festival, or such as the women trilled out when a bride was brought home. Ver. 8 rests upon Exod. xxxiv. 6 (compare Psalm ciii. 8). It is difficult to de-synonymise "gracious" and "full of compassion." Possibly the former is the wider, and expresses love in exercise towards the lowly in its most general aspect, while the latter specialises graciousness as it reveals itself to those afflicted with any evil. As "slow to anger," Jehovah keeps back the wrath which is part of His perfection, and only gives it free course after long waiting and wooing. The contrast in ver. 8_b_ is not so much between anger and loving-kindness, which to the psalmist are not opposed, as between the slowness with which the one is launched against a few offenders and the plenitude of the other. That thought of abundant loving-kindness is still further widened, in ver. 9, to universality. God's goodness embraces all, and His compassions hover over all His works, as the broad wing and warm breast of the mother eagle protect her brood. Therefore the psalmist hears a yet more multitudinous voice of praise from all creatures; since their very existence, and still more their various blessednesses, give witness to the all-gladdening Mercy which encompasses them. But Creation's anthem is a song without words, and needs to be made articulate by the conscious thanksgivings of those who, being blessed by possession of Jehovah's loving-kindness, render blessing to Him with heart and lip.

The Kingship of God was lightly touched in ver. 1. It now becomes the psalmist's theme in vv. 11-13. It is for God's favoured ones to _speak_, while Creation can but _be_. It is for men who can recognise God's sovereign Will as their law, and know Him as Ruler, not only by power, but by goodness, to proclaim that kingdom which psalmists knew to be "righteousness, peace, and joy." The purpose for which God has lavished His favour on Israel is that they might be the heralds of His royalty to "the sons of men." The recipients of His grace should be the messengers of His grace. The aspects of that kingdom which fill the psalmist's thoughts in this part of his hymn, correspond with that side of the Divine nature celebrated in vv. 1-6--namely, the more majestic--while the graciousness magnified in vv. 7-10 is again the theme in the last portion (vv. 14-20). An intentional parallelism between the first and third parts is suggested by the recurrence in ver. 12 of part of the same heaped-together phrase which occurs in ver. 5. There we read of "the splendour of the glory of Thy majesty"; here of "the glory of the splendour of Thy kingdom,"--expressions substantially identical in meaning. The very glory of the kingdom of Jehovah is a pledge that it is eternal. What corruption or decay could touch so radiant and mighty a throne? Israel's monarchy was a thing of the past; but as, "in the year that King Uzziah died," Isaiah saw the true King of Israel throned in the Temple, so the vanishing of the earthly head of the theocracy seems to have revealed with new clearness to devout men in Israel the perpetuity of the reign of Jehovah. Hence the psalms of the King are mostly post-exilic. It is blessed when the shattering of earthly goods or the withdrawal of human helpers and lovers makes more plain the Unchanging Friend and His abiding power to succour and suffice.

The last portion of the psalm is marked by a frequent repetition of "all," which occurs eleven times in these verses. The singer seems to delight in the very sound of the word, which suggests to him boundless visions of the wide sweep of God's universal mercy, and of the numberless crowd of dependents who wait on and are satisfied by Him. He passes far beyond national bounds.

Ver. 14 begins the grand catalogue of universal blessings by an aspect of God's goodness which, at first sight, seems restricted, but is only too wide, since there is no man who is not often ready to fall and needing a strong hand to uphold him. The universality of man's weakness is pathetically testified by this verse. Those who are in the act of falling are upheld by Him; those who have fallen are helped to regain their footing. Universal sustaining and restoring grace are His. The psalmist says nothing of the conditions on which that grace in its highest forms is exercised; but these are inherent in the nature of the case, for, if the falling man will not lay hold of the outstretched hand, down he must go. There would be no place for restoring help, if sustaining aid worked as universally as it is proffered. The word for "raises" in ver. 14_b_ occurs only here and in Psalm cxlvi. 8. Probably the author of both Psalms is one. In vv. 15, 16, the universality of Providence is set forth in language partly taken from Psalm civ. 27, 28. The petitioners are all creatures. They mutely appeal to God, with expectant eyes fixed on Him, like a dog looking for a crust from its master. He has but to "open His hand" and they are satisfied. The process is represented as easy and effortless. Ver. 16_b_ has received different explanations. The word rendered "desire" is often used for "favour"--_i.e._, God's--and is by some taken in that meaning here. So Cheyne translates "fillest everything that lives with goodwill." But seeing that the same word recurs in ver. 19, in an obvious parallel with this verse, and has there necessarily the meaning of _desire_, it is more natural to give it the same signification here. The clause then means that the opening of God's hand satisfies every creature, by giving it that which it desires in full enjoyment.

These common blessings of Providence avail to interpret deeper mysteries. Since the world is full of happy creatures nourished by Him, it is a reasonable faith that His work is all of a piece, and that in all His dealings the twin attributes of righteousness and loving-kindness rule. There are enough plain tokens of God's character in plain things to make us sure that mysterious and apparently anomalous things have the same character regulating them. In ver. 17_b_ the word rendered _loving_ is that usually employed of the objects of loving-kindness, God's "favoured ones." It is used of God only here and in Jer. iii. 12, and must be taken in an active sense, as _One who exercises loving-kindness_. The underlying principle of all His acts is Love, says the psalmist, and there is no antagonism between that deepest motive and Righteousness. The singer has indeed climbed to a sun-lit height, from which he sees far and can look down into the deep of the Divine judgments and discern that they are a clear-obscure.

He does not restrict this universal beneficence when he goes on to lay down conditions on which the reception of its highest forms depend. These conditions are not arbitrary; and within their limits, the same universality is displayed. The lower creation makes its mute appeal to God, but men have the prerogative and obligation of calling upon Him with real desire and trust. Such suppliants will universally be blessed with a nearness of God to them, better than His proximity through power, knowledge, or the lower manifestations of His loving-kindness, to inferior creatures. Just as the fact of life brought with it certain wants, which God is bound to supply, since He gives it, so the fear and love of Him bring deeper needs, which He is still more (if that were possible) under pledge to satisfy. The creatures have their desires met. Those who fear Him will certainly have theirs; and that, not only in so far as they share physical life with worm and bee, whom their heavenly Father feeds, but in so far as their devotion sets in motion a new series of aspirations, longings, and needs, which will certainly not be left unfulfilled. "Food" is all the boon that the creatures crave, and they get it by an easy process. But man, especially man who fears and loves God, has deeper needs, sadder in one aspect, since they come from perils and ills from which he has to be saved, but more blessed in another, since every need is a door by which God can enter a soul. These sacreder necessities and more wistful longings are not to be satisfied by simply opening God's hand. More has to be done than that. For they can only be satisfied by the gift of Himself, and men need much disciplining before they will to receive Him into their hearts. They who love and fear Him will desire Him chiefly, and that desire can never be balked. There is a region, and only one, in which it is safe to set our hearts on unattained good. They who long for God will always have as much of God as they long for and are capable of receiving.

But notwithstanding the universality of the Divine loving-kindness, mankind still parts into two sections, one capable of receiving the highest gifts, one incapable, because not desiring them. And therefore the One Light, in its universal shining, works two effects, being lustre and life to such as welcome it, but darkness and death to those who turn from it. It is man's awful prerogative that he can distil poison out of the water of life, and can make it impossible for himself to receive from tender, universal Goodness anything but destruction.

The singer closes his song with the reiterated vow that his songs shall never close, and, as in the earlier part of the psalm, rejoices in the confidence that his single voice shall, like that of the herald angel at Bethlehem, be merged in the notes of "a multitude praising God and saying, Glory to God in the highest."

PSALM CXLVI.

1 Hallelujah!
Praise Jehovah, my soul.
2 I will praise Jehovah while I live,
I will harp to Jehovah as long as I exist.

3 Trust not in nobles,
In a son of Adam, who has no deliverance [to give].
4 His spirit goes forth, he returns to his earth,
In that same day his schemes perish.

5 Blessed he who has the God of Jacob for his help,
Whose hope is on Jehovah his God!
6 Who made heaven and earth,
The sea--and all that is in them;
Who keeps troth for ever;
7 Who executes judgment for the oppressed;
Who gives bread to the hungry.
Jehovah looses captives;
8 Jehovah opens the eyes of the blind;
Jehovah raises the bowed down;
Jehovah loves the righteous;
9 Jehovah preserves the strangers;
Orphans and widows He sets up;
But the way of the wicked He thwarts.
10 Jehovah shall be King for ever,
Thy God, O Zion, to generation after generation.
Hallelujah!

The long-drawn music of the Psalter closes with five Hallelujah psalms, in which, with constantly swelling diapason, all themes of praise are pealed forth, until the melodious thunder of the final psalm, which calls on everything that has breath to praise Jehovah. Possibly the number of these psalms may have reference to the five books into which the Psalter is divided.

This is the first of the five. It is largely coloured by earlier songs, but still throbs with fresh emotion. Its theme is the blessedness of trust in Jehovah, as shown by His character and works. It deals less with Israel's special prerogatives than its companions do, while yet it claims the universally beneficent Ruler as Israel's God.

The singer's full heart of thanksgiving must first pour itself out in vows of perpetual praise, before he begins to woo others to the trust which blesses him. Exhortations are impotent unless enforced by example. Ver. 2 is borrowed with slight variation from Psalm civ. 33.

The negative side of the psalmist's exhortation follows in vv. 3, 4, which warn against wasting trust on powerless men. The same antithesis between men and God as objects of confidence occurs in many places of Scripture, and here is probably borrowed from Psalm cxviii. 8. The reason assigned for the dehortation is mainly man's mortality. However high his state, he is but a "son of Adam" (the earth-born), and inherits the feebleness and fleetingness which deprive him of ability to help. "He has no salvation" is the literal rendering of the last words of ver. 3_b_. Psalm lx. 11 gives the same thought, and almost in the same words. Ver. 4 sets forth more fully man's mortality, as demonstrating the folly of trusting in him. His breath or spirit escapes; he goes back to "his earth," from which he was created; and what becomes of all his busy schemes? They "perish" as he does. The psalmist has a profound sense of the phantasmal character of the solid-seeming realities of human glory and power. But it wakes no bitterness in him, nor does it breathe any sadness into his song. It only teaches him to cling the more closely to the permanent and real. His negative teaching, if it stood alone, would be a gospel of despair, the reduction of life to a torturing cheat; but taken as the prelude to the revelation of One whom it is safe to trust, there is nothing sad in it. So the psalm springs up at once from these thoughts of the helplessness of mortal man, to hymn the blessedness of trust set upon the undying God, like a song-bird from its lair in a grave-yard, which pours its glad notes above the grassy mounds, as it rises in spirals towards the blue, and at each gives forth a more exultant burst of music.

The exclamation in ver. 5 is the last of the twenty-five "Blesseds" in the Psalter. Taken together, as any concordance will show, beginning with Psalm i., they present a beautiful and comprehensive ideal of the devout life. The felicity of such a life is here gathered up into two comprehensive considerations, which supplement each other. It is blessed to have the God of Jacob on our side; but it is not enough for the heart to know that He bore a relation to another in the far-off past or to a community in the present. There must be an individualising bond between the soul and God, whereby the "God of Jacob" becomes the God who belongs to the single devout man, and all the facts of whose protection in the past are renewed in the prosaic present. It is blessed to have Jehovah for one's "help," but that is only secured when, by the effort of one's own will, He is clasped as one's "hope." Such hope is blessed, for it will never be put to shame, nor need to shift its anchorage. It brings into any life the all-sufficient help which is the ultimate source of all felicity, and makes the hope that grasps it blessed, as the hand that holds some fragrant gum is perfumed by the touch.

But the psalmist passes swiftly from celebrating trust to magnify its object, and sets forth in an impressive series the manifold perfections and acts which witness that Jehovah is worthy to be the sole Confidence of men.

The nine Divine acts, which invite to trust in Him, are divided into two parts, by a change in construction. There is, first, a series of participles (vv. 6-7_b_), and then a string of brief sentences enumerating Divine deeds (vv. 7_c_-9). No very clear difference in thought can be established as corresponding to this difference in form. The psalmist begins with God's omnipotence as manifested in creation. The first requisite for trust is assurance of power in the person trusted. The psalmist calls heaven and earth and sea, with all their inhabitants, as witnesses that Jehovah is not like the son of man, in whom there is no power to help.

But power may be whimsical, changeable, or may shroud its designs in mystery; therefore, if it is to be trusted, its purposes and methods must be so far known that a man may be able to reckon on it. Therefore the psalm adds unchangeable faithfulness to His power. But Power, however faithful, is not yet worthy of trust, unless it works according to righteousness, and has an arm that wars against wrong; therefore to creative might and plighted troth the psalmist adds the exercise of judgment. Nor are these enough, for the conception which they embody may be that of a somewhat stern and repellent Being, who may be reverenced, but not approached with the warm heart of trust; therefore the psalmist adds beneficence, which ministers their appropriate food to all desires, not only of the flesh, but of the spirit. The hungry hearts of men, who are all full of needs and longings, may turn to this mighty, faithful, righteous Jehovah, and be sure that He never sends mouths but He sends meat to fill them. All our various kinds of hunger are doors for God to come into our spirits.

The second series of sentences deals mainly with the Divine beneficence in regard to man's miseries. The psalmist does not feel that the existence of these sad varieties of sorrow clouds his assurance in God's goodness. To him, they are occasions for the most heart-touching display of God's pitying, healing hand. If there is any difference between the two sets of clauses descriptive of God's acts, the latter bring into clearer light His personal agency in each case of suffering. This mighty, faithful, righteous, beneficent Jehovah, in all the majesty which that name suggests, comes down to the multitude of burdened ones and graciously deals with each, having in His heart the knowledge of, and in His hand the remedy for, all their ills. The greatness of His nature expressed by His name is vividly contrasted with the tenderness and lowliness of His working. Captives, blind persons, and those bowed down by sorrows or otherwise appeal to Him by their helplessness, and His strong hand breaks the fetters, and His gentle touch opens without pain the closed eyes and quickens the paralysed nerve to respond to the light, and His firm, loving hold lifts to their feet and establishes the prostrate. All these classes of afflicted persons are meant to be regarded literally, but all may have a wider meaning, and be intended to hint at spiritual bondage, blindness, and abjectness.

The next clause (ver. 8_c_) seems to interrupt the representation of forms of affliction, but it comes in with great significance in the centre of that sad catalogue; for its presence here teaches that not merely affliction, whether physical or other, secures Jehovah's gracious help, but that there must be the yielding of heart to Him, and the effort at conformity of life with His precepts and pattern, if His aid is to be reckoned on in men's sorrows. The prisoners will still languish in chains, the blind will grope in darkness, the bowed down will lie prone in the dust, unless they are righteous.

The series of afflictions which God alleviates is resumed in ver. 9 with a pathetic triad--strangers, widows, and fatherless. These are forlorn indeed, and the depth of their desolation is the measure of the Divine compassion. The enumeration of Jehovah's acts, which make trust in God blessed in itself, and the sure way of securing help which is not vain, needs but one more touch for completion, and that is added in the solemn thought that He, by His providences and in the long run, turns aside (_i.e._ from its aim) the way of the wicked. That aspect of God's government is lightly handled in one clause, as befits the purpose of the psalm. But it could not be left out. A true likeness must have shadows. God were not a God for men to rely on, unless the trend of His reign was to crush evil and thwart the designs of sinners.

The blessedness of trust in Jehovah is gathered up into one great thought in the last verse of the psalm. The sovereignty of God to all generations suggests the swift disappearance of earthly princes, referred to in ver. 4. To trust in fleeting power is madness; to trust in the Eternal King is wisdom and blessedness, and in some sense makes him who trusts a sharer in the eternity of the God in whom is his hope, and from whom is his help.

PSALM CXLVII.

1 Hallelujah!
For it is good to harp unto our God,
For it is pleasant: praise is comely.
2 Jehovah is the builder up of Jerusalem,
The outcasts of Israel He gathers together;
3 The healer of the broken-hearted,
And He binds their wounds;
4 Counting a number for the stars,
He calls them all by names.
5 Great is our Lord and of vast might,
To His understanding there is no number.
6 Jehovah helps up the afflicted,
Laying low the wicked to the ground.

7 Sing to Jehovah with thanksgiving,
Harp to our God on the lyre,
8 Covering heaven with clouds,
Preparing rain for the earth;
Making the mountains shoot forth grass,
9 Giving to the beast its food,
To the brood of the raven which croak.
10 Not in the strength of the horse does He delight,
Not in the legs of a man does He take pleasure.
11 Jehovah takes pleasure in them that fear Him,
Them that wait for His loving-kindness.

12 Extol Jehovah, O Jerusalem,
Praise thy God, O Zion.
13 For He has strengthened the bars of thy gates,
He has blessed thy children in thy midst.
14 Setting thy borders in peace,
With the fat of wheat He satisfies thee;
15 Sending forth His commandment on the earth,
Swiftly runs His word;
16 Giving snow like wool,
Hoar frost He scatters like ashes;
17 Flinging forth His ice like morsels,
Before His cold who can stand?
18 He sends forth His word and melts them,
He causes His wind to blow--the waters flow;
19 Declaring His word to Jacob,
His statutes and judgments to Israel.
20 He has not dealt thus to any nation;
And His judgments--they have not known them.

The threefold calls to praise Jehovah (vv. 1, 7, 12) divide this psalm into three parts, the two former of which are closely connected, inasmuch as the first part is mainly occupied with celebrating God's mercy to the restored Israel, and the second takes a wider outlook, embracing His beneficence to all living things. Both these points of view are repeated in the same order in the third part (vv. 12-20), which the LXX. makes a separate psalm. The allusions to Jerusalem as rebuilt, to the gathering of the scattered Israelites, and to the fortifications of the city naturally point to the epoch of the Restoration, whether or not, with Delitzsch and others, we suppose that the psalm was sung at the feast of the dedication of the new walls. In any case, it is a hymn of the restored people, which starts from the special mercy shown to them, and rejoices in the thought that "Our God" fills the earth with good and reigns to bless, in the realm of Nature as in that of special Revelation. The emphasis placed on God's working in nature, in this and others of these closing psalms, is probably in part a polemic against the idolatry which Israel had learned to abhor, by being brought face to face with it in Babylon, and in part a result of the widening of conceptions as to His relation to the world outside Israel which the Exile had also effected. The two truths of His special relation to His people and of His universal loving-kindness have often been divorced, both by His people and by their enemies. This psalm teaches a more excellent way.

The main theme of vv. 1-6 is God's manifestation of transcendent power and incalculable wisdom, as well as infinite kindness, in building up the ruined Jerusalem and collecting into a happy band of citizens the lonely wanderers of Israel. For such blessings praise is due, and the psalm summons all who share them to swell the song. Ver. 1 is somewhat differently construed by some, as Hupfeld, who would change one letter in the word rendered above "to harp," and, making it an imperative, would refer "good" and "pleasant" to God, thus making the whole to read, "Praise Jehovah, for He is good; harp to our God, for He is pleasant: praise is comely." This change simplifies some points of construction, but labours under the objection that it is contrary to usage to apply the adjective "pleasant" to God; and the usual rendering is quite intelligible and appropriate. The reason for the fittingness and delightsomeness of praise is the great mercy shown to Israel in the Restoration, which mercy is in the psalmist's thoughts throughout this part. He has the same fondness for using participles as the author of the previous psalm, and begins vv. 2, 3, 4, and 6 with them. Possibly their use is intended to imply that the acts described by them are regarded as continuous, not merely done once for all. Jehovah is ever building up Jerusalem, and, in like manner, uninterruptedly energising in providence and nature. The collocation of Divine acts in ver. 2 bears upon the great theme that fills the singer's heart and lips. It is the outcasts of Israel of whom he thinks, while he sings of binding up the broken-hearted. It is they who are the "afflicted," helped up by that strong, gentle clasp; while their oppressors are the wicked, flung prone by the very wind of God's hand. The beautiful and profound juxtaposition of gentle healing and omnipotence in vv. 3, 4, is meant to signalise the work of restoring Israel as no less wondrous than that of marshalling the stars, and to hearten faith by pledging that incalculable Power to perfect its restoring work. He who stands beside the sick-bed of the broken-hearted, like a gentle physician, with balm and bandage, and lays a tender hand on their wounds, is He who sets the stars in their places and tells them as a shepherd his flock or a commander his army. The psalmist borrows from Isa. xl. 26-29, where several of his expressions occur. "Counting a number for the stars" is scarcely equivalent to numbering them as they shine. It rather means determining how many of them there shall be. Calling them all by names (lit., He calls names to them all) is not giving them designations, but summoning them as a captain reading the muster-roll of his band. It may also imply full knowledge of each individual in their countless hosts. Ver. 5 is taken from the passage in Isaiah already referred to, with the change of "no number" for "no searching," a change which is suggested by the preceding reference to the number of the stars. These have a number, though it surpasses human arithmetic; but His wisdom is measureless. And all this magnificence of power, this minute particularising knowledge, this abyss of wisdom, are guarantees for the healing of the broken-hearted. The thought goes further than Israel's deliverance from bondage. It has a strong voice of cheer for all sad hearts, who will let Him probe their wounds that He may bind them up. The mighty God of Creation is the tender God of Providence and of Redemption. Therefore "praise is comely," and fear and faltering are unbefitting.