Chapter VII: Book V: Psalms Cvii.-Cl (1)

PSALM CVII.

1 Give thanks to Jehovah, for He is good,
For His loving-kindness [endures] for ever.
2 Let the redeemed of Jehovah say [thus],
Whom He has redeemed from the gripe of distress,
3 And gathered them from the lands,
From east and west,
From north and from [the] sea.

4 They wandered in the wilderness, in a waste of a way,
An inhabited city they found not.
5 Hungry and thirsty,
Their soul languished within them,
6 And they cried to Jehovah in their distress,
From their troubles He delivered them,
7 And He led them by a straight way,
To go to an inhabited city.
8 Let them give thanks to Jehovah [for] His loving-kindness,
And His wonders to the sons of men.
9 For He satisfies the longing soul,
And the hungry soul He fills with good.

10 Those who sat in darkness and in deepest gloom,
Bound in affliction and iron,
11 Because they rebelled against the words of God,
And the counsel of the Most High they rejected.
12 And He brought down their heart with sorrow,
They stumbled, and helper there was none.
13 And they cried to Jehovah in their distress,
From their troubles He saved them.
14 He brought them out from darkness and deepest gloom,
And broke their bonds [asunder].
15 Let them give thanks to Jehovah [for] His loving-kindness,
And His wonders to the sons of men.
16 For He broke the doors of brass,
And the bars of iron He hewed in pieces.
17 Foolish men, because of the course of their transgression,
And because of their iniquities, brought on themselves
affliction.
18 All food their soul loathed,
And they drew near to the gates of death.
19 And they cried to Jehovah in their distress,
From their troubles He saved them.
20 He sent His word and healed them,
And rescued them from their graves.
21 Let them give thanks to Jehovah [for] His loving-kindness
And His wonders to the sons of men.
22 And let them offer sacrifices of thanksgiving,
And tell His works with joyful joy.

23 They who go down to the sea in ships,
Who do business on the great waters,
24 They see the works of Jehovah,
And His wonders in the foaming deep.
25 And He spoke and raised a stormy wind,
Which rolled high the waves thereof.
26 They went up to the sky, they went down to the depths,
Their soul melted in trouble.
27 They went round and round and staggered like one drunk,
And all their wisdom forsook them [was swallowed up].
28 And they cried to Jehovah in their distress,
From their trouble He brought them out.
29 He stilled the storm into a light air,
And hushed were their waves.
30 And they were glad because these were quieted,
And He brought them to the haven of their desire.
31 Let them give thanks to Jehovah [for] His loving-kindness
And His wonders to the sons of men.
32 And let them exalt Him in the assembly of the people,
And praise Him in the session of the elders.

33 He turned rivers into a wilderness,
And water-springs into thirsty ground,
34 A land of fruit into a salt desert,
For the wickedness of the dwellers in it.
35 He turned a wilderness into a pool of water,
And a dry land into water-springs.
36 And He made the hungry to dwell there,
And they found an inhabited city.
37 And they sowed fields and planted vineyards,
And these yielded fruits of increase.
38 And He blessed them and they multiplied exceedingly,
And their cattle He diminished not.

39 And they were diminished and brought low,
By the pressure of ill and sorrow.
40 "He pours contempt on princes,
And makes them wander in a pathless waste."
41 He lifted the needy out of affliction,
And made families like a flock.
42 The upright see it and rejoice,
And all perverseness stops its mouth.

43 Whoso is wise, let him observe these things,
And let them understand the loving-kindnesses of Jehovah.

Notwithstanding the division of Books which separates Psalm cvii. from the two preceding, it is a pendant to these. The "gathering from among the heathen" prayed for in Psalm cvi. 47 has here come to pass (ver. 3). The thanksgiving which there is regarded as the purpose of that restoration is here rendered for it. Psalm cv. had for theme God's mercies to the fathers. Psalm cvi. confessed the hereditary faithlessness of Israel and its chastisement by calamity and exile. Psalm cvii. begins with summoning Israel as "the redeemed of Jehovah," to praise Him for His enduring loving-kindness in bringing them back from bondage, and then takes a wider flight, and celebrates the loving Providence which delivers, in all varieties of peril and calamity, those who cry to God. Its vivid pictures of distress and rescue begin, indeed, with one which may fairly be supposed to have been suggested by the incidents of the return from exile; and the second of these, that of the liberated prisoners, is possibly coloured by similar reminiscences; but the great restoration is only the starting-point, and the bulk of the psalm goes further afield. Its instances of Divine deliverance, though cast into narrative form, describe not specific acts, but God's uniform way of working. Wherever there are trouble and trust, there will be triumph and praise. The psalmist is propounding a partial solution of the old problem--the existence of pain and sorrow. They come as chastisements. If terror or misery drive men to God, God answers, and deliverance is assured, from which fuller-toned praise should spring. It is by no means a complete vindication of Providence, and experience does not bear out the assumption of uniform answers to prayers for deliverance from external calamities, which was more warranted before Christ than it is now; but the essence of the psalmist's faith is ever true--that God hears the cry of a man driven to cry by crushing burdens, and will give him strength to bear and profit by them, even if He does not take them away.

The psalm passes before us a series of pictures, all alike in the disposition of their parts, and selected from the sad abundance of troubles which attack humanity. Travellers who have lost their way, captives, sick men, storm-tossed sailors, make a strangely miscellaneous company, the very unlikenesses of which suggest the width of the ocean of human misery. The artistic regularity of structure in all the four strophes relating to these cannot escape notice. But it is more than artistic. Whatever be a man's trouble, there is but one way out of it--to cry to God. That way is never vain. Always deliverance comes, and always the obligation of praise lies on the "redeemed of Jehovah."

With ver. 33 the psalm changes its structure. The refrains, which came in so strikingly in the preceding strophes, are dropped. The complete pictures give place to mere outline sketches. These diversities have suggested to some that vv. 33-43 are an excrescence; but they have some points of connection with the preceding, such as the peculiar phrase for "inhabited city" (vv. 4, 5, 36), "hungry" (vv. 5, 36), and the fondness for references to Isaiah and Job. In these latter verses the psalmist does not describe deliverances from peril or pain, but the sudden alternations effected by Providence on lands and men, which pass from fertility and prosperity to barrenness and trouble, and again from these to their opposites. Loving-kindness, which hears and rescues, is the theme of the first part; loving-kindness, which "changes all things and is itself unchanged," is the theme of the second. Both converge on the final thought (ver. 43), that the observance of God's ways is the part of true wisdom, and will win the clear perception of the all-embracing "loving-kindness of Jehovah."

New mercies give new meaning to old praises. Fresh outpourings of thankfulness willingly run in well-worn channels. The children can repeat the fathers' doxology, and words hallowed by having borne the gratitude of many generations are the best vehicles for to-day's praise. Therefore, the psalm begins with venerable words, which it bids the recipients of God's last great mercy ring out once more. They who have yesterday been "redeemed from captivity" have proof that "His loving-kindness endures for ever," since it has come down to them through centuries. The characteristic fondness for quotations, which marks the psalm, is in full force in the three introductory verses. Ver. 1 is, of course, quoted from several psalms. "The redeemed of Jehovah" is from Isa. lxii. 12. "Gathered out of the lands" looks back to Psalm cvi. 47, and to many prophetic passages. The word rendered above "distress" may mean _oppressor_, and is frequently rendered so here, which rendering fits better the preceding word "hand." But the recurrence of the same word in the subsequent refrains (vv. 6, 13, 19, 28) makes the rendering _distress_ preferable here. To ascribe to _distress_ a "hand" is poetical personification, or the latter word may be taken in a somewhat wider sense as equivalent to a grasp or grip, as above. The return from Babylon is evidently in the poet's thoughts, but he widens it out into a restoration from every quarter. His enumeration of the points from which the exiles flock is irregular, in that he says "from north and from the _sea_," which always means the Mediterranean, and stands for the west. That quarter has, however, already been mentioned, and, therefore, it has been supposed that sea here means, abnormally, the Red Sea, or "the southern portion of the Mediterranean." A textual alteration has also been proposed, which, by the addition of two letters to the word for _sea_, gives that for _south_. This reading would complete the enumeration of cardinal points; but possibly the psalmist is quoting Isa. xlix. 12, where the same phrase occurs, and the _north_ is set over against the sea--_i.e._, the west. The slight irregularity does not interfere with the picture of the streams of returning exiles from every quarter.

The first scene, that of a caravan lost in a desert, is probably suggested by the previous reference to the return of the "redeemed of Jehovah," but is not to be taken as referring only to that. It is a perfectly general sketch of a frequent incident of travel. It is a remarkable trace of a state of society very unlike modern life, that two of the four instances of "distress" are due to the perils of journeying. By land and by sea men took their lives in their hands, when they left their homes. Two points are signalised in this description,--the first, the loss of the track; the second, the wanderers' hunger and thirst. "A waste of a way" is a singular expression, which has suggested various unnecessary textual emendations. It is like "a wild ass of a man" (Gen. xvi. 12), which several commentators quote as a parallel, and means a way which is desert (compare Acts viii. 26). The bewildered, devious march leads nowhither. Vainly the travellers look for some elevation,

"From whence the lightened spirit sees
That shady city of Palm Trees."

No place where men dwell appears in the wide expanse of pathless wilderness. The psalmist does not think of a particular city, but of any inhabited spot, where rest and shelter might be found. The water-skins are empty; food is finished; hopelessness follows physical exhaustion, and gloom wraps their souls; for ver. 5_b_, literally translated, is, "Their soul covered itself"--_i.e._, with despondency (Psalm lxxvii. 3).

The picture is not an allegory or a parable, but a transcript of a common fact. Still, one can scarcely help seeing in it a vivid representation of the inmost reality of a life apart from God. Such a life ever strays from the right road. "The labour of the foolish wearieth every one of them, because he knoweth not how to come to the city." The deepest needs of the soul are unsatisfied; and however outward good abounds, gnawing hunger and fierce thirst torment at times; and however mirth and success seem to smile, joys are superficial, and but mask a central sadness, as vineyards which clothe the outside of a volcano and lie above sulphurous fires.

The travellers are driven to God by their "distress." Happy they who, when lost in a desert, bethink themselves of the only Guide. He does not reject the cry which is forced out by the pressure of calamity; but, as the structure of vv. 6, 7, shows, His answer is simultaneous with the appeal to Him, and it is complete, as well as immediate. The track appears as suddenly as it had faded. God Himself goes at the head of the march. The path is straight as an arrow's flight, and soon they are in the city.

Ver. 6 is the first instance of the refrain, which, in each of the four pictures, is followed by a verse (or, in the last of the four, by two verses) descriptive of the act of deliverance, which again is followed by the second refrain, calling on those who have experienced such a mercy to thank Jehovah. This is followed in the first two groups by a verse reiterating the reason for praise--namely, the deliverance just granted; and, in the last two, by a verse expanding the summons. Various may be the forms of need. But the supply of them all is one, and the way to get it is one, and one is the experience of the suppliants, and one should be their praise. Life's diversities have underlying them identity of soul's wants. Waiters on God have very different outward fortunes, but the broad outlines of their inward history are identical. This is the law of His providence--they cry, He delivers. This should be the harvest from His sowing of benefits--"Let them give thanks to Jehovah." Some would translate ver. 8, "Let them thankfully confess to Jehovah His loving-kindness, and to the children of men [confess] His wonders"; but the usual rendering as above is better, as not introducing a thought which, however important, is scarcely in the psalmist's view here, and as preserving the great thought of the psalm--namely, that of God's providence to all mankind.

The second scene, that of captives, probably retains some allusion to Babylon, though an even fainter one than in the preceding strophe. It has several quotations and references to Isaiah, especially to the latter half (Isa. xl.-lxvi.). The deliverance is described in ver. 16 in words borrowed from the prophecy as to Cyrus, the instrument of Israel's restoration (Isa. xlv. 2). The gloom of the prison-house is described in language closely resembling Isa. xlii. 7, xlix. 9. The combination of "darkness and the shade of deepest gloom" is found in Isa. ix. 2. The cause of the captivity described is rebellion against God's counsel and word. These things point to Israel's Babylonian bondage; but the picture in the psalm draws its colour rather than its subject from that event, and is quite general. The psalmist thinks that such bondage, and deliverance on repentance and prayer, are standing facts in Providence, both as regards nations and individuals. One may see, too, a certain parabolic aspect hinted at, as if the poet would have us catch a half-revealed intention to present calamity of any kind under this image of captivity. We note the slipping in of words that are not required for the picture, as when the fetters are said to be "affliction" as well as "iron." Ver. 12, too, is not specially appropriate to the condition of prisoners; persons in fetters and gloom do not _stumble_, for they do not move. There may, therefore, be a half-glance at the parabolic aspect of captivity, such as poetic imagination, and especially Oriental poetry, loves. At most it is a delicate suggestion, shyly hiding while it shows itself, and made too much of if drawn out in prosaic exposition.

We may perceive also the allegorical pertinence of this second picture, though we do not suppose that the singer intended such a use. For is not godless life ever bondage? and is not rebellion against God the sure cause of falling under a harsher dominion? and does He not listen to the cry of a soul that feels the slavery of subjection to self and sin? and is not true enlargement found in His free service? and does He not give power to break the strongest chains of habit? The synagogue at Nazareth, where the carpenter's Son stood up to read and found the place where it was written, "The Spirit of the Lord is upon Me. . . . He hath sent Me to proclaim liberty to the captives," warrants the symbolical use of the psalmist's imagery, which is, as we have seen, largely influenced by the prophet whose words Jesus quoted. The first scene taught that devout hearts never lack guidance from God. The second adds to their blessings freedom, the true liberty which comes with submission and acceptance of His law.

Sickness, which yields the third type of suffering, is a commoner experience than the two preceding. The picture is lightly sketched, emphasis being laid on the cause of the sickness, which is sin, in accordance with the prevailing view in the Old Testament. The psalmist introduces the persons of whom he is to speak by the strongly condemnatory term "foolish ones," which refers not to intellectual feebleness, but to moral perversity. All sin is folly. Nothing is so insane as to do wrong. An ingenious correction has been suggested, and is accepted by Cheyne in the wake of Dyserinck, Graetz, and others, by which "sick men" is read for "foolish men." But it does not appear to the present writer to be so impossible as Cheyne thinks to "conceive the psalmist introducing a fresh tableau by an ethical term such as fools." The whole verse (17) lays more stress on the sin than on the sickness, and the initial designation of the sufferers as "fools" is quite in harmony with its tone. They are habitual evil-doers, as is expressed by the weighty expression "the way (or course) of their transgression." Not by one or two breaches of moral law, but by inveterate, customary sins, men ruin their physical health. So the psalmist uses a form of the verb in ver. 17_b_ which expresses that the sinner drags down his punishment with his own hands. That is, of course, eminently true in such gross forms of sin as sow to the flesh, and of the flesh reap corruption. But it is no less really true of all transgression, since all brings sickness to the soul. Ver. 18 is apparently quoted from Job xxxiii. 20-22. It paints with impressive simplicity the failing appetite and consequent ebbing strength. The grim portals, of which Death keeps the keys, have all but received the sick men; but, before they pass into their shadow, they cry to Jehovah, and, like the other men in distress, they too are heard, feeble as their sick voice may be. The manner of their deliverance is strikingly portrayed. "He sent His word and healed them." As in Psalm cv. 19, God's word is almost personified. It is the channel of the Divine power. God's uttered will has power on material things. It is the same great thought as is expressed in "He spake and it was done." The psalmist did not know the Christian teaching that the personal Word of God is the agent of all the Divine energy in the realm of nature and of history, and that a far deeper sense than that which he attached to them would one day be found in his words, when the Incarnate Word was manifested, as Himself bearing and bearing away the sicknesses of humanity, and rescuing not only the dying from going down to the grave, but bringing up the dead who had long lain there. God, who is Guide and Emancipator, is also Healer and Life-giver, and He is all these in the Word, which has become flesh, and dwelt and dwells among men.

Another travel-scene follows. The storm at sea is painted as a landsman would do it; but a landsman who had seen, from a safe shore, what he so vividly describes. He is impressed with the strange things that the bold men who venture to sea must meet, away out there beyond the point where sea and sky touch. With sure poetic instinct, he spends no time on trivial details, but dashes on his canvas the salient features of the tempest,--the sudden springing up of the gale; the swift response of the waves rolling high, with new force in their mass and a new voice in their breaking; the pitching craft, now on the crest, now in the trough; the terror of the helpless crew; the loss of steering power; the heavy rolling of the unmanageable, clumsy ship; and the desperation of the sailors, whose wisdom or skill was "swallowed up," or came to nothing.

Their cry to Jehovah was heard above the shriek of the storm, and the tempest fell as suddenly as it rose. The description of the deliverance is extended beyond the normal single verse, just as that of the peril had been prolonged. It comes like a benediction after the hurly-burly of the gale. How gently the words echo the softness of the light air into which it has died down, and the music which the wavelets make as they lap against the ship's sides! With what sympathy the poet thinks of the glad hearts on board, and of their reaching the safe harbour, for which they had longed when they thought they would never see it more! Surely it is a permissible application of these lovely words to read into them the Christian hope of preservation amid life's tempests,--

"Safe into the haven guide,
O receive my soul at last."

God the guide, the emancipator, the healer, is also the stiller of the storm, and they who cry to Him from the unquiet sea will reach the stable shore. "And so it came to pass, they all came safe to land."

As already observed, the tone changes with ver. 33, from which point onwards the psalmist adduces instances of Providential working of a different kind from those in the four vivid pictures preceding, and drops the refrains. In vv. 33-38 he describes a double change wrought on a land. The barrenness which blasts fertile soil is painted in language largely borrowed from Isaiah. "Ver. 33_a_ recalls Isa. l. 2_b_; ver. 33_b_ is like Isa. xxxv. 7_a_" (Delitzsch). The opposite change of desert into fertile ground is pictured as in Isa. xli. 18. The references in ver. 36 to "the hungry" and to "an inhabited city" connect with the previous part of the psalm, and are against the supposition that the latter half is not originally part of it. The incidents described refer to no particular instance, but are as general as those of the former part. Many a land, which has been blasted by the vices of its inhabitants, has been transformed into a garden by new settlers. "Where the Turks' horse has trod, no grass will grow."

Ver. 39 introduces the reverse, which often befalls prosperous communities, especially in times when it is dangerous to seem rich for fear of rapacious rulers. "The pressure" referred to in ver. 39 is the oppression of such. If so, ver. 40, which is quoted from Job xii. 21, 24, though introduced abruptly, does not disturb the sequence of thought. It grandly paints the judgment of God on such robber-princes, who are hunted from their seats by popular execration, and have to hide themselves in the pathless waste, from which those who cry to God were delivered (vv. 41_b_ and 4_a_). On the other hand, the oppressed are lifted, as by His strong arm, out of the depths and set on high, like a man perched safely on some crag above high-water mark. Prosperity returning is followed by large increase and happy, peaceful family life, the chief good of man on earth. The outcome of the various methods of God's unvarying purpose is that all which is good is glad, and all which is evil is struck dumb. The two clauses of ver. 42, which describe this double effect, are quoted from two passages in Job--_a_ from xxii. 19, and _b_ from v. 16.

The psalm began with hymning the enduring loving-kindness of Jehovah. It ends with a call to all who would be wise to give heed to the various dealings of God, as exemplified in the specimens chosen in it, that they may comprehend how in all these one purpose rules, and all are examples of the manifold loving-kindnesses of Jehovah. This closing note is an echo of the last words of Hosea's prophecy. It is the broad truth which all thoughtful observance of Providence brings home to a man, notwithstanding many mysteries and apparent contradictions. "All things work together for good to them that love God"; and the more they love Him, the more clearly will they see, and the more happily will they feel, that so it is. How can a man contemplate the painful riddle of the world, and keep his sanity, without that faith? He who has it for his faith will have it for his experience.

PSALM CVIII.

1 Steadfast is my heart, O God,
I will sing and harp, yea, my glory [shall sing].
2 Awake, harp and lute,
I will wake the dawn.
3 I will give Thee thanks among the peoples, Jehovah,
And I will harp to Thee among the nations.
4 For great above the heavens is Thy loving-kindness,
And to the clouds Thy troth.
5 Exalt Thyself above the heavens, O God,
And above all the earth Thy glory.

6 That Thy beloved ones may be delivered,
Save with Thy right hand and answer me.
7 God has spoken in His holiness,
I will divide Shechem and measure out the valley of Succoth.
8 Mine is Gilead, mine Manasseh,
And Ephraim is the strength of my head,
Judah my baton of command.
9 Moab is my wash-basin,
Upon Edom will I throw my shoe,
Over Philistia will I shout aloud.
10 Who will bring me into the fortified city?
Who has guided me into Edom?
11 Hast not Thou, O God, cast us off,
And goest not out, O God, with our hosts?
12 Give us help from trouble,
For vain is help of man.
13 In God we shall do prowess,
And He, He will tread down our oppressors.

Two fragments of Davidic psalms are here tacked together with slight variations. Vv. 1-5 are from Psalm lvii. 7-11; and vv. 6-13 from Psalm lx. 5-12. The return from Babylon would be an appropriate occasion for thus revivifying ancient words. We have seen in preceding psalms that Israel's past drew the thoughts of the singers of that period, and the conjecture may be hazarded that the recent deliverance suggested to some devout man, whose mind was steeped in the songs of former days, the closeness with which old strains suited new joys. If so, there is pathetic meaning in the summons to the "psaltery and harp," which had hung silent on the willows of Babylon so long, to wake their ancient minstrelsy once more, as well as exultant confidence that the God who had led David to victory still leads His people. The hopes of conquest in the second part, the consciousness that while much has been achieved by God's help, much still remains to be won before Israel can sit secure, the bar or two in the minor key in ver. 11, which heighten the exultation of the rest of the song, and the cry for help against adversaries too strong for Israel's unassisted might, are all appropriate to the early stages of the return.

The variations from the original psalms are of slight moment. In ver. 1 the reduplication of the clause "Steadfast is my heart" is omitted, and "my glory" is detached from ver. 2, where it stands in Psalm lvii., and is made a second subject, equivalent to "I." In ver. 3_a_ _Jehovah_ is substituted for _Lord_, and the copula "and" prefixed to _b_. Ver. 4 is not improved by the change of "unto the heavens" to "above the heavens," for an anti-climax is produced by following "_above_ the heavens" with "_unto_ the clouds."

In the second part, the only change affecting the sense is in ver. 9, where the summons to Philistia to "shout aloud because of me," which is probably meant in sarcasm, is transformed into the plain expression of triumph, "Over Philistia will I shout aloud." The other changes are "me" for "us" in ver. 6, the omission of "and" before "mine Manasseh" in ver. 8, the substitution of a more usual synonym for "fenced" in ver. 10, and the omission of the pronoun "Thou" in ver. 11.

PSALM CIX.

1 God of my praise, be not silent,
2 For a wicked man's mouth and a mouth of deceit have they opened
on me.
3 And with words of hate have they compassed me,
And have fought [against] me causelessly.
4 In return for my love, they have been my adversaries,
But I--I was [all] prayer.
5 And they have laid upon me evil in return for good,
And hate in return for my love.

6 Set in office over him a wicked man,
And may an adversary stand at his right hand!
7 When he is judged, let him go out guilty,
And let his prayer be [counted] for sin!
8 Be his days few,
His office may another take!
9 Be his children orphans,
And his wife a widow!
10 And may his children wander up and down and beg,
May they seek [bread] [far] from the ruins [of their house]!
11 May a creditor get into his nets all that he has,
And may strangers plunder [the fruit of] his toil!
12 May there be no one to continue loving-kindness to him,
And may there be no one that shows favour to his orphans!
13 May his posterity be cut off,
In the next generation may their name be blotted out!
14 Let the iniquity of his fathers be remembered before Jehovah,
And the sin of his mother not be blotted out!
15 May they be before Jehovah continually,
And may He cut off their memory from the earth!

16 Because he remembered not to show loving-kindness,
And persecuted the afflicted and poor man,
And the heart-stricken, to do him to death.
17 And he loved cursing--and it came on him,
And delighted not in blessing--and it remained far from him.
18 And he clothed himself [with] cursing like his garment,
And it came like water into his inwards,
And like oil into his bones.
19 May it be to him like a robe [with which] he covers himself,
And for a girdle [which] he continually girds on!
20 Be this the wage of my adversaries from Jehovah,
And of those who speak evil against my soul!

21 But Thou, Jehovah, Lord, deal with me for Thy name's sake,
Because Thy loving-kindness is good, deliver me,
22 Because afflicted and poor am I,
And my heart is pierced within me.
23 Like a shadow when it stretches out am I gone,
I am shaken out, like the locust.
24 My knees give out through fasting,
And my flesh falls away from fatness.
25 And I--I have become a reproach to them,
They see me, they nod their head.
26 Help me, Jehovah, my God,
Save me, according to Thy loving-kindness:
27 That they may know that this is Thy hand,
Thou--Thou, Jehovah, hast done it.
28 They--they curse, but Thou--Thou dost bless;
They arose, and were put to shame,
And Thy servant rejoices.
29 My adversaries clothe themselves [with] disgrace,
And cover themselves like a mantle with their shame.
30 I will praise Jehovah greatly with my mouth,
And amidst many will I praise Him.
31 For He stands at the right hand of the poor,
To save him from those that judge his soul.

This is the last and the most terrible of the imprecatory psalms. Its central portion (vv. 6-20) consists of a series of wishes, addressed to God, for the heaping of all miseries on the heads of one "adversary" and of all his kith and kin. These maledictions are enclosed in prayers, which make the most striking contrast to them; vv. 1-5 being the plaint of a loving soul, shrinkingly conscious of an atmosphere of hatred, and appealing gently to God; while vv. 21-31 expatiate in the presentation to Him of the suppliant's feebleness and cries for deliverance, but barely touch on the wished-for requital of enemies. The combination of devout meekness and trust with the fiery imprecations in the core of the psalm is startling to Christian consciousness, and calls for an effort of "historical imagination" to deal with it fairly. The attempts to attenuate the difficulty, either by making out that the wishes are not wishes, but prophecies of the fate of evil-doers, or that vv. 6-20 are the psalmist's quotation of his enemies' wishes about him, or that the whole is Messianic prediction of the fate of Judas or of the enemies of the Christ, are too obviously makeshifts. It is far better to recognise the discordance between the temper of the psalmist and that enjoined by Christ than to try to cover it over. Our Lord Himself has signalised the difference between His teaching and that addressed to "them of old time" on the very point of forgiveness of enemies, and we are but following His guidance when we recognise that the psalmist's mood is distinctly inferior to that which has now become the law for devout men.

Divine retribution for evil was the truth of the Old Testament, as forgiveness is that of the New. The conflict between God's kingdom and its enemies was being keenly and perpetually waged, in most literal fashion. Devout men could not but long for the triumph of that with which all good was associated, and therefore for the defeat and destruction of its opposite. For no private injuries, or for these only in so far as the suffering singer is a member of the community which represents God's cause, does he ask the descent of God's vengeance, but for the insults and hurts inflicted on righteousness. The form of these maledictions belongs to a lower stage of revelation; the substance of them, considered as passionate desires for the destruction of evil, burning zeal for the triumph of Truth, which is God's cause, and unquenchable faith that He is just, is a part of Christian perfection.

The usual variety of conjectures as to authorship exists. Delitzsch hesitatingly accepts the superscription as correct in assigning the psalm to David. Olshausen, as is his custom, says, "Maccabean"; Cheyne inclines to "the time of Nehemiah (in which case the enemy might be Sanballat), or even perhaps the close of the Persian age" ("Orig. of Psalt.," 65). He thinks that the "magnanimous David" could not have uttered "these laboured imprecations," and that the speaker is "not a brave and bold warrior, but a sensitive poet." Might he not be both?

To address God as the "God of my praise," even at such a moment of dejection, is a triumph of faith. The name recalls to the psalmist past mercies, and expresses his confidence that he will still have cause to extol his Deliverer, while it also pleads with God what He has done as a reason for doing the like in new circumstances of need. The suppliant speaks in praise and prayer; he asks God to speak in acts of rescuing power. A praying man cannot have a dumb God. And His mighty Voice, which hushes all others and sets His suppliants free from fears and foes, is all the more longed for and required, because of those cruel voices that yelp and snarl round the psalmist. The contrast between the three utterances--his, God's, and his enemies'--is most vivid. The foes have come at him with open mouths. "A wicked man's mouth" would read, by a slight alteration, "a mouth of wickedness"; but the recurrence of the word "wicked man" in ver. 6 seems to look back to this verse, and to make the rendering above probable. Lies and hatred ring the psalmist round, but his conscience is clear. "They have hated me without a cause" is the experience of this ancient sufferer for righteousness' sake, as of the Prince of all such. This singer, who is charged with pouring out a flood of "unpurified passion," had, at any rate, striven to win over hatred by meekness; and if he is bitter, it is the pain and bitterness of love flung back with contumely, and only serving to exacerbate enmity. Nor had he met with evil the first returns of evil for good, but, as he says, "I was [all] prayer" (compare Psalm cxx. 7, "I am--peace"). Repelled, his whole being turned to God, and in calm communion with Him found defence and repose. But his patient meekness availed nothing, for his foes still "laid evil" on him in return for good. The prayer is a short record of a long martyrdom. Many a foiled attempt of patient love preceded the psalm. Not till the other way had been tried long enough to show that malignity was beyond the reach of conciliation did the psalmist appeal to the God of recompenses. Let that be remembered in judging the next part of the psalm.

The terrible maledictions (vv. 6-20) need little commentary. They may be left in all their awfulness, which is neither to be extenuated nor degraded into an outburst of fierce personal vindictiveness. It is something far more noble than that. These terrible verses are prophecy, but they are prayers too; and prayers which can only be accounted for by remembering the spirit of the old dispensation. They are the more intense, because they are launched against an individual, probably the chief among the foes. In vv. 6-15 we have imprecations pure and simple, and it is noteworthy that so large a part of these verses refers to the family of the evil-doer. In vv. 16-20 the grounds of the wished-for destruction are laid in the sinner's perverted choice, and the automatic action of sin working its own punishment is vividly set forth.

Vv. 6-8 are best taken in close connection, as representing the trial and condemnation of the object of the psalmist's imprecations, before a tribunal. He prays that the man may be haled before a wicked judge. The word rendered "set" is the root from which that rendered "office" in ver. 8 comes, and here means to set in a position of authority--_i.e._, in a judicial one. His judge is to be "a wicked man" like himself, for such have no mercy on each other. An accuser is to stand at his right hand. The word rendered _adversary_ (the verb cognate with which is used in ver. 4) is "Satan"; but the general meaning of hostile accuser is to be preferred here. With such a judge and prosecutor the issue of the cause is certain--"May he go out [from the judgment-hall] guilty." A more terrible petition follows, which is best taken in its most terrible sense. The condemned man cries for mercy, not to his earthly judge, but to God, and the psalmist can ask that the last despairing cry to Heaven may be unanswered, and even counted sin. It could only be so, if the heart that framed it was still an evil heart, despairing, indeed, but obdurate. Then comes the end: the sentence is executed. The criminal dies, and his office falls to another; his wife is a widow, and his children fatherless. This view of the connection gives unity to what is otherwise a mere heap of unconnected maledictions. It also brings out more clearly that the psalmist is seeking not merely the gratification of private animosity, but the vindication of public justice, even if ministered by an unjust judge. Peter's quotation of ver. 8_b_ in reference to Judas (Acts i. 20) does not involve the Messianic character of the psalm.

Vv. 10-15 extend the maledictions to the enemy's children and parents, in accordance with the ancient strong sense of family solidarity, which was often expressed in practice by visiting the kindred of a convicted criminal with ruin, and levelling his house with the ground. The psalmist wishes these consequences to fall in all their cruel severity, and pictures the children as vagabonds, driven from the desolation which had, in happier days, been their home, and seeking a scanty subsistence among strangers. The imprecations of ver. 11 at first sight seem to hark back to an earlier stage in the wicked man's career, contemplating him as still in life. But the wish that his wealth may be "ensnared" by creditors and stolen by strangers is quite appropriate as a consequence of his sentence and execution; and the prayer in ver. 12, that there may be no one to "draw out loving-kindness" to him, is probably best explained by the parallel clause. A dead man lives a quasi-life in his children, and what is done to them is a prolongation of what was done to him. Thus helpless, beggars, homeless, and plundered, "the seed of evil-doers" would naturally be short-lived, and the psalmist desires that they may be cut off, and the world freed from an evil race. His wishes go backwards too, and reach to the previous as well as the subsequent generation. The foe had come of a bad stock--parents, son, and son's sons are to be involved in a common doom, because partakers of a common sin. The special reason for the terrible desire that the iniquity of his father and mother may never be blotted out seems to be, the desire that the accumulated consequences of hereditary sin may fall on the heads of the third generation--a dread wish, which experience shows is often tragically fulfilled, even when the sufferers are far less guilty than their ancestors. "Father, forgive them" is the strongest conceivable contrast to these awful prayers. But the psalmist's petition implies that the sins in question were unrepented sins, and is, in fact, a cry that, as such, they should be requited in the "cutting off the memory" of such a brood of evil-doers "from the earth."

In ver. 16 a new turn of thought begins, which is pursued till ver. 20--namely, that of the self-retributive action of a perverted choice of evil. "He remembered not" to be gracious to him who needed compassion; therefore it is just that he should not be remembered on earth, and that his sin should be remembered in heaven. He deliberately chose cursing rather than blessing as his attitude and act towards others; therefore cursing comes to him and blessing remains far from him, as others' attitude and act to him. The world is a mirror which, on the whole, gives back the smile or the frown which we present to it. Though the psalmist has complained that he had loved and been hated in return, he does not doubt that, in general, the curser is cursed back again and the blesser blessed. Outwardly and inwardly, the man is wrapped in and saturated with "cursing." Like a robe or a girdle, it encompasses him; like a draught of water, it passes into his inmost nature; like anointing oil oozing into the bones, it steals into every corner of his soul. His own doings come back to poison him. The kick of the gun which he fires is sure to hurt his own shoulder, and it is better to be in front of the muzzle than behind the trigger. The last word of these maledictions is not only a wish, but a declaration of the Law of Divine Retribution. The psalmist could not have found it in his heart to pray such a prayer unless he had been sure that Jehovah paid men's wages punctually in full, and that conviction is the kernel of his awful words. He is equally sure that his cause is God's--because he is sure that God's cause is his, and that he suffers for righteousness and for the righteous Jehovah.

The final part (vv. 21-31) returns to lowly, sad petitions for deliverance, of the kind common to many psalms. Very pathetically, and as with a tightening of his grasp, does the singer call on his helper by the double name "Jehovah, Lord," and plead all the pleas with God which are hived in these names. The prayer in ver. 21_b_ resembles that in Psalm lxix. 16, another of the psalms of imprecation. The image of the long-drawn-out shadow recurs in Psalm cii. 11. The word rendered "am I gone" occurs here only, and implies compulsory departure. The same idea of external force hurrying one out of life is picturesquely presented in the parallel clause. "I am shaken out," as a thing which a man wishes to get rid of is shaken out of the folds of a garment. The psalmist thinks of himself as being whirled away, helpless, as a swarm of locusts blown into the sea. The physical feebleness in ver. 24 is probably to be taken literally, as descriptive of the havoc wrought on him by his persecutions and trouble of soul, but may be, as often, metaphor for that trouble itself.

The expression in ver. 24_b_ rendered above "_falls away_ from fatness" is literally "has become a liar," or faithless, which is probably a picturesque way of saying that the psalmist's flesh had, as it were, become a renegade from its former well-nourished condition, and was emaciated by his sorrow. Others would keep the literal meaning of the word rendered "fatness"--_i.e._, oil--and translate "My flesh has shrunk up for lack of oil" (so Baethgen and Kay).

One more glance at the enemies, now again regarded as many, and one more flash of confidence that his prayer is heard, close the psalm. Once again God is invoked by His name Jehovah, and the suppliant presses close to Him as "my God"; once again he casts himself on that loving-kindness, whose measure is wider than his thoughts and will ensure him larger answers than his desires; once again he builds all his hope on it, and pleads no claims of his own. He longs for personal deliverance; but not only for personal ends, but rather that it may be an undeniable manifestation of Jehovah's power. That is a high range of feeling which subordinates self to God even while longing for deliverance, and wishes more that He should be glorified than that self should be blessed. There is almost a smile on the psalmist's face as he contrasts his enemies' curses with God's blessing, and thinks how ineffectual are these and how omnipotent is that. He takes the issue of the strife between cursing men and a blessing God to be as good as already decided. So he can look with new equanimity on the energetic preparations of his foes; for he sees in faith their confusion and defeat, and already feels some springing in his heart of the joy of victory, and is sure of already clothing themselves with shame. It is the prerogative of Faith to behold things that are not as though they were, and to live as in the hour of triumph even while in the thick of the fight.

The psalm began with addressing "the God of my _praise_"; it ends with the confidence and the vow that the singer will yet _praise_ Him. It painted an adversary standing at the right hand of the wicked to condemn him; it ends with the assurance that Jehovah stands at the right hand of His afflicted servant, as his advocate to protect him. The wicked man was to "go out guilty"; he whom God defends shall come forth from all that would judge his soul. "If God be for us, who can be against us? It is God that justifieth: who is he that condemneth?"

PSALM CX.

1 The oracle of Jehovah to my lord;
Sit Thou [enthroned] at My right hand,
Until I make Thine enemies the stool for Thy feet.
2 The sceptre of Thy might shall Jehovah stretch forth from Zion,
"Rule Thou in the midst of Thine enemies."
3 Thy people are free-will offerings in the day of Thine army;
In holy attire,
From the womb of the dawn,
[Comes] to Thee the dew of Thy youth[s].
4 Jehovah has sworn and will not repent,
Thou art a priest for ever,
After the manner of Melchizedek.

5 The Lord at Thy right hand
Has crushed kings in the day of His wrath.
6 He shall judge among the nations,
He has filled [the land] with corpses,
He has crushed the head over a wide land.
7 Of the brook shall He drink on the way,
Therefore shall He lift up [His] head.

Does our Lord's attribution of this psalm to David foreclose the question of its authorship for those who accept His authority? Many, who fully recognise and reverently bow to that authority, think that it does not, and appeal for support of their view to the unquestionable limitations of His earthly knowledge. It is urged that His object in His argument with the Pharisees, in which this psalm is quoted by Him (Matt. xxii. 41-46 and parallels), is not to instruct them on the authorship of the psalm, but to argue from its contents; and though He assumes the Davidic authorship, accepted generally at the time, yet the cogency of His argument is unimpaired, so long as it is recognised that the psalm is a Messianic one, and that the august language used in it of the Messiah is not compatible with the position of One who was a mere human son of David (Driver, "Introd.," p. 363, note). So also Dr. Sanday ("Inspiration," p. 420) says that "the Pharisees were taken upon their own ground, and the fallacy of their conclusion was shown on their own premises." But our Lord's argument is not drawn from the "august language" of the psalm, but from David's relationship to the Messiah, and crumbles to pieces if he is not the singer. It may freely be admitted that there are instances in our Lord's references to the Old Testament in which He speaks from the point of view of His hearers in regard to it; but these are cases in which nothing turned on the question whether that point of view was correct or not. Here everything turns on it; and to maintain that, in so important a crisis, He based His arguments on an error comes perilously near to imputing fallibility to Him as our teacher. Most of recent writers who advocate the view in question would recoil from such a consequence; but their position is divided from it by a thin line. Whatever the limitations of our Lord's human knowledge, they did not affect His authority in regard to what He did teach; and the present writer ventures to believe that He did teach that _David_ in this psalm calls Messiah his Lord.

If so, the psalm stands alone, as not having primary reference to an earthly king. It is not, like other Messianic psalms, typical, but directly prophetic of Messiah, and of Him only. We are not warranted in denying the possibility of such direct prophecy; and the picture drawn in this psalm, so far transcending any possible original among the sons of men, has not full justice done to its majestic lines, unless it is recognised as setting forth none other than the personal Messiah. True, it is drawn with colours supplied from earthly experiences, and paints a warrior-monarch. The prophet-psalmist, no doubt, conceived of literal warfare; but a prophet did not always understand the oracles which he spoke.

The psalm falls into two parts: the Vision of the Priest-King and His army (vv. 1-4); the King's Warfare and Victory (vv. 5-7).