Chapter IV: Book IV: Psalms Xc.-Cvi (3)

The third strophe (vv. 7-9) sets forth the results of the theophany on foes and friends. The worshippers of "the Nothings" (xcvi. 5) are put to confusion by the demonstration by fact of Jehovah's sovereignty over their helpless deities. Ver. 7_a_, _b_, recall Isa. xlii. 17, xliv. 9. As the worshippers are ashamed, so the gods themselves are summoned to fall down before this triumphant Jehovah, as Dagon did before the Ark. Surely it is a piece of most prosaic pedantry to argue, from this flash of scorn, that the psalmist believed that the gods whom he had just called "Nothings" had a real existence, and that therefore he was not a pure Monotheist.

The shame of the idolaters and the prostration of their gods heighten the gladness of Zion, which the psalm describes in old words that had once celebrated another flashing forth of Jehovah's power (Psalm xlviii. 11). Hupfeld, whom Cheyne follows, would transpose vv. 7 and 8, on the grounds that "the transposition explains what Zion heard, and brings the summons to the false gods into connection with the emphatic claim on behalf of Jehovah in ver. 9." But there is no need for the change, since there is no ambiguity as to what Zion heard, if the existing order is retained, and her gladness is quite as worthy a consequence of the exaltation of Jehovah in ver. 9 as the subjugation of the false gods would be. With ver. 9 compare Psalm lxxxiii. 18, and Psalm xlvii. 2.

The last strophe (vv. 10-12) draws exhortation and promises from the preceding. There is a marked diminution of dependence on earlier passages in this strophe, in which the psalmist points for his own generation the lessons of the great deliverance which he has been celebrating. Ver. 12_a_ is like Psalm xxxii. 11; ver. 12_b_ is from Psalm xxx. 4; but the remainder is the psalmist's own earnest exhortation and firm faith, cast into words which come warm from his own heart's depths. Love to Jehovah necessarily implies hatred of evil, which is His antagonist, and which He hates. That higher love will not be kept in energy, unless it is guarded by wholesome antipathy to everything foul. The capacity for love of the noble is maimed unless there is hearty hatred of the ignoble. Love to God is no idle affection, but withdraws a man from rival loves. The stronger the attraction, the stronger the recoil. The closer we cleave to God, the more decided our shrinking from all that would weaken our hold of Him. A specific reference in the exhortation to temptations to idolatry is possible, though not necessary. All times have their "evil," with which God's lovers are ever tempted to comply. The exhortation is never out of place, nor the encouragement which accompanies it ever illusory. In such firm adherence to Jehovah, many difficulties will rise, and foes be made; but those who obey it will not lack protection. Mark the alternation of names for such. They are first called "lovers of God"; they are then designated as His "favoured ones." That which is first in time is last in mention. The effect is in view before it is traced to its cause. "We love Him because He first loved us." Then follow names drawn from the moral perfecting which will ensue on recognition and reception of God's favour, and on the cherishing of the love which fulfils the law. They who love because they are loved, become righteous and upright-hearted because they love. For such the psalmist has promise as well as exhortation. Not only are they preserved in and from dangers, but "light is sown" for them. Many commentators think that the figure of light being sown, as seeds are buried in the ground to shoot up in beauty in a future spring-time, is too violent, and they propose to understand "sown" in the sense of _scattered on_, not _deposited in_, the earth, "so that he, the righteous, goes forward step by step in the light" (Delitzsch). Others would correct into "is risen" or "arises." But one is reluctant to part with the figure, the violence of which is permissible in an Eastern singer. Darkness often wraps the righteous, and it is not true to experience to say that his way is always in the sunlight. But it is consolation to know that light is sown, invisible and buried, as it were, but sure to germinate and fruit. The metaphor mingles figures and offends purists, but it fits closer to fact than the weakening of it which fits the rules of composition. If we are God's lovers, present darkness may be quieted by hope, and we may have the "fruit of the light" in our lives now, and the expectation of a time when we shall possess in fulness and in perpetuity all that light of knowledge, purity, and gladness which Jesus the Sower went forth to sow, and which had been ripened by struggles and sorrows and hatred of evil while we were here.

Therefore, because of this magnificent theophany, and because of its blessed consequences for loving souls, the psalmist ends with the exhortation to the righteous to rejoice. He began with bidding the world be glad. He now bids each of us concentrate that universal gladness in our own hearts. Whether earth obeys Him or not, it is for us to clasp firmly the great facts which will feed the lamp of our joy. God's holy memorial is His name, or His self-revealed character. He desires to be known and remembered by His acts. If we rightly retain and ponder His utterance of Himself, not in syllables, but in deeds, we shall not be silent in His praise. The righteous man should not be harsh and crabbed, but his soul should dwell in a serene atmosphere of joy in Jehovah, and his life be one thanksgiving to that mighty, never-to-be-forgotten Name.

PSALM XCVIII.

1 Sing to Jehovah a new song,
For wonders He has done,
His right hand has brought Him salvation, and His holy arm
2 Jehovah has made known His salvation,
To the eyes of the nations He has revealed His righteousness.
3 He has remembered His loving-kindness and His faithfulness
to the house of Israel,
All the ends of the earth have seen the salvation of our God.

4 Shout aloud to Jehovah, all the earth,
Break forth into shrill cries of joy and make melody,
5 Make melody to Jehovah with the lyre,
With lyre and voice of melody.
6 With trumpets and blast of horn,
Shout aloud before Jehovah, the King.

7 Let the sea thunder and its fulness,
The world and the dwellers therein,
8 Let streams clap hands,
Together let mountains ring out joyful cries,
9 Before Jehovah, for He comes to judge the earth,
He will judge the world in righteousness,
And peoples in equity.

The two preceding psalms correspond in number and division of verses. The first begins with a summons to sing to Jehovah; the second, with a proclamation that He is King. A precisely similar connection exists between this and the following psalm. Psalm xcviii. is an echo of Psalm xcvi., and Psalm xcix. of Psalm xcvii. The number of verses in each of the second pair is nine, and in each there is a threefold division. The general theme of both pairs is the same, but with considerable modifications. The abundant allusions to older passages continue here, and the second part of Isaiah is especially familiar to the singer.

The first strophe (vv. 1-3), though modelled on the first of Psalm xcvi., presents the theme in a different fashion. Instead of reiterating through three verses the summons to Israel to praise Jehovah, and declare His glory to the nations, this psalm passes at once from the summons to praise, in order to set forth the Divine deed which evokes the praise, and which, the psalmist thinks, will shine by its own lustre to "the ends of the earth," whether it has human voices to celebrate it or not. This psalmist speaks more definitely of Jehovah's wonders of deliverance. Israel appears rather as the recipient than as the celebrator of God's loving-kindness. The sun shines to all nations, whether any voices say "Look," or no. Ver. 1_a_ is from Psalm xcvi. 1; vv. 1_c_-3 weave together snatches of various passages in the second part of Isaiah, especially Isa. lii. 10, lix. 16, lxiii. 5. The remarkable expression "brought salvation to Him" (from the second passage in Isaiah) is rendered by many "helped Him," and that rendering gives the sense but obliterates the connection with "salvation," emphatically repeated in the two following verses. The return from Babylon is naturally suggested as best corresponding to the psalmist's words. That was "the salvation of our God," who seemed to have forgotten His people, as Isa. xlix. 2 represents Israel as complaining, but now, before "the eyes of all nations," has shown how well He remembers and faithfully keeps His covenant obligations. Israel is, indeed, Jehovah's witness, and should ring out her grateful joy; but Jehovah's deed speaks more loudly than Israel's proclamation of it can ever do.

The second strophe (vv. 4-6) corresponds to the third of Psalm xcvi.; but whereas there the Gentiles were summoned to bring offerings into the courts of Jehovah, here it is rather the glad tumult of vocal praise, mingled with the twang of harps, and the blare of trumpets and horns, which is present to the singer's imagination. He hears the swelling chorus echoing through the courts, which are conceived as wide enough to hold "all the earth." He has some inkling of the great thought that the upshot of God's redeeming self-manifestation will be glad music from a redeemed world. His call to mankind throbs with emotion, and sounds like a prelude to the melodious commingling of voice and instrument which he at once enjoins and foretells. His words are largely echoes of Isaiah. Compare Isa. xliv. 23, xlix. 13, lii. 9, for "break forth into," and li. 3 for "voice of melody."

The final strophe is almost identical with that of Psalm xcvi., but, in accordance with the variation found in vv. 1-3, omits the summons to Israel to proclaim God's Kinghood among the nations. It also inverts the order of clauses in ver. 7, and in ver. 7_b_ quotes from Psalm xxiv. 1, where also "the fulness of it" precedes, with the result of having no verb expressed which suits the nouns, since "the world and the dwellers therein" cannot well be called on to "thunder." Instead of the "plain" and "trees of the forest" in the original, ver. 8 substitutes streams and mountains. The bold figure of the streams clapping hands, in token of homage to the King (2 Kings xi. 12; Psalm xlvii. 1) occurs in Isa. lv. 12. The meeting waves are conceived of as striking against each other, with a sound resembling that of applauding palms. Ver. 9 is quoted from Psalm xcvi., with the omission of the second "He cometh" (which many versions of the LXX. retain), and the substitution of "equity" for "His faithfulness."

PSALM XCIX.

1 Jehovah is King--the peoples tremble;
Throned [on] the cherubim--the earth totters.
2 Jehovah in Zion is great,
And exalted above all the peoples.
3 Let them praise Thy great and dread name,
Holy is He.

4 And the strength of the King loves judgment,
Thou, Thou hast established equity,
Judgment and righteousness in Jacob hast Thou wrought.
5 Exalt Jehovah our God,
And prostrate yourselves at His footstool,
Holy is He.

6 Moses and Aaron among His priests,
And Samuel among them that call [on] His name;
They called on Jehovah, and He, He answered them.
7 In a pillar of cloud He spoke to them,
They kept His testimonies,
And the statute [which] He gave them.
8 Jehovah our God! Thou, Thou didst answer them,
A forgiving God wast Thou unto them,
And executing retribution for their deeds.
9 Exalt Jehovah our God,
And prostrate yourselves at His holy mountain,
For holy is Jehovah our God.

Delitzsch has well called this psalm "an earthly echo of the seraphic Trisagion," the threefold proclamation of the Divine holiness, which Isaiah heard (Isa. vi. 3). It is, as already noted, a pendant to Psalm xcviii., but is distinguished from the other psalms of this group by its greater originality, the absence of distinct allusion to the great act of deliverance celebrated in them, and its absorption in the one thought of the Divine holiness. Their theme is the event by which Jehovah manifested to the world His sovereign rule; this psalm passes beyond the event, and grasps the eternal central principle of that rule--namely, holiness. The same thought has been touched on in the other members of the group, but here it is the single subject of praise. Its exhibition in God's dealings with Israel is here traced in ancient examples, rather than in recent instances; but the view-point of the other psalms is retained, in so far as the Divine dealings with Israel are regarded as the occasion for the world's praise.

The first strophe (vv. 1-3) dwells in general terms on Jehovah's holiness, by which august conception is meant, not only moral purity, but separation from, by elevation above, the finite and imperfect. Ver. 1 vividly paints in each clause the glory reigning in heaven, and its effect on an awestruck world. We might render the verbs in the second part of each clause as futures or as optatives (_shall tremble, shall totter_, or _Let peoples tremble_, etc.), but the thought is more animated if they are taken as describing the result of the theophany. The participial clause "throned on the cherubim" adds detail to the picture of Jehovah as King. It should not, strictly speaking, be rendered with a finite verb. When that vision of Him sitting in royal state is unveiled, all people are touched with reverence, and the solid earth staggers. But the glory which is made visible to all men has its earthly seat in Zion, and shines from thence into all lands. It is by His deeds in Israel that God's exaltation is made known. The psalmist does not call on men to bow before a veiled Majesty, of which they only know that it is free from all creatural limitations, lowliness and imperfections; but before a God, who has revealed Himself in acts, and has thereby made Himself a name. "Great and dread" is that name, but it is a sign of His loving-kindness that it is known by men, and thanksgiving, not dumb trembling, befits men who know it. The refrain might be rendered "It is holy," referring to the name, but vv. 5 and 9 make the rendering _Holy is He_ more probable. The meaning is unaffected whichever translation is adopted.

Jehovah is holy, not only because lifted above and separated from creatural limitations, but because of His righteousness. The second strophe therefore proclaims that all His dominion is based on uprightness, and is a continual passing of that into acts of "judgment and righteousness." The "And" at the beginning of ver. 4, following the refrain, is singular, and has led many commentators to link the words with ver. 3_a_, and, taking the refrain as parenthetical, to render, "Let them give thanks to Thy great and dread name, [for it is holy], and [to] the strength of the King [who] loveth," etc. But the presence of the refrain is an insuperable bar to this rendering. Others, as Delitzsch and Cheyne, regard "the strength of the king" as dependent on "established" in ver. 4_b_, and suppose that the theocratic monarch of Israel is represented as under Jehovah's protection, if he reigns righteously. But surely one King only is spoken of in this psalm, and it is the inmost principle and outward acts of His rule which are stated as the psalmist's reason for summoning men to prostrate themselves at His footstool. The "And" at the beginning of the strophe links its whole thought with that of the preceding, and declares eloquently how closely knit together are Jehovah's exaltation and His righteousness. The singer is in haste to assert the essentially moral character of infinite power. Delitzsch thinks that love cannot be predicated of "strength," but only of the possessor of strength; but surely that is applying the measuring line of prosaic accuracy to lyric fervour. The intertwining of Divine power and righteousness could not be more strongly asserted than by that very intelligible attribution to His power of the emotion of love, impelling it ever to seek union with uprightness. He is no arbitrary ruler. His reign is for the furtherance of justice. Its basis is "equity," and its separate acts are "judgment and righteousness." These have been done in and for Jacob. Therefore the call to worship rings out again. It is addressed to an undefined multitude, which, as the tone of all this group of psalms leads us to suppose, includes the whole race of man. They are summoned to lift high the praise of Him who in Himself is so high, and to cast themselves low in prostrate adoration at His footstool--_i.e._, at His sanctuary on Zion (ver. 9). Thus again, in the centre strophe of this psalm, as in Psalms xcvi. and xcviii., mankind are called to praise the God who has revealed Himself in Israel; but while in the former of these two psalms worship was represented as sacrificial, and in the second as loud music of voice and instrument, here silent prostration is the fitting praise of the holiness of the infinitely exalted Jehovah.

The third strophe turns to examples drawn from the great ones of old, which at once encourage to worship and teach the true nature of worship, while they also set in clear light Jehovah's holiness in dealing with His worshippers. Priestly functions were exercised by Moses, as in sprinkling the blood of the covenant (Exod. xxiv.), and in the ceremonial connected with the consecration of Aaron and his sons (Lev. viii.), as well as at the first celebration of worship in the Tabernacle (Exod. xl. 18 _sqq._). In the wider sense of the word _priest_, he acted as mediator and intercessor, as in Exod. xvii. 12, in the fight against Amalek, and xxxii. 30-32, after the worship of the golden calf. Samuel, too, interceded for Israel after their seeking a king (1 Sam. xii. 19 _sqq._), and offered sacrifices (1 Sam. vii. 9). Jeremiah couples them together as intercessors with God (xv. 1).

From these venerable examples the psalmist draws instruction as to the nature of the worship befitting the holiness of Jehovah. He goes deeper than all sacrifices, or than silent awe. To call on God is the best adoration. The cry of a soul, conscious of emptiness and need, and convinced of His fulness and of the love which is the soul of His power, is never in vain. "They called, and He"--even He in all the unreachable separation of His loftiness from their lowliness--"answered them." There is a commerce of desire and bestowal between the holy Jehovah and us. But these answers come on certain conditions, which are plain consequences of His holiness--namely, that His worshippers should keep His testimonies, by which He has witnessed both to His own character and to their duty. The psalmist seems to lose sight of his special examples, and to extend his view to the whole people, when he speaks of answers from the pillar of cloud, which cannot apply to Samuel's experience. The persons spoken of in ver. 8 as receiving answers may indeed be Moses, Aaron, and Samuel, all of whom were punished for evil deeds, as well as answered when they cried; but more probably they are the whole community. The great principle, firmly grasped and clearly proclaimed by the singer, is that a holy God is a forgiving God, willing to hearken to men's cry, and rich to answer with needed gifts, and that indissolubly interwoven with the pardon, which He in His holiness gives, is retribution for evil. God loves too well to grant impunity. Forgiveness is something far better than escape from penalties. It cannot be worthy of God to bestow or salutary for men to receive, unless it is accompanied with such retribution as may show the pardoned man how deadly his sin was. "Whatsoever a man soweth that shall he also reap" is a law not abrogated by forgiveness. The worst penalty of sin, indeed--namely, separation from God--is wholly turned aside by repentance and forgiveness; but for the most part the penalties which are inflicted on earth, and which are the natural results of sin, whether in character, memory, habit, or circumstances, are not removed by pardon. Their character is changed; they become loving chastisement for our profit.

Such, then, is the worship which all men are invited to render to the holy Jehovah. Prostrate awe should pass into the cry of need, desire, and aspiration. It will be heard, if it is verified as real by obedience to God's known will. The answers will be fresh witnesses of God's holiness, which declares itself equally in forgiveness and in retribution. Therefore, once more the clear summons to all mankind rings out, and once more the proclamation of His holiness is made.

There is joyful confidence of access to the Inaccessible in the reiteration in ver. 9 of _Jehovah our God_. "Holy is He," sang the psalmist at first, but all the gulf between Jehovah and us is bridged over when to the name which emphasises the eternal, self-existent being of the holy One we can add "our God." Then humble prostration is reconcilable with confident approach; and His worshippers have not only to lie lowly at His footstool, but to draw near, with children's frankness, to His heart.

PSALM C.

1 Shout aloud to Jehovah, all the earth.
2 Serve Jehovah with gladness,
Come before His face with joyful cry.
3 Know ye that Jehovah He is God,
He, He has made us, and His are we,
His people and the sheep of His pasture.
4 Enter His gates with thanksgiving,
His courts with praise,
Give thanks to Him, bless His name.
5 For Jehovah is good, for ever endures His loving-kindness,
And to generation after generation His faithfulness.

The Psalms of the King end with this full-toned call to all the earth to do Him homage. It differs from the others of the group, by making no distinct mention either of Jehovah's royal title or of the great act of deliverance which was His visible exercise of sovereignty. But it resembles them in its jubilant tone, its urgent invitation to all men to walk in the light which shone on Israel, and its conviction that the mercies shown to the nation had blessing in them for all the world. The structure is simple. A call to praise Jehovah is twice given, and each is followed by reasons for His praise, which is grounded, in the first instance (ver. 3), on His dealings with Israel, and, in the second, on His character as revealed by all His works.

Ver. 1 consists of but a single clause, and, as Delitzsch says, is like the signal-blast of a trumpet. It rings out a summons to "all the earth," as in Psalm xcviii. 4, which is expanded in ver. 2. The service there enjoined is that of worship in the Temple, as in ver. 4. Thus, the characteristic tone of this group of psalms echoes here, in its close, and all men are called and welcomed to the Sanctuary. There is no more a Court of the Gentiles. Not less striking than the universality of the psalm is its pulsating gladness. The depths of sorrow, both of that which springs from outward calamities and of that more heart-breaking sort which wells up from dark fountains in the soul, have been sounded in many a psalm. But the Psalter would not reflect all the moods of the devout soul, unless it had some strains of unmingled joy. The Christian Year has perfect days of sunlit splendour, when all the winds are still, and no cloud darkens the unbroken blue. There is no music without passages in minor keys; but joy has its rights and place too, and they know but little of the highest kind of worship who do not sometimes feel their hearts swell with gladness more poignant and exuberant than earth can minister.

The reason for the world's gladness is given in ver. 3. It is Jehovah's special relation to Israel. So far as the language of the verse is concerned, it depends on Psalm xcv. 7. "He hath made us" does not refer to creation, but to the constituting of Israel the people of God. "We are His" is the reading of the Hebrew margin, and is evidently to be preferred to that of the text, "Not we ourselves." The difference in Hebrew is only in one letter, and the pronunciation of both readings would be the same. Jewish text-critics count fifteen passages, in which a similar mistake has been made in the text. Here, the comparison of Psalm xcv. and the connection with the next clause of ver. 3 are decidedly in favour of the amended reading. It is to be observed that this is the only place in the psalm in which "we" and "us" are used; and it is natural to lay stress on the opposition between "ye" in ver. 3_a_, and "we" and "us" in _b_. The collective Israel speaks, and calls all men to rejoice in Jehovah, because of His grace to it. The psalm is, then, not, as Cheyne calls it, "a national song of thanksgiving, with which an universalistic element is not completely fused," but a song which starts from national blessings, and discerns in them a message of hope and joy for all men. Israel was meant to be a sacred hearth on which a fire was kindled, that was to warm all the house. God revealed Himself _in_ Israel, but _to_ the world.

The call to praise is repeated in ver. 4 with more distinct reference to the open Temple gates into which all the nations may now enter. The psalmist sees, in prophetic hope, crowds pouring in with glad alacrity through the portals, and then hears the joyful tumult of their many voices rising in a melodious surge of praise. His eager desire and large-hearted confidence that so it will one day be are vividly expressed by the fourfold call in ver. 4. And the reason which should draw all men to bless God's revealed character is that His self-revelation, whether to Israel or to others, shows that the basis of that character is goodness--_i.e._, kindness or love--and that, as older singers have sung, "His loving-kindness endures for ever," and, as a thousand generations in Israel and throughout the earth have proved, His faithful adherence to His word, and discharge of all obligations under which He has come to His creatures, give a basis for trust and a perpetual theme for joyful thanksgiving. Therefore, all the world has an interest in Jehovah's royalty, and should, and one day shall, compass His throne with joyful homage, and obey His behests with willing service.

PSALM CI.

1 Of loving-kindness and judgment will I sing,
To Thee, Jehovah, will I harp.
2 I will give heed to the way of perfectness,
When wilt Thou come to me?
I will walk with a perfect heart
Within my house.
3 I will not set before my eyes any villainous thing,
The doing of transgressions do I hate,
It shall not cleave to me.
4 A perverse heart shall depart from me,
Evil will I not know.

5 The secret slanderer of his neighbour,
Him will I root out,
The lofty-eyed and proud-hearted,
Him will I not endure.
6 My eyes are on the faithful of the land,
That they may dwell with me,
He who walks in the way of perfectness,
He shall serve me.
7 He shall not dwell in my house
Who practises deceit,
He that speaks lies
Shall not be established before my eyes.
8 Every morning will I root out
All the wicked of the land,
To cut off from the city of Jehovah
All workers of iniquity.

The contents of this psalm go far towards confirming the correctness of the superscription in ascribing it to David, as Ewald acknowledges. To call it an ideal description of a Jewish king, dramatically put into such a ruler's mouth, does not do justice to the ring of earnestness in it. No doubt, subjective impressions are unreliable guides, but it is difficult to resist the impression that a kingly voice is audible here, speaking no ideal description, but his own stern resolves. It is a royal "proclamation against vice and immorality," appropriate to the beginning of a reign. If we accept the superscription, and interpret the abrupt question in ver. 2 "When wilt Thou come to me?" as the utterance of David's longing to see the Ark set in Jerusalem, we get a most fitting period for the psalm. He had but recently ascended the throne. The abuses and confusions of Saul's last troubled years had to be reformed. The new king felt that he was God's viceroy, and here declares what he will strive to make his monarchy--a copy of God's. He gives evil-doers fair warning, and bids all true men be sure of his favour. But he will take heed to himself, before he seeks to purge his court. So the psalm, though it has no strophical arrangement, falls into two main parts, in the first of which the king lays down the rule of his own conduct, and, in the second, declares war against the vermin that infest especially an Eastern court--slanderers, arrogant upstarts, traffickers in lies. His ambition is to have Jehovah's city worthy of its true King, when He shall deign to come and dwell in it. Therefore his face will be gracious to all good men, and his hand heavy on all evil-doers. The psalm is "A Mirror for Magistrates," to quote the title of an old English book.

The first words of the psalm seem at first sight incongruous with its contents, which are singularly devoid of praise. But they are not meant to refer to the psalm, but declare the singer's purpose for his whole life. If the speaker is a real character, he is a poet-king. Of whom is that singular combination of royalty and minstrelsy so true as of David? If the speaker is an ideal, is it not peculiar that the first qualification of the ideal king should be that he is a poet? The suggestion that "loving-kindness and judgment" are here the monarch's virtues, not Divine attributes, is negatived by usage and by the following clause, "To Thee, _Jehovah_, will I sing." But it is as a king that the psalmist vows to praise these twin characteristics of the Divine rule; and his song is to be accompanied by melodious deeds, which shape themselves after that pattern for rulers and all men. Earthly power is then strongest when, like God's, it is informed by loving-kindness and based on righteousness. In this connection, it is significant that this psalm, describing what a king should be, has been placed immediately after the series which tells who the true King of Israel and the world is, in whom these same attributes are ever linked together.

Vv. 2-4 outline the king's resolves for himself. With noble self-control, this ruler of men sets before himself the narrow, thorny way of perfectness, not the broad, flowery road of indulgence. He owns a law above himself and a far-off goal of moral completeness, which, he humbly feels, is yet unattained, but which he vows will never be hidden from his undazzled eyes, by the glitter of lower earthly good, or the rank mists of sensual pleasures. He had abundant facilities for reaching lower aims, but he turns from these to "give heed" to the way of perfectness. That resolve must be clearly and strongly made by every man, prince or peasant, who would attain to the dominion over self and externals, which is man's true royalty.

The suddenly interjected question of longing, "When wilt Thou come to me?" is best explained by connecting it with David's desire that the Ark should be permanently domiciled in Jerusalem--a desire which was checked by his reflections on his own unworthiness (2 Sam. vi. 9). Now he feels that, on the one hand, his whole-hearted desire after righteousness makes him capable of receiving such a guest; and that, on the other, his firmest resolves will be evanescent, without God's presence to confirm his wavering and to help him to make his resolves into acts. He longed for that "coming" of the symbol of God's dwelling with men, not with heathenish desire to have it as a magic-working charm against outward foes, but as helping his faith to grasp the fact that God was with him, as his ally in the nobler fight against his own baseness and his position's temptations. We dare not ask God to come to us, unless we are conscious of desire to be pure; we cannot hope to realise that desire, unless He is with us. So, the natural sequel of determination to give heed to the way of perfectness is petition to Him, to come very near and take up His abode with us.

After this most significant interruption, the stream of resolutions runs on again. In the comparative privacy of his house, he will "walk with a perfect heart," ever seeking to translate his convictions of right into practice, and regulating his activities by conscience. The recesses of an Eastern palace were often foul with lust, and hid extravagances of caprice and self-indulgence; but this ruler will behave there as one who has Jehovah for a guest. The language of ver. 3 is very energetic. "Any villainous thing" is literally "a thing of Belial"; "the doing of transgressions" is literally "doing deeds that turn aside", _i.e._ from the course prescribed. He will not take the former as models for imitation or objects of desire. The latter kindle wholesome hatred; and if ever he is tempted to dally with sin, he will shake it off, as a venomous reptile that has fastened on him. "A perfect heart" will expel "a perverse heart," but neither will the one be gained nor the other banished without vehement and persistent effort. This man does not trust the improvement of his character to chance or expect it to come of itself. He means to bend his strength to effect it. He cannot but "know evil," in the sense of being aware of it and conscious of its seductions; but he will _not_ "know" it, in the sense of letting it into his inner nature, or with the knowledge which is experience and love.

From ver. 5 onwards, the king lays down the principles of his public action, and that mainly in reference to bad men. One verse suffices to tell of his fostering care of good men. The rest describes how he means to be a terror to evil-doers. The vices against which he will implacably war are not gross crimes such as ordinarily bring down the sword of public justice. This monarch has regard to more subtle evils--slander, superciliousness, inflated vanity ("proud-hearted" in ver. 5 is literally wide in heart, _i.e._ dilated with self-sufficiency or ambition). His eyes are quick to mark "the faithful in the land." He looks for those whose faithfulness to God guarantees their fidelity to men and general reliableness. His servants shall be like himself, followers of "the way of perfectness." In that court, dignity and office will go, not to talent, or to crafty arts of servility, or to birth, but to moral and religious qualities.

In the last two verses, the psalm returns to evil-doers. The actors and speakers of lies shall be cleared out of the palace. Such base creatures crawl and sting about the purlieus of courts, but this prince will have his immediate _entourage_ free from them. He longs to get rid of the stifling atmosphere of deceit, and to have honest men round him, as many a ruler before and since has longed. But not only palace, but city, has to be swept clean, and one cleansing at the beginning of a reign will not be enough. So "every morning" the work has to be done again. "Ill weeds grow apace," and the mower must not get weary of his scythe. God's city must be pure. "Without are ... whatsoever worketh and maketh a lie."

The psalm is a God-given vision of what a king and a kingdom might and should be. If David wrote it, his early resolves were sadly falsified. "I will set no villainous things before my eyes"--yet from his "house," where he vowed to "walk with a perfect heart," he looked on Bathsheba. "He that speaks lies shall not be established in my sight"--yet Absalom, Ahithophel, and the sons of Zeruiah stood round his throne. The shortcomings of the earthly shadows of God's rule force us to turn away to the only perfect King and Kingdom, Jesus Christ and His realm, and to the city "into which shall in nowise enter anything that defileth."

PSALM CII.

1 Jehovah, hear my prayer,
And let my cry come to Thee.
2 Hide not Thy face from me in the day of my trouble,
Bend to me Thine ear,
In the day that I call answer me speedily.

3 For my days are consumed in smoke,
And my bones are burned like a brand.
4 Smitten like herbage and dried up is my heart,
For I have forgotten to eat my bread.
5 Because of the noise of my groaning,
My bones stick to my flesh.
6 I am like a pelican of the desert,
I am become like an owl of the ruins.
7 I am sleepless,
And am become like a sparrow lonely on the roof.
8 All day long my enemies reproach me,
They that are mad at me curse by me.
9 For ashes like bread have I eaten,
And my drink with tears have I mingled.
10 Because of Thy indignation and Thy wrath,
For Thou hast caught me up and flung me away
11 My days are like a long-drawn-out shadow,
And I like herbage am dried up.

12 But Thou, Jehovah, sittest enthroned for ever,
And Thy memorial is to generation after generation.
13 Thou, Thou shalt arise, shalt pity Zion,
For it is time to show her favour,
For the appointed time is come.
14 For Thy servants delight in her stones,
And [to] her dust they show favour.
15 And the nations shall fear the name of Jehovah,
And all the kings of the earth His glory,

16 Because Jehovah has built up Zion,
He has been seen in His glory,
17 He has turned to the prayer of the destitute,
And has not despised their prayer.
18 This shall be written for the generation after,
And a people [yet] to be created shall praise Jah.
19 Because He has looked down from His holy height,
Jehovah has gazed from heaven upon the earth,
20 To hear the sighing of the captive,
To free the children of death,
21 That they may tell in Zion the name of Jehovah,
And His praise in Jerusalem,
22 When the peoples are assembled together,
And the kingdoms to serve Jehovah.

23 He has brought down my strength in the way,
He has cut short my days.
24 I said, "My God, take me not away at the half of my days,"
[Since] Thy years endure through all generations.
25 Of old Thou didst found the earth,
And the heavens are the work of Thy hands.
26 They, they shall perish, but Thou, Thou shalt continue,
And all of them like a garment shall wear out,
Like a robe shalt Thou change them, and they shall be changed.
27 But Thou art He,
And Thy years shall never end.
28 The sons of Thy servants shall dwell,
And their seed shall be established before Thee.

Verses 13, 14, show that the psalm was written when Zion was in ruins and the time of her restoration at hand. Sadness shot with hope, as a cloud with sunlight, is the singer's mood. The pressure of present sorrows points to the time of the Exile; the lightening of these, by the expectation that the hour for their cessation has all but struck, points to the close of that period. There is a general consensus of opinion on this, though Baethgen is hesitatingly inclined to adopt the Maccabean date, and Cheyne prefers the time of Nehemiah, mainly because the references to the "stones" and "dust" recall to him "Nehemiah's lonely ride round the burned walls," and "Sanballat's mocking at the Jews for attempting to revive the stones out of heaps of rubbish" ("Orig. of Psalt.," p. 70). These references would equally suit any period of desolation; but the point of time indicated by ver. 13 is more probably the eve of restoration than the completion of the begun and interrupted re-establishment of Israel in its land. Like many of the later psalms, this is largely coloured by earlier ones, as well as by Deuteronomy, Job, and the second half of Isaiah, while it has also reminiscences of Jeremiah. Some commentators have, indeed, supposed it to be his work.

The turns of thought are simple. While there is no clear strophical arrangement, there are four broadly distinguished parts: a prelude, invoking God to hearken (vv. 1, 2); a plaintive bemoaning of the psalmist's condition (vv. 3-11); a triumphant rising above his sorrows, and rejoicing in the fair vision of a restored Jerusalem, whose Temple-courts the nations tread (vv. 12-22); and a momentary glance at his sorrows and brief life, which but spurs him to lay hold the more joyously on God's eternity, wherein he finds the pledge of the fulfilment of his hopes and of God's promises (vv. 23-28).

The opening invocations in vv. 1, 2, are mostly found in other psalms. "Let my cry come unto Thee" recalls Psalm xviii. 6. "Hide not Thy face" is like Psalm xxvii. 9. "In the day of my straits" recurs in Psalm lix. 16. "Bend to me Thy ear" is in Psalm xxxi. 2. "In the day when I call" is as in Psalm lvi. 9. "Answer me speedily" is found in Psalm lxix. 17. But the psalmist is not a cold-blooded compiler, weaving a web from old threads, but a suffering man, fain to give his desires voice, in words which sufferers before him had hallowed, and securing a certain solace by reiterating familiar petitions. They are none the less his own, because they have been the cry of others. Some aroma of the answers that they drew down in the past clings to them still, and makes them fragrant to him.

Sorrow and pain are sometimes dumb, but, in Eastern natures, more often eloquent; finding ease in recounting their pangs. The psalmist's first words of self-lamentation echo familiar strains, as he bases his cry for speedy answer on the swiftness with which his days are being whirled away, and melting like smoke as it escapes from a chimney. The image suggests another. The fire that makes the smoke is that in which his very bones are smouldering like a brand. The word for _bones_ is in the singular, the bony framework being thought of as articulated into a whole. "Brand" is a doubtful rendering of a word which the Authorised Version, following some ancient Jewish authorities, renders _hearth_, as do Delitzsch and Cheyne. It is used in Isa. xxxiii. 14 as = "burning," but "brand" is required to make out the metaphor. The same theme of physical decay is continued in ver. 4, with a new image struck out by the ingenuity of pain. His heart is "smitten" as by sunstroke (compare Psalm cxxi. 6, Isa. xlix. 10, and for still closer parallels Hosea ix. 16, Jonah iv. 7, in both of which the same effect of fierce sunshine is described as the sufferer here bewails). His heart withers like Jonah's gourd. The "For" in ver. 4_b_ can scarcely be taken as giving the reason for this withering. It must rather be taken as giving the proof that it was so withered, as might be concluded by beholders from the fact that he refused his food (Baethgen). The psalmist apparently intends in ver. 5 to describe himself as worn to a skeleton by long-continued and passionate lamentations. But his phrase is singular. One can understand that emaciation should be described by saying that the bones adhered to the skin, the flesh having wasted away, but that they stick to the flesh can only describe it, by giving a wide meaning to "flesh," as including the whole outward part of the frame in contrast with the internal framework. Lam. iv. 8 gives the more natural expression. The psalmist has groaned himself into emaciation. Sadness and solitude go well together. We plunge into lonely places when we would give voice to our grief. The poet's imagination sees his own likeness in solitude-loving creatures. The pelican is never now seen in Palestine but on Lake Huleh. Thomson ("Land and Book," p. 260: London, 1861) speaks of having found it there only, and describes it as "the most sombre, austere bird I ever saw." "The owl of the ruins" is identified by Tristram ("Land of Israel," p. 67) with the small owl _Athene meridionalis_, the emblem of Minerva, which "is very characteristic of all the hilly and rocky portions of Syria." The _sparrow_ may be here a generic term for any small song-bird, but there is no need for departing from the narrower meaning. Thomson (p. 43) says: "When one of them has lost his mate--an every-day occurrence--he will sit on the housetop alone and lament by the hour."

The division of ver. 7 is singular, as the main pause in it falls on "am become," to the disruption of the logical continuity. The difficulty is removed by Wickes ("Accentuation of the Poetical Books," p. 29), who gives several instances which seem to establish the law that, in the musical accentuation, there is "an apparent reluctance to place the main dividing accent after the first, or before the last, word of the verse." The division is not logical, and we may venture to neglect it, and arrange as above, restoring the dividing accent to its place after the first word. Others turn the flank of the difficulty by altering the text to read, "I am sleepless and must moan aloud" (so Cheyne, following Olshausen).

Yet another drop of bitterness in the psalmist's cup is the frantic hatred which pours itself out in voluble mockery all day long, making a running accompaniment to his wail. Solitary as he is, he cannot get beyond hearing of shrill insults. So miserable does he seem, that enemies take him and his distresses for a formula of imprecation, and can find no blacker curse to launch at other foes than to wish that they may be like him. So ashes, the token of mourning, are his food, instead of the bread which he had forgotten to eat, and there are more tears than wine in the cup he drinks.

But all this only tells how sad he is. A deeper depth opens when he remembers why he is sad. The bitterest thought to a sufferer is that his sufferings indicate God's displeasure; but it may be wholesome bitterness, which, leading to the recognition of the sin which evokes the wrath, may change into a solemn thankfulness for sorrows which are discerned to be chastisements, inflicted by that Love of which indignation is one form. The psalmist confesses sin in the act of bewailing sorrow, and sees behind all his pains the working of that hand whose interposition for him he ventures to implore. The tremendous metaphor of ver. 10_b_ pictures it as thrust forth from heaven to grasp the feeble sufferer, as an eagle stoops to plunge its talons into a lamb. It lifts him high, only to give more destructive impetus to the force with which it flings him down, to the place where he lies, a huddled heap of broken bones and wounds. His plaint returns to its beginning, lamenting the brief life which is being wasted away by sore distress. Lengthening shadows tell of approaching night. His day is nearing sunset. It will be dark soon, and, as he has said (ver. 4), his very self is withering and becoming like dried-up herbage.

One can scarcely miss the tone of individual sorrow in the preceding verses; but national restoration, not personal deliverance, is the theme of the triumphant central part of the psalm. That is no reason for flattening the previous verses into the voice of the personified Israel, but rather for hearing in them the sighing of one exile, on whom the general burden weighed sorely. He lifts his tear-laden eyes to heaven, and catches a vision there which changes, as by magic, the key of his song--Jehovah sitting in royal state (compare Psalms ix. 7, xxix. 10) for ever. That silences complaints, breathes courage into the feeble and hope into the despairing. In another mood the thought of the eternal rule of God might make man's mortality more bitter, but Faith grasps it, as enfolding assurances which turn groaning into ringing praise. For the vision is not only of an everlasting Some One who works a sovereign will, but of the age-long dominion of Him whose name is Jehovah; and since that name is the revelation of His nature, it, too, endures for ever. It is the name of Israel's covenant-making and keeping God. Therefore, ancient promises have not gone to water, though Israel is an exile, and all the old comfort and confidence are still welling up from the Name. Zion cannot die while Zion's God lives. Lam. v. 19 is probably the original of this verse, but the psalmist has changed "throne" into "memorial," _i.e._ _name_, and thereby deepened the thought. The assurance that God will restore Zion rests not only on His faithfulness, but on signs which show that the sky is reddening towards the day of redemption. The singer sees the indication that the hour fixed in God's eternal counsels is at hand, because he sees how God's servants, who have a claim on Him and are in sympathy with His purposes, yearn lovingly after the sad ruins and dust of the forlorn city. Some new access of such feelings must have been stirring among the devouter part of the exiles. Many large truths are wrapped in the psalmist's words. The desolations of Zion knit true hearts to her more closely. The more the Church or any good cause is depressed, the more need for its friends to cling to it. God's servants should see that their sympathies go toward the same objects as God's do. They are proved to be His servants, because they favour what He favours. Their regards, turned to existing evils, are the precursors of Divine intervention for the remedy of these. When good men begin to lay the Church's or the world's miseries to heart, it is a sign that God is beginning to heal them. The cry of God's servants can "hasten the day of the Lord," and preludes His appearance like the keen morning air stirring the sleeping flowers before sunrise.

The psalmist anticipates that a rebuilt Zion will ensure a worshipping world. He expresses that confidence, which he shares with Isa. xl.-lxvi., in vv. 15-18. The name and glory of Jehovah will become objects of reverence to all the earth, because of the manifestation of them by the rebuilding of Zion, which is a witness to all men of His power and tender regard to His people's cry. The past tenses of vv. 16, 17, do not indicate that the psalm is later than the Restoration. It is contemplated as already accomplished, because it is the occasion of the "fear" prophesied in ver. 15, and consequently prior in time to it. "Destitute," in ver. 17, is literally _naked_ or _stript_. It is used in Jer. xvii. 6 as the name of a desert plant, probably a dwarf juniper, stunted and dry, but seems to be employed here as simply designating utter destitution. Israel had been stripped of every beauty and made naked before her enemies. Despised, she had cried to God, and now is clothed again with the garments of salvation, "as a bride adorneth herself with her jewels."