Chapter IV: The Golden Bough (5)

Rites of this sort were formerly observed in Quoja, on the west coast of Africa, to the north of the Congo. They are thus described by an old writer:—“They have another ceremony which they call Belli-Paaro, but it is not for everybody. For it is an incorporation in the assembly of the spirits, and confers the right of entering their groves, that is to say, of going and eating the offerings which the simple folk bring thither. The initiation or admission to the Belli-Paaro is celebrated every twenty or twenty-five years. The initiated recount marvels of the ceremony, saying that they are roasted, that they entirely change their habits and life, and that they receive a spirit quite different from that of other people and quite new lights. The badge of membership consists in some lines traced on the neck between the shoulders; the lines seem to be pricked with a needle. Those who have this mark pass for persons of spirit, and when they have attained a certain age they are allowed a voice in all public assemblies; whereas the uninitiated are regarded as profane, impure, and ignorant persons, who dare not express an opinion on any subject of importance. When the time for the ceremony has come, it is celebrated as follows: By order of the king a place is appointed in the forest, whither they bring the youths who have not been marked, not without much crying and weeping; for it is impressed upon the youths that in order to undergo this change it is necessary to suffer death. So they dispose of their property, as if it were all over with them. There are always some of the initiated beside the novices to instruct them. They teach them to dance a certain dance called _killing_, and to sing verses in praise of Belli. Above all, they are very careful not to let them die of hunger, because if they did so, it is much to be feared that the spiritual resurrection would profit them nothing. This manner of life lasts five or six years, and is comfortable enough, for there is a village in the forest, and they amuse themselves with hunting and fishing. Other lads are brought thither from time to time, so that the last comers have not long to stay. No woman or uninitiated person is suffered to pass within four or five leagues of the sacred wood. When their instruction is completed, they are taken from the wood and shut up in small huts made for the purpose. Here they begin once more to hold communion with mankind and to talk with the women who bring them their food. It is amusing to see their affected simplicity. They pretend to know no one, and to be ignorant of all the customs of the country, such as the customs of washing themselves, rubbing themselves with oil, etc. When they enter these huts, their bodies are all covered with the feathers of birds, and they wear caps of bark which hang down before their faces. But after a time they are dressed in clothes and taken to a great open place, where all the people of the neighbourhood are assembled. Here the novices give the first proof of their capacity by dancing a dance which is called the dance of Belli. After the dance is over, the novices are taken to the houses of their parents by their instructors.”(907)

Among the Indians of Virginia, an initiatory ceremony, called _Huskanaw_, took place every sixteen or twenty years, or oftener, as the young men happened to grow up. The youths were kept in solitary confinement in the woods for several months, receiving no food but an infusion of some intoxicating roots, so that they went raving mad, and continued in this state eighteen or twenty days. “Upon this occasion it is pretended that these poor creatures drink so much of the water of Lethe that they perfectly lose the remembrance of all former things, even of their parents, their treasure, and their language. When the doctors find that they have drank sufficiently of the Wysoccan (so they call this mad potion), they gradually restore them to their senses again by lessening the intoxication of their diet; but before they are perfectly well they bring them back into their towns, while they are still wild and crazy through the violence of the medicine. After this they are very fearful of discovering anything of their former remembrance; for if such a thing should happen to any of them, they must immediately be _Huskanaw’d_ again; and the second time the usage is so severe that seldom any one escapes with life. Thus they must pretend to have forgot the very use of their tongues, so as not to be able to speak, nor understand anything that is spoken, till they learn it again. Now, whether this be real or counterfeit, I don’t know; but certain it is that they will not for some time take notice of any body nor any thing with which they were before acquainted, being still under the guard of their keepers, who constantly wait upon them everywhere till they have learnt all things perfectly over again. Thus they unlive their former lives, and commence men by forgetting that they ever have been boys.”(908)

Among some of the Indian tribes of North America there are certain religious associations which are only open to candidates who have gone through a pretence of being killed and brought to life again. Captain Carver witnessed the admission of a candidate to an association called “the friendly society of the Spirit” among the Naudowessies. The candidate knelt before the chief, who told him that “he himself was now agitated by the same spirit which he should in a few moments communicate to him; that it would strike him dead, but that he would instantly be restored again to life.... As he spoke this, he appeared to be greatly agitated, till at last his emotions became so violent that his countenance was distorted and his whole frame convulsed. At this juncture he threw something that appeared both in shape and colour like a small bean at the young man, which seemed to enter his mouth, and he instantly fell as motionless as if he had been shot.” For a time the man lay like dead, but under a shower of blows he showed signs of consciousness, and finally, discharging from his mouth the bean, or whatever it was the chief had thrown at him, he came to life.(909) In other tribes the instrument by which the candidate is apparently slain is the medicine-bag. The bag is made of the skin of an animal (such as the otter, wild cat, serpent, bear, raccoon, wolf, owl, weasel), of which it roughly preserves the shape. Each member of the society has one of these bags, in which he keeps the odds and ends that make up his “medicine” or charms. “They believe that from the miscellaneous contents in the belly of the skin bag or animal there issues a spirit or breath, which has the power, not only to knock down and kill a man, but also to set him up and restore him to life.” The mode of killing a man with one of these medicine-bags is to thrust it at him; he falls like dead, but a second thrust of the bag restores him to life.(910)

A ceremony witnessed by Jewitt during his captivity among the Indians of Nootka Sound doubtless belongs to this class of customs. The Indian king or chief “discharged a pistol close to his son’s ear, who immediately fell down as if killed, upon which all the women of the house set up a most lamentable cry, tearing handfuls of hair from their heads, and exclaiming that the prince was dead; at the same time a great number of the inhabitants rushed into the house armed with their daggers, muskets, etc., inquiring the cause of their outcry. These were immediately followed by two others dressed in wolf skins, with masks over their faces representing the head of that animal. The latter came in on their hands and feet in the manner of a beast, and taking up the prince, carried him off upon their backs, retiring in the same manner as they entered.”(911) In another place Jewitt mentions that the young prince—a lad of about eleven years of age—wore a mask in imitation of a wolf’s head.(912) Now, as the Indians of this part of America are divided into totem clans, of which the Wolf clan is one of the principal, and as the members of each clan are in the habit of wearing some portion of the totem animal about their person,(913) it is probable that the prince belonged to the Wolf clan, and that the ceremony described by Jewitt represented the killing of the lad in order that he might be born anew as a wolf, much in the same way that the Basque hunter supposed himself to have been killed and to have come to life again as a bear. The Toukaway Indians of Texas, one of whose totems is the wolf, have a ceremony in which men, dressed in wolf skins, run about on all fours, howling and mimicking wolves. At last they scratch up a living tribesman, who has been buried on purpose, and putting a bow and arrows in his hands, bid him do as the wolves do—rob, kill, and murder.(914) The ceremony probably forms part of an initiatory rite like the resurrection from the grave of the old man in the Australian rites.

The people of Rook, an island east of New Guinea, hold festivals at which one or two disguised men, their heads covered with wooden masks, go dancing through the village, followed by all the other men. They demand that the circumcised boys who have not yet been swallowed by Marsaba (the devil) shall be given up to them. The boys, trembling and shrieking, are delivered to them, and must creep between the legs of the disguised men. Then the procession moves through the village again, and announces that Marsaba has eaten up the boys, and will not disgorge them till he receives a present of pigs, taro, etc. So all the villagers, according to their means, contribute provisions, which are then consumed in the name of Marsaba.(915) In New Britain all males are members of an association called the Duk-duk. The boys are admitted to it very young, but are not fully initiated till their fourteenth year, when they receive from the Tubuvan a terrible blow with a cane, which is supposed to kill them. The Tubuvan and the Duk-duk are two disguised men who represent cassowaries. They dance with a short hopping step in imitation of the cassowary. Each of them wears a huge hat like an extinguisher, woven of grass or palm-fibres; it is six feet high, and descends to the wearer’s shoulders, completely concealing his head and face. From the neck to the knees the man’s body is hidden by a crinoline made of the leaves of a certain tree fastened on hoops, one above the other. The Tubuvan is regarded as a female, the Duk-duk as a male. No woman may see these disguised men. The institution of the Duk-duk is common to the neighbouring islands of New Ireland and the Duke of York.(916)

Amongst the Galela and Tobelorese of Halmahera, an island to the west of New Guinea, boys go through a form of initiation, part of which seems to consist in a pretence of begetting them anew. When a number of boys have reached the proper age, their parents agree to celebrate the ceremony at their common expense, and they invite others to be present at it. A shed is erected, and two long tables are placed in it, with benches to match, one for the men and one for the women. When all the preparations have been made for a feast, a great many skins of the rayfish, and some pieces of a wood which imparts a red colour to water, are taken to the shed. A priest or elder causes a vessel to be placed in the sight of all the people, and then begins, with significant gestures, to rub a piece of the wood with the ray-skin. The powder so produced is put in the vessel, and at the same time the name of one of the boys is called out. The same proceeding is repeated for each boy. Then the vessels are filled with water, after which the feast begins. At the third cock-crow the priest smears the faces and bodies of the boys with the red water, which represents the blood shed at the perforation of the _hymen_. Towards daybreak the boys are taken to the wood, and must hide behind the largest trees. The men, armed with sword and shield, accompany them, dancing and singing. The priest knocks thrice on each of the trees behind which a boy is hiding. All day the boys stay in the wood, exposing themselves to the heat of the sun as much as possible. In the evening they bathe and return to the shed, where the women supply them with food.(917)

In the west of Ceram boys at puberty are admitted to the Kakian association.(918) Modern writers have commonly regarded this association as primarily a political league instituted to resist foreign domination. In reality its objects are purely religious and social, though it is possible that the priests may have occasionally used their powerful influence for political ends. The society is in fact merely one of those widely-diffused primitive institutions, of which a chief object is the initiation of young men. In recent years the true nature of the association has been duly recognised by the distinguished Dutch ethnologist, J. G. F. Riedel. The Kakian house is an oblong wooden shed, situated under the darkest trees in the depth of the forest, and is built to admit so little light that it is impossible to see what goes on in it. Every village has such a house. Thither the boys who are to be initiated are conducted blindfolded, followed by their parents and relations. Each boy is led by the hand by two men, who act as his sponsors or guardians, looking after him during the period of initiation. When all are assembled before the shed, the high priest calls aloud upon the devils. Immediately a hideous uproar is heard to proceed from the shed. It is made by men with bamboo trumpets, who have been secretly introduced into the building by a back door, but the women and children think it is made by the devils, and are much terrified. Then the priests enter the shed, followed by the boys, one at a time. As soon as each boy has disappeared within the precincts, a dull chopping sound is heard, a fearful cry rings out, and a sword or spear, dripping with blood, is thrust through the roof of the shed. This is a token that the boy’s head has been cut off, and that the devil has carried him away to the other world, there to regenerate and transform him. So at sight of the bloody sword the mothers weep and wail, crying that the devil has murdered their children. In some places, it would seem, the boys are pushed through an opening made in the shape of a crocodile’s jaws or a cassowary’s beak, and it is then said that the devil has swallowed them. The boys remain in the shed for five or nine days. Sitting in the dark, they hear the blast of the bamboo trumpets, and from time to time the sound of musket shots and the clash of swords. Every day they bathe, and their faces and bodies are smeared with a yellow dye, to give them the appearance of having been swallowed by the devil. During his stay in the Kakian house each boy has one or two crosses tattooed with thorns on his breast or arm. When they are not sleeping, the lads must sit in a crouching posture without moving a muscle. As they sit in a row cross-legged, with their hands stretched out, the chief takes his trumpet, and placing the mouth of it on the hands of each lad, speaks through it in strange tones, imitating the voice of the spirits. He warns the lads, under pain of death, to observe the rules of the Kakian society, and never to reveal what has passed in the Kakian house. The novices are also told by the priests to behave well to their blood relations, and are taught the traditions and secrets of the tribe.

Meantime the mothers and sisters of the lads have gone home to weep and mourn. But in a day or two the men who acted as guardians or sponsors to the novices return to the village with the glad tidings that the devil, at the intercession of the priests, has restored the lads to life. The men who bring this news come in a fainting state and daubed with mud, like messengers freshly arrived from the nether world. Before leaving the Kakian house, each lad receives from the priest a stick adorned at both ends with cock’s or cassowary’s feathers. The sticks are supposed to have been given to the lads by the devil at the time when he restored them to life, and they serve as a token that the lads have been in the spirit-land. When they return to their homes they totter in their walk, and enter the house backward, as if they had forgotten how to walk properly; or they enter the house by the back door. If a plate of food is given to them, they hold it upside down. They remain dumb, indicating their wants by signs only. All this is to show that they are still under the influence of the devil or the spirits. Their sponsors have to teach them all the common acts of life, as if they were new-born children. Further, upon leaving the Kakian house the boys are strictly forbidden to eat of certain fruits until the next celebration of the rites has taken place. And for twenty or thirty days their hair may not be combed by their mothers or sisters. At the end of that time the high priest takes them to a lonely place in the forest, and cuts off a lock of hair from the crown of each of their heads. After these initiatory rites the lads are deemed men, and may marry; it would be a scandal if they married before.

The simulation of death and resurrection or of a new birth at initiation appears to have lingered on, or at least to have left traces of itself, among peoples who have advanced far beyond the stage of savagery. Thus, after his investiture with the sacred thread—the symbol of his order—a Brahman is called “twice-born.” Manu says, “According to the injunction of the revealed texts the first birth of an Aryan is from his natural mother, the second happens on the tying of the girdle of Muñga grass, and the third on the initiation to the performance of a Srauta sacrifice.”(919) A pretence of killing the candidate appears to have formed part of the initiation to the Mithraic mysteries.(920)

Thus, if I am right, wherever totemism is found, and wherever a pretence is made of killing and bringing to life again at initiation, there must exist or have existed not only a belief in the possibility of permanently depositing the soul in some external object—animal, plant, or what not—but an actual intention of so depositing it. If the question is put, why do men desire to deposit their life outside their bodies? the answer can only be that, like the giant in the fairy tale, they think it safer to do so than to carry it about with them, just as people deposit their money with a banker rather than carry it on their persons. We have seen that at critical periods the life or soul is sometimes temporarily deposited in a safe place till the danger is past. But institutions like totemism are not resorted to merely on special occasions of danger; they are systems into which every one, or at least every male, is obliged to be initiated at a certain period of life. Now the period of life at which initiation takes place is regularly puberty; and this fact suggests that the special danger which totemism and systems like it are intended to obviate is supposed not to arise till sexual maturity has been attained, in fact, that the danger apprehended is believed to attend the relation of the sexes to each other. It would be easy to prove by a long array of facts that the sexual relation is associated in the primitive mind with many supernatural perils; but the exact nature of the danger apprehended is still obscure. We may hope that a more exact acquaintance with savage modes of thought will in time disclose this central mystery of primitive society, and will thereby furnish the clue, not only to the social aspect of totemism (the prohibition of sexual union between persons of the same totem), but to the origin of the marriage system.

§ 5.—Conclusion.

Thus the view that Balder’s life was in the mistletoe is entirely in harmony with primitive modes of thought. It may indeed sound like a contradiction that, if his life was in the mistletoe, he should nevertheless have been killed by a blow from it. But when a person’s life is conceived as embodied in a particular object, with the existence of which his own existence is inseparably bound up, and the destruction of which involves his own, the object in question may be regarded and spoken of indifferently as the person’s life or as his death, as happens in the fairy tales. Hence if a man’s death is in an object, it is perfectly natural that he should be killed by a blow from it. In the fairy tales Koshchei the Deathless is killed by a blow from the egg or the stone in which his life or death is;(921) the ogres burst when a certain grain of sand—doubtless containing their life or death—is carried over their heads;(922) the magician dies when the stone in which his life or death is contained is put under his pillow;(923) and the Tartar hero is warned that he may be killed by the golden arrow or golden sword in which his soul has been stowed away.(924)

The idea that the life of the oak was in the mistletoe was probably suggested, as I have said, by the observation that in winter the mistletoe growing on the oak remains green, while the oak itself is leafless. But the position of the plant—growing, not from the ground, but from the trunk or branches of the tree—might confirm this idea. Primitive man might think that, like himself, the oak-spirit had sought to deposit his life in some safe place, and for this purpose had pitched on the mistletoe, which, being in a sense neither on earth nor in heaven, was as secure a place as could be found. At the beginning of this chapter we saw that primitive man seeks to preserve the life of his human divinities by keeping them in a sort of intermediate position between earth and heaven, as the place where they are least likely to be assailed by the dangers that encompass the life of man on earth. We can therefore understand why in modern folk-medicine the mistletoe is not allowed to touch the ground; if it touches the ground, its healing virtue is supposed to be gone.(925) This may be a survival of the old superstition that the plant in which the life of the sacred tree was concentrated should not be exposed to the risk incurred by contact with the ground. In an Indian legend, which offers a parallel to the Balder myth, Indra promised the demon Namuci not to kill him by day or by night, nor with what was wet or what was dry. But he killed him in the morning twilight by sprinkling over him the foam of the sea.(926) The foam of the sea is just such an object as a savage might choose to put his life in, because it occupies that sort of intermediate or nondescript position between earth and sky or sea and sky in which primitive man sees safety. It is therefore not surprising that the foam of the river should be the totem of a clan in India.(927) Again, the view that the mistletoe owes its mystic character partly to the fact of its not growing on the ground is confirmed by a parallel superstition about the mountain-ash or rowan-tree. In Jutland a rowan that is found growing out of the top of another tree is esteemed “exceedingly effective against witchcraft: since it does not grow on the ground witches have no power over it; if it is to have its full effect it must be cut on Ascension Day.”(928) Hence it is placed over doors to prevent the ingress of witches.(929) Similarly the mistletoe in Germany is still universally considered a protection against witchcraft, and in Sweden, as we saw, the mistletoe which is gathered on Midsummer Eve is attached to the ceiling of the house, the horse stall, or the cow’s crib, in the belief that this renders the Troll powerless to injure man or beast.(930)

The view that the mistletoe was not merely the instrument of Balder’s death, but that it contained his life, is countenanced by the analogy of a Scottish superstition. Tradition ran that the fate of the family of Hay was bound up with the mistletoe of a certain oak.

“While the mistletoe bats on Errol’s oak,
And that oak stands fast,
The Hays shall flourish, and their good gray hawk
Shall not flinch before the blast.

“But when the root of the oak decays,
And the mistletoe dwines on its withered breast,
The grass shall grow on the Earl’s hearthstone,
And the corbies craw in the falcon’s nest.”

“A large oak with the mistletoe growing on it was long pointed out as the tree referred to. A piece of the mistletoe cut by a Hay was believed to have magical virtues. ‘The oak is gone and the estate is lost to the family,’ as a local historian says.”(931) The idea that the fate of a family, as distinct from the lives of its members, is bound up with a particular plant or tree, is no doubt comparatively modern. The older view probably was that the lives of all the Hays were in this particular mistletoe, just as in the Indian story the lives of all the ogres are in a lemon; to break a twig of the mistletoe would then have been to kill one of the Hays. Similarly in the island of Rum, whose bold mountains the voyager from Oban to Skye observes to seaward, it was thought that if one of the family of Lachlin shot a deer on the mountain of Finchra, he would die suddenly or contract a distemper which would soon prove fatal.(932) Probably the life of the Lachlins was bound up with the deer on Finchra, as the life of the Hays was bound up with the mistletoe on Errol’s oak.

It is not a new opinion that the Golden Bough was the mistletoe.(933) True, Virgil does not identify but only compares it with the mistletoe. But this may be only a poetical device to cast a mystic glamour over the humble plant. Or, more probably, his description was based on a popular superstition that at certain times the mistletoe blazed out into a supernatural golden glory. The poet tells how two doves, guiding Aeneas to the gloomy vale in whose depth grew the Golden Bough, alighted upon a tree, “whence shone a flickering gleam of gold. As in the woods in winter cold the mistletoe—a plant not native to its tree—is green with fresh leaves and twines its yellow berries about the boles; such seemed upon the shady oak the leafy gold, so rustled in the gentle breeze the golden leaf.”(934) Here Virgil definitely describes the Golden Bough as growing on an oak, and compares it with the mistletoe. The inference is almost inevitable that the Golden Bough was nothing but the mistletoe seen through the haze of poetry or of popular superstition.

Now grounds have been shown for believing that the priest of the Arician grove—the King of the Wood—personified the tree on which grew the Golden Bough.(935) Hence, if that tree was the oak, the King of the Wood must have been a personification of the oak-spirit. It is, therefore, easy to understand why, before he could be slain, it was necessary to break the Golden Bough. As an oak-spirit, his life or death was in the mistletoe on the oak, and so long as the mistletoe remained intact, he, like Balder, could not die. To slay him, therefore, it was necessary to break the mistletoe, and probably, as in the case of Balder, to throw it at him. And to complete the parallel, it is only necessary to suppose that the King of the Wood was formerly burned, dead or alive, at the midsummer fire festival which, as we have seen, was annually celebrated in the Arician grove.(936) The perpetual fire which burned in the grove, like the perpetual fire under the oak at Romove, was probably fed with the sacred oak-wood; and thus it would be in a great fire of oak that the King of the Wood formerly met his end. At a later time, as I have suggested, his annual tenure of office was lengthened or shortened, as the case might be, by the rule which allowed him to live so long as he could prove his divine right by the strong hand. But he only escaped the fire to fall by the sword.

Thus it seems that at a remote age in the heart of Italy, beside the sweet lake of Nemi, the same fiery tragedy was annually enacted which Italian merchants and soldiers were afterwards to witness among their rude kindred, the Celts of Gaul, and which, if the Roman eagles had ever swooped on Norway, might have been found repeated with little difference among the barbarous Aryans of the North. The rite was probably an essential feature in the primitive Aryan worship of the oak.(937)

It only remains to ask, Why was the mistletoe called the Golden Bough? The name was not simply a poet’s fancy, nor even peculiarly Italian; for in Welsh also the mistletoe is known as “the tree of pure gold.”(938) The whitish-yellow of the mistletoe berries is hardly enough to account for the name. For Virgil says that the Bough was altogether golden, stem as well as leaves,(939) and the same is implied in the Welsh name, “the tree of pure gold.” A clue to the real meaning of the name is furnished by the mythical fern-seed or fern-bloom.

We saw that fern-seed is popularly supposed to bloom like gold or fire on Midsummer Eve. Thus in Bohemia it is said that “on St. John’s Day fern-seed blooms with golden blossoms that gleam like fire.”(940) Now it is a property of this mythical fern-seed that whoever has it, or will ascend a mountain holding it in his hand on Midsummer Eve, will discover a vein of gold or will see the treasures of the earth shining with a bluish flame.(941) And if you place fern-seed among money, the money will never decrease, however much of it you spend.(942) Sometimes the fern-seed is supposed to bloom at Christmas, and whoever catches it will become very rich.(943) Thus, on the principle of like by like, fern-seed is supposed to discover gold because it is itself golden; and for a similar reason it enriches its possessor with an unfailing supply of gold. But while the fern-seed is described as golden, it is equally described as glowing and fiery.(944) Hence, when we consider that two great days for gathering the fabulous seed are Midsummer Eve and Christmas—that is, the two solstices (for Christmas is nothing but an old heathen celebration of the winter solstice)—we are led to regard the fiery aspect of the fern-seed as primary, and its golden aspect as secondary and derivative. Fern-seed, in fact, would seem to be an emanation of the sun’s fire at the two turning-points of its course, the summer and winter solstices. This view is confirmed by a German story in which a hunter is said to have procured fern-seed by shooting at the sun on Midsummer Day at noon; three drops of blood fell down, which he caught in a white cloth, and these blood-drops were the fern-seed.(945) Here the blood is clearly the blood of the sun, from which the fern-seed is thus directly derived. Thus it may be taken as certain that fern-seed is golden, because it is believed to be an emanation of the sun’s golden fire.

Now, like fern-seed, the mistletoe is gathered either at Midsummer or Christmas(946)—that is, at the summer and winter solstices—and, like fern-seed, it is supposed to possess the power of revealing treasures in the earth. On Midsummer Eve people in Sweden make divining-rods of mistletoe or of four different kinds of wood, one of which must be mistletoe. The treasure-seeker places the rod on the ground after sundown, and when it rests directly over treasure, the rod begins to move as if it were alive.(947) Now, if the mistletoe discovers gold, it must be in its character of the Golden Bough; and if it is gathered at the solstices, must not the Golden Bough, like the golden fern-seed, be an emanation of the sun’s fire? The question cannot be answered with a simple affirmative. We have seen that the primitive Aryans probably kindled the midsummer bonfires as sun-charms, that is, with the intention of supplying the sun with fresh fire. But as this fire was always elicited by the friction of oak wood,(948) it must have appeared to the primitive Aryan that the sun was periodically recruited from the fire which resided in the sacred oak. In other words, the oak must have seemed to him the original storehouse or reservoir of the fire which was from time to time drawn out to feed the sun. But the life of the oak was conceived to be in the mistletoe; therefore the mistletoe must have contained the seed or germ of the fire which was elicited by friction from the wood of the oak. Thus, instead of saying that the mistletoe was an emanation of the sun’s fire, it would be more correct to say that the sun’s fire was regarded as an emanation of the mistletoe. No wonder, then, that the mistletoe shone with a golden splendour, and was called the Golden Bough. Probably, however, like fern-seed, it was thought to assume its golden aspect only at those stated times, especially midsummer, when fire was drawn from the oak to light up the sun.(949) At Pulverbatch, in Shropshire, it was believed within living memory that the oak-tree blooms on Midsummer Eve and the blossom withers before daylight.(950) This fleeting bloom of the oak, if I am right, could originally have been nothing but the mistletoe in its character of the Golden Bough. As Shropshire borders on Wales, the superstition may be Welsh in its immediate origin, though probably the belief is a fragment of the primitive Aryan creed. In some parts of Italy, as we saw,(951) peasants still go out on Midsummer morning to search the oak-trees for the “oil of St. John,” which, like the mistletoe, heals all wounds, and is doubtless the mistletoe itself in its glorified aspect. Thus it is easy to understand how a title like the Golden Bough or the “tree of pure gold,” so little descriptive of the real appearance of the plant, should have held its ground as a name for the mistletoe in Italy and Wales, and probably in other parts of the Aryan world.(952)

Now, too, we can fully understand why Virbius came to be confounded with the sun. If Virbius was, as I have tried to show, a tree-spirit, he must have been the spirit of the oak on which grew the Golden Bough; for tradition represented him as the first of the Kings of the Wood. As an oak-spirit he must have been supposed periodically to rekindle the sun’s fire, and might therefore easily be confounded with the sun itself. Similarly we can explain why Balder, an oak-spirit, was described as “so fair of face and so shining that a light went forth from him,”(953) and why he should have been so often taken to be the sun. And in general we may say that in primitive society, when the only known way of making fire is by the friction of wood, the savage must necessarily conceive fire as a property stored away, like sap or juice, in trees, from which he has laboriously to extract it. Thus all trees, or at least the particular sorts of trees whose wood he employs in fire-making, must be regarded by him as reservoirs of hidden fire, and it is natural that he should describe them by epithets like golden, shining, or bright. May not this have been the origin of the name, “the Bright or Shining One” (Zeus, Jove) by which the ancient Greeks and Italians designated their supreme god?(954) It is at least highly significant that, amongst both Greeks and Italians, the oak should have been the tree of the supreme god, that at his most ancient shrines, both in Greece and Italy, this supreme god should have been actually represented by an oak, and that so soon as the barbarous Aryans of Northern Europe appear in the light of history, they should be found, amid all diversities of language, of character, and of country, nevertheless at one in worshipping the oak as the chief object of their religious reverence, and extracting their sacred fire from its wood. If we are to judge of the primitive religion of the European Aryans by comparing the religions of the different branches of the stock, the highest place in their pantheon must certainly be assigned to the oak. The result, then, of our inquiry is to make it probable that, down to the time of the Roman Empire and the beginning of our era, the primitive worship of the Aryans was maintained nearly in its original form in the sacred grove at Nemi, as in the oak woods of Gaul, of Prussia, and of Scandinavia; and that the King of the Wood lived and died as an incarnation of the supreme Aryan god, whose life was in the mistletoe or Golden Bough.

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If, in bidding farewell to Nemi, we look around us for the last time, we shall find the lake and its surroundings not much changed from what they were in the days when Diana and Virbius still received the homage of their worshippers in the sacred grove. The temple of Diana, indeed, has disappeared, and the King of the Wood no longer stands sentinel over the Golden Bough. But Nemi’s woods are still green, and at evening you may hear the church bells of Albano, and perhaps, if the air be still, of Rome itself, ringing the Angelus. Sweet and solemn they chime out from the distant city, and die lingeringly away across the wide Campagnan marshes. _Le roi est mort, vive le roi!_

NOTE. OFFERINGS OF FIRST-FRUITS.

We have seen (vol. ii. p. 68 _sqq._) that primitive peoples often partake of the new corn sacramentally, because they suppose it to be instinct with a divine spirit or life. At a later age, when the fruits of the earth are conceived as produced rather than as animated by a divinity, the new fruits are no longer partaken of sacramentally as the body and blood of a god; but a portion of them is presented as a thank-offering to the divine beings who are believed to have produced them. Sometimes the first-fruits are presented to the king, probably in his character of a god. Till the first-fruits have been offered to the deity or the king, people are not at liberty to eat of the new crops. But, as it is not always possible to draw a sharp line between the sacrament and the sacrifice of first-fruits, it may be well to round off this part of the subject by appending some miscellaneous examples of the latter.

Among the Basutos, when the corn has been threshed and winnowed, it is left in a heap on the threshing-floor. Before it can be touched a religious ceremony must be performed. The persons to whom the corn belongs bring a new vessel to the spot, in which they boil some of the grain. When it is boiled they throw a few handfuls of it on the heap of corn, saying, “Thank you, gods; give us bread to-morrow also!” When this is done the rest is eaten, and the provision for the year is considered pure and fit to eat.(955) Here the sacrifice of the first-fruits to the gods is the prominent idea, which comes out again in the custom of leaving in the threshing-floor a little hollow filled with grain, as a thank-offering to the gods.(956) Still the Basutos retain a lively sense of the sanctity of the corn in itself; for, so long as it is exposed to view, all defiled persons are carefully kept from it. If it is necessary to employ a defiled person in carrying home the harvest, he remains at some distance while the sacks are being filled, and only approaches to place them upon the draught oxen. As soon as the load is deposited at the dwelling he retires, and under no pretext may he help to pour the corn into the baskets in which it is kept.(957)

In Ashantee a harvest festival is held in September when the yams are ripe. During the festival the king eats the new yams, but none of the people may eat them till the close of the festival, which lasts a fortnight. During its continuance the grossest liberty prevails; theft, intrigue, and assault go unpunished, and each sex abandons itself to its passions.(958) The Hovas of Madagascar present the first sheaves of the new grain to the sovereign. The sheaves are carried in procession to the palace from time to time as the grain ripens.(959) So in Burma, when the _pangati_ fruits ripen, some of them used to be taken to the king’s palace that he might eat of them; no one might partake of them before the king.(960)

Every year, when they gather their first crops, the Kochs of Assam offer some of the first-fruits to their ancestors, calling to them by name and clapping their hands.(961) In August, when the rice ripens, the Hos offer the first-fruits of the harvest to Sing Bonga, who dwells in the sun. Along with the new rice a white cock is sacrificed; and till the sacrifice has been offered no one may eat the new rice.(962) Among the hill tribes near Rajamahall, in India, when the _kosarane_ grain is being reaped in November or early in December, a festival is held as a thanksgiving before the new grain is eaten. On a day appointed by the chief a goat is sacrificed by two men to a god called Chitariah Gossaih, after which the chief himself sacrifices a fowl. Then the vassals repair to their fields, offer thanksgiving, make an oblation to Kull Gossaih (who is described as the Ceres of these mountaineers), and then return to their houses to eat of the new _kosarane_. As soon as the inhabitants have assembled at the chief’s house—the men sitting on one side and the women on the other—a hog, a measure of _kosarane_, and a pot of spirits are presented to the chief, who in return blesses his vassals, and exhorts them to industry and good behaviour; “after which, making a libation in the names of all their gods, and of their dead, he drinks, and also throws a little of the _kosarane_ away, repeating the same pious exclamations.” Drinking and festivity then begin, and are kept up for several days. The same tribes have another festival at reaping the Indian corn in August or September. Every man repairs to his fields with a hog, a goat, or a fowl, which he sacrifices to Kull Gossaih. Then, having feasted, he returns home, where another repast is prepared. On this day it is customary for every family in the village to distribute to every house a little of what they have prepared for their feast. Should any person eat of the new _kosarane_ or the new Indian corn before the festival and public thanksgiving at the reaping of these crops, the chief fines him a white cock, which is sacrificed to Chitariah.(963) In the Central Provinces of India the first grain of the season is always offered to the god Bhímsen or Bhím Deo.(964) In the Punjaub, when sugar-cane is planted, a woman puts on a necklace and walks round the field, winding thread on to a spindle;(965) and when the sugar-cane is cut the first-fruits are offered on an altar, which is built close to the press and is sacred to the sugar-cane god. Afterwards the first-fruits are given to Brahmans. Also, when the women begin to pick the cotton, they go round the field eating rice-milk, the first mouthful of which they spit upon the field toward the west; and the first cotton picked is exchanged at the village shop for its weight in salt, which is prayed over and kept in the house till the picking is finished.(966)

In the island of Tjumba, East Indies, a festival is held after harvest. Vessels filled with rice are presented as a thank-offering to the gods. Then the sacred stone at the foot of a palm-tree is sprinkled with the blood of a sacrificed animal; and rice, with some of the flesh, is laid on the stone for the gods. The palm-tree is hung with lances and shields.(967) The Dyaks of Borneo hold a feast of first-fruits when the paddy (unhusked rice) is ripe. The priestesses, accompanied by a gong and drum, go in procession to the farms and gather several bunches of the ripe paddy. These are brought back to the village, washed in cocoa-nut water, and laid round a bamboo altar, which at the harvest festivals is erected in the common room of the largest house. The altar is gaily decorated with white and red streamers, and is hung with the sweet-smelling blossom of the areca palm. The feast lasts two days, during which the village is tabooed; no one may leave it. Only fowls are killed, and dancing and gong-beating go on day and night. When the festival is over the people are free to get in their crops.(968)

The pounding of the new paddy is the occasion of a harvest festival which is celebrated all over Celebes. The religious ceremonies which accompany the feast were witnessed by Dr. B. F. Matthes in July 1857. Two mats were spread on the ground, each with a pillow on it. On one of the pillows were placed a man’s clothes and a sword, on the other a woman’s clothes. These were seemingly intended to represent the deceased ancestors. Rice and water were placed before the two dummy figures, and they were sprinkled with the new paddy. Also dishes of rice were set down for the rest of the family and the slaves of the deceased. This was the end of the ceremony.(969) The Minahassa of Celebes have a festival of “eating the new rice.” Fowls or pigs are killed; some of the flesh, with rice and palm-wine, is set apart for the gods, and then the eating and drinking begin.(970) The people of Kobi and Sariputi, two villages on the north-east coast of Ceram, offer the first-fruits of the paddy, in the form of cooked rice, with tobacco, etc., to their ancestors, as a token of gratitude. The ceremony is called “feeding the dead.”(971) In the Tenimber and Timorlaut Islands, East Indies, the first-fruits of the paddy, along with live fowls and pigs, are offered to the _matmate_. The _matmate_ are the spirits of their ancestors, which are worshipped as guardian-spirits or household gods. They are supposed to enter the house through an opening in the roof, and to take up their abode temporarily in their skulls, or in images of wood or ivory, in order to partake of the offerings and to help the family. They also take the form of birds, pigs, crocodiles, turtles, sharks, etc.(972) In Amboina, after the rice or other harvest has been gathered in, some of the new fruits are offered to the gods, and till this is done, the priests may not eat of them. A portion of the new rice, or whatever it may be, is boiled, and milk of the cocoa-nut is poured on it, mixed with Indian saffron. It is then taken to the place of sacrifice and offered to the god. Some people also pour out oil before the deity; and if any of the oil is left over, they take it home as a holy and priceless treasure, wherewith they smear the forehead and breast of sick people and whole people, in the firm conviction that the oil confers all kinds of blessings.(973) The Irayas and Catalangans of Luzon, tribes of the Malay stock, but of mixed blood, worship chiefly the souls of their ancestors under the name of _anitos_, to whom they offer the first-fruits of the harvest. The _anitos_ are household deities; some of them reside in pots in the corners of the houses; and miniature houses, standing near the dwelling-house, are especially sacred to them.(974)

In certain tribes of Fiji “the first-fruits of the yam harvest are presented to the ancestors in the Nanga [sacred stone enclosure] with great ceremony, before the bulk of the crop is dug for the people’s use, and no man may taste of the new yams until the presentation has been made. The yams thus offered are piled in the Great Nanga, and are allowed to rot there. If any one were impiously bold enough to appropriate them to his own use, he would be smitten with madness. The mission teacher before mentioned told me that when he visited the Nanga he saw among the weeds with which it was overgrown numerous yam vines which had sprung up out of the piles of decayed offerings. Great feasts are made at the presentations of the first-fruits, which are times of public rejoicing, and the Nanga itself is frequently spoken of as the _Mbaki_, or Harvest.”(975) In other parts of Fiji the practice with regard to the first-fruits seems to have been different, for we are told by another observer that “the first-fruits of the yams, which are always presented at the principal temple of the district, become the property of the priests, and form their revenue, although the pretence of their being required for the use of the god is generally kept up.”(976) In Tana, one of the New Hebrides, the general name for gods appeared to be _aremha_, which meant “a dead man.” The spirits of departed ancestors were among the gods of the people. Chiefs who reached an advanced age were deified after their death, addressed by name, and prayed to on various occasions. They were supposed to preside especially over the growth of the yams and fruit-trees. The first-fruits were presented to them. A little of the new fruit was laid on a stone, or on a shelving branch of the tree, or on a rude temporary altar, made of a few sticks lashed together with strips of bark, in the form of a table, with its four feet stuck in the ground. All being quiet, the chief acted as high priest, and prayed aloud as follows: “Compassionate father! here is some food for you; eat it; be kind to us on account of it.” Then all the people shouted. This took place about noon, and afterwards the assembled people feasted and danced till midnight or morning.(977)

In some of the Kingsmill Islands the god most commonly worshipped was called Tubuériki. He was represented by a flat coral stone, of irregular shape, about three feet long by eighteen inches wide, set up on one end in the open air. Leaves of the cocoa-nut palm were tied about it, considerably increasing its size and height. The leaves were changed every month, that they might be always fresh. The worship paid to the god consisted in repeating prayers before the stone, and laying beside it a portion of the food prepared by the people for their own use. This they did at their daily meals, at festivals, and whenever they specially wished to propitiate the favour of the god. The first-fruits of the season were always offered to him. Every family of distinction had one of these stones which was considered rather in the light of a family altar than as an idol.(978)