Chapter IV: The Golden Bough (2)

Another account of the Beltane festival, written in the latter half of last century, is as follows: “On the 1st of May the herdsmen of every village hold their Beltien, a rural sacrifice. They cut a square trench on the ground, leaving the turf in the middle; on that they make a fire of wood, on which they dress a large caudle of eggs, butter, oatmeal, and milk, and bring, besides the ingredients of the caudle, plenty of beer and whisky; for each of the company must contribute something. The rites begin with spilling some of the caudle on the ground, by way of libation; on that every one takes a cake of oatmeal, upon which are raised nine square knobs, each dedicated to some particular being, the supposed preserver of their flocks and herds, or to some particular animal, the real destroyer of them; each person then turns his face to the fire, breaks off a knob, and, flinging it over his shoulder, says, ‘This I give to thee, preserve thou my horses; this to thee, preserve thou my sheep; and so on.’ After that they use the same ceremony to the noxious animals: ‘This I give to thee, O fox! spare thou my lambs; this to thee, O hooded crow! this to thee, O eagle!’ When the ceremony is over they dine on the caudle; and, after the feast is finished, what is left is hid by two persons deputed for that purpose; but on the next Sunday they reassemble, and finish the reliques of the first entertainment.”(680) The 1st of May is a great popular festival in the more midland and southern parts of Sweden. On the preceding evening huge bonfires, which should be lighted by striking two flints together, blaze on all the hills and knolls. Every large hamlet has its own fire, round which the young people dance in a ring. The old folk notice whether the flames incline to the north or to the south. In the former case the spring will be cold and backward; in the latter mild and genial.(681)

But the season at which these fire-festivals are most generally held all over Europe is the summer solstice, that is, Midsummer Eve (23d June) or Midsummer Day (24th June). According to a mediæval writer the three great features of this festival were the bonfires, the procession with torches round the fields, and the custom of rolling a wheel. The writer adds that the smoke drives away harmful dragons which cause sickness, and he explains the custom of rolling the wheel to mean that the sun has now reached the highest point in the ecliptic, and begins thenceforward to descend.(682) From his description, which is still applicable, we see that the main features of the midsummer fire-festival are identical with those which characterise the spring festivals. In Swabia lads and lasses, hand in hand, leap over the midsummer bonfire, praying that the hemp may grow three ells high, and they set fire to wheels of straw and send them rolling down the hill.(683) In Lechrain bonfires are kindled on the mountains on Midsummer Day; and besides the bonfire a tall beam, thickly wrapt in straw, and surmounted by a cross-piece, is burned in many places. Round this cross, as it burns, the lads dance; and when the flames have subsided, the young people leap over the fire in pairs, a young man and a young woman together. It is believed that the flax will grow that year as high as they leap over the fire; and that if a charred billet be taken from the fire and stuck in a flax field it will promote the growth of the flax.(684) At Deffingen, as they jumped over the midsummer bonfire, they cried out, “Flax, flax! may the flax this year grow seven ells high!”(685) In Bohemia bonfires are kindled on many of the mountains on Midsummer Eve; boys and girls, hand in hand, leap over them; cart-wheels smeared with resin are ignited and sent rolling down the hill; and brooms covered with tar and set on fire are swung about or thrown high into the air. The handles of the brooms or embers from the fire are preserved and stuck in gardens to protect the vegetables from caterpillars and gnats. Sometimes the boys run down the hillside in troops, brandishing the blazing brooms and shouting. The bonfire is sometimes made by stacking wood and branches round the trunk of a tree and setting the whole on fire.(686)

In old farm-houses of the Surenthal and Winenthal a couple of holes or a whole row of them may sometimes be seen facing each other in the door-posts of the barn or stable. Sometimes the holes are smooth and round; sometimes they are deeply burnt and blackened. The explanation of them is this. About midsummer, but especially on Midsummer Day, two such holes are bored opposite each other, into which the extremities of a strong pole are fixed. The holes are then stuffed with tow steeped in resin and oil; a rope is looped round the pole, and two young men, who must be brothers or must have the same baptismal name, and must be of the same age, pull the ends of the rope backwards and forwards so as to make the pole revolve rapidly, till smoke and sparks issue from the two holes in the door-posts. The sparks are caught and blown up with tinder, and this is the new and pure fire, the appearance of which is greeted with cries of joy. Heaps of combustible materials are now ignited with the new fire, and blazing bundles are placed on boards and sent floating down the brook. The boys light torches at the new fire and run to fumigate the pastures. This is believed to drive away all the demons and witches that molest the cattle. Finally the torches are thrown in a heap on the meadow and allowed to burn out. On their way back the boys strew the ashes over the fields: this is supposed to make them fertile. If a farmer has taken possession of a new house, or if servants have changed masters, the boys fumigate the new abode and are rewarded by the farmer with a supper.(687)

At Konz, on the Moselle, the midsummer fire-festival used to be celebrated as follows. A quantity of straw, contributed jointly by every house, was collected on the top of the Stromberg Hill. Here, towards evening, the men and boys assembled, while the women and girls took up their position at a certain well down below. On the top of the hill a huge wheel was completely covered with a portion of the collected straw, the remainder of which was made into torches. The mayor of Sierk, who always received a basket of cherries for his services, gave the signal, the wheel was ignited with a torch, and sent rolling down the hill amid shouts of joy. All the men and boys swung their torches in the air, some of them remained on the top of the hill, while others followed the fiery wheel on its course down the hillside to the Moselle. As it passed the women and girls at the well they raised cries of joy which were answered by the men on the top of the hill. The inhabitants of the neighbouring villages also stood on the banks of the river and mingled their voices with the general shout of jubilation. The wheel was often extinguished before it reached the water, but if it plunged blazing into the river the people expected an abundant vintage, and the inhabitants of Konz had the right to exact a waggon-load of white wine from the surrounding vineyards.(688)

In France the midsummer customs are similar. In Poitou a wheel enveloped in straw is set on fire, and people run with it through the fields, which are supposed to be fertilised thereby; also, the people leap thrice over the fire, holding in their hands branches of nut-trees, which are afterwards hung over the door of the cattle-stall. At Brest torches are brandished, and hundreds of them flung up into the air together.(689) In Britanny midsummer fires blaze on the hills, the people dance round them, singing and leaping over the glowing embers. The bonfire is made by piling wood round a pole which is surmounted by a nosegay or crown.(690) Sometimes, instead of rolling fiery wheels, discs of wood are ignited in the midsummer fires and thrown into the air in the manner already described.(691) At Edersleben, near Sangerhausen, a high pole was planted in the ground and a tar barrel was hung from it by a chain which reached to the ground. The barrel was then set on fire and swung round the pole amid shouts of joy.(692)

In our own country the custom of lighting bonfires at midsummer has prevailed extensively. In the North of England these fires used to be lit in the open streets. Young and old gathered round them; the former leaped over the fires and engaged in games, while the old people looked on. Sometimes the fires were kindled on the tops of high hills. The people also carried firebrands about the fields.(693) In Herefordshire and Somersetshire people used to make fires in the fields on Midsummer Eve “to bless the apples.”(694) In Devonshire the custom of leaping over the midsummer fires was also observed.(695) In Cornwall bonfires were lit on Midsummer Eve and the people marched round them with lighted torches, which they also carried from village to village. On Whiteborough, a large tumulus near Launceston, a huge bonfire used to be kindled on Midsummer Eve; a tall summer pole with a large bush at the top was fixed in the centre of the bonfire.(696) At Darowen in Wales small bonfires were lit on Midsummer Eve.(697) On the same day people in the Isle of Man used to light fires to the windward of every field, so that the smoke might pass over the corn; and they folded their cattle and carried blazing furze or gorse round them several times.(698)

In Ireland, “on the Eves of St. John Baptist and St. Peter, they always have in every town a bonfire late in the evening, and carry about bundles of reeds fast tied and fired; these being dry, will last long, and flame better than a torch, and be a pleasing divertive prospect to the distant beholder; a stranger would go near to imagine the whole country was on fire.”(699) Another writer says of the South of Ireland: “On Midsummer’s Eve, every eminence, near which is a habitation, blazes with bonfires; and round these they carry numerous torches, shouting and dancing.”(700) An author who described Ireland in the first quarter of last century says: “On the vigil of St. John the Baptist’s nativity, they make bonfires, and run along the streets and fields with wisps of straw blazing on long poles to purify the air, which they think infectious by believing all the devils, spirits, ghosts, and hobgoblins fly abroad this night to hurt mankind.”(701) Another writer states that he witnessed the festival in Ireland in 1782: “Exactly at midnight the fires began to appear, and taking advantage of going up to the leads of the house, which had a widely extended view, I saw on a radius of thirty miles, all around, the fires burning on every eminence which the country afforded. I had a further satisfaction in learning, from undoubted authority, that the people _danced __ round the fires_, and at the close went through these fires, and made their sons and daughters, together with their cattle, pass through the fire; and the whole was conducted with religious solemnity.”(702) That the custom prevailed in full force as late as 1867 appears from a notice in the _Liverpool Mercury_, 29th June 1867, which runs thus: “The old pagan fire-worship still survives in Ireland, though nominally in honour of St. John. On Sunday night bonfires were observed throughout nearly every county in the province of Leinster. In Kilkenny fires blazed on every hillside at intervals of about a mile. There were very many in the Queen’s county, also in Kildare and Wexford. The effect in the rich sunset appeared to travellers very grand. The people assemble and dance round the fires, the children jump through the flames, and in former times live coals were carried into the corn-fields to prevent blight.”(703)

In Scotland the traces of midsummer fires are few. In reference to the parish of Mongahitter it is said: “The Midsummer Eve fire, a relic of Druidism, was kindled in some parts of this country.”(704) Moresin states that on St. Peter’s Day (29th June) the Scotch ran about with lighted torches on mountains and high grounds;(705) and at Loudon in Ayrshire it appears that down to the close of last century the custom still prevailed for herdsmen and young people to kindle fires on high grounds on St. Peter’s Day.(706) In the Perthshire Highlands on Midsummer Day the cowherd used to go three times round the fold, according to the course of the sun, with a burning torch in his hand. This was believed to purify the flocks and herds and prevent diseases.(707)

In Slavonic countries also the midsummer festival is celebrated with similar rites. In Russia fires are lighted and young people, crowned with flowers, jump through them and drive their cattle through them. In Little Russia a stake is driven into the ground on St. John’s Night, wrapt in straw, and set on fire. As the flames rise the peasant women throw birch-tree boughs into them, saying, “May my flax be as tall as this bough!”(708) “In Ruthenia the bonfires are lighted by a flame procured from wood by friction, the operation being performed by the elders of the party, amid the respectful silence of the rest. But as soon as the fire is ‘churned,’ the bystanders break forth with joyous songs, and when the bonfires are lit the young people take hands, and spring in couples through the smoke, if not through the flames, and after that the cattle in their turn are driven through it.”(709) In many parts of Prussia and Lithuania great fires are kindled on the Eve of St. John (Midsummer Eve). All the heights are ablaze with them, as far as the eye can see. The fires are supposed to be a protection against thunder, hail, and cattle disease, especially if next morning the cattle are driven over the places where the fires burned.(710) In some parts of Masuren it is the custom on the evening of Midsummer Day to put out all the fires in the village. Then an oaken stake is driven into the ground, a wheel is fixed on it as on an axle and is made to revolve rapidly, till the friction produces fire. Every one takes home a light from the new fire and rekindles the fire on the domestic hearth.(711) In Bohemia the cows used to be driven over the midsummer fires to protect them from witchcraft.(712) In Servia on Midsummer Eve herdsmen light torches of birch bark and march round the sheepfolds and cattle-stalls; then they climb the hills and there allow the torches to burn out.(713)

In Greece the women light fires on St. John’s Eve and jump over them crying, “I leave my sins behind me.”(714) Italy must also have had its midsummer bonfires, since at Orvieto they were specially excepted from the prohibition directed against bonfires in general.(715) We have seen that they are still lighted in Sardinia.(716) In Corsica on the Eve of St. John the people set fire to the trunk of a tree or to a whole tree, and the young men and maidens dance round the blaze, which is called _fucaraja_.(717) Midsummer fires are, or were formerly, lighted in Spain.(718) Even the Mohammedans of Algeria and Morocco are reported to have kindled great midsummer bonfires of straw, into which they kept throwing incense and spices the whole night, invoking the divine blessing on their fruit-trees.(719)

It remains to show that the burning of effigies of human beings in the midsummer fires was not uncommon. At Rottenburg in Würtemberg, down to the beginning of the present century, a ceremony was observed on Midsummer Day which was called “beheading the angel-man.” A stump was driven into the ground, wrapt with straw, and fashioned into the rude likeness of a human figure, with arms, head, and face. This was the angel-man; round about him wood was piled up. The boys, armed with swords, assembled in crowds, covered the figure completely over with flowers, and eagerly awaited the signal. When the pile of wood was fired and the angel-man burst into a blaze, the word was given and all the boys fell upon him with their swords and hewed the burning figure in pieces. Then they leaped backwards and forwards over the fire.(720) In some parts of the Tyrol a straw-man is carted about the village on Midsummer Day and then burned. He is called the _Lotter_, which has been corrupted into Luther.(721) In French Flanders down to 1789 a straw figure representing a man was always burned in the midsummer bonfire, and the figure of a woman was burned on St. Peter’s Day, 29th June.(722) At Grätz on the 23d June the common people used to make a puppet called the _Tatermann_, which they dragged to the bleaching-ground, and pelted with burning besoms till it took fire.(723) In some parts of Russia a figure of Kupalo is burned or thrown into a stream on St. John’s Night.(724) The Russian custom of carrying the straw effigy of Kupalo over the midsummer bonfire has been already described.(725)

The best general explanation of these European fire-festivals seems to be the one given by Mannhardt, namely, that they are sun-charms or magical ceremonies intended to ensure a proper supply of sunshine for men, animals, and plants. We have seen that savages resort to charms for making sunshine,(726) and we need not wonder that primitive man in Europe has done the same. Indeed, considering the cold and cloudy climate of Europe during a considerable part of the year, it is natural that sun-charms should have played a much more prominent part among the superstitious practices of European peoples than among those of savages who live nearer the equator. This view of the festivals in question is supported by various considerations drawn partly from the rites themselves, partly from the influence which they are believed to exert upon the weather and on vegetation. For example, the custom of rolling a burning wheel down a hillside, which is often observed on these occasions, seems a very natural imitation of the sun’s course in the sky, and the imitation is especially appropriate on Midsummer Day when the sun’s annual declension begins. Not less graphic is the imitation of his apparent revolution by swinging a burning tar-barrel round a pole.(727) The custom of throwing blazing discs, shaped like suns, into the air is probably also a piece of imitative magic. In these, as in so many cases, the magic force is supposed to take effect through mimicry or sympathy; by imitating the desired result you actually produce it; by counterfeiting the sun’s progress through the heavens you really help the luminary to pursue his celestial journey with punctuality and despatch. The name “fire of heaven,” by which the midsummer fire is sometimes popularly known,(728) clearly indicates a consciousness of the connection between the earthly and the heavenly flame.

Again, the manner in which the fire appears to have been originally kindled on these occasions favours the view that it was intended to be a mock-sun. For, as various scholars have seen,(729) it is highly probable that originally at these festivals fire was universally obtained by the friction of two pieces of wood. We have seen that this is still the case in some places both at the Easter and midsummer fires, and that it is expressly stated to have been formerly the case at the Beltane fires.(730) But what makes it almost certain that this was once the invariable mode of kindling the fire at these periodic festivals is the analogy of the need-fires. Need-fires are kindled, not at fixed periods, but on occasions of special distress, particularly at the outbreak of a murrain, and the cattle are driven through the need-fire, just as they are sometimes driven through the midsummer fires.(731) Now, the need-fire has always been produced by the friction of wood and sometimes by the revolution of a wheel; in Mull, for example, it was made by turning an oaken wheel over nine oaken spindles from east to west, that is, in the direction of the sun. It is a plausible conjecture that the wheel employed to produce the need-fire represents the sun;(732) and if the spring and midsummer fires were originally produced in the same way, it would be a confirmation of the view that they were originally sun-charms. In point of fact there is, as Kuhn has pointed out,(733) some evidence to show that the midsummer fire was originally thus produced. For at Obermedlingen in Swabia the “fire of heaven,” as it was called, was made on St. Vitus’s Day (15th June) by igniting a cart-wheel, which, smeared with pitch and plaited with straw, was fastened on a pole twelve feet high, the top of the pole being inserted in the nave of the wheel. This fire was made on the summit of the mountain, and as the flame ascended, the people uttered a set form of words, with eyes and arms directed heaven-ward.(734) Here the fact of a wheel being fixed on the top of a pole and ignited makes it probable that originally the fire was produced, as in the need-fire, by the revolution of a wheel. The day on which the ceremony takes place (15th June) is near midsummer; and we have seen that in Masuren fire is (or was) actually made on Midsummer Day by turning a wheel rapidly about an oaken pole, though it is not said that the new fire so produced is used to light a bonfire.

Once more, the influence which these bonfires are supposed to exert on the weather and on vegetation, goes to show that they are sun-charms, since the effects ascribed to them are identical with those of sunshine. Thus, in Sweden the warmth or cold of the coming season is inferred from the direction in which the flames of the bonfire are blown; if they blow to the south, it will be warm, if to the north, cold. No doubt at present the direction of the flames is regarded merely as an augury of the weather, not as a mode of influencing it. But we may be pretty sure that this is one of the cases in which magic has dwindled into divination. So in the Eifel Mountains, when the smoke blows towards the corn-fields, this is an omen that the harvest will be abundant. But doubtless the older view was, not merely that the smoke and flames prognosticated, but that they actually produced an abundant harvest, the heat of the flames acting like sunshine on the corn. Indeed, this older view must still have been held by people in the Isle of Man when they lit fires to windward of their fields in order that the smoke might blow over them. Again, the idea that the corn will grow well as far as the blaze of the bonfire is visible, is certainly a remnant of the belief in the quickening and fertilising power of the bonfires. The same belief reappears in the notion that embers taken from the bonfires and inserted in the fields will promote the growth of the crops, and again it plainly underlies the custom of mixing the ashes of the bonfire with the seed-corn at sowing, or of scattering the ashes by themselves over the field. The belief that the flax will grow as high as the people leap over the bonfire belongs clearly to the same class of ideas. Once more, we saw that at Konz, on the banks of the Moselle, if the blazing wheel which was trundled down the hillside reached the river without being extinguished, this was hailed as a proof that the vintage would be abundant. So firmly was this belief held that the successful performance of the ceremony entitled the villagers to levy a tax upon the owners of the neighbouring vineyards. Here the unextinguished wheel meant an unclouded sun, and this in turn meant an abundant vintage. So the waggon-load of white wine which the villagers received from the vineyards round about was in fact a payment for the sunshine which they had procured for the grapes.

The interpretation of these fire-customs as charms for making sunshine is confirmed by a parallel custom observed by the Hindoos of Southern India at the Pongol or Feast of Ingathering. The festival is celebrated in the early part of January, when, according to Hindoo astrologers, the sun enters the tropic of Capricorn, and the chief event of the festival coincides with the passage of the sun. For some days previously the boys gather heaps of sticks, straw, dead leaves, and everything that will burn. On the morning of the first day of the festival the heaps are fired. Every street and lane has its bonfire. The young folk leap over the fire or pile on fresh fuel. This fire is an offering to Sûrya, the sun-god, or to Agni, the deity of fire; it “wakes him from his sleep, calling on him again to gladden the earth with his light and heat.”(735) To say that the fires awaken the sun-god from his sleep is only a metaphorical and perhaps modernised expression of the belief that they actually help to rekindle the sun’s light and heat.

The custom of leaping over the fire and driving cattle through it may be intended, on the one hand, to secure for man and beast a share of the vital energy of the sun, and, on the other hand, to purify them from all evil influences; for to the primitive mind fire is the most powerful of all purificatory agents. The latter idea is obviously uppermost in the minds of Greek women when they leap over the midsummer fire, saying, “I leave my sins behind me.” So in Yucatan at a New Year’s festival the people used to light a huge bonfire and pass through it, in the belief that this was a means of ridding themselves of their troubles.(736) The custom of driving cattle through a fire is not confined to Europe. At certain times the Hottentots make a fire of chips, dry branches, and green twigs, so as to raise a great smoke. Through this fire they drive their sheep, dragging them through by force, if necessary. If the sheep make their escape without passing through the fire, it is reckoned a heavy disgrace and a very bad omen. But if they pass readily through or over the fire, the joy of the Hottentots is indescribable.(737)

The procession or race with burning torches, which so often forms a part of these fire-festivals, appears to be simply a means of diffusing far and wide the genial influence of the bonfire or of the sunshine which it represents. Hence on these occasions lighted torches are very frequently carried over the fields, sometimes with the avowed intention of fertilising them;(738) and with the same intention live coals from the bonfire are sometimes placed in the field “to prevent blight.” The custom of trundling a burning wheel over the fields, which is practised for the express purpose of fertilising them, embodies the same idea in a still more graphic form; since in this way the mock-sun itself, not merely its light and heat represented by torches, is made actually to pass over the ground which is to receive its quickening and kindly influence. Again, the custom of carrying lighted brands round the cattle is plainly equivalent to driving the animals through the fire. It is quite possible that in these customs the idea of the quickening power of fire may be combined with the conception of it as a purgative agent for the expulsion or destruction of evil beings. It is certainly sometimes interpreted in the latter way by persons who practise the customs; and this purgative use of fire comes out very prominently, as we have seen, in the general expulsion of demons from towns and villages. But in the present class of cases this aspect of it is perhaps secondary, if indeed it is more than a later misinterpretation of the custom.

It remains to ask, What is the meaning of burning an effigy in these bonfires? The effigies so burned, as was remarked above, can hardly be separated from the effigies of Death which are burned or otherwise destroyed in spring; and grounds have been already given for regarding the so-called effigies of Death as really representations of the tree-spirit or spirit of vegetation. Are the other effigies, which are burned in the spring and midsummer bonfires, susceptible of the same explanation? It would seem so. For just as the fragments of the so-called Death are stuck in the fields to make the crops grow, so the charred embers of the figure burned in the spring bonfires are sometimes placed in the fields in the belief that they will keep vermin from the crop. Again, the rule that the last married bride must leap over the fire in which the straw-man is burned on Shrove Tuesday, is probably intended to make her fruitful. But, as we have seen, the power of blessing women with offspring is a special attribute of tree-spirits;(739) it is therefore a fair presumption that the burning effigy over which the bride must leap is a representative of the fertilising tree-spirit or spirit of vegetation. This character of the effigy, as representative of the spirit of vegetation, is almost unmistakable when the effigy is composed of an unthreshed sheaf of corn or is covered from head to foot with flowers.(740) Again, it is to be noted that instead of an effigy living trees are sometimes burned both in the spring and midsummer bonfires.(741) Now, considering the frequency with which the tree-spirit is represented in human shape, it is hardly rash to suppose that when sometimes a tree and sometimes an effigy is burned in these fires, the effigy and the tree are regarded as equivalent to each other, each being a representative of the tree-spirit. This, again, is confirmed by observing, first, that sometimes the effigy which is to be burned is carried about simultaneously with a May-tree, the former being carried by the boys, the latter by the girls;(742) and, second, that the effigy is sometimes tied to a living tree and burned with it.(743) In these cases, we can scarcely doubt, the tree-spirit is represented, as we have found it represented before, in duplicate, both by the tree and by the effigy. That the true character of the effigy as a representative of the beneficent spirit of vegetation should sometimes be forgotten, is natural. The custom of burning a beneficent god is too foreign to later modes of thought to escape misinterpretation. Naturally enough the people who continued to burn his image came in time to identify it as the effigy of persons, whom, on various grounds, they considered objectionable, such as Judas Iscariot, Luther, and a witch.

The general reasons for killing a god or his representative have been examined in the preceding chapter. But when the god happens to be a deity of vegetation, there are special reasons why he should die by fire. For light and heat are necessary to vegetable growth; and, on the principle of sympathetic magic, by subjecting the personal representative of vegetation to their influence, you secure a supply of these necessaries for trees and crops. In other words, by burning the spirit of vegetation in a fire which represents the sun, you make sure that, for a time at least, vegetation shall have plenty of sun. It may be objected that, if the intention is simply to secure enough sunshine for vegetation, this end would be better attained, on the principles of sympathetic magic, by merely passing the representative of vegetation through the fire instead of burning him. In point of fact this is sometimes done. In Russia, as we have seen, the straw figure of Kupalo is not burned in the midsummer fire, but merely carried backwards and forwards across it.(744) But, for the reasons already given, it is necessary that the god should die; so next day Kupalo is stripped of her ornaments and thrown into a stream. In this Russian custom, therefore, the passage of the image through the fire is a sun-charm pure and simple; the killing of the god is a separate act, and the mode of killing him—by drowning—is probably a rain-charm. But usually people have not thought it necessary to draw this fine distinction; for the various reasons already assigned, it is advantageous, they think, to expose the god of vegetation to a considerable degree of heat, and it is also advantageous to kill him, and they combine these advantages in a rough-and-ready way by burning him.

Finally, we have to ask, were human beings formerly burned as representatives of the tree-spirit or deity of vegetation? We have seen reasons for believing that living persons have often acted as representatives of the tree-spirit, and have suffered death as such. There is no reason, therefore, why they should not have been burned, if any special advantages were likely to be attained by putting them to death in that way. The consideration of human suffering is not one which enters into the calculations of primitive man. It would have been surprising if it did, when we remember the record of Christian Europe. Now, in the fire-festivals which we are discussing, the pretence of burning people is sometimes carried so far that it seems reasonable to regard it as a mitigated survival of an older custom of actually burning them. Thus in Aachen, as we saw, the man clad in peas-straw acts so cleverly that the children really believe he is being burned. And at the Beltane fires the pretended victim was seized, and a show made of throwing him into the fire, and for some time afterwards people affected to speak of him as dead. In the following customs Mannhardt is probably right in recognising traces of an old custom of burning a leaf-clad representative of the spirit of vegetation. At Wolfeck, in Austria, on Midsummer Day, a boy completely clad in green fir branches goes from house to house, accompanied by a noisy crew, collecting wood for the bonfire. As he gets the wood he sings—

“Forest trees I want,
No sour milk for me,
But beer and wine,
So can the wood-man be jolly and gay.”(745)

In some parts of Bavaria, also, the boys who go from house to house collecting fuel for the midsummer bonfire envelop one of their number from head to foot in green branches of firs, and lead him by a rope through the whole village.(746) At Moosheim, in Würtemberg, the festival of St. John’s Fire usually lasted for fourteen days, ending on the second Sunday after Midsummer Day. On this last day the bonfire was left in charge of the children, while the older people retired to a wood. Here they encased a young fellow in leaves and twigs, who, thus disguised, went to the fire, scattered it, and trod it out. All the people present fled at the sight of him.(747)

But it seems possible to go farther than this. Of human sacrifices offered on these occasions the most unequivocal traces, as we have seen, are those which, about a hundred years ago, still lingered at the Beltane fires in the Highlands of Scotland, that is, among a Celtic people who, situated in a remote corner of Europe, enjoying practical independence, and almost completely isolated from foreign influence, had till then conserved their old heathenism better than any other people in the West of Europe. It is significant, therefore, that human sacrifices by fire are known, on unquestionable evidence, to have been systematically practised by the Celts. The earliest description of these sacrifices is by Julius Caesar. As conqueror of the hitherto independent Celts of Gaul, Caesar had ample opportunity of observing the national Celtic religion and manners, while these were still fresh and crisp from the native mint and had not yet been fused in the melting-pot of Roman civilisation. With his own notes Caesar appears to have incorporated the observations of a Greek explorer, by name Posidonius, who travelled in Gaul about fifty years before Caesar carried the Roman arms to the English Channel. The Greek geographer Strabo and the historian Diodorus seem also to have derived their descriptions of the Celtic sacrifices from the work of Posidonius, but independently of each other and of Caesar, for each of the three derivative accounts contains some details which are not to be found in either of the others. By combining them, therefore, we can restore the original account of Posidonius with some certainty, and thus obtain a picture of the sacrifices offered by the Celts of Gaul at the close of the second century B.C.(748) The following seem to have been the main outlines of the custom. Condemned criminals were reserved by the Celts in order to be sacrificed to the gods at a great festival which took place once in every five years. The more there were of such victims, the greater was believed to be the fertility of the land.(749) When there were not enough criminals to furnish victims, captives taken in war were sacrificed to supply the deficiency. When the time came the victims were sacrificed by the Druids or priests. Some were shot down with arrows, some were impaled, and some were burned alive in the following manner. Colossal images of wicker-work or of wood and grass were constructed; these were filled with live men, cattle, and animals of other kinds; fire was then applied to the images, and they were burned with their living contents.

Such were the great festivals held once every five years. But besides these quinquennial festivals, celebrated on so grand a scale and with, apparently, so large an expenditure of human life, it seems reasonable to suppose that festivals of the same sort, only on a lesser scale, were held annually, and that from these annual festivals are lineally descended some at least of the fire-festivals which, with their traces of human sacrifices, are still celebrated year by year in many parts of Europe. The gigantic images constructed of osiers or covered with grass in which the Druids enclosed their victims remind us of the leafy framework in which the human representative of the tree-spirit is still so often encased.(750) Considering, therefore, that the fertility of the land was apparently supposed to depend upon the due performance of these sacrifices, Mannhardt is probably right in viewing the Celtic victims, cased in osiers and grass, as representatives of the tree-spirit or spirit of vegetation. These wicker giants of the Druids seem to have still their representatives at the spring and midsummer festivals of modern Europe. At Douay a procession takes place annually on the Sunday nearest to the 7th of July. The great feature of the procession is a colossal figure made of osiers, and called “the giant,” which is moved through the streets by means of rollers and ropes worked by men who are enclosed within the figure. The wooden head of the giant is said to have been carved and painted by Rubens. The figure is armed as a knight with lance and sword, helmet and shield. Behind him march his wife and his three children, all constructed of osiers on the same principle, but on a smaller scale.(751) At Dunkirk the giant is forty to fifty feet high, being made of basket-work and canvas, properly painted and dressed. It contains a great many living men within it, who move it about. Wicker giants of this sort are common in the towns of Belgium and French Flanders; they are led about at the Carnival in spring. The people, it is said, are much attached to these grotesque figures, speak of them with patriotic enthusiasm, and never weary of gazing at them.(752) In England artificial giants seem to have been a standing feature of the midsummer festival. A writer of the sixteenth century speaks of “Midsommer pageants in London, where, to make the people wonder, are set forth great and uglie gyants, marching as if they were alive, and armed at all points, but within they are stuffed full of browne paper and tow, which the shrewd boyes, underpeeping, do guilefully discover, and turne to a greate derision.”(753) The Mayor of Chester in 1599 “altered many antient customs, as the shooting for the sheriff’s breakfast; the going of the Giants at Midsommer, etc.”(754) In these cases the giants only figure in the processions. But sometimes they are burned in the spring or summer bonfires. Thus the people of the Rue aux Ours in Paris used annually to make a great wicker-work figure, dressed as a soldier, which they promenaded up and down the streets for several days, and solemnly burned on the 3d of July, the crowd of spectators singing _Salve Regina_. The burning fragments of the image were scattered among the people, who eagerly scrambled for them. The custom was abolished in 1743.(755) In Brie, Isle de France, a wicker-work giant, eighteen feet high, was annually burned on Midsummer Eve.(756)

Again, the Druidical custom of burning live animals, enclosed in wicker-work, has its counterpart at the spring and midsummer festivals. At Luchon in the Pyrenees on Midsummer Eve “a hollow column, composed of strong wicker-work, is raised to the height of about sixty feet in the centre of the principal suburb, and interlaced with green foliage up to the very top; while the most beautiful flowers and shrubs procurable are artistically arranged in groups below, so as to form a sort of background to the scene. The column is then filled with combustible materials, ready for ignition. At an appointed hour—about 8 P.M.—a grand procession, composed of the clergy, followed by young men and maidens in holiday attire, pour forth from the town chanting hymns, and take up their position around the column. Meanwhile, bonfires are lit, with beautiful effect, in the surrounding hills. As many living serpents as could be collected are now thrown into the column, which is set on fire at the base by means of torches, armed with which about fifty boys and men dance around with frantic gestures. The serpents, to avoid the flames, wriggle their way to the top, whence they are seen lashing out laterally until finally obliged to drop, their struggles for life giving rise to enthusiastic delight among the surrounding spectators. This is a favourite annual ceremony for the inhabitants of Luchon and its neighbourhood, and local tradition assigns to it a heathen origin.”(757) In the midsummer fires formerly kindled on the Place de Grève at Paris it was the custom to burn a basket, barrel, or sack full of live cats; sometimes a fox was burned. The people collected the embers and ashes of the fire and took them home, believing that they brought good luck.(758) At Metz midsummer fires were lighted on the Esplanade, and six cats were burned in them.(759) In Russia a white cock was sometimes burned in the midsummer bonfire;(760) in Meissen or Thüringen a horse’s head used to be thrown into it.(761) Sometimes animals are burned in the spring bonfires. In the Vosges cats were burned on Shrove Tuesday; in Elsass they were thrown into the Easter bonfire.(762) We have seen that squirrels were sometimes burned in the Easter fire.

If the men who were burned in wicker frames by the Druids represented the spirit of vegetation, the animals burned along with them must have had the same meaning. Amongst the animals burned by the Druids or in modern bonfires have been, as we saw, cattle, cats, foxes, and cocks; and all of these creatures are variously regarded by European peoples as embodiments of the corn-spirit.(763) I am not aware of any certain evidence that in Europe serpents have been regarded as representatives of the tree-spirit or corn-spirit;(764) as victims at the midsummer festival in Luchon they may have replaced animals which really had this representative character. When the meaning of the custom was forgotten, utility and humanity might unite in suggesting the substitution of noxious reptiles as victims in room of harmless and useful animals.

Thus it appears that the sacrificial rites of the Celts of ancient Gaul can be traced in the popular festivals of modern Europe. Naturally it is in France, or rather in the wider area comprised within the limits of ancient Gaul, that these rites have left the clearest traces in the customs of burning giants of wicker-work and animals enclosed in wicker-work or baskets. These customs, it will have been remarked, are generally observed at or about midsummer. From this we may infer that the original rites of which these are the degenerate successors were solemnised at midsummer. This inference harmonises with the conclusion suggested by a general survey of European folk-custom, that the midsummer festival must on the whole have been the most widely diffused and the most solemn of all the yearly festivals celebrated by the primitive Aryans in Europe. And in its application to the Celts this general conclusion is corroborated by the more or less perfect vestiges of midsummer fire-festivals which we have found lingering in all those westernmost promontories and islands which are the last strongholds of the Celtic race in Europe—Britanny, Cornwall, Wales, the Isle of Man, Scotland, and Ireland. In Scotland, it is true, the chief Celtic fire-festivals certainly appear to have been held at Beltane (1st May) and Hallow E’en; but this was exceptional.

To sum up: the combined evidence of ancient writers and of modern folk-custom points to the conclusion that amongst the Celts of Gaul an annual festival was celebrated at midsummer, at which living men, representing the tree-spirit or spirit of vegetation, were enclosed in wicker-frames and burned. The whole rite was designed as a charm to make the sun to shine and the crops to grow.

But another great feature of the Celtic midsummer festival appears to have been the gathering of the sacred mistletoe by the Druids. The ceremony has been thus described by Pliny in a passage which has often been quoted. After enumerating the different kinds of mistletoe he proceeds: “In treating of this subject, the admiration in which the mistletoe is held throughout Gaul ought not to pass unnoticed. The Druids, for so they call their wizards, esteem nothing more sacred than the mistletoe and the tree on which it grows, provided only that the tree is an oak. But apart from this they choose oak-woods for their sacred groves and perform no sacred rites without oak-leaves; so that the very name of Druids may be regarded as a Greek appellation derived from their worship of the oak.(765) For they believe that whatever grows on these trees is sent from heaven, and is a sign that the tree has been chosen by the god himself. The mistletoe is very rarely to be met with; but when it is found, they gather it with solemn ceremony. This they do especially in the sixth month (the beginnings of their months and years are determined by the moon) and after the tree has passed the thirtieth year of its age, because by that time it has plenty of vigour, though it has not attained half its full size. After due preparations have been made for a sacrifice and a feast under the tree, they hail it as the universal healer and bring to the spot two white bulls, whose horns have never been bound before. A priest clad in a white robe climbs the tree and with a golden(766) sickle cuts the mistletoe, which is caught in a white cloth. Then they sacrifice the victims, praying that God may make his own gift to prosper with those upon whom he has bestowed it. They believe that a potion prepared from mistletoe will make barren animals to bring forth, and that the plant is a remedy against all poison.”(767)

In saying that the Druids cut the mistletoe in the sixth month Pliny must have had in his mind the Roman calendar, in which the sixth month was June. Now, if the cutting of the mistletoe took place in June, we may be almost certain that the day which witnessed the ceremony was Midsummer Eve. For in many places Midsummer Eve, a day redolent of a thousand decaying fancies of yore, is still the time for culling certain magic plants, whose evanescent virtue can be secured at this mystic season alone. For example, on Midsummer Eve the fern is believed to burst into a wondrous bloom, like fire or burnished gold. Whoever catches this bloom, which very quickly fades and falls off, can make himself invisible, can understand the language of animals, and so forth. But he must not touch it with his hand; he must spread a white cloth under the fern, and the magic bloom (or seed) will fall into it.(768) Again, St. John’s wort (_Hypericum perforatum_), a herb which is believed to heal all kinds of wounds and to drive away witches and demons, is gathered on Midsummer Eve (Eve of St. John), and is worn as an amulet or hung over doors and windows on that day.(769) Again, mugwort (_Artemisia vulgaris_) is believed to possess magic qualities provided it be gathered on St. John’s Eve. Hence in France it is called the herb of St. John. People weave themselves a girdle of the plant, believing that it will protect them against ghosts, magic, misfortune, and disease, throughout the year. Or they weave garlands of it on St. John’s Eve, and look through them at the midsummer bonfire or put them on their heads. Whoever does this will suffer no aches in his eyes or head that year. Sometimes the plant is thrown into the midsummer bonfire.(770) The superstitious association of fern-seed, St. John’s wort, and mugwort with Midsummer Eve is widely diffused over Europe. The following associations seem to be more local. In England the orpine (_Sedum telephium_) is popularly called Midsummer Men, because it has been customary to gather it on Midsummer Eve for the purpose of using it to ascertain the fate of lovers;(771) and in England sprigs of red sage are sometimes gathered on Midsummer Eve for the same purpose.(772) In Bohemia poachers fancy they can make themselves invulnerable by means of fir-cones gathered before sunrise on St. John’s Day.(773) Again, in Bohemia wild thyme gathered on Midsummer Day is used to fumigate the trees on Christmas Eve, in order that they may grow well.(774) In Germany and Bohemia a plant called St. John’s Flower or St. John’s Blood (_Hieracium pilosella_) is gathered on Midsummer Eve. It should be rooted up with a gold coin. The plant is supposed to bring luck and to be especially good for sick cattle.(775)

These facts by themselves would suffice to raise a strong presumption that, if the Druids cut the mistletoe in June, as we learn from Pliny that they did, the day on which they cut it could have been no other than Midsummer Eve or Midsummer Day. This presumption is converted into practical certainty when we find it to be still a rule of folk-lore that the mistletoe should be cut on Midsummer Eve.(776) Further, the peasants of Piedmont and Lombardy still go out on Midsummer morning to search the oak-leaves for the “oil of St. John,” which is supposed to heal all wounds made with cutting instruments.(777) Originally no doubt the “oil of St. John” was simply the mistletoe, or a decoction made from it. For in Holstein the mistletoe, especially oak-mistletoe, is still regarded as a panacea for green wounds;(778) and if, as is alleged, “all-healer” is an epithet of the mistletoe in the modern Celtic speech of Britanny, Wales, Ireland, and Scotland,(779) this can be nothing but a survival of the name by which, as we have seen, the Druids addressed the oak, or rather, perhaps, the mistletoe.