Chapter XI: Mental Aspects of the Eleventh Century: Italy (1)

I. FROM CHARLEMAGNE TO HILDEBRAND.

II. THE HUMAN SITUATION.

III. THE ITALIAN CONTINUITY OF ANTIQUE CULTURE.

IV. ITALY’S INTELLECTUAL PIETY: PETER DAMIANI AND ST. ANSELM.

I

The Empire of Charlemagne could not last. Two obvious causes, among others, were enough to prevent it. No single government (save when temporarily energized by some extraordinary ruler) could control such enormous and widely separated regions, which included much of the present Germany and Austria, the greater part of Italy, France, and the Low Countries. Large portions of this Empire were almost trackless, and nowhere were there good roads and means of transportation. Then, as the second cause, within these diverse and ununited lands dwelt or moved many peoples differing from each other in blood and language, in conditions of life and degrees of civilization or barbarism. No power existed that could either hold them in subjection or make them into proper constituents of an Empire.[287]

There were other, more particular, causes of dissolution: the Frankish custom of partitioning the realm brought war between Louis the Pious and his sons, and then among the latter; no scion of the Carolingian house was equal to the situation; under the ensuing turbulence, the royal power weakened, and local protection, or oppression, took its place; constant war exhausted the strength of the Empire, and particularly of Austrasia, while from without Norsemen, Slavs, and Saracens were attacking, invading, plundering everywhere. These marauders still were heathen, or obstinate followers of the Prophet; while Christianity was the bond of unity and empire. Charlemagne and his strong predecessors had been able thus to view and use the Church; but the weaker successors, beginning with Louis the Pious, too eager for the Church’s aid and condonation, found their subservience as a reed that broke and pierced the hand.

These causes quickly brought about the Empire’s actual dissolution. On the other hand, a potent conception had been revived in western Europe. Louis the Pious, himself made emperor in Charlemagne’s lifetime, associated his eldest son with him as co-emperor, and made his two younger sons kings, hoping thus to preserve the Empire’s unity. If that unity forthwith became a name, it was a name to conjure with; and the corresponding imperial fact was to be again made actual by the first Saxon Otto, a man worthy to reach back across the years and clasp the hand of the great Charles.

That intervening century and a half preceding the year 962 when Otto was crowned emperor, carried political and social changes. To the West, in the old Neustrian kingdom which was to form the nucleus of mediaeval France, the Carolingian line ran out in degenerates surnamed the Pious, the Bald, the Stammerer, the Simple, and the Fat. The Counts of Paris, Odo, Robert, Hugh the Great, and, finally, Hugh Capet, playing something like the old rôle of the palace mayors, were becoming the actual rulers, although not till 987 was the last-named Hugh formally elected and anointed king.

Other great houses also had arisen through the land of France, which was very far from being under the power of the last Carolingians or the first Capetians. The year 911 saw the treaty between Norman Rollo and Charles the Simple, and may be taken to symbolize the settling down of Norsemen from freebooters to denizens, with a change of faith. Rollo received the land between the Epte and the sea, to the borders of Brittany, along with temporary privileges, granted by the same Simple Charles, of sack and plunder over the latter. But a generation later the valiant Count Alan of the Twisted Beard drove out the plunderers, and established the feudal duchy long to bear the name of Brittany. Likewise, aided by the need of protection against invading plunderers, feudal principalities were formed in Flanders, Champagne, Burgundy, Aquitaine, Languedoc.

At the time when Hugh Capet drew near his royal destiny, his brother was Duke of Burgundy, the Dukes of Normandy and Aquitaine were his brothers-in-law, and Adalberon, Archbishop of Rheims, was his partisan. As a king elected by his peers, his royal rights were only such as sprang from the feudal homage and fidelity which they tendered him. Yet he, with the clergy, deemed that his consecration by the Church gave him the prerogatives of Frankish sovereigns, which were patterned on those of Roman emperors and Old Testament kings. It was to be the long endeavour of the Capetian line to make good these higher claims against the counter-assumptions of feudal vassals, who individually might be stronger than the king.[288]

Austrasia, the eastern Frankish kingdom, formed the centre of those portions of the Carolingian Empire which were to remain German. Throughout these lands, as in the West, feudal disintegration was progressing. The great territorial divisions were set by differences of race or _stamm_. Saxons, Franks, Bavarians, Suabians, had never been one people. In the tenth century each of these _stamms_, with the land it dwelt in, made a dukedom; and there were besides marks or frontier lordships, each under its markgrave, upon whom lay the duty of repelling outer foes. These divisions, fixed in differences of law, language, and blood, were destined to prevent the formation of a strong kingdom like that of France.

Yet what was to prove a veritable German royalty sprang from the ducal Saxon house. Upon the failure of the German Carolingian branch in 911, Conrad, Duke of Franconia, was elected king, the Saxons and Suabians consenting. After struggling a few years, mainly against the power of the Saxon duke Henry, Conrad at his death in 918 pronounced in favour of his stronger rival. Thereupon Henry, called by later legend “The Fowler,” became king, and having maintained his royal authority against recalcitrants, and fought successfully with Hungarians and Bohemians, he died in 936, naming his son Otto as his successor.

The latter’s reign was to be a long and great one. He was consecrated at Aix-la-Chapelle in Charlemagne’s basilica, thus at the outset showing what and whom he had in mind. Then and thereafter all manner of internal opposition had to be suppressed. His own competing brothers were, first of all, to be put down; and with them the Dukes of Bavaria, Franconia, and Lorraine, whom Otto conquered and replaced with men connected with him by ties of blood or marriage. Far to the West he made his power felt, settling affairs between Louis and Hugh the Great. Hungarians and Slavs attacked his realm in vain. New _marks_ were established to hold them in check, and new bishoprics were founded, fonts of missionary Christianity and fortresses of defence.

Thereupon Otto looked southward, over the Alps. To say that Italy was sick with turmoil and corruption, and exposed to the attack of every foe, is to give but the negative and least interesting side. She held more of civilized life and of education than any northern land; she differed from the north in her politics and institutions. Feudalism did not fix itself widely there, although the Roman barons, who made and unmade popes, represented it; and in many regions, as later among the Normans in the south, there was to be a feudal land-holding nobility. But in Italy, it was the city, whether under civic or episcopal government, or in a despot’s grip, that took the lead, and was to keep the life of the peninsula predominantly urban, as it had been in the Roman time.

Tenth-century Italy contained enough claimants to the royal, even the imperial, title. Rome reeked with faction; and the papal power was nearly snuffed out. Pope followed pope, to reign or be dragged from his throne--eight of them between 896 and 904. Then began at Rome the domination of the notorious, but virile, Theodora and her daughter Marozia, makers and perhaps mistresses of popes, and leaders in feudal violence. Marozia married a certain valiant Alberic, “markgrave of Camerino” and forerunner of many a later Italian soldier and tyrant of fortune. When he fell, she married again, and overthrew Pope John X., who had got the better of her first husband. In 931 she made her son pope as John XI. For yet a third husband she took a certain King Hugo, a Burgundian; but another son of hers, a second Alberic, roused the city, drove him out, and proclaimed himself “Prince and Senator of all the Romans.”

It was in this Italy that Otto intervened, in 951, drawn perhaps by the wrongs of Queen Adelaide, widow of Hugo’s son, Lothaire, a landless king, since Markgrave Berengar had ousted him from his Italian holdings. This Berengar now persecuted and imprisoned the queen-widow. She escaped; Otto descended from the Alps, and married her; Lombardy submitted; Berengar fled. This time Otto did not advance to Rome, being impeded by many things--Alberic’s refusal to admit him, and behind his back in Germany the rebellion of his own son Liudolf aided by the Archbishop of Mainz, and later by those whom Otto left in Italy to represent him as he hurried north. These were straitened times for the king, and the Hungarians poured over the boundaries to take advantage of the confusion. But Otto’s star triumphed over both rebels and Hungarians--a bloody star for the latter, as the plains of Lech might testify, where they were so handled that they never ravaged German lands again.

Otto’s power now reached its zenith. He reordered the German dukedoms, filled the archbishoprics with faithful servants, bound the German clergy to himself with gifts and new foundations, and ruled them like another Charlemagne. It was his time to become emperor, an emperor like Charlemagne, and not like later weaklings. In 961 he again entered Italy, to be greeted with universal acclaim as by men longing for a deliverer. He was crowned king in Pavia; the levies of the once more hostile Berengar dispersed before him. In February 962 he was anointed emperor at Rome by John XII., son of that second Alberic who had refused to open the gates, but whose debauched son had called for aid upon the mighty German. Once more the Holy Roman Empire of the Germans was refounded to endure a while with power, and continue a titular existence for eight centuries.

The power of the first Otto was so overwhelming that the papacy could not escape the temporary subjection which its vile state deserved. And the Empire was its honest patron, for the good of both. So on through the reigns of Otto II., who died in 983, aged twenty-eight, and his son Otto III., who died in 1002, at the age of twenty-two, a dreamer and would-be universal potentate. Then came the practical-minded rule of the second Henry (1002-1024), who still aided and humbly ruled the Church. Conrad II., of Franconia, followed, faithful to the imperial tradition.[289] He was succeeded in 1039 by his son Henry III., beneficent and prosperous, if not far-seeing, who again cared for both Church and State, and imperially constrained the papacy, itself impotent in the grip of the Roman barons and the Counts of Tusculum. Henry did not hesitate to clear away at once three rival popes (1046) and name a German, Clement II. It was this worthy man, but still more another German, his successor, Leo IX. (1049-1054), who lifted the papacy from its Italian mire, and launched it full on its course toward an absolute spiritual supremacy that was to carry the temporal control of kings and princes. But the man already at the helm was a certain deacon Hildebrand, who was destined to guide the papal policy through the reigns of successive popes until he himself was hailed as Gregory VII. (1073-1085).[290]

With Hildebrand’s pontificate, which in truth began before he sat in Peter’s chair, the reforming spirits among the clergy, aroused to his keen policy, set themselves to the uplifting of their order. In all countries the Church, heavy with its possessions, seemed about to become feudal and secular. Bishops and abbots were appointed by kings and the great feudatories, and were by them _invested_ with their lands as fiefs, for which the clerical appointee did homage, and undertook to perform feudal duties. Church fiefs failed to become hereditary only because bishops and abbots could not marry; yet in fact great numbers of the lower clergy lived in a state of marriage or “concubinage.” Evidently the celibacy of the clergy was a vital issue in Church reform; and so were investitures and the matter of simony. Under mediaeval conditions, the most open form of this “heresy” called after Simon Magus, was the large gift from the new incumbent to his feudal lord who had invested him with abbey or bishopric. Such simony was not wrong from the feudal point of view, and might properly represent the duty of bishop or abbot to his lord.

Obviously, for the reform and emancipation of the Church, and in order that it should become a world-power, and not remain a semi-secular local institution in each land, it was necessary that the three closely connected corruptions of simony, lay investitures, and clerical concubinage should be destroyed. To this enormous task the papacy addressed itself under the leadership of Hildebrand.[291] In his pontificate the struggle with the supreme representative of secular power, to wit, the Empire, came to a head touching investitures. Gregory’s secular opponent was Henry IV., of tragic and unseemly fame; for whom the conflict proved to be the road by which he reached Canossa, dragged by the Pope’s anathema, and also driven to this shame by a rebellious Germany (1076, 1077). Henry was conquered, although a revulsion of the long-swaying war drove Gregory from Rome, to die an exile for the cause which he deemed that of righteousness.

Between the papacy and the secular power represented in this struggle by the Empire, a peaceful co-equality could not exist. The superiority of the spiritual and eternal over the carnal and temporal had to be vindicated; and in terms admitting neither limit nor condition, Hildebrand maintained the Church’s universal jurisdiction upon earth. The authority granted by Christ to Peter and his successors, the popes, was absolute for eternity. Should it not include the passing moment of mortal life, important only because determining man’s eternal lot? The divine grant was made without qualification or exception _in saeculo_ as well as for the life to come. If spiritual men are under the Pope’s jurisdiction, shall he not also constrain secular folk from their wickedness?[292] Were kings excepted when the Lord said, Thou art Peter?[293] Nay; the salvation of souls demands that the Pope shall have full authority _in terra_ to suppress the waves of pride with the arms of humility. The _dictatus papae_ of the year 1075 make the Pope the head of the Christian world: the Roman Church was founded by God alone; the Roman pontiff alone by right is called _universal_; he alone may use the imperial insignia; his feet alone shall be kissed by all princes; he may depose emperors and release subjects from fealty; and he can be judged by no man.[294]

In the century and a half following Gregory’s reign the papacy well-nigh attained the realization of the claims made by this great upbuilder of its power.[295] Constantine’s forged donation was outdone, in fact; and the furthest hopes of Leo I. and the first, second, and third Gregories were more than realized.

II

One might liken the Carolingian period to a vessel at her dock, taking on her cargo, casks of antique culture and huge crates of patristic theology. Then western Europe in the eleventh century would be the same vessel getting under way, well started on the mediaeval ocean.

This would be one way of putting the matter. A closer simile already used is the likening of the Carolingian period to the lusty schoolboy learning his lessons, thinking very little for himself. By the eleventh century he will have left school, though still impressionable, still with much to learn; but he has begun to turn his conned lessons over in his mind, and to think a little, in the terms, of what he has acquired--has even begun to select therefrom tentatively, and still under the mastery of the whole. He perceives the charm of the antique culture, of the humanly inspiring literature, so exhaustless in its profane fascinations; he is realizing the spiritual import of the patristic share of his instruction, and already feels the power of emotion which lay implicit in the Latin formulation of the Christian Faith. Withal he is beginning to evolve an individuality of his own.

Speaking more explicitly, it should be said that instead of one such hopeful youth there are several, or rather groups of them, differing widely from each other. The forefathers of certain of these groups were civilized and educated men, at home in the antique and patristic curriculum with which our youths are supposed to have been busy. The forefathers of other groups were rustics, or rude herdsmen and hunters, hard-hitting warriors, who once had served, but more latterly had rather lorded it over, the cultivated forbears of the others. Still, again, the forefathers of other numerous groups had been partly cultivated and partly rude. Evidently these groups of youths are diverse in blood and in ancestral traits; evidently also the antique and patristic curriculum is quite a new thing to some of them, while others had it at their fathers’ knees.

Our different youthful groups represent Italians, Germans, and the inhabitants of France and the British Isles. One may safely speak of the ninth-century Germans as schoolboys just brought face to face with Christianity and the antique culture. So with the Saxon stock in England. The propriety is not so clear as to the Italians; for they are not newly introduced to these matters. Yet their household affairs have been disturbed, and they themselves have slackened in their study. So they too have much to learn anew, and may be regarded as truants, dirtied and muddied, and perhaps refreshed, by the scrambles of their time of truancy, and now returning to lessons which they have pretty well forgotten.

Obviously, in considering the intellectual condition of western Europe in the tenth and eleventh centuries, it will be convenient to regard each country in turn: and, besides, a geographical is more appropriate than a topical arrangement, because there was still little choice of one branch of discipline rather than another. The majority still were conning indiscriminately what had come from the past, studying heterogeneous matters in the same books, the same forlorn compendia. They read the _Etymologies_ of Isidore or the corresponding works of Bede, and followed as of course the Trivium and Quadrivium. In sacred learning they might read the Scriptural Commentaries of Rabanus Maurus or Walafrid Strabo, or study the works of Augustine. This was still the supreme study, and all else, properly viewed, was ancillary to it. Nevertheless, as between sacred study and profane literature, an even violent divergence of choice existed. Everywhere there were men who loved the profanities in themselves, and some who felt that for their souls’ sake they must abjure them.

For further diverging lines of preference, one should wait for the twelfth century. Many men will then be found absorbed in religious study, while others cultivate logic and metaphysics, with the desire to know more active in them than the fear of hell. Still others will study “grammar” and the classics, or, again, with conscious specializing choice, devote their energies to the civil or the canon law. In later chapters, and mainly with reference to this culminating mediaeval time which includes the twelfth, the thirteenth, and at least, for Dante’s sake, the first part of the fourteenth, century, we shall review these various branches of intellectual endeavour in topical order. But for the earlier time which still enshrouds us, we pass from land to land as on a tour of intellectual inspection.

III

We start with Italy. There was no break between her antique civilization and her mediaeval development, but only a period of depression and decay. Notwithstanding the change from paganism to Christianity and the influx of barbarians, both a race-continuity and a continuity of culture persisted. The Italian stock maintained its numerical preponderance, as well as the power of transforming newcomers to the likeness of itself. The natural qualities of the country, and the existence of cities and antique constructions, assisted in the Italianizing of Goth, Lombard, German, Norman. Latin civic reminiscence, tradition, custom, permeated society, and prevented the growth of feudalism. Italy remained urban, and continued to reflect the ancient time. “Consuls” and “tribunes” long survived the passing of their antique functions, and the fame endured of antique heroes, mythical and historical. Florence honoured Mars and Caesar; Padua had Antenor, Cremona Hercules. Such names remained veritably eponymous. Other cities claimed the birthplace of Pliny, of Ovid, of Virgil. An altar might no longer be dedicated to a pagan hero, yet the town would preserve his name upon monuments, would adorn his fancied tomb, stamp his effigy on coins or keep it in the communal seal. Of course the figments of the Trojan Saga were current through the land, which, however divided, was conscious of itself as Italy. _Te Italia plorabit_ writes an eleventh-century Pisan poet of a young Pisan noble fallen in Africa.

In Italy, as in no other country, the currents of antique education, disturbed yet unbroken, carried clear across that long period of invasions, catastrophes, and reconstructions, which began with the time of Alaric. Under the later pagan emperors, and under Constantine and his successors, the private schools of grammar and rhetoric had tended to decline. There were fewer pupils with inclination and ability to pay. So the emperors established municipal schools in the towns of Italy and the provinces. The towns tried to shirk the burden, and the teachers, whose pay came tardily, had to look to private pupils for support. In Italy there was always some demand for instruction in grammar and law. The supply rose and fell with the happier or the more devastated condition of the land. Theodoric, the Ostrogoth, re-established municipal schools through his dominion. After him further troubles came, for example from the Lombards, until they too became gentled by Italian conditions, and their kings and nobles sought to encourage and acquire the education and culture which their coming had disturbed. In the seventh and eighth centuries the grade of instruction was very low; but there is evidence of the unintermitted existence of lay schools, private or municipal, in all the important towns, from the eighth century to the tenth, the eleventh, and so on and on. These did not give religious instruction, but taught grammar and the classic literature, law and the art of drawing documents and writing letters. The former branches of study appear singularly profane in Italy. The literature exemplifying the principles of grammar was pagan and classical, and the fictitious themes on which the pupils exercised their eloquence continued such as might have been orated on in the time of Quintilian. Intellectually the instruction was poverty-stricken, but the point to note is, that in Italy there never ceased to be schools conducted by laymen for laymen, where instruction in matters profane and secular was imparted and received for the sake of its profane and secular value, without regard to its utility for the saving of souls. There was no barbaric contempt for letters, nor did the laity fear them as a spiritual peril. Gerbert before the year 1000 had found Italy the field for the purchase of books;[296] and about 1028 Wipo, a native of Burgundy and chaplain of the emperor Conrad II., contrasts the ignorance of Germany with Italy, where “the entire youth (_tota juventus_) is sent to sweat in the schools”;[297] and about the middle of the twelfth century, Otto of Freising suggests a like contrast between the Italy and Germany of his time.[298]

In Italy the study of grammar, with all that it included, was established in tradition, and also was regarded as a necessary preparation for the study both of law and medicine. Even in the eleventh century these professions were followed by men who were “grammarians,” a term to be taken to mean for the early Middle Ages the profession of letters. In the eleventh century, a lawyer or notary in Italy (where there were always such, and some study of law and legal forms) needed education in a Latinity different from the vulgar Latin which was turning into Italian. A little later, Irnerius, the founder of the Bologna school, was a teacher of “grammar” before he became a teacher of law.[299] As for medicine, that appears always to have been cultivated at least in southern Italy; and a knowledge of grammar, even of logic, was required for its study.[300]

The survival of medical knowledge in Italy did not, in means and manner, differ from the survival of the rest of the antique culture. Some acquaintance had continued with the works of Galen and other ancient physicians; but more use was made of compendia, the matter of which may have been taken from Galen, but was larded with current superstitions regarding disease. Such compendia began to appear in the fifth century, and through these and other channels a considerable medical knowledge found its way to a congenial home in Salerno. There are references to this town as a medical community as early as the ninth century. By the eleventh, it was famous for its medicine. About the year 1060 a certain Constantine seems to have brought there novel and stimulating medical knowledge which he had gained in Africa from Arabian (ultimately Greek) sources. Nevertheless, translations from the Arabic seem scarcely to have exerted much influence upon medicine for yet another hundred years.[301]

Thus in Italy the antique education never stopped, antique reminiscence and tradition never passed away, and the literary matter of the pagan past never faded from the consciousness of the more educated among the laity and clergy. Some understanding of the classic literature, as well as a daily absorption of the antique from its survival in habits, laws, and institutions, made part of the capacities and temperament of Italians. Grammarians, lawyers, doctors, monks even, might think and produce under the influence of that which never had quite fallen from the life of Italy. And just as the ancient ways of civic life and styles of building became rude and impoverished, and yet passed on without any abrupt break into the tenth and the eleventh centuries, so was it with the literature of Italy, or at least with those productions which were sheer literature, and not deflected from traditional modes of expression by any definite business or by the distorting sentiments of Christian asceticism. This literature proper was likely to take the form of verse in the eleventh century. A practical matter would be put in prose; but the effervescence of the soul, or the intended literary effort, would fall into rhyme or resort to metre.

We have an example of the former in those often-cited tenth-century verses exhorting the watchers on the walls of Modena:

“O tu qui servas armis ista moenia,
Noli dormire, moneo, sed vigila.
Dum Hector vigil extitit in Troia,
Non eam cepit fraudulenta Graecia.

“Vigili voce avis anser candida
Fugavit Gallos ex arce Romulea.”

The antique reminiscence fills this jingle, as it does the sensuous

“O admirabile Veneris ydolum
Cuius materiae nichil est frivolum:
Archos te protegat, qui stellas et polum
Fecit et maria condidit et solum.”[302]

And so on from century to century. At the beginning of the twelfth, a Pisan poet celebrates Pisa’s conquest of the Balearic Isles:

“Inclytorum Pisanorum scripturus historiam,
Antiquorum Romanorum renovo memoriam,
Nam ostendit modo Pisa laudem admirabilem,
Quam olim recepit Roma vincendo Carthaginem.”

For an eleventh-century example of more literary verse, one may turn to the metres of Alphanus, a noble Salernian, lover of letters, pilgrim traveller, archbishop of his native town, and monk of Monte Cassino, the parent Benedictine monastery, which had been the cultured retreat of Paulus Diaconus in the time of Charlemagne. It was destroyed by the Saracens in 884. Learning languished in the calamitous decades which followed. But the convent was rebuilt, and some care for learning recommences there under the abbot Theobald (1022-1035). The monastery’s troubles were not over; but it re-entered upon prosperity under the energetic rule of the German Richer (1038-1055).[303] Shortly after his death two close friends were received among its monks, Alphanus and Desiderius. The latter was of princely Lombard stock, from Beneventum. He met Alphanus at Salerno, and there they became friends. Afterwards both saw something of the world and experienced its perils. Desiderius was born to be monk, abbot, and at last pope (Victor III.) against his will. Alphanus, always a man of letters, was drawn by his friend to monastic life. Long after, when Archbishop of Salerno, he gave a refuge and a tomb to the outworn Hildebrand.

The rebuilding and adorning of Monte Cassino by Desiderius with the aid of Greek artists is a notable episode in the history of art.[304] Under the long rule of this great abbot (1058-1087) the monastery reached the summit of its repute and influence. It was the home of theology and ecclesiastical policy. There law and medicine were studied. Likewise “grammar” and classic literature, the latter not too broadly, as would appear from the list of manuscripts copied under Desiderius--Virgil, Ovid, Terence, Seneca, Cicero’s _De natura deorum_. But then there was the whole host of early Christian poets, historians, and theologians. Naturally, Christian studies were dominant within those walls.

Alphanus did not spend many of his years there. But his loyalty to the great monastery never failed, nor his intercourse with its abbot and monks. He has left an enthusiastic poem descriptive of the place and the splendour of its building.[305] A general and interesting feature of his poetry is the naturalness of its classical reminiscence and its feeling for the past, which is even translated into the poet’s sentiments toward his contemporaries and toward life. In his metrical verses _ad Hildebrandum archidiaconum Romanum_, his stirring praise of that statesman is imbued with pagan sentiment.

“How great the glory which so often comes to those defending the
republic, has not escaped thy knowledge, Hildebrand. The Via Sacra
and the Via Latina recall the same, and the lofty crown of the
Capitol, that mighty seat of empire.... The hidden poison of envy
implants its infirmity in wretched affairs, and brings overthrow only
to such. That thou shouldst be envied, and not envy, beseems thy
skill.... How great the power of the anathema! Whatever Marius and
Julius wrought with the slaughter of soldiers, thou dost with thy
small voice.... What more does Rome owe to the Scipios and the other
Quirites than to thee?”

Perhaps the glyconic metre of this poem was too much for Alphanus. His awkward constructions, however, constantly reflect classic phrases. And how naturally his mind reproduced the old pagan--or fundamental human--views of life, appears again in his admiring sapphics to Romuald, chief among Salerno’s lawyers:

“Dulcis orator, vehemens gravisque,
Inter omnes causidicos perennem
Gloriam juris tibi, Romoalde,
Prestitit usus.”

Further stanzas follow on Romuald’s wealth, station, and mundane felicity. Then comes the sudden turn, and Romuald is praised for having spurned them all:

“Cumque sic felix, ut in orbe sidus
Fulseris, mundum roseo jacentem
Flore sprevisti....”

Apparently Romuald had become a monk:

“Rite fecisti, potiore vita
Perfruiturus.”[306]

This turn of sentiment curiously accorded with the poet’s own fortune and way of life; for Alphanus, with all his love of antique letters, was also a monk and an ascetic, of whom a contemporary chronicler tells that in Lent he ate but twice a week and never slept on a bed. Yet monk, and occasional ascetic, as he was, the ordinary antique-descended education and inherited strains of antique feeling made the substratum of his nature, and this although he could inveigh against the philosophic and grammatical studies flourishing in a neighbouring monastery, and advise one of its studious youths to turn from such:

“Si, Transmunde, mihi credis, amice,
His uti studiis desine tandem;
Fac cures monachi scire professum,
Ut vere sapiens esse puteris.”[307]

Eleventh-century Italian “versificatores” were interested in a variety of things. Some of them gave the story of a saint’s or bishop’s life, or were occupied with an ecclesiastic theme. Others sang the fierce struggle between rival cities, or some victory over Saracens, or made an idyl of very human love with mythological appurtenances. The verse-forms either followed the antique metres or were accentual deflections from them with the new added element of rhyme; the ways of expression copied antique phrase and simile, except when the matter and sentiment of the poem compelled another choice. In that case the Latin becomes freer, more mediaeval, ruder, if one will; and still antique turns of expression and bits of sentences show how naturally it came to these men to construct their verses out of ancient phrases. Yet borrowed phrases and the constraint of metre impeded spontaneity, and these feeble versifiers could hardly create in modes of the antique. A fresher spirit breathes in certain anonymous poems, which have broken with metre, while they give voice to sentiments quite after the feeling of the old Italian paganism. In one of these, from Ivrea, the poet meets a nymph by the banks of the Po, and in leonine elegiacs bespeaks her love, with all the paraphernalia of antique reference, assuring her that his verse shall make her immortal, a perfectly pagan sentiment--or affectation:

“Sum sum sum vates, musarum servo penates,
Subpeditante Clio queque futura scio.
Me minus extollo, quamvis mihi cedit Apollo,
Invidet et cedit, scire Minerva dedit.
Laude mea vivit mihi se dare queque cupivit,
Immortalis erit, ni mea Musa perit.”[308]

It is obvious that in the tenth and eleventh centuries there were Italians whose sentiments and intellectual interests were profane, humanistic in a word. These men might even be high ecclesiastics, like Liutprand, Bishop of Cremona (d. 972).[309] He was of Lombard stock, and yet a genuine Italian, bred in an atmosphere of classical reminiscence and contemporary gossip and misdeed. Politically, at least, the Italy of John XII. was not so much better than its pope; and the _Antapodosis_ of Liutprand goes along in its easy, and often dramatic way, telling of crime and perfidy, and showing scant horror. It was a general history of the historian’s times, written while in exile in Germany; for Liutprand had been driven out of Italy by King Berengar, whom he had once served. He hated Berengar and his wife, and although well received at the Court of the great Otto, he did not love his place of exile.[310]

In exile Liutprand wrote his book to requite Berengar. The work had also a broader purpose, yet one just as consolatory to the writer. It should acknowledge and show the justice of the divine judgments exemplified in history. Herein lay a fuller, although less Italian, consolation for his exile than in Berengar’s requital. Liutprand keeps in mind Boëthius and his _De consolatione_, and regards his own work as a Consolation of History, as that of Boëthius was a Consolation of Philosophy. The paths of Liutprand’s Consolation are as broad as the justice and power of the Trinity, “which casts down these for their wicked deeds and raises up those for their merits’ sake.”[311]

Quite explicitly he explains the title and reason of his work at the opening of its third book:

“Since it will show the deeds of famous men, why call it Antapodosis?
I reply: Its object is to set forth and cry aloud the acts of this
Berengar who at this moment does not reign but tyrannize in Italy, and
of his wife Willa, who for the boundlessness of her tyranny should be
called a second Jezebel, and Lamia for her insatiate rapines. Me and
my house, my family and kin, have they harassed with so many javelins
of lies, so many spoliations, so many essays of wickedness, that
neither tongue nor pen can avail to set them forth. May then these
pages be to them an antapodosis, that is retribution, to make their
wickedness naked before men living and unborn. None the less may it
prove an antapodosis for the benefits conferred on me by holy and
happy men.”[312]

Liutprand’s narrative is breezy and interspersed with ribald tales. The writer meant to amuse his readers and himself. These literary qualities give picturesqueness to his well-known _Embassy to Constantinople_, where he was sent by Otto the Great, for purposes of peace and to ask the hand of the Byzantine princess for Otto II. The highly coloured ceremonial life of the Greek Court, the chicane and contemptuous treatment met with, the spirited words of Liutprand, and the rancour of this same thwarted envoy, all appear vividly in his report.[313]

There were also many laymen occupied with Latin studies. Such a one was Gunzo of Novara, a curiously vain grammarian of the second half of the tenth century. According to his own story, the fame of his learning incited Otto the Great to implore his presence in Germany. So he condescended to cross the Alps, with all his books, perhaps in the year 965. On his way he stopped with the monks of St. Gall, themselves proud of their learning, and perhaps jealous of the southern scholar. As the weary Gunzo was lifted, half frozen, from his horse at the convent door, and the brethren stood about, a young monk caught at a slip in grammar, and made a skit on him--because, forsooth, he had used an accusative when it should have been an ablative.

Gunzo neither forgave nor forgot. Passing on to the rival congregation of Reichenau, he composed a long and angry epistle of pedantic excuse and satirical invective, addressed to his former hosts.[314] In it he parades his wide knowledge of classic authors, justifies what the monks of St. Gall had presumed to mock as a ridiculous barbarism, and closes with a prayer for them in hexameters. His letter contains the interesting avowal, that, although the monk of St. Gall had wrongly deemed him ignorant of grammar, his Latin sometimes was impeded by the “usu nostrae vulgaris linguae, quae latinitati vicina est.” So a slip would be due not to unfamiliarity with Latin, but to an excessive colloquial familiarity with the vulgar tongue which had scarcely ceased to be Latin--an excuse no German monk could have given. It is amusing to see an Italian grammarian of this early period enter the lists to defend his reputation and assuage his wounded vanity. Later, such learned battles became frequent.[315]

Gunzo died as the tenth century closed. Other Italians of his time and after him crossed the Alps to learn and teach and play the orator. From the early eleventh century comes a satirical sketch of one. The subject was a certain Benedict, Prior of the Abbey of St. Michael of Chiusa, and nephew of its abbot--therefore doubtless born to wealth and position. At all events as a youth he had moved about for nine years “per multa loca in Longobardia et Francia propter grammaticam,” spending the huge sum of two thousand gold soldi. His pride was unmeasured. “I have two houses full of books; there is no book on the earth that I do not possess. I study them every day. I can discourse on letters. There is no instruction to be had in Aquitaine, and but little in Francia. Lombardy, where I learned most, is the cradle of knowledge.” So the satire makes Benedict speak of himself. Then it makes a monk sketch Benedict’s sojourn at a convent in Angoulême: “He knows more than any man I ever saw. We have heard his chatter the whole day. _O quam loquax est!_ He is never tired. Wherever he may be, standing, sitting, walking, lying, words pour from his mouth like water from the Tigris. He orders the whole convent about as if he were Abbot. Monks, laity, clergy, do nothing without his nod. A multitude of the people, knights too, were always hastening to hear him, as the goal of their desires. Untired, hurling words the entire day, he sends them off worn out. And they depart, saying: Never have we seen sic eloquentem grammaticum.”[316]

Another of these early wandering Italian humanists won kinder notice, a certain Lombard Guido, who died where he was teaching in Auxerre, in 1095, and was lamented in leonine hexameters: “Alas, famous man, so abounding, so diligent, so praised, so venerated through many lands--

“Filius Italiae, sed alumnus Philosophiae.

Let Gaul grieve, and thou Philosophy who nourished him: Grieve Grammar, thou. With his death the words of Plato died, the work of Cicero is blotted out, Maro is silent and the muse of Naso stops her song.”[317]

A final instance to close our examples. In the middle of the eleventh century flourished Anselm the Peripatetic, a rhetorician and humanist of Besate (near Milan). In his _Rhetorimachia_ he tells of a dream in which he finds himself in Heaven, surrounded and embraced by saintly souls. Their spiritual kisses were still on his lips when three virgins of another ilk appear, to reproach him with forsaking them. These are Dialectic and Rhetoric and Grammar--we have met them before! Now the embraces of the saints seem cold! and to the protests of the blessed throng that Anselm is theirs, the virgins make reply that he is altogether their own fosterling. Anselm gives up the saints and departs with the three.[318] This was his humanistic choice.

This rather pleasant dream discloses the conflict between Letters and the call of piety, which might harass the learned and the holy in Italy. Distrust of the enticements of pagan letters might transform itself to diabolic visions. Such a tale comes from the neighbourhood of Ravenna, in the late tenth century. It is of one Vilgard, a grammarian, who became infatuated with the great pagan poets, till their figures waved through his dreams and he heard their thanks and assurances that he should participate in their glory. He foolishly began to teach matters contrary to the Faith, and in the end was condemned as a heretic. Others were infected with his opinions, and perished by the sword and fire.[319]

Evidently Vilgard’s profane studies made him a heretic. But, ordinarily, the Italians with their antique descended temperament were not troubled in the observance and the expression of their Faith by the paganism of their intellectual tastes. Such tastes did not produce open heretics in Italy in the eleventh century any more than in the fifteenth. A pagan disposition seldom prevented an Italian from being a good Catholic.

Yet the monastic spirit in Italy, as elsewhere, in the eleventh century defied and condemned the pagan literature, and in fact all Latin studies beyond the elements of grammar. The protest of the monk or hermit might represent his individual ignorance of classic literature; or, as in the case of Peter Damiani, the ascetic soul is horrified at the seductive nature of the pagan sweets which it knows too well. Peter indeed could say in his sonorous Latin: “Olim mihi Tullius dulcescebat, blandiebantur carmina poetarum, philosophi verbis aureis insplendebant, et Sirenes usque in exitium dulces meum incantaverunt intellectum.”[320] So a few decades after Peter’s death, Rangerius, Bishop of Lucca, writes the life of an episcopal predecessor in elegiacs which show considerable knowledge of grammar and prosody; and yet he protests against liberal studies--philosophy, astronomy, grammar--with pithy commonplace:

“Et nos ergo scholas non spectamus inanes

* * * * *

Scire Deum satis est, quo nulla scientia maior.”[321]

So with the Italians the antique never was an influence brought from without, but always an element of their temperament and faculties. We have not seen that they recast it into novel and interesting forms in the eleventh century; yet they used it familiarly as something of their own, being quite at home with it. As one may imagine some grand old Roman garden, planned and constructed by rich and talented ancestors, and still remaining as a home and heritage to descendants whose wealth and capacities have shrunken. The garden is somewhat ruinous, and fallen to decay; yet these sons are still at home in it, their daily steps pursue its ancient avenues; they still recline upon the marble seats by the fountains where perhaps scant water runs. Fauns and satyrs--ears gone and noses broken--with even an occasional god, still haunt the courts and sylvan paths, while everywhere, above and about these lazy sons, the lights still chase the shadows, and anon the shadows darken the green and yellow flashes. Perhaps nothing in the garden has become so subtly in and of the race as this play of light and shade. And when the Italian genius shall revive again, and children’s children find themselves with power, still within this ancient garden the great vernacular poems will be composed; great paintings will be painted in its light and shade and under the influence of its formal beauties; and Italian buildings will never escape the power of the ruined structures found therein.

IV

In the tenth and eleventh centuries, as remarked already, studiously inclined people made no particular selection of one study rather than another. But men discriminated sharply between religious devotion and all profane pursuits. Energies which were regarded as religious might have a political-ecclesiastical character, and be devoted to the purification and upbuilding of the Church; or they might be intellectual and aloof; or ascetic and emotional. All three modes might exist together in religious-minded men; but usually one form would dominate, and mark the man’s individuality. Hildebrand, for example, was a monk, fervent and ascetic; but his strength was devoted to the discipline of the clergy and the elevation of the papal power. In the great Hildebrandine Church which was his more than any other man’s achievement, the organizing and political genius of Rome re-emerges, and Rome becomes again the seat of Empire.[322]

Eminent examples of Italians who illustrate the ascetic-emotional and the intellectual mode of religious devotion are the two very different saints, Peter Damiani and Anselm. The former, to whom we shall again refer when considering the ideals of the hermit life, was born in Ravenna not long after the year 1000. His parents, who were poor, seem to have thought him an unwelcome addition to their already burdensome family. His was a hard lot until he reached the age of ten, when his elder brother Damianus was made an archpresbyter in Ravenna and took Peter to live with him, to educate the gifted boy. From his brother’s house the youth proceeded in search of further instruction, first to Faenza, then to Parma. He became proficient in the secular knowledge comprised in the Seven Liberal Arts, and soon began to teach. A growing reputation brought many pupils, who paid such fees that Peter had amassed considerable property when he decided upon a change of life. For some years he had been fearful of the world, and he now turned from secular to religious studies. He put on haircloth underneath the gentler garb in which he was seen of men, and became earnest in vigils, fasts, and prayers. In the night-time he quelled the lusts of the flesh by immersing himself in flowing water; he overcame the temptations of avarice and pride by lavishly giving to the poor, and tending them at his own table. Still he felt unsafe, and yearned to escape the dangers of worldly living. A number of hermits dwelt in a community known as the Hermitage of the Holy Cross of Fonte Avellana, near Faenza; Peter became one of them shortly before his thirtieth year. They lived ascetically, two in a cell together, spending their time in watching, fasting, and prayer: thus they fought the Evil One. Damiani was not satisfied merely with following the austerities practised at Fonte Avellana. Quickly he surpassed all his fellows, except a certain mail-clad Dominic, whose scourgings he could not equal. His chief asceticism lay in the temper of his soul.

From this congenial community (the hermits had made him their prior) Damiani was drawn forth to serve the Church more actively, sorely against his will, and was made Cardinal-Bishop of Ostia by Pope Stephen IX. in 1058. It was indeed the hand of Hildebrand, already directing the papal policy, that had fastened on this unwilling yet serviceable tool. Peter feared and also looked askance upon the relentless spirit, whom he called Sanctus Satanas, not deeming him to be altogether of the kingdom of heaven. He deprecates his censure upon one occasion: “I humbly beg that my Saint Satan may not rage so cruelly against me, and that his worshipful pride may not destroy me with long-reaching rods; rather, may it, appeased, quiet to a calm around his servant.” In this same letter, which is addressed to the two conspiring souls, Pope Alexander II. and Archdeacon Hildebrand, he sarcastically likens them to the Wind and the Sun of Aesop’s fable, who contended as to which could the sooner strip the Traveller of his cloak.[323] Peter’s tongue was sharp enough, and apt to indulge in epigram:

“Wilt thou live in Rome, cry aloud:
The Pope’s lord more than the Pope I obey.”

And another squib he writes on Hildebrand:

“Papam rite colo, sed te prostratus adoro;
Tu facis hunc dominum, te facit iste deum.”[324]

It was, however, for his own soul that Damiani feared, while in the service of the Curia. To Desiderius, Abbot of Monte Cassino, he exclaims: “He errs, Father, errs indeed, who imagines he can be a monk and at the same time serve the Curia. Ill he bargains, who presumes to desert the cloister, that he may take up the warfare of the world.”[325]

Albeit against his will, Damiani became a soldier of the Church in the fields of her secular militancy against the world. He was sent on more than one important mission--to Milan, to crush the married priests and establish the Pope’s authority, or to Mainz, there to quell a rebellious archbishop and a youthful German king. Such missions and others he might accomplish with holy strenuousness; his more spontaneous zeal, however, was set upon the task of cleansing the immoralities of monks and clergy. In spite of his enforced relations with the powers of the world, he was a fiery reforming ascetic, a scourge of his time’s wickedness, rather than a statesman of the Church. His writings were a vent for the outcries of his horror-stricken soul. The corruption of the clergy filled his nostrils: they were rotten, like the loin-cloth of Jeremiah, hidden by the Euphrates; their bellies were full of drunkenness and lust.[326] As for the apostolic see:

“Heu! sedes apostolica,
Orbis olim gloria,
Nunc, proh dolor! efficeris
Officina Simonis.”[327]

These, with other verses written in tears, relate to schisms of pope and antipope which so often rent the papacy in Peter’s lifetime.[328] He never ceased to cry out against monks and clergy, denouncing their simony and avarice, their luxury, intemperance and vile unchastity, their viciousness of every kind. Such denunciations fill his letters, while many of his other writings chiefly consist of them.[329] They culminate in his horrible _Liber Gomorrhianus_, which was issued with the approval of one pope, to be suppressed by another as too unspeakable.

Naturally over so foul a world, flame and lower the terrors of the Day of Judgment. For Damiani it was near at hand. He writes to a certain judge:

“Therefore, most dear brother now while the world smiles for thee,
while thy body glows in health, while the prosperity of earth is sweet
and fair, think upon those things which are to come. Deem whatever is
transitory to be but as the illusion of a dream. And that terrible day
of the last Judgment keep ever present to thy sight, and brood with
quaking bowels over the sudden coming of such majesty--nor think it to
be far off!”[330]

Beware of penitence postponed!

“O how full of grief and dole is that late unfruitful repentance, when
the sinful soul, about to be loosed from its dungeon of flesh, looks
behind it, and then directs its gaze into the future. It sees behind
it that little stadium of mortal life, already traversed; it sees
before it the range of endless aeons. That flown moment which it has
lived it perceives to be an instant; it contemplates the infinite
length of time to come.”[331]

From Damiani’s stricken thoughts upon the wickedness of the age, we may turn to the more personal disclosures of one who wrote himself _Petrus peccator monachus_. There is one tell-tale letter of confession to his brother Damianus, whom he loved and revered:

“To my lord Damianus, my best loved brother, Peter, sinner and monk,
his servant and son.